Kassidy Marie’s “haunting me” Captures the Kind of Love That Doesn’t End
- Jennifer Gurton
- 1 hour ago
- 3 min read

Kassidy Marie doesn’t try to overcomplicate her debut. “haunting me” works because it sits in a feeling most people avoid talking about.
Breakup songs are everywhere, but most of them fall into two lanes. Either full heartbreak meltdown or clean, empowered closure. Real life rarely looks like either. Sometimes the person doesn’t disappear. They just become someone you don’t recognize anymore, and you’re stuck loving a version of them that doesn’t exist. That’s exactly where this track lives.
Sonically, “haunting me” leans into that alternative pop space without getting lost in it. The production is restrained, almost intentionally minimal at times, giving the emotion room to breathe instead of burying it under layers. There’s a soft tension running through the instrumentation that mirrors the theme perfectly. Nothing explodes, but everything feels like it could.
Vocally, Kassidy doesn’t oversell the pain. That’s what makes it hit harder. There’s a rawness in her tone that feels unfiltered, like she’s still processing the situation while singing it. It doesn’t sound like a finished chapter. It sounds like someone is stuck in the middle of it.
The songwriting is where the track really lands. It’s not trying to be poetic for the sake of it.
It’s direct, reflective, and slightly unresolved. That lack of resolution is what makes it real. You can feel the confusion, the attachment, and the frustration of not being able to fully let go, even when you know you should.
What makes “haunting me” stand out is that it doesn’t pretend healing is linear. It acknowledges that sometimes you carry people with you longer than you want to.
For a debut, this is a strong statement. Not because it’s loud or flashy, but because it’s honest. And right now, that’s way more rare than it should be.
You chose to leave the emotion in “haunting me” unresolved. Was it important for you not to force closure in the song?
I think since it is more of an open letter than a story, it made sense to me not to have a perfect bow tie ending. I also wanted the song to be able to connect with people easily. I think having it be in the present and not have an ending makes it easier to connect a situation in your life than just listen to a story.
This track feels very stripped back compared to a lot of pop right now. What made you lean into restraint instead of going bigger sonically?
My main connection to music is singing over instruments. I always wanted to sing and took singing lessons for years, so I wanted to make sure that the vocals were strong and not hidden behind a track. Along with that, the feeling of haunting, to me, felt like it needed to have some space to it.
You wrote this in a co-write. How did that process change the way you approached telling such a personal story?
When going into the co-write, I had the full concept down as well as many, many lyrics; I just didn't know how to connect them all seamlessly. That’s where the co-write was so helpful, getting a perspective on how to make it all connect. I couldn’t have asked for a better co-write session.
There’s a theme of loving someone who has changed. At what point do you think people realize they’re holding onto a version that no longer exists?
I think it happens slowly. You see them do something that doesn't seem like them, or you are having a hard time connecting with them like you used to. But emotions are such a person-to-person thing, so I think it has to do with each situation.
As your debut, what part of your identity as an artist did you want this song to establish first?
I wanted to establish who I am as a singer and artist. I am pop forward but with more of an artistic, alternative spin. I am very vocal-heavy and love instrumentals that are unique. I wanted a strong debut that I can build and grow off of.
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