Kathy Jenneh Drops Self-Love Anthem “Bitch I Love Me” Ahead of Bold Debut Album Conversation

Rising pop and R&B powerhouse Kathy Jenneh is making her presence known with the release of "Bitch I Love Me," the closing track on her upcoming debut album Conversation, set to release August 8, 2025.

Seamlessly fusing Afrobeats rhythms with pop hooks and R&B soul, the Texas-based Liberian-American artist delivers a vibrant and fearless declaration of independence, confidence, and emotional liberation.

"Bitch I Love Me" is more than just a song, it's a moment. A sonic exhale after heartbreak, betrayal, and self-doubt. It's the part of the story where the main character chooses herself and never looks back. With bold, affirming lyrics and feel-good Afro-pop production, Kathy creates an empowering anthem that resonates deeply with women of color and anyone who's ever had to reclaim their worth.

"This track is about that moment of clarity," Kathy shares. "I hope people feel powerful when they hear this song. I want them to know that choosing yourself isn't selfish; it's necessary. Love yourself first, loudly and unapologetically."

The single is already gaining traction, featured on DailyPlaylists' Chill Hits, and supported by a wave of radio appearances in Liberia on Hott FM, Spoon FM, Joy FM, Okay FM, Love FM, and Prime FM. Distributed through UnitedMasters, Kathy's music is carving out space in a crowded industry by being both personal and universally uplifting.

Drawing inspiration from icons like Rihanna, Tiwa Savage, and Yemi Alade, Kathy Jenneh is ushering in a new era of genre-blending pop that celebrates heritage, healing, and high-key confidence.

If Conversation is an intimate dialogue between past and present, "Bitch I Love Me" is the final word, a bold mic drop that says, "I've arrived, and I love who I am."

Bitch I Love Me" feels like such a powerful anthem of self-worth. Can you take us back to the moment or experience that sparked the creation of this song?

Absolutely. "Bitch I Love Me" came from a raw and emotional place. About two years ago, I reached a point where I realized I had been pouring so much of myself into people, whether it was in relationships, friendships, or even creatively, and I wasn't getting that same energy back.

It was exhausting and honestly heartbreaking. But out of that pain came this deep sense of clarity and power. When we started writing the song, I was scared of the word "bitch." I kept asking my producer if we could use something softer because it felt too harsh or too bold. But as we kept writing, I realized that's exactly the energy I needed to step into.

This song became a declaration of the woman I aspired to be: bold, unapologetic, and filled with self-love. I was done being overlooked. "Bitch I Love Me" is me reclaiming my worth loudly and without apology.

Your debut album, Conversation, delves into deeply personal themes, including anxiety, racism, and healing. Why was it essential for you to open up these topics in your first full-length project?

This album is me, unfiltered. I called it 'Conversation' because it genuinely is a dialogue with myself, with my past, and with the world around me. As a Liberian woman living in America, I've navigated so many emotional layers—feeling displaced, misunderstood, anxious, or even silenced. But music gave me the space to process that and speak freely. I didn't want my debut to just sound good; I wanted it to mean something. These are the stories I've lived, and sharing them felt like the most honest way to start my journey as an artist.

Afrobeats, pop, and R&B all come together so naturally in your sound. How do you approach blending genres while staying true to your Liberian roots and global vision?

For me, music is freedom—there are no rules. I grew up on Afro rhythms, gospel harmonies, and American pop, so blending genres is just part of how I hear the world. I stay grounded in my Liberian identity by infusing rhythm, energy, and storytelling into every track. But I'm also creating with a global audience in mind, so I allow myself to experiment. Whether it's an R&B melody, a pop hook, or an Afrobeats groove, it's all connected by authenticity. I don't force it; it's just who I am.

You've mentioned being inspired by artists like Rihanna and Tiwa Savage. How have their influence shaped your identity as both a woman and a musician?

Both Rihanna and Tiwa have shown me what it means to be bold, multidimensional, and unshakably authentic. Rihanna taught me the power of owning every version of yourself—whether that's confident, vulnerable, sexy, or raw. Tiwa showed me that you can be proudly African on any stage and still dominate globally. As a woman, they've helped me lean into my truth without apology. As an artist, they've reminded me that my story—my whole story—is enough. That's the energy I bring into every studio session, every performance, and every song

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What do you hope young women of color take away from your music, especially tracks like "Bitch I Love Me" that center on self-love and emotional resilience?

I hope they hear themselves. I hope they feel powerful. "Bitch I Love Me" isn't just a confidence anthem; it's a healing statement. We don't always get the space to fall apart and rebuild out loud, but that's what I'm offering through my music. I want young women of color to know that loving yourself, choosing yourself, and protecting your peace is a revolutionary act. My music is a mirror. I want them to look into it and say, "Yes, I matter. Yes, I'm enough."