Lisa Heller’s 'HELLO, MY NAME IS' Is A High-Energy, No-Holds-Barred Journey Through Identity
- Robyn Lee Greens
- Apr 3
- 5 min read
If you’ve ever wished your therapist would just put their advice to music, Lisa Heller has done you one better.
Her latest EP, HELLO, MY NAME IS, isn’t just a collection of songs—it’s a crash course in self-discovery, wrapped in explosive alt-pop production and laced with a rebellious streak that dares you to stop caring what people think. Six tracks deep, this project doesn’t just introduce Lisa Heller; it introduces all of her—the giver, the rebel, the hopeful romantic, the nostalgic, the independent, and the wild card who’s had enough.
From the opening track to its powerful finale, HELLO, MY NAME IS establishes itself as a bold statement of personal reinvention. The title, a nod to the classic name tag, serves as a playful challenge to the idea that identity is fixed. Heller explores this theme through a collection of emotionally charged tracks that oscillate between self-empowerment, vulnerability, and defiance. The EP captures moments of heartbreak, nostalgia, and rebellion, delivered through raw lyricism and dynamic production.
The project begins with a declaration of closure, an anthem that embodies the strength required to walk away from toxic relationships and embrace self-worth. From there, Heller reflects on the bittersweet ache of past love, capturing the complexities of unresolved emotions with soaring melodies and evocative storytelling. The EP shifts effortlessly into its more playful and chaotic moments, particularly in its exploration of unexpected love and the humor that can coexist with emotional depth.
The narrative continues with a brutally honest confession of self-sacrifice and the exhaustion that comes with prioritizing others at the expense of personal happiness. The journey then turns introspective, exploring the fear of stepping into the unknown and the hesitation that accompanies change. By the time the final track arrives, Heller has fully embraced her own defiance, delivering a rebellious anthem that sheds all expectations and unapologetically claims personal freedom.
Beyond the music itself, HELLO, MY NAME IS extends its storytelling into a visually compelling concept. Inspired by video games and casino-style selection screens, Heller introduces each track as a distinct persona, further reinforcing the EP’s central message: identity is fluid and multifaceted. This creative approach adds another layer to the project, offering listeners an interactive way to connect with the different aspects of her artistry.
With HELLO, MY NAME IS, Lisa Heller proves she is not just another alt-pop artist—she is a force to be reckoned with. The EP’s lead single has already achieved notable success, charting internationally and significantly expanding her listener base. Fresh off a nationwide tour with Echosmith and having shared stages with artists like Yung Gravy, COIN, Hippo Campus, and Chelsea Cutler, Heller continues to make a lasting impact both online and on stage. Now represented by United Talent Agency, she is poised for even greater success as she continues to connect with audiences worldwide.
Your EP HELLO, MY NAME IS, explores different sides of your identity. Was there a particular version of yourself that was the hardest to confront or express through music?
1000%. Writing 'people pleaser' felt like opening a diary I didn't even realize I had been keeping. It's the version of me that says "yes" when I want to say "no," the one who bends over backward to keep the peace even when it's at my own expense. I think confronting that was difficult because, in a way, I had convinced myself that version of me was necessary for survival. But making this EP was about breaking that mindset—about letting all these different versions of me take up space unapologetically. You get the reckless, in-love version in 'LOSER!', the nostalgic dreamer in 'U LIKE THAT,'' and the unbothered, don't-give-a-f *** attitude in 'SO FUCKING WHAT?'. But 'people pleaser'? That was me putting my foot down and saying, "I refuse to be that person anymore."
You've built a strong following through both your music and electrifying live performances. How do you translate the emotional depth of your songs into such high-energy stage moments?
Performing isn't just about singing a song—it's about becoming the song. When I play 'THIS IS THE END,' I'm not just performing it—I'm that person who just torched their past and is walking away in slow motion while everything burns behind them. When I play 'people pleaser,' I let myself feel the weight of that exhaustion so the crowd can feel it, too. And then there's 'LOSER!'—that one is just pure chaos, like I'm getting dragged through a whirlwind of falling way too hard, way too fast. I think the reason my live shows feel so intense is because I don't hold back. I let myself be completely unhinged in whatever emotion that song carries, and I think the audience can sense that.
The "Choose Your Fighter" concept for this EP is incredibly unique. Can you walk us through the inspiration behind it and how it reflects the themes of the project?
I grew up obsessed with video games—or at least, I would have been if I was actually allowed to play them. My parents weren't big on screens, so I spent most of my childhood watching other kids play and mentally assigning myself characters. Maybe that's why this idea stuck with me—there's something fascinating about how each fighter has their own story, strengths, and weaknesses, but at the end of the day, they're all different versions of a hero. That's what 'HELLO, MY NAME IS' felt like to me—like stepping into different parts of myself and seeing what they could do. So I built this world where every song is its own fighter: 'THIS IS THE END' is "The Independent," the one who refuses to look back. 'LOSER!' is "The Hopeful Romantic," hopelessly falling, even when they swore they wouldn't. 'people pleaser' is "The Giver," the one trying to keep everyone else happy. It's all these different versions of me, but in the end, they're all still me.
Your lead single, "LOSER!" has already made waves on international charts. How does it feel to see this kind of response, especially as an independent artist?
Honestly? It's f***ing wild. 'LOSER!' started as this sarcastic little song about falling so stupidly in love that you literally feel like a loser. I never expected it to take off like this. To see people across the world screaming the lyrics, making TikToks, turning it into their love song—it's unreal, especially as an independent artist, where every milestone feels like you clawed your way there. There's no label machine making this happen—it's just real people connecting with the song, and that means everything to me.
You've toured with artists like Echosmith, COIN, and Bryce Vine. How have these experiences shaped your perspective as an artist, and what do you hope to bring to your own future headlining shows?
Touring has been the best crash course on how to own a stage. COIN's energy is insane—they make every show feel like a stadium, no matter the size of the room. Bryce Vine's crowds know how to throw a party (I even remember him spraying water into the crowd just right so it's fun, but no one got soaking wet), and Echosmith brings this level of emotional connection that makes you feel like you belong there. What I've learned from all of them is that the best shows aren't just about sounding good—they're about making people feel something.
When I headline, I want it to feel like stepping into my brain for an hour—like you're not just at a concert, you're inside this chaotic, cinematic world where every song is a new scene. I want people screaming their lungs out to 'THIS IS THE END,' dancing like their life depends on it during 'SO FUCKING WHAT?', and then completely melting when we hit 'scared of the ground.' The best shows feel like therapy and a mosh pit at the same time—that's what I want to create.
