Pink Dreamz Level Up with “Supreme Being” and “Master of the Funk”

Pink Dreamz has never played it safe, and 2025 proves they’re doubling down. Now led by My Dreamz, the East Coast rap project is out here bending genres like it’s second nature, serving tracks that hit experimental heights while still nodding to the classics.

“Master of the Funk” is pure attitude. A loud salute to James Brown, the track slaps with horn stabs, live guitar, and a groove that doesn’t just ask you to move, it dares you not to. My Dreamz drops razor-sharp bars stacked with clever punchlines, using the funk as a vehicle to talk discipline, hunger, and always staying a student of the game. It’s sweaty, unfiltered, and locked in on purpose.

Then comes “Supreme Being,” same energy, different galaxy. Born from a wild real-life moment (a dolphin popping up just as My Dreamz dove into the ocean), the track channels that cosmic timing into a futuristic beat that moves fast and hits harder. The verses? Relentless. My Dreamz raps like he’s trying to outdo not just the competition, but his own past self, chasing the divine while flexing peak creative muscle.

Together, these singles nail the duality that defines Pink Dreamz: grounded in groove but always reaching sky-high. Both tracks land on the upcoming full-length, dropping before the end of 2025, with My Dreamz taking on writing, producing, and performing solo. It’s shaping up to be the most unfiltered Pink Dreamz release yet.

And the timing? Couldn’t be better. With 2026 marking ten years since the duo’s first mixtape, “Supreme Being” and “Master of the Funk” prove Pink Dreamz isn’t just still around, they’re hungrier, sharper, and more inventive than ever.

As My Dreamz puts it: “If I can inspire one person in the world to apply that to whatever they have going on, mission accomplished.” These tracks don’t just talk about the mission; they embody it.

“Master of the Funk” pulls from James Brown’s legacy. How did you balance vintage funk inspiration with your own modern rap style? There is something so raw about funk music. My favorite James Brown cut is "The Payback".  Instead of really singing, James Brown is vibing with a band, telling it like it is, and letting the words marinate.  Maybe James Brown was rap before rap.  I have my own style, and after I've finished making the beat, the rest just kind of falls into place.  I always think of my songs and art as stone versus sculpture, and that the art was always in the stone.

The dolphin story behind “Supreme Being” is wild. Do you often draw inspiration from real-life moments like that? As a recording artist and someone who has been recording other artists for almost as long, you have to live life to make good music.  I've recognized times where I was making music just to make music. If I feel like I'm forcing it, it's time to pivot, usually.  You have to log off sometimes, too, and just get outside.  The most beautiful inspirations, whether complex or so simple, come from just living life.

As Pink Dreamz approaches its tenth anniversary, how do these singles reflect your growth since the first mixtape? I've grown up making music, and it is hard sometimes to imagine a life where I'm not consecutively working on the next idea. Keeping Pink Dreamz alive for almost ten years, I feel like the dream has grown up beside me with a life of its own. Back in the days of the first Pink Dreamz mixtapes, it was a kind of guerrilla warfare. We'd set up a mic or get into any booth we could, party, record, and bounce.  Whatever we got, that was the song.  With this next album, I really took it song by song and wanted to focus on how good I could push myself to make each one individually.  There were a lot of redos, added vocal mixes, version 3s, and scrapped ideas before I got to where I wanted them to be.  

What challenges did you face producing, writing, and performing the upcoming album entirely on your own? Music production, marketing, writing, composing, videos, etc. All of it is my passion.  Doing it all simultaneously is going to burn someone out for sure.  I try to compartmentalize each task and step away to come back to it when I have to.  Other than that, I love learning and growing in each bracket of putting the full music package together for the audience. With each next release, the visuals are better, the mixes are better, the ideas are more polished, and that is always the goal. Make the next one better than the last.  The upcoming Pink Dreamz album is absolutely my personal best.

What do you want listeners, both new and longtime fans, to take away from “Supreme Being” and “Master of the Funk”? I want listeners who are supposed to find the music to find the music.  As a musician's musician, I hope as many people as possible see that they can do it too and do it. I really want to birth as many new music artists as I can in that way, or influence the sounds and styles of other artists.  "Supreme Being" is a hit. It has this awesome rolling bassline and is just bar after bar.  Please put that on your gym/workout playlist!  Someone once told me they wanted to shop all day listening to "Master of the Funk", so maybe it would be cool to get a deal with a shopping mall or something.  Contemplating another Pink Dreamz album after this one may not be the next thing for me either.  I made this next album what I wanted it to be and considered it could be the last one that I do. With that in mind, another thing I want to convey with "Master of the Funk" is that, if this is the last Pink Dreamz album, remember that you can always look in the mirror and say my name, three times.