Shitzulover07 Turns the Club Into a World on TILL DEATH DO US PART

Shitzulover07 is not easing into the scene. She’s kicking the door open with a 24-track debut that feels less like an album and more like a full-on environment.

TILL DEATH DO US PART pulls straight from the chaos and glamour of recession-era pop, but it doesn’t feel like nostalgia for the sake of it. It feels intentional. Built for the club, the walk home, and the moments in between, the project captures that specific kind of nightlife where everything feels heightened. Desire, confidence, insecurity, freedom. All of it exists at once.

Sonically, the album leans into heavy synths, thick bass, and vocal manipulation that sits somewhere between hyperpop and classic dance-pop. The energy is loud, messy, and addictive in the best way. Tracks like “DIRTY” and “CONTROL YOUR BODY” push that late-night, no-rules energy, while songs like “GHOST” slow things down just enough to remind you there is something real underneath all the chaos.

What stands out is how personal it all feels despite the scale. Shitzulover07 weaves in her experiences as a trans woman, her connection to queer club culture, and the importance of creative community without making it feel like a statement piece. It just exists as part of the world she’s built. That authenticity carries the project.

There’s also a clear sense of duality running through the album. Fame and emptiness. Lust and vulnerability. Confidence and doubt. It mirrors the reality of nightlife culture, where everything looks perfect until it isn’t. That tension keeps the album from feeling one-dimensional.

At its core, TILL DEATH DO US PART is about release. Letting go, leaning in, and becoming whoever you want to be for a moment. It is loud, unapologetic, and very aware of the space it is taking up.

This album feels like more than music; it feels like a full world. Were you more focused on building a sound or building an experience people can step into? 

’TILL DEATH DO US PART’ is a complete amalgamation of my work over the past 2+ years, through writing about my own experiences & dreams, while exploring long-term inspirations such as Gaga & Kesha. The track-list includes themes of fame, lust, desire & darkness, the album's broad story-line of a developing late night out, came together somewhat intuitively, with the album starting with care-free, bouncy hyper-pop beats, developing to deeper, more electronic & trap-inspired synths & drum patterns, combined with my signature ‘tongue-in-cheek’, lyrics coated with somewhat explicit double entendres. I found myself focusing on the sound while making each track, and then piecing the world-building together through visuals & track-list design.

You pull heavily from recession-era pop. Do you think that era was more honest about escapism than what pop is doing now?

Yes I do, I think honestly in the era we are in now, there is a lot of music made to appeal to a specific audience, where as I feel the recession pop era was way more care-free & natural, that era didn’t pretend, it was just like, ‘life’s messed up, let’s party anyway’ & I live for that honesty through unhinged lyricism.

There’s a lot of duality in this project, confidence versus vulnerability, glamour versus emptiness. Do you see the club as a place to escape reality or confront it?

Honestly, both, you go to escape through music, community & friends, but there comes a point where everything you’re avoiding can find you on the dance floor. I think the club is where you dress everything up to look perfect, but underneath it’s still messy; that’s the duality for me.

You made parts of this album with close friends across different cities. How much did that sense of community shape the final sound?

All of the collaborators on this project are long-term friends I’ve made through music, all of them inspire me constantly, my fellow dolls & the boys on the album understood the assignment & delivered amazing verses/production to add to the world-building/final sound. I adore hearing experiences from other humans & find myself a naturally curious person. I didn’t have guidelines or expectations of my collaborators/friends; I knew everyone I asked was an amazing artist with high-quality work, and I am lucky to have a personal relationship with them.

You’re very open about identity and queer club culture, but it never feels forced. How do you balance telling your story without turning it into a label?

I think when it’s actually a lived experience, it doesn’t feel forced. I’m not trying to represent anything perfectly; I’m describing my life experience/version of it. I’m not trying to turn my identity into a marketing tactic, it’s just who I am & it shows up however I show up. I find unlimited inspiration from numerous communities & music cultures, particularly trans/queer communities & I would change anything about the woman I am today.