top of page

The Infamous HER Throw a Toast to the Misfits on “Born Outta Step”

  • Writer: Jennifer Gurton
    Jennifer Gurton
  • 1 hour ago
  • 3 min read

“Born Outta Step” feels less like a single and more like a barroom oath. The Infamous HER aren’t chasing polish here. They’re chasing communion. From the first stomp and accordion swell, the track locks into a loose, celebratory swing that sounds built for sticky floors, raised glasses, and voices shouting lyrics they barely know but fully mean.


Monique Staffile leads the charge with a voice that doesn’t beg for approval. It kicks the door open. There’s grit in her rasp, but underneath it is warmth, the kind that turns a drinking song into a manifesto. The hook lands like a chant for anyone who’s ever felt out of sync with the room and decided to dance anyway. Country pop frameworks are there, sure, but they’re roughened by punk attitude and glam theatrics. It’s Nashville by way of the Lower East Side, boots splashed with glitter and beer.


The production leans into its Irish pub spirit without slipping into novelty. The accordion lines don’t feel gimmicky. They feel ancestral, like the song is tapping into a lineage of misfit anthems that existed long before streaming platforms and genre tags. You can hear the spontaneity in the arrangement, the sense that this was written in a moment of collective affection for the weird friends who make life tolerable. That emotional core keeps the track from becoming parody. It’s rowdy, but it’s sincere.


Lyrically, “Born Outta Step” celebrates the outsiders without romanticizing struggle. It’s about choosing your people and finding rhythm in shared difference. The Infamous HER frame individuality as a group sport. You’re weird, I’m weird, good. Pull up a chair. The song’s biggest strength is how welcoming it feels. Even if you’ve never set foot in Nashville or an Irish pub, the invitation is clear.


This is party music with a thesis. Under the noise and laughter is a simple argument: belonging isn’t about fitting in, it’s about finding the ones who don’t. The Infamous HER raise a glass to that truth and make it impossible not to join them.



“Born Outta Step” feels like a love letter to chosen family. Who were you picturing while writing it?


I was thinking more about friends than family members, but ..I do have family members who are “born outta step”. My dad’s a NYC artist who came from a very Italian family from Brooklyn. He definitely rebelled growing up, and still lives life on the edge. So I guess he’s included in my song. 


How did moving from New York to Nashville reshape your sound and your sense of identity as a project?


If I never reshaped my identity. I’m definitely still a New Yorker at heart! But moving to a house with a lot of land lets me crank up to 11, as opposed to working on music in headphones in a nyv apartment and trying not to disturb neighbors. 


The accordion gives the track a folk-drinking-song energy. When did you realize that was the right sonic direction?


Ironically, we have two accordions lying around our house. So when writing this little ditty, it was the only instrument collecting dust on the floor that needed to be picked up and played. 


Monique, your vocal delivery balances toughness and tenderness. How conscious are you of that duality when recording?


I’m not. I just do me. I’m not a twirly worlly singing..I sing more from the gut and heart. I would say my gut is the softer side, while my heart is tough. 


The song celebrates misfits without turning them into clichés. What does being “outta step” mean to you personally now?


I feel the world has such expectations of what people should be like, how they should dress, what they should say, say and even look like. With AI, you don’t even know what’s real or fake anymore. So being born outta step is someone who doesn’t conform to what people expect them to be.

bottom of page