Search this site

After a decade-long hiatus, My Satellite returns with Person , an immersive, psychedelic concept album that charts the emotional arc of a relationship from euphoric beginnings to its inevitable end. The Los Angeles-based band, led by Bryan Stage and Andy Marshall, has poured nearly eight years into crafting this record, and the result is a stunning, deeply personal sonic journey that resonates with raw emotion and profound introspection. Recorded at Drooping Rug Studios, Person is more than just a breakup album—it's an experience. From the electrifying intensity of "Minotaur," which captures the rush of the new attraction, to the dreamlike melancholy of "Tangles & Virtues," where reality sinks in, every track is a chapter in a larger, cohesive narrative. The album finds its resolution with "Morning," a moment of clarity and hope, proving that even after heartbreak, there is always a new beginning. Musically, Person is a lush fusion of psychedelic textures, indie rock sensibilities, and deeply emotive lyricism. Its storytelling is fearless and vulnerable, amplified by the band's meticulous production and willingness to let instinct—along with a touch of psychedelic inspiration—guide the process. At its core, Person is a love letter to the album's art. My Satellite encourages listeners to experience it in full—front to back—as a single, cohesive piece. In a culture driven by playlists and singles, this album reminds us of the power of immersive storytelling through music. With Person , My Satellite has not only redefined its sound but also reaffirmed its place in the indie music landscape. "Person" is a deeply immersive concept album that takes listeners through the highs and lows of a relationship, from passion to heartbreak to self-discovery. How did your personal experiences shape this journey, and were there any moments in the songwriting process that felt particularly cathartic or challenging? All of my writing comes from a foundation of personal experience, which I then often embellish, turn the perspective around, and generally mold it into something that isn’t necessarily autobiographical but still feels true to me. When we started writing, Andy and I had both come out of difficult breakups so making a breakup album seemed appropriate, but I didn’t want to just make an album that wallows in the heartbreak. I wanted to also celebrate the joys of a relationship: the sex, the love, the fights, the breakup, and everything in between. Once we had the intention, the songs seemed to fall into place, but we were also changing our sound during this process, so it was very challenging to get the song to match the idea that we both had in our heads. There were dozens of rewrites, re-recordings, and remixes to get the album just right. It was really tough keeping that focus over the course of all the years and not getting discouraged when life got in the way. There were times when we didn’t make any progress for months and months. But when we finally got each song right, and the finished product was exactly what we knew it could be all these years, the feeling of that accomplishment was unlike anything we’d felt before. I guess you could say catharsis, but that doesn’t seem to quite cover it. You describe  Person  as a psychedelic concept album that should be experienced in full, rather than as individual tracks. In an era dominated by playlists and singles, what do you hope this album rekindles in listeners about the lost art of the full-length album experience? To us, there is no better experience than listening to a well-thought-out album that is fantastic from start to finish. Playlists and singles are a fun way to listen to music, but to me a poor way to enjoy the art that music can be. One of my earliest music memories is listening to Pink Floyd’s The Wall, and I remember being blown away by how it all fit together so beautifully to create this deep story of dealing with loss and trauma. It’s a novel. “Another Brick In The Wall” and “Comfortably Numb” are incredible chapters in that novel, but they’re just excerpts. They’re not the whole story. Person is more than the sum of its parts, and I hope that if we keep on that point then at least some people will be intrigued enough to listen from start to finish. If we’ve done our jobs well then it should be enjoyable and understandable as a singular work of art. If we’ve done our jobs really well, and perhaps with the aid of some chemical enhancers, listening to our album could be a very memorable experience that they can’t stop thinking about. The album was self-produced and took nearly a decade to complete, evolving alongside you as artists and individuals. How did this extended creative process shape the final sound of  Person , and were there any pivotal moments where you felt the album took a completely new direction? The most pivotal moment in my mind had nothing to do with writing the album. In 2017, Andy and I had been working on the album but hadn’t really made much headway. We essentially were on our way to writing another Lift. It would have been fine. That’s all. Just fine. After a night out in downtown LA, Andy and I came back to my place and decided to drop acid and listen to music until the morning. It was a pretty transformative experience that gave us both an education on things that were lacking in our music. We came out of that night changed. When we got back into the studio we basically threw out everything we had been working on, tore the songs we had down to their bones and then rebuilt with a whole new mindset. That night was the prologue to the next decade of our lives. Your music has always blended lush, psychedelic textures with deeply personal storytelling. What role did psychedelics, instinct, and emotional vulnerability play in shaping  Person , both sonically and lyrically? Psychedelics were a huge part of our journey. Not only did it kick off the vision for the album in our heads, but we did a lot of writing on shrooms or acid. It’s amazing being creative in that state, and I think we would have a hard time recognizing the album without their involvement. We would sit in the studio from 8 pm to 8 am, putting down all kinds of sounds and letting the song takes us wherever it feels right to explore. We intentionally set out to write an album that we would want to listen to while on psychedelics, so that informed pretty much every decision we made. With the relationship theme that we had in place for the album, it was very easy and natural to be emotionally vulnerable lyrically. I think my lyrics are usually fairly vulnerable, but with this album, I had more of a linear objective, and so my lyrics became more narrative. They aren’t quite as emotionally abstract as some of our older songs. I needed the story to make sense and give the listener something clear to lean on so that when the music gets a bit wild and strange, the lyrics still grind you in some kind of reality. From  Telescopes  to  Lift  and now  Person , My Satellite has undergone evolution in both sound and lineup. How has the band’s journey—through lineup changes, creative reinvention, and personal growth—shaped the music you’re making today? I started My Satellite as a little solo bedroom project. In the early albums I wrote almost everything in Logic with virtual instruments and amp modelers. Aside from my vocals and guitars, everything else was digital and doggedly diatonic. Meeting Andy was like meeting a better version of me who had similar taste in music, greater knowledge of music theory and production than I had at the time, and was far more dedicated to working outside of the computer. Using more analog synths and keys, ditching standard arpeggiators, and committing to using natural drums almost exclusively have been one of the biggest factors in our change in sound, all thanks to his influence. I’ve never experienced a musical partnership that is as fulfilling and easy to navigate as I have with Andy. As tough and arduous the journey was to get Person across the finish line, I can’t wait to do it again on the next one.

Cannabis and live music are a match made in sensory heaven. There’s something about the rhythmic pulse of a bassline and the euphoric buzz of THC that enhances the experience in ways no sober moment quite can. However, despite the growing legalization of cannabis, most music venues and festivals still enforce strict policies prohibiting its use. This leaves concert-goers and festival enthusiasts looking for creative and discreet ways to bring their stash along. While sneaking weed into an event isn’t exactly rocket science, it does require careful planning and a solid understanding of security measures. The goal isn’t just to avoid getting caught but also to ensure a hassle-free, enjoyable experience without unnecessary risks. If you’re determined to enhance your concert experience with a little green, this guide will walk you through the best methods to get it past security and enjoy it safely. Understanding Security Measures and Risk Levels Before even considering how to bring cannabis into an event, it’s essential to assess the level of security you’ll be facing. Different festivals and concerts have different levels of strictness, and knowing what to expect will help you make smarter decisions. For smaller venues and local festivals, security is often limited to basic bag checks and metal detectors. This means you only need to be mindful of obvious hiding spots, and as long as your stash isn’t out in the open, you should be fine. However, larger events, especially mainstream music festivals like Coachella or Lollapalooza , tend to enforce more rigorous searches. These may include thorough bag inspections, pat-downs, and, in some cases, drug-sniffing dogs. Understanding these measures allows you to tailor your approach. If you’re facing a quick bag search, hiding weed inside a discreet container may be enough. If the event is known for more aggressive security, you’ll need to get more creative with your concealment strategies. The Art of Hiding Weed in Plain Sight One of the best ways to get something past security is to disguise it as something completely ordinary. Security personnel are trained to look for specific items, and as long as your stash doesn’t match their mental checklist, it’s unlikely to draw attention. Everyday objects like mint tins , chapstick tubes , and old cigarette packs make excellent hiding spots. A small bag of flower or a rolled joint fits easily inside an empty Altoids container, while an old chapstick tube can be cleaned out to serve as a makeshift stash box. If you prefer something less obvious, rolling a joint and tucking it inside an unused tampon applicator is another nearly foolproof method. Security rarely—if ever—thoroughly inspects personal hygiene products, making this an ideal hiding spot. For those attending outdoor festivals, sunscreen and lotion bottles provide another excellent disguise. Since most festivals encourage attendees to bring sun protection, a bottle with a false bottom or an emptied-out section can serve as the perfect hiding place for pre-rolls or even a small vape pen. The key is to make sure the item still looks and feels legitimate; a half-empty sunscreen bottle with an unnatural weight distribution might arouse suspicion. Edibles: The Ultimate Hassle-Free Solution If you want to completely avoid the stress of sneaking in traditional cannabis products, edibles are the way to go. Unlike flower or vape pens, edibles eliminate the risks associated with odor and visible paraphernalia. This makes them one of the safest and most convenient options for cannabis consumption at music events. The trick to getting edibles past security is simple—package them like regular snacks. A bag of THC-infused gummies, for example, can be placed inside a resealed package of Haribo or Sour Patch Kids. If you’re feeling extra cautious, you can even go as far as heat-sealing the package with an iron, making it look completely untampered with. Cookies or brownies, on the other hand, can be mixed into a container with non-infused baked goods, blending in seamlessly. One important factor to consider when opting for edibles is timing. Unlike smoking or vaping, which deliver effects almost instantly, edibles take time to kick in. Eating too much too quickly can result in an overwhelming high, which is the last thing you want at a crowded festival. The best approach is to consume a moderate dose about an hour before entering the venue so that you can start feeling the effects as the music begins. Where to Hide Your Stash If you prefer to bring traditional cannabis rather than edibles, you’ll need a secure place to hide it. Some of the most reliable methods involve using items that security is less likely to scrutinize closely. For example, placing a small bag of cannabis inside the sole of your shoe is an old-school trick that still works well. However, it’s important to ensure that the bag is properly sealed and won’t break open under pressure. Another common method is tucking a joint inside the waistband of your underwear or bra, as pat-downs rarely go beyond external clothing layers. Larger stash items may require more creativity. A deodorant stick with a hollowed-out center can store a surprising amount of cannabis, while a thick phone case provides just enough space for a discreet baggie. If you’re wearing cargo pants or a jacket with hidden pockets, these can also serve as excellent storage locations, especially when paired with smell-proof bags. How to Smoke at a Concert or Festival Without Getting Caught Getting cannabis into a festival is only half the battle. Once inside, the next challenge is consuming it discreetly. The last thing you want is to get ejected mid-show because security caught a whiff of your joint. The safest and least conspicuous way to consume cannabis at an event is by using a vape pen. Vaporizers produce minimal smoke and odor, making them much harder to detect. If a vape isn’t an option, a one-hitter disguised as a cigarette is another low-profile way to enjoy your stash. If you prefer the traditional joint, the key is choosing the right time and place to light up. Avoid smoking in densely packed crowds where security is patrolling, and instead, look for areas with less foot traffic. Standing downwind can also help mask the smell, as smoke dissipates more quickly when carried away from populated areas. Another important tip is to act naturally. People who get caught smoking at festivals are often the ones who look nervous or guilty. If you behave like everything is normal and avoid drawing attention to yourself, chances are, security won’t notice you. What Not to Do While it’s important to know the best ways to bring cannabis into an event, it’s equally important to understand what not  to do. Avoid trying to sneak in large amounts of cannabis, as this significantly increases your chances of getting caught. Bringing more than a personal supply also carries additional legal risks, as possession limits are often strictly enforced at events. Never store weed in your wallet or front pockets, as these are among the first places for security checks. Similarly, using plastic bags that aren’t smell-proof can be a giveaway, especially if the strain you’re carrying has a particularly strong odor. Perhaps the biggest mistake is smoking openly in front of security or staff. No matter how relaxed an event might seem, there are always rules in place, and breaking them in an obvious way is a surefire way to get kicked out. Ultimately, the goal of sneaking weed into a concert or festival isn’t just to break the rules—it’s to enhance the experience in a way that doesn’t cause disruptions. Whether you choose to disguise your stash in everyday items, opt for edibles, or use a well-hidden storage method, the key is to be discreet, respectful, and mindful of your surroundings.

Photo by Frazer Harrison Touring is an exhilarating experience, but life on the road can quickly become exhausting without the right essentials. From gear maintenance to personal comfort, every traveling musician has essentials for surviving long drives, unpredictable venues, and nights in unfamiliar places. Whether you’re heading out on your first tour or you’re a seasoned road warrior, here’s a breakdown of the crucial items musicians can’t live without while touring. Essential Gear & Supplies Your instrument is your lifeline, and the last thing you need is a broken string or a malfunction mid-set. Be prepared with: Extra strings , picks , and spare parts Cleaning supplies to maintain your instrument’s condition A tuner for quick and accurate tuning Tools for basic repairs and adjustments Tech issues can ruin a show before it even starts. Keep your setup running smoothly with: Headphones for practicing and recording ideas on the go Extension cords and power strips to ensure you're never without an outlet Adapters and all necessary cables for your sound and instrument setup Accidents happen, whether it’s a cut finger or a broken strap. Always have: A well-stocked first-aid kit with bandages, antiseptic wipes, and pain relievers Any necessary personal medications Duct tape , scissors, pliers , and other tools for quick fixes Long drives, unpredictable weather, and packed schedules mean you need clothing that’s comfortable and adaptable. Pack: Breathable shoes and comfortable travel outfits Layered clothing for fluctuating temperatures Hygiene kits like toothbrushes, toothpaste, deodorant, soap, and shampoo Food options on the road aren’t always great, and staying hydrated is crucial. Bring: Non-perishable snacks to avoid unhealthy gas station food A reusable water bottle to stay hydrated without wasting plastic Any necessary dietary supplements or special food items Touring means plenty of waiting—waiting at venues, in hotels, or on long drives. Keep yourself entertained with: Books, magazines, or e-readers Movies or TV shows downloaded for offline viewing Games (card games, mobile games, or a small gaming console) Getting quality sleep on the road is a struggle, but the right items can help: A travel pillow or eye mask for comfortable sleep in vans, buses, or flights Earplugs or noise-canceling headphones to block out unwanted noise Life on the road is unpredictable, but having the right essentials makes it easier to stay focused, comfortable, and ready to perform. Whether it’s the tools to keep your gear in top shape, the comforts that help maintain your sanity or the small things that make travel easier, these are the must-haves that every touring musician swears by.

Jaime Dee , the multi-hyphenate powerhouse of a recording artist, radio personality, and entertainment juggernaut, just dropped a New Orleans Bounce-infused banger that doesn’t ask you to dance—it commands  you to. And trust us, resistance is futile. From the jump, Roll With Me  hits you with an infectious groove that feels like a VIP invitation to the wildest party of the year. The beat? Bouncy. The hooks? Stickier than spilled daiquiris on Bourbon Street. The energy? Through-the-roof levels of electric. If your weekend plans were looking a little dull, Jaime Dee just solved that problem in three and a half minutes flat. Jaime’s signature charisma oozes through every beat drop and hyped-up chorus, effortlessly luring you into the carefree, joy-filled vibe he envisioned for this track. No stress, no pretense—just pure, unfiltered fun. It’s an anthem for the people who actually came to the party to party —not to stand around and flex for Instagram stories. And let’s talk about that message  for a second. “ I want people to feel that energy when they listen to this release ,” Jaime explains. “ Life is short, and we should embrace the music, the good vibes, and the people around us. Let the music guide you, let go of the stress, let go of the section culture, and just be free .” We hear you, Jaime. And honestly? It’s about time somebody reminded us that partying isn’t about bottle wars and velvet ropes—it’s about feeling the music in your bones, forgetting your worries, and sweating out every last bit of bad energy on the dance floor. So whether you’re blasting Roll With Me  in the car with the windows down or breaking it down in the middle of a crowded club, one thing’s for sure—you’re gonna feel  this one. Jaime Dee just made it officially impossible to stay in your seat. And for that, we salute him. “Roll With Me” is a high-energy anthem that brings back the essence of pure fun in music. What inspired you to create this track, and how does it reflect where you are in your career right now? What inspired me to make ‘Roll With Me’ is the feeling that good, fun, and carefree dance music is starting to fade. It seems like artists and labels are shifting away from making music that makes people want to get up and dance. In many clubs, it’s all about drill, trap, and darker sounds, and we know that doesn’t exactly make people want to move. On top of that, section culture has changed how we approach partying and having fun. I wanted to bring that energy back with my music, making something that reminds people of pure joy and freedom on the dancefloor. As for where I am in my career, I feel like this track is a statement—it's about getting back to the essence of what music is really about: connecting, having fun, and enjoying the moment. New Orleans Bounce is all about movement, energy, and culture. How do you see your sound pushing the genre forward, and what elements of the city’s influence are embedded in this track? I see “Roll With Me” as a track that not only celebrates the vibrant culture of New Orleans Bounce music but also pushes it into new territory. The song embodies the essence of fun, energy, and positivity through its catchy lyrics and infectious beats. Produced by the talented Celebrity Songwriter and Producer Alright Slash, the track is infused with the heartbeat of New Orleans, reflecting the city’s rich musical heritage while bringing fresh, forward-thinking energy to the genre. ‘Roll With Me’ is all about moving, grooving, and elevating the Bounce sound to new heights while staying true to its roots. You’ve built a massive presence not only as an artist but also as a radio personality, TV host, and entertainer. How does your experience in these different spaces shape the way you approach making music? My experience in various entertainment roles—whether as a Live Morning Radio Personality, TV Talk Show Host, or Live Events Host—has provided me with a wealth of transferable skills. These roles require me to engage with crowds, use my voice effectively, and seamlessly incorporate music into different formats. Through this, I’ve developed a deep understanding of what excites audiences, what keeps them wanting more from artists, and what music is currently trending. I bring all of these insights into my music, creating tracks that are both engaging and reflective of what listeners connect with. You’ve worked alongside some of the biggest names in entertainment. Have any of those experiences influenced the way you craft your music, and do you have any dream collaborations that would take your sound to the next level? I’m incredibly grateful for the opportunities I’ve had interacting and working with incredible artists Cardi B, Kandi Burruss, Natalie Nunn, BeatKing, Alright Slash, Big Freedia, Ha Sizzle, Jst Eri, Finesse Twotymes, Spic , e and more. These experiences have taught me that it’s possible to make my dreams a reality and that there’s space for diverse artists and sounds in the entertainment industry. Being around such a variety of talents and cultures has helped shape my journey as I continue to explore and define the ‘Jaime Dee sound.’ It’s been a challenging but rewarding process, and I’m enjoying every moment of it. As for dream collaborations, I would love to work with artists like Doja Cat, Cardi B, T-Pain, Beyoncé, Drake, GloRilla, Nicki Minaj, NLE Choppa, Megan Thee Stallion, Erica Banks and more. I pray that one day, those dream collaborations come true and, regardless of whatever beef that artists have with each other, that it won’t affect me. Ultimately, I want to stay focused on being an artist who respects everyone, avoids drama, and creates music that’s inclusive and welcoming to all. You mentioned that “Roll With Me” is about letting go, embracing the moment, and bringing fun back to the party. In a world where music and nightlife can sometimes feel transactional, what’s your vision for bringing that true, carefree energy back into the culture? My vision is to continue creating music that reminds people it’s okay to dance, be carefree, and truly embrace who they are. Despite the trends in the music industry, I hope to receive an overwhelming amount of positive support and have my vision pushed forward. Being an independent artist is challenging, and at times , it can be discouraging, but I know it will all pay off in the end. I believe in a powerful and mighty God who has placed me on this path for a reason, so I’m committed to celebrating every win along the way.

Baltimore-born and Atlanta-based rap sensation Sachet De'Aun is proving that she's not here to play—unless it's by her own rules. Her latest release, Patty Cake , flips the childhood game into a sultry, self-assured anthem of confidence, power, and unapologetic femininity. Sachet's commanding presence takes center stage from the jump, effortlessly weaving between hypnotic flows and bold lyricism over a bass-heavy trap beat. Her delivery is razor-sharp and dripping with charisma, painting a vivid picture of the lavish lifestyle she's chasing—and quickly catching. With lines like "I know how to do it, baby—just watch," she makes it clear that she's not waiting for success; she's taking it. But the song is only half the story. The Patty Cake music video elevates Sachet's star power even further, delivering a neon-lit, high-energy experience that's as visually captivating as audacious. With a clever play on the song's title, the video swaps innocence for indulgence—think syrupy pancakes, flashing lights, and a room full of hypnotized admirers hanging onto Sachet's every move. It's a bold statement that underscores her growing dominance in a male-dominated genre. With Patty Cake , Sachet De'Aun solidifies her place as a rising force in rap. Fierce, confident, and entirely in control, she's not just demanding attention—she's commanding it. From freestyling with friends as a kid to signing with Ethika Music, your journey into the rap game has been inspiring. What was the defining moment that made you realize music was your true calling? The moments that got super tough and challenging were actually the defining moments for me. It’s not always a cake walk and it’s certain times as an artist where you’re just like “is this worth it” or “should i just quit”. My soul would never let me give up though. Your latest track, Patty Cake , exudes confidence, power, and a lot of swagger. What was the inspiration behind the song, and how does it reflect where you’re at in your career right now? I’m a woman in this world who prides myself in paving my own way. I’m not going to sell my soul for NOTHING, and I’m always going to stand on business when it comes to me and my goals. So that’s just where I am in my career and life period. You’ve spoken about pushing through challenges as a single mom and rising female rapper in a male-dominated industry. What keeps you motivated, and what message do you want to send to women chasing their dreams? I came from very humble beginnings so my motivation is always wanting to give my kids and loved ones more. I always tell women no matter what YOU CAN! Just that simple. Don’t make any excuses. With kids and all I’ve been running it with them on my back. The Patty Cake music video is bold, high-energy, and undeniably captivating. How involved were you in the creative process, and what vibe were you going for with the visuals? When it comes to all of my projects I’m very hands on. My team and I just bounce ideas off of each other. They’ll tell you, I will call them everyday/all day just letting them know my thoughts or direction. We wanted it to be fun, flirty, sexy, bossy! & we pulled that off. You’re making waves on the charts and gaining industry recognition fast. What’s next for Sachet De’Aun? Any upcoming projects or dream collaborations we should be looking out for? I’d rather just show yall. Just expect to see me everywhere.

Estani is more than just a singer-songwriter—she’s a storyteller, a preserver of culture, and a voice for a new generation embracing the rich traditions of Conjunto music. Her latest single, “Mi Suerte Ha Cambiado,” breathes fresh life into a classic, bridging past and present. We caught up with her to talk about her journey, her inspirations, and the exciting Conjunto revival she’s championing. “Mi Suerte Ha Cambiado” is a heartfelt tribute to your grandmother’s legacy. What was it like bringing this song back to life? Bringing “Mi Suerte Ha Cambiado” back to life has been so nostalgic for me, but also brings immense pride knowing I am resurrecting a piece of musical history within our family for a broader audience to enjoy. Giving this song a second life was literally like revisiting my childhood but with a newfound adult perspective. I can relate now to so many events, hardships, and needing that feeling of escapism through song. Conjunto and Tejano music were always in the background of each day growing up. Revisiting this song and recreating the sound brings back an essence of my life where everything felt so carefree for that moment. I’m hoping to provide the same carefree sentiment for the listeners of this song that just need an escape for a great time with family and friends. Conjunto music has deep roots in Texas but is still relatively unknown to wider audiences. What makes this genre special, and how do you hope to introduce it to new listeners? The Conjunto genre is still cemented in so much tradition and is the heart and soul of Tex Mex culture. I feel that’s what makes it so special. While other genres have progressively evolved by combining other genres, the pioneers of Conjunto music have worked to keep the music as close to its roots as possible. I would love for this album to find new listeners who embrace this sound and can feel the simplicity of raw instrumentation and the stripped, no frills, authenticity of the song(s). You’ve had success in various music genres—what drew you to explore Conjunto at this point in your career? Upon moving back to Texas, I came across my grandmother’s old 45’s. There were four singles and I was hoping she could re-record them. What I was really wanting was a possible “Buena Vista Social Club” reunion but for Conjunto music. She is turning 90 this month and I was hoping to reunite my grandmother with the remaining musicians from her time as a Conjunto singer in the 60’s to recreate these beautiful singles. On top of that, a friend referred me to the LaFrontera Website, which is affiliated with UCLA Chicano studies, and mentioned more of my grandmother’s songs may be there. To my surprise, there were in fact, three more songs. At this point, I felt all these songs needed to be revived and re recorded. Because my grandmother felt unable to record the songs up to her personal standard, she gave me her blessing to record them and release them. The music video captures the raw, communal energy of a live Conjunto performance. Can you share the vision behind it and why you chose this particular setting? My vision for this video was exactly that….raw, communal energy. There are pictures of my grandmother singing in front of a laundromat with her Conjunto group as well as pictures of her on a big stage when she was traveling. All this to say, whether it was a makeshift stage, in front of a laundromat, or just her voice and a bajo sexto, there was always this authentic realness “spur of the moment” vibe when they would perform. I wanted to capture that essence with this video, as if we all just decided at that moment to come together at the end of a party to play that one last song that would leave everyone with a dance and a smile. What can fans expect next from you With an album and documentary on the horizon? How do you see this project evolving in the future? With this documentary, fans of Conjunto music can expect an array of outlooks concerning Conjunto music, where it’s going, how it started, and why it hasn’t completely evolved as other latin genres have. I have cast a wide net to find perspectives from all ages that believe in so many different options on how to bring Conjunto music to the masses and those who helped facilitate a small piece of knowledge into Tejano music along the way. Artists like Selena and Freddie Fender helped bring a slight awareness, but it has stalled overall since then. My grandmother’s songs are mostly focused on the bolero/Conjunto side, but if I can bring a slice of this genre back to life and resurrect it into the minds of new listeners who want to hear more, then I’ve done my job.

Montreal's Nino & Electric Soul delivers a nostalgic yet refreshingly modern blend of R&B and soul in their debut EP, P.A.S.T .  Released on January 21, 2025, the four-track collection takes listeners on an emotional exploration of love, introspection, and connection through smooth grooves and lush live instrumentation. Frontman Nino Flamenco, raised in a musically rich household, channels the spirit of legends like Stevie Wonder and D'Angelo, combining timeless 70s arrangements with contemporary soul flair. Each track on P.A.S.T.  offers a unique slice of life's complexities, yet the overarching message is clear: life's beauty lies in its simplicity and the connections we create. The EP kicks off with Simplicity , where Nino questions why we complicate our lives when things could be more straightforward. The track's laid-back rhythm and introspective lyrics invite us to reflect on our choices. One For My Love  shifts to heartfelt vulnerability as Nino celebrates the warmth and joy his newfound love has brought into his life. Greenlight  captures the suspenseful thrill of romantic attraction, the inner debate of whether or not to make a move, as jazzy melodies and sultry vocals heighten the tension. Finally, Understanding  emphasizes the beauty of meaningful conversations and deepening relationships. It's a poignant reminder of how much we can learn and grow through human connection. With P.A.S.T. , Nino & Electric Soul offers a deeply personal and universally relatable project, inviting listeners to rediscover themselves through love, curiosity, and soulful storytelling. This EP is a must-hear for fans of timeless R&B who crave nostalgia and innovation. Your music is a beautiful blend of past and present influences. How did growing up in such a musically diverse household shape the sound you and Electric Soul have created on P.A.S.T. ?   I always had something to draw from and it never felt like there was anything wrong to be inspired by. Ever since I was a kid, I listened to various music styles, from Soul to Funk, Pop, Hip Hop, RnB, Rock, Reggae, Dancehall, Motown, Salsa, and even Metal. It felt easy afterward to mix styles. I understood what made the songs of these genres so great by identifying their attitude and essence. The members of the band also have their own set of influences and their upbringing in music that makes the sound come together so well in this project.   The EP touches on themes of introspection and self-discovery. Can you tell us more about the inspiration behind Simplicity  and why simplifying life became such a central theme for this project?   I wrote Simplicity during the pandemic lockdown in 2021 after memories of a conversation I had with a friend, in which we talked about how life can be a drag sometimes. I asked myself, why do things get complicated when they could be simple? I’m sure anyone reading this has had a moment in their day where they expect things to go according to plan, but something gets in the way somehow. // … //  (With that conversation in mind, followed by) Within the writing process of this song, the theme came to revolve around our hope for simplicity in our life. The desire for things to be less complicated is something that I can relate to, the people around me and the audience also. Simplifying life became such a central theme for this project due to P.A.S.T being my first project. It’s easy to get caught up in different things when you are learning who you are, who you want to become, and the direction you want to go in, both personally and artistically. Setting clear intentions for myself as to what I wanted to achieve had to be done in a way that wasn’t overly complicated.    Greenlight  explores the excitement and hesitation before making a move in a romantic situation. Have you experienced a moment like this that influenced the song's creation, and how did you translate that into your music? Of course, I have. In practically every romantic situation I have approached, I was nervous and hesitant. A woman’s beauty is enough to make a man’s heart beat faster and muster up the courage to approach her. In my case, I was at an event and saw this girl dancing we had locked eyes for a moment. In the moment where I thought “Maybe I should go over to her.” she called me over. From there, we spent the night enjoying each other’s company.  Interestingly enough, I had composed the music before this happened. I sent my friend Widj Gaelle the instrumental to Greenlight , she replied to me with the hook and those lyrics immediately brought me back to that moment of attraction. That experience influenced the lyrics of the song. Live instrumentation plays a key role in your sound, evoking the energy of legends like Stevie Wonder and Earth, Wind & Fire. How important is live performance to your artistry, and what do you want fans to feel when they experience your music live?   Live performance, whether it's in the studio or on stage, is the reason why I got into playing with other people, so it’s safe to say it's very important. The possibility of live arrangements that can sometimes surpass the recording is something I love about performing. It creates an element of surprise for the audience and keeps the music fresh. It also gives me a chance to connect with the audience and involve them in the music. People have come up to me after performances, expressing that they’d felt the emotions I was channeling, and that is what I want. I want people to immerse themselves in the world I'm creating when I perform live as more than a superficial experience. Music is incredibly powerful and when it's experienced live with people sharing the same feelings, the atmosphere can become otherworldly.   You've mentioned that P.A.S.T.  is about returning to yourself after life's changes. As someone who has gone through personal and artistic transformations, what advice would you give to others navigating self-discovery and new beginnings?   My advice to navigating self-discovery is to do what you love, play what you like and take whatever you know and make it your own. Something that I have learned from my favorite artists is that they started out making sounds that felt good to them, they developed those sounds into their style and then made it their signature. Any artist's goal should be to perfect their signature. The big artists are already doing the popular sound, so create the music that tells your story.

Once upon a time, fairy tales told us that Prince Charming was someone we had to wait for—a dashing figure destined to sweep us off our feet. But in Kristian King’s latest single, Prince Charming , the Toronto artist flips the script and makes one thing clear: sometimes, the Prince isn’t coming because the Prince is you . A deeply introspective anthem of self-discovery and self-worth, Prince Charming invites listeners into the raw and personal journey of a young queer Black man navigating his 20s. It’s a track that challenges the notion of external validation and instead turns the focus inward. As Kristian himself puts it, “Before anyone can be a King, they must first embrace their identity as a Prince.” And this song does exactly that—it embraces, uplifts, and empowers. From the moment the beat drops, there’s an undeniable pulse of emotion running through the track. The production blends elements of soul, R&B, and pop, wrapping Kristian’s heartfelt lyricism in evocative melodies that stay with you long after the song ends. It’s smooth yet stirring, contemplative yet confident, striking that delicate balance between vulnerability and power. Lyrically, Prince Charming plays with the metaphor of royalty, weaving themes of personal growth, self-acceptance, and the evolution of one’s identity. There’s a longing in his voice, but there’s also resilience—a recognition that the search for love and validation starts with oneself. Kristian King isn’t just making music; he’s carving out a space for authenticity in an industry that often thrives on façades. With every release, he continues to push boundaries, blending musical influences and personal experiences into songs that speak to the soul. Prince Charming is more than a track—it’s a statement. A declaration of self-worth, a celebration of identity, and a reminder that the most powerful love story we’ll ever experience is the one we have with ourselves. So, if you’re searching for a song that reminds you of your own royalty, Kristian King’s Prince Charming is your next anthem. Crown yourself, press play, and step into the kingdom of self-love. In "Prince Charming," you explore themes of self-discovery and self-worth. How has your own journey influenced your music, and how do you see this message evolving in your future work? This song allowed me to view my life from the perspective of my younger self, filling me with optimism about being exactly where I'm meant to be on my journey. While I often wish I were already performing on big stages and walking the flyest runways, I’ve come to understand that before I can be King, I need to embrace being Prince (Charming) first. Writing this song helped me appreciate my current position and feel hopeful about the unknowns in life and the future. Your music blends soul, R&B, and pop, creating a unique and authentic sound. Are there any new genres or styles you’re excited to experiment with moving forward? Absolutely! I love R&B, pop, and soul, and I feel like I'm still at the beginning of my musical journey. I want to keep an open mind when creating and exploring what resonates with me. I'm particularly drawn to Afro beats and Ugandan folk music, and I’d love to create my own blend of Afro/R&B that reflects my cultural heritage! Since I’m just starting out, I’m also excited to learn more about the history of music and the different genres. With "Prince Charming," you’ve created an anthem of self-acceptance and empowerment. How do you hope this song impacts listeners, and what themes can we expect to hear in your upcoming project? I hope that listeners feel empowered, knowing that the best is yet to come for them. I want them to keep dreaming and pursuing their own "Prince Charming" while recognizing the divinity within themselves. I used to view loneliness as a negative experience, but I've learned that it’s in those moments of isolation that I grow the most. As an artist, you’ve been vocal about breaking societal norms and embracing identity. How do you plan to continue using your platform to push for representation and inclusivity in the music industry? For me, it's about consistently showing up for myself because I know others need to see themselves reflected in my work. I genuinely want to provide comfort to people, reassuring them that they aren’t alone, no matter who they are, who they love, or what they want out of life. Music is a healing force, and I hope that by sharing my sadness, happiness, and confusion, I can help heal those who resonate with my experiences. Your upcoming project, Delicate, explores the challenges of early adulthood. What can listeners expect from this EP, and what’s next for Kristian King after its release? Delicate is finally coming out, and I can hardly believe it! It’s truly an open letter about my journey in my early twenties. I’ve gone through so much to be able to share this project, and I can’t wait for it to reach those who need to hear it. As for what’s next, who knows? That’s the exciting part! I’ll always be writing and singing, and I want to get more practice on stage, hopefully with some live shows. I'm really just getting started!

Classic R&B embeds itself into our hearts, transporting us to moments of love, longing, and devotion. Lea Anderson’s Wait 4 U  is a testament to that timeless magic. Originally written in 2015 in the midst of getting ready for a date, the song has since found its own destiny, resonating deeply with fans over the years. Now, almost a decade later, Anderson is giving Wait 4 U  the visual storytelling it deserves with a long-awaited music video. Lea Anderson is no stranger to the power of storytelling. Her music, rich with emotional depth and strong, velvety vocals, captures the essence of classic R&B. With influences reminiscent of Whitney Houston, Anita Baker, and Aaliyah, Anderson has crafted a sound that seamlessly blends nostalgia with modern-day soul. Wait 4 U  stands as one of the most beloved tracks from her LP Pronounced Lee Deluxe , originally produced by Grammy-nominated and 16-time Billboard Award-winning producer D-Moet. The track features live instrumentation from the Pat Van Dyke Band, adding a rich, organic depth to its sound. The song encapsulates the idea of unwavering devotion—no matter how chaotic life may be, true love is always worth waiting for. As Anderson describes it, the song wasn’t written about a specific love interest at the time but rather a belief in the idea of a future soulmate. It’s a song that’s meant to wrap listeners in warmth, an anthem for those who understand the patience and commitment that love sometimes requires. After years of performing Wait 4 U  live and witnessing the emotional connections it forged with audiences, Anderson knew it was time to visually bring its story to life. Despite attempts to film in her birthplace of Washington, D.C., and later in Oahu, Hawaii, fate led her to Miami, where she found a perfect creative partner in Dream Loud Creations, a Black female-owned and led production company. The result? A breathtakingly romantic video that captures the essence of the song’s message. Set against the vibrant backdrop of Miami, the visuals tell the story of two lovers who have waited a lifetime to reunite. The chemistry, the longing, the intimacy—it’s all beautifully depicted in a way that mirrors the emotional pull of the song itself. The video is a celebration of love, patience, and the belief that some connections are simply meant to be. Lea Anderson’s music has always been about more than just melodies—it’s about emotions, experiences, and the raw, unfiltered essence of human connection. With Wait 4 U , she delivers a track that is sensual, nostalgic, and deeply moving, serving up ‘90s-inspired R&B with a contemporary elegance that keeps listeners coming back for more. Reflecting on this release, Anderson says, “I dedicate this song to R&B lovers. It’s sexy, serving ‘90s vibes, soul-serving, emotional, classic rhythm and blues.”  And that’s exactly what it is—a track that feels like home for anyone who cherishes the golden era of R&B. With new music on the horizon, Wait 4 U  serves as both a farewell to a beloved song’s chapter and a stepping stone toward what’s next. Wait 4 U has been a fan favorite for years. What made you decide that now was the perfect time to finally release a music video for it?  I felt like the world needed another love song. There are so many people who haven't heard my older music, and having captivating videos to go with them helps it reach new horizons. "Wait 4 U" is classic R&B, and I want to give it one last push to let the people who love music like this find it. The R&B genre's mainstream presence has diminished in a way. And while there are many amazing artists that are still creating R&B  in the evolved fashion, not many songs are still made in the classic form.  It's the genre I fell in love with first. The songs I'll be releasing in 2025 are not R&B. So, I owe "Wait 4 U" to my culture. I owe it to my younger self to help it reach new people.   You’ve described the song as a love letter to patience and devotion. How do you personally connect to its message today compared to when you first wrote it in 2015?   I'm still a lover girl.  I'm still rather patient in my relationships, I just have less time to hang around for long because I travel a lot. Especially since I survived the pandemic, the recent turn of events shows that there are so many things outside that should be done. You can be patient and devoted but growing together is essential. Especially in this day and age.  3. Your music blends classic R&B with heartfelt storytelling. Who are some of your biggest musical influences, and how have they shaped your sound? I'm heavily inspired by Anita Baker, Alicia Keys, and Mariah Carey. I used to pretend to be Diana Ross when I was a kid. When I wrote "Wait 4 U," I was listening to alot of Carl Thomas. When I recorded this with D-Moet, I sang it like I imagined Carl Thomas singing it. "Emotional" is peak level classic R&B, it's the bar I reached for. I want to give listeners what I feel when I listen to it. It's priceless.  You’ve traveled extensively and performed in some of the most iconic venues. How has your journey influenced your artistry and approach to music?  It's definitely made me more confident. I know that I can win the Apollo, pack out B.B. King's, and rock Chelsea Music Hall, so I want to do it everywhere now. I've been writing with people who live really far away from me: Hawaii, Nashville, Argentina, Los Angeles, Brazil, just to name a few places. When I was in Toronto, I got some amazing beats from a really dope producer. I'm learning more about how connected we all are through sound. It excites me so much because I truly believe that music heals. And the world needs more healing.  With Wait 4 U getting a fresh spotlight and new music on the horizon, what can fans expect next from Lea Anderson? Any upcoming projects or surprises? Over the past two years, I have been singing on the top two Cruise Lines: Disney Cruise Lines and Virgin Voyages. My discovery of new shores propelled me to write songs about the Ocean. I'm excited for everyone to hear them. You can expect to hear more romantic music, just maybe with an Aqua twist on it.

The beauty of music is its timeless nature. Some songs explode upon release, while others simmer beneath the surface, waiting for the right moment to resonate. Pacific ’s indie pop gem, never in love , falls into the latter category. Initially released in 2021 as part of the i love you, i’m sorry  EP, the track has recently found a new audience thanks to viral TikToks and online buzz. And honestly? It’s about time. Pacific, the brainchild of Nashville-based singer-songwriter and producer Will Hunter, has always captured a unique brand of nostalgia. Blending the coastal warmth of West Coast indie pop with early-2000s alternative influences, Pacific crafts music that feels like the soundtrack to a sun-soaked daydream. never in love  is no exception. At its core, never in love  is a song about timing—or more accurately, the lack of it. It tells the all-too-relatable story of two people who are never on the same page when it comes to love. One moment, one person is all in, only for the other to fall out, creating a cycle of missed opportunities and unresolved emotions. Hunter’s candid storytelling shines in lines like "Justin Bieber stole my crush" —a seemingly personal yet universally resonant lyric that makes you chuckle before pulling you right back into your own past heartbreaks. But it’s the contrast between the song’s bright, buoyant sound and its melancholic lyrics that makes it so effective. This is the kind of track you blast with the windows down, smiling through the ache. It’s the magic of mixed emotions—sadness wrapped in a beat that makes you want to dance. The best kind of catharsis. The music industry moves fast, but TikTok and Instagram Reels have become unexpected lifelines for songs that might’ve otherwise gone unnoticed. Thanks to a surge in user-generated content featuring never in love , the track is experiencing a well-deserved resurgence. Fans new and old are connecting with it as if it were released yesterday, proving that good music has no expiration date. Pacific acknowledges the surreal nature of this delayed success: “Goes to show that just because a song didn’t pop off at first doesn’t mean it’s a waste. I hope that means it’s a classic in some way.”  And honestly? It just might be. With new momentum behind never in love , all eyes (and ears) are on what’s next for Pacific. Hunter’s upcoming debut album, Caught Up in a Dream , promises a fresh mix of synth-pop and soft rock, weaving together themes of love, heartbreak, and connection. If never in love  is any indication, we can expect songs that don’t just live in the moment—they live in the memory, long after the last note fades. So if you haven’t yet, take a listen to never in love . Let it transport you back to that one person who was always just out of reach. And who knows—maybe it’ll even spark an old flame. “never in love” is having a huge viral resurgence after a couple of years. How does it feel to see a song you wrote in 2021 suddenly take off in such a big way? It’s honestly unreal. It feels like I’m in a dream, and I’m gonna wake up any second now. I always felt like this song never had its “moment” when it came ou,t so I’m thrilled that it’s getting it now. It was always a fan favorite - like when people would come up and chat with me at shows, this was always one that got brought up. I’m just so grateful for this little moment it’s having and how it’s reaching new fans and people who have never heard of Pacific before.  The song’s theme—two people never being in love at the same time—is such a universally relatable experience. Did you expect so many people to connect with your personal story? Not at all, to be honest haha. It’s such a specific story that is so specifically about what happened in my life in grade school that I thought for sure no one would relate to but me. Like the line about Justin Bieber singing Baby and stealing my crush’s heart (literally happened to me), I was like, no way will anyone get this, but I was 100% wrong. I guess sometimes people are way more similar than we give credit. Like what people say on TikTok, “I guess we’re all just living the same life,” haha. I love that I get to share some very niche moments of my story with fans of the song.  Your sound has often been compared to LANY, The 1975, and The Band CAMINO. How do you balance these influences while making sure Pacific has its own unique identity? That’s a great question. I see artists as a bit of a “juicer” of their influences, if you will. In a juice, ya know, you put in carrots, celery, beets, whatever, and out comes this unique blend of all this good stuff. Same in music and in all of life if we’re real. I once heard Chris Martin (another of my influences) talking about when he was given the first inspiration for their song Yellow and how he was just trying as much as possible to sound like Neil Young. And to us what came out is one of the most iconic songs of all time that sounds nothing like Neil Young, but 100% like Coldplay. I think people who really know my music and have listened to more than a 5-second TikTok clip know that there’s a core identity that you can hear throughout my whole discography that I would call the “Pacific sound.” And yeah, it’s a little bit of The 1975, a little bit of LANY, a little bit of Coldplay, a little bit of early 2000s alternative, and lots of others - cause that’s just what I like. And I make what I like.    You have a new album, Caught Up In A Dream , on the way. How does this record build on your previous music, and what can fans expect from these new songs? I love this album. It’s the first time I have ever tried to produce a Pacific project on my own so that alone brought all sorts of growth and newness to what already existed in my previous works. I got about 3-4 months into the production of the new album and hit a wall, but then I met Taylor Dubray (Betcha) through an A&R friend, and we clicked right away. He helped me finish this thing ou,t and I couldn’t have done it without him. New collaborators always bring a new flavor to a project and Taylor’s touch was so important to this album. To answer the second part of your question, I hope fans can hear growth in this music. It sounds better than anything I’ve done technically. The songs are better written. The cohesion of the work is locked in. I hope fans love it as much as I do and can really feel the heart put into every second of each song. Sonically, it lives in this synth-pop/alternative world that I love so much. Songs that you could play in a living room or a stadium. That’s what I love.  You’ve been in both band and solo project phases with Pacific. How has your creative process evolved over the years, and what’s it like stepping back into the solo spotlight? It was difficult parting ways with my bandmates since we’d been through so much together, but it was ultimately the best thing that could’ve happened for this project. I started Pacific as a solo venture in college and so being solo again is a homecoming of sorts, but with years of experience and growth in between. It really forced me to take full accountability for where this band could go. No one else is gonna pave the way for me, and at the end of the day (with a little luck), it’s on me where it ends up. So I’m ready to give it my all and make the best music I can make and create something really special. I feel like it also gives me a unique position to be more vulnerable with my audience since I’m not speaking for 3 or 4 people. It’s just me, so I can share more openly from the heart, and I think people can really feel the difference.