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A home studio setup isn't just about the right microphone, audio interface, or DAW—ergonomics play a massive role in your creative workflow. If you spend hours producing music, editing podcasts, or mixing beats, a high-quality laptop stand can transform your space, improving comfort, reducing strain, and optimizing your gear setup. We've rounded up five game-changing laptop stands that will elevate your home studio experience, offering stability, flexibility, and a professional edge. 1. Lamicall Adjustable Laptop Stand If you’re looking for a sleek, adjustable stand that adapts to your needs, the Lamicall Adjustable Laptop Stand  is a top pick. With its 360-degree rotating base, you can effortlessly adjust your screen angle while recording, mixing, or video conferencing. The sturdy aluminum build keeps your laptop cool and stable, preventing overheating during long sessions. 2. Amazon Basics Ergonomic and Foldable Laptop Stand Not all game-changing products come with a hefty price tag. The Amazon Basics Ergonomic and Foldable Laptop Stand  is a minimalist, no-fuss option that provides excellent elevation, reducing neck strain and improving posture. It folds flat when not in use, making it perfect for compact setups or mobile producers who switch between locations. 3. BESIGN LS03 Aluminum Laptop Stand If you want a rock-solid stand that keeps your laptop in place, the BESIGN LS03 Aluminum Laptop Stand  is an excellent choice. Its elevated design improves airflow, preventing your laptop from overheating during long recording sessions. Plus, the rubberized grips ensure your laptop stays secure, even when you're working with heavy MIDI controllers or external gear. 4. Tonmom Laptop Stand A home studio doesn’t always stay in one place. If you like to move between different rooms or take your setup on the go, the Tonmom Laptop Stand  is a fantastic option. It's super lightweight, folds flat, and still provides solid support for your laptop. Despite its portable design, it doesn’t sacrifice stability, making it a great travel companion for mobile producers and remote workers. 5. OMOTON Laptop Stand If you work with an external monitor and peripherals, the OMOTON Laptop Stand  is a game-changer. Instead of keeping your laptop flat on the desk, this vertical stand holds it upright, saving space and keeping your setup clean. Its adjustable width fits most laptops, and the silicone padding prevents scratches. This is perfect for producers who want to keep their workspace minimalist and efficient. Your laptop is the heart of your home studio, and the right stand can make all the difference in comfort, organization, and overall workflow efficiency. Whether you need adjustability, portability, or a space-saving solution, there’s a laptop stand here that will revolutionize your creative setup.

Las Vegas-based, multi-charting artist T.M. is turning up the heat with his latest single, " WHOA! "—a playful, high-energy track that celebrates the female form in a fun and irresistibly catchy way. With roots in Atlanta's rich hip-hop culture and a growing presence in the pop scene, T.M. blends vibrant production, dynamic flows, and an unforgettable hook to craft a song primed for repeat listeners. From the jump, "WHOA!" sets the tone with infectious beats and an uptempo rhythm that instantly pulls listeners in. T.M.'s charismatic delivery shines through, effortlessly riding the production while delivering lyrics that radiate confidence and appreciation. The song's playful nature is elevated by its smooth blend of hip-hop swagger and pop appeal, making it a track that feels just as at home in the club as on a party playlist. "WHOA!" marks the beginning of an exciting new chapter for T.M. Under his recently inked label deal with DJ J Spins' Wild Dogs Ent , he's gearing up for significant collaborations, including a highly anticipated release with Lil Wayne. If "WHOA!" is any indication, T.M. is poised to make serious waves in the industry. Whether you're looking for a track to turn up to or need a feel-good anthem, "WHOA!" delivers in every way—leaving listeners hitting repeat and, as T.M. hopes, following along for what's next. "WHOA!" is about appreciating the female form in fun, playful ways. What inspired you to create this track, and how did you approach making it catchy and meaningful? Living in Las Vegas, you can get inspired anywhere you look. There's eye candy all around at any given moment. I approach every track sort of the same way, by coming up with the hook first. I believe coming up with a catchy, memorable hook is one of the most important steps of the song writing process. This one came to me almost instantly, as the subject matter is on my mind about 10 billion times a day. Congratulations on signing a label deal with Wild Dogs Ent! How has this partnership influenced your upcoming releases, and what can fans expect from your next few drops? Thank you. This partnership has helped me believe in myself and my artistry a bit more. Which has led to me investing heavily into my next several releases. Also, having the labels support both financial and marketing-wise is a huge help. Been a long time pushing things solo. So it's nice to have some support. Fans can expect some major collabs for the next few releases, and non-stop relentless promotion. Your upcoming collab with Lil Wayne is a massive moment! Can you give us a sneak peek into how that collaboration came about and what fans can expect from the track? Definitely a massive moment. I'm beyond stoked as you could imagine. This collaboration came about via some industry networking behind the scenes. Just putting myself out there vibing with the right people. Grinding, trying to level up my game. Constantly trying to get my name into bigger conversations. As an artist from Atlanta who is now making moves in Las Vegas, how have both cities influenced your sound and career journey? I think coming from Atlanta gives me that underlying southern sound and swagger that will forever be present in my style, instilled in me growing up listening to the legends of that city like Outkast, Goodie Mob, T.I., Lil Jon, and so many more. Las Vegas helped me polish my own distinct sound after being so deeply involved with the night life scene out here constantly immersed in dance music. It taught me an undying work ethic. There's a lot of no's hidden behind those bright lights but you have to persevere to turn dreams to realities. Living in Vegas I've met a lot of producers and DJs that have become great friends and music partners. You never know who you'll meet on a night out in Las Vegas. "WHOA!" is meant to bring good vibes and make people smile. How important is that feel-good energy in your music, and how do you balance fun with authenticity in your songwriting? The feel good energy just naturally shows up in the music. When you come from a place of authenticity and genuinely pour yourself into the music, the end result is sure to put a smile on at least a couple of faces. It's an easy balance because the energy is real. I'm just being myself in the studio and telling my story. Having fun with the people in the room with me. Or I'm painting a picture for the listener to take them away for a moment from the stresses of their daily lives. Feel-good music is "T.M." music. I'm trying to grind and vibe my way to being a household name.

At just 18, Kaiyah Mercedes is proving to be a fearless voice in the indie pop-rock scene. She blends unapologetic lyricism with gritty, anthemic energy. Her latest single, ‘ MANIC!!! ’, is an electrifying portrayal of emotional chaos, diving headfirst into the turbulence of heartbreak and mental health struggles with striking honesty. Co-written with Seetali Mack and mixed/mastered by Hayden Lauersen, ‘MANIC!!!’ was inspired by a real-life manic episode following a breakup. It captures the overwhelming highs and lows of emotional upheaval. From the driving guitar riffs to Kaiyah’s raw, impassioned vocals, the track delivers a powerful blend of intensity and vulnerability—hallmarks of her signature storytelling. Kaiyah’s journey as an artist has been deeply personal. She uses music as both a form of self-expression and self-discovery. Diagnosed with Autism and ADHD, she found solace in songwriting, documenting her experiences of coming out and navigating her mental health. ‘MANIC!!!’ is pivotal in her evolution, bridging the gap between adolescence and adulthood while offering fans a glimpse into her most personal work yet. Drawing inspiration from artists like Louis Tomlinson, Olivia Rodrigo, The Buoys, and Maisie Peters, Kaiyah continues to craft a familiar and refreshingly unique sound. The single’s raw energy and emotional weight make it a standout, proving that she is more than just an emerging artist—she’s a force to be reckoned with. Fans can experience her dynamic artistry live at the Roarfest at Memo Music Hall (March 9) and the official ‘MANIC!!!’ Single Release Show at Bergy Bandroom (April 6), featuring an all-queer, neurodivergent lineup. With her fearless authenticity and evolving sound, Kaiyah Mercedes is an artist to watch.

Red Velvet Papi has always been a master at crafting his own world in music, blending vulnerability with a touch of cheekiness in everything he does. His latest single, Outer Space , is a prime example of this unique alchemy—a mesmerizing, self-produced track that lifts listeners into the stars and beyond. But don’t let the playful name fool you—Red Velvet Papi is all about intentionality in his music, and Outer Space is no exception. This Alt-R&B gem feels like floating in zero gravity, and that’s exactly the feeling Red Velvet Papi wanted to capture. “ The girl I wrote it about, the first time we kissed it literally felt like I was floating after, ” he says. “ The goal was to not only capture that feeling lyrically, but also atmospherically with the production. And I feel like I did that pretty well .” The result? A lush, cosmic soundscape built on reverb-heavy harmonics and futuristic synths, perfectly complementing his earnest, heart-on-sleeve lyrics. It’s a track that pulses with romantic energy, leaving the listener suspended in the magic of love. Outer Space isn’t just a song; it’s a moment frozen in time, capturing the awe of a first kiss and the overwhelming sensation that love can make the world feel like it’s spinning differently. Unsurprisingly, this track is a pseudo-sister to his 2019 hit Lava Girl from the I Love Girls - EP , both songs inspired by the same person. In the song, there’s a palpable sense of wonder as Red Velvet Papi takes you on a journey through the infinite expanse of his emotions. It’s clear from the first note that he’s not just an artist—he’s a storyteller, a producer, and an engineer weaving his experiences into something tangible for his fans. As he puts it, “ I hope people take away how breathtaking and enchanting the feeling of love can be. I truly don’t think there’s a more magical feeling than love, and hopefully when people listen to this song, they feel similarly. Also, I want people to take away that I’m a really good producer !” This is the third single off Red Velvet Papi’s forthcoming solo project, set to drop in 2025, and if Outer Space is any indication, his fans have a lot to look forward to. It’s a track that showcases his growth as an artist, blending his signature bedroom R&B style with the expansive, boundary-pushing production that has made him a standout figure in the Alt-R&B/hip-hop scene. In the world of Red Velvet Papi, love is both an intimate, personal experience and a universal, cosmic force. Outer Space is proof that he’s not just here to make great music—he’s here to make you feel. So if you’ve ever wanted to float through space, tethered only by the pull of someone’s gravity, Outer Space is your soundtrack. And with two more projects lined up for 2025, you’ll want to keep an eye on this rising star—because the journey’s just getting started. Outer Space  feels like it captures the feeling of love in a truly unique way. What was it about this particular moment in your life that inspired this song, and how did you work to translate that feeling into the production? I think I'm just a yearner at heart and crave that feeling of love constantly. It's an addicting feeling, and to give myself that fix more often, I try to make the moments I've experienced that feeling, tangible through the music. Any time I produce I'm thinking of my life like it's a movie; If my life is the script to my movie, my production is essentially me scoring these moments. The girl I wrote this about gave me that feeling of floating on air anytime I was with her. I remember the first time we kissed, it felt like I had wings. But there was always some distance or timing that threw things off, keeping us from being anything serious; still it never shook my feelings for her, even now. So in terms of production, I wanted to create a spacious soundscape to represent that metaphorical or literal space between us, but also litter it with soft, warm, and airy elements that represent the way I feel about her, and the way she knocks me off my feet every time I see her. As someone who started as a producer and then transitioned into performing and songwriting, how has that experience shaped the way you approach creating music today? I pretty much always start with the beat, and let it tell me what to write to it. If you think about it, the actual music does the heavy lifting for conveying the feeling of a song, it sets the scene and the lyrics simply accent it. Interestingly, I don't think my process has changed at all from when I was solely a producer. Even when I was just producing for my friends, I'd have ideas for how I think the song should go on my beat, but never really felt confident in doing it myself or presenting it to my friends for them to execute. Now, since I've obtained that confidence, it's just about belief in myself and my ability to execute, but the process itself remains the same. Like I said before, I view my life like a movie, so I'm essentially scoring these life experiences I've had, and bringing them to life in the sonic realm. And it's easier to write something when the beat is already dictating the emotion and vibe. It wasn't until the writing of the album I'm currently working on that I started writing first and then filling in the music around that idea. This has been an extremely challenging process for me, but it is making me grow as an artist. It's also fun being a performer now, because I can see what resonates with people at shows and what doesn't, and then try to work more of those elements into future productions.  Your sound blends so many elements—Alt-R&B, hip-hop, and a bit of lo-fi charm. How would you describe your musical style, and what’s been the most exciting part of finding that voice for yourself? I would describe my style as "Bedroom Hip-Hop/R&B." It's kind of like Bedroom Pop, with how earnest my lyrics are and some of my choices in sound selection, as far as cute, softer sounds and like you said, having a bit of a lo-fi feel to it, but it is still very much Hip-Hop and R&B from a style or genre standpoint. The most exciting part about finding my voice is creating the music I want to hear in the world. My music isn't void of influence or references by any means, but I think that I bring a style and sound that is unique in the sense you can't really say it sounds exactly like X artist, or that I'm a clone or lesser version of some artist everyone likes. You can definitely hear elements of other people here and there, but I'm blending so many different influences from different artists, genres and time periods, that in the end I only sound like myself. That might make me a bit niche, but I take pride in having a unique sound! I also take pride in knowing anyone who likes my music, really enjoys me and what I specifically bring to the table. You’ve mentioned how love plays such a key role in your music. Is there a specific relationship or experience that has influenced your lyrics, or do you find inspiration in the overall feeling of love itself? Well, all my songs are inspired by specific people and relationships I've had in my life at one point or another, but it's definitely the overall feeling of love itself that I draw inspiration from. "Outer Space" specifically is about a girl I met in college; I've written songs about her before, and probably will again, because I still think she's that amazing. Right now I'm single, so currently, I'm either drawing from the feeling of those past experiences, or my yearning for new experiences that will give me a similar feeling. Love is never ending, at least that's what I believe, so it's an infinite well to draw inspiration from. It's also a very complex emotion. We, as a society, have been writing songs, movies, and books about it for centuries, but still don't have a firm understanding of what it is. Which is fascinating to me, and probably why I want to add my two cents. In fact, the album this will be on is largely about tackling what is love? Is it the ignorance of a crush? The rush of getting to know someone? The comfort that comes with the familiarity of someone? Or is it just the feeling you get when you look into someone's eyes? Every song on the album is touching on a different stage or kind of love; it's sort of a concept album in that sense. With  Outer Space  being the third single off your upcoming solo project, what can fans expect from the rest of the album, and how do you think this release shows your evolution as an artist? What’s next for you after this? Fans can expect a few more singles from the album while I put the finishing touches on it. It's going to show my growth as a producer for sure, but also as a jack of all trades. My songwriting is as sharp as ever, I'm leaning into my singing ability way more and with confidence; it's also the first project I've engineered entirely by myself, and not to toot my own horn, but it sounds pretty clean. Then on the production side of things, although it's Hip-Hop and R&B focused, I've still got a wide variety of sounds across the album. I'm mixing elements of Jazz, Electronic, DnB, and Ambient. It's going to be crazy! And beyond that, I'm also dropping a collab album with Atlanta based rapper, M3rce, this year. That one will also be produced and engineered entirely by me. That one might be out sooner than my solo project to be honest. But all that is to say, in 2025, there will be no shortage of new Red Velvet Papi to listen to!

Emerging from the shadows of experimental alternative music, Nina Kay makes a mesmerizing debut with Dance of Dust , the first single from her forthcoming album, Kaleidoscope . With a sound that weaves together dark folk, ethereal rock, post-punk, and indie jazz, Nina Kay crafts an immersive experience that lingers long after the final note fades. From the very first chords, Dance of Dust  envelops the listener in a hypnotic soundscape of layered instrumentation and rich, poetic lyricism. The song’s delicate yet commanding presence evokes a sense of impermanence—an intimate meditation on longing, self-doubt, and the inescapable pull of time. The song paints a striking portrait of a soul yearning for something beyond reach with imagery juxtaposing dust and the sea, fragility, and vastness. Nina Kay’s haunting vocals glide effortlessly over a backdrop of waltzing rhythms, evocative melodies, and immersive textures. The song’s production is as dynamic as its themes—organic, raw, and deeply atmospheric, recalling the ethereal intimacy of artists like Nico, Fiona Apple, and Mazzy Star. Every element, from the trembling strings to the hushed percussion, feels intentional, drawing listeners into an otherworldly realm of reflection and emotion. As the first glimpse into Kaleidoscope , Dance of Dust  sets an evocative tone for what’s to come. If this debut single is any indication, Nina Kay’s upcoming album promises to be a sonic journey filled with introspection, transformation, and beautifully fractured memories. A must-listen for fans of deeply moving, boundary-pushing music, Dance of Dust  is both a dream and a revelation. Instagram

Emerging Alt-R&B artist Chevoy delivers an evocative and immersive debut with A Lover’s Portrait , a six-track EP that explores the raw and often unspoken complexities of love and human connection. With a fusion of soulful melodies, genre-bending production, and deeply introspective lyricism, Chevoy invites listeners on a journey through the highs and lows of romance, capturing the nuances of anxiety, nostalgia, lust, envy, stubbornness, and apathy in vivid sonic detail. From the opening notes of the sultry “AKA Lover,” Chevoy sets the tone with sensual yet conflicted energy, seamlessly blending R&B smoothness with pop accessibility. His velvety vocals glide over intricate instrumentation, making it impossible not to get lost in the song’s hypnotic allure. This track, much like the entire EP, highlights Chevoy’s innate ability to balance vulnerability with confidence, offering a glimpse into the emotional push and pull of modern relationships. “Sorry I Missed Your Call” shifts the mood to one of deep reflection. The haunting production, led by Julian Chown’s meticulous mixing and Tim Debney’s masterful finishing touch, allows Chevoy’s voice to shine in its purest form. The song embodies the regret and missed opportunities that often accompany love, making it one of the most relatable and poignant moments on the record. As the EP unfolds, each track serves as a chapter in a larger narrative, proving Chevoy’s knack for storytelling is just as powerful as his vocal delivery. The closing track, “Run It Back SZN,” leaves listeners lingering in the space between longing and resolution, as Chevoy contemplates the cyclical nature of love and the temptation of revisiting past relationships. Beyond the music, Chevoy brings A Lover’s Portrait to life with a carefully curated visual experience, releasing a trilogy of videos that add layers of depth to the EP’s themes. Starting with “AKA Lover” on July 26, 2024, followed by “Sorry I Missed Your Call” on October 24, and culminating with “Run It Back SZN” on December 3, these visuals serve as an extension of Chevoy’s artistry, allowing audiences to engage with his music on a multi-sensory level. Born in St. Catherine, Jamaica, and raised in the UK, Chevoy’s influences stem from his early experiences in church and a lifelong passion for songwriting. His ability to weave personal experiences into universal narratives is what makes A Lover’s Portrait more than just an EP—it’s an introspective love letter to the human experience. With this debut, Chevoy solidifies himself as an artist to watch, blending Alt-R&B and pop influences into a sound uniquely his own. A Lover’s Portrait isn’t just an introduction—it’s a statement, proving that Chevoy’s voice is one that demands to be heard. Your debut EP, A Lover’s Portrait , is deeply introspective and explores a range of emotions. What inspired you to create this project, and was there a particular experience that shaped its direction? My inspiration came from a mix of personal experience and just my love for storytelling. I’m also a fan of art, so when I decided to create this EP, I wanted to create something that could potentially tie back to this. I wanted the audience to immerse themselves into the EP, experience different sets of feelings. In a sense it can be seen as an evening out at a dimly lit art gallery, viewing portraits through the lens of a ‘lover’. It’s a good mix of a chill atmosphere but quite intense at the same time! It actually all started off with “Aka Lover”, my aunt and close friend nicknamed me ‘Lover’ a few years ago because when I am involved with someone, they can see I get lost in the sauce, and that was their way of teasing me. At the same time, it is a scary feeling being that vulnerable, and truthfully, I try to avoid it, but it happens! So I wanted to express this in ‘Aka Lover’. After this, I just wanted to tell more stories about different emotions that people experience, with love being the topic. You blend Alt-R&B and pop influences seamlessly in your sound. Who are some of your biggest musical inspirations, and how have they influenced your approach to songwriting and production? I have a few inspirations. One being ‘The Weeknd’, who I would say is the pioneer of the ‘Dark RnB’ sound and he also showcases vulnerability in his songs from early. SAINt JHN is also another inspiration, I love how his productions are atmospheric and how he blends different genres in his sound. I was born in Jamaica so by default the likes of Bob Marley and Beres Hammond have inspired me. ‘Is This Love’ by Bob Marley is actually my favourite song of all time. That's the one song that doesn’t get skipped when it comes on shuffle! ‘Can’t Stop A Man’ album by Beres Hammond is a storytelling master class. This is one of my favourite albums ever. And probably not surprising but Vybz Kartel also. For me he is the greatest lyricist of all time. I also grew up in the church, so gospel music was ever present in my household. The first time I performed to a large audience was at church, the congregation actually asked for an encore, I was 6 years old and I don’t remember much at that age but somehow that moment stuck with me. I guess I was destined to try and do this for a living… Besides artists, my other influences from a production standpoint come from the soundtracks to movies and TV series. I’m actually a homebody so in my spare time I love to watch action thrillers. Especially from the 80s/90s. The synths and the pads they used back then...exceptional! My producer has a few equipment from then, such as the ENSONIQ SQ80, so a lot of my sounds, particularly in my future releases, will come from that period. I know this is a lot to take in, but I just love music! The themes in your EP touch on anxiety, nostalgia, lust, and apathy—topics that many people can relate to. Was there a song on the project that was particularly difficult to write or record due to its emotional depth? I wouldn’t say there was a song that I found difficult to write per se, as I am never one to shy away from expressing my feelings on a record. For instance, prior to my EP release, I released two singles which were very personal to me, surrounding the topic of a long distance relationship. But if I had to select one, which was not necessarily difficult, but made me contemplate whether I wanted to put out as it's a record that I actually take accountability on, would be ‘sorry I missed your call’. I have always been told I am stubborn but rarely admit to that fact, or acknowledging that sometimes (or most times if others were to tell) my stubbornness is to my detriment. I guess you can say that song is me taking accountability, but I wanted to have fun with it as well. Growth! You’ve paired A Lover’s Portrait with a series of visuals that bring your storytelling to life. How important is the visual aspect of your artistry, and what do you hope fans take away from these videos? It is very important, I always want the fans to be captivated with my visuals as much as the audio. It goes back to my love of watching movies/tv series, so where possible, I will try to bring the story from audio to screen. At times I watch music videos and the visuals don’t match the song. And it may work for some but in this project I needed the audio and visuals to be in sync. I was a bit OCD with it really, the video director can concur! I was heavily involved throughout the whole process from the storyboarding to the editing. I also created all the cover art for the singles and EP. I just can’t help myself, when I have an idea I can be very meticulous in its execution. I am somewhat delusional really, I have these thoughts of making it one day and then eventually transitioning into the film industry! I do want to write a novel one day also. As an emerging artist, what has been the biggest lesson you've learned about the music industry so far, and what advice would you give to other up-and-coming artists navigating their own journeys? You have to keep believing in your craft. Remember there are tens of thousands of other artists in the same position as you so don’t be too down on yourself if progress is slow. Have patience and enjoy the journey. It's important to make the music for yourself as much as it's for the fans. What's next for Chevoy? Summer is around the corner so I wanna release something that will match the vibe. Very much dancehall influenced! But of course having R&B elements. After this I will be back in my Alt R&B and Pop bag, and possibly release another project before the year ends, concept based again not sure as yet but I will keep pushing the singles out and go from there….I want to create some videos and/or visualisers with these songs as well.

Toronto's own 6am delivers a deeply introspective and emotionally charged project with What Goes Around , a collection of songs that serve as a personal diary and a universal truth. With this release, 6am sheds the weight of external judgment, stepping into a space of vulnerability where he expresses his truths without hesitation. From the start, What Goes Around immerses listeners in the cyclical nature of life—its highs, its betrayals, and the eventual return to balance. Sonically, the album is a seamless blend of raw hip-hop and melodic storytelling, fusing the grit of Toronto's streets with moments of heartfelt introspection. His signature ability to weave between hard-hitting verses and smooth, almost hypnotic melodies is on full display, reinforcing the project's theme of contrast and duality. Lyrically, 6am pulls no punches. He speaks on the struggles of navigating a world where fairness is anything but linear, yet he remains steadfast in believing that life ultimately evens the score. Tracks unfold like confessions, each peeling back another layer of his journey, from moments of pain and perseverance to acceptance and divine faith. What makes What Goes Around stand out is its authenticity. This is not just music—it's lived experience, poured into every bar and harmony. For anyone searching for music that speaks to life's unpredictability while offering a sense of resolve, 6am delivers a project that truly resonates. What Goes Around  feels like a deeply personal and introspective project. You’ve described it as your way of opening your soul to the world for the first time. What made you ready to take that step, and what was the most challenging part of that process? I’ve always been the type of person to reflect on my actions, the things I’ve experienced, always trying to find the “why it happened” in everything - almost to a fault. What made me ready to take that step was the frustration of not knowing what I was truly capable of. I’d listen to my older music and as good as it was, I would always feel like I hadn’t dug deep enough into my soul when creating it. I needed to be honest with, and about, my experiences. An example of this was “Mad@him (Blue Version)” the reason this is the “Blue Version” is because there is an original single I dropped titled “Mad@him”. I ended up making this rendition and putting it on the album instead because I felt like it was a truer reflection of my soul, that I had accurately articulated the feeling I was intending for - since the lyrics I used were 90% from the original song. It’s tough, when you’re chasing the dream of becoming an artist , there is a constant battle of making something you love vs what you think people will love. I had reached the point with my art where I felt like I had to let go of everything and allowed myself to experience music the way I felt it in my soul, and leaving that to the masses. Creating music is a divine experience, I trusted God with whatever happened with this project, I didn’t think about the results, I thought about connecting with people, making something I wanted to show my kids one day and having them say “hey my dad was dope”. To accept that you must give to get, because in life, even heaven demands death. The most challenging part of that was fighting the “voice of reason”. It’s taken years, but I’ve learnt to talk to myself like how I talk to my best friend and constantly encouraged myself to be proud and confident in who I am. The album explores the idea that everything comes full circle, whether it’s life, relationships, or personal growth. Was there a particular moment or experience that really solidified this message for you? It was honestly a collection of moments that compounded into shaping this mentality for me. I believe the cycle of life is the symbol of how everything is a balance - which is where I thought of the concept for “Yin and Yang”. There is sunshine, and there is rain, there is life and there is death, there is happiness, and there is sadness. We always want life to be an upward trend, and when things don’t go as planned we become stagnant. In a generation where we merely watch the highlight reels of people’s lives, we forget that we are human. It’s a bit ironic, but the moment I let go of perfection, and committed to giving every ounce of my soul in whatever I did was the moment I felt the most complete as a person and an artist. There is liberation in doing your best, letting go, and just being yourself. Trusting all your experiences and testing how great you really are. Then you can build on what you’ve learnt and really make adjustments. A quote by Kobe Bryant that resonates with me and exemplifies the balance of greatness and being human is: “I chased perfection, knowing I'd never reach it because in the pursuit, I became unstoppable.” I believe that encapsulated how I approach my art. I grew a lot from and since dropping this album. And even though that chapter is done, everything does come full circle. There is another half of the cycle that I have yet to explore with my listeners, and until then I’ll be dropping every 2 weeks to continue to explore that process with them. You started out in battle rap and freestyling before evolving into the artist you are today, blending hip-hop and melodic singing. How did your early experiences shape your approach to making  What Goes Around ? I started off as a freestyler, the type where you gave me words or topics and I’d turn them into a song on the spot - it’s a party trick now haha. Transitioning into battle rap shaped me in a lot of ways because there is immense preparation that goes into it. It’s just like a song, you have to get into a mode, tap into something within your soul, and at times it’s even harder than making music because it isn’t as subjective. You’re memorizing 3 long verses, and if you mess up, there is a very good chance you’ll lose. Someone is coming for your head, It’s like preparing for war… It was a massive pillar in what shaped me into the artist I am today by not only honing into both the lyrical facet of my game as well as the performance side of it, as well as handling the pressure of that performance. I look at music a lot like sports, and having those pieces of my game was like having a middy and being able to drive before adding a 3, which is the melodic side of my sound. It helped shaped the album because I strived to avoid compromising the music sonically, while maintaining lyrical integrity. I wanted to paint a picture, tell a story of what I saw, and experienced, while leaving enough room for interpretation for the listener to make their own connections. At the same time, I wanted to create a sound that people who didn’t speak English could enjoy just for the melodies and feeling. This isn’t my final form, and till the day I die, I will always be working on my game.  Toronto’s energy is a big part of your sound—its beauty, its coldness, and everything in between. How has the city influenced this album, and do you feel like it plays a role in your storytelling? The city absolutely played a part in influencing both the album, and my sound as a whole. Toronto has a certain feeling to it. The cold, the darkness, the “dark-blueish-purple type” feeling you get from the city. I believe that my art falls into that vibe. And the album doesn’t shy away from that either. The stories I tell come from my experiences, as well as the experiences I’ve witnessed in the city. Songs like “Jokes On Me” and “Irreplaceable” exemplify that. The city is also a melting pot of cultures and “WantU” was inspired by that feeling you get when you go to Cabana in the summer. All in all Toronto is a beautiful city and I’m grateful for the endless inspiration it provides me - even though I despise the cold. When I try to paint these pictures for my listeners, the first people I do think about, are the people in my city. Because I know how they feel, and I want those people to feel heard. 5. You talk about letting go of the fear of what people think and allowing God and the listeners to take in your message as it is. Now that the album has been out for a while, how do you feel about the response, and what do you hope people take away from it? The response with the plays/views has also been great (300k+ streams across all platforms), and I feel like that plays a huge part in why there was any form of success. I set a goal for myself last year that I would have someone tell me that my music helped them through something - it was for me to know that I really connected with someone because a majority of my music is inspired by my pain. And after dropping this album, I was told that by multiple people, it made me feel like I truly accomplished something, the views didn’t matter as much as the connections I built through my art. I want to be timeless, I want my music to live beyond me, and the only way to do that is by leaving an impact. By letting people feel heard, as an artist, I’m given a privilege and gift to communicate for those that don’t share that same ability. “Took Over the World” was made for the people who took an L and bounced back with a bigger W. What I hope people take away from the album is that we have multiple facets to our being and to embrace all of them. Songs like “Gassed Up” and “Dance Now” are made for the sides of us that get insecure, and even when we have knots in our stomachs, we just got to push through and dance, vibe, chill, because regardless, life is good. We’ve all been portrayed as the fool, and cheered on as the victor. Don’t get too high, or too low, because the cycle will complete itself. The only constant in “good” and “bad” experiences, is the word experience. So give yourself, and life some grace. Life is long, and karma is real. Make the best of every second you have on this planet, and do right by people, because you never know when it’s your turn.

Vancouver’s rising shoegaze outfit la lune makes a powerful return with “ quiet considerations " a track that blends crushing intensity with wistful beauty. Following the breakout success of their debut EP disparity —which sold out its first vinyl pressing and topped indie radio charts—the band continues refining their sound, delivering an emotionally gripping experience long after the final note. From the first reverberating chord, “quiet considerations” erupts into a hurricane of layered distortion, thunderous drums, and soaring melodies. But within the chaos, there’s a striking intimacy. Frontman Ethan Rebalkin’s delicate, dreamlike vocals drift above the dense soundscape, offering a poignant reflection on toxic relationships—the kind where manipulation is recognized but still excused. The track carries a sense of urgency, mirroring the inner conflict of trying to break free from an emotional stronghold. While la lune wears their influences on their sleeve—pulling from shoegaze legends like My Bloody Valentine, Duster, and DIIV—they bring their distinct voice to the genre. The contrast between ethereal harmonies and crushing instrumentals is executed precisely, making “quiet considerations” both hypnotic and hard-hitting. Accompanying the single is a visually striking music video that further amplifies the song’s themes of entrapment and emotional dissonance. With a sophomore EP and a festival-packed year ahead, la lune proves once again that they are not just riding the shoegaze wave—they’re shaping it.

With heartfelt lyricism and soaring vocal delivery, Songbird ’s latest release is an anthem for people-pleasers learning to reclaim their worth. The New Jersey-based singer-songwriter, who has made waves with award-winning tracks and Nashville recordings, delivers an emotionally charged song about friendship, imbalance, and the strength it takes to walk away from those who take more than they give. Drawing inspiration from powerhouse artists like Sara Bareilles, Adele, and Lana Del Rey, Songbird crafts an intimate and universal melody. The track’s gentle yet powerful instrumentation allows her evocative storytelling to shine, pulling listeners into a relatable narrative of realizing when it’s time to stop overextending for those who don’t reciprocate. The lyrics cut deep, resonating with anyone who has ever felt drained by one-sided relationships. Beyond its deeply personal theme, the song carries a message of empowerment. As Songbird puts it, “I hope that anyone who is a people pleaser realizes their worth. You don’t need to be the only one putting in 110%.” It’s a reminder that true friendships should be built on mutual effort and respect. With a recent 2nd place finish and “Best Lyrics” award at the USA Songwriting Competition, as well as upcoming performances—including a singer-songwriter showcase in Austin during SXSW—Songbird is carving out her space in the industry. And with more music on the horizon, this rising artist is proving that her voice deserves to be heard.

Toronto’s hip-hop scene continues to thrive, thanks to artists like N1N3 K9 , who bring authenticity, lyrical depth, and an unwavering grind to the table. With a career that spans from early childhood performances to sharing stages with hip-hop icons, N1N3 K9 has established himself as a force in the city’s rap circuit. His latest release, “ Time Is Money ,” is a high-energy anthem that speaks directly to those on their hustle, pushing forward despite life’s unpredictable turns. While many tracks in hip-hop touch on the pursuit of wealth, N1N3 K9 takes a deeper approach, emphasizing the connection between time and financial security. The song isn’t just about stacking paper—it’s a reflection on the value of time, a resource far more precious than money. In his own words, the track serves as a reminder that while money flows in and out, time only moves forward, making it essential to use it wisely. “Every moment not set aside for essential living and rest is an opportunity to attain financial stability for yourself, family, or other responsibilities,” he explains. Rather than glorifying reckless spending or superficial wealth, N1N3 K9 urges listeners to be mindful of their grind, balance their ambition with self-worth, and ensure they are not overworking themselves for less than they deserve. From the opening seconds, “Time Is Money” pulls you in with its commanding production, blending crisp percussion, booming 808s, and an infectious melody that fuels its motivational message. N1N3 K9’s sharp delivery and confident flow elevate the track, making it clear that he’s an artist who understands his sound and purpose. His cadence glides effortlessly over the beat, exuding the wisdom of a seasoned artist while maintaining the raw hunger of someone still striving for greatness. With over 38K views and climbing, the official music video for “Time Is Money” is already making waves. The visuals match the song’s energy, bringing its core themes to life with striking imagery and dynamic storytelling. Whether he’s delivering bars on the streets of Toronto or capturing moments of the daily hustle, the video embodies the universal grind that so many listeners relate to. Your musical journey started at a very young age—what was the defining moment that made you realize hip-hop was your calling? The defining moment that made me realize hip-hop was my calling was when I was 9 years old. I was surrounded by music, specifically hip-hop, from birth. 106 and Park on BET was one of my go-to shows as a kid, maybe when I wasn’t supposed to be watching lol. I knew all the words to most of the songs played. I would rap along while watching the music videos from Lil Bow Wow and 50 Cent with my Popz until he said to me, “you’re always rapping these people's music, we might as well make your own music”. After that moment, my love for the genre grew and im still in love with REAL Hip-Hop to this day. You’ve shared the stage with legends like Nas and Busta Rhymes—what’s the biggest lesson you’ve learned from being around industry heavyweights? I give all the glory to God for blessing me with that opportunity to share the stage with both of those legendary artists back in 2005 at the Marc Ecko festival. What I grasped being around them, was to really just be my authentic self with my art and to always put my art first. Also to carry myself in a professional manner at all times, even when not working. Like my mom always told me “You only get one chance in life to make a first impression”. So seeing them, how they maneuvered and operated that day, I learned/observed a lot. I apply that to my everyday life because you never know who’s watching. Beyond music, you also host ‘Tha Hotbox’ on Twitch. How does that platform allow you to connect with your audience in a way that music alone can’t? Being on Twitch and creating “Tha Hotbox” is probably one of the greatest moves I have made for myself as an artist,as a creative and socially. The love and organic growth that I receive from everyone who rocks with what I do and tunes in, it warms my heart and reminds me that I’m not alone in my love for hip-hop. I love the community and value all of the relationships I’ve built as a result. Shoutout to my twitch family! LOVE YA’LL. “Time Is Money” isn’t just about making money, but about valuing time—was there a specific life experience that inspired this message? Absolutely! Before I ventured to the sometimes scary world of self-employment and running my own business, I worked for a Fortune 500 company that I felt, and noticed, didn’t value time and work ethic. Not to mention the compensation didn’t equal the actual work that was put in in order for them to grow as a company. With “Time Is Money” trending and “Ahead of the Game” set to drop soon, how do these releases represent your growth as an artist, and what’s next for N1N3 K9? These releases represent my growth as an artist because it’s my true authentic self coming through the music. Before I would make music to fit into what was popular, it never resonated with who I truly am, though, which is a “Golden Era” 90s hip-hop lover. As a creative, your art is a reflection of who you are, so now im unapologetically staying true to my roots and delivering the sound that I love and enjoy. I hope my audience feels my vibe and what I’m bringing to the table. What’s next for me? A LOT more music, dope visuals and consistency.