Search this site

Emerging from the depths of Kentucky's underground with unrelenting fire, Bury the Masses has officially arrived—and they're not playing nice. The band's debut single, " Hitta Lick ," dropped today, and it's a full-throttle assault of Nu Metal aggression, lyrical venom, and unfiltered emotion. Equal parts chaos and control, the track lays the groundwork for a sonic revolution led by one of the most explosive new acts in the heavy music scene. Fronted by Berran Lee, a battle-tested rapper with roots deep in the local hip-hop community, Bury the Masses (BTM) is carving out a brutal lane where rap and metal collide with purpose. Backed by an equally ferocious lineup—Tai (Vocals), Kai (Drums), Zerø (Guitar), and ŒNî (Bass)—BTM brings precision to the pit, pairing technically tight instrumentation with raw, unrelenting energy. "Hitta Lick" is more than a debut—it's a warning shot. Fueled by Berran's razor-sharp flow and delivered with the full weight of metalcore muscle, the song showcases the band's ability to hit hard while saying something real. It's the kind of track that feels like a punch to the gut—one you'll want to take again. The story behind BTM is as no-nonsense as their sound. The band formed before they had a name, focusing entirely on building something authentic and untouchable. After cycling through dozens of "terrible" name options (their words, not ours), they landed on Bury the Masses. This name perfectly captures their mission to crush conformity and bury mediocrity with every riff and rhyme. Drawing from underground rap and modern metal influences, BTM refuses to fit a mold. This is rap metal without the gimmicks—just raw talent, undeniable chemistry, and a message that hits just as hard as the music. With "Hitta Lick," Bury the Masses has officially entered the scene. And if this debut is any indication, they're here to dismantle everything in their path.

Los Angeles-based alternative pop artist Max Figueroa is redefining sensuality in music with his latest single, TUNGS —a sultry, emotionally charged track that captures the electric thrill of intimacy in its earliest stages. With poetic lyricism and hypnotic production, TUNGS transforms the physical and emotional connection of two lovers into a cinematic experience—one where touch, discovery, and desire intertwine in a romantic dance. From the first note, TUNGS pulls listeners into its intoxicating world. The song radiates a warm, dreamy energy, mirroring the rush of excitement when two people explore each other for the first time. Figueroa’s vocals glide effortlessly over the lush, alternative-pop production, creating a sonic experience that feels both euphoric and deeply personal. His lyrics, rich with emotion and layered meaning, invite listeners to embrace the beauty of connection, the unspoken language shared between bodies, and the whispered secrets exchanged through touch. At its core, TUNGS is a celebration of intimacy, not just in a physical sense, but as a gateway to understanding and closeness. Figueroa’s songwriting paints love and attraction as an art form, where every movement and every glance contributes to a larger, more profound masterpiece. His ability to romanticize the moment makes TUNGS a track that resonates beyond its sensual theme—it becomes an anthem for passion in all forms. “ My hope is that people can leave feeling a bit romantic ,” Figueroa shares. “ That they can romanticize something in their life, whether it’s sex or a relationship. Really any aspect of life and what a beautiful process it is to begin something new. ” With TUNGS , Max Figueroa invites listeners into a world where love, pleasure, and vulnerability collide in a mesmerizing harmony. It’s a song that doesn’t just capture a feeling—it immerses you in it. Your music is deeply personal and rooted in self-expression. How did growing up in a conservative environment shape the way you create and connect with your art today? Growing up, creating was how I communicated. I grew up in Victorville, a desert town in the middle of nowhere. My family was poor & Jehovah Witnesses. I felt so ostracized. I wasn’t like the kids around me & I knew at a young age that I was queer, but I didn’t have the tools or language to express that. So I did what I felt was the only thing I could do. I created. It started with drawing. Which was a cheap hobby, then I started writing & was publishing books by age 7. I would often draw & portray myself as a boy. I was 15 when I first fell in love with music & that changed my life. At this time I was heavily bullied for transitioning. I had a lot of pain that needed to be expressed. I remember when I came out to my siblings, I drew out a spectrum & explained how I felt internally. I also wrote an entire album about my bullying experiences. The thing is, we as humans, we are natural storytellers. When you are being silenced, we find ways to tell our stories. Be it music, film, drag etc. It doesn’t matter…I now connect with my art with a more healing approach vs survival. I’m actively writing my story from a more authentic & healed place. Which has been a beautiful journey. With TUNGS , you explore intimacy as a kind of romantic dance. What inspired you to take such a poetic and sensual approach to this theme, and how did you translate that feeling into sound? Well that’s exactly how Tungs started. It was a poem I wrote. I just kept writing “I fall in love, I claim your tongue” But it had this darker meaning at first. I was in a relationship where I felt unheard. I thought to myself, how can you silence your partner & call that love? Hence, “I fall in love, I claim your tongue” But this song has been years in the making & since having left that relationship I was able to play with it a bit more & I just thought hey that could also feel quite romantic. I grabbed my guitar & I just started playing the most prettiest chords I could find. Once I’ve found it I played a finger plucking pattern that felt genuine. There’s something about playing on a flamenco guitar as well that makes it so intimate. It just feels so raw. The sound translated so beautifully while I was in the studio with producer & good friend of mine, Ernest Lee. He really pushed me to play with my music. But ultimately my goal was to write a pretty ballad that I can serenade people with. You’ve described music as your ‘best friend’ and a form of escapism. What role does vulnerability play in your songwriting, especially when tackling themes like love and desire? Vulnerability is the heart of my music. For me, music has always been a safe space. A best friend that I could turn to when I didn’t have the words to express how I felt out loud. When I write, I try to be as honest as possible, even when it’s uncomfortable. That’s where the real magic happens. Love & desire are human experiences that can also be layered with fear, longing, or shame. Especially as a queer person. Writing about them vulnerably allows me to reclaim those feelings & offer a sense of liberation, not just for myself, but for others who hear it & feel seen. Vulnerability isn’t weakness in my work, it’s the power source. Alternative pop is a broad genre with a lot of creative freedom. How do you carve out your unique sound within it, and what artists or influences have shaped your approach? Firstly I love alternative pop for that reason. It’s very broad & you have so much freedom. I’m pretty early in my recording journey but I think I carve out my unique sound simply by my approach to music itself. I’m loving finding new ways to make my music sound dreamy. It’s that broadness that allows me to create with an open mind & expirement. I’ve been inspired by many artists but I am heavily influenced by 90’s alternative rock pop bands. I admire bands from Nirvana, The Stone Roses, Sonic Youth, No Doubt & Coldplay. Beyond TUNGS , what stories are you excited to tell through your music moving forward? Are there any upcoming projects or themes you’re eager to explore? I’m eager to explore themes such as healing the inner child, love & liberation, community, & justice. I’m also interested in telling stories about resilience. What it means to rebuild yourself after heartbreak & being misunderstood. There’s so much power in turning pain into something beautiful. I’m currently working on a few new songs that lean into dreamier, more emotional themes. Think lullabies for the inner child & anthems for queer love. There’s a whole world I’m building, one that feels both authentic & hopeful & I can’t wait to invite y’all into it

The music industry loves to sell the dream, but behind the glitz, glam, and multi-million dollar contracts lies a brutal reality: creative control gets stripped, profits get sliced, and artists are left fighting for scraps of their own legacy. That’s why some of the biggest names in the game said “f*ck that” and broke free. Going independent isn’t just a trend, it’s a revolution. From chart-topping rappers to global pop icons, these artists took the risk, bet on themselves, and reclaimed their power. Whether they were fed up with label politics, shady contracts, or just wanted their damn masters back, each one of them made the leap for a reason, and it’s paying off. Here are 10 major artists who ditched the majors, went indie, and never looked back. Let’s talk ownership, freedom, and why the future of music is independent.. 1. Chance the Rapper Why he went independent: From the start, Chance the Rapper rejected major-label deals, opting instead to release his music for free. He saw independence as the best way to maintain creative freedom and ownership of his masters. How it worked out: Pretty damn well. With his Coloring Book project, Chance became the first artist to win a Grammy without selling a single physical copy. His strategy of leveraging streaming, merch, and touring revenue set a blueprint for independent success. 2. Frank Ocean Why he went independent: Frank Ocean played one of the most genius moves in music business history. After fulfilling his contractual obligations with Def Jam by releasing Endless, he dropped Blonde as an independent artist just a day later. This allowed him to keep full control and reap the financial benefits of his most anticipated project. How it worked out: Blonde debuted at No. 1 on the Billboard 200, and Frank made a reported $2 million in just the first week of sales—way more than he would have earned under a label deal. 3. Russ Why he went independent: Russ spent years building a catalog before going viral with his self-released songs. He rejected label deals because he knew owning his masters and publishing rights would lead to greater long-term wealth. How it worked out: He’s now one of the most successful independent artists in the game, with millions in revenue from streaming, touring, and direct-to-fan sales. His mantra? “You gotta own your music.” 4. Macklemore Why he went independent: After years of trying to fit into the traditional music industry, Macklemore and producer Ryan Lewis decided to go independent. They believed they could break through on their own terms. How it worked out: Their decision paid off in a huge way. The Heist, featuring hits like "Thrift Shop" and "Can't Hold Us," won multiple Grammys and outsold many major-label releases—all without a record deal. 5. Tinashe Why she went independent: After struggling with RCA Records, whom she claimed mishandled her career and limited her creative vision, Tinashe left the label in 2019. She was determined to release music on her own terms. How it worked out: Going indie allowed Tinashe to experiment with her sound and regain control of her brand. Albums like Songs for You and 333 showed her artistic evolution and won back her loyal fanbase. 6. Tory Lanez Why he went independent: Tory Lanez left Interscope in 2020, citing frustrations with the label’s control over his music. He saw independence as the key to owning his masters and making bigger profits. How it worked out: While his career has been controversial, there’s no denying his success as an independent artist. He experimented with blockchain technology, selling his NFT album When It’s Dark and making over $1 million in minutes. 7. JoJo Why she went independent: JoJo’s battle with her former label, Blackground Records, was a nightmare. She was unable to release music for years due to contractual issues. When she finally broke free, she re-recorded her old songs and started her own independent journey. How it worked out: The move allowed her to reclaim her music and reconnect with fans on her own terms. Now, she releases projects under her own label and maintains full creative freedom. 8. Prince Why he went independent: Prince’s battle with Warner Bros. is legendary. He fought for ownership of his masters, even changing his name to a symbol in protest. Eventually, he left the label to release music independently. How it worked out: Prince became one of the first major artists to prove that independence could be lucrative. He controlled his music distribution, sold albums directly to fans, and influenced countless artists to follow suit. 9. Kid Cudi Why he went independent: After splitting from Kanye’s G.O.O.D. Music label, Kid Cudi wanted more control over his sound and career. He felt boxed in by the industry’s expectations and sought the freedom to experiment. How it worked out: His independent projects, like Indicud and Satellite Flight, proved he could succeed outside the label system. He even launched his own label, Wicked Awesome Records. 10. Nipsey Hussle Why he went independent: Nipsey Hussle believed in ownership and self-sufficiency. He turned down major-label deals early in his career because he wanted full control over his music and business. How it worked out: His Crenshaw mixtape, which he famously sold for $100 per copy, showed the power of independence. By the time he signed a partnership deal with Atlantic for Victory Lap, he was already a self-made mogul. The Future of Independence in Music These artists prove that independence isn’t just possible—it can be extremely profitable. In an era where streaming, direct-to-fan platforms, and social media have leveled the playing field, more musicians are realizing that they don’t need a major label to succeed. Independence means freedom, control, and long-term wealth. And as more mainstream artists take the leap, the industry is shifting in ways we’ve never seen before.

If you’re an avid music lover using the Amazon Music Player on your Android device , you know how crucial it is to get the best sound quality out of your playlists. One of the easiest ways to enhance your listening experience is by tweaking the equalizer (EQ) settings. Whether you prefer bass-heavy tracks or crystal-clear vocals, a little customization can make a difference. Here’s a guide to help you find the best EQ settings for your musical tastes. Understanding the Equalizer Before diving into specific settings, let’s briefly discuss what an EQ does. An equalizer adjusts the balance between the frequency components of your audio. In simpler terms, it allows you to boost or cut certain frequencies, shaping the sound to better suit your preferences and the genre of music you're listening to. Accessing the EQ in Amazon Music To get started, open the Amazon Music app on your Android device: Tap on the Menu  icon (three horizontal lines) in the top left corner. Go to Settings . Find and select Playback , then tap on Equalizer . Here, you’ll see a range of sliders that represent different frequency bands: bass, midrange, and treble. Recommended EQ Settings While the perfect EQ setting can vary based on personal preference and the type of music you enjoy, here are a few tried-and-true settings for various genres: 1. For Bass Lovers: 30 Hz:  +3 dB 60 Hz:  +4 dB 120 Hz:  +2 dB 250 Hz:  0 dB 500 Hz:  -1 dB 1 kHz:  -2 dB 2 kHz:  -2 dB 4 kHz:  -1 dB 8 kHz:  0 dB 16 kHz:  +1 dB This setting boosts the lower frequencies, perfect for genres like hip-hop and electronic music. 2. For Clear Vocals: 30 Hz:  0 dB 60 Hz:  0 dB 120 Hz:  -1 dB 250 Hz:  +1 dB 500 Hz:  +2 dB 1 kHz:  +3 dB 2 kHz:  +2 dB 4 kHz:  +1 dB 8 kHz:  0 dB 16 kHz:  -1 dB These settings help enhance the midrange frequencies, making vocals stand out—great for pop, rock, and acoustic music. 3. For a Balanced Sound: 30 Hz:  0 dB 60 Hz:  +1 dB 120 Hz:  +1 dB 250 Hz:  0 dB 500 Hz:  0 dB 1 kHz:  0 dB 2 kHz:  0 dB 4 kHz:  0 dB 8 kHz:  +1 dB 16 kHz:  +1 dB This setting provides a more natural, balanced sound, suitable for a variety of genres. Fine-Tuning Your Experience Remember, these settings are just starting points. The acoustics of your environment, the quality of your headphones or speakers, and personal taste all play a role in how music sounds. Don’t hesitate to adjust the sliders until you find the sweet spot that works for you. Tips for Best Results Use Quality Headphones:  Good headphones can significantly enhance your listening experience, especially when using an EQ. Experiment with Different Genres:  Try different EQ settings depending on the genre you’re listening to. What works for one style may not be ideal for another. Keep It Subtle:  Extreme adjustments can lead to distortion. Subtle tweaks usually yield the best results. With these EQ settings and tips, you’re well on your way to transforming your listening experience on the Amazon Music Player.

It’s not just the nookie this time. Nu-metal icons Limp Bizkit  have officially entered legal warfare with Universal Music Group (UMG), demanding a whopping $200 million in unpaid royalties. Yup, two hundred million . And that’s not even counting the spicy accusations flying around. According to reports from TMZ, the band says they racked up over three billion streams in the last two years alone—yet somehow, the math isn’t mathing when it comes to their bank accounts. Fred Durst and the gang believe UMG has been keeping them in the dark and holding back their rightful cut. In court docs, the band doesn’t hold back, accusing UMG of fraud, copyright infringement, and what they call "fraudulent concealment" —aka, allegedly using shady royalty software to mask what the artists are actually owed. Sketchy? Big time. And there’s more. Limp Bizkit claims their original '90s record deal was meant to be a 50/50 profit split—but they say they never saw that kind of cash. Fred Durst also brings up his early involvement in signing Staind to UMG, claiming he was promised 10% of their profits, which conveniently dried up around 2012. UMG isn’t backing down though. They tried to have the case tossed, calling the unpaid royalties claim “fiction,” but on March 17, Judge Percy Anderson shut that down—at least partially. While he ruled that most of the claims need to be refiled in New York or California, he did  let the copyright infringement claim stand. UMG now has until April 7 to respond. For now, Durst and crew are turning up the volume—this time, in the courtroom. And honestly? We’re here for the drama.

The music industry has changed massively in recent years with artists and record labels now using giveaways as a way to engage new listeners and drive people to streaming platforms and concert ticket websites. More than 700 million people  around the world subscribe to music streaming services, with Spotify's 30% market share leading the way. It's fair to say, then, that many people are happy to pay for their love of music, although we're sure a vast majority of those would jump at the chance to do so for free! So, whether you're looking to tighten your budget or simply explore some new music worry-free, in this article, we'll take a look at where to find the best music giveaways and promotions in 2025. Why Free Music Giveaways Matter Free music is not just about saving money. Free music sites can be an invaluable tool for those looking to discover indie musicians who have yet to sign their first deal with a record label  or are simply testing out new songs before releasing them on the big streaming platforms. Here's a quick list of why you should care about free music giveaways: It's easy to discover new artists without being obliged to pay. Listeners can support new and upcoming musicians through exposure. You can gain access to exclusive content (B-sides, live sessions, remixes). Musicians provide special access to limited edition or signed releases. It provides moral support for the artists and the music community. Top Places to Find Free Music Giveaways Online Now that we've emphasized the importance of free music giveaways and promotions, and why they’re so beneficial to both listeners and musicians, we can now share where you can find the best places to listen to free music ethically. Artist Websites and Newsletters Many artists provide access to free songs in exchange for listeners signing up for email marketing lists and allowing their label or management to send newsletters and promotional material. Often, this music is sent before it is commercially released, which comes with the bonus of exclusivity, which many music fans crave.  Affiliated Websites (Gaming, Casino, Sports) While artist and record label websites, as well as online forums, might be the go-to choice for giveaways, savvy music lovers are known to get their music from other, less ordinary sources. Social media platforms, sports betting apps, and no deposit bonus casino  sites are also known to use licensed music to keep users entertained. Although this is a less-trodden path, it's certainly one worth considering. Streaming Platforms & Promo Codes While some music purists are opposed to streaming platforms due to the low royalties paid to musicians, which is especially impactful, they are a very convenient way to listen to content. The streaming giants, Apple Music and Spotify, are known to run free promotions for new customers, so it's certainly worth keeping an eye out for any giveaways and promo codes.  Record Labels and PR Agencies Love them or loathe them, record labels are key for many musicians looking to break into the music scene – talent alone is rarely enough for an artist to reach the very top. Some labels, especially those with savvy marketing departments, give away free samples or compilations to drum up interest and create hype when a new release is around the corner, which can be incredibly useful for those wanting to enjoy free music.  Music Blogs and Forums Blogs run by industry insiders, and even some musicians themselves, can provide users with free downloads, clips from live events, and snippers or new releases. Blogs such as Indie Shuffle and Hype Machine  are very popular online, while many music lovers also enjoy visiting Reddit threads including r/ListenToThis or r/FreeMusic, which operate ethically and with respect paid to the musicians. How to Benefit from Special Promotions and Brand Collaborations  Many companies team up with musicians to run highly engaging promotional campaigns, especially during the run-up to a new release, both from the artist and the company itself. This can be musically beneficial, as it can expose new audiences to their respective wares, whether they be household appliances or a new album.  Indie clothing brands, including Urban Outfitters and Vans, have previously provided free music downloads to customers buying specific items or during a promotional period. These brands are known to collaborate with artists within very specific genres as their audiences blend, creating a mutually beneficial campaign.  Other examples of how brands have capitalized on this musical connection include: Tech brands such as JBL and Beats have previously hosted playlist contests or digital album drops. Some clothing brands run co-branded lines with musicians and provide exclusive download access to buyers.  Many alcohol and energy drink companies sponsor festivals  and ticket giveaways, although they often come with age constraints.  While the world of free music giveaways and promotions might seem big and overwhelming at first, it's important to remember that this is simply a hobby for most and that a great many others simply pay for albums or subscribe to paid streaming platforms. Part of the fun, for some at least, lies in the fact that they can get music for free while others choose to pay.  Here are some tools to help make your free music quest a little bit easier: Songkick (alerts for live shows and often artist offers for tickets and merch) Bandsintown (similar to Songkick but with more emphasis on artist promotions) Bandcamp (a platform that allows artists and labels to directly sell their music) Google Alerts (a way to create alerts for specific music-themed keywords and phrases) Final Thoughts  Enjoying free music is not just about saving money but also about building a deeper appreciation for music while discovering new artists. So, the next time you're scrolling through social media or browsing your favorite music blog, remember to keep an eye out for any giveaways and promotions.

Photo by Lane Wells In the heart of country music, where stories of love, loss, and perseverance reign supreme, Amy Isenhour delivers a powerful, soul-stirring anthem with her latest single, “ Radio .” Officially out now on all streaming platforms, this track isn’t just another song—it’s a testament to chasing dreams, embracing new beginnings, and finding strength in the face of heartbreak. At its core, “Radio” is a song about transformation. It follows a woman who, rather than drowning in the sorrow of a broken relationship, turns up the volume on her ambitions and walks away—quite literally—toward a future filled with possibilities. The track was penned by Chip Davis and Candy Cameron, known for their work with country star Chris Cagle ( “What Kind of Gone” ), and their expertise in crafting compelling, radio-ready hits is unmistakable here. Amy Isenhour, a Texas native turned Nashville recording artist, infuses this track with raw emotion and authenticity, making it feel less like a performance and more like a page ripped straight from her own diary. With every note, she embodies the spirit of someone who refuses to let heartbreak define her, proving that every ending can be the start of something greater. Sonically, “Radio” is an invigorating blend of modern and traditional country. The production is crisp, with warm acoustic guitars, steady percussion, and a melody that hooks you from the first verse. It’s the kind of song that feels like freedom—the wind in your hair, a packed suitcase in the backseat, and an open road ahead. Amy’s vocal delivery is effortless yet commanding, striking the perfect balance between vulnerability and strength. She doesn’t just sing the lyrics; she lives them, making listeners believe every word. Whether you’re at a crossroads in life or just need a little inspiration to keep pushing forward, this song resonates. Amy Isenhour’s journey from Austin to Nashville is a story of its own—one filled with passion, perseverance, and a deep love for country music. Since her debut in 2024, she has been making waves, crafting music that speaks to both personal experiences and universal emotions. As a wife and mother of two, Amy brings a unique perspective to her artistry. She understands the balance between chasing dreams and staying grounded in the things that matter most. This balance shines through in her music, giving it an undeniable depth and relatability. “Radio” tells a powerful story of resilience and chasing dreams. How much of this song reflects your personal journey from Austin to Nashville, and what message do you hope listeners take away from it? When I first heard this song, I felt its deep meaning immediately, and it is a reflection of my own past. From having an ex-boyfriend say I would never achieve my dreams, to other people throughout my life, the song has such an empowering element of not giving up on yourself or your dreams. I hope that’s what listeners take away from the song most, an uplifting empowerment for themselves to never give up on their dreams. Country music is all about storytelling. What was the inspiration behind ‘Radio,’ and how did working with songwriters Chip Davis and Candy Cameron shape the final version of the song? When my producer first sent me this song, I knew almost immediately that I wanted to record it. While I don’t know its full history, Candy and Chip did such an amazing job telling the story. I loved the nostalgic elements of seeing CDs in your favorite store, playing every night to have your songs heard, and realizing dreams coming true when hearing your song on the radio for the first time. Balancing motherhood, marriage, and a growing music career isn’t easy. How do you navigate the challenges of being both an artist and a mom while staying true to your creative vision? Finding the right balance in life can be tricky at any stage, and having my children is such a blessing. I try and take both my career and motherhood one day at a time to avoid becoming overwhelmed, and try to get what I can accomplished for that day. With God’s help it all comes together so beautifully and seamlessly, and usually happens on his time. Enjoying the process is essential to avoiding burnout in both areas, and my husband is so amazing and supportive in both areas, too. You made your official debut in 2024. How has your journey as a country artist evolved since then, and what’s been the most defining moment in your career so far? My debut was such a huge milestone for me and I still consider that my biggest defining moment. After having children, I questioned myself and if I should give up my music career at that time. Releasing my first song still has so much meaning for that reason, it symbolizes to me not giving up and the continued pursuit of achieving my dreams. The more I contemplated my direction moving forward, I realized I could handle any type of failure, but I couldn’t handle giving up completely and not trying. 2024 will always be such a memorable year for those reasons. With ‘Radio’ now out in the world, what’s next for you? Can fans expect more new music, a tour, or any exciting projects in the near future? I am so grateful for the support of my new single “Radio” so far. While I do not have a tour planned at this time, I do have more exciting new music coming soon, with anticipated single releases coming throughout late spring and over the summer!

Pop newcomer Anelda Phillips delivers a heart-squeezing, head-bobbing moment of vulnerability with her latest single, “ Are You In? ” — a track that sits right at the intersection of friendship and love, where emotions blur, and every glance carries a question mark. With a voice that radiates warmth and boldness, Anelda crafts more than just a pop song — she creates an experience. As she puts it, "I want every song to be a euphoric experience... one that stays with you from the very first listen to decades down the line." And with “Are You In?” , that mission is in full motion. From the very first chorus, “Are You In?” feels like the musical embodiment of that nervous energy you get before confessing your feelings. The production is lush and modern but grounded in a timeless emotional core. Think dreamy synths, steady grooves, and a melody that wraps around you like a memory you can’t quite shake. Lyrically, it’s all about that moment — you know the one. When you're sitting across from someone, maybe just a friend, maybe something more, and you’re wondering if they feel it too. It's a sonic slow-burn of courage, anticipation, and the kind of honesty that makes you hit replay just to feel it again. There’s something incredibly universal about the vulnerability Anelda taps into here. The lyrics don’t shout — they ask , gently but boldly: “Are you in?” It’s an invitation, not a demand. And that’s what makes it powerful. She doesn’t paint love as a dramatic leap off a cliff — it’s a tender, mutual step forward. A risk, yes. But also a possibility. Anelda’s vocal performance is polished but personal, balancing pop clarity with emotional nuance. She doesn’t over-sing, she communicates. You believe every word because it sounds like she’s been there, too. And let’s be honest: if you’ve ever caught feelings for a friend, this song will hit you right in the chest. With “Are You In?” , Anelda Phillips doesn't just ask a question — she creates a moment. A three-minute pop capsule that captures the hesitations hopes, and heart-racing potential of falling for someone who's already close to you. If you’ve ever stared at a phone wondering whether to send that text or sat across from someone hoping they feel it too — this song’s for you. “Are You In?” beautifully captures that gray area between friendship and love — was there a personal moment or memory that inspired this song?” Absolutely. “Are You In?” came from a place of emotional limbo, that awkward, electric space where you’re close to someone but unsure if they feel the same. I remember sitting in the passenger seat of someone’s car late at night, music low, both of us pretending not to feel what was so obviously there. It wasn’t a dramatic moment, just a quiet tension. That silence said more than words. This song is my way of translating those unspoken feelings into something people can feel in their bones. You’ve said you want your music to be a euphoric experience that sticks with people for decades — what does that look like to you in terms of sound, emotion, and storytelling? To me, euphoric music doesn’t mean happy all the time — it means goosebumps. It’s that rush of emotion that electrifies your heartbeat, makes your chest tighten, or forces you to hit repeat because something in my music knows you. I want my songs to feel like flashbacks — to a moment, a feeling, a state of mind. In terms of sound, you can expect bold melodies, rich textures, and lyrics that dive into the deep end. I want someone to hear one line and feel completely seen — like I pulled the words straight from their subconscious. Pop is such a versatile genre — who are your biggest influences, and how do you see your sound evolving in the next few years? I was raised on pop royalty — Justin, Ariana, Rihanna, Selena, Charli, Doja — artists who didn’t just make hits, they defined eras — They each brought something bold: attitude, sensuality, vulnerability, and total sonic confidence. That’s the energy I’m drawn to. As for where my sound is heading — I want it to borderline alter brain chemistry. I’m talking about music that’s sexy, flirty, a little cheeky… but still emotionally grounded. The kind of songs that make you smirk while dancing alone in your room or text someone you probably shouldn’t. Sonically, I want it to feel addictive — playful, lush, a little dangerous. It's not just a vibe I’m chasing — it’s who I already am. If you could go back and play “Are You In?” for your younger self just starting out in music, what do you think she’d say? She’d probably laugh nervously, cry a little, and then whisper, “We actually did it?” Honestly, she’d be in complete shock. She almost quit singing entirely, convinced it wasn’t for her. Younger me was performing "Naturally" by Selena Gomez at a school event, and a group of girls in her grade made her feel invisible and lesser than, like singing wasn’t something she was allowed to do (my mom would always say they're jealous - and we love her for that) . She loved singing, but the pressure for her voice to fit in with the rest - almost stopped her. Hearing “Are You In?” would be proof that everything she felt — the doubts, the emotions — wasn’t too much. It was art. I think she’d finally feel seen. And maybe even a little proud. This song lives in the space of taking emotional risks — how do you personally handle vulnerability when it comes to your artistry and real life? Vulnerability is my native language — but that doesn’t mean it’s easy. In music, it’s like dancing on a tightrope without looking down. But I’ve learned that the more honest I am in my writing, the more I connect and heal something within myself. In real life, I still get scared — scared of saying too much or feeling too deeply. But I remind myself that connection lives in that scary space. Art without vulnerability is just noise.

Somewhere between a campfire sing-along and a hallucinogenic breakdown lives “Where Did You Go, My Friend,” the latest single from Austin’s experimental comedy shapeshifter Joey Z. Known for his self-branded genre of “sound clown” —a fever dream fusion of stand-up, folk, electronic, noise, and absurdist performance art—Joey delivers a surprisingly tender track that captures the existential comedy of losing your friends mid-trip... and sometimes, forever. The track lives on Joey’s newly released audio project TRIP SITTER , an homage to his early 20s self—a time full of psychedelic journeys, self-medication, and emotional chaos. If that sounds heavy, don't worry: Joey Z doesn't just make you feel; he makes you laugh about the fact that you're feeling at all. Before the song begins in the live show, Joey sets the stage with a vivid story: him and his friends, all on acid, chasing after their buddy Brad who’s mysteriously vanished. As the group dissolves into giggles and sheep impressions (yes, sheep), Brad reemerges like a glitch in the matrix—unbothered, uninformed, and perfectly timed. It’s funny because it’s true: we’ve all lost a Brad at some point, whether on the dancefloor, at a bar crawl, or in life’s stranger corners. But this song goes deeper. It explores the uncanny loop of friendship and time—how people disappear, reappear, and sometimes never come back. While “Where Did You Go, My Friend” started as a hilarious trip tale, it gained new meaning in late 2022 when Joey lost a close friend—also named Brad, though not the same one from the story. “I can’t sing it now without thinking of him,” Joey says. “He’s gone, but we’ll be back together someday hanging out.” That duality—of laughing through grief and grieving through laughter—is what makes this song (and Joey’s whole deal) quietly revolutionary. It’s comedy that sits in the weird middle ground between memory and melancholy. It’s music that hugs you, spins you in a circle, then lets you go find your friends again. Mastered by Ethan Billips (Blank Hellscape, This Will Destroy You), TRIP SITTER manages to sound both disjointed and deeply intentional. The song’s lo-fi aesthetic and sparse instrumentation reflect Joey’s broader commitment to doing things differently—from sketch comedy and storytelling to surrealist visuals and sheep-mime performance art (yes, that’s a real thing he’s working on next). In a media landscape obsessed with polish and perfection, Joey Z embraces the glitch, the skip, the stoned silence. It’s not just about what’s being said—it’s about what isn’t . He invites listeners into a liminal space: a “mini trip,” as he calls it, where the line between joke and journal entry blurs beautifully. Joey doesn’t want you to get it. He just wants you to feel it. Maybe laugh. Maybe cry. Maybe stare at the ceiling wondering what happened to your Brad. “There’s one comment on the full album on YouTube that says, ‘What is this?’ and that’s been my favorite takeaway so far.” It’s hard to argue with that. “Where Did You Go, My Friend” isn’t just a song. It’s a portal. A ping to the people we’ve lost in the haze—whether for an hour, a year, or forever. So press play, close your eyes, and let Joey Z guide you through a trip worth taking. You describe your genre as “sound clown.” Can you walk us through what that means to you and how you landed on that term? In my sets, my humor relies on my physicality and my playful nature with the audience, and I feel like that's "clown" behavior. But there can also be songs/sound effects that get me booked at music venues. About four years ago I feel like I started describing my act that way. Before COVID, I was mainly just a traditional stand-up comedian, and I'll still do that sometimes, too. “Where Did You Go, My Friend” has both hilarious and deeply emotional layers. How do you balance humor and vulnerability in your songwriting and live performances? I would balance them equally in the live one-man show. Going from funny to vulnerable moments showcases the range of your show and of you as a performer/storyteller. When I do the songs live now, I can just go into it, and people dance, and they don't know it's about this long back story. They can just get lost in the song, and I've been trying to tap into that more lately. "Trip Sitter" feels like a time capsule of your younger self. What was the most cathartic part of finally putting this material out into the world? Finally deciding to be done with it and not worrying if it's perfect or not. Or if a distributor will help me put it out. Just to have it out for people to enjoy is nice. You’ve shared stages with Reggie Watts, Danny Brown, and Wolves of Glendale—how have those experiences influenced your own approach to live performance? Definitely has helped with my confidence and if my "style" is something people even want to see. I worked with those people all after 2020 also, when I started experimenting with sound clowns and different performance styles. It's been a lot of fun doing these new ideas, pushing myself creatively, and eventually getting to work with some true legends. W hat's next for you? There are a couple of projects going on right now, but mostly, I feel compelled by this new act I'm working on where I'm a sheep the whole time, and it's EDM music and mime.

If the music industry is crumbling under the weight of unsustainable streaming economics, then Talia Keys is rising from the wreckage like a phoenix, guitar in hand and message in tow. With her new album From The Ashes , the Salt Lake City-based one-woman band is setting a new standard, not only for sound, but for survival. This isn’t just an album; it’s a battle cry. Known for her explosive live performances, genre-blending grit, and unwavering commitment to social justice, Talia Keys has long operated on her own terms. But From The Ashes marks a new kind of rebellion: an open challenge to the broken systems that have made it nearly impossible for independent artists to earn a living through their recorded work. That’s why Talia is the first artist to release an album under the Buy Before You Stream initiative, a bold campaign that gives musicians the ability—and support—to delay streaming releases and sell physical copies first. With 0% micro-loans for vinyl production, partnerships with indie record stores, and built-in promo tools, Buy Before You Stream isn’t just about economics—it’s about empowerment. Beyond its industry significance, From The Ashes is a deeply intimate and spiritually grounded record. Talia spent over a year bringing it to life, self-funding a string section, and collaborating with longtime creative allies to craft a sound that is expansive yet grounded in raw human emotion. From soulful protest anthems to hushed ballads of personal reckoning, the album reveals an artist evolving from fiery resistance to radical gratitude. Take the lead single, “Matchstick,” a standout track written on the day of her friend Sarah Johnson’s passing. A disability rights advocate, Johnson coined the Matchstick Theory—a riff on Spoon Theory—to describe how people with chronic illness ration their energy. Talia channels that metaphor into a cathartic, powerful track about endurance, legacy, and the fight to burn bright even when your resources are dimmed. It's not just a tribute—it’s a torch. And as the album’s title suggests, From The Ashes is about rebirth. As someone who’s lived with Type 1 diabetes since childhood, Talia brings a lived-in understanding of limitation, and yet this record is anything but confined. Instead, it’s a triumphant blend of funk, rock, soul, and folk, held together by unshakable truth and fierce independence. You’ve always been fiercely independent, but “From The Ashes” feels like a full-circle moment—sonically and personally. What made this the right time to take such a bold stand with Buy Before You Stream? In many ways I feel like it's now or never, there really is no better time than the current moment we are in to truly start believing in the value of our art. Music seems intangible, but in many ways, it exists everywhere in our lives. The soundtracks to our stories, soundscapes to our days, and inspiration to keep dreaming. It also isn’t created for free, and it takes a huge team to pull off albums these days. So Buy Before You Stream is a crucial way for fans to help fund the artists and music they believe in. “Matchstick” is a stunning tribute to your late friend and disability advocate Sarah Johnson. Can you talk about how her philosophy and energy continue to influence your life and music beyond the song itself? Thank you so much, Psarah was a stunning human being who’s message and activism will be felt for years to come. I am disabled myself, being type one diabetic as well as other immunocompromised diseases. My disability has affected my entire life. Psarah is the one to make me aware that it was even a disability. She gave me the strength to admit when all my matches are burnt and the courage to speak about my experiences more. Self-care awareness and a reminder to keep burning bright. You’ve spoken openly about living with Type 1 diabetes since you were 10. How has that shaped your resilience as both a human and an artist—especially in an industry that demands so much from independent musicians? I have had to keep on moving. Being so young and facing mortality was a thing that shaped me forever in good and bad ways. I listen to my body and my mind, and I try my best to take care. Unfortunately, it's the type of disease that can turn on you out of nowhere. Creating hard days and sleepless nights, countless other complications, and depression. But I am aware of my health, my Body, and my soul. I pay attention to how I feel more. I also do my best to stay active, eat well, and get rest, especially while touring. You spent over a year crafting this album, even self-funding a full-string section. What were some of the most transformative moments in the studio that made this record feel different from your past work? Even on days one and two of tracking, we all felt it was different. More space and breathing room. Different types of songs make you play your instrument differently. From the beginning we knew we had something new and also something that felt old and familiar. Then we add all the piano and keys, strings, vocals, and backup vocals. It becomes so special at every step. Everyone brought their hearts and talents to this record. A transformative moment was hearing the string section on the song “Sky is Falling.” They play hauntingly beautiful melodies and add a whole other vibe to the record. It is truly different from anything I have done before! The Buy Before You Stream initiative is game-changing, especially for indie artists. What do you hope this release signals—not just to fans, but to the music industry at large? That our craft, art, and sounds are something to be valued, listened to, held, and collected. It is a tangible form of music that will last as long as the vinyl it is pressed to, often finding new hands and record players to be played through the years. One fan buying one record is worth tens of thousands of streams. I really hope to see more indie artists do this, even releasing exclusive physical-only music. I also hope we see legislative change for fair pay from streaming platforms. I believe we can make and be the change.