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Edmonton-raised, Vegas-grown artist Benzo Berea has always known music was her calling. Born Mercedes Cameron, this alt-pop powerhouse brings a lifetime of emotion and experience to every note she sings— and her latest single,  “ PTSD ,”  is no exception. A two-time Calgary Music Awards nominee and an artist with deep musical roots—her grandfather, Tawl Ross, was the lead guitarist for the legendary ‘70s funk band Funkadelic, and her mother, a Canadian country singer, Benzo Berea, fuses soul, R&B, and urban pop influences into a sound that’s raw, relatable, and uniquely her own. But “PTSD” is more than a song, it’s a confrontation with pain, memory, and survival. Reflecting on the scars left by past trauma, Benzo navigates themes of mental health and emotional chaos with lyrical precision. "It must be the PTSD / Cause the thoughts within my brain make me feel crazy," she sings, voicing a sentiment that resonates with many struggling to make sense of their inner world. The track dives headfirst into vulnerability, but it’s also a declaration of strength. After surviving a life-threatening surgery in 2015, Benzo emerged with an even more powerful voice, both literally and figuratively. “PTSD” is a product of that resilience, turning darkness into melody and reflection into release. “ This song is about embracing the parts of ourselves that are difficult to face and finding a way to heal ,” Benzo shares. “ It’s a deeply personal story, but it’s one I hope others can connect with as they work through their own struggles. ” With “PTSD,” Benzo Berea cements herself as an artist unafraid to go deep—proving that pop music can be both cathartic and transformative. It's a must-listen for anyone craving authenticity in a world full of noise. “PTSD” dives deep into emotional and mental struggles—what was the moment or experience that sparked this song, and how did it evolve during the writing process? “PTSD” didn’t come from one moment—it came from surviving too many. Years of unhealed childhood trauma, complex PTSD, panic disorder, anxiety, depression, and the weight of spiritual battles I never asked for. I spent years in survival mode—fertility struggles, chronic pain, a premature birth, and a separation that left me emotionally gutted. Add to that the dark experiences I’ve had navigating spiritual warfare—witchcraft, voodoo, manipulation through energy and intent. As a medium, I’ve seen the light and the dark in ways most people don’t talk about. Eventually, it all caught up. I went from constant “flight” into complete “freeze.” Writing “PTSD” was my way of thawing out. It started as a cry for help in silence, and it became a declaration of survival. It’s not just a song—it’s a release. You’ve faced some serious challenges, including a life-threatening surgery in 2015. How has that experience shaped your voice—not just vocally, but as a storyteller and artist? In 2015, I had a surgery that came with a 4% chance of survival—and I was pregnant at the time. Doctors discovered two cysts wrapped around my thyroid that were so infected, they had started eating through my sternocleidomastoid (SCM) muscle. During the surgery, my entire SCM muscle and three-quarters of my thyroid were removed. I woke up with 72 metal clips in my neck, permanent nerve damage, and vocal cords left exposed. I was told I’d never sing again—if I lived. But God had other plans. Not only did I survive, but so did the baby I was carrying. He’s nine years old now and one of my five beautiful children—four boys and one girl. That surgery triggered long-term conditions like fibromyalgia, chronic fatigue syndrome, and nerve damage, but it also ignited a fire in me. My voice may not have the same physical range it once did, but what I lost in technique, I gained in truth. I sing with everything I am because I fought for this voice. Every note is an act of defiance. Every lyric is a piece of my survival story. I’m not just singing—I’m living proof that even when life takes everything, purpose can still rise from the pain. Your musical lineage is incredible, from Funkadelic to Canadian country roots. How do those contrasting influences show up in your sound or creative process today? I’m a blend of grit and grace. Funkadelic gave me soul, rhythm, and the freedom to be loud with my truth. Canadian country taught me about emotional precision and storytelling. My music lives where those two worlds collide. I might write like a country artist but sing with the weight of a soul singer. I let the story dictate the sound—whether that means a haunting R&B ballad or an alt-pop anthem with gospel undertones. My creative process is deeply spiritual, and I always ask God to lead it. I don’t create alone—my faith walks into every session with me. Jesus is my anchor, my compass, and my covering. Every lyric is a prayer, a testimony, or a cry for healing. If it doesn’t reflect truth and purpose, I don’t record it. As someone blending genres like alt-pop, R&B, and soul, how do you navigate staying authentic while also pushing boundaries in today’s music landscape? Authenticity, for me, isn’t optional—it’s survival. I’ve seen too much and felt too deeply to pretend. My mental health diagnoses aren’t trends—they’re truths. My spirituality isn’t branding—it’s real. Whether I’m singing about trauma, healing, or spiritual warfare, I lead with experience. I blend genres because no one sound can hold the complexity of what I’ve lived through. Staying authentic means I check in with myself constantly—Is this real? Does this serve healing? Am I proud of this message? If the answer’s yes, I don’t care what box it fits in. I’m not chasing trends; I’m chasing transformation. What message or feeling do you hope listeners walk away with after hearing “PTSD , ” especially those who may be silently battling their own inner demons? I want them to know they’re not crazy. They’re not broken. They’re human—and deeply spiritual beings trying to navigate this dark world. “PTSD” is for the ones who hear voices, who cry in silence, who’ve survived abuse, warfare, loss, and manipulation. It’s for those haunted by past lives and current battles. I hope the song gives them permission to feel, to release, and to seek something higher than the pain. I want people to find faith again. Not religion—faith. In God. In healing. In purpose. Because even in the darkest places, we are not alone. “PTSD” is the sound of someone who’s been through hell—but still found the strength to sing.

The Bitter Chills The Bitter Chills just released their fourth album, Young Time Rock N' Roll .  The New Jersey-based band has been steadily putting out records with Mint 400 Records, crafting their signature blend of British Invasion meets 80s post-punk energy meets Americana roots. On this latest release, they've taken a more hands-on approach with production. We caught up with them via email to chat about their musical influences, their resistance to genre labels like "catchy roots rock" or "energetic indie folk," and how they balance wit with heart in their songwriting. What comes through clearly is a band focused on making music that feels authentic rather than chasing trends. So your new album is called Young Time Rock N' Roll , which you've mentioned is a nod to British Invasion, 80s post-punk, and Americana. Which bands from those eras really shaped what you were going for here? I really love the country/Americana side of The Beatles, The Stones, and The Kinks. All three of those bands clearly had albums where they leaned heavily on American roots music. Rubber Soul and Let it Bleed are obvious examples. In a nutshell, that probably comes closest to the core identity of The Bitter Chills: Those rootsy sounds on top of the melodic, tightly arranged songs of those British bands. But then, I'm also a huge fan of Elvis Costello, Joe Jackson, XTC, Nick Lowe -- there were such great, energetic, melodic records emerging in the late 70s and early 80s. That cover photo with the three kids – I heard you just stumbled across it and knew it had to be the album cover. What was it about that image that clicked with what you're doing on this record? The boy in that photo is a friend of mine, on a family vacation many years ago. When he showed me the photo, I knew I had to use it. After that decision, we came up with the title, based on the idea of kids feeling the kind of rage and rebellion that they're pretending to have --- but which a lot of young people, and many older people, are actually feeling in this country right now. This is album number four for you guys. How do you feel this one sits alongside your earlier stuff, especially compared to "Highway 21"? This album feels special to me because we handled most of the production and mixing ourselves. We really have no one else to blame for anything that we don't love about it. But I'm proud of it. Tim (Robert Fulton) took the lead in engineering and mixing it, and we took our time experimenting with sounds and refining ideas. Plus, there was more co-writing with Tim and discussing arrangements as we tracked, as opposed to me having all the finished songs beforehand. I've been listening to "Pharmacy," your first single. What made you pick that one to introduce the album, and what's the story behind it? We just loved the energy of that one. We recorded the basic tracks live with Patrick Suler, a friend and fellow Jersey musician/songwriter. He captured a good, lively vibe, which felt like a strong way to kick off the album and introduce it to people. You've been with Mint 400 Records for three albums now. How has that relationship grown over time, and has it changed how you approach making music? It hasn't changed much. Neil Sabatino, who runs the label, has always been great and supportive; that's been a constant. The one notable difference is that Neil produced and mixed the previous albums, and we did most of that ourselves this time around. And that wasn't a rejection of Neil's talents; we just really wanted to dig into the production and mixing ourselves this time around. People describe your sound as somewhere between "catchy roots rock" and "energetic indie folk." Do you guys even think about those labels when you're writing, or do you just do your thing? No, never. I understand why labels and genre terms are useful, because music can be an elusive thing to describe concisely. But I struggle with labels -- especially as a lot of labels have less to do with music itself than with marketing and commerce. How do you balance the band's wit with the more heartfelt stuff on this album? To lean on a cliché, I've always thought of those two things as merely sides of the same coin. For one thing, people joke about serious, disturbing subjects because that's a healthy way to process them. So writing about, say, aging or estranged relationships in a way that gets a chuckle just feels natural. Plus, I don't personally have much use for musical artists who are completely humorless. Most great artists I admire have a healthy sense of humor on display: The Beatles, Bob Dylan, Tom Waits, Elvis Costello, The Ramones, Aimee Mann, Lyle Lovett, Ben Folds, Beastie Boys, Father John Misty, and on and on.

When you’ve got the grind in your DNA, staying still just isn’t an option. That’s the message Avari is driving home in his latest single “Run Around,” a fiery collaboration with Sauw that captures the urgency, hunger, and unstoppable energy of chasing greatness—city to city, opportunity after opportunity. Born Richard Alvarez in Mayaguez, Puerto Rico and raised in the heart of Haines City, Florida, Avari is no stranger to hard work. His deep love for lyricism was carved out early by legends like A Tribe Called Quest and Notorious B.I.G., and his hustle took shape as a well-known DJ in Tampa’s nightlife scene while studying at the University of South Florida. That same momentum followed him into Washington, D.C., where in 2022 he founded Phantom Music Group, LLC , launching his own independent label and dropping his debut mixtape All-Nighter . Now, Avari is doubling down with “Run Around,” a track built for those who refuse to sit back and wait for a break. Instead, this song is a bold reminder that opportunities don’t just fall into your lap—you chase them down. You outwork everyone in the room. You keep running, no matter how far you’ve come. “I hate when life gets easy,” Avari admits. “So I challenge myself over and over and over again to continue shooting higher and striving for greater successes. This song is the manifestation of that energy.” Blending his signature introspective bars with high-powered production and Sauw’s dynamic presence, “Run Around” is equal parts street-smart and motivational—designed to live in your headphones during the 5AM grind or while flying across state lines chasing your next big move. At its core, this release is a message to dreamers, doers, and anyone who refuses to let complacency creep in: “I want people to understand there’s always an opportunity to do better. Every day is another opportunity to secure the bag. You just gotta get up and go get it. I been up, I been on the run around.” With Avari’s relentless work ethic and lyrical fire leading the charge, it’s clear this artist isn’t slowing down anytime soon. In fact, he’s just getting started. You’ve worn a lot of hats in the music game—DJ, audio engineer, artist, label founder. How have those different roles shaped your approach to creating music today? Being a DJ is probably what changed my understanding of how to create music the most. I spent years traveling the country, performing at weddings, clubs, bars, collegiate events, etc.. I developed the skill of “how to read the crowd”. I began to understand, intuitively, what the crowds were looking for and how to transform my DJ sets into what felt like a roller coaster ride. The path of becoming a skilled audio engineer took many years. I'd have to say this has been the most difficult role to play because I’m an honest audiophile and getting high quality mixes and vocals is not easy. I love the sound of a crispy, yet heavy base. I love clear-sounding vocals with a light touch of reverb to give it more character. My approach to making songs is super meticulous because I want to make music people can identify with. I want to make those songs catchy, melodic, something with replay value because it has this element that resonates with the listener. I will spend days on a project or even more. I like to make sure my presentation is a reflection of who I am as a person and I am a perfectionist. Run Around” captures such a raw, driven energy. Can you take us behind the scenes—what inspired the song and how did the collaboration with Sauw come about? The inspiration for the song came from the actual fact that I be moving all around the Washington DC/Maryland/Virginia area (DMV - for short). One day, I’ll be at the University of Maryland DJing, the next I’m in DC doing a rap show. Another day, I’m out in Virginia talking to studio managers and engineers. Always looking to make new connections, searching for opportunities wherever they may be because no one ever tells you where they are. You gotta find them. The collaboration was inspired by the fact I honestly had no idea what to write beyond the second hook. I felt like having me alone on the track didn’t give it enough character so I reached out to my boy Sauw because his flows are super melodic and I know he’s very comfortable spitting about the same subject matter the song was about. He’s a latin rap artist in Maryland, he’s a graduate from UMD, too. I thought having him on the track would be a good way to include that Maryland energy into the track and show love to the community I’m putting music out for. He absolutely killed it in his verse. You mention not being satisfied with staying in one place or getting too comfortable. What keeps you motivated when the hustle gets heavy or the progress feels slow? My biggest motivation is the way my mother’s voice rings in my head like Professor Oak in the OG pokemon games when you try to use your bicycle indoors (lmaoo). I grew up in a single-parent household that struggled financially. My mother always told me “if you don’t want to see yourself struggling like I do, make the difference. Work hard and then keep working.” If it gets too heavy, be mindful not to hurt yourself. Be gentle with yourself but don’t just completely stop. If it feels too slow, focus on your form and make sure you at least get good reps in. That’s my philosophy in music, school, and love-life. I definitely believe there is a time for rest. I agree that rest is 100% essential but when I give myself a task I make sure I get it done and I do it to the best of my ability. Founding Phantom Music Group is a huge move for an independent artist. What vision do you have for the label, and how does it reflect your values as a creator? Ultimately, I want to be able to use the record label as a tool for community outreach. I want to be able to host events for artists to perform. I wanna use it as a tool to volunteer and teach kids about music and audio engineering. I’ve spent personal time volunteering around Prince George’s County, Maryland already doing just that. The cultural impact that J. Cole has made with his record label, Dreamville, is the framework that I view this through and it’s exactly what I want to be able to do with my label in the future. Phantom Music Group reflects my value of leadership, primarily. I once heard a quote that said “If serving others is below you, then leading others is above you.” and I take that to heart. From a young age, my family taught me to be a leader, not a follower. So I thought to myself, what better way to be a leader in this music space than to be the head of my own record label and use that as the instrument for community outreach? I get to serve my community while also demonstrating to them through action that there is so much we can do to uplift one another, in a myriad of different ways. It doesn’t solely have to be through music. If someone’s hearing your music for the first time through “Run Around,” what do you hope they understand about you—not just as an artist, but as a person? I hope they understand that they, too, can manifest an indomitable spirit. I hope they understand that chasing their dreams will never be easy, but that’s what makes it worth it. Long nights, hard days. When times get tough, the tough get going BUT it’s important that I don’t forget to mention this next part. There was a time between 2018 and 2022 where I completely stopped recording music because I stopped believing in myself. I reached a point where I thought I was “yelling into the void” so to speak. Years later I realized it was because I never had a solid strategy, I didn’t know how to get my music out there but now there is an abundance of information on the internet. A lot of it is freely accessible. Don’t ever give up on your dreams, but don’t let them stay dreams either. Find practical ways to realize your goals, one step at a time. Because that’s how you “run around”, one step at a time.

As the chill of winter fades and spring begins to take hold, March is the perfect time to cozy up with some binge-worthy TV. Amazon Prime Video is rolling out a fantastic lineup this month, filled with new seasons of fan-favorite series, fresh, original content, and gripping dramas that will have you glued to your screen. Whether you’re in the mood for action, sci-fi, historical drama, or a mind-bending animated adventure, there’s something for everyone. To make your watchlist even easier to navigate, we’ve rounded up the must-watch shows on Prime Video this April—along with the perfect snack recipe to enjoy while streaming. So, grab your oversized blanket , and let's go. The Wheel of Time (Season 3) The third season of The Wheel of Time  delves deeper into the intricate world crafted by Robert Jordan. This season explores complex storylines, including the parallel dream world of Tel'aran'rhiod and character backstories, offering a blend of sophisticated narratives and fan-pleasing humor. Notably, performances by Josha Stradowski as Rand al'Thor and Rosamund Pike continue to captivate audiences. House of David House of David  is a historical drama chronicling the rise of David from shepherd to king in biblical Israel. Starring Michael Iskander, the series has garnered critical acclaim for its production values and adherence to the biblical narrative, achieving an 89% audience score on Rotten Tomatoes. Its compelling storytelling has led to a swift renewal for a second season. For The Win: NWSL This four-part documentary series offers an intimate look into the 2024 playoffs and championship of the National Women's Soccer League. Combining game highlights, interviews, and off-the-field footage, it introduces viewers to the league's prominent figures and pivotal moments, making it accessible to both seasoned fans and newcomers. Bosch: Legacy (Season 3) The final season of Bosch: Legacy  continues to follow Harry Bosch's journey as a private investigator. Known for its gripping narratives and character depth, this season promises to deliver a satisfying conclusion to the acclaimed series. Invincible (Season 3) The animated superhero series Invincible  wraps up its third season this month. Following teenager Mark Grayson, who inherits superpowers from his father, the show is praised for its unique take on the superhero genre and its complex character development. The Second Best Hospital in the Galaxy This inventive series follows Dr. Sleech and Dr. Klak, two surgeons navigating medical anomalies in a futuristic setting. Balancing episodic storytelling with overarching plotlines, the show offers a blend of humor and science fiction, appealing to fans of animated series like Rick and Morty . Reacher Based on Lee Child's novels, Reacher  follows the story of Jack Reacher, a former military police investigator who uncovers dangerous conspiracies. The series has been praised for its action sequences and faithful adaptation of the source material. My Lady Jane My Lady Jane   offers a fresh take on historical events with a comedic twist. Centered around Lady Jane Grey, the series blends humor and history, providing an entertaining experience for viewers who enjoy period pieces with a modern flair. The English Starring Emily Blunt, The English  is a revisionist Western that has garnered attention for its storytelling and performances. The series offers a unique perspective on the Western genre, making it a noteworthy addition to Prime Video's lineup. Fallout Adapted from the popular video game series Fallout  presents a post-apocalyptic narrative filled with intrigue and survival. The show's adaptation has been anticipated by fans and newcomers alike, offering a fresh perspective on the beloved franchise. The Ultimate Binge-Watching Snack: Loaded Nacho Popcorn No binge-watching session is complete without an irresistible snack, and this Loaded Nacho Popcorn  is the perfect companion to your Prime Video marathon. This recipe is packed with bold flavors and a satisfying crunch to keep you energized through every plot twist and cliffhanger. Ingredients: 6 cups popped popcorn (freshly popped or store-bought) 2 tbsp melted butter 1/2 tsp smoked paprika 1/2 tsp garlic powder 1/2 tsp onion powder 1/4 tsp cayenne pepper (optional for heat) 1/4 cup shredded cheddar cheese (or nacho cheese powder) 1/4 cup crushed tortilla chips 2 tbsp chopped fresh cilantro (optional) 1 tbsp lime zest Instructions: In a small bowl, mix the smoked paprika, garlic powder, onion powder, and cayenne pepper. Drizzle the melted butter over the popcorn and toss to coat evenly. Sprinkle the spice mixture over the popcorn, followed by the shredded cheddar cheese. Add the crushed tortilla chips for an extra crunch. Finish with a sprinkle of fresh cilantro and lime zest for a fresh, zesty kick. Toss everything together and enjoy! These selections showcase the breadth of content available on Amazon Prime Video this March, ensuring that viewers of all preferences can find something engaging to enjoy. Whether you're diving into a fantasy epic, unraveling a thrilling mystery, or exploring history through a new lens, you’re in for a fantastic month of entertainment. And with a bowl of Loaded Nacho Popcorn  in hand, your binge-watching experience will be even more satisfying

Sometimes, isolation can lead to whole new realizations and creative outlets. Picture this: it’s 2 AM in Los Angeles. The city is asleep or pretending to be. In a quiet room, lit by the blue haze of a laptop screen, Nick Anderson of The Wrecks is combing through scraps of footage and half-fleshed visuals, fine-tuning the next chapter of a record that nearly broke his brain. The band’s new album “Inside” is less a collection of songs and more a magnificent and chaotic fever dream turned clarity. It's the product of two years spent in varying states of solitude- beginning in a barn in Western New York and ending in a small, tight home studio in LA, where Anderson often forgets he’s even in the city. Regarding “Inside,” Anderson says The Wrecks—long resistant to being pinned down by genre—don’t write with categories in mind. “Genre’s never been at the front of it,” Anderson notes. “It’s always been about the challenge of trying something I’ve never done before. That’s the drive.” That drive, though, stalled for a time. After 2022’s Sonder, a wave of creative inertia hit. “For the first year, I didn’t have anything to say. I was making things, but I had nothing to say.” It became a frustrating loop of trying, struggling, and failing until, finally, something clicked. What emerged from that creative crucible was a record of the breakdown and reassembly of self. “Inside” is isolation-induced disintegration and the slow, painful identity reformation. “It’s about trying so hard in isolation that it broke my brain,” Anderson explains. “The world started seeping in through the cracks of the studio walls. It’s about becoming, self-realizations, and spending time with yourself until you’re kind of forced to.” Songs on “Inside” were chosen with a particular honesty in mind. At one point, Anderson was overwhelmed by contradictions—conflicting perspectives and countless half-baked ideas. “It got confusing. I had a billion things I was chasing. I had to step back and ask: ‘What do I actually know? What feels honest?’” The answer led to a record that resonates with themes of neurodivergence, self-reflection, and the push- pull of connection and alienation. Even with all the chaos, for The Wrecks, it’s still about the moment at the end of the night: finishing a song, sitting on the couch, pressing play. “That’s the tip of the mountain for me,” Anderson says. The Wrecks may live in LA, one of the world's glitziest and most glamorous cities, but the music they’ve created is still deeply personal. With “Inside,” they’ve cracked the seal on something fragile and ferocious: the sound of breaking apart just enough to see who you really are.

Emerging indie-pop artist Anna Duboc unveils a deeply emotional and beautifully raw new single, “ Suffocating ." Co-written and co-produced with Matias Mora —whose credits include alt-pop standouts Chappell Roan and Gracie Abrams—the track is a slow-burning, soul-baring exploration of the kind of love that quietly erodes you from the inside out. Written in the shadow of a devastating time in her life, “Suffocating” was born just weeks before Anna’s hometown was engulfed by the Palisades fire. The emotional weight of a crumbling relationship collided with the very real loss of place and memory, creating a song that feels like a breath caught in the chest—aching, heavy, and honest. Set against a haunting, minimalist soundscape, “Suffocating” weaves together vulnerable verses and bittersweet choruses that echo the internal conflict of staying somewhere you no longer feel safe. Anna’s soft, ethereal vocals are laced with quiet strength, reminiscent of Billie Eilish’s emotional restraint, Phoebe Bridgers’ poetic lyricism, and Ashe’s melancholic pop melodies. Yet, Duboc’s voice is unmistakably her own—delicate, deliberate, and brave. “I wrote this song during one of the hardest periods of my life. When your heart is breaking and your world is literally burning around you, it’s hard to breathe. Writing ‘Suffocating’ was the only way I could begin to process any of it.” The track dives deep into the emotional gray areas of love—those moments of silent compromise suppressed feelings and the subtle shift from affection to entrapment. Anna doesn’t just tell the story; she invites you into it , painting each line with vivid imagery and unfiltered emotion. Despite her young age, Anna Duboc is already making major waves in the indie-pop space, with over 50 million views across her platforms and a growing fanbase drawn to her ability to articulate the unspeakable. A multi-hyphenate talent, she continues to evolve as a songwriter, producer, and storyteller—one heartbreak, one fire, and one haunting melody at a time. “Suffocating” is more than a breakup song. It’s a testament to resilience. A love letter to the self. A quiet anthem for anyone who has ever stayed too long, spoken too little, and finally decided to breathe again. "Suffocating” is such a powerful, emotionally layered track. How did writing this song help you process everything you were going through at the time—both personally and with the Palisades fire? I wrote the song before the fire and it was released after the fire. I am thankful that I had something to focus on other than the tragedy that struck my community. I wrote Suffocating as I could tell my previous relationship was coming to an end and we were both trying to sort of force it into being our time when it wasn’t. This song really helped me emotionally grasp that it’s okay when people don’t go perfectly together like you want to, you can’t force people to grow to fit what you need. There’s a quiet intensity in the production and lyrics—how did you and Matias Mora work together to strike that balance between vulnerability and restraint? I knew the song needed to have a build that indicated the realization I make in the lyrics in the instrumentation, so we decided that cutting the drums out until halfway through the song was a good idea to convey the idea of a mind spinning out of control as it loses control over itself. I really wanted the track on this one to reflect what I was feeling inside and not just sound good, so I added the acapella harmonies at the end on my own after we had finished the song because I felt like ending on a delicate moment illustrated the delicacy of the relationship at the time. You explore the blurred line between affection and control in this song. Why was it important for you to tell this kind of relationship story now? It’s frustrating to love someone and know that you’re not right for each other in this moment, especially when the relationship ends on good terms. I needed to share this now in order to remind myself that I need to stand firm in who I am and not alter my boundaries or beliefs for someone else. Your style draws comparisons to artists like Billie Eilish and Phoebe Bridgers, but you clearly have your own voice. How would you define your sound in your own words? That’s such a huge compliment omg thank you; I am still trying to find and develop my own sound. Since I am influenced by so many styles of music/musicals and artists, I often think I’ve found the pocket I fit into, and then the next week, I’m interested in a different kind of sound, so I am still trying to find my ‘pocket’ if you will. As someone who’s already achieved 50+ million views and worn multiple hats in the industry, what’s something you’ve learned about yourself as an artist that fans might not know yet? I think in the past, I’ve tried to develop myself as a sort of “pop princess,” but I’ve learned that that isn’t who I am. I fit into many categories in my creativity, and I can’t wait to explore it more as I become an adult.

Chicago’s own LoveTeddy is leveling up—and he’s bringing Rockie Fresh along for the ride. The rising artist just dropped his latest single, “ PYT, ” and it’s a flex-heavy, hypnotic anthem built for anyone chasing the bag and doing it their way. Blending swagger with substance, “PYT” is a confident statement from an artist who’s been through the grind and comes out shining. LoveTeddy wastes no time reminding listeners that nothing was handed to him. “No one ever gave me nothing, did this on my own” hits as a personal mantra and a motivational punchline, a reminder that real success comes with hustle, sacrifice, and vision. Set against a slick, entrancing beat, LoveTeddy weaves in sharp bars about Cuban links, Cartier rings, and globe-trotting wins. But beneath the luxury, there’s a deeper message: he’s not just flaunting the rewards—he’s celebrating the journey. Every flex has a backstory, and every bar has been earned. Enter Rockie Fresh, whose effortless cool perfectly balances the track’s energy. His laid-back flow glides across the beat, adding dimension without overshadowing LoveTeddy’s fire. Together, they create a smooth yet powerful chemistry that turns “PYT” into a street anthem with luxury appeal. Reppin’ Chicago Loud and Proud LoveTeddy doesn’t just put on for himself—he puts on for the city . Dropping 773 and 708 area codes like hometown trophies, he’s repping Chicago not only with pride but with purpose. There’s a clear message in his delivery: this isn’t just music, it’s a movement. LoveTeddy is carving out his lane in the game, and he’s bringing the Windy City with him. With the boss-like flair of Rick Ross and the laid-back confidence of Dom Kennedy, “PYT” is the kind of track that hits whether you’re hustling through a 12-hour day or kicking back planning your next move. It’s tailor-made for lifestyle-driven playlists, late-night drives, and high-level thinking.

If you’ve been craving a hip-hop album that isn’t afraid to challenge its audience—or its creators—look no further than Heroes and Villains , the collaborative opus from Lyndon Laveaux and Young Tez . This project doesn’t just straddle the line between vulnerability and bravado; it catapults over it with the precision of a seasoned acrobat. For Lyndon Laveaux, a man whose life has been shaped by the lyrical lessons of Queen Latifah and the raw industrial beats of Nine Inch Nails, this album is more than music. It’s a testament to growth, healing, and the art of storytelling. Teaming up with his “big brother,” Young Tez, Laveaux dives headfirst into the duality of human nature, peeling back layers of brash confidence to reveal a tender core. A Tale of Two Sides From the opening track, Heroes and Villains wastes no time making a bold statement. Each song feels like a lyrical sparring match, with Tez setting the tone and Laveaux answering the call. This dynamic forces both artists to elevate their craft. “Steel sharpens steel,” as Lyndon puts it, and you can feel the heat of the forge in every bar. The braggadocious lines hit hard, but it’s the moments of vulnerability that truly shine. Tracks like “Win” pull back the curtain to reveal raw, unfiltered humanity. Laveaux confronts deeply personal trauma with a candor that is as brave as it is cathartic. His revelation about past abuse, brought to light through therapy, transforms the track into an anthem of resilience. It’s a moment that not only underscores his lyrical prowess but also his courage as an artist. Sonically, the album is a rollercoaster, moving seamlessly from head-nodding bangers to introspective slow burns. Credit must be given to the production team, which includes some of Lyndon’s longtime collaborators like Donald Hart Jr . The beats are rich and textured, perfectly complementing the lyrical depth of the project. “Shangri’La,” is the kind of track that stays in your head long after the last note fades. Thematically, Heroes and Villains feels like a thesis on duality. Are we heroes in our own stories or villains in someone else’s? Can we be both? These questions weave through the album, challenging listeners to reflect on their own lives. The synergy between Lyndon and Tez is undeniable, with each artist pushing the other to dig deeper, hit harder, and soar higher. At its heart, Heroes and Villains is a masterclass in collaboration. It’s a project that proves hip-hop is at its best when it’s raw, honest, and unafraid. Lyndon Laveaux and Young Tez don’t just belong in the great arena of hip-hop—they’ve carved out their own section, complete with a neon sign that says, “We’re here to stay.” What do they hope you’ll take away? When two artists challenge each other, magic happens. And in this case, that magic is a deeply human exploration of pain, triumph, and everything in between. Heroes and Villains isn’t just an album. It’s an experience and one that hip-hop fans can’t afford to miss. Your music often balances raw vulnerability with bold confidence, especially on Heroes and Villains . How do you decide how much of yourself to reveal in your lyrics, and has that balance evolved over time? Young Tez: Honestly I'm not sure. I'm transparent so vulnerability comes somewhat natural in my music and it's only getting better. Lyndon: Years ago, I asked a dancer friend of mine who’s an incredible freestyler, I asked how he came up with such explosive dynamic movement within the moment. He simply said, “The music tells me what to do.” As I continued sharpening my sword as an MC and developing songwriting skills, I began to understand what he meant by that. Whenever I’m writing a song, I listen to the beat, and I listen for the tone the beat is conveying, what story of the soul is it asking me to reveal. Is it sexy? Is it bravado? Or is it my inner child’s turn to pick up the mic. I allow my soul/music to dictate what I’m gonna write about, when I’m a feature on a record I feel most of the heavy lifting is already done, the hook, a verse from a talented individual, informs me where my writing needs to go so all I have to do is just add color to an established painting. Collaboration seems to be a cornerstone of your journey from The Track Burnaz to Young Tez. What’s the most important lesson you’ve learned from working with other artists, and how has it shaped your growth as an MC? Young Tez: It helps you grow. Working with others, definitely, my brothers pushes me to really put my all into it. New sounds, new vibes, new energy always can help in one way or another, be it good or bad. Lyndon: Celebrating someone else’s light doesn’t dim yours, someone else’s talent or success shouldn’t intimidate you but inspire you, whenever I work with Tez, Rocki So Crazi, or anybody under the Swaggfia Collective I’m inspired. People love my verse on Walk In, I wrote that cause I was fighting for my life (lol) Tez’s verses are monstrous, so you can’t follow him with some weak ish. I’m gonna come correct every time I perform with my family. I find myself constantly amazed by what they bring to the table. I'm motivated to bring my A game, that’s what I look for in other artists outside my crew as well. Steel Sharpens steel! You’ve spoken about how therapy helped you process your past and translate that into music. How has confronting your wounds influenced your creative process, and what advice would you give to artists hesitant to channel personal pain into their art? In Heroes and Villains , you explore the dichotomy of being both a hero and a villain in different contexts. How has that theme played out in your own life, and how do you hope listeners connect with it in their own journeys? Young Tez: Good and bad, something everyone has. We're even relating with people in the title.  Lyndon: My father wasn’t in my life much and I searched for his love in all the wrong places, the amount of fights I got in just so I can have male validation. So many choices I made because I was running away from wounds when I think on too long make me cringe. So with that there are definitely people out there who may not think of me in the best light because of the hurt version of me they met. Changed behavior is the best apology, so all I can hope for is that I do better as I learn from those experiences. I think most of us can relate to that, we’re all doing our best, we’re not gonna get it right every time but the good news is everytime you’re gifted waking up it’s an opportunity to do better. The most authentic version of you is the most beautiful you can be. You’ve worked with a diverse range of talents, from producers to engineers and fellow artists. How do you choose who to collaborate with, and what qualities do you look for in creative partners? Young Tez: I like working with anyone who likes to work. You have the passion and are serious about your craft, I'm down. You have to market yourself and promote yourself and we can make things happen. Lyndon:  I look in collaboration. What I look for in all my relationships is sincerity. I love it when it happens organically too, I don’t want anything I do to solely feel transactional, I have to enjoy your music, also I read your energy, I like working with people who treat others with respect, and who lead with gratitude. Granted, sometimes you might not like everything about another artist, but if they’re genuine, that goes a long way for me. Oh yeah, and be dope at what you do. Instagram

In the ever-evolving landscape of indie music, there are artists who simply create songs, and then there are those who craft experiences. Jazmine White , a Texas-born singer-songwriter now based in California, belongs to the latter group. Through her signature genre of cinematic indie folk , she weaves together raw emotion, deeply personal narratives, and immersive soundscapes. Her latest album, Innocence of Youth , is no exception—it’s an intimate reflection on heartbreak, uncertainty, and the self-discovery that comes with growing up. At its core, Innocence of Youth is about the transition from who we were to who we become. “Throughout these songs, I discuss feelings of heartbreak, loss, uncertainty, and love,” Jazmine shares. “As we grow older, we must individualize our beliefs and our identity for ourselves as reality is thrust upon us.” Jazmine’s journey toward self-discovery wasn’t linear. The album was written over a span of two to three years, during which she experienced significant life changes. Dropping out of university, moving across the country, and navigating the struggles of a nomadic lifestyle all shaped the music and lyrics that ultimately came together in this release. For Jazmine, these songs are more than just melodies—they’re the pages of her journal, an unfiltered window into her thoughts and emotions during one of the most transformative periods of her life. “I didn’t have an outlet for all of these emotions except for writing songs,” she says. “This album is an ode to letting go of the past so that you can move forward and heal for a better future.” A Cinematic Approach to Storytelling True to her cinematic indie folk style, Innocence of Youth takes listeners on an emotional journey. Each track feels like a scene from an evocative, soul-stirring film—whether it's the melancholic acceptance in “Drought Seasons” or the bittersweet nostalgia laced through the album’s title track. The music doesn’t just tell a story; it paints a picture. There’s an ethereal quality to her sound, blending haunting melodies with poignant storytelling that lingers long after the music fades. It’s this immersive quality that sets Jazmine apart, allowing her to create a world listeners can step into, feel deeply, and perhaps even find pieces of themselves within. For many independent artists, releasing a full-length album can be a daunting move, but for Jazmine, Innocence of Youth is a testament to her dedication and artistic vision. “I hope that by releasing an album as a smaller artist, it can help to set my music apart,” she explains. “I know it’s not always considered the wisest decision, but to me, it shows commitment and that I am serious about taking my music to the next level, whatever that has in store for me.” Beyond ambition, though, Jazmine hopes her music provides solace for those going through their own seasons of change and hardship. “I hope the album will be relatable to a lot of people and can help people not feel alone in their own Drought Seasons ,” she says, referencing one of the album’s standout tracks. With Innocence of Youth , Jazmine White not only bares her soul but also extends a hand to anyone navigating the complexities of growing up and finding oneself. It’s a musical journey worth taking—one filled with beauty, pain, and, ultimately, hope. Your music is deeply personal and introspective. Was there a particular moment or event that sparked the idea for Innocence of Youth, or was it a gradual realization that these songs formed a cohesive story? I think there was definitely a gradual realization for how “Innocence of Youth” became the main theme. All of the songs on the album were written within 2-3 years of my life, so it felt like I was writing a certain chapter of my life. When I was thinking of titles for the album, I wanted to pick one that I felt encompassed every single song and I feel like “Innocence of Youth” definitely does that, and gives a good overall summary of the album. Before creating this album, I had been writing a lot of songs but had no way of recording or producing them. I had just dropped out of school and, for two months, was driving across the US, living a nomadic lifestyle. I had no idea my songs would ever be recorded; I was just writing to get feelings off my chest and give my emotions somewhere they could exist besides in my head and heart. Once I decided to move to Idaho with my producer and songwriter, we had this allotted time dedicated strictly to making music, and that’s when I decided to make an album. I feel like listening to the album as a whole takes someone through my emotional process during this time period, which is cool so people can see what I was feeling during this era of my life. Apart from being incredibly sensitive and vulnerable, the album emphasizes the importance of truth to the questions, feelings, and doubts that come with growing up. You describe your genre as "cinematic indie folk." How do you approach songwriting to ensure your music feels immersive and emotionally resonant, almost like a soundtrack to a film? I am very inspired by a lot of my friends who are filmmakers and who have a very cinematic vibe to everything that they create. I feel like they have helped shape this style a lot. One of my friends actually wants to create a series with the album as the soundtrack, which I think would be really cool. I would also love to have my songs featured in other indie coming-of-age movies, and I think they could do really well there. They have already been the soundtrack of my life, and it would be incredible to see how they become a part of someone else’s story as well. As far as the actual framework and production of the songs go, I think we have given it more of a “cinematic” vibe by adding a lot of vocal layering and giving it depth. Some of my favorite parts of the songs aren’t even the lyrics themselves. For example, the vocal runs in “Drought Season” speak a lot of emotion into the song. The instrumentals do as well, specifically in “You Have My Heart” at the end of the song, where there’s this climactic instrumental with a string swell - it honestly made me cry the first time I heard it all together. Dropping out of university and moving across the country are huge life changes. How did those experiences shape not only your music but also your perspective on life and creativity? Growing up, I was in an environment that made the conventional path feel like the only path. The thing that changed my perspective the most was spending my last year in university studying abroad in Italy. It made me realize how unhappy I had been before with the path that I had been pursuing because I thought I had to. Everything in Europe also feels so much more slower-paced and relaxed, and to me, art and music felt so much more celebrated and encouraged. I also had a lot more time to work on the projects I was passionate about like my music, fine arts, and photography. Coming back to the States, I knew I wanted to take this newfound joy for life with me and keep pursuing it. Before gathering up the courage to leave university, it was an extremely difficult choice because a lot of people in my life did not agree or understand why I was doing what I was doing. My decision has definitely damaged certain friendships and relationships. However, after leaving that bubble, I realized there are so many other people who feel like me about wanting to do things differently- especially moving to California, where I know so many people now who support art. It feels really good to be building that community of like-minded people here. Dropping out also made me pursue different experiences that I never would have said yes to otherwise. After dropping out, I ended up going to this camp for creatives in Oregon, where I met a songwriter and a producer. After only a week of knowing each other, we decided to move into a cabin in Idaho together to create the entire album. I became so much more open to spontaneous life-changing opportunities and, for the first time, felt like I was fulfilling my life’s purpose. This experience also allowed me to write songs that I would not have written otherwise, because it allowed me to break down emotions and process them in a way that I would not have previously done. It also allowed me to question things that I had not questioned before in my life because I did not feel that I had the freedom to do so in the conservative bubble that I grew up in. The songs really embody this process of having so much time to really sit with the songs and make unique creative choices - like deciding whether to make a song more stripped down or with more instrumentation. “You have my heart” takes it a bit further, serving as an authentic cornerstone for the record. Having been recorded off an iPhone speaker in the middle of Italy, this sort of intimacy takes you a step closer to me, the artist, and I am essentially giving the listener “my heart” in the process. The background score begins, simulating the sound of a heartbeat, which is a work of ingenuity by my producer, Jacob Ehrlich. Nothing brings you a more intimate experience than the artist giving an open invitation into her own heart. What was the most challenging song to write on this album, either emotionally or creatively, and why? A lot of the lyrics on this album are derived from painful memories or experiences in my life, and it’s really amazing to see how something beautiful can be created from a time I was hurting. I feel like that’s something that I strive to do in life: make beauty out of everything that I can. For one song in particular, I think I was just feeling a lot more anger than normal, and it was a challenge in the production about how to balance and control this anger. “Hopeless Wanderer” easily has the most energy and angst out of any of the tracks on the album. It was the last song that we finished because it was the most tricky to work on- it has two different tempos in the verses and chorus. I also wanted to convey the anger I was feeling in this song, but did not want to disrupt the vibe of the other songs on the album, which I would say are more mellow and nostalgic sounding. However, anger and frustration is definitely something I felt during this chapter of my life and I still wanted it to be included even it does have more of a raw, angry emotion than the others. Something that was challenging about the album as a whole was feeling continually emotionally connected to every song on the album. Each song releases different emotions that I was feeling during this chapter of life, but I did not feel fully released from them myself until the album was actually released. I was still working on them and thinking about them everyday even though so many people that those songs are about are not an active part of my life anymore. It feels really good to fully “move on,” in a sense. If a listener could take away just one feeling or message from Innocence of Youth, what would you want it to be? This is such a difficult question, but I think I would say nostalgia, whether it be for an emotion you once felt, a person you once loved, or an experience you lived. These are all very youthful feelings to me, because anything from the past as your younger self can evoke this. Those time periods helped you grow into the person you are today. Being appreciative of this time in our lives is sometimes difficult because we might make mistakes or get our hearts broken, which can be difficult to face, but learning and growing from these experiences helps us move forward.

Hip-hop’s greatest strength lies in its ability to tell real stories—raw, unfiltered, and deeply personal. Lab Spitta , a seasoned rapper with over a decade in the game, taps into that authenticity with his latest release, Cold Nights . A track that drips with emotion and hard-hitting lyricism, Cold Nights is more than just a song—it’s a testament to perseverance, struggle, and survival. Lab Spitta is known for his ability to fuse introspective storytelling with infectious beats, and Cold Nights is no exception. The song paints a vivid picture of late nights spent reflecting on hardships, navigating personal battles, and pushing forward through the storm. The haunting production perfectly complements the weight of the lyrics, creating an atmosphere that is both immersive and thought-provoking. With a flow that is both calculated and effortless, Lab Spitta lays down verses that capture the essence of resilience. His storytelling is gripping, weaving through tales of ambition, struggle, and the lessons learned along the way. The production on Cold Nights adds to its impact, blending atmospheric melodies with deep bass and crisp percussion, making it a track that sticks with you long after the beat fades. Lab Spitta’s artistry is rooted in truth and experience. Tracks like Ignorant Too and Keep the Piece have showcased his ability to deliver thought-provoking content, and Cold Nights continues that legacy. Released under Grand Gang Management, this single further solidifies his position as a force in modern hip-hop, one who remains dedicated to telling real stories that resonate with listeners from all walks of life. Cold Nights  has such a raw and personal feel. What inspired you to write this track, and what message do you hope listeners take away from it? Cold Nights was the first single I released from the album “Street Cert 3.” It’s also kind of like my welcome back song after being absent from the game for 4 years I just felt like it was time to challenge my pen and go against the current style of music you hear today my music doesn’t come with dance, but the message is simple don’t go the route you see others going you can still enjoy what you to do in your own style and fashion be yourself always. Your music often blends deep lyricism with modern production. How do you balance staying true to classic hip-hop while evolving with today’s sound? For me, staying in touch with the current sound you hear today is not really a tough task. I listen to all genres of music, and I’m always tapped into the streets. I just funnel everything I’m hearing and translate it into my own style and language. You ’ve been in the game for over a decade. How has your approach to music changed over the years, and what keeps you motivated to keep creating? I believe I’m comfortable where I’m at with my music, so for me, it’s about giving back to the game and teaching what I learned since being in the music business my pages is open to the public so anybody can tap in if they working I’m motivated daily by hungry artist ready to reach that next level. Grand Gang Management has been a strong part of your journey. How has working under this label helped shape your career and artistic vision? That’s the back bone of my music career to be honest with that label it’s no me where I’m from a helping hand is hard to find and when you do find that helping hand you gotta keep a eye on they other hand cause people be having some many tricks up there sleeves it makes difficult to trust anyone but Grand Gang Management always took great care of my family, my music and me so I’m thankful for the team. If you could describe  Cold Nights  in just one sentence, what would it be? Cold Nights is forever, but how you dress the night is all on you. Take care.