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Estani is more than just a singer-songwriter—she’s a storyteller, a preserver of culture, and a voice for a new generation embracing the rich traditions of Conjunto music. Her latest single, “Mi Suerte Ha Cambiado,” breathes fresh life into a classic, bridging past and present. We caught up with her to talk about her journey, her inspirations, and the exciting Conjunto revival she’s championing. “Mi Suerte Ha Cambiado” is a heartfelt tribute to your grandmother’s legacy. What was it like bringing this song back to life? Bringing “Mi Suerte Ha Cambiado” back to life has been so nostalgic for me, but also brings immense pride knowing I am resurrecting a piece of musical history within our family for a broader audience to enjoy. Giving this song a second life was literally like revisiting my childhood but with a newfound adult perspective. I can relate now to so many events, hardships, and needing that feeling of escapism through song. Conjunto and Tejano music were always in the background of each day growing up. Revisiting this song and recreating the sound brings back an essence of my life where everything felt so carefree for that moment. I’m hoping to provide the same carefree sentiment for the listeners of this song that just need an escape for a great time with family and friends. Conjunto music has deep roots in Texas but is still relatively unknown to wider audiences. What makes this genre special, and how do you hope to introduce it to new listeners? The Conjunto genre is still cemented in so much tradition and is the heart and soul of Tex Mex culture. I feel that’s what makes it so special. While other genres have progressively evolved by combining other genres, the pioneers of Conjunto music have worked to keep the music as close to its roots as possible. I would love for this album to find new listeners who embrace this sound and can feel the simplicity of raw instrumentation and the stripped, no frills, authenticity of the song(s). You’ve had success in various music genres—what drew you to explore Conjunto at this point in your career? Upon moving back to Texas, I came across my grandmother’s old 45’s. There were four singles and I was hoping she could re-record them. What I was really wanting was a possible “Buena Vista Social Club” reunion but for Conjunto music. She is turning 90 this month and I was hoping to reunite my grandmother with the remaining musicians from her time as a Conjunto singer in the 60’s to recreate these beautiful singles. On top of that, a friend referred me to the LaFrontera Website, which is affiliated with UCLA Chicano studies, and mentioned more of my grandmother’s songs may be there. To my surprise, there were in fact, three more songs. At this point, I felt all these songs needed to be revived and re recorded. Because my grandmother felt unable to record the songs up to her personal standard, she gave me her blessing to record them and release them. The music video captures the raw, communal energy of a live Conjunto performance. Can you share the vision behind it and why you chose this particular setting? My vision for this video was exactly that….raw, communal energy. There are pictures of my grandmother singing in front of a laundromat with her Conjunto group as well as pictures of her on a big stage when she was traveling. All this to say, whether it was a makeshift stage, in front of a laundromat, or just her voice and a bajo sexto, there was always this authentic realness “spur of the moment” vibe when they would perform. I wanted to capture that essence with this video, as if we all just decided at that moment to come together at the end of a party to play that one last song that would leave everyone with a dance and a smile. What can fans expect next from you With an album and documentary on the horizon? How do you see this project evolving in the future? With this documentary, fans of Conjunto music can expect an array of outlooks concerning Conjunto music, where it’s going, how it started, and why it hasn’t completely evolved as other latin genres have. I have cast a wide net to find perspectives from all ages that believe in so many different options on how to bring Conjunto music to the masses and those who helped facilitate a small piece of knowledge into Tejano music along the way. Artists like Selena and Freddie Fender helped bring a slight awareness, but it has stalled overall since then. My grandmother’s songs are mostly focused on the bolero/Conjunto side, but if I can bring a slice of this genre back to life and resurrect it into the minds of new listeners who want to hear more, then I’ve done my job.

Montreal's Nino & Electric Soul delivers a nostalgic yet refreshingly modern blend of R&B and soul in their debut EP, P.A.S.T .  Released on January 21, 2025, the four-track collection takes listeners on an emotional exploration of love, introspection, and connection through smooth grooves and lush live instrumentation. Frontman Nino Flamenco, raised in a musically rich household, channels the spirit of legends like Stevie Wonder and D'Angelo, combining timeless 70s arrangements with contemporary soul flair. Each track on P.A.S.T.  offers a unique slice of life's complexities, yet the overarching message is clear: life's beauty lies in its simplicity and the connections we create. The EP kicks off with Simplicity , where Nino questions why we complicate our lives when things could be more straightforward. The track's laid-back rhythm and introspective lyrics invite us to reflect on our choices. One For My Love  shifts to heartfelt vulnerability as Nino celebrates the warmth and joy his newfound love has brought into his life. Greenlight  captures the suspenseful thrill of romantic attraction, the inner debate of whether or not to make a move, as jazzy melodies and sultry vocals heighten the tension. Finally, Understanding  emphasizes the beauty of meaningful conversations and deepening relationships. It's a poignant reminder of how much we can learn and grow through human connection. With P.A.S.T. , Nino & Electric Soul offers a deeply personal and universally relatable project, inviting listeners to rediscover themselves through love, curiosity, and soulful storytelling. This EP is a must-hear for fans of timeless R&B who crave nostalgia and innovation. Your music is a beautiful blend of past and present influences. How did growing up in such a musically diverse household shape the sound you and Electric Soul have created on P.A.S.T. ?   I always had something to draw from and it never felt like there was anything wrong to be inspired by. Ever since I was a kid, I listened to various music styles, from Soul to Funk, Pop, Hip Hop, RnB, Rock, Reggae, Dancehall, Motown, Salsa, and even Metal. It felt easy afterward to mix styles. I understood what made the songs of these genres so great by identifying their attitude and essence. The members of the band also have their own set of influences and their upbringing in music that makes the sound come together so well in this project.   The EP touches on themes of introspection and self-discovery. Can you tell us more about the inspiration behind Simplicity  and why simplifying life became such a central theme for this project?   I wrote Simplicity during the pandemic lockdown in 2021 after memories of a conversation I had with a friend, in which we talked about how life can be a drag sometimes. I asked myself, why do things get complicated when they could be simple? I’m sure anyone reading this has had a moment in their day where they expect things to go according to plan, but something gets in the way somehow. // … //  (With that conversation in mind, followed by) Within the writing process of this song, the theme came to revolve around our hope for simplicity in our life. The desire for things to be less complicated is something that I can relate to, the people around me and the audience also. Simplifying life became such a central theme for this project due to P.A.S.T being my first project. It’s easy to get caught up in different things when you are learning who you are, who you want to become, and the direction you want to go in, both personally and artistically. Setting clear intentions for myself as to what I wanted to achieve had to be done in a way that wasn’t overly complicated.    Greenlight  explores the excitement and hesitation before making a move in a romantic situation. Have you experienced a moment like this that influenced the song's creation, and how did you translate that into your music? Of course, I have. In practically every romantic situation I have approached, I was nervous and hesitant. A woman’s beauty is enough to make a man’s heart beat faster and muster up the courage to approach her. In my case, I was at an event and saw this girl dancing we had locked eyes for a moment. In the moment where I thought “Maybe I should go over to her.” she called me over. From there, we spent the night enjoying each other’s company.  Interestingly enough, I had composed the music before this happened. I sent my friend Widj Gaelle the instrumental to Greenlight , she replied to me with the hook and those lyrics immediately brought me back to that moment of attraction. That experience influenced the lyrics of the song. Live instrumentation plays a key role in your sound, evoking the energy of legends like Stevie Wonder and Earth, Wind & Fire. How important is live performance to your artistry, and what do you want fans to feel when they experience your music live?   Live performance, whether it's in the studio or on stage, is the reason why I got into playing with other people, so it’s safe to say it's very important. The possibility of live arrangements that can sometimes surpass the recording is something I love about performing. It creates an element of surprise for the audience and keeps the music fresh. It also gives me a chance to connect with the audience and involve them in the music. People have come up to me after performances, expressing that they’d felt the emotions I was channeling, and that is what I want. I want people to immerse themselves in the world I'm creating when I perform live as more than a superficial experience. Music is incredibly powerful and when it's experienced live with people sharing the same feelings, the atmosphere can become otherworldly.   You've mentioned that P.A.S.T.  is about returning to yourself after life's changes. As someone who has gone through personal and artistic transformations, what advice would you give to others navigating self-discovery and new beginnings?   My advice to navigating self-discovery is to do what you love, play what you like and take whatever you know and make it your own. Something that I have learned from my favorite artists is that they started out making sounds that felt good to them, they developed those sounds into their style and then made it their signature. Any artist's goal should be to perfect their signature. The big artists are already doing the popular sound, so create the music that tells your story.

Once upon a time, fairy tales told us that Prince Charming was someone we had to wait for—a dashing figure destined to sweep us off our feet. But in Kristian King’s latest single, Prince Charming , the Toronto artist flips the script and makes one thing clear: sometimes, the Prince isn’t coming because the Prince is you . A deeply introspective anthem of self-discovery and self-worth, Prince Charming invites listeners into the raw and personal journey of a young queer Black man navigating his 20s. It’s a track that challenges the notion of external validation and instead turns the focus inward. As Kristian himself puts it, “Before anyone can be a King, they must first embrace their identity as a Prince.” And this song does exactly that—it embraces, uplifts, and empowers. From the moment the beat drops, there’s an undeniable pulse of emotion running through the track. The production blends elements of soul, R&B, and pop, wrapping Kristian’s heartfelt lyricism in evocative melodies that stay with you long after the song ends. It’s smooth yet stirring, contemplative yet confident, striking that delicate balance between vulnerability and power. Lyrically, Prince Charming plays with the metaphor of royalty, weaving themes of personal growth, self-acceptance, and the evolution of one’s identity. There’s a longing in his voice, but there’s also resilience—a recognition that the search for love and validation starts with oneself. Kristian King isn’t just making music; he’s carving out a space for authenticity in an industry that often thrives on façades. With every release, he continues to push boundaries, blending musical influences and personal experiences into songs that speak to the soul. Prince Charming is more than a track—it’s a statement. A declaration of self-worth, a celebration of identity, and a reminder that the most powerful love story we’ll ever experience is the one we have with ourselves. So, if you’re searching for a song that reminds you of your own royalty, Kristian King’s Prince Charming is your next anthem. Crown yourself, press play, and step into the kingdom of self-love. In "Prince Charming," you explore themes of self-discovery and self-worth. How has your own journey influenced your music, and how do you see this message evolving in your future work? This song allowed me to view my life from the perspective of my younger self, filling me with optimism about being exactly where I'm meant to be on my journey. While I often wish I were already performing on big stages and walking the flyest runways, I’ve come to understand that before I can be King, I need to embrace being Prince (Charming) first. Writing this song helped me appreciate my current position and feel hopeful about the unknowns in life and the future. Your music blends soul, R&B, and pop, creating a unique and authentic sound. Are there any new genres or styles you’re excited to experiment with moving forward? Absolutely! I love R&B, pop, and soul, and I feel like I'm still at the beginning of my musical journey. I want to keep an open mind when creating and exploring what resonates with me. I'm particularly drawn to Afro beats and Ugandan folk music, and I’d love to create my own blend of Afro/R&B that reflects my cultural heritage! Since I’m just starting out, I’m also excited to learn more about the history of music and the different genres. With "Prince Charming," you’ve created an anthem of self-acceptance and empowerment. How do you hope this song impacts listeners, and what themes can we expect to hear in your upcoming project? I hope that listeners feel empowered, knowing that the best is yet to come for them. I want them to keep dreaming and pursuing their own "Prince Charming" while recognizing the divinity within themselves. I used to view loneliness as a negative experience, but I've learned that it’s in those moments of isolation that I grow the most. As an artist, you’ve been vocal about breaking societal norms and embracing identity. How do you plan to continue using your platform to push for representation and inclusivity in the music industry? For me, it's about consistently showing up for myself because I know others need to see themselves reflected in my work. I genuinely want to provide comfort to people, reassuring them that they aren’t alone, no matter who they are, who they love, or what they want out of life. Music is a healing force, and I hope that by sharing my sadness, happiness, and confusion, I can help heal those who resonate with my experiences. Your upcoming project, Delicate, explores the challenges of early adulthood. What can listeners expect from this EP, and what’s next for Kristian King after its release? Delicate is finally coming out, and I can hardly believe it! It’s truly an open letter about my journey in my early twenties. I’ve gone through so much to be able to share this project, and I can’t wait for it to reach those who need to hear it. As for what’s next, who knows? That’s the exciting part! I’ll always be writing and singing, and I want to get more practice on stage, hopefully with some live shows. I'm really just getting started!

Classic R&B embeds itself into our hearts, transporting us to moments of love, longing, and devotion. Lea Anderson’s Wait 4 U  is a testament to that timeless magic. Originally written in 2015 in the midst of getting ready for a date, the song has since found its own destiny, resonating deeply with fans over the years. Now, almost a decade later, Anderson is giving Wait 4 U  the visual storytelling it deserves with a long-awaited music video. Lea Anderson is no stranger to the power of storytelling. Her music, rich with emotional depth and strong, velvety vocals, captures the essence of classic R&B. With influences reminiscent of Whitney Houston, Anita Baker, and Aaliyah, Anderson has crafted a sound that seamlessly blends nostalgia with modern-day soul. Wait 4 U  stands as one of the most beloved tracks from her LP Pronounced Lee Deluxe , originally produced by Grammy-nominated and 16-time Billboard Award-winning producer D-Moet. The track features live instrumentation from the Pat Van Dyke Band, adding a rich, organic depth to its sound. The song encapsulates the idea of unwavering devotion—no matter how chaotic life may be, true love is always worth waiting for. As Anderson describes it, the song wasn’t written about a specific love interest at the time but rather a belief in the idea of a future soulmate. It’s a song that’s meant to wrap listeners in warmth, an anthem for those who understand the patience and commitment that love sometimes requires. After years of performing Wait 4 U  live and witnessing the emotional connections it forged with audiences, Anderson knew it was time to visually bring its story to life. Despite attempts to film in her birthplace of Washington, D.C., and later in Oahu, Hawaii, fate led her to Miami, where she found a perfect creative partner in Dream Loud Creations, a Black female-owned and led production company. The result? A breathtakingly romantic video that captures the essence of the song’s message. Set against the vibrant backdrop of Miami, the visuals tell the story of two lovers who have waited a lifetime to reunite. The chemistry, the longing, the intimacy—it’s all beautifully depicted in a way that mirrors the emotional pull of the song itself. The video is a celebration of love, patience, and the belief that some connections are simply meant to be. Lea Anderson’s music has always been about more than just melodies—it’s about emotions, experiences, and the raw, unfiltered essence of human connection. With Wait 4 U , she delivers a track that is sensual, nostalgic, and deeply moving, serving up ‘90s-inspired R&B with a contemporary elegance that keeps listeners coming back for more. Reflecting on this release, Anderson says, “I dedicate this song to R&B lovers. It’s sexy, serving ‘90s vibes, soul-serving, emotional, classic rhythm and blues.”  And that’s exactly what it is—a track that feels like home for anyone who cherishes the golden era of R&B. With new music on the horizon, Wait 4 U  serves as both a farewell to a beloved song’s chapter and a stepping stone toward what’s next. Wait 4 U has been a fan favorite for years. What made you decide that now was the perfect time to finally release a music video for it?  I felt like the world needed another love song. There are so many people who haven't heard my older music, and having captivating videos to go with them helps it reach new horizons. "Wait 4 U" is classic R&B, and I want to give it one last push to let the people who love music like this find it. The R&B genre's mainstream presence has diminished in a way. And while there are many amazing artists that are still creating R&B  in the evolved fashion, not many songs are still made in the classic form.  It's the genre I fell in love with first. The songs I'll be releasing in 2025 are not R&B. So, I owe "Wait 4 U" to my culture. I owe it to my younger self to help it reach new people.   You’ve described the song as a love letter to patience and devotion. How do you personally connect to its message today compared to when you first wrote it in 2015?   I'm still a lover girl.  I'm still rather patient in my relationships, I just have less time to hang around for long because I travel a lot. Especially since I survived the pandemic, the recent turn of events shows that there are so many things outside that should be done. You can be patient and devoted but growing together is essential. Especially in this day and age.  3. Your music blends classic R&B with heartfelt storytelling. Who are some of your biggest musical influences, and how have they shaped your sound? I'm heavily inspired by Anita Baker, Alicia Keys, and Mariah Carey. I used to pretend to be Diana Ross when I was a kid. When I wrote "Wait 4 U," I was listening to alot of Carl Thomas. When I recorded this with D-Moet, I sang it like I imagined Carl Thomas singing it. "Emotional" is peak level classic R&B, it's the bar I reached for. I want to give listeners what I feel when I listen to it. It's priceless.  You’ve traveled extensively and performed in some of the most iconic venues. How has your journey influenced your artistry and approach to music?  It's definitely made me more confident. I know that I can win the Apollo, pack out B.B. King's, and rock Chelsea Music Hall, so I want to do it everywhere now. I've been writing with people who live really far away from me: Hawaii, Nashville, Argentina, Los Angeles, Brazil, just to name a few places. When I was in Toronto, I got some amazing beats from a really dope producer. I'm learning more about how connected we all are through sound. It excites me so much because I truly believe that music heals. And the world needs more healing.  With Wait 4 U getting a fresh spotlight and new music on the horizon, what can fans expect next from Lea Anderson? Any upcoming projects or surprises? Over the past two years, I have been singing on the top two Cruise Lines: Disney Cruise Lines and Virgin Voyages. My discovery of new shores propelled me to write songs about the Ocean. I'm excited for everyone to hear them. You can expect to hear more romantic music, just maybe with an Aqua twist on it.

The beauty of music is its timeless nature. Some songs explode upon release, while others simmer beneath the surface, waiting for the right moment to resonate. Pacific ’s indie pop gem, never in love , falls into the latter category. Initially released in 2021 as part of the i love you, i’m sorry  EP, the track has recently found a new audience thanks to viral TikToks and online buzz. And honestly? It’s about time. Pacific, the brainchild of Nashville-based singer-songwriter and producer Will Hunter, has always captured a unique brand of nostalgia. Blending the coastal warmth of West Coast indie pop with early-2000s alternative influences, Pacific crafts music that feels like the soundtrack to a sun-soaked daydream. never in love  is no exception. At its core, never in love  is a song about timing—or more accurately, the lack of it. It tells the all-too-relatable story of two people who are never on the same page when it comes to love. One moment, one person is all in, only for the other to fall out, creating a cycle of missed opportunities and unresolved emotions. Hunter’s candid storytelling shines in lines like "Justin Bieber stole my crush" —a seemingly personal yet universally resonant lyric that makes you chuckle before pulling you right back into your own past heartbreaks. But it’s the contrast between the song’s bright, buoyant sound and its melancholic lyrics that makes it so effective. This is the kind of track you blast with the windows down, smiling through the ache. It’s the magic of mixed emotions—sadness wrapped in a beat that makes you want to dance. The best kind of catharsis. The music industry moves fast, but TikTok and Instagram Reels have become unexpected lifelines for songs that might’ve otherwise gone unnoticed. Thanks to a surge in user-generated content featuring never in love , the track is experiencing a well-deserved resurgence. Fans new and old are connecting with it as if it were released yesterday, proving that good music has no expiration date. Pacific acknowledges the surreal nature of this delayed success: “Goes to show that just because a song didn’t pop off at first doesn’t mean it’s a waste. I hope that means it’s a classic in some way.”  And honestly? It just might be. With new momentum behind never in love , all eyes (and ears) are on what’s next for Pacific. Hunter’s upcoming debut album, Caught Up in a Dream , promises a fresh mix of synth-pop and soft rock, weaving together themes of love, heartbreak, and connection. If never in love  is any indication, we can expect songs that don’t just live in the moment—they live in the memory, long after the last note fades. So if you haven’t yet, take a listen to never in love . Let it transport you back to that one person who was always just out of reach. And who knows—maybe it’ll even spark an old flame. “never in love” is having a huge viral resurgence after a couple of years. How does it feel to see a song you wrote in 2021 suddenly take off in such a big way? It’s honestly unreal. It feels like I’m in a dream, and I’m gonna wake up any second now. I always felt like this song never had its “moment” when it came ou,t so I’m thrilled that it’s getting it now. It was always a fan favorite - like when people would come up and chat with me at shows, this was always one that got brought up. I’m just so grateful for this little moment it’s having and how it’s reaching new fans and people who have never heard of Pacific before.  The song’s theme—two people never being in love at the same time—is such a universally relatable experience. Did you expect so many people to connect with your personal story? Not at all, to be honest haha. It’s such a specific story that is so specifically about what happened in my life in grade school that I thought for sure no one would relate to but me. Like the line about Justin Bieber singing Baby and stealing my crush’s heart (literally happened to me), I was like, no way will anyone get this, but I was 100% wrong. I guess sometimes people are way more similar than we give credit. Like what people say on TikTok, “I guess we’re all just living the same life,” haha. I love that I get to share some very niche moments of my story with fans of the song.  Your sound has often been compared to LANY, The 1975, and The Band CAMINO. How do you balance these influences while making sure Pacific has its own unique identity? That’s a great question. I see artists as a bit of a “juicer” of their influences, if you will. In a juice, ya know, you put in carrots, celery, beets, whatever, and out comes this unique blend of all this good stuff. Same in music and in all of life if we’re real. I once heard Chris Martin (another of my influences) talking about when he was given the first inspiration for their song Yellow and how he was just trying as much as possible to sound like Neil Young. And to us what came out is one of the most iconic songs of all time that sounds nothing like Neil Young, but 100% like Coldplay. I think people who really know my music and have listened to more than a 5-second TikTok clip know that there’s a core identity that you can hear throughout my whole discography that I would call the “Pacific sound.” And yeah, it’s a little bit of The 1975, a little bit of LANY, a little bit of Coldplay, a little bit of early 2000s alternative, and lots of others - cause that’s just what I like. And I make what I like.    You have a new album, Caught Up In A Dream , on the way. How does this record build on your previous music, and what can fans expect from these new songs? I love this album. It’s the first time I have ever tried to produce a Pacific project on my own so that alone brought all sorts of growth and newness to what already existed in my previous works. I got about 3-4 months into the production of the new album and hit a wall, but then I met Taylor Dubray (Betcha) through an A&R friend, and we clicked right away. He helped me finish this thing ou,t and I couldn’t have done it without him. New collaborators always bring a new flavor to a project and Taylor’s touch was so important to this album. To answer the second part of your question, I hope fans can hear growth in this music. It sounds better than anything I’ve done technically. The songs are better written. The cohesion of the work is locked in. I hope fans love it as much as I do and can really feel the heart put into every second of each song. Sonically, it lives in this synth-pop/alternative world that I love so much. Songs that you could play in a living room or a stadium. That’s what I love.  You’ve been in both band and solo project phases with Pacific. How has your creative process evolved over the years, and what’s it like stepping back into the solo spotlight? It was difficult parting ways with my bandmates since we’d been through so much together, but it was ultimately the best thing that could’ve happened for this project. I started Pacific as a solo venture in college and so being solo again is a homecoming of sorts, but with years of experience and growth in between. It really forced me to take full accountability for where this band could go. No one else is gonna pave the way for me, and at the end of the day (with a little luck), it’s on me where it ends up. So I’m ready to give it my all and make the best music I can make and create something really special. I feel like it also gives me a unique position to be more vulnerable with my audience since I’m not speaking for 3 or 4 people. It’s just me, so I can share more openly from the heart, and I think people can really feel the difference.

Kitchener’s very own Caprice Soleil is back; this time, he’s laying it all out on the table. TRUE COLOURS , his latest album, is a melodic rap, new jazz, R&B, and trap-infused ride through heartache, self-reflection, and ultimate liberation.  With over a decade of hands-on experience in production, recording, engineering, and video editing, Soleil has built a one-man empire, and TRUE COLOURS is proof that he’s mastered every part of the game. If TRUE COLOURS were a mood, it’d be late-night drives through neon-lit city streets—smooth, introspective, and cool without trying too hard. The production feels handcrafted, each sound meticulously selected from years of solo studio sessions. Hard-hitting trap drums? Check. Jazzy chord progressions? Absolutely. Mellow R&B hooks that float effortlessly over the beat? You already know. Soleil’s style sits somewhere between Trippie Redd’s softer side, Lil Uzi Vert’s melodic finesse, and Oodaredevil’s genre-blurring vibes. It’s that New Jazz hip-hop edge—experimental but cohesive, polished yet raw. Tracks swing between moody synths, live-sounding drums, and fluid rap-sung cadences, making each song feel like an intimate conversation set to music. Lyrically, TRUE COLOURS takes you through a journey—one that starts with heavy-hearted bars dripping with raw emotion and ends with a clear-headed sense of freedom. This isn’t just a breakup album; it’s about letting go, leveling up, and moving forward without looking back. There’s no wallowing here—just smooth, self-assured bars about shedding the past and stepping into something bigger. The “true colours” concept isn’t just a theme—it’s a statement. Soleil wants listeners to understand that at the end of the day, realness will always shine through. It’s about staying authentic, whether that means embracing heartbreak, chasing dreams, or diving into new creative spaces without hesitation. One of the most impressive aspects of TRUE COLOURS is that it’s entirely Soleil’s vision from start to finish. No outside engineers, no big-label production teams—just one artist shaping his sound exactly how he wants it. Some might say this approach risks uniformity, but here’s the thing: this album is pure Caprice Soleil. It’s unfiltered, deeply personal, and free from industry expectations. Caprice Soleil is already onto the next chapter. With TRUE COLOURS setting the stage, he’s now focused on dropping visuals, experimenting with new genres, and collaborating with fresh artists. The next era of his music promises to push boundaries even further, and if this album is any indication, we’re in for something special. You’ve been a one-man powerhouse, handling production, engineering, recording, and even video editing for over a decade. What keeps you motivated to stay independent and hands-on with your craft? What keeps me motivated these days is the freedom I feel when I’m creating something new. Being independent lets me chase an idea without waiting for approval or tweaking my vision to fit someone else’s mold. I also love learning new techniques and having full control over the process. Sure, juggling it all solo can be tough, and it’s not always a breeze, but it’s worth it when I see the finished work and know I gave it my all. Listeners pick up on that authenticity—they know when it’s genuine. That connection, that raw energy, is what keeps me going after all these years. Your music has a smooth yet raw energy, who were some of your biggest influences growing up, and how have they shaped your sound today? Some of my biggest influences are artists like Lil Wayne, 50 Cent, Pharrell, Wu-Tang Clan, A Tribe Called Quest, and even modern innovators like Soulja Boy and Lil B. They’ve inspired me to produce and write in a way that’s independent, organic, and laid-back, blending real-life stories from my own path into the mix. A lot of my lyrics flow from my subconscious, or sometimes from imagining myself in other people’s shoes and experiences. That keeps my sound fresh and open, letting me play with different perspectives without overthinking it. TRUE COLOURS feels like a journey from heartbreak to self-discovery. Was there a specific moment or experience that inspired this album’s evolution? The inspiration for True Colours grew out of a messy blend of heartbreak and years of feeling out of place. I was pouring my energy into people who didn’t truly care or value me. It took a while, but their true colors eventually showed, and I saw them for who they really were. The album reflects that journey—figuring out what’s real, taking time for myself, and focusing on my own growth.

Some artists play music. Others, like Shawn Brown , live  it. Portland’s own indie-rock troubadour is back with Into the Furious Light , a strikingly introspective EP that peels back the layers of resilience, sadness, and redemption with unapologetic honesty. It’s Shawn Brown at his most unfiltered—armed with his signature vocals, cinematic melodies, and a newfound urgency that commands attention. Breaking away from his usual Los Angeles recording routine, Brown took a more grounded approach this time, crafting Into the Furious Light  in his hometown of Portland. Produced by the illustrious Grecco Buratto ( Shakira, Tegan and Sara, Lionel Richie ) and recorded at The Panther Studio, the EP is the first to feature the full Shawn Brown Band—Ben Landsverk, Jeff Langston, and Ned Failing—who bring an electric yet deeply organic energy to the project. Engineer Steve Drizos helped capture the raw, intimate textures of the EP, while Tiago Becker’s mixing and Juan Garcia Petri’s mastering refined it into a sonic powerhouse. The result? A work that feels as personal as a whispered secret and as anthemic as a stadium chorus. The EP’s lead single, Hold Fast , serves as its thematic backbone—an explosive rallying cry against the numbing effects of avoidance and distraction. In an age where it’s easier to scroll than to sit with our thoughts, Brown challenges listeners to feel  everything, no matter how uncomfortable. This isn’t just a song; it’s a wake-up call wrapped in a kick-ass alt-rock package. Other standouts include Let Them Love You , an aching reminder that vulnerability isn’t weakness, and The Sad Ones  (Acoustic Version), which strips everything back to its emotional core, proving that sometimes, simplicity hits the hardest. Pairing sonic storytelling with striking visuals, Brown enlisted celebrated San Francisco photographer Joshua Sing for the EP’s artwork. Known for his nostalgic, introspective analog photography, Sing’s imagery perfectly complements the reflective nature of Into the Furious Light , adding another layer of depth to the project. The response to Into the Furious Light  has been overwhelmingly positive. Fans and critics alike have lauded Brown’s raw lyricism and fearless storytelling. His recent singles, The Sad Ones  and Road of Bones , have already amassed significant playlist placements and radio play, solidifying Brown’s place in the indie-rock sphere. But beyond streams and stats, Brown hopes this EP does something bigger. “Hope… truly,”  he says, when asked what he wants listeners to take away from it. And in a world that often feels like it’s spinning too fast, his music might just be the thing to help us all hold fast . Y our new EP, Into the Furious Light , has been described as your most raw and evocative work yet. What inspired this project, and how does it differ from your past releases? It’s felt pretty amazing to see so much positive feedback about this release, just in general. And you’re right - there has been a lot of talk about how raw the songs sound and all that.  I suppose there are some notable differences between these new songs and my previous work, but I haven't put a lot of thought into much of that until now. I don’t make records these days unless something really bubbles up that I just HAVE to record and share. My last couple of singles were that way. Both Road of Bones and The Sad Ones started off as these little voice memos on my phone and then became these records that I really love and was exceedingly fired-up to put out. This EP was no different in that way, these were the next songs I wrote and felt strongly enough about to share with Grecco (Burratto). And look - If Grecco likes something I write, that’s a huge relief right there. That's basically 90% of the work done. If he grabs onto something, I know we’re going to make something cool out of it. As far as the “rawness” and all of that goes, I do think there’s an urgency running through these songs that probably stands out. I’m super proud of all of the work Grecco and I have done together over the years, but I do think there’s something more immediate about these songs in particular that people seem to be reacting to.  The lead single, Hold Fast , conveys resilience and confronting life’s struggles rather than avoiding them. What personal experiences or observations led you to write this song? Thanks so much for jumping onto those themes. That’s awesome! Early on in the recording process, I remember Ben Landsverk (Brown’s bandmate and great friend) pointed out that the song we were making was about “sailing INTO the storm, not AWAY from it” and that the record needed to sound like that. He was 100% correct there. I think it is far, far too easy to distract ourselves these days when we feel uncomfortable. Our phones, social media, all of it can serve as easy ways to not have to feel the hard stuff. So I think Hold Fast is trying to speak to that part of us that needs to hang in there and take the challenges or discomfort straight on instead of allowing distractions to pivot us away from working through something hard. The irony is that so many of the things that we too-often rely on to sooth or distract ourselves contribute to way more discomfort anyway. It is a vicious cycle that way. I have to watch out for those kinds of traps just as much as the next person. Being a human can be rough, right?  This EP marks the first time your full band was featured on a recording. How did that impact the sound and energy of these songs compared to your previous work? In a word - HUGE. Grecco and I have this established recording process, which essentially began out of necessity during the COVID pandemic. We do a lot of tracking in LA and typically record with an absolute “murders row” of killer players from his circles in town. So I usually fly down to LA and record with him there. That process has worked really well for us and I love all the records we’ve made that way. Meanwhile though, I’ve also been putting together this killer band here in Portland to play shows with. Once Grecco and I started talking about recording the new songs, we organically decided to reverse our recording process. Once I’d written Hold Fast , I immediately took it to the band to work up for live shows and it just sounded so damn good. As a result, it just seemed like the perfect opportunity to cut that song with my band and turn this recording process into a Portland-party this time around. So essentially we booked time with Steve Drizos over at his Panther Studio and Grecco flew up to Portland to produce the sessions with me and the band. There’s an energy to Hold Fast that can’t be reproduced any other way than us all in a room playing together. I think the necessary urgency was captured really well on that track. You can really hear it on there.    You collaborated with renowned producer Grecco Buratto and recorded in your hometown of Portland. How did those choices shape the final product, and what was the creative process like in the studio?  Grecco is a really steady hand in the studio, so those were fun sessions. I don’t ever go into the studio with a completed idea in my head. For me, that takes most of the fun out of the whole thing. I want to see what ideas organically surface and let the process come together in real time. There’s no sense in getting a bunch of talented people in a room together if you're not going to allow for creativity to take over the whole thing. Thankfully Grecco works that way too, he wants to hear different ideas, try different parts, switch up snare drums, and see where the song goes. So I think that's what you hear on these new songs, lots of cool moments that come from having the trust to experiment.  Your music is cinematic, with deeply introspective lyrics and powerful imagery. If Into the Furious Light were the soundtrack to a film, what kind of story would it tell?   That’s such a good question. Maybe some truncated crazy version of Homer’s Odyssey? Who knows?  What I can say in all seriousness is that there is an ambivalence to these new songs that is very purposeful. The outro to Hold Fast is this repeating coda where the lyrics essentially get swallowed up by the dissonance and distortion of the music. There is no clear resolution in a lot of ways, so whatever film we’re talking about would need to have that sort of unease associated with its story. That said, you could go the complete other direction and just dump Hold Fast into a skate video featuring lots of tremendously brutal wipeouts. That would probably work just as well.

Few artists can seamlessly bridge the gap between performer, songwriter, and producer quite like Kayla Diamond . A powerhouse in the Canadian music scene, Kayla has long proven herself a force to be reckoned with—crafting infectious pop melodies, producing standout records, and leading the charge as the president of her own label, Kolossal Records. Her latest work only further cements her status as one of the industry’s most versatile creators. With over 60 million streams, collaborations spanning electronic heavyweights like Alex Schulz, Kiso Armic, and Anevo, and a recent JUNO-nominated project with Dom Vallie, Kayla’s influence reaches far beyond the studio walls. One of her most notable recent credits includes “Gold” by Alexiane featuring Salif Keita, a track that radiates with ethereal production and Diamond’s signature finesse. Her ability to blend modern electronic elements with deep, emotive storytelling makes the song a standout. Similarly, her writing and vocal feature on Domeno’s “Never Let Go” showcase her knack for crafting hooks that are both soaring and intimate—effortlessly balancing energy and emotion. Kayla’s impact extends to television as well, with her work landing placements in major productions like NBC’s The Voice, Netflix’s My Little Pony, and The Ultimatum. Beyond the music, her label Kolossal Records is redefining artist development, helping nurture the next generation of talent—including emerging pop/hip-hop artist Amarii. With her impressive credits and an unwavering drive, Kayla Diamond is setting the bar higher than ever. Whether behind the mic, in the producer’s chair, or at the helm of her label, she continues to shape the sound of today—and tomorrow.

Cory Popp for CHAIN This past weekend, Los Angeles played host to a mouthwatering new tradition as Jameson Irish Whiskey and CHAIN came together to present The French Fry Showdown —a festive Pre-St. Patrick’s Day celebration at the CHAIN House. Attendees indulged in an all-you-can-eat French Fry extravaganza paired with signature Jameson Irish Whiskey cocktails, creating an immersive experience that was equal parts delicious and spirited. The event saw partygoers take on the role of fry connoisseurs, sampling an array of expertly prepared French fries while sipping on specialty drinks such as the Jameson Minty MockRock Slushie. A lively competition added an extra layer of excitement, as attendees pitched their favorite fry to a panel of judges and rated each offering. As the night unfolded, the ultimate fry was crowned in front of an enthusiastic crowd, solidifying the showdown as a must-attend St. Patrick’s celebration. A Star-Studded Celebration Cory Popp for CHAIN The St. Patrick’s Day-themed bash attracted an impressive lineup of notable guests, including CHAIN founder and award-winning actor BJ Novak, social media sensation David Dobrik , music artist Ryan Cabrera and WWE star Alexa Bliss (Lexi Cabrera), as well as The Valley  and Vanderpump Rules  star Brittany Cartwright, alongside The Valley’s  Zack Wickham. Other attendees included Love Island  star Miguel Harichi with Leah Kateb, actor Blair Redford, Atlanta Falcons wide receiver Ray-Ray McCloud, top NFL draft pick Jordan McCloud, designer Jonathan Marc Stein, Skylar Erna, Natalie Noel, Brielle Barbusca, TV host Madison Brodsky, sports host Ashley Haas, Heidy De La Rosa, YouTuber Jarvis Johnson, DJ Sebastian Topete, Kinya Claiborne, and many more. A Fry Lover’s Paradise Cory Popp for CHAIN The menu featured an extensive selection of French fry styles, from crispy shoestring fries cooked in beef tallow (a nod to McDonald’s iconic recipe) to crinkle-cut, waffle, curly, wedge, and tots. Guests also enjoyed a selection of mouthwatering sauces, including Jameson Irish Whiskey BBQ, black garlic ranch, cheese sauce, and a top-secret classified sauce. Seasoning options ranged from Hot Cheeto Dust and Sour Cream & Onion to BBQ and Cajun. For the true indulgent experience, an off-menu Animal Station and a Caviar & Crème Fraîche Station added an extra gourmet touch—paired perfectly with a custom French Fry Challenge x Jameson engraved ice luge. Jameson Cocktails & Pairings Cory Popp for CHAIN To complement the fry feast, the Jameson Irish Whiskey Bar served up a curated selection of whiskey-based drinks designed to enhance the flavors of the evening. Highlights included the new Lucky Root  (a canned Whiskey Root Beer made with Jameson), the Minty MockRock Slushie  (a minty, vanilla Irish whiskey slushie), the Harvard J Wallbanger , and Nickel Pickle Backs  (a can of Donna’s Pickle Beer with a shot of Jameson). For those opting for a non-alcoholic treat, the Pi Day  mocktail—an apple pie-inspired beverage—was a crowd favorite. Jameson’s classic pairings, including Coca-Cola, were also on hand for a timeless whiskey experience. About CHAIN: The Gourmet Take on Chain Food Classic s Cory Popp for CHAIN CHAIN , founded by BJ Novak ( The Office ) and award-winning Michelin Chef Tim Hollingsworth, is the world’s first gourmet ‘chain food’ pop-up, reimagining fast-food classics with chef-driven innovation. Their exclusive activations, immersive tasting series, and nostalgic food festivals have earned a devoted following, with fans eagerly joining waitlists for each unique experience. As the first-ever French Fry Showdown  came to a close, attendees left with satisfied appetites and a newfound appreciation for the art of the fry. With its unbeatable combination of gourmet flavors, lively competition, and festive energy, this St. Patrick’s Weekend tradition is sure to return even bigger next year. Follow @jamesonUS and @eatatchain on social media for updates on future events.

With their latest single, “ SPITE ,” this alternative hard rock/metal trio delivers an electrifying gut-punch of brutal honesty, searing instrumentation, and lyrical depth that pulls no punches. If you’re looking for a track embodying unapologetic aggression, cutting self-reflection, and a sound that commands attention, you’ve come to the right place. From the first note, “SPITE” exudes an unrelenting energy that grips the listener and doesn’t let go. New Zealand’s Haast Hunter 's signature combination of heavy-hitting riffs, thunderous percussion, and Harper’s raw, impassioned vocals creates an atmosphere of controlled chaos—perfect for a track dissecting the darker sides of human nature. Lyrically, James Harper pulls back the curtain on the reality of Tall Poppy Syndrome and the toxic behaviors that people either suppress or fully embrace as they age. He doesn’t sugarcoat the struggle, instead laying bare a powerful duality: Do we remain oblivious to our faults, or do we lean into them and own our flaws without apology ? It’s a message that’s both brutally introspective and universally relatable. The instrumentation is a masterclass in tension and release—grinding guitars build momentum, the bass grooves deep in the pocket, and the drums crash through the mix with a precision that feels almost predatory. There’s a sense of unspoken catharsis woven through every note, making it clear that Haast Hunter isn’t just making music—they’re making a statement. If “SPITE” is just a preview of what’s to come, then Haast Hunter’s future looks dangerously thrilling. Harper hints at this in his vision for the track: stating: “I would like this to be a little taste test of what’s to come. To hear that we are a band that is consistently trying to grow and try new things.” It’s clear that stagnation isn’t an option for this band. Instead, they’re constantly evolving, redefining their sound, and pushing themselves into new, uncharted creative territory. “SPITE” isn’t just another hard rock track—it’s an anthem of defiance, self-awareness, and brutal honesty, wrapped in a sonic package that demands to be played at full volume. Haast Hunter is carving out a space in the metal and alt-rock scene that feels both fresh and timeless, and this single is proof that they’re only just getting started. SPITE" is an intensely personal track with raw, unfiltered emotion. Was there a specific experience or turning point that ignited the fire behind this song? It wasn’t until I hit my mid 20’s that I really started to realize how common Tall Poppy Syndrome and toxic, spiteful tendencies are in people (Maybe it ' s just specific to where we are down our end of the world in New Zealand?). Now as I approach turning 40, witnessing people mature into these traits that they have cultivated, I feel they either A) Remain ignorant to their ways, or B) Lean into it with an uncompromising acceptance and truly own the person they have become. In all honesty I prefer the latter – at least it’s honest. With “SPITE’ It is the embodiment of this duality. I see this time and time again. I don’t know if it is just a sign of the times or just where we are headed as a society? I really don’t know.   Your music balances aggression with melody in a way that feels both chaotic and refined. How do you approach songwriting to maintain that perfect balance? I’ve really taken to the “learning on the job” motto with songwriting, especially with my vocals. I think for those fans/ followers that have been with us since we first started releasing music, just shy of 2 years ago, they can certainly hear development and a widened arsenal to our overall sound. To answer your question, as I learn more about myself and further learn more skills vocally, I feel I can express myself in different ways, with this I can take a more balanced approach to the storytelling of our music, and use what tools I have gained along my journey to do so . You’ve touched on the idea of people either ignoring their flaws or fully embracing them. Do you see music as a way to hold a mirror up to society, or is it more of a personal catharsis for you? I would say a bit of both, I would lean more upon the latter. In person, I would like to think I am a fairly positive, up-beat person. I use music as a conduit to deal with a lot of the crap I deal with in life, and to furthermore reflect upon myself personally. Haast Hunter is clearly not afraid to push boundaries and evolve. What’s one unexpected direction or influence you’re currently experimenting with in your music? “ I would say a lot of metalcore, where this might be the obvious response to a lot of our listeners at this stage of the listening journey. There are definitely a lot of takeaways from where this genre is headed, especially as it approaches the more mainstream/ pop world. We are also heavily exploring a lot of electronic textures which inspired the metalcore genre and a lot of Nu Metal vibes too!   If you could build the ultimate dream lineup for a live show—any era, any artist—who would share the stage with Haast Hunter and why? Can I just like the whole lineup for Download festival and Aftershock festival? Any of those artists! From Deftones, Bad Omens, Sleep Token, Spirit box, Bring Me the Horizon, the list goes on! Even our OG rock n roll legends, Queens of the Stone Age!