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The talented artist continues to captivate with vocal performances filled with infectious emotion. Emerging artist Novaphasefive has long been one of the most intriguing artists in the industry. As talented as he is versatile, his genre-bending style and signature sound encompass the realms of electronic, hip-hop, and dream pop. Known for lush, layered soundscapes and introspective lyricism, Novaphasefive’s tracks carry an emotional depth that’s not ordinary, capturing intense feelings in words and melodies. As Novaphase continues to stamp his name in history, you’re going to want to remember his name. Novaphasefive’s impressive discography continues to expand to this day. It includes tracks like “BuTTRflyBambiii / purple dynasty,” “Purple Excalibur,” and “October was Once a Story,” all of which have captivated listeners, racking up listens by fusing beauty, lyrical prowess, and artistic complexity in a way that feels cinematic yet deeply personal. With releases featuring atmospheric production and layered textures, NovaPhaseFive immerses listeners in his entertaining, almost hypnotizing, immersive soundscapes, making for uneasily replicated listening experiences. Novaphasefive continues his exemplary run with his latest release, “Eternally Beautiful,” a soft yet powerful release that drips with emotion from start to finish. A beautiful yet slightly melancholy guitar begins the sonic adventure, but although the instrumental performance starts slow it gradually builds, swells, and eventually breaks. Novaphasefive’s vocals perfectly mirror this pattern, making for a release that feels incredibly personal and intimate, something he’s become known for as he fully enters his own. Novaphasefive continues to prove himself to be a forward-thinking artist who is unafraid to push boundaries and explore the fascinating worlds of genre, mood, and intimate sounds. Whenever you’re ready, tap in and stream “Eternally Beautiful”, out now on all major streaming platforms. We loved your new release, “Eternally Beautiful." How your emotion seemed to build and build gave us chills, man! We wanted to ask what inspired this release and how it felt when you heard the finished version for the first time. I am delighted to hear about your enjoyment of this one. So the inspiration behind this one is the loss of a friend, a best friend at that, and I'll eternally miss them... Huh, so once I heard this track finished and polished. I sat still for a bit, and the emotions flooded me. Then I recollected myself to just how amazing it all sounded. What inspired you to take that initial step to start pursuing music seriously, and what motivates you to make music now? In a way, music calls to me beyond typical words; it's as if it's just something I have been destined to pursue and devote full attention to; creation is beautiful. The motivation as of now going forward is emotion itself,  as long as I feel pain, I'll create, as long as I feel all that is negative I'll create, as long as I can feel love,  I'll create and all that is positive will contuine to be my palette for creation. What do you think is the most important quality for a musician to have? The top, number one quality artists should have is imagination because imagination holds the keys to unlimited limitations. What goals or changes do you want to achieve through your music? I just want more listeners... heck...more people to realize that even in the dark, it's light, even in the light, darkness, and accepting both elements and the paradoxical similarities is home. What’s next for NovaPhaseFive, and is there anything you’d like to say to your fans? So up next for novaphasefive is perform! Perform! Performing, it been well overdue, and I owe nothing less than such to my patient-loving fans! Muah! Instagram

A shimmering indie-pop anthem lives amongst us, and it takes heartbreak, packs it in a suitcase, and sets it free among the bright lights of the Big Apple. Drawing from her own experience of finding herself after a breakup, Serinity crafts a song that’s equal parts self-reflection and celebration. "Went to New York" is the ultimate ode to reclaiming your identity, one cab ride and coffee stop at a time. From her ethereal vocals drawing you in, expect to be wrapped around delicately layered harmonies that feel as if they’re floating in the clouds. Her storytelling is razor-sharp yet tender, painting vivid pictures of solo strolls through Central Park and the internal dialogues of self-discovery. What's great about the instrumentation is that each production element leans into her indie-pop sensibilities with an undeniable mainstream appeal, making this the perfect canvas to create within. What sets "Went to New York" apart is Serinity’s ability to let her music have fun, even when dealing with heavy emotions. The juxtaposition of airy melodies and profound lyrics captures the bittersweet beauty of rediscovering joy after pain, and paired with playful defiance in her delivery, it serves as a reminder that even when life feels heavy, there’s power in learning to carry yourself. If this single is any indication, Serinity is a rising star with the gift of turning raw emotion into something universally resonant. "Went to New York" does an excellent job of capturing themes of empowerment and independence. How did these personal experiences shape this song and your broader creative journey? My personal experiences play a big role in shaping and developing all of my music. This particular experience was unlike anything else I’ve been through—it was my first solo trip, and it completely shifted my perspective on what I wanted for my future and for myself. Writing this song helped me explore a more personal side of my songwriting. Your storytelling is done in such a powerful manner. How did you decide that was a theme you wanted to channel into your music? The process for this song was different from how I usually write and create music. I wanted to explore something more personal—something I truly felt connected to and wanted to share with the world. This trip to New York was the most meaningful experience of my life so far, and it naturally became the heart of the song. The production in "Went to New York" feels ethereal yet grounded, which really pulls us into the song as a whole. Can you please tell us about your creative process in bringing this sound to life? I wanted to create a pop song that felt edgy while still staying true to my singer-songwriter roots. It was important for me to blend those two elements—experimenting with sounds that pushed me outside my comfort zone while keeping the emotional authenticity of my style. You’ve cited influences like the legendary Taylor Swift and Alanis Morissette. How have their approaches to storytelling shaped your own music? I grew up listening to those singers, and they helped shape my writing and creative process tremendously. They have taught me that as a writer, it’s okay to write more personal music that feels true to me. They’ve also shown me how versatile songwriting can be—there are endless ways to tell stories and express emotion through music. What’s next for you? Definitely more music! I’ve got more singles on the way, and I’m hoping to release an album soon. Instagram

The talented songstress tries her best to bridge the divide. Hailing from the state affectionately known as the “Heart of Dixie,” Alabama-born pop singer, songwriter, and producer Drey has steadily been carving a space for herself with a sound that strikes a comforting balance between the nostalgic and the new. Her music pulls threads from the timeless craftsmanship of Fleetwood Mac, the introspective pop of Gracie Abrams, and Taylor Swift’s emotional storytelling, resulting in tracks that reverberate universally through an artistic lens that’s unmistakably hers. Every great artist has their own sources of inspiration and a unique approach to music. To that end, Drey sees songwriting as a puzzle, piecing together songs with an intuitive understanding of what fits, often visualizing a track before it’s entirely written. She got into music early, eventually taking the impressive step to music production at 21. With a fanbase on the rise and a sound that marries classic and modern, Drey’s music presents a fresh yet resonant perspective that’s captivated her fans. Drey’s latest single, “Everywhere, Everything,” captures her ability to craft moods as much as melodies. Written and recorded over just four days in her home studio, the track taps into a kind of haunting allure that mirrors its lyrics—a melody that’s as unsettling as it is entrancing. As Drey softly sings lines like “I’m right here if you want me” and “I remember the way I screamed your name,” you get a soft impression that Drey’s reaching out to a lover that she can’t quite reach, conjuring the sensation of being watched. The production, crafted in collaboration with her husband, was written and recorded over 4 days in Dray’s home studio. It blends a spooky ambiance with polished pop hooks, capturing her talent for weaving an eerie sense of intimacy into familiar pop structures. With a sound that marries classic and modern, a growing fanbase, and, most importantly, genuine love for what she does, Drey continues to establish herself as one of the most enticing hidden talents in the business. Whenever you’re ready, tap in and stream Drey’s latest release, “Everywhere, Everything,” on all major streaming platforms. We loved your new release, “Everywhere Everything.” it’s awesome that you and your husband are able to collaborate and make good music! So we wanted to ask; you mentioned you normally have a feel for what a release is gonna feel like before you write it. How did you first visualize this release? This release started out as a Halloween-inspired song about feeling like you’re constantly being watched. The melody came from an old ghost decoration I had, and I saw the song as being whimsical in nature. So, this song really took the form of a ghost for me, and I love the way it turned out.  What inspired you to take that initial step to pursue music seriously, and what motivates you to make music now? I have always loved writing and telling stories, and discovering that I can create experiences through songs is truly like an addiction. It’s the high of finding the hit in the melody and the rush of listening to the complete project.  As someone who’s so creative yourself, what do you think is the most important quality for a musician to have? Flexibility for sure. Sometimes a song takes on a different meaning than you might have wanted and it’s important to be able to roll with the changes and follow the song to completion.  What’s your fondest music-related memory? My grandfather loved to play guitar when I was younger, and I loved listening to him noodle and hum.  What’s next for Drey, and is there anything you’d like to say to your fans? We are currently working on an EP and several cool tunes!  Instagram

Tim Brink & The Rising are all about grit. The band’s latest single, “The Boy Was Right,” captures that raw, unpolished spirit that pulls you right into the world of dark country. It’s the kind of track that could easily score a scene in Sons of Anarchy or Peaky Blinders—a song that feels right at home in a smoke-filled bar at last call. With a mean balance of country and rock and a bluesy backbone, “The Boy Was Right” is all heart, no pretense. Brink delivers each line with a storyteller’s edge—you can feel the weathered, lived-in experience that defines outlaw country: brash, unapologetic, and a touch rebellious. Brink’s voice itself is like a worn-in leather jacket: rugged, rough around the edges, and full of character. Brink’s journey to this moment has added layer after layer to his sound. He’s fronted the Quebec-based band Pete Möss, toured across Canada and Europe, and even won Best Singer at the Emergenza Festival in Germany. Later, he was a finalist on La Voix IV in 2015 and even came close to stepping in as lead singer for The Stone Temple Pilots. Every experience has shaped his voice and stage presence, adding to the gritty authenticity that Tim Brink & The Rising bring to each track. Lyrics like “You be you, and I’ll be me / We’ll get along fancy-free” and “If you don’t like how I get down, pick up your shit and just turn around” capture the song’s no-BS spirit. “The Boy Was Right” is an anthem for anyone who stands their ground and isn’t about to bend for anyone. We’re happy to celebrate the release of “The Boy Was Right” with you. Your music, including the band’s latest release, leans into a darker, unpolished side of country. What draws you to this style, and how do you define “Dark Country” in your own words? I like the rasp of it—it’s raw, gritty, and close to the ear...so much so that it’ll give you shivers. Dark Country is all about the unpolished and darker sides of the desert hero for me. How important is it for you to keep your music raw and unfiltered? Do you find it challenging to maintain that authenticity, especially when refining your songs in the studio? Aside from layering backing vocals, there’s not a lot of polishing going on. I’ve actually asked the studio to cut back on the polishing they did at times to keep it gruff and imperfect. How does the band collaborate when creating songs like “The Boy Was Right?" Can you walk us through your creative process as a group? For the first time in my career, I am writing to music that’s delivered to me. I feel it out and create my story and melody on top of that. It’s different—not birthing the whole song from your own cells—but I like it. It has allowed me to focus more on being a storyteller theatrically. In “The Boy Was Right,” you sing about self-assurance and staying grounded in your identity. How do you personally stay true to yourself in an industry that often pressures artists to conform? Easy. I’m not built to conform. I’ve always had a little trouble with authority and anything that’s not authentic. We have so little time on this bone ride that there’s just no sense in wasting it by doing something that’s not true to you. Looking ahead, how do you see Tim Brink & The Rising evolving, both musically and as a band? Are there themes or genres you’re excited to explore in future work? I see myself collaborating even more with my musicians to get that “first riff to last mix” feel. I can see us telling stories of a hero who’s a mix between Han Solo and Clint Eastwood on an intergalactic justice crusade—or delving even deeper into the spirit of wrong and right and the idea of justice at any price. Facebook Website

Mexx Heart doesn’t play by the industry’s rules. Raised in Memphis, with a dad spinning Green Day and Van Halen records daily, she’s been carving her sound and story since the early days. Her latest single, “Deceptive Intentions,” is the kind of dark, haunting track you’d expect to hear as credits roll on a thriller. And that’s exactly where it lands: closing out the Ripp Entertainment film Deceptive Intentions. Heart also had multiple extra roles, including a waitress and an EMT. She’s no stranger to the film’s director, Robert L. Parker. Since 2017, Heart has worked with Parker as an extra, but she didn’t just stop at acting. She ensured he knew about her music, sending over her material and, eventually, pitching a song for the film. “ I wanted to capture that moment when someone realizes they’ve been deceived,” she said in a recent interview with Medium, “and are forced to face harsh truths. ” It's a theme that resonates deeply, especially for those in Memphis, where the story of Vanessa, the film’s protagonist, reflects the real-life struggles of many women. With her debut album Paper House already racking up over 200k plays on Spotify, Heart is well on her way to indie fame. Releasing music all on her own, Heart has her sights set on a Grammy nod for “Best Song Written for Visual Media,” hoping the song gains enough traction to make it a contender in 2026. From Memphis to the big screen and back again, Mexx Heart is carving out her unique spot as an artist. And if this is the beginning of her next chapter, we’re in for a ride. Your career has been a journey of independence and self-discovery. How has stepping away from traditional industry norms empowered or challenged you as an artist? It's been challenging for sure. I am optimistic, however. In these times, it's very much needed. The music industry is not what it was ten years ago, twenty years ago, or even fifty years ago. The rise and surge of social media have shown that artists can make it without labels. I have a new sense of confidence, knowing that putting my heart, soul, blood, sweat, and tears into something I am passionate about will pay off. Recently, I have been working daily on new music and helping other artists with their goals. Writing for a film brings a unique kind of pressure to capture someone else’s story. How did you navigate making “Deceptive Intentions” deeply authentic to the film’s storyline while staying true to your voice? It helped that I had a hand in looking at the script and understanding what the storyline was about. I also saw the film when it came out. If anything, it was a privilege that I'm very proud to have. Some people might not identify with Vanessa or her storyline, and that's okay. Some people can, however, empathize with dark places, mental health and doing whatever you need to do to survive and make it through until the next day. I also kept songs in a style of music that I know that my voice is comfortable in and that I'm personally comfortable in, and it ended up working with the film as well. “Deceptive Intentions” tackles the moment someone realizes they’ve been deceived. Have you experienced a similar revelation in your life, and how did that experience find its way into this song? Deception is a funny way to describe it. But I think it's easy to figure out if you know how to navigate people's habits, body language, etc. I've caught numerous former friends talking about me behind my back, and I've grown to be confrontational and calling them out. Personally, I wouldn't take it to the extreme, like in the film, and just of them, even though I'm sure that would have made things easier, haha. I think what hurts most is genuinely believing that somebody is in your corner and has your back but realizing they never supported you in the first place. That's where the devastation is. I've even given people 2nd chances, believing that person may have grown and changed over time, but I was grossly reminded that I was wrong. Ultimately, it's knowing that by walking away from that, we'll be stronger than ever. Those feelings are shown in the lyrics, specifically, I think, the chorus. When you believe that everyone is deceptive and out to get you or has ulterior motives, do you trust anyone other than yourself? How do you live like that? You’ve recently gone independent again after selling the distribution company you worked with for Paper House. How has this impacted your approach to making and releasing music? Easier, for one. I quickly learned that that distribution company didn't have my best interests in mind, and I've been working for a long time to try to get out of it. Until maybe 2 months(?) ago, "Paper House" didn't belong to me. It belonged to them. I always hate when a small business goes under, but when you've been doing shady practices, it's inevitable. I wish all the luck in the world to the other artists under them who went through the same thing, and many thanks to my current distribution company, who helped me get my album back. Paper House marked a significant milestone in your career, with over 200k plays on Spotify. How does it feel knowing that so many listeners are connected with it? Unbelievable. There's no other way to describe that feeling. It's completely unbelievable. I'm honored, I'm grateful, and so many other emotions. To those who connect with it and share the album. Thank you times a million. I wouldn't be here without you, so thank you. Instagram Facebook

Lovesick or not, we’re stronger than we think. Arizona’s Rad Stacey is back to deliver a raw and defiant slice of post-breakup catharsis with their latest single, “This Isn’t Tennis.” Anchored by Ian Hunthausen’s emotionally charged vocals, the track fuses classic pop-punk sensibilities with a modern hard rock edge. Written in the aftermath of heartbreak—literally behind a hotel desk—it’s a visceral “sad-boy, fuck-you anthem” that teeters between acceptance and anguish, capturing the bittersweet cocktail of being hurt, angry, and somehow okay all at once. Echoing the spirit of Enema of the State-era Blink-182, Rad Stacey's knack for combining gritty guitar riffs with unapologetically honest and authentic lyrics hits full stride here. Lines pulled from real-life heartache give the song an authentic edge, making it relatable without feeling formulaic. But this isn’t just a nostalgic throwback—the track’s dynamic production and thunderous energy mark the band as forward-thinkers in today’s rock landscape. “This Isn’t Tennis” feels like a song built to be shouted from a packed crowd or belted out at karaoke with your friends, a drink by your side. The instrumental performance is high-energy and electric until it softens in the second part of the track, mirroring the angst and anger we feel that slowly turns into acceptance and inner peace. Eventually, things pick back up as Hunthausen drops lyrics like “Don't worry, I am doing fine” and “I guess I’m not about you,” symbolizing that amongst all the heartbreak, the show must go on. Since their 2020 debut EP, “Shhh…Tell ‘Em All” Rad Stacey has steadily honed their craft, blending punk, hardcore, and hip-hop influences into a style that’s uniquely their own. With singles like “Night Traffic,” “Still Here,” and now “This Isn’t Tennis” (which comes in the wake of their 2024 album “Vibe Rider”), they’ve proven themselves masters of balancing anthemic hooks with emotional vulnerability. Whenever you’re ready, tap in and stream Rad Stacy’s new release, “This Isn’t Tennis,” on all major streaming platforms. Instagram

Break-ups are always tough, but music can always make your healing journey a little easier. Whether you’re navigating heartbreak, finding closure, or reclaiming your independence, the right songs can be like a friend who understands exactly how you feel. From empowering anthems to soothing ballads, this curated list of 10 tracks will take you on a journey from sadness to strength. So grab your headphones, press play, and let your healing journey begin.  Pain - Pink Pantheress Pink Pantheress is a British singer, songwriter, and producer who emerged in 2021 as a breakout talent. Known for blending nostalgic UK garage, drum and bass, and bedroom pop, her ethereal vocals and introspective lyrics have captured the hearts of listeners worldwide. At just over two minutes, “Pain” is a fleeting, diary-like confession, as PinkPantheress navigates longing and vulnerability with poetic simplicity, making it the perfect song to kick off our list. Waiting in Vain - Bob Marley and the Wailers Probably the most recognizable and influential artist to ever come out of the Caribbean, reggae legend Bob Marley is an artist whose sterling reputation and body of work precedes him. Released in 1977 as part of his Exodus album, “Waiting in Vain” blends Marley’s signature warm, lilting rhythms with heartfelt lyrics that explore the tension between hope and heartbreak. Marley’s voice is tender yet resolute as he pleads for a love that seems just out of reach, with lines like “It's been three years since I'm knocking on your door, and I still can knock some more” conveying both patience and quiet desperation. Easy Easy - King Krule King Krule is the stage name of Archy Marshall, an English singer, songwriter, producer, and multi-instrumentalist. Known for his genre-defying sound, deeply introspective lyrics and instantly recognizable baritone vocals, “Out Getting Ribs” is one of his very first and most iconic creations. Initially created under his now retired “Zoo Boy” moniker, “Out Getting Ribs” is a hauntingly poetic exploration of vulnerability, heartbreak, and longing, delivered with a raw intimacy that feels both deeply personal and universally resonant.  Sex Money Feelings Die - Lykke Li Lykke Li, born Li Lykke Timotej Zachrisson, is a Swedish singer, songwriter, and producer known for her deeply emotive and genre-blurring music. Her work blends elements of indie pop, electronic, and R&B, often characterized by themes of heartbreak, longing, and introspection. Taken from her 2018 album “so sad so sexy”, “Sex Money Feelings Die” is a sultry and melancholic ode to fleeting pleasures and emotional emptiness. The title “Sex Money Feelings Die” acts like a mantra, encapsulating the transient highs and inevitable lows of desire, materialism, and emotional connections. Possessing an almost dreamlike quality, “Sex Money Feelings Die” is quintessential Li. I Will Survive - Gloria Gaynor We just couldn’t make a list and leave this one out. Born in Newark, New Jersey, Gaynor rose to prominence in the 1970s and became one of the defining voices of the disco era. Known for her powerful, soulful voice and emotive delivery, it was only a matter of time before an artist of her calibre made it big. Her biggest break eventually came through her timeless hit “I Will Survive.” Released in 1978, “I Will Survive” has since become a cultural touchstone, celebrated for its empowering message of resilience in the face of hardship. Cleaner Air - Yeek Yeek is the alias of American musician and producer Alejandro Salazar. Known for his willingness to experiment with different styles, his releases are an eclectic blend of indie, R&B, alternative, and hip-hop influences, although some of his recent works have subtle electronic influences as well. “Cleaner Air” features a blend of indie, R&B, and alternative sounds, with the track’s smooth, relaxed instrumentals providing a perfect foil to Yeek’s laid-back yet emotionally charged atmosphere. Lyrics like “I had things that I could not vocalize / here’s my two cents don’t go baby / cause if you leave I’ll go crazy” convey a sense of searching for clarity and a breath of fresh air in the midst of personal turmoil.  Cold Heart, PNAU remix - Elton John and Dua Lipa Two legends in their own right, magic was the only feasible outcome when two musicians of Elton John and Dua Lipa’s calibre came together to make “Cold Heart.” Utilizing a clever sample from another of Elton John’s classics Sacrifice , “Cold Heart” explores themes of love and heartbreak. With lyrics like “Some things look better baby, just passing through” setting a bittersweet tone as Dua Lipa’s cool, sultry delivery contrasts with Elton John’s emotive performance. PNAU, an Australian electronic music trio, brings their signature upbeat, house-infused production style to the track, transforming it into a vibrant, infectious dance anthem. No Buses - Arctic Monkeys Arctic Monkeys are widely regarded as one of the most influential and innovative rock bands of their generation, known for their ever-evolving sound and lead singer Alex Turner’s sharp, often cryptic songwriting. “No Buses” by Arctic Monkeys is a playful and somewhat wistful song from their 2006 EP “Who The F*** Are The Arctic Monkeys?” It blends elements of indie rock with catchy, upbeat rhythms and witty lyrics, offering a snapshot of youthful experiences and fleeting relationships. Lyrically, the song narrates the story of someone who is stuck in a seemingly endless cycle of disappointment and longing, specifically revolving around a girl who may not feel the same way. Birds Don’t Sing - TV Girl TV Girl is an American indie pop band known for their lo-fi, nostalgic sound that blends subtle elements of indie pop and electronic with very classic vocal delivery. If you didn’t pay close attention to the lyrics, you might end up with the impression that TV Girl’s “Birds Don’t Sing” was about an upbeat song as they come. High energy, sunny and upbeat, “Birds Don’t Sing” beautifully flips the usual melancholic energy of a breakup into something that uplifts rather than deflates. Lyrics that would be crushing in another circumstance like “Birds don’t sing, they just fall from the sky / girls don’t call, and they never tell you why / that's just how they say goodbye” instead feel witty and lighthearted. Do Better - AB Soul Rounding off our list is AB Soul, an American rapper and songwriter from Carson, California. He is a key member of the hip-hop collective Black Hippy, alongside fellow rappers Kendrick Lamar, Schoolboy Q, and Jay Rock. Known for his introspective, thought-provoking lyrics, his release “Do Better” delves into themes of self-improvement, accountability, and personal growth. Although “Do Better” isn’t about breakups per se, lyrics like “There's nothing they can do that I can't do better / better yet, there's nothing I can do that I can't do better” speak to powerful themes of self-reflection and improvement that will serve you well on your path to healing nonetheless. Breakups may mark the end of a chapter, but they also open the door to growth, resilience, and new beginnings. This playlist captures the complexity of those moments—the heartbreak, the hope, and everything in between.

As the days grow shorter and the air turns crisp, you and I both know it; the magic of Christmas begins to fill the air. The scent of freshly baked cookies and pine lingers in the air, mingling with the cheerful hum of carols. It’s a season of togetherness and joy, where hearts grow lighter and the spirit of giving shines brighter. Whether it’s the laughter of loved ones, the excitement of holiday traditions, or the simple peace of a snowy morning, the end of the year always seems to brim with Christmas wonder and warmth. And what’s Christmas without music, right? Don’t worry though; we’ve got you covered. If you weren’t in the mood already, sit back and relax. Without further ado, here are ten Christmas classics guaranteed to get you into the Christmas spirit. 1. You’re a mean one, Mr Grinch - Thurl Ravenscroft  Kicking off our list is the tongue-in-cheek classic, “You’re a mean one, Mr. Grinch. Originally performed by Thurl Ravenscroft in How the Grinch Stole Christmas! (1966), the song features clever, biting lyrics by Dr. Seuss and a jazzy, mischievous melody. Each verse paints an increasingly exaggerated picture of the Grinch's nastiness, comparing him to slimy eels, mouldy sandwiches, and a three-decker sauerkraut toadstool sandwich with arsenic sauce. The playful insults, paired with Ravenscroft's deep, booming voice, resulted in a comedic masterpiece that has become a Christmas staple, and dare we say equally as ubiquitous as the film itself. 2. Feliz Navidad - Jose Feliciano A bilingual jingle of joyous Christmas cheer, José Feliciano’s “Feliz Navidad” was released in 1970 and instantly became a global favorite. The song’s simple yet heartfelt lyrics express Feliciano’s wish for a “Merry Christmas” in both Spanish and English, embodying a universal message of love and goodwill, and the upbeat rhythm (driven by acoustic guitar, maracas, and a lively Latin arrangement) captures the spirit of celebration and unity. Feliciano’s soulful voice adds an inviting charm, making the song both timeless and irresistible with its ability to radiate warmth and festive cheer.  3. Nat King Cole - The Christmas Song (Merry Christmas to You) Often referred to as “The Christmas Song,” Nat King Cole’s timeless classic embodies the warmth and elegance of the holiday season. Written by Mel Tormé and Bob Wells, this lush, jazzy tune opens with the iconic line, “Chestnuts roasting on an open fire.” Cole’s velvety vocals and the lush orchestral arrangement evoke a cozy fireside atmosphere, brimming with nostalgia and heartfelt cheer. It’s a tender ode to the season, bridging generations with its comforting melody and universal message of peace and goodwill, and the perfect soundtrack to relax to while you find some respite indoors from the chill of the snow. 4. Santa Clause is Coming to Town - Bruce Springsteen Bruce Springsteen’s rendition of “Santa Claus is Coming to Town” transforms the holiday classic into a rock ‘n’ roll celebration. Performed with his E Street Band, Springsteen’s version is filled with infectious energy guaranteed to fill the entire room with Christmas cheer. This version of the track features lively saxophone riffs, playful call-and-response vocals, and a hearty dose of Springsteen’s iconic and charismatic rasp. The result feels like a live Christmas party, complete with laughter, storytelling, and audience participation. Springsteen’s jovial take infuses the traditional song with fun and spontaneity, making it a staple of holiday playlists and live performances. 5. White Christmas - Bing Crosby Bing Crosby’s “White Christmas” is one of those instantly recognizable, classic Christmas masterpieces that have become synonymous with the holiday itself. Written by Irving Berlin, the song’s dreamy lyrics and Crosby’s soothing baritone vocals evoke images of snow-covered landscapes and heartfelt memories of Christmases past. First performed in 1941 and featured in the film Holiday Inn, it subsequently became the best-selling single of all time at one point, resonating deeply during World War II as a beacon of comfort and hope. The understated arrangement and Crosby’s tender delivery make “White Christmas” a perennial classic, capturing the essence of holiday longing and nostalgia. 6. We Wish You a Merry Christmas (Reggae Version) - Jacob Miller and Ray I For some, the cold of the winter months is the perfect opportunity to escape somewhere warmer. For those who traded the snow for sun and beaches during the holidays, don’t worry; we’ve got you covered too. Jacob Miller and Ray I do a wonderful job of putting a reggae twist on the traditional holiday classic “We Wish You a Merry Christmas,” infusing it with island vibes and an irresistible groove. Their version combines upbeat rhythms, vibrant horns, and laid-back vocals, creating a festive and sunny holiday mood. With its infectious energy and Caribbean flair, this rendition transports listeners to a tropical celebration, offering a refreshing take on Christmas music that’s perfect for dancing or simply brightening up the season. 7. Santa Baby - Eartha Kitt For those feeling a little naughty this holiday season, Eartha Kitt’s “Santa Baby” is a sultry and playful holiday tune that has become a Christmas classic since its release in 1953. With her signature purr and flirtatious delivery, Kitt cheekily lists a series of extravagant Christmas wishes, from duplexes to rings and yachts. The jazzy melody, combined with her glamorous and comedic interpretation, gives the song a unique charm. “Santa Baby” stands out as a sassy, tongue-in-cheek anthem that celebrates indulgence with a wink of holiday mischief. 8. Rockin Around the Christmas Tree - Brenda Lee Brenda Lee’s “Rockin’ Around the Christmas Tree” is a spirited and timeless holiday hit that has been a staple of Christmas get-togethers since its release in 1958. Featuring Lee’s powerful, youthful voice paired with a lively rockabilly beat and a touch of country twang, the song exudes festive cheer. Its swinging saxophone solo and catchy rhythm invite listeners to dance and celebrate the season, arm in arm. With its cheerful vibe and enduring popularity, “Rockin’ Around the Christmas Tree” perfectly captures the fun and simple joy of holiday gatherings. 9. Little Saint Nick - Beach Boys  Santa’s got some new style. Well, according to The Beach Boys classic“Little Saint Nick” at least. “Little Saint Nick” is a surf rock-infused Christmas anthem that combines the holiday spirit with the band’s signature sunny sound. Released in 1963, the song reimagines Santa Claus as a cool, hot rod-driving figure in his “candy apple red” sleigh. With bright harmonies, jangly guitars, and an infectious beat, the track captures the playful and carefree energy of the season. Its unique blend of holiday cheer and California vibes makes “Little Saint Nick” a fun and distinctive addition to Christmas playlists. 10. All I Want for Christmas Is You - Mariah Carey You and I both knew this was gonna be here. No list of Christmas music is complete without the most iconic Christmas song of all time. Mariah Carey’s “All I Want for Christmas Is You” is an iconic modern holiday classic that has defined the Christmas season since its release in 1994. Built on a foundation of upbeat rhythms, sparkling sleigh bells, and retro-inspired production, the song blends elements of pop, soul, and holiday nostalgia. Carey’s powerhouse vocals deliver a heartfelt declaration of love, making the track as romantic as it is festive. Its timeless appeal, infectious energy, and universal message of love have cemented “All I Want for Christmas Is You” as one of the most beloved and enduring holiday songs of all time. Conclusion: From timeless classics to modern favorites, Christmas music has a unique way of capturing the joy, nostalgia, and magic of the holiday season. Whether it’s the jazzy mischief of “You’re a Mean One, Mr. Grinch,” the warm embrace of Nat King Cole’s “The Christmas Song,” or the sultry charm of Eartha Kitt’s “Santa Baby,” each song on this list brings its own flavor of festive cheer. These tracks, spanning genres and generations, remind us of the universal themes of love, togetherness, and celebration that make this time of year so special. So whether you’re cozying up by the fire, dancing around the Christmas tree, or dreaming of a tropical escape, there’s a perfect holiday tune to keep the spirit of Christmas alive.

Xoë Miles’ latest single, “Villain,” hits like a punch you didn’t see coming. The alt-pop singer-songwriter packs her pop-forward anthem with unflinching honesty. Miles uses sharp lyrics and fierce vocals to tell a story of betrayal and self-reclamation, flipping the narrative on toxic dynamics. Her ability to channel emotional intensity into high-energy production makes “Villain” as exhilarating as it is cathartic. The song’s lyrics don’t hold back: “I still smell your smoking gun / Irrational ammunition,” she sings, confronting the aftermath of betrayal. With lines like “Think you got my head to the trigger, but you’re aiming at the mirror,” Miles captures both the damage and self-destruction of those who inflict harm. The powerful ballad doesn’t wallow in heartbreak—it fights back, signaling strength and survival. That same intensity shines through every layer of the music, thanks to Miles’ DIY approach. She’s not just the voice behind the song—she’s the producer, writer, engineer, and instrumentalist. That DIY spirit shows in every note, giving Miles’ songs a personal edge that feels intimate and polished. Miles isn’t new to the stage, either. With performances at iconic venues like The Roxy and House of Blues, she’s spent years building her sound and reputation. Add to that collaborations with industry heavyweights linked to Beyoncé and Katy Perry, and it’s clear she’s carving out her own space in the alt-pop world—one relentless track at a time. Congratulations on releasing your anticipated single, “Villian.” You’re a one-woman show, handling everything from production to mastering. What’s the most challenging part of doing it all yourself, and what’s the most rewarding? Hey guys! Thank you so much! The most challenging part of doing it all myself is definitely just trying not to get overwhelmed. I struggle with a lot of anxiety, as well as being on the autism spectrum, so I tend to get overwhelmed very easily. Also, I can’t deny that it would be nice to have a team that knows how to help getting my music in front of more people. That being said, though, I wouldn’t trade it for anything. I love making music, and no matter what, I can’t see myself doing anything else. The most rewarding part of it all is when people tell me that they connect with my music and that it means something to them, whether that be online or in person. I love making new friends (I view my “fans” more as friends than anything) and hearing their stories, as well as how my music reaches them in their own way. "Villain" feels like both a release and a reclamation—was writing it a healing process for you, or did it stir up unresolved emotions? How do you personally navigate moments when trusting others feels difficult? My single “Villain” is about a really bad best friend breakup that I’ve unfortunately been having to deal with over the past year now (crazy long time, I know - trust me, not by choice! LOL). I was just venting to my close friends Hillary Reese and Olivia Gunn about the entire situation one day back in February, and we were like… what if we wrote a song about it… so that’s what we did! It’s 100% a true story, so it definitely was both a healing process and a stir-up of emotions at the same time, but after releasing it to the world, it definitely felt more therapeutic than anything. I’m honestly still learning to navigate those moments when trusting others feels difficult! I’m so lucky to have family and a handful of close music friends that I know I can trust and count on, but outside of that, I’m still learning how to let down the wall I built up because of the situation Villain is about. Everything is a learning and growing process though, so it’s definitely one step at a time. You’ve played some iconic stages, from The Roxy to the House of Blues. Are you staying cognizant of live performances when creating your songs in the studio, or does that not have any level of influence over you? Of course, I’d absolutely love to play the songs I create on well-known or bigger stages! When I write/produce my music, I honestly just kind of zone into the sound itself rather than focusing on the live aspect of things, but afterward, I definitely go into my brain and scenario like (is that a word? I don’t think so… probably not… it’s fine, it is now) performances and how I want things to be played out. With so much hands-on involvement in your music, what’s your creative process like? Do you start with lyrics, a melody, or a specific emotion? It really just depends! When I started writing music when I was 12, I would always sit down with my guitar and kind of just do it all at the same time. Now that I’ve learned how to produce, I sometimes will start a beat and do a mumble track over it, and then I’ll kind of just vibe out what I think the song itself wants to say rather than what I logically will think of throwing over it if that makes any sense. Then, sometimes, I’ll still do the classic sit with my guitar and write a song. Or, sometimes, I’ll even just hear a melody in my head and hum it into my voice notes app - it all just depends! What’s your go-to comfort song when you need a boost? This is SUCH a hard question, because I feel like my music taste is so diverse, it really depends on the day. Lately, I’ve been really into super upbeat music that just makes me wanna dance (even though I cannot dance at all whatsoever), so I've loved a new artist named Adéla (she was on the Netflix show Pop Star Academy) who has two songs out now, Homewrecked and Superscar, and they are my go to’s. I also am OBSESSED with Odetari, who’s originally from Houston like I am! He has so many bangers, but my classic go-to is Hypnotic Data, even though I listen to his entire artist catalog on Spotify 24/7. Instagram TikTok

Skrewball Whiskey , the original peanut butter whiskey, today announced a partnership with saucy charmer and rapper Yung Gravy to  Skrew The Usual  holiday traditions in favor of some much-needed nutty mischief this season. Skrewball and Yung Gravy are encouraging Americans to "Give Thanks and Get  Basted" this Thanksgiving (responsibly, of course!) by encouraging people to liven up their wholesome holiday plans in a way that only Skrewball can – by enjoying a shot out of an extra unexpected baster.  The holidays often bring boredom and awkward conversations with family and friends while following the same dull monotony seen on social media feeds year after year. To shake up the usual holiday humdrum, Skrewball, and Yung  Gravy are releasing a limited-edition Skrewball Baster Set because nothing screams tradition more than mom’s turkey baster. The brand found a partner in Yung Gravy to lend his swaggy taste, unique charm, and nutty humor. Plus, Gravy is in his name, so he always brings the sauce!  The Skrewball Baster Set includes seven 50ml Skrewball shot basters, a wooden baster holder, and a gravy boat to fill with Skrewball Peanut Butter Whiskey. The set is not just for basting the turkey and passing the gravy – it’s designed to share shots and the delicious peanut butter taste of Skrewball Whiskey with family and friends (21+). The Skrewball Shot  Basters measure the perfect single-serve pour of Skrewball Peanut Butter Whiskey every time, featuring a baster bulb shaped like Skrewball’s sheep logo. The Skrewball Gravy Boat is a twist on your tried-and-true serving vessel for the delicious sauce and an ideal addition to the Friendsgiving or Thanksgiving table spread. Family and friends can have fun filling their basters with delicious peanut butter whiskey straight from the gravy boat.  “Skrewball and Gravy together just made sense from the jump. We’re both sweet and smooth and know how to start the party. This Thanksgiving, I wanted to take family time to the next level. All you need is a turkey baster, a gravy boat,  and some Skrewball,” said Yung Gravy. “Let’s all ‘Give Thanks and Get Basted’ this Thanksgiving with Gravy and  Skrewball!”  To show Americans how the Skrewball Baster Set works, Yung Gravy and Skrewball have brought their mischievously fun vision to life on video. Yung Gravy can be seen basting himself and a turkey with some Skrewball, whilst playfully giving his condolences to the bird before calling consumers to “Give Thanks and Get Basted” this Thanksgiving season…responsibly.  “Thanksgiving is a time for friends and family to gather and give thanks over good food and drinks. We're thrilled to have  Yung Gravy join us in Skrewing the Usual traditions and infusing more fun into the holiday," said Skrewball Whiskey  Senior Brand Manager Gary Feeney. "At Skrewball, we're always looking for new ways to engage with our consumers and mess with the norm. Partnering with Yung Gravy for the Baster Set introduces an unexpected new drinking experience for people and a fresh perspective on how to celebrate the holiday. Together, we’re excited to turn tradition  on its head and craft memorable moments for families and friends alike."  The Skrewball Baster Set is available at Basted.SkrewballWhiskey.com while supplies last and retails for $11.28 plus tax with free shipping in the continental U.S. Skrewball will donate all proceeds from the sale to the Southern Smoke  Foundation as part of Skrewball's commitment to give thanks this holiday season.   For more information about Skrewball Whiskey, visit www.skrewballwhiskey.com .