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Emerging Alt-R&B artist Chevoy delivers an evocative and immersive debut with A Lover’s Portrait , a six-track EP that explores the raw and often unspoken complexities of love and human connection. With a fusion of soulful melodies, genre-bending production, and deeply introspective lyricism, Chevoy invites listeners on a journey through the highs and lows of romance, capturing the nuances of anxiety, nostalgia, lust, envy, stubbornness, and apathy in vivid sonic detail. From the opening notes of the sultry “AKA Lover,” Chevoy sets the tone with sensual yet conflicted energy, seamlessly blending R&B smoothness with pop accessibility. His velvety vocals glide over intricate instrumentation, making it impossible not to get lost in the song’s hypnotic allure. This track, much like the entire EP, highlights Chevoy’s innate ability to balance vulnerability with confidence, offering a glimpse into the emotional push and pull of modern relationships. “Sorry I Missed Your Call” shifts the mood to one of deep reflection. The haunting production, led by Julian Chown’s meticulous mixing and Tim Debney’s masterful finishing touch, allows Chevoy’s voice to shine in its purest form. The song embodies the regret and missed opportunities that often accompany love, making it one of the most relatable and poignant moments on the record. As the EP unfolds, each track serves as a chapter in a larger narrative, proving Chevoy’s knack for storytelling is just as powerful as his vocal delivery. The closing track, “Run It Back SZN,” leaves listeners lingering in the space between longing and resolution, as Chevoy contemplates the cyclical nature of love and the temptation of revisiting past relationships. Beyond the music, Chevoy brings A Lover’s Portrait to life with a carefully curated visual experience, releasing a trilogy of videos that add layers of depth to the EP’s themes. Starting with “AKA Lover” on July 26, 2024, followed by “Sorry I Missed Your Call” on October 24, and culminating with “Run It Back SZN” on December 3, these visuals serve as an extension of Chevoy’s artistry, allowing audiences to engage with his music on a multi-sensory level. Born in St. Catherine, Jamaica, and raised in the UK, Chevoy’s influences stem from his early experiences in church and a lifelong passion for songwriting. His ability to weave personal experiences into universal narratives is what makes A Lover’s Portrait more than just an EP—it’s an introspective love letter to the human experience. With this debut, Chevoy solidifies himself as an artist to watch, blending Alt-R&B and pop influences into a sound uniquely his own. A Lover’s Portrait isn’t just an introduction—it’s a statement, proving that Chevoy’s voice is one that demands to be heard. Your debut EP, A Lover’s Portrait , is deeply introspective and explores a range of emotions. What inspired you to create this project, and was there a particular experience that shaped its direction? My inspiration came from a mix of personal experience and just my love for storytelling. I’m also a fan of art, so when I decided to create this EP, I wanted to create something that could potentially tie back to this. I wanted the audience to immerse themselves into the EP, experience different sets of feelings. In a sense it can be seen as an evening out at a dimly lit art gallery, viewing portraits through the lens of a ‘lover’. It’s a good mix of a chill atmosphere but quite intense at the same time! It actually all started off with “Aka Lover”, my aunt and close friend nicknamed me ‘Lover’ a few years ago because when I am involved with someone, they can see I get lost in the sauce, and that was their way of teasing me. At the same time, it is a scary feeling being that vulnerable, and truthfully, I try to avoid it, but it happens! So I wanted to express this in ‘Aka Lover’. After this, I just wanted to tell more stories about different emotions that people experience, with love being the topic. You blend Alt-R&B and pop influences seamlessly in your sound. Who are some of your biggest musical inspirations, and how have they influenced your approach to songwriting and production? I have a few inspirations. One being ‘The Weeknd’, who I would say is the pioneer of the ‘Dark RnB’ sound and he also showcases vulnerability in his songs from early. SAINt JHN is also another inspiration, I love how his productions are atmospheric and how he blends different genres in his sound. I was born in Jamaica so by default the likes of Bob Marley and Beres Hammond have inspired me. ‘Is This Love’ by Bob Marley is actually my favourite song of all time. That's the one song that doesn’t get skipped when it comes on shuffle! ‘Can’t Stop A Man’ album by Beres Hammond is a storytelling master class. This is one of my favourite albums ever. And probably not surprising but Vybz Kartel also. For me he is the greatest lyricist of all time. I also grew up in the church, so gospel music was ever present in my household. The first time I performed to a large audience was at church, the congregation actually asked for an encore, I was 6 years old and I don’t remember much at that age but somehow that moment stuck with me. I guess I was destined to try and do this for a living… Besides artists, my other influences from a production standpoint come from the soundtracks to movies and TV series. I’m actually a homebody so in my spare time I love to watch action thrillers. Especially from the 80s/90s. The synths and the pads they used back then...exceptional! My producer has a few equipment from then, such as the ENSONIQ SQ80, so a lot of my sounds, particularly in my future releases, will come from that period. I know this is a lot to take in, but I just love music! The themes in your EP touch on anxiety, nostalgia, lust, and apathy—topics that many people can relate to. Was there a song on the project that was particularly difficult to write or record due to its emotional depth? I wouldn’t say there was a song that I found difficult to write per se, as I am never one to shy away from expressing my feelings on a record. For instance, prior to my EP release, I released two singles which were very personal to me, surrounding the topic of a long distance relationship. But if I had to select one, which was not necessarily difficult, but made me contemplate whether I wanted to put out as it's a record that I actually take accountability on, would be ‘sorry I missed your call’. I have always been told I am stubborn but rarely admit to that fact, or acknowledging that sometimes (or most times if others were to tell) my stubbornness is to my detriment. I guess you can say that song is me taking accountability, but I wanted to have fun with it as well. Growth! You’ve paired A Lover’s Portrait with a series of visuals that bring your storytelling to life. How important is the visual aspect of your artistry, and what do you hope fans take away from these videos? It is very important, I always want the fans to be captivated with my visuals as much as the audio. It goes back to my love of watching movies/tv series, so where possible, I will try to bring the story from audio to screen. At times I watch music videos and the visuals don’t match the song. And it may work for some but in this project I needed the audio and visuals to be in sync. I was a bit OCD with it really, the video director can concur! I was heavily involved throughout the whole process from the storyboarding to the editing. I also created all the cover art for the singles and EP. I just can’t help myself, when I have an idea I can be very meticulous in its execution. I am somewhat delusional really, I have these thoughts of making it one day and then eventually transitioning into the film industry! I do want to write a novel one day also. As an emerging artist, what has been the biggest lesson you've learned about the music industry so far, and what advice would you give to other up-and-coming artists navigating their own journeys? You have to keep believing in your craft. Remember there are tens of thousands of other artists in the same position as you so don’t be too down on yourself if progress is slow. Have patience and enjoy the journey. It's important to make the music for yourself as much as it's for the fans. What's next for Chevoy? Summer is around the corner so I wanna release something that will match the vibe. Very much dancehall influenced! But of course having R&B elements. After this I will be back in my Alt R&B and Pop bag, and possibly release another project before the year ends, concept based again not sure as yet but I will keep pushing the singles out and go from there….I want to create some videos and/or visualisers with these songs as well.

Toronto's own 6am delivers a deeply introspective and emotionally charged project with What Goes Around , a collection of songs that serve as a personal diary and a universal truth. With this release, 6am sheds the weight of external judgment, stepping into a space of vulnerability where he expresses his truths without hesitation. From the start, What Goes Around immerses listeners in the cyclical nature of life—its highs, its betrayals, and the eventual return to balance. Sonically, the album is a seamless blend of raw hip-hop and melodic storytelling, fusing the grit of Toronto's streets with moments of heartfelt introspection. His signature ability to weave between hard-hitting verses and smooth, almost hypnotic melodies is on full display, reinforcing the project's theme of contrast and duality. Lyrically, 6am pulls no punches. He speaks on the struggles of navigating a world where fairness is anything but linear, yet he remains steadfast in believing that life ultimately evens the score. Tracks unfold like confessions, each peeling back another layer of his journey, from moments of pain and perseverance to acceptance and divine faith. What makes What Goes Around stand out is its authenticity. This is not just music—it's lived experience, poured into every bar and harmony. For anyone searching for music that speaks to life's unpredictability while offering a sense of resolve, 6am delivers a project that truly resonates. What Goes Around  feels like a deeply personal and introspective project. You’ve described it as your way of opening your soul to the world for the first time. What made you ready to take that step, and what was the most challenging part of that process? I’ve always been the type of person to reflect on my actions, the things I’ve experienced, always trying to find the “why it happened” in everything - almost to a fault. What made me ready to take that step was the frustration of not knowing what I was truly capable of. I’d listen to my older music and as good as it was, I would always feel like I hadn’t dug deep enough into my soul when creating it. I needed to be honest with, and about, my experiences. An example of this was “Mad@him (Blue Version)” the reason this is the “Blue Version” is because there is an original single I dropped titled “Mad@him”. I ended up making this rendition and putting it on the album instead because I felt like it was a truer reflection of my soul, that I had accurately articulated the feeling I was intending for - since the lyrics I used were 90% from the original song. It’s tough, when you’re chasing the dream of becoming an artist , there is a constant battle of making something you love vs what you think people will love. I had reached the point with my art where I felt like I had to let go of everything and allowed myself to experience music the way I felt it in my soul, and leaving that to the masses. Creating music is a divine experience, I trusted God with whatever happened with this project, I didn’t think about the results, I thought about connecting with people, making something I wanted to show my kids one day and having them say “hey my dad was dope”. To accept that you must give to get, because in life, even heaven demands death. The most challenging part of that was fighting the “voice of reason”. It’s taken years, but I’ve learnt to talk to myself like how I talk to my best friend and constantly encouraged myself to be proud and confident in who I am. The album explores the idea that everything comes full circle, whether it’s life, relationships, or personal growth. Was there a particular moment or experience that really solidified this message for you? It was honestly a collection of moments that compounded into shaping this mentality for me. I believe the cycle of life is the symbol of how everything is a balance - which is where I thought of the concept for “Yin and Yang”. There is sunshine, and there is rain, there is life and there is death, there is happiness, and there is sadness. We always want life to be an upward trend, and when things don’t go as planned we become stagnant. In a generation where we merely watch the highlight reels of people’s lives, we forget that we are human. It’s a bit ironic, but the moment I let go of perfection, and committed to giving every ounce of my soul in whatever I did was the moment I felt the most complete as a person and an artist. There is liberation in doing your best, letting go, and just being yourself. Trusting all your experiences and testing how great you really are. Then you can build on what you’ve learnt and really make adjustments. A quote by Kobe Bryant that resonates with me and exemplifies the balance of greatness and being human is: “I chased perfection, knowing I'd never reach it because in the pursuit, I became unstoppable.” I believe that encapsulated how I approach my art. I grew a lot from and since dropping this album. And even though that chapter is done, everything does come full circle. There is another half of the cycle that I have yet to explore with my listeners, and until then I’ll be dropping every 2 weeks to continue to explore that process with them. You started out in battle rap and freestyling before evolving into the artist you are today, blending hip-hop and melodic singing. How did your early experiences shape your approach to making  What Goes Around ? I started off as a freestyler, the type where you gave me words or topics and I’d turn them into a song on the spot - it’s a party trick now haha. Transitioning into battle rap shaped me in a lot of ways because there is immense preparation that goes into it. It’s just like a song, you have to get into a mode, tap into something within your soul, and at times it’s even harder than making music because it isn’t as subjective. You’re memorizing 3 long verses, and if you mess up, there is a very good chance you’ll lose. Someone is coming for your head, It’s like preparing for war… It was a massive pillar in what shaped me into the artist I am today by not only honing into both the lyrical facet of my game as well as the performance side of it, as well as handling the pressure of that performance. I look at music a lot like sports, and having those pieces of my game was like having a middy and being able to drive before adding a 3, which is the melodic side of my sound. It helped shaped the album because I strived to avoid compromising the music sonically, while maintaining lyrical integrity. I wanted to paint a picture, tell a story of what I saw, and experienced, while leaving enough room for interpretation for the listener to make their own connections. At the same time, I wanted to create a sound that people who didn’t speak English could enjoy just for the melodies and feeling. This isn’t my final form, and till the day I die, I will always be working on my game.  Toronto’s energy is a big part of your sound—its beauty, its coldness, and everything in between. How has the city influenced this album, and do you feel like it plays a role in your storytelling? The city absolutely played a part in influencing both the album, and my sound as a whole. Toronto has a certain feeling to it. The cold, the darkness, the “dark-blueish-purple type” feeling you get from the city. I believe that my art falls into that vibe. And the album doesn’t shy away from that either. The stories I tell come from my experiences, as well as the experiences I’ve witnessed in the city. Songs like “Jokes On Me” and “Irreplaceable” exemplify that. The city is also a melting pot of cultures and “WantU” was inspired by that feeling you get when you go to Cabana in the summer. All in all Toronto is a beautiful city and I’m grateful for the endless inspiration it provides me - even though I despise the cold. When I try to paint these pictures for my listeners, the first people I do think about, are the people in my city. Because I know how they feel, and I want those people to feel heard. 5. You talk about letting go of the fear of what people think and allowing God and the listeners to take in your message as it is. Now that the album has been out for a while, how do you feel about the response, and what do you hope people take away from it? The response with the plays/views has also been great (300k+ streams across all platforms), and I feel like that plays a huge part in why there was any form of success. I set a goal for myself last year that I would have someone tell me that my music helped them through something - it was for me to know that I really connected with someone because a majority of my music is inspired by my pain. And after dropping this album, I was told that by multiple people, it made me feel like I truly accomplished something, the views didn’t matter as much as the connections I built through my art. I want to be timeless, I want my music to live beyond me, and the only way to do that is by leaving an impact. By letting people feel heard, as an artist, I’m given a privilege and gift to communicate for those that don’t share that same ability. “Took Over the World” was made for the people who took an L and bounced back with a bigger W. What I hope people take away from the album is that we have multiple facets to our being and to embrace all of them. Songs like “Gassed Up” and “Dance Now” are made for the sides of us that get insecure, and even when we have knots in our stomachs, we just got to push through and dance, vibe, chill, because regardless, life is good. We’ve all been portrayed as the fool, and cheered on as the victor. Don’t get too high, or too low, because the cycle will complete itself. The only constant in “good” and “bad” experiences, is the word experience. So give yourself, and life some grace. Life is long, and karma is real. Make the best of every second you have on this planet, and do right by people, because you never know when it’s your turn.

Vancouver’s rising shoegaze outfit la lune makes a powerful return with “ quiet considerations " a track that blends crushing intensity with wistful beauty. Following the breakout success of their debut EP disparity —which sold out its first vinyl pressing and topped indie radio charts—the band continues refining their sound, delivering an emotionally gripping experience long after the final note. From the first reverberating chord, “quiet considerations” erupts into a hurricane of layered distortion, thunderous drums, and soaring melodies. But within the chaos, there’s a striking intimacy. Frontman Ethan Rebalkin’s delicate, dreamlike vocals drift above the dense soundscape, offering a poignant reflection on toxic relationships—the kind where manipulation is recognized but still excused. The track carries a sense of urgency, mirroring the inner conflict of trying to break free from an emotional stronghold. While la lune wears their influences on their sleeve—pulling from shoegaze legends like My Bloody Valentine, Duster, and DIIV—they bring their distinct voice to the genre. The contrast between ethereal harmonies and crushing instrumentals is executed precisely, making “quiet considerations” both hypnotic and hard-hitting. Accompanying the single is a visually striking music video that further amplifies the song’s themes of entrapment and emotional dissonance. With a sophomore EP and a festival-packed year ahead, la lune proves once again that they are not just riding the shoegaze wave—they’re shaping it.

With heartfelt lyricism and soaring vocal delivery, Songbird ’s latest release is an anthem for people-pleasers learning to reclaim their worth. The New Jersey-based singer-songwriter, who has made waves with award-winning tracks and Nashville recordings, delivers an emotionally charged song about friendship, imbalance, and the strength it takes to walk away from those who take more than they give. Drawing inspiration from powerhouse artists like Sara Bareilles, Adele, and Lana Del Rey, Songbird crafts an intimate and universal melody. The track’s gentle yet powerful instrumentation allows her evocative storytelling to shine, pulling listeners into a relatable narrative of realizing when it’s time to stop overextending for those who don’t reciprocate. The lyrics cut deep, resonating with anyone who has ever felt drained by one-sided relationships. Beyond its deeply personal theme, the song carries a message of empowerment. As Songbird puts it, “I hope that anyone who is a people pleaser realizes their worth. You don’t need to be the only one putting in 110%.” It’s a reminder that true friendships should be built on mutual effort and respect. With a recent 2nd place finish and “Best Lyrics” award at the USA Songwriting Competition, as well as upcoming performances—including a singer-songwriter showcase in Austin during SXSW—Songbird is carving out her space in the industry. And with more music on the horizon, this rising artist is proving that her voice deserves to be heard.

Toronto’s hip-hop scene continues to thrive, thanks to artists like N1N3 K9 , who bring authenticity, lyrical depth, and an unwavering grind to the table. With a career that spans from early childhood performances to sharing stages with hip-hop icons, N1N3 K9 has established himself as a force in the city’s rap circuit. His latest release, “ Time Is Money ,” is a high-energy anthem that speaks directly to those on their hustle, pushing forward despite life’s unpredictable turns. While many tracks in hip-hop touch on the pursuit of wealth, N1N3 K9 takes a deeper approach, emphasizing the connection between time and financial security. The song isn’t just about stacking paper—it’s a reflection on the value of time, a resource far more precious than money. In his own words, the track serves as a reminder that while money flows in and out, time only moves forward, making it essential to use it wisely. “Every moment not set aside for essential living and rest is an opportunity to attain financial stability for yourself, family, or other responsibilities,” he explains. Rather than glorifying reckless spending or superficial wealth, N1N3 K9 urges listeners to be mindful of their grind, balance their ambition with self-worth, and ensure they are not overworking themselves for less than they deserve. From the opening seconds, “Time Is Money” pulls you in with its commanding production, blending crisp percussion, booming 808s, and an infectious melody that fuels its motivational message. N1N3 K9’s sharp delivery and confident flow elevate the track, making it clear that he’s an artist who understands his sound and purpose. His cadence glides effortlessly over the beat, exuding the wisdom of a seasoned artist while maintaining the raw hunger of someone still striving for greatness. With over 38K views and climbing, the official music video for “Time Is Money” is already making waves. The visuals match the song’s energy, bringing its core themes to life with striking imagery and dynamic storytelling. Whether he’s delivering bars on the streets of Toronto or capturing moments of the daily hustle, the video embodies the universal grind that so many listeners relate to. Your musical journey started at a very young age—what was the defining moment that made you realize hip-hop was your calling? The defining moment that made me realize hip-hop was my calling was when I was 9 years old. I was surrounded by music, specifically hip-hop, from birth. 106 and Park on BET was one of my go-to shows as a kid, maybe when I wasn’t supposed to be watching lol. I knew all the words to most of the songs played. I would rap along while watching the music videos from Lil Bow Wow and 50 Cent with my Popz until he said to me, “you’re always rapping these people's music, we might as well make your own music”. After that moment, my love for the genre grew and im still in love with REAL Hip-Hop to this day. You’ve shared the stage with legends like Nas and Busta Rhymes—what’s the biggest lesson you’ve learned from being around industry heavyweights? I give all the glory to God for blessing me with that opportunity to share the stage with both of those legendary artists back in 2005 at the Marc Ecko festival. What I grasped being around them, was to really just be my authentic self with my art and to always put my art first. Also to carry myself in a professional manner at all times, even when not working. Like my mom always told me “You only get one chance in life to make a first impression”. So seeing them, how they maneuvered and operated that day, I learned/observed a lot. I apply that to my everyday life because you never know who’s watching. Beyond music, you also host ‘Tha Hotbox’ on Twitch. How does that platform allow you to connect with your audience in a way that music alone can’t? Being on Twitch and creating “Tha Hotbox” is probably one of the greatest moves I have made for myself as an artist,as a creative and socially. The love and organic growth that I receive from everyone who rocks with what I do and tunes in, it warms my heart and reminds me that I’m not alone in my love for hip-hop. I love the community and value all of the relationships I’ve built as a result. Shoutout to my twitch family! LOVE YA’LL. “Time Is Money” isn’t just about making money, but about valuing time—was there a specific life experience that inspired this message? Absolutely! Before I ventured to the sometimes scary world of self-employment and running my own business, I worked for a Fortune 500 company that I felt, and noticed, didn’t value time and work ethic. Not to mention the compensation didn’t equal the actual work that was put in in order for them to grow as a company. With “Time Is Money” trending and “Ahead of the Game” set to drop soon, how do these releases represent your growth as an artist, and what’s next for N1N3 K9? These releases represent my growth as an artist because it’s my true authentic self coming through the music. Before I would make music to fit into what was popular, it never resonated with who I truly am, though, which is a “Golden Era” 90s hip-hop lover. As a creative, your art is a reflection of who you are, so now im unapologetically staying true to my roots and delivering the sound that I love and enjoy. I hope my audience feels my vibe and what I’m bringing to the table. What’s next for me? A LOT more music, dope visuals and consistency.

The Natural Products Expo West  2025 was buzzing with excitement as actress Vanessa Hudgens and health entrepreneur Oliver Trevena unveiled the new ombré can design for their Caliwater cactus water brand. The largest food and beverage trade show of the year, held at the Anaheim Convention Center from March 5-7, was the perfect setting to showcase Caliwater’s latest innovations, including its Caliwater Kids pouches and updated flavors: Peach Mango, Watermelon, Ginger & Lime, Wild Prickly Pear, and Pineapple. Hundreds of attendees gathered at the Caliwater booth in the North Hall, eager to sample the super-hydrating, antioxidant-rich cactus water. The presence of Dixie D’Amelio, there for her own Be Happy Snacks brand, as well as numerous influencers, Top Chef contestants, and other industry leaders, highlighted the growing buzz around Caliwater’s functional beverage offerings. Demi Lovato Joins the Caliwater Family The brand’s presence at Expo West  coincided with the exciting announcement that GRAMMY-nominated global superstar Demi Lovato  has officially joined Caliwater as a Brand Partner, Investor, and Ambassador. As a longtime advocate for health and wellness, Lovato brings a deep passion for mindful hydration and better-for-you beverage choices. “We’re thrilled to have Demi Lovato join the Caliwater family,” said co-founder Oliver Trevena. “Her authentic commitment to health and wellness mirrors what we stand for at Caliwater. Together, we hope to offer consumers better choices in the beverage space, whether that’s choosing a refreshing Caliwater or finding joy in a healthy lifestyle.” Demi’s addition to the Caliwater team aligns with the growing global demand for plant-based hydration beverages, an industry projected to reach $13.9 billion by 2028. With 75% of American adults and over 50% of children facing chronic dehydration, Caliwater’s prickly pear-powered hydration offers a delicious, low-sugar alternative to coconut water that supports digestion, immunity, and skin health. A Star-Studded Expo & the Goodles Prom Party In addition to their highly anticipated booth at Expo West , Vanessa and Oliver co-hosted the Goodles Prom, a lavish, prom-themed event at the House of Blues Anaheim on March 6. The event featured a Caliwater Oasis Bar, where guests indulged in signature Caliwater flavors, staying refreshed while dancing and celebrating the innovative food and beverage brands at Expo West . The Caliwater booth itself became a hotspot, drawing an enthusiastic crowd of industry leaders, aspiring influencers, and celebrity guests. As thousands of samples were handed out, showgoers got to experience firsthand why Caliwater has solidified itself as the leading functional cactus water beverage on the market. A Mission Beyond Hydration Caliwater is more than just a beverage—it’s a movement towards wellness, sustainability, and innovation. Sourced from prickly pear cactus in the Sonoran Desert, Caliwater is packed with five naturally occurring electrolytes, antioxidants, vitamins, and minerals. The brand’s commitment to sustainability is further emphasized through its partnership with American Forests, which helps to support reforestation efforts across the U.S. In addition to Demi Lovato, other investors in Caliwater include Gerard Butler, Glen Powell, Brooke Burke, Cody Bellinger, Ryan Tedder, Nikki Reed, Frank Grillo, Aaron Rodgers, and Roselyn Sanchez. This proves that Caliwater is the go-to hydration choice for celebrities, athletes, and wellness enthusiasts alike. For more information, visit www.drinkcaliwater.com  and follow Caliwater on social media .

Photo by Bobby Rachpoot The D’Amelio family—Dixie, Marc, and Heidi—made waves at the Natural Products Expo West  on March 6, celebrating the launch of two exciting new flavors for their Be Happy Snacks popcorn brand: Birthday Cake  and Sweet & Salty . The highly anticipated debut took place at the largest CPG food and beverage trade show of the year, drawing an eager crowd of fans, industry professionals, and fellow exhibitors. This launch aligns with a major industry announcement—Innovative Snacking Leader SNAX-Sational Brands and D’Amelio Brands have entered into a groundbreaking licensing agreement for Be Happy Snacks. The newly formed partnership, revealed ahead of Expo West, will leverage SNAX-Sational’s expertise in the sweet and savory snack sector to expand Be Happy Snacks into new markets. The D’Amelio family was joined at the event by SNAX-Sational CEO Mike Hagan and co-founder Frank Florio, marking a new chapter for the fast-growing popcorn brand. A Game-Changing Collaboration in the Snack Industry Photo by Bobby Rachpoot SNAX-Sational Brands, known for its innovative popcorn lineup—including Cookie Pop, Cereal Pop, Candy Pop,  and the newly introduced PB&J Pop —is taking its snack game to the next level with Be Happy Snacks. With this partnership, SNAX-Sational becomes the exclusive licensing partner for Be Happy Snacks, positioning the brand for mass-market expansion and continued innovation in the better-for-you snacking space. Mike Hagan, CEO of SNAX-Sational Brands, highlighted the collaboration's strategic significance: “This partnership merges the D’Amelio family’s unmatched social influence with SNAX-Sational’s industry expertise, creating an exciting opportunity to expand Be Happy Snacks across major retail channels domestically and internationally. The overwhelmingly positive response at Expo West confirms that Be Happy Snacks is poised to become a global brand.” Marc D’Amelio, CEO of D’Amelio Brands, echoed the sentiment, stating: “The D’Amelio family has always been passionate about bringing happiness into people’s lives, and Be Happy Snacks is a perfect reflection of that mission. SNAX-Sational’s innovative approach makes them the ideal partner to take Be Happy Snacks to new heights.” Frank Florio, Co-Founder and Chief Innovation Officer of SNAX-Sational Brands, also expressed his enthusiasm: “As the founder of Cookie Pop and Candy Pop, I’m thrilled to collaborate with the D’Amelio family on this incredible snack line. We’re excited to develop new Be Happy snack products that will delight snack lovers everywhere.” A Star-Studded Event at Expo West Photo by Bobby Rachpoot Be Happy Snacks’ presence at Expo West  was a major highlight of the event. The D’Amelio family’s booth drawn a massive crowd of fans, influencers, and industry insiders. Attendees had the chance to sample the new popcorn flavors and snap selfies with the social media stars. The expo floor was buzzing with energy, featuring appearances by well-known personalities, including Gianluca Conte (the ‘Shirtless Chef’), Oliver Trevena and Vanessa Hudgens (Caliwater), Jennifer Garner, Maria Shriver, Alex Rodriguez (Arod), Gary Vaynerchuk, Chrissy Teigen, Top Chef Spike Mendelsohn, and producer David Weintraub with his daughter Stevie Weintraub. The D’Amelio family’s presence further solidified Be Happy Snacks as a must-watch brand in the evolving snacking landscape. The Future of Be Happy Snacks With SNAX-Sational Brands now overseeing production, distribution, and retail expansion, Be Happy Snacks is set for significant growth in the coming months. The D’Amelio family will remain actively involved in marketing and storytelling, ensuring the brand stays true to its core values of happiness, flavor, and authenticity. Follow @behappysnacksco on social media for updates and visit www.behappysnacks.com  to learn more about the brand’s latest offerings.

In an era where music often glosses over the raw complexities of life, Karl.witaK delivers a profoundly personal and unapologetically honest project with Sayless Karter . This latest album isn’t just a collection of songs—it’s a cathartic reflection on trauma, resilience, and self-discovery. As an artist who transitioned from an award-winning journalism career to hip-hop, Karl.witaK carries his storytelling prowess into his music, ensuring every track serves as a chapter in his emotional odyssey. From the first track, Karter Eugene , it’s evident that Sayless Karter isn’t a surface-level project. Karl.witaK invites listeners into his world, navigating the turbulence of loss, fatherhood, marriage, and the burdens of being a man in today’s society. Each song is a testament to his emotional depth, a quality that sets him apart from the mainstream. He doesn’t just rap—he confesses, reflects, and exposes his vulnerabilities. Songs like Everything Karter Not tap into the difficult balance of speaking one’s truth while managing the emotions that come with it, where Bad News Karter encapsulates his struggle with self-expression amidst personal hardships. With each verse, Karl.witaK paints a vivid picture of his mental battles, from the pressures of being a husband and father to coping with the devastating loss of his grandmother in October of last year. The production on Sayless Karter is a seamless fusion of classic hip-hop grit with modern melodic elements, creating an immersive experience. The beats are not overpowering but rather complement Karl.witaK’s introspective lyrics. There’s a sense of restraint in the instrumentation, allowing his words to take center stage. Listeners will hear moments of soulful samples, brooding basslines, and minimalist yet impactful drum patterns that reflect the raw emotions embedded in each track. Beyond the personal anecdotes, Sayless Karter is a manifesto on emotional honesty. Karl.witaK doesn’t shy away from the struggles of maintaining relationships or the internal battles that come with growth. He reminds listeners that true strength lies in acknowledging emotions rather than suppressing them. His hope is that the album provides others with a sense of understanding—an invitation to embrace their feelings and communicate openly in their own lives. Karl.witaK isn’t here to conform—he’s here to carve his own lane in hip-hop. Sayless Karter stands as a bold statement of authenticity, a project that demands attention not for its trendiness but for its unrelenting sincerity. For those seeking music that resonates on a deeper level, this album offers both a shoulder to lean on and a mirror to reflect upon if you've ever felt the weight of responsibility pressing down on them, anyone who has lost someone they love, and anyone who has ever battled their own mind in the quiet moments of the night. Your music is deeply personal and often touches on heavy themes. What’s your process for translating real-life struggles into lyrics without holding back? Well, my process always starts with prayer. Especially if I'm feeling some type of way concerning issues in my life, should I say anything, should I not? If I do, will there be an understanding or will I lose friends or family, etc, and as a journalist, comprehensive analysis. The truth is vital to detail. So when writing thoughts that feel all over the place in my mind, I try to condense and tell the story behind those thoughts. In hopes that there's a relatability the audience will have with me. You’ve had an award-winning career in journalism before transitioning into music. How does that background influence your storytelling in hip-hop? In journalism, you should have three crucial skills: Writing skills, research, investigative skills, and the ability to get vital information, conducting interviews. So, with storytelling in hip-hop, I have three skills that I use from my time in journalism, that's vital to explaining news in my opinion. Its creativity, being able to manage conflict with understanding, and lastly, empathy. So by being creative, whether it's words or sounds, I try to give an interesting story that sets up plots, characters, and details. Then comes the conflict. I try to make conflict central to my storytelling. I like tension, I think it's from being a former journalist, lol. But hopefully by the end of the track, I've given a resolution to that conflict. Empathy is just considering the audience's emotions and perspective in hopes they can relate. The one thing people have trouble with is expressing how they really feel about something or someone. I want my music to relay that you don't have to be afraid to say how you feel, especially if the person across from you has no problem just saying anything out their mouth. But in my opinion, responsibility, acceptance, and self-awareness have to play a part in my storytelling process too. If you notice in my music, I take responsibility for my part in creating the conflict and why. As human beings, we have to take ownership of our mistakes with the choices and decisions we have made. Then we'd have a better understanding of why life went this way. It's not always someone else's fault. You mentioned the emotional rollercoaster of the past three years, especially with the loss of your grandmother. How did that impact the way you approached writing and recording this track? Well, I was watching a Kevin Hart special called Reality Check in ‘23, and everything he said was exactly how I felt about life, people and love at that time. He was brutally honest about family, friends and his personal thoughts. That is why you hear certain narratives from that stand-up on the album. I wanted them to convey a particular message that I understood and hope the audience would too. I said "Well, if he can do it, why can't I?" lol. At that time I was dealing with a lot of personal issues with family, friends, and marriage. Then my grandfather died of Covid-19 in ‘23 but I didn't find out until January of last year around my birthday, which is what I talk about in the opening track, Karter Eugene. Then on top of that, my grandmother died in October of last year, and there was so much craziness around that situation, even to this day, which had a lot to do with family. So to make a long story short, I wanted this Album, Sayless Karter, to be a reality check to everyone in my life and the audience. We say crazy things, do crazy things, and as crazy as they may be, we sometimes don't care how far we take it, and it may come off as weird. But it's nothing wrong with saying you're human, and because of trauma in our lives, this is how we decided to walk, act, or justify actions in our lives, but also no excuse, especially when there is help out here. We just have to be open to healing. There’s a raw honesty in your music that isn’t always common in mainstream hip-hop. Do you ever struggle with how much of yourself to reveal in your songs? Honestly, no. Whatever I reveal, as deep as the context may be at times isn't for public opinion or judgment. It's for understanding. I'm a strong believer in God, which you'll hear in this album, because of my grandmother. If you've ever heard my album “Lite-Skinned Jesus”. The most important thing that should have been received from me on that album is I don't care what anyone thinks. I only care about my relationship with God and only he should have any type of judgment about how I carry myself in life. Not people. Especially if they aren't judging the mistakes they've made in life. What’s next for Karl.witaK? Can we expect an album, more singles, or any collaborations in the near future? I'm taking a break. I think I've left enough music in the world for right now lol. But I'm working on a podcast that should be out before the year is out with my brother and fellow rapper Murdalandzown called “Sheetz and Bluntz”. We also have a collaboration album called “Himtoomovement”, which we are currently working on. I'm also going to be doing vignettes on my YouTube channel called “Addies Diaries,” which is basically giving teachings that my grandmother gave me that could help someone else in life. I have one video up so far, so check that out. So just more content, maybe music videos to a lot of my material from the last few years. But my next solo album which I've also been working on is “Addie”. So expect that in January of next year.

Los Angeles-based pop sensation Paris WYA has once again proven why she’s a rising star in the indie-pop world with her latest single, “ AI Boyfriend .” A dazzling fusion of K-pop energy, futuristic themes, and infectious pop melodies, this track isn’t just a song—it’s an experience. From the opening notes, AI Boyfriend captivates listeners with its pulsating synths, sleek production, and dynamic beats that immediately set the stage for a high-energy ride. Paris WYA’s vocals glide effortlessly through the track, blending playfulness with precision, while the driving rhythm keeps the momentum alive. The production is reminiscent of cutting-edge K-pop and electro-pop anthems, making it impossible to sit still while listening. A Playful Yet Poignant Take on Modern Love Lyrically, “AI Boyfriend” is as clever as it is catchy. The track playfully explores the intersection of romance and technology, painting a vivid picture of a world where AI companionship might just be easier than dealing with real emotions. But beneath its upbeat exterior, the song subtly questions the way modern relationships are evolving in an increasingly digital landscape. Paris herself explains, “I wanted to take the idea of an AI relationship and flip it—make it fun, but also a little deeper. In a world where everything’s digital, it’s wild to think about how technology is shaping how we connect with each other. ” It’s this ability to weave humor and depth into her music that sets Paris WYA apart. She’s not just making pop music—she’s starting conversations, all while ensuring listeners have an absolute blast in the process. Born and raised in Shanghai with French heritage, Paris WYA has absorbed the vibrancy of multiple cultures, and it shows in her music. Her sound effortlessly blends Eastern and Western influences, taking inspiration from the electrifying performances of K-pop, the artistic sophistication of French pop, and the bold individuality of indie music. This melting pot of sounds gives AI Boyfriend an edge that feels both nostalgic and futuristic—a sonic space where the past and future collide. With AI Boyfriend, Paris WYA has crafted a song that is as danceable as it is thought-provoking, marking yet another milestone in her rapid ascent. Her ability to deliver powerhouse vocals, captivating visuals, and an irresistible stage presence makes it clear that she’s not just here to play—she’s here to change the game.

If Chelsea Lyn Meyer’s new single, tease , were a person, they’d be that effortlessly cool friend who always knows where the best parties are—and maybe leaves a trail of broken hearts along the way. Drenched in the electric energy of early 2000s pop-punk but infused with a fresh, unapologetic LGBTQ+ perspective, tease is an anthem that demands to be blasted at full volume with the windows down. Meyer, a Macungie, PA-based pop-punk powerhouse, has been carving out her own lane since her days with the band 2AM, and tease is another rebellious, infectious notch on her belt. A song about magnetic attraction, playful obsession, and the unspoken tension that simmers between two people who just know they have something undeniable, tease is as much a mood as it is a song. " tease was written to be a live performance song that people can sing and chant along with ," Meyer explains. " It’s just meant to be fun and seductive and let people know that it's okay to have a little 'freak' in you. " And freaky fun it is. From the first punchy guitar riff to the chant-ready chorus, Meyer pulls listeners into a neon-lit whirlwind of chemistry and chaos. Lyrically, it’s an exciting milestone for her career—this is the first track where she openly uses "she/her" pronouns to reflect her identity as an LGBTQ+ artist. And if that wasn’t enough of a mic-drop moment, here’s another fun fact: Meyer wrote tease on a plane en route to the Mile of Music festival in Appleton, Wisconsin. Just an hour before showtime, she and her drummer workshopped the song in their hotel room, then threw caution to the wind and played it live for the first time on the spot. Now that’s rockstar behavior. With its seductive swagger and unapologetic energy, tease is exactly the kind of song that would have ruled TRL back in the day—think Avril Lavigne’s Girlfriend meets Paramore’s Crushcrushcrush , but with a modern twist. It’s rowdy, it’s raw, and it’s ridiculously catchy. If this is just a taste of what Meyer’s new EP has in store, then buckle up—because we’re in for a hell of a ride. Tease captures the thrill of attraction in such a bold and playful way. What was the moment or experience that first sparked the idea for this song? The whole song started with me playing the little “na na na na na na” guitar part. From there, I really wanted to capture the feeling of craving someone so bad that would cause you to beg and do almost anything for their attention and touch, but in a really fun “can’t get enough of you” way. That’s something that I was personally experiencing at the time, and I really wanted this song to express that. This is the first time you’ve used "she/her" pronouns in a song—how important was it for you to make that statement in your music, and what has the response been like from your fans? To me, it was incredibly important to use she/her pronouns when referring to the subject of the song. When I first started writing and releasing music, I was told to keep it neutral so a wider audience would relate and follow my music. As I’ve grown as an artist and a person, I’ve come to realize that we need more LGBTQ+ representation in the music industry, and it’s important to be proud of who you are and show others that it’s ok to be proud of who they are as well. You literally wrote Tease on a plane and performed it live for the first time hours later. That’s some serious pop-punk energy! What was that experience like, and did the audience’s reaction influence the final version of the track? Thank you! The whole experience was so exciting, but also nerve-racking because we literally had zero idea what this song was going to come out sounding like or what the response would be. The first time we played it, I taught the audience to chant the “Na na na na na na” parts and they were so loud and amazing! We continued to play the song like that, with the audience being fully involved in the singing and chanting. We loved how much fun everyone had with it, that we had some friends come into the studio to help replicate the “Na na na” chants in the song for the recording.   You’ve been called a "pop-punk pioneer" by multiple outlets. What do you think sets your sound apart, and how do you keep your music feeling fresh while still paying homage to the scene’s roots? I pull a lot of influence from early 2000s pop punk bands and artists, but I also seek out newer artists to listen to. I love hearing hints of some of the OG pop punk bands mixed in with new sounds and styles and I try to do that with my own music as well. I also think it’s important to not listen to strictly one genre. I find I can create my own unique sound more often when I’m listening to all different types of music. 5. With your EP dropping in March and more new music on the way, what can fans expect from this next era of Chelsea Lyn Meyer? Music that’s raw, honest, and FUN! And songs that make you feel and want to move and sing along. I can’t wait to share my stories with anyone who listens, and I hope they relate to my songs on some level.