Search this site

In 2025, getting your music onto playlists isn’t just a nice-to-have; it’s a crucial step in building your fanbase, boosting streams, and even snagging that dream record deal. But the game has changed, and it’s more competitive than ever. So, how do you stand out and get your tracks onto those coveted playlists? Let’s break it down, guitar (or your laptop) in hand. 1. Perfect Your Tracks First of all, it is essential to ensure that the music that is being submitted for playlist consideration is of high quality. Listeners in 2025 expect even independent artists to have professional-level production. Investing in your tracks and getting them professionally mixed and mastered so they shine is vital. The problem is playlist curators are swamped for submissions, and a poorly produced song is easily skipped. Listen to songs on popular playlists in your genre and compare their production quality to your own. If your track doesn’t measure up, it may be worth going back to the studio. 2. Understand the Playlist Ecosystem There are three main kinds of Spotify playlists: Editorial Playlists:  Curated by Spotify’s in-house team (RapCaviar or Fresh Finds, think of). These are the big leagues. Algorithmic Playlists : Personalized playlists like Release Radar and Discover Weekly are made from listener data. User-Curated Playlists:  Made by users, influencers, and independent curators. Depending on the target, the strategy is different for each kind of list. 3. Optimize Your Spotify Profile Photo: Danik Prihodko Your Spotify profile - it’s your digital storefront. When curators are looking for you, this is the first thing they will look at. Here’s how to make it shine: No grainy selfies for a professional artist photo. Tell your story in a compelling bio Social links Keep your visuals consistent and cohesive across all platforms 4. Use Spotify for Artists to Your Advantage Spotify for Artists is your backstage pass to playlist success. It enables you to: Submit your unreleased tracks to Spotify’s editorial team for consideration (at least 7 days before release). Track your song’s performance with real-time data. See which of your songs are resonating with listeners and build your strategy around them. Include detailed info when pitching to editorial playlists. Mention your target audience, genre, and any buzz-worthy achievements. 5. Build Momentum Before Your Release Photo: Toan Van Indicators that playlist curators love your tracks are: Pre-Save Campaigns : Ask your fans to pre-save your track on Spotify. Social Media Hype: Use your teasers, behind-the-scenes content, and countdown to build up your release. Collaborations : Join forces with other artists or influencers to increase your audience. 6. Target Independent Playlist Curators There are thousands of playlists managed by independent curators across every genre imaginable. Although they may not have the clout of Spotify’s editorial team, their playlists can still be a great way to get your music in front of a lot of people. Use platforms like SubmitHub and Groover to pitch your tracks. Find out which Spotify playlists are relevant to your music and contact the curators through social media or email. Keep your pitch personal and professional. Explain why your track would be a great addition to their playlist. 7. Harness the Power of Algorithms Spotify’s algorithm loves engagement. The more streams saves, and shares your track gets, the more likely it is to appear on algorithmic playlists like Release Radar or Discover Weekly. Boost your algorithmic love by: Asking fans to save your song to their library. Sharing is caring: ask for shares on social media. Make your own playlists and include your track alongside other songs you think are similar. 8. Collaborate with Other Artists Having two audiences is better than one! In 2025, collaborations are a goldmine for exposure. This is because by working with other artists, you can access their fanbase, and the probability of getting your tracks on playlists rises. You can: Co-own a track. Exchange remixed versions of each other’s songs. Perform together at a gig and share it on social media. 9. Release Music Consistently The more music you release, the more likely you are to have your tracks added to playlists. Consistency keeps your audience coming back and raises your visibility to curators. Every 6-8 weeks, put out a new track or EP. Take old content and put it out there again, whether it's acoustic, remixed or live. Use your little releases to build towards bigger projects. 10. Be Patient and Persistent Spotify playlists aren’t something you break into overnight. You have to stay consistent in your efforts, develop your craft, and don’t get discouraged by rejection. Every release is a learning and growing opportunity. It isn’t just luck getting your music on Spotify playlists in 2025. It’s about strategy, persistence, and, of course, great music. Following these tips – perfecting your sound, optimizing your profile, and identifying the right curators – you can turn Spotify playlists into a powerful career-building tool.

New Jersey-based indie-pop artist Woodstone has outdone himself with his latest single, “ Touch of Adrenaline .” This teaser for his fourth album, Glass Skin , is a stunning blend of indie pop and folk, rich with orchestral undertones and emotional intensity. Dropping on December 13th, this track doesn’t just flirt with your feelings—it grabs them, shakes them up, and leaves you in awe of its raw vulnerability. “Touch of Adrenaline” is an artful exploration of contrasts. Its orchestral strings exude cinematic grandeur, while folky, Kurt Vile-esque guitar riffs ground the track in rugged authenticity. The song takes you on a journey through lush sonic landscapes, effortlessly shifting from delicate intimacy to bold, sweeping emotion. It’s like a whispered confession carried on the winds of a symphony. This intricate interplay of sounds evokes a sense of fleeting beauty, perfectly mirroring the song’s themes of transience and bittersweet romance. Woodstone’s DIY roots shine through in every intricately crafted chord progression, yet the production quality rivals that of major-label releases. The result is a track that feels deeply personal while remaining universally resonant. Fans of early 2000s indie pop will find themselves transported back to the era when songs like Plain White T’s “Hey There Delilah” ruled the airwaves. But make no mistake—Woodstone isn’t just revisiting old ground. He takes that nostalgic sound and injects it with a modern, folk-infused edge, creating something that feels both familiar and refreshingly new. At just 23 years old, Woodstone has already released three self-produced LPs, earning critical acclaim and a dedicated fanbase. “Touch of Adrenaline” marks a turning point in his career as he prepares to shed his solo artist persona and collaborate with other musicians for his upcoming album, Glass Skin . With a 100% DIY approach to date, Woodstone has proven himself as a true indie powerhouse, and this new chapter promises even greater things to come. If you’ve ever experienced the sting of a love that wasn’t meant to last, “Touch of Adrenaline” will resonate on a soul-deep level.

Can’t you feel the love he has for you? Born in Durham, North Carolina, but based in the bustling “Big Apple,” JAMR XZVR (pronounced JUH-mar / EX-zay-VEER) is a vocalist, songwriter, and creative director challenging the boundaries of contemporary music. His sound, a fusion of cinematic production and emotionally raw storytelling, brings listeners into an immersive space where vulnerability meets provocation. Each track is an experience—layered with sexual tension, self-reflection, and an intoxicating mix of pain and defiance, all delivered with captivating vocal performances that traverse wide emotional spectrums. JAMR XZVR sees himself as an outcast, a disruptor of traditional expectations in hip-hop and R&B. He uses his artistry to tell stories that are unapologetically authentic, erotic, and tinged with casual, almost offhand, introspection. His lyrical style, laced with sharp wit and moments of brutal self-awareness, blurs the lines between poetry and conversation, creating a signature tone that feels both intimate and defiant. He wears his heart on his sleeve, something that’s made his releases resonate with listeners everywhere. In many ways, “Gunmetal (APT 44F SVI LXB NXP IRL)” is a vibrant testament to everything  JAMR XZVR’s become as an artist. Over an instrumental performance that pulses with intoxicating tension, XZVR delivers a smooth, sensual vocal performance that demands your attention. His sultry vocals drip with intimacy, laced with a magnetic pull that feels both dangerous and irresistible. Every lyric, every whisper of “You know I really love you, boy,” seems to hint at secrets meant only for you. It’s the kind of track that takes its time, teasing and building, never letting go—lingering in your mind long after the last echo fades. JAMR XZVR’s latest release, “Gunmetal (APT 44F SVI LXB NXP IRL),” proves that the New York-based artist has what it takes to be a star in this industry. Wow, what an experience “Gunmetal” was! What inspired this release, and what inspired your lyrical style and storytelling point of view? A crazy experience was had leading up to the situation in my ‘Gunmetal’ track; oddly enough what inspired the release of the track was my “obsession” for true crime and blatantly raw stories. I don’t remember which show I had been watching around the time I started crafting this track, but I do remember (whatever I had been watching) made me think: “How wild would it be if I wrote about some sh** hardly anyone knows about me?” I wanted to expose myself a little and create a shock factor; a lot of things I write about in my music are generally kept close to me, or only a handful of people in my inner circle know about it (I am extremely private). So, when I finally turn said stories into music, I am revisiting touchy topics and that allows me to give listeners my purest form of emotion in my recordings.  In part, I had a specific sound aesthetic that I wanted engrained in the production — immediately when the track started, I wanted it to feel suspenseful, and throughout the track, my goal was to make listeners feel immersed in the audio as if they were in a movie hence the (delays, tremolo, vocal stacking/layering, wavy reverb, the manual glitches I am doing with my vocals in verse 1 and the plug-ins toward the end of the track). The song takes you where I am and makes you feel the adrenaline that I feel. Gunmetal was meant to feel suspenseful and sexy in both its production and tonality — the song is a showcase of ‘Look what sex made me do.’  All that said, my lyrical style and storytelling point-of-view came from years of pretending to be an artist that I wasn’t and writing material that had no personal meaning to me. My older music was a facade, a naive version of me thinking a homosexual male artist couldn’t be taken seriously. I was quite literally making music I thought label/music executives and straight individuals would want to hear, and the music at the time in my life felt as awkward as it sounded.  When I picked up music again, I did away with my old stage name and promised myself to write music that told stories of my experiences and existence (everything from real love, situational relationships, hookups, one-night stands, and stories of me being manic, delusional and plainly human). My songs (not all, but most) are usually centered around my experiences with bisexual and/or DL (down-low) men; it’s something that’s not talked about a lot in mainstream culture, and people like to act like it doesn’t exist. Some women like to say, “My man would never!” And some men like to say, “I don’t hang around MF’ers like that!” — and I am in my songs like he would, and you do, but you just don’t know about it, and I have the receipts, lol. I am past that phase in my life of dealing with those types of men (I think?, lol), but I have so many of those stories; it used to be exciting, and now it makes for good drama in music.  My storytelling structure is what happened when I realized I wanted consumers and label executives to know that homosexual artists are functioning people our human encounters have relevancy, emotions and they can resonate with the general public, and our music / artistic expressions can be marketed (just like that of a heterosexual artist) without gimmick and a typecast.  You mentioned that “Gunmetal” was actually part of a series of EP installments that you’ve been releasing for your fans. What was your creative approach and inspiration for these instalments and do any of them relate to each other? Yes! The track ‘Gunmetal APT 44F SVI LXB NXP IRL’ is the series’ introductory track. It was included as Track 1 on the 1st installment titled ‘AFFIDAVIT.’ The releases of the installments in order are: ‘AFFIDAVIT’, ‘M3104-A’, ‘CARBON COPIES’ and ‘CODIS (selected shorts)’.  Think of the releases this way, it’s an audio anthology series. So think, Affidavit is the umbrella title, the name of the “show”, each EP title is name of that season’s release and each track is an episode in that season. By the time, you reach the 4th installment ‘CODIS’ you see how all the interactions play into each other (through direct references, word play, song title ties, etc) — the 4th EP is the finale but takes you right back to the 1st installment; the ‘Gunmetal’ incident.  It makes sense to start on the 1st installment to follow the storyline of the “show” (but by the way it was written and laid out), it doesn’t matter per se because there will be a reason you will need to reference to the project before it to get full context on what is happening.  My creative approach (going back to my love of true crime and having had my own true crime situation) was to first outline stories that tailed off of my ‘Gunmetal’ experience to create a universe, an “audio show,” and a focal point for why things are being addressed track to track. Additionally, the goal with my sound engineer (Ryan Hinkle) was to make each track feel euphoric but also make them feel like they have synch opportunities to be placed as a part of a film, TV show, etc., which is why a lot of the songs were arranged with immersive production to make the song itself feel like a movie but in audio form.  Secondly, some songs are pairs and are counter-responses to each other. For example, the 1st installment, ‘Affidavit’ Track 3: ‘The Trade’s Alter Call (Pray The Gay Away)’ & Track 4: ‘Patent Leather’ is a two-sided perspective about the same guy. Track 3 tells you about the drama of dealing with said guy, and Track 4 tells you how I met him. Same with ‘Gunmetal’, except you don’t get the counter-response to Gunmetal until the 3rd installment ‘CARBON COPIES’ on Track 2 titled: Carbon Copy. Gunmetal tells you of the drama and the track Carbon Copy tells you how I met him and so on. I could go on and on about these 4 EP installments because there is a lot of rhyme and reason and attention to detail that was put into creating every single thing around it.  As someone who takes such pride in your artistry (music and otherwise), what were some of your formative influences on your musical approach and direction? From a tonality perspective, artists that made me comfortable in doing my own thing sound-wise and finding my angle definitely were vets like Mystikal, DMX, Busta Rhymes, Slim (of 112), Rihanna, Beyonce, Kanye West, TLC, Mya, Avril Lavigne, etc; but I have also been inspired by newer era artists like Tinashe, Bree Runway, BANKS, Lykke Li, Tanerelle, Kiana Lede, Jessie J, Tory Lanez, Willow, Sevyn Streeter, The Weeknd, Bring Me The Horizon, etc. The common denominator I realized is why I gravitated to all these artists is that they have an undeniable distinctiveness about their voices, songwriting style, and/or creative approaches.  As far as leaning into my stage presence (given my background in the fashion industry), I am inspired by fashion statements over costumes in most cases.  What would you want it to be if your fans could take one thing away from your music? The one thing that I want people to take away from my music is camaraderie — know that no matter who you are and where you are in your life professionally, romantically, and anything in between — know that you matter, your feelings matter, your artistic expressions matter and to be the representation you want to see in whatever industry you are pursuing. You have to have a healthy balance of giving a f*** and not giving a f*** about how you are perceived because otherwise you will stuck on what everyone will have to say.  I know what it feels like to be hit with constant rejection and to be overlooked. The right people will follow when you just do you. I am just now seeing it happen little by little in real time for me as an artist, and it took me so long to get over pretending in both my personal and professional life.  What’s next for JAMR XZVR, and is there anything you’d like to say to your fans? The goal is more presence, more performative content, targeting professional opportunities in the business that set me up for longevity and new experiences because I don’t have anything to talk about if I am not experiencing anything new in the first place, haha.  I have some really good things bubbling on the backend that I can’t speak on right now. Will it happen? I don’t know, but I hope so! I have learned not to get my hopes up too high while remaining optimistic and ambitious, so we’ll see what comes to fruition.

Adline Owens isn’t just making music—she’s crafting anthems for the soul. The Nigerian-born, Vienna-raised, London-based powerhouse has unleashed a double-sided sonic gem with T•R•T (The Right Time) . This two-track release showcases her boundless artistry and fearless authenticity. With a career already studded with accolades—from sharing the stage with Supermax to headlining at O2 Islington—this Afrobeat, Dancehall, and R&B fusionist has never been one to play it safe. And thank goodness for that. “In Yeah” dives into the emotional complexities of love and self-worth. Owens masterfully fuses Afro-Soul with a pulsing Dancehall rhythm, creating an intimate and liberating soundscape. Lyrically, the track tells the story of a relationship weighed down by one-sided ambition—or lack thereof. With her sultry vocals cutting through the beats like a razor-sharp confession, Adline empowers her listeners to let go of what no longer serves them. It’s soulful, raw, and unshakably relatable. “Dem Wah Know” cranks up the energy with a kinetic Reggaeton groove and Adline’s powerhouse vocals. This track is a fearless declaration of resilience and self-belief, woven into a tapestry of Afrobeat, Dancehall, and her signature boldness. Reflecting on her journey as an artist, Adline uses the song to flip obstacles into stepping stones, making it an empowering rallying cry for anyone daring to defy the odds. It’s a banger built to inspire—and to be played on repeat. Adline Owens isn’t just a fusionist; she’s a force of nature. From her 2012 breakout EP Blind Love to charting with “Can’t Stop My Love,” she has consistently pushed the boundaries of genre and expectation. With a knack for blending R&B, Afro-Soul, Dancehall, and even Amapiano, she’s proving that her creativity knows no bounds. Beyond her solo work, she’s lent her songwriting talents to high-profile acts, making her an undeniable force in the global music scene. Adline Owens’ sound will resonate deeply with fans of Patra’s reggae swagger, Aaliyah’s emotive R&B, and Rihanna’s genre-defying versatility. Yet, Adline’s music is uniquely hers, an exploration of self-determination wrapped in rhythm and soul. T•R•T (The Right Time) is more than just a two-track release; it’s a masterclass in emotional storytelling and cultural innovation. Whether you’re vibing to the introspective beats of “In Yeah” or hyping yourself up with the unrelenting energy of “Dem Wah Know,” Adline Owens delivers a release that’s impossible to ignore.

Photo via Cody Steinmann When it comes to genre-defying artistry, Cody Steinmann has proven himself a virtuoso. Blending jazz, fusion, hip-hop, and rock, Steinmann’s music transcends boundaries, delivering a sound that’s both experimental and deeply human. His latest track from the upcoming album Stay At Home is no exception—a raw, emotional odyssey that captures the beauty and horror of staying at home in isolation. The Art of Isolation Stay At Home draws from Steinmann’s own battles with loneliness and complex emotions, including those brought on by CPTSD. The song paints an evocative picture of the struggle between suffocating solitude and the creative liberation it can inspire. Through haunting melodies, intricate improvisation, and deeply felt rhythms, Steinmann transforms feelings of isolation into a powerful, cathartic experience. “I wanted to explore what it means to be alone—not just physically, but emotionally,” Steinmann shares. “This song is about finding beauty and freedom in creation, even when the world feels disconnected.” True to Steinmann’s style, the track pushes musical boundaries with its fusion of influences. Jazz improvisation lays the foundation, while rock's raw intensity and hip-hop’s rhythmic edge add layers of texture. The result is a dynamic, unpredictable journey that mirrors the complexities of human emotion. One moment, the music feels meditative and introspective; the next, it’s a roaring wave of frustration and release. A standout feature of the track is its interplay between light and dark tones—an auditory representation of the struggle between loneliness and self-expression. Steinmann’s guitar work shines, weaving delicate phrases with thunderous riffs that reflect the tension and resolution within the song’s narrative. A Call for Connection Beyond its intricate composition, Stay At Home carries an important message. Steinmann hopes listeners will reflect on the importance of connection—whether it’s reaching out to loved ones, engaging with strangers, or simply finding solace in creative expression. “I want people to know they’re not alone,” Steinmann says. “Even in isolation, we can create something meaningful and find ways to connect, not just with others, but with ourselves.” Cody Steinmann’s Stay At Home is more than a song—it’s a lifeline for those grappling with loneliness, a reminder of the healing power of art, and an invitation to connect in meaningful ways. With its emotional depth, genre-bending sound, and profound message, this track promises to resonate deeply with anyone who’s ever felt the weight of isolation. "Your latest track, Stay At Home , explores the complexities of isolation. Can you talk about how your personal experiences with loneliness and CPTSD influenced the creation of this song?" I've suffered with PTSD since childhood, not sure when in my life I graduated to CPTSD but If I had to guess it was probably late elementary or middle school. I never had a very large group of friends and to this day I keep a fairly small circle, for different reasons though. I feel like I've always struggled to connect and when I have been able to connect it's been very difficult for me to feel those connections due to my struggles. These feelings I deal with in this regard have influenced all of my music. However, this series of singles and this track in particular are the first time I've adressed these issues on a relationship and career level. Stay At Home is a journey through two things. One, it's about the pain you feel dealing with isolation and dysfunctional relationships. Two, it's about the freedom you can find in staying true to a practice regardless of influences, internal or external, trying to push you in a different direction. "The fusion of jazz, rock, and hip-hop is a hallmark of your sound. What drew you to blend these genres, and how do they reflect the emotional journey portrayed in Stay At Home ?" I grew up in a household that listened to mostly classic rock and pop music, so the rock element has been there in some way all my life. As I grew up, I gravitated towards Death Metal and Hip Hop. Then as a young adult I fell in love with Jazz. By the time I started composing music for real, I didn't really see any of this music as separate from each other. I saw all the music I know and loved as having roots in jazz and blues. So, blending these genres just seemed very natural to me. They all come out in Stay At Home for sure. The tones are very Metal or Rock, the melodies and harmonies have the blues and jazz, the drums have the hiphop and metal. Together they can reflect the whole scope of human emotion, which is something I know I've had to face in periods of isolation in my life. "In your music, you often play with light and dark tones. How does this interplay mirror the internal struggle between loneliness and self-expression in Stay At Home ?" It's all about the balance between consonance and dissonance and the picture I'm trying to paint. For me music always comes with imagery in my head and I enjoy going on a journey. The light and dark in Stay At Home is in the clean tones of the guitar and the horns, contrasted against the synth drone and the lead guitar processed through a synth. I think the way you put it is a good way of hearing it, the struggle between loneliness and self-expression. The clean tones are the loneliness, the dark tones are self-expression breaking through. "You’ve said that Stay At Home is about finding freedom in creation. How did the process of composing this track help you navigate your own feelings of isolation?" Well first and foremost it gave me a place for that self-expression we keep on touching on. In general, I feel like I am way better at expressing my thoughts and feelings through music than words. Second, since I did collaborate with others to make this track it connected me with JD Allen, Solomon Parham, and Nic Cacioppo. The act of making music with others, when done right, does connect everyone on a deeper level with one another. This is true for me even if it's a track I'm working on with someone virtually. "The song carries a strong message about connection. What do you hope listeners take away from Stay At Home , especially those who may be struggling with their own sense of isolation?" I want listeners to know deep in their soul that they are not alone. Society may make us feel that way, people may want to hurt us, but no matter the struggle those with genuine love in their hearts are not alone. I hope those that hurt or have hurt others will know they can grow and are not unworthy of love. However, growth and connection can and does take work. I hope listeners will take space for introspection, and reach out to those they love, reach out to strangers and feel compelled to build community with others. I hope listeners will not be afraid to seek help and will have enough wisdom and integrity to know when it is needed. In short, I hope that genuine love will become a popular movement.

Photo by @chappellroan For most musicians, their stage persona isn’t just about their songs and how they choose to perform them—it also involves their personal style.  For example, as one of the biggest music artists  in the 1970s, Elton John wowed audiences with his outlandish outfits, which typically included an eccentric pair of sunglasses, from oversized sunnies with tinted lenses to geometric frames embellished with jewels and rhinestones. His eyewear served as a versatile accessory that could visually communicate The Rocket Man’s vibrant music and personality. However, besides sunglasses, contact lenses are another type of eyewear typically used by musicians. Though less common and more subtle, colored contact lenses  can transform an artists’ style on stage and on red carpets by changing or enhancing their eye color. In fact, the global colored contact lenses market has reached an impressive value of $4.69 billion in 2023, to the extent that global artists like K-pop girl group NewJeans became ambassadors of top contact lens brand OLENS. Beyond their aesthetic appeal, contact lenses can also be worn for practical purposes, considering artists like Elton John himself have shared about having a vision condition, such as an eye infection , that impacts their eyesight. Instead of wearing glasses that can potentially slip off their faces, they can wear contact lenses  that accommodate different vision needs through single-vision, astigmatism, and multifocal prescriptions. Additionally, brands like Acuvue, Precision1, and Biofinity offer lenses made of porous materials like silicone hydrogel to ensure artists' eyes don't dry out even when they wear them for prolonged periods. Considering these equally stylish and practical purposes of contact lenses, below are top musicians who wear them to correct their vision, transform their appearance, or both. Elton John While Elton John is famous for wearing sunglasses that complement his bold fashion and musical style, the artist has also worn contact lenses to enhance his vision during performances. With clear and unobstructed vision during performances, he can better interact with the audience and boost his confidence on stage. As such, in the linked interview above, the musician shares that his extensive glasses collection is mostly for accessorizing. Demi Lovato Demi Lovato has a vision impairment that worsened after a near-fatal overdose in 2018. However, since the American singer, songwriter, and actress has to perform on stage and show up at public events, she tends to wear contact lenses to seamlessly provide clear vision. Interestingly, Lovato has done a television commercial for 1 DAY Acuvue Moist contact lenses in 2013, in which she shares how contacts give her “the confidence to look and perform their best.” Lady Gaga Beyond Lady Gaga’s attention-grabbing outfits for the red carpet, such as the meat dress she wore at the 2010 MTV VMAs, one of her most iconic looks is the pair of circle lenses that made her eyes appear eerily larger in the music video for ‘Bad Romance,’ ultimately fitting into her otherworldly aesthetic. Although her style has evolved differently since then, Gaga’s more recent and sophisticated looks still incorporate contact lenses to make her eyes pop. Her natural eye color is green, but she experiments with other shades of green and emerald, opting for lighter hues for daytime outfits and more vivid colors for dressy evening looks. She has also been spotted wearing brown and hazel contact lenses during the press tour for her hit movie, “A Star Is Born.” Chappell Roan Photo via @deuxmoi Similar to Lady Gaga, Chappell Roan came into the pop scene with not only chart-topping hits but also eccentric, jaw-dropping looks. Her distinct makeup style is crucial to her stage and red-carpet outfits, so her debut appearance at the 2024 MTV VMAs involved cosmetic contact lenses  to fully embody her medieval royal fantasy visions. Specifically, Chappell wore gray lenses on one eye and hazel lenses on the other, creating a heterochromia look that perfectly matched her iconic porcelain base, pencil-thin brows, and ethereal period makeup. Overall, these musicians prove that contact lenses aren't just for practical everyday use; they can also boost your confidence, creativity, and self-expression.

Photo via Zaye Park Mississauga-bred, Toronto-based artist Zaye Park is taking listeners on an unfiltered, vibe-packed ride with their latest mixtape, Control The Vibes . A blend of pop, R&B, and hip-hop, the six-track project pulses with vibrant energy, introspection, and a fearless embrace of individuality. For fans of raw, self-produced artistry, Park’s mixtape delivers a standout auditory experience that’s as emotionally transparent as it is rhythmically infectious. A Mixtape of Discovery and Duality Described as a “sonic experience,” Control The Vibes is a cohesive collection where each track seamlessly transitions into the next, creating a flowing narrative about life’s peaks and valleys. From the upbeat bouncy percussion to the introspective lyricism, Park explores themes like love, heartbreak, independence, and navigating life’s pressures—all with a refreshing honesty. “The project is about understanding your individuality and owning it while navigating your journey in life,” Park explains. This exploration of self-awareness is woven into every track, allowing listeners to not only hear the music but also feel the stories being told. What sets Control The Vibes apart is its authenticity. Park, a proud black, queer, female artist, channels their lived experiences and raw emotions into each song. There are no gimmicks here—just pure creativity inspired by personal challenges and triumphs. “I want people to appreciate the raw art for what it is,” Park shares. “No false personifications, no gimmicks—just exploration through my reality and the frequencies I’m able to craft.” A self-taught producer and graduate of Metalworks Institute’s Music Business program, Park flexes their production chops throughout the mixtape. The tracks are rich with vibrant ambiance, layered beats, and catchy hooks that keep listeners engaged from start to finish. Whether you’re nodding along to the upbeat rhythms or soaking in the reflective lyrics, Control The Vibes has a dynamic soundscape that never feels repetitive. Empowering Individuality At its heart, Control The Vibes is about owning your uniqueness and finding empowerment in your truth. Park’s desire to inspire others shines through in the mixtape’s message: embrace your journey, stay transparent, and remain unapologetically yourself. Zaye Park’s Control The Vibes is more than just a mixtape—it’s a manifesto of self-expression and resilience. With its seamless production, honest storytelling, and empowering themes, this project cements Park as an artist to watch in the pop/R&B landscape. For those looking to control their own vibes and celebrate individuality, this mixtape might just be the perfect soundtrack. Dive into Control The Vibes and let Zaye Park show you the power of raw, unapologetic artistry. Your mixtape Control The Vibes seamlessly blends genres like pop, R&B, and hip-hop. How do you approach combining these influences to create a sound that’s uniquely yours? My music is primarily influenced by these genres. I focus on using chord progressions that are easy to listen to and just make sense in my head overall. Constructing over samples is also one thing I like to incorporate. I take on my own approach in making sure my sounds draw from music that I would want to hear on repeat. I don't try to emulate any of these influences when it comes to creating my own music neither when I'm songwriting or recording. The mixtape explores themes like independence, heartbreak, and self-discovery. Was there a specific experience or moment that inspired the overall message of this project? Control The Vibes has challenged me to keep focus on my journey. The project was inspired by travelling and getting to my final destination. You can always create new destinations for yourself and this project introduces that. Travelling back to my hometown from Vancouver drastically changed things for me. I decided that my biggest passion was making sure I can put out music that speaks authenticity and that I can use my platform to speak on messages about embracing individuality.   As a self-taught producer, what’s your creative process when crafting beats and layering production to match the stories you’re telling through your lyrics? I create my beats using FL Studio, it never disappoints haha. I'll usually collect a bunch of my beats into a seperate folder for myself to record over. After fitting these into my selection, I'll write out melodies then record over them to form the song.  You’ve spoken about wanting listeners to appreciate the rawness of your art. What challenges have you faced in staying authentic in an industry that often pressures artists to fit a mold? I try not to focus much on what others got going on. I stay in my own lane and don't conform to societal norms. I also don't necessarily believe that there's one certain mold to fit but some people want to be able to fit in with a certain crowd. It's important that we have the right people to uphold positions that people can identify with.  You’re passionate about artist development and community building. How do you see Control The Vibes contributing to your vision of inspiring others to embrace their individuality? The mixtape talks about a range of different topics that highlight going through and getting through relationships. It started off with me figuring out that production wasn't merely a side hobby but a passion of mine. It's allowed me to start writing from a place of being present and writing with intention. I believe that my lyrics are super relatable and listeners could see that.

Jade Alves, better known as  Money Badoo , has emerged as one of South Africa's most exciting and dynamic talents. With her unmistakable sound and multidimensional creativity, Money Badoo is carving a unique path in the music and fashion industries, proving that she is a force to be reckoned with. Born in Ennerdale and raised across Johannesburg, Money Badoo’s artistic journey started at the age of 12, singing in church. However, her passion for music quickly evolved into writing poetry and rapping over YouTube beats. In 2019, she burst onto the scene with her debut single,  All My Friends , a raw, high-energy track that garnered attention from prominent industry figures, including Ebro, who featured the song on Apple Music’s  The Ebro Show . In 2020, Money Badoo joined forces with Sauwcy to release  MK-Ultra , a trap-infused EP that opened doors to collaborations with some of South Africa’s hottest artists, including Blxckie, lordkez, and Doowap. Her solo debut project,  PORN$TAR , showcased her versatility, blending elements of trap, soul, R&B, and hyperpop-inflected rap. The project earned her recognition as Apple Music’s  Up Next  artist in South Africa. But Money Badoo’s talent extends beyond music. As a stylist, visual artist, and photographer, she has made waves in the fashion world. From styling South Africa’s top names to winning Canon’s  Picture Perfect  reality series, her influence has grown exponentially. Her win on the show led to collaborations with global brands like Mugler, H&M, and Puma, cementing her reputation as a multifaceted creative. In 2023, Money Badoo made her television debut as a cast member of  Love & Hip Hop: South Africa , the franchise's first African installment. The show provided her with a platform to share her story, connecting with fans and fellow artists across the continent. This year, Money Badoo continues to push boundaries with the release of her highly anticipated project,  MSRYLUV$CMPNY , dropping on March 7, 2025. The lead single,  LADDER$ , featuring NOTBENJAMIN, set the tone for the collaborative EP, which boasts nine tracks and features from some of hip hop’s finest. Money Badoo’s breakout track,  Don’t Call Me , debuted on 5FM’s Dance Chart and gained airplay on YFM and Jacaranda FM. The song, which has amassed over 2 million streams across 29 playlists, was reimagined with global stars Boban Marjanovic, Haftbefehl, Gringo, and Dribbla, and produced by Paradise AI Kitchen. The track’s exclusive video premiered on TRACE and was hailed by Texx and the City as one of 2024’s best indie videos. With over 750,000 playlist listeners for her latest releases, Money Badoo’s international presence is growing rapidly. She’s starred in campaigns for Adidas Originals, Doritos, and Sunlight, solidifying her status as a cultural icon. Her unique blend of music, fashion, and visual artistry has set her apart, and fans eagerly await what she will deliver next. Stay tuned for the release of  MSRYLUV$CMPNY  and follow Money Badoo as she continues to redefine what it means to be a modern artist. Pre-save MSRYLUV$CMPNY here .

Some songs hit you like a tidal wave; others seep into your soul like a gentle drizzle. Drey’s “ Holding On To You ” does both. With her signature blend of heartfelt storytelling and modern sonic textures, the Alabama-born singer-songwriter has delivered a ballad that feels like clutching a fraying thread of love—beautiful, tender, and oh-so-heart-wrenching. From the moment the first delicate notes play, “Holding On To You” wraps you in its melancholic embrace. The production is understated but lush, balancing soft, cinematic strings with subtle electronic flourishes that reflect the push-and-pull of the emotions Drey so vividly describes. Her voice, equal parts velvet, and vulnerability, carries the weight of every unspoken word and imagined future, making it impossible not to feel every aching syllable. The lyrics are where Drey truly shines. Painting vivid imagery of intimate moments, like sitting on Adamson Square or petals falling from her hair, she transports listeners to those fleeting, bittersweet memories we all hold onto. It’s a masterclass in evocative songwriting: specific enough to feel personal yet universal enough to resonate with anyone who’s ever clung to a love they knew might not last. The refrain—aching, desperate, and hauntingly beautiful—is a gut punch. It captures the universal truth about love’s fragility: sometimes, it’s not enough. And yet, Drey makes you want to hold onto it anyway, savoring every moment, even when you know it’s slipping through your fingers. Drey cites influences like Fleetwood Mac and Lana Del Rey, and you can hear their fingerprints in the song’s DNA. The nostalgic haze of Lana and the timeless storytelling of Fleetwood Mac merge seamlessly into Drey’s unique sound—a little vintage, a little modern, and entirely her own. But what sets “Holding On To You” apart is its emotional honesty. Drey isn’t trying to tie things up with a neat bow or offer solutions to heartbreak. Instead, she invites you to sit with the messiness, the longing, and the bittersweet realization that love, no matter how powerful, doesn’t always get a fairytale ending. This isn’t just a song—it’s a quiet moment of connection, a reminder that we’re all human, fumbling through the highs and lows of love. Drey’s hope for listeners to find comfort in her music rings true; “Holding On To You” feels like a warm hug on a cold day, a hand reaching out to say, I’ve been there too. So, turn it up, let yourself feel all the feelings, and don’t be surprised if you find yourself sitting in your own version of Adamson Square, holding onto this song like a memory you never want to let go. You’ve mentioned drawing inspiration from artists like Fleetwood Mac and Lana Del Rey. How do those influences shape your approach to storytelling and the emotional core of your music? Fleetwood Mac and Lana Del Rey have a way of making their music feel like a world you can become part of. Both remind me that music is about evoking emotions, not just telling a story. That’s something I try to channel in every song, making the listener feel like they’re living inside the moment I’m singing about. “Holding On To You” captures the ache of love that feels both beautiful and doomed. What personal experiences or reflections influenced the raw emotion behind this song? “Holding On To You” came from a place of wrestling with the bittersweet parts of love, the kind where you know something might not last, but you cling to it anyway. I think we’ve all had moments of trying to preserve something that’s slipping away. For me, this song grew out of reflecting on past relationships and even moments in my marriage where growth brought challenges. It’s a love letter to the kind of connection that’s messy but worth fighting for. Your lyrics are vivid and intimate, like sitting on Adamson Square or petals falling from your hair. Are these moments drawn from real life, and how do you decide which memories to weave into your songwriting? Yes, they’re rooted in real moments or at least feelings tied to real experiences. Adamson Square is a place in my town where I’ve spent time reflecting, and the petals are a metaphor tied to a memory of fleeting beauty. I always try to ground my lyrics in small, tangible details because they make emotions feel more universal. I choose moments that feel like anchors so they carry weight for me emotionally and give the listener something visual to hold onto. This song explores being stuck between the past and the present. How has that feeling of longing or reflection impacted your personal growth as an artist and as a person? It’s taught me to embrace duality.  The fact that it’s okay to feel nostalgic for the past while still moving forward. As an artist, it’s pushed me to be more honest and introspective, to write songs that sit in the tension between where I’ve been and where I’m going. Personally, it’s helped me appreciate the beauty in change, even when it feels hard. Reflection fuels growth, and I think both my music and my life are richer because of it. You’ve described “Holding On To You” as a comfort for those dealing with similar emotions. What’s next for you, musically or personally, as you continue to explore such vulnerable themes in your art? Musically, I want to keep leaning into vulnerability but also explore new textures and sounds that match the depth of my lyrics. I’m experimenting with looping equipment and live performances to bring more intimacy to my shows. Personally, I’m focusing on finding balance. I’m learning to honor my emotions without letting them define me. There’s beauty in sharing raw truths, and I want to keep creating music that feels like a safe space for both me and my listeners.

If basslines could talk, GiNN 諸葛靖’s //MHM// would scream, “Get up, move, and own your truth.” Released on January 10th, this Asia-based artist’s latest offering isn’t just a track—it’s an attitude. GiNN brings a pulsating, bass-heavy, and genre-defying soundscape that doesn’t ask for your attention—it demands it. Recorded in Chengdu, //MHM// radiates a bold, unapologetic energy that feels like stepping into an underground rave where East meets West. GiNN’s bilingual lyricism dances effortlessly between Mandarin and English, proving that music is a universal language. The track’s minimalist yet intricate arrangement—executed with razor-sharp precision—escalates with every beat, creating a hypnotic rhythm that could make even the shyest wallflower groove. With the bass hitting like a juggernaut every seven kicks (a nod to luck in Chinese culture), //MHM// delivers more than a musical experience—it’s a mantra. GiNN’s deep, sonorous vocals carry a weight that contrasts his sleek, modern production style, while Otomic’s sound design provides just enough space for each layer to breathe. The track isn’t just about the dancefloor; it’s a rallying cry to embrace your instincts and let the world catch up. Under GiNN’s executive production, every detail feels deliberate. The sound design is darkly seductive, laced with his signature humor, and pulsates with relentless energy. This is the kind of track you’d expect to hear in a futuristic cyber-club scene—equal parts hedonistic and empowering. GiNN’s Cultural Bridge: East Meets West GiNN’s ability to bridge his Han-Taiwanese-American roots with global music trends sets him apart. Drawing from influences like the Black Eyed Peas and Far East Movement, he’s created a genre he aptly calls “Electrohop.” His seamless fusion of Eastern and Western sounds is evident in //MHM//, where thundering beats meet bilingual hooks designed to captivate audiences, no matter their native language. As seen in his explosive performance at 88rising’s Head in the Clouds Festival Guangzhou 2023, GiNN has a knack for bringing audiences together. This global appeal is reflected in his online presence, where he’s amassed over 30 million views and 1 million likes on Douyin (TikTok CN). Tracks like “Dottie” and “Dizzy” have already proved his ability to dominate both digital platforms and physical stages, and //MHM// only solidifies his trajectory as a genre-defying artist. Why //MHM// is More Than a Song GiNN describes //MHM// as “a bouncy fusion of Electropop, Dance, and Rap that turns a simple ‘mhm’ into a full-blown mantra.” But it’s more than just a club banger. The song’s lyrics urge listeners to shatter societal constraints, trust their instincts, and take charge of their destinies. It’s a philosophy that resonates deeply with GiNN’s journey—a fusion of family expectations, personal rebellion, and creative exploration. Beyond the beats and swagger, there’s a layer of mindfulness in //MHM//. It’s an anthem for those ready to break free from the mundane and carve out their own path, set to a soundtrack that makes you feel invincible. //MHM// is a dark, deliciously debaucherous masterpiece that cements GiNN 諸葛靖 as a trailblazer in the global music scene. With its bilingual hooks, pounding bass, and unapologetic energy, it’s a track that will light up dancefloors and playlists alike. He isn’t just creating music—he’s building a cultural bridge, one electrifying beat at a time. If you’re ready for a track that will fuel your late-night drives, club escapades, or moments of introspective rebellion, //MHM// should be your next listen. Trust us—this isn’t just a song; it’s an experience.