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Jack It , Leshon's most recent single, is one of those songs that surprises you. It sounds like a gentle R&B song with opulent alt-pop overtones at first, but as the layers come together, you see that it's actually a metaphor about stolen sweaters and much more. The idea behind Jack It is both distinctive and relatable. Whether it's time, effort, or, in Leshon's case, a beloved sweater, we've all given something of ourselves to someone. Everything he provided to the relationship—his love, his time, and the intangible parts of his heart—became symbolized by that outfit. And when does the partnership end? You're left without either your tranquility or your sweater. Leshon’s approach to this theme is both poetic and deeply conversational. The track opens with the disarming line, “And I’m so sorry…” immediately pulling the listener into a one-sided dialogue that feels like it’s happening in real-time. This isn’t just a song—it’s a confession. You can feel Frank Ocean’s influence coursing through Jack It . The production is minimalist yet immersive, creating an intimate atmosphere where Leshon’s voice and lyrics take center stage. Much like Frank’s work, the song is emotionally raw without being overproduced. The instrumentation is delicate, with subtle synths and soft percussion that ebb and flow like a tide. It’s the kind of track you want to play on a quiet night when the world feels still, and your thoughts are loud. In Jack It , Leshon doesn’t just explore love and loss—he explores the immense power love holds. As he explains, “Loving something is the strongest and most vulnerable thing you can do.” This sentiment resonates deeply throughout the track. It’s not just about the heartbreak of losing love but the profound experience of having loved so deeply in the first place. The sweater, while seemingly mundane, becomes a symbol of warmth and comfort. Without it—or the love it represents—Leshon is left exposed, braving the cold of heartbreak. Leshon’s ability to blend introspection with universal themes makes Jack It more than just another heartbreak anthem. It’s a deeply personal narrative that still manages to feel familiar, like an old sweater you’ve worn a thousand times. Fans of artists like Daniel Caesar, Childish Gambino, and Tyler the Creator will find comfort in Leshon’s nostalgic yet forward-thinking sound. Jack It is more than a song; it’s an experience. It’s the sonic equivalent of sitting in your room at 2 a.m., staring at that sweater your ex never gave back and wondering how you ended up here. Leshon has crafted a track that’s as introspective as it is universal, blending his signature “feel good” sound with a story that cuts to the core. Wrap yourself in Jack It . Just don’t let anyone take it from you.

If 2025 needed a theme song for tenacity, Heidi Montag ’s " I’ll Do It"  would undoubtedly claim the crown. Yes, you read that right: the pop track from The Hills   star-turned-pop-princess has unexpectedly rocketed to the top of the charts. But this isn’t just a story about a song; it’s a testament to perseverance, sparkle, and a little bit of Montag magic. Last week, tragedy struck when Heidi and her husband Spencer Pratt , known collectively as Speidi to their legion of fans, lost their home in the devastating LA fires. The couple shared the news with raw vulnerability on social media, turning their heartbreak into a moment of solidarity with others affected. Then, like a phoenix rising from the ashes (quite literally), Heidi’s sultry 2010 anthem found its way back into the spotlight. "I’ll Do It": The Anthem We Didn’t Know We Needed For the uninitiated, "I’ll Do It"  is not your average pop ballad. It’s a bold, unapologetic ode to ambition and glamor, with lyrics that flirtatiously teeter between self-empowerment and playful audacity. Backed by an intoxicatingly Euro-inspired beat, it’s a track that dares you to dance like no one’s watching (while wearing six-inch heels, of course). But what makes its resurgence so captivating is the context. In the wake of personal loss, Heidi’s message of “I’ll do what it takes” resonates differently. It’s no longer just about taking over the dance floor; it’s about taking life’s punches and turning them into platinum plaques. Chart-Topping Comeback The song’s rise to #1 has left even the most seasoned industry insiders scratching their heads. Was it TikTok? A surge of nostalgic streams? Or perhaps the sheer willpower of Heidi’s loyal fans rallying behind their queen? Whatever the formula, "I’ll Do It"  now sits comfortably at the top, alongside streaming heavyweights. Adding to the buzz is the outpouring of support from fellow celebrities. Paris Hilton called it "the ultimate comeback anthem,”  while Lizzo dubbed it "a vibe and a half."  Spencer, ever the hype man, took to Instagram to declare, “We’re manifesting greatness. #1 song. #1 team.” Perhaps what makes this moment even more remarkable is the defiant glimmer of hope that Heidi’s journey represents. Losing your home is a nightmare; turning that pain into a pop culture moment is next-level resilience. Heidi and Spencer have made it clear they’re focusing on rebuilding—both their physical home and their metaphorical empire—with the proceeds from "I’ll Do It"  reportedly going to fire relief efforts.

If you’re a dog owner who hasn’t already serenaded your pup with Michael J. Babb ’s “ Walkin’ My Dog, ” you’re seriously missing out. This toe-tapping, leash-grabbing delight has officially strolled its way back into the spotlight just in time for National Walk Your Dog Month, proving that even music can have a designated season—and we’re here for it. From the very first strum, “Walkin’ My Dog” feels like a cheerful invitation to turn mundane daily walks into a parade of joy. It’s not just a song; it’s a lifestyle soundtrack. With an infectious melody and lyrics that are charming without veering into kitsch, Babb effortlessly captures the essence of the special bond between humans and their four-legged friends. A Bark-Worthy Beat The track is as warm and welcoming as a wagging tail at the end of a long day. With its upbeat tempo and playful energy, it’s impossible not to envision happy pups bounding alongside their owners as the chorus swells. Babb’s knack for relatability shines here—anyone who’s ever tied on a leash and braved the elements for the sake of their fur baby will feel seen and celebrated. Babb’s dual life as a seasoned singer-songwriter and family physician makes him uniquely qualified to write a song that’s not just entertaining but also grounded in human connection. His decades-long career in medicine undoubtedly adds depth to his songwriting, and “Walkin’ My Dog” is no exception. There’s an undercurrent of genuine care and warmth in the lyrics that elevates this track from a mere novelty to something that feels authentic and enduring. Beyond its catchy tune, the song offers a gentle reminder to embrace the little joys in life. After all, a dog walk isn’t just exercise—it’s an adventure, a moment of connection, and sometimes, a therapy session on four legs. Babb’s ability to weave that sentiment into such an accessible track is no small feat. Whether you’re a die-hard dog parent, a casual pet lover, or just someone who enjoys a good feel-good bop, “Walkin’ My Dog” belongs on your January playlist. Need motivation to brave the winter chill with your pup? This song’s got you covered. With “Walkin’ My Dog,” Michael J. Babb has gifted us a delightful ode to man’s best friend and the simple pleasure of a leash in hand and a pup by your side. It’s joyful, quirky, and just sentimental enough to tug at your heartstrings without leaving you in a puddle of tears. So, grab your leash, cue up the track, and hit the pavement—you and your dog deserve this moment in the musical sun.

Ra7ael’s latest single, “7 OFF,” grabs the mic, takes center stage, and commands you to listen this season. Inspired by her time in customer service, this track turns the repetitive mundanity of everyday work into a defiant, intoxicating anthem that’s equal parts relatable and electrifying. A concoction we can avidly get behind. “7 OFF” radiates vibrant energy, pulling listeners into its eclectic world, all while Ra7ael’s knack for taking the ordinary and spinning it into something extraordinary is placed on full display in this sonic masterpiece. The chorus, born from the endlessly repeated customer service line, “Your signature, please. Would you like the receipt?” morphs into a rallying cry of empowerment. It’s witty, effervescent, and the kind of hook you’ll find yourself humming long after the song ends. Talk about an earworm. From the composition as a whole, the track is a bold fusion of infectious rhythms, sleek production, and a persona-packed vocal performance. Ra7ael’s attitude shines through every note, dripping with confidence and a wink of playful rebellion. There’s an undeniable charm to how she balances humor and sincerity, reminding us that a job title doesn’t define a person’s worth. But it’s not just the song that’s buzzing, Ra7ael’s triumphant return to the stage at The Viper Room is set to debut “7 OFF” live, promising to channel its electrifying essence into a powerhouse performance. “7 OFF” is a celebration of resilience and self-worth with its clever lyrics, pulsing energy, and unapologetic attitude. Ra7ael’s ability to turn the mundane into a vibrant centerpiece of her artistry proves she’s a force to be reckoned with, and this track is a must-listen on your favorite playlist. Welcome to Buzz, Ra7ael! Congratulations on the release of “7 OFF.” How did the idea of transforming something so mundane into such an empowering anthem come about? Hi! Thank you so much for having me; it’s such a pleasure. The inspiration for the chorus came after repeating the same words, “Signature down here, would you like your receipt?” while working in retail. I decided to turn it into art. It’s an artistic way to make fun of these vampire industries that suck out everything we have. We all need relief after an exhausting day at work, and one of the best ways to recharge is by listening to something that brings your energy back. This track feels both humorous and deeply empowering. Was it challenging to strike that balance between playful rebellion and the underlying message of self-worth? Actually, I didn’t care much about creating balance because I know people can be too slow to get the message sometimes. Facing self-criticism and mean comments isn’t easy, but it’s not something to be taken too seriously. If someone says you’re not successful enough, maybe they’re so bored with their own failures that they need someone else to feel the same way. Or if you’re not as rich as someone they know? Oh well, that’s why they are who they are, and you are who you are. Just breathe, accept what you can’t control, and move on with your life without losing your essence. You ’ve taken an experience many people would overlook, working in customer service, and used it as inspiration for something powerful. How do you hope this song connects with listeners who might feel unseen in their daily lives? I hope this track reaches that one worker who, at this moment, feels like they’re going nowhere and helps them feel reconnected with their lost energy. That’s how I felt throughout my professional experience, and what helped me was listening to music. That’s what inspired me to write a song specifically for this kind of situation. You must be so excited for your return to the stage at The Viper Room! What emotions do you feel as you prepare, and how does performing live elevate the energy of your music? Coming back to the stage after so long brings a lot of energy, and I’m just preparing myself mentally for all the information that’s about to come with it. It’s not that I’m afraid because I know the moment I hit the stage, all my thoughts will disappear, but it’s a little stressful when you think about everything beyond the music. All my insecurities disappear when I remember why I came to the United States. What are you looking forward to most in 2025? I’m looking forward to releasing many more songs with impeccable visuals, doing more shows and gigs in iconic places around Los Angeles, and elevating my career to a level where it never stops growing.

Ever wondered what Eddie Murphy’s “Party All the Time” would sound like if it were channeled through the roaring amps of a hard rock juggernaut? Wonder no more because Los Angeles-based alt-metal outfit Worldwide Panic has delivered an electrifying, industrial-tinged reimagining of the ‘80s dance classic—and it absolutely shreds. A Synth-Driven Fever Dream with Teeth With chugging riffs, pulsating synths, and a relentless energy that would make even Rammstein blush, Worldwide Panic has taken Murphy’s glitzy original and dunked it in molten steel. The result? A gritty, guitar-fueled anthem that feels equally at home on a nightclub dance floor and in a mosh pit. “We wanted to reimagine this classic dance song,” the band shared. “Our intention was to make it industrial and guitar and synth-driven, and I think that’s exactly what we did. Lots of fun!” And fun it is. The track’s heavier elements amplify its infectious energy while retaining its tongue-in-cheek charm. Lead vocals oscillate between clean melodies and aggressive growls, adding a darker dimension to the track’s playful vibe. The whole affair feels like a wild party you didn’t realize you needed to attend. Theatrical and Unapologetically Bold Known for their high-energy, theatrical performances, Worldwide Panic isn’t afraid to push boundaries. Their take on “Party All the Time” underscores their knack for blending industrial grit with radio-friendly hooks. Imagine Disturbed crashing an ‘80s karaoke night and turning the whole thing into a dystopian rock opera—that’s the vibe here. This cover is more than just a fun nod to nostalgia; it’s a showcase of Worldwide Panic’s ability to inject fresh life into familiar material while staying true to their hard-hitting sound. A Band on the Rise Since their formation in 2016, Worldwide Panic has carved out a name for themselves with their aggressive yet accessible approach to hard rock. Their debut LP, mastered by Chris “Zeuss” Harris, made waves on Active Rock Radio, with tracks like “I Tried” and “Falling Apart” climbing the Billboard Rock Indicator charts. Their latest single, “Break Me Down,” produced by Bob Marlette, further solidified their reputation as a band that knows how to deliver. With a second full-length LP mastered by Zeuss on the horizon and a tour slated for late spring 2025, Worldwide Panic is proving they’re not just riding the wave—they’re making it. Why This Cover Works Covers can be tricky territory, but Worldwide Panic nails the assignment by respecting the essence of Murphy’s original while fully committing to their signature sound. The industrial edge, coupled with the band’s unapologetically bold energy, makes “Party All the Time” feel less like a relic of the past and more like an anthem for the present. Worldwide Panic’s “Party All the Time” isn’t just a cover—it’s a full-blown transformation, offering a heavy, adrenaline-charged take on a beloved classic. Whether you’re an ‘80s purist or a modern metalhead, this track is bound to get your head banging and your feet moving.

Col Gerrard ’s third single, “ Come On Over ,” is a heartfelt plea that feels like a warm embrace from an old friend—steady, soothing, and undeniably genuine. Building on the emotional depth of his earlier tracks “Sun & Sky” and “You Need Me,” Gerrard’s latest release continues to highlight his knack for pairing vulnerable storytelling with classic, soul-stirring melodies. A Timeless Sound With a Modern Heart From the first notes of “Come On Over,” Gerrard’s mahogany-rich vocals take center stage, weaving a tapestry of longing and hope that’s instantly relatable. The track’s production, courtesy of Grammy-nominated and Brit Award-winning Chris Potter, strikes a perfect balance between intimacy and grandeur. Piano and guitar blend seamlessly to create a soundscape that feels both grounded and expansive as if Gerrard is inviting you into his world while still leaving enough room for your own emotions to breathe. A Life Well Traveled, A Story Well Told Gerrard’s music carries the weight of a globetrotter’s wisdom. His lyrics reflect the soul of someone who’s learned life’s lessons not just from books but from the streets of Vancouver, the bustle of London, and the sun-soaked streets of Los Angeles. This worldly perspective gives “Come On Over” an authenticity that’s rare in today’s music landscape. Gerrard’s delivery feels less like a performance and more like a conversation—intimate, raw, and deeply personal. The Heart of the Song At its core, “Come On Over” is a reflection of Gerrard’s life mantra: “Whatever it is you want in life, you have to go and get it for yourself.” The song is both an invitation and a declaration, embodying the courage it takes to put yourself out there and ask for connection. It’s the musical equivalent of knocking on someone’s door with the hope they’ll open it—and the certainty that it’s worth the risk, regardless of the outcome. Why It Resonates What makes Gerrard’s music so compelling is its universality. “Come On Over” isn’t just about one man’s journey; it’s about all of us. The vulnerability in his lyrics and the richness of his delivery make you feel seen, as though Gerrard has peered into your soul and put your own feelings into words. His hope that his music will resonate deeply with listeners feels less like a goal and more like a certainty—it’s impossible not to feel moved by the honesty he pours into his craft. Col Gerrard has once again proven that authenticity is his superpower. “Come On Over” is more than just a song; it’s a moment of connection, a reminder that we’re all walking similar paths and feeling the same aches. With its timeless appeal and Gerrard’s captivating artistry, this track is bound to linger in the hearts of listeners long after the final note fades.

If you’ve ever found yourself dodging red flags in the name of love, Isabella Chiarini’ s latest single, “ Gotta Be ,” is your new anthem. Released on January 8, 2025, this empowering pop gem takes a no-nonsense approach to toxic relationships and says exactly what we’ve all needed to hear: it’s okay to walk away. Right from the opening notes, “Gotta Be” hooks you with its infectious melody, showcasing Isabella’s knack for blending heartfelt storytelling with undeniable pop appeal. But it’s the lyrics that hit hardest. Chiarini doesn’t just scratch the surface—she dives headfirst into the messy, manipulative dynamics that many endure but few openly discuss. The song expertly dissects the kind of partner who wears a hero’s mask while quietly pulling the strings, reminding listeners that they don’t need anyone else to define their happiness. “Staying in a situation that doesn’t fulfill you will never be the solution,” Chiarini declares, and her conviction radiates through every lyric and beat. It’s a powerful sentiment wrapped in an irresistible pop package, co-written with heavyweights Teresa Nocita and Brian Melo (yes, the Canadian Idol champ himself). Their combined talent brings a polished yet emotionally raw edge to the track, proving that pop music can be both fun and fiercely introspective. The beauty of “Gotta Be” lies in its relatability. Chiarini opts for universal language over hyper-specific details, allowing listeners to project their own experiences onto the song. Whether you’re untangling yourself from a toxic romance, a draining friendship, or any situation that clips your wings, this track feels like the soundtrack to reclaiming your power. Isabella’s journey to this moment is just as compelling as the music she creates. A Hamilton native, she’s been chasing her passion for music since the age of eight, fueled by the unyielding determination of her single father. After years of vocal training with the esteemed Teresa Nocita and a transformative stint with Nashville’s PCG Universal, Chiarini has emerged as an artist who’s unafraid to bare her soul. Her music is a tribute to resilience, empowerment, and the healing power of self-expression. With “Gotta Be,” Isabella Chiarini solidifies her place in the pop sphere as a voice worth listening to. It’s the kind of song that’ll have you dancing in your living room one moment and reflecting on your boundaries the next. Whether you’re a seasoned Chiarini fan or a first-time listener, this track is a must-add to your playlist. Isabella Chiarini isn’t just making music—she’s creating a movement. And with “Gotta Be,” she’s reminding all of us that we’ve got to be our own heroes. “Gotta Be” dives into the complexities of toxic relationships. Can you share what inspired you to tackle such a personal and universal theme and how you hope the song resonates with your listeners? I decided to tackle this theme because it was personally happening to me. I always want the lyrics of my songs to be relatable to my listeners and I feel writing authentically is the best way to do that. Everyone has been in a tough relationship at least once in their life, whether it be with a significant other, family member, or friend. This song dives into the feelings you fight when you’re in these situations, like whether or not you should stay because you know they are bad for you, but you can’t help it. I hope when someone listens to this song they can relate to it and end it feeling like they aren’t alone. Everyone goes through these things but it’s all about handling it in the best way for you.  Your music blends pop with various subgenres, creating a unique sound. How do you approach crafting songs that balance mainstream appeal with your distinct artistic identity? This song, in particular, was inspired a lot by The Weeknd, Chappell Roan, and Dua Lipa. When I write I always try to take inspiration from mainstream artists and put my twist on it to keep it relevant but authentic. I wanted this song to have an 80s/disco vibe but kept it relevant by keeping these popular artists in mind.  You’ve worked with esteemed collaborators like Teresa Nocita and Brian Melo. How have these collaborations shaped your songwriting process and overall growth as an artist? I’ve been lucky enough to work with great people who always push me to do my best. Teresa and Brian tell me when I do good and when I need to improve so I can push myself to constantly be better. Working with them has boosted my confidence, and they have helped shape the artist I am today.  You’ve mentioned drawing inspiration from your father’s resilience and your own life experiences. How does your personal journey influence the stories you tell through your music?   My father inspires me a lot to try new things and get out of my comfort zone in everything. I try to take that into my songwriting, which I feel I did this time because I have never released a song with this vibe before. The storytelling in my music always comes from personal experience of something that has happened to me or something I’ve seen happen around me. I feel that’s the way my music comes out the best and most relatable.  Empowerment and authenticity are key themes in your music. What advice would you give young adults struggling to embrace their own individuality and make bold life choices, as reflected in “Gotta Be”? It is definitely easier said than done, but I always say to live your life for you. If you are living a life you love and feel good about, then you should continue. Living your life trying to please everyone else will not serve you in the end. If you’re happy, you’ve won in life.

In a world where artists constantly reinvent themselves, few transformations feel as genuine and profound as Sam Shi’s. Formerly known as Samanta Liza, the Swedish-Chinese-American singer, songwriter, and producer has embarked on a journey that fuses her multifaceted identity into a single, powerful artistic vision. With her sophomore album  uninvited  garnering critical acclaim and a new single, “Wind Me,” on the horizon, Sam Shi is proving that a name change is more than semantics—it’s a rebirth. “I’m not two personas anymore,” Sam explains. “I’m Sam Shi. Full stop. It’s not just about blending my personal and professional life, but about fully embracing who I am.” uninvited : A Deep Dive into Sam Shi’s New World uninvited  is a bold, genre-defying collection that explores themes of identity, resilience, and self-discovery. Combining ethereal vocals with intricate production, the album invites listeners into a space where electronic, alternative indie and even classical elements converge. Let's dive into a track-by-track breakdown of uninvited : “Something New” - Exploring the thrill and uncertainty of new love, this track captures the intensity of emotions that come with the beginning of a relationship. Originally penned during Sam’s high school days, it’s a masterful blend of wistful lyrics and a beat reminiscent of “If Ariana Grande’s  Sweetener  Met Rüfüs Du Sol.” “Sweet Release” - Co-produced with Enamour, this track is a cathartic anthem about letting go of emotional burdens. The song’s lush piano, pads, and synthesizers create a soundscape that’s as freeing as its message. “I Will Be” - A haunting yet empowering track about self-determination. With melancholic piano chords, deep sub-bass, and ethereal pads, this song explores the power of choice and overcoming internal struggles, all set to a minimal, hypnotic 4-on-the-floor beat. “No Love” - Written during a chapter of heartbreak, this poignant song confronts betrayal and disillusionment. The raw lyrics and stirring instrumentation reflect the pain of realizing that trust has been broken. “Thick and Thin” - This heartfelt love song celebrates unwavering support in relationships. Its sincerity and simplicity make it a touching ode to sticking together through life’s ups and downs. “Construct” - The album’s most spiritual track, “Construct,” dives into themes of self-discovery and enlightenment. Its intricate production mirrors a journey through untethering from past constraints, leading to profound realizations. “Freedom Crime” - Sam’s personal favorite, this technical marvel shifts tempos and time signatures as it explores the liberation and discomfort of breaking free from societal norms. Featuring LA-based drummer Florian Gouello, the track is as rebellious as it is liberating. “Dolores” - A mostly instrumental interlude inspired by the character Dolores from  Westworld . This piano-driven piece creates a contemplative, cinematic moment of reflection within the album. “npc” - A playful commentary on conformity and individuality, this track encourages listeners to break free from routine and find their unique rhythm. The clever lyrics, co-written with ChatGPT, pair perfectly with its vibrant beat. “Two to Tango” - Co-written with Samantha Liss (Aezon), this sensual track is a dance of attraction and connection. The Latin guitar rhythms and electronic dance-pop vibe make it a standout for fans of Billie Eilish-inspired grooves. “A Mistake, or Two” - A bittersweet exploration of unreciprocated love, this song captures the pain of past mistakes and their impact on a present relationship. Its emotional depth is both heart-wrenching and relatable. “Feel Like Me” - A joyous celebration of love and self-acceptance, this track highlights how the right partner brings out the best in us. Its uplifting message and vibrant production make it an instant favorite. “Thank You (Outro)” - A poignant conclusion to the album, this track cleverly incorporates motifs from the preceding songs, tying together the themes of growth, love, and self-discovery. The Meaning Behind the Name Rebranding as Sam Shi isn’t just about reclaiming her Chinese heritage; it’s about aligning her artistic identity with her authentic self. “ I’ve come to realize that I’m not two personas ,” she says. “ Bringing my Chinese last name into my artist identity feels like stepping into my own skin .” Having grown up in Sweden and later reconnecting with her Asian roots in Shanghai, Sam’s journey has been one of cultural exploration and self-acceptance. Her new moniker reflects this rich tapestry of experiences, blending the professional and the personal into one harmonious whole. What’s Next for Sam Shi? Fans won’t have to wait long for new music. Her upcoming single, “Wind Me,” is set to drop in February 2025 and promises to encapsulate her evolution as an artist. And for those lucky enough to be in Los Angeles, her 2025 tour dates are poised to deliver an unforgettable live experience. So, what does Sam Shi hope listeners take away from her music? “Stop caring about what other people think and just go for it,” she says. “Finding your sound takes time, but starting the journey is the most important step.” From  Uninvited  to unrestrained, Sam Shi’s artistry is a testament to the power of authenticity, resilience, and the magic of music that transcends boundaries. Don’t just RSVP—embrace the invitation to step into her world. You’ve described the transition from Samanta Liza to Sam Shi as “stepping into your own skin.” Can you elaborate on how this rebranding reflects your personal and artistic evolution and how you hope it will impact how listeners connect with your music? My full name is Samanta Liza Shi, but for the past decade, people have mostly called me Sam. At my Google job, my coworkers know me as Sam Shi.  When I started my music career in 2020, I thought I wanted to create a separation between how I see myself as a corporate worker and as a music artist. I’ve come to realize that this separation isn’t necessary. It’s also not realistic. In a way, I’m being dishonest with myself. I’m not living two completely separate lives. I am one singular, multifaceted individual whose multiple interests and skill sets intertwine to produce amazing outcomes. My art helps me approach my work in a more creative way, and my work helps me approach my music with a business mindset. My artistic and personal evolution are, in effect, one and the same.  For many years, I wasn’t being completely honest with myself about many things…Why did I constantly seek to achieve more? Why did I behave in certain ways when I was a teenager? How has the way I lived my life in high school and college affected me now? Why did I send myself off to boarding school when I was 16? Why did I feel closer to my paternal grandfather than my paternal grandmother? How come I barely knew her? What else about my ancestors do I not know?  When I lived in Sweden, people called me Samanta, but it sounds different in Swedish. No one ever called me by my middle name, Liza, and in a way, not releasing music under the name that everyone came to know me by — Sam Shi — was a way to hide or even disassociate a bit. It’s as if I created this character I thought I had complete control over. Turns out that by building this character, I realized I was learning how to get to know myself better—who I really am.  To be completely honest, it feels weird to reflect on this topic because I can now sense how my decision back in 2020 was influenced by unconscious emotions. And that’s okay. This has all been a necessary process to achieve the clarity that I feel today. Creating music has helped me grow so much in so many ways I couldn’t have imagined. I hope that my listeners will feel inspired to get to know themselves, too.  Your Swedish-Chinese-American heritage plays a significant role in your artistry. How have your experiences growing up in Sweden and reconnecting with your Asian roots influenced your music, especially in Uninvited ? Are there specific tracks through which these cultural influences shine?  In Sweden, everybody takes music class in school at a young age. My mother and her mother even went to music school. It’s funny because I’m the one who didn’t attend music school but who ended up making music. I believe that a lot of my musicality comes from an inner knowing of years of studying and practicing music on the Swedish side of my family. I’m not sure that I would describe any of the tracks as particularly “Swedish” but if I had to intuit which tracks I attribute to my Swedishness, it might be uninvited , Something New , Freedom Crime , and Construct . I think it’s something about the melodies. Also, I think I associate the ¾ time signature — present during the verses in Freedom Crime — with some Swedish songs or lullabies.  When I was living in Shanghai, I started writing a song in Mandarin. I haven’t finished it yet, and to be honest, I wouldn’t recall the lyrics without referencing a doc somewhere on my computer. However, I do associate my track, Dolores (Interlude) , with my Indonesian Chinese grandmother because she loved listening to classical music. I think I might’ve just channeled her or something. I don’t recall writing the song. Just that at one moment, the song didn’t exist…and shortly thereafter, there it was. A living and breathing piece.  Unrelated to my heritage but related to my upbringing and teenage years, I would say that a lot of my music, especially my percussion and love for harmonic minor keys, has been influenced by the three years that I lived in the Middle East when I was 13-16 years old, which can be heard in my tracks like Close To My Soul , Butterfly , and Myself .  The production of Uninvited is incredibly diverse, ranging from electronic and alternative indie to classical elements. How do you approach blending such different genres while ensuring that the album feels cohesive? Great question! I think my vocals help with the cohesion…Yes, the production is diverse, but the voice aka the narrator, is the same. I also made it a point to re-use some of the same instruments throughout. For example, you’ll hear the same plucky synth in uninvited, Something New, and Freedom Crime. The pad in the intro of Sweet Release is the same pad that you hear in Freedom, Crime, and so on. Obviously, a guitar is a guitar. So that connects Two To Tango, NPC, A Mistake or Two, Feel Like Me, and Thank You (Outro). So, I’m using many of the same ingredients, but there are changes in keys, rhythmic patterns, melodic expression, and vocal execution.  I personally feel really strongly about not boxing ourselves in as artists. It feels great to explore the depths of our creativity, and packaging your work into an album shouldn’t punish your range. But I understand that cohesion is important, and that’s why I would reuse components throughout each record throughout the album. For example, once I shaped the sound of the synthesizer in the way that I liked it, I’d keep it more or less that way and then write a new chord progression or melody with it while reusing that sound as an instrument in my band. It is also worth noting that the album can kind of be broken out into several EPs, which sound incredibly cohesive, so stitching them together was really how the album came to be as one whole.  Several songs on Uninvited —like “Something New” and “A Mistake, or Two”—were initially written years ago but found new life in this album. How does revisiting and reinterpreting older works help you reflect on your growth as an artist and individual? It helps tremendously! This is one of my favorite activities. Every now and then, I produce an instrumental, and I go, “Hmm…I don’t know what to sing about today,” so I dig up the archives of lyrics from when I was younger. When I was a teenager, every experience felt like the most life-changing experience, so I thought it was worth writing about, and so I wrote about it. I have to admit, this isn’t as easy to do as an adult. I’m busier now. Now, when I sit down as an adult in a busy day-to-day life, it comes with a sense of pressure to most efficiently generate my next best song in that moment, which ultimately makes me a worse writer. Instead, I prepare myself with the mental exercise of reminding myself to surrender to whatever comes to me that day because that is how I am inspired to produce my best art. When I revisit old works, I’ll scroll through pages of lyrics and pick some that feel right, given the sound of the production that I’ve just finished. Once I do that, it’s amazing how the rest of the process just flows. Sometimes, I end up rewriting specific lines or writing a completely new hook…whatever the rebirth of the song requires. I don’t force songs to be something they’re not. Also, yes, I might’ve been a good songwriter at the age of 15, but I’m a much better songwriter and producer now, and I keep learning and growing. And, this process shows me just how much and it’s so rewarding.  Next time I do this, I’ll consider recording the process for my YouTube channel! I still have so many songs I’ve written in the past that I need to bring to life. There are some songs I haven’t touched yet because I just know the moment will come in due time when I’m ready. I believe some songs are waiting for me to be an even better singer/instrumentalist/producer, and I can’t wait to see their rebirth whenever it happens.  You’ve said you want listeners to “stop caring about what other people think and just go for it.” How do you balance this philosophy in your own creative journey, and what do you hope fans take away from Uninvited and your future projects? Another seriously great question. It’s one thing to say it but another to mean it. It sort of reminds me of a thing we say in the UX research space: what people say, what people say they do, and what they actually do are all different.  For me, I practice constant mindfulness to not overthink or care too much about what other people think. Maybe it’s helpful if I elaborate and refine my quote a bit…Seek to understand and empathize with people, but set boundaries. Seek a deeper understanding of yourself and align your expression with your inner desires. If someone doesn’t like who you are or what you make, then trust that it just isn’t for them. The most important thing is that you love what you make at that moment.   More practically speaking…One thing that has helped me a lot is remembering that asking for constructive feedback versus seeking external validation or approval are very different things. When I ask my friends who are songwriters and producers for feedback, I now think of it as a way to gather data. I’ll say thank you, reflect on it, and then make my own decision. I also make it a point to gather multiple data points from different types of listeners and producers since music is so subjective. It has also been helpful to get to know my audience as a feedback loop to understand how different people respond to my art, which helps make me a stronger artist. If your friend produces rock music but you’re working on a dance-pop track, you can still ask them for feedback, but just keep who they are and keep their preferences in mind.     When it comes to just going for it…I’m a doer. Life is too short to sit around and do nothing . So why not just do it?! Once I set my mind to something, it happens—one way or another. You can be the same. Anyone can. I’m a firm believer that if something hasn’t happened in my life, then it's because I haven’t fully believed it or wanted it badly enough. I believe that’s true for everyone. There is, of course, nuance and complexity here, considering that individuals live in different realities with different needs…but that’s a topic for another discussion. The path toward success might look different, but the belief remains the same. Stepping into our own skins, becoming our authentic selves, breaking free from the mold – these are themes that Freedom Crime, NPC, and Construct touch upon.  I hope that listeners will feel connected to my values and beliefs by listening to my music. I like to think of my creative process as crafting the soundtrack to my life. So, as you listen to my music, I hope that you can imagine the environment, picture the character development, and hear the emotions. Maybe you relate to it, or maybe you feel inspired by it, and maybe one day, I’ll have the privilege of listening to the soundtrack of your life.  Instagram Facebook TikTok

Yafania , the rising star in the dream romance pop genre, is back with her highly anticipated single, "Don't You Wanna Be With Me?" The nineteen-year-old singer-songwriter has made a name for herself with her ability to weave captivating tales of love, heartbreak, and longing. This track marks a poignant new chapter in her artistic journey as she explores the delicate tension between friendship and romance. In "Don't You Wanna Be With Me?" Yafania confronts the painful uncertainty of unspoken love, vividly capturing the emotional frustration of waiting for someone to make the first move. With a blend of rock influences and ethereal pop melodies, the song's infectious energy and raw emotion make it impossible to ignore. As she boldly sings, "Am I just another friend, or am I the girl you'd call your own?" Yafania's voice swells with a mix of longing and fury, creating an anthem for anyone who's ever found themselves stuck in the limbo of a "situationship." The accompanying music video, directed by Said Khallaf, continues the narrative from her previous release, "The Right Guy," where Yafania's relationship with Disney actor Pearce Joza evolves on-screen. The video's cinematic visuals bring the song's emotional depth to life, with Yafania portraying an angelic figure caught in the turmoil of unrequited love. The dramatic tension of the story, paired with stunning cinematography, leaves fans eagerly awaiting the next chapter. "Don't You Wanna Be With Me?" is more than just a song; it's an invitation to dive into the emotional whirlwind of love, loss, and the unspoken words that weigh heavily on the heart.

UK Pop sensation iżi is back with a brand new single, "Same Thing." This soulful track delves deep into the emotional rollercoaster of a complicated relationship. With her heartfelt lyrics and powerful vocals, iżi continues to carve out a space for herself in the music world, offering a fresh blend of pop melodies and raw authenticity. Born and raised in Leicester, England, and trained at the Urdang Academy in London, iżi's artistic journey has seen her wear many hats—dancer, performer, and now emerging pop artist. With a past that includes dancing for Becky Hill and starring in music videos for top UK artists, her extensive experience in the industry has shaped her into a multifaceted talent. But her ability to connect emotionally with her audience through her music truly sets her apart. "Same Thing" captures a tumultuous relationship's emotional highs and lows. The song's lyrics explore the internal conflict of loving someone who is emotionally inconsistent and the frustrating push-pull dynamic that comes with longing for a connection while feeling uncertain about the future. Despite the lack of closure and unanswered questions, the track's themes also touch on the willingness to stand by a partner, even when you're unsure if your efforts will be reciprocated. Reflecting on the song's deeper message, iżi shares, "I hope people take away a sense of comfort and validation. It's okay to feel conflicted in love. If this song helps someone feel less alone, then I've done my job." With "Same Thing," she offers not just a song but a reflection on love, vulnerability, and self-realization. iżi, your new single "Same Thing" delves into the emotional highs and lows of a turbulent relationship. Can you walk us through the creative process behind this song? Same Thing is one of the most personal songs I’ve ever written. It was inspired by my own experience of navigating the aftermath of a breakup. The creative process began with the guitar melody—it’s simple, raw, and reflective, which felt like the perfect foundation to capture the vulnerability of the emotions I was feeling. Midian Mathers, who produced the track, had the idea of adding in the violins which was brought to life by Ashilee Ashilee who layered in the violins that gradually build throughout the song. The strings mirror the emotional intensity of longing and heartbreak, peaking in the instrumental before returning to the same quiet guitar melody at the end. It was important to me that the song feels like a journey—one that starts with pain and confusion but ends with a sense of closure and peace. The lyrics were co-written with Midian, Dean Hall, Ashilee Ashilee and myself. We wanted the words to feel as raw and real as the emotions themselves—capturing the push and pull of wanting love but knowing it’s not being reciprocated the way it should. It’s one of those songs that really took on a life of its own, and I couldn’t be prouder of how it turned out. You've had a diverse background, from dancing with artists like Becky Hill to becoming a singer-songwriter. How has your experience as a dancer shaped your approach to music and performance? Does it influence how you connect with your audience on stage? My background as a dancer has had a huge impact on how I approach music and performance. Dancing with artists like Becky Hill taught me so much about stage presence, energy, and how to connect with an audience. As a dancer, you’re constantly interpreting music physically, so I’ve always had this deep connection to rhythm, movement, and emotion. That naturally carries over into how I write songs and perform them. When I’m on stage, it’s not just about singing the lyrics—it’s about embodying the story of the song. I want the audience to feel what I’m feeling, and movement helps me communicate that. Whether it’s subtle gestures during an emotional ballad like Same Thing or full-on high-energy moments for upbeat tracks like 5am, I’m always thinking about how my body and music work together to create an experience. It’s also made me very aware of the audience. As a dancer, you learn to read a crowd, and I carry that into my performances as a singer. I love those moments where I can feel the energy bouncing back and forth between me and the audience. It’s like we’re all part of the same story for those few minutes, and that’s such a powerful feeling. Your music is described as a platform for personal growth and authenticity. In what ways do you hope your songs, particularly "Same Thing," help others process their emotions or feel less alone in their experiences? For me, music has always been a way to process emotions and make sense of life’s messier moments. With Same Thing, I wanted to create something deeply personal but universal enough that anyone who’s experienced heartbreak or unreciprocated love could see themselves in it. It’s about those emotional highs and lows we all go through—the longing, the self-doubt, and eventually finding peace. I hope this song becomes a space for listeners to feel whatever they need to feel, whether that’s sadness, reflection, or even hope. Sometimes, just hearing someone else put into words what you’re struggling to express can make you feel less alone. It reminds you that your feelings are valid and that others have been there too. The cyclical nature of the song—starting and ending with the same guitar melody—mirrors the journey of healing. I hope that resonates with people who might be going through something similar, reminding them that even though pain is part of the process, there’s closure and clarity on the other side. If Same Thing can help someone feel seen or bring them a little comfort, then I’ve done what I set out to do as an artist. You mentioned that the song explores feelings of confusion, vulnerability, and the push-pull of unbalanced love. How do you think your journey and self-realization have influenced the themes of emotional complexity in your music? My journey and moments of self-realization have been pivotal in shaping the emotional complexity of my music. I’ve gone through phases of confusion, heartbreak, and growth, and those experiences have taught me that emotions are rarely simple or linear. That’s what I try to capture in my songs—how love, loss, and self-discovery often coexist in this beautiful, messy way. With Same Thing, I tapped into a very raw place in my life where I was wrestling with unreciprocated love. At the time, it felt so confusing—loving someone deeply but knowing they couldn’t meet me where I needed them to. Writing about it helped me unpack that push-pull dynamic and recognize how much of it was tied to my own need for validation and closure. Now, when I reflect on those moments, I see how they’ve made me more self-aware and more intentional about what I want—not just in love, but in life. That’s where the vulnerability in my music comes from: being honest with myself first, so I can be honest with others. I think people connect with that complexity because it mirrors real life. We all have those moments of contradiction, where our hearts and minds don’t quite align. My goal is to put that into words and melodies that resonate, making people feel understood and a little less alone in their emotional chaos. As a rising artist in the UK pop scene, how do you envision your music evolving, and what messages or themes do you hope to explore next? As I continue to grow as an artist, I envision my music evolving in a way that reflects my own personal journey and the stories of the people I connect with. Right now, my songs explore vulnerability, relationships, and emotional healing, but I’m excited to dive even deeper into themes like self-discovery, empowerment, and the complexities of human connection. Sonically, I want to keep experimenting. I love blending genres—whether it’s the garage vibe of my other tracks 5am and Heaven in Motion or the cinematic balladry of Same Thing—and I’m curious to see how I can push those boundaries further. Collaboration is also a big part of my evolution. Working with incredible creatives like Midian Mathers has shown me how much magic can happen when you open yourself up to new ideas and perspectives. Looking ahead, I want my music to inspire people to embrace their authenticity and take ownership of their stories. There’s so much power in realizing you’re not defined by your struggles but by how you rise from them. Whether it’s through heartbreak, joy, or those in-between moments, I hope my songs become a soundtrack for anyone navigating their way through life. More than anything, I want my music to remind people that they’re never alone in what they’re feeling—and that there’s always hope on the other side. Instagram TikTok