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Dream pop trio ultrasaturated, hailing from somewhere between Amsterdam and Northern Italy, is back to serve up another cosmic creation with their latest single, "Luna." Following the runaway success of their debut EP, Universal Hologram —which racked up over half a million streams—ultrasaturated is once again blending dreamy post-punk vibes with ’80s-inspired aesthetics. Formed in 2022 by three former Italian punk rockers, the band has traded hardcore edge for introspective shoegaze, mixing spaced-out vocals with cinematic soundscapes that echo DIIV, Beach Fossils, and Black Marble. Expect "Luna"  to bring the same surreal, introspective vibe that’s made them one of the most exciting new acts on the dream-pop scene. You all come from a background in the Italian punk and hardcore scene. What motivated the shift to dream pop, and how has that influence shaped your sound today? The Italian punk scene is full of passionate, talented bands, but breaking out internationally has always been a challenge for bands in this country. When we first started, our music reflected the hardcore and punk sounds around us, but we felt like it was blending in with everything else. After moving to Amsterdam, I (Samuel) began listening to more shoegaze and dream pop, which inspired a shift in that direction. Gianmaria suggested experimenting with some demos he had been working on, and we decided to dive into this new sound. In the summer of 2022, we got together in a small house in the Alps, where we set up a small home studio to write and record our first demos, and that experience was incredible. We wrote our first EP, Universal Hologram, there, blending our punk roots with dreamy and melodic elements. Our background has definitely influenced our sound, giving our dream pop a raw edge. This combination has created a unique style we're really proud of, and we've been thrilled with the positive response so far. Can you share more about the writing process for "Luna" during your retreat at Lake Garda? How did the environment influence the music and lyrics? Just like our retreat in the mountains, we wanted to capture that same magic by immersing ourselves in a beautiful setting, so we set up a small studio at a beautiful house by Lake Garda. The place had such a unique energy, almost as if it had a soul of its own, and we tried to channel that into our music. It took us a little longer to find our groove this time, but we eventually managed to write new songs that, in our opinion, still carry the unique feeling of our earlier work but with a more mature sound.  For any band out there, I highly recommend taking time away with your bandmates to write some music. It’s not only incredibly fun and great for making memories, but it can also lead to creating some truly special music. The lyrics of "Luna" explore existential reflection and personal introspection. What specific experiences or ideas inspired the themes in this track? I always try to write lyrics that feel like pages taken out of my personal diary. I love asking myself the big questions and exploring them through my music. With Gianmaria and Federico, when we’re done acting like stupid teenagers (we’re in our late 20s, after all), we often end up having deep conversations about topics that are bigger than us, and it’s so good and refreshing to be able to talk about these things with someone. These are topics that can make you feel lonely and powerless, but having someone to talk about it with makes it a lot easier. I think the listener who is willing to find a meaning to these lyrics will find their own answers. Your visual identity features a psychedelic, vintage aesthetic. How do you feel this visual style complements the music you create, and what role does it play in conveying your artistic message? We think the visual style plays a big part in the whole project. Gianmaria, who is the big creative brain of the band, usually makes all of our graphics and videos to ensure they match the vibe of our music. We think in this specific style of music, it’s really important to have an imagery that reflects and amplifies the mood and atmosphere of the music, creating a complete experience for the listener.  Following the success of your debut EP and the upcoming single, what can fans expect from ultrasaturated in the future?  We’re excited to share that we’ll release a few more singles in the coming months, so keep an eye on our pages for updates. We’re also working on organizing some shows across Europe, and we’re hoping to hit the road for a tour soon. Stay tuned for more news - we have some exciting plans that we can’t wait to share. Instagram

Meet a musical force with a resume that could make even seasoned rockers sweat. This songwriter, producer, and audio engineer is a one-man band, recording every instrument on his tracks from his home studio. With a serious lead guitar focus, Gerry Mancuso has been cranking out remixes, covers, and originals on YouTube, TikTok, and Instagram, captivating fans one riff at a time. The journey began at age eight on an alto sax before the electric guitar became his true calling—thanks to inspiration from legends like Slash and Kirk Hammet. By 16, he was shredding as lead guitarist for Tellurian Truth  and hasn’t stopped since, racking up live gigs everywhere from NY clubs to ABC's "Like It Is"  and The Apollo Theater . With five solo albums under his belt and a sixth on the way in 2025, this solo artist isn’t just a rock journeyman—he’s collaborated with giants like Derek Sherinian  from Dream Theater, Gene Anderson  of Parliament-Funkadelic, and Swedish electronic producer Ooyy . His latest track, “The Astral Projector,” is an instrumental journey with moody, driving guitar riffs and an underlying beat that creates an atmosphere of suspense. This track highlights his lead guitar focus, where the electric guitar takes center stage, carrying listeners through a blend of mystery and melancholy. Starting his musical path on the alto sax, Mancuso picked up guitar at 15 after being captivated by legends like Slash and Kirk Hammett. From there, he dove into rock, metal, and fusion, eventually founding bands like “Aeodema” and performing live everywhere, from New York clubs to the Apollo Theater. Over the years, he’s collaborated with artists across genres, from Dream Theater’s Derek Sherinian to electronic producers like Ooyy. In “The Astral Projector,” Mancuso’s skill as a solo artist shines. His guitar work cuts through the track, and the subtle beat keeps things moving in the background, balancing intensity with moments of introspection. It’s one of those tracks that sharpens focus—perfect for putting on while you’re working, driving, or just needing to get lost in thought. Mancuso ’s rich history and refined technique make “The Astral Projector” a standout addition to his already impressive lineup of solo albums.

Forget struggling for your art. Forget the starving artist trope. In today’s music industry, the best way to measure success is in streams—and stocks. Yes, we’re talking about the artists whose net worths are hitting Billionaire Status (cue fancy echoes) and who manage to rake in millions each year by doing…well, pretty much nothing at this point. They’ve built empires so efficiently that they could sit back and let the royalty checks roll in. Here are the top five chart-toppers in the “I’m Rich and You’re Not” genre. Check out these top billionaire music artists. 1. Jay-Z Net Worth:  $2.5 Billion Income Streams:  Music, liquor, luxury brands, tech, and anything else he’s had a second to invest in. Shawn “Jay-Z” Carter isn’t just a rapper; he’s practically the music industry's Warren Buffett. Beyond his lyrical talents, he's got stakes in everything from champagne (Ace of Spades) to cognac (D’Ussé) to his record label, Roc Nation. Oh, and there’s Tidal, his "artist-owned" streaming service (though he eventually sold it to Square for a cool $297 million). It’s like he looks for every industry ripe for disruption, swoops in makes a fortune, and then casually sells it for even more. Does Jay-Z still record? Occasionally, but he doesn’t have to. His music legacy may be iconic, but his Midas touch has kept him at billionaire status. 2. Rihanna Net Worth:  $1.7 Billion Income Streams:  Fenty Beauty, Savage X Fenty, music (when she feels like it). Remember when Rihanna used to release music? It feels like forever ago because nowadays, she’s your go-to source for high-end makeup and lingerie. The only album she’s releasing is one filled with shades of foundation. Fenty Beauty has been her ticket to billionaire status, and she barely needs the music world to keep her on top. Fans have begged for years for her new album , but why should she hustle when her makeup line rakes in nine figures a year? At this point, the album is a myth—like Bigfoot or punctual public transit. 3. Kanye West  (Yes, even after the controversies) Net Worth:  Currently fluctuates, but once peaked near $1.8 Billion Income Streams:  Music, Yeezy brand, deals with Adidas, and, of course, headlines. Love him or loathe him, Kanye West knows how to turn chaos into cash. Sure, he lost a billion here and there with his Adidas fallout, but with his Yeezy brand and music royalties still stacking up, he remains comfortably within the millionaire—if not billionaire—range. His albums may still generate revenue, but it's his fashion ventures that have turned him into a mogul. Ye does music like a side hustle these days, showing up just when you thought he’d been banned from every social media platform known to man. 4. Taylor Swift Net Worth:  $1.1 Billion Income Streams:  Record-breaking tours, re-releases, merch, and good ol' songwriting. Taylor Swift is proof that pop stardom can pay and then pay again. Her recent Eras  tour generated more money than some countries' GDPs. And, in a plot twist  fitting for Swift herself, she’s re-recording her entire discography just to reclaim the rights. It’s like recycling but with Billboard hits. Taylor’s so big now that her tour has become an “era” of its own. She might make music, but she’s really  in the business of nostalgia—and making bank on it. Her fans wouldn’t even blink if she sold Swift-branded oxygen at this point. They’d buy it. 5. Dr. Dre Net Worth:  $850 Million (it was a billion at one point!) Income Streams:  Beats by Dre, music, producing other artists, and just…being Dr. Dre. Dr. Dre might not have dropped an album in forever, but that’s because he has Beats by Dre money. Do you remember those headphones? The ones everyone had in the 2010s? Apple paid Dre $3 billion for the brand, making him a near-billionaire in one sale. Since then, he’s kept a low profile, with occasional appearances and even rarer music. What’s a little more music revenue when you've got Apple money? Dre proves that sometimes, making one smart business move can eclipse a lifetime of hits. These five artists don’t just break records—they cash in on them. Talent can take you far in the music world, but smart investments take you farther. If you're an aspiring artist hoping for a multi-million dollar empire, you may want to swap out the studio time for a good financial planner.

SUMiT has a story to tell. It’s a journey marked by resilience, raw talent, and a refusal to give up. And his latest single, “ Tale of an Underdog ,” is the anthem that captures it all. This rising artist is on fire and unapologetically tearing up the scene. After dropping 23 singles in 23 weeks —yes, you read that right, twenty-three songs in twenty-three weeks—they’re making it clear they’ve got a relentless work ethic and no plans to chill. SUMiT has collaborated with heavy hitters like Fabolous , Sean Kingston , The Hoodies , and OT the Real , and opened shows for legends including Rick Ross , Soulja Boy , and Jay Critch . They even managed to snag a spot at Travis Scott's Boston afterparty —not your average gig! This artist isn’t just performing either; they’re creating and directing music videos for tracks like  Dollars Matter ,  Ghosted , and  Yeah Yup and delivering fierce live freestyles on shows like  My Train of Thoughts  and  Dumb or Lit . Did we mention they snagged first place in DJ Cosmic Kev’s Artist Showcase in Philly? It’s safe to say they’re on a fast track to the top. When SUMiT first heard the beat for this new track, he felt something shift—a deep, emotional pull. He describes it as a song that “wrote itself,” an experience that brought him back to the struggles he’s faced as an emerging artist.  From hometown gossip to family doubts, SUMiT paints a vivid picture of the obstacles that often come with chasing a dream. With a blend of reflection and grit, he turns these challenges into fuel, channeling the frustrations and doubts into a track that feels both personal and universally relatable. Raised in Worcester, MA, SUMiT’s journey in hip-hop is built on determination and years of honing his craft. He’s spent over a decade refining his voice and style, influenced by legends like Biggie Smalls and Jay-Z, and driven by a mission to bring his own truth to the mic. Today, his music is as layered and diverse as his experiences, marked by a blend of East Coast lyricism and a powerful emotional core that can resonate with listeners from all walks of life. Each line of “ Tale of an Underdog ” reflects SUMiT’s resilience, purpose, and desire to rise above. And for those who’ve ever felt underestimated, SUMiT’s message rings clear—sometimes being the underdog is the best place to start.

Mike Teezy is in a league of his own, blending the soul of gospel with the bounce of trap in a way that feels fresh and real. Born in West Virginia and raised in North Carolina as a preacher’s son, Teezy has always walked with faith. But life hasn’t made it easy—after surviving two near-paralysis scares, he’s learned how to lean into God’s grace and come out stronger every time. His music reflects that journey, uplifting listeners with joy, grit, and gratitude. His new track, “NEW LEAF (Turning the Page),” is all about fresh starts and forward motion. The beat is packed with energy, produced by UK talent Joshuah Matthew Wiehahn, and Teezy’s smooth flow rides right along. With a message that encourages listeners to “turn the page” and trust God’s timing, Teezy’s lyrics feel like a warm push toward positivity and growth. The video for “NEW LEAF” doubles down on that message, swapping sunny, laid-back vibes for a neon-lit dance party. Directed by Will Thomas, the visuals are electric, with Teezy rocking a sharp white suit that gives a nod to Michael Jackson’s iconic style. He dances and raps; through it all, his energy never drifts from his purpose—spreading God’s word with joy. “NEW LEAF” is the next step in Teezy’s evolution, and it’s clear he’s just getting started. Congratulations on releasing your soulful and inspiring song, “NEW LEAF.” If listeners could take away one piece of wisdom from your song, what would you hope it to be? The main piece of wisdom to take away would be that it’s never too late to make a change for the better. In the song, you encourage listeners to embrace a fresh start. How do you personally handle setbacks or moments when turning the page feels tough? Personally, when I feel like I’ve missed the mark, I lean into God even more. The misconception of being a Christian is that you’ll never mess up again. But in reality, coming to Christ means you know you’re a mess and need His help! You may fall, but don’t stay down. You can get back up and start over again. You’ve spoken about surviving two near-paralysis experiences. How did those challenges shape your faith, music, and approach to life today? Both of those experiences showed me that there is nothing impossible for God! So, my faith in Him is unwavering. I share my testimonies in a lot of my songs to let others know God can impact their situation(s), too. I revere and thank God daily for what He’s done. Everyday I get to wake up is a blessing. Combining trap and gospel is quite unique. What do you hope listeners take away from this fusion? People love to box in the sound of Gospel/Christian music. I just pray that when people listen to my music, they understand that God can use any genre of music to get the glory. What’s it like balancing being true to your faith while pushing creative boundaries in the music industry? Have you ever felt any tension between the two? This is a great question! For me, my walk with Christ is my main priority. The music is just the fruit of my journey. There have been times earlier in my career when I sought approval from the industry. Around that time, I was so focused on what I thought the industry wanted that I wasn’t concerned with what God wanted me to do. But now, my focus is on the will of God for my life. Instagram Facebook

Trinelise Væring’s latest single, “ I’m Not A Quitter ,” is a gritty Americana track all about resilience.  Wrapped in dobro slides and Western guitar twangs that hit with the same force as her lyrics, this song feels personal, like a peek into the mind of an artist who’s been through the wringer but still won’t back down. The inspiration for “I’m Not A Quitter”  came after Væring stumbled on an interview with Canadian singer-songwriter Kathleen Edwards, who had stepped away from music to open a café called “Quitters.” That word stuck with Væring—so much so that it encouraged her to write a song declaring the exact opposite. “I’m not done yet,” she sings, defiant and determined, “I’ll sleep when I’m dead.” Væring recorded the track in Vancouver with producer John Raham, infusing it with a rustic, bluesy feel that captures the song’s unpolished energy.  The creative process was spontaneous— Væring admits she wrote it mid-dinner prep and recorded the first demo on her phone. That unfiltered spirit carries into the final version, making the track feel as organic as the moment it was born. “ I’m Not A Quitter ” sets the stage for A Songwriter’s Odyssey , her upcoming album which will be released on January 21, 2025. Here, Væring weaves Americana influences and pushes herself into new creative territory with a determined, reflective spirit.  Welcome to Buzz, Trinelise Væring .Your latest song, “I’m Not A Quitter,” draws on themes of resilience. What inspires you to keep yourself determined on your hardest days? It’s not that hard for me to stay determined since I am obsessed with music in many forms and styles, so despite the disappointments and setbacks that we all encounter in this industry and in life in general, music always draws me back in. I studied different things, like attending architecture school as a young woman, and in recent years, I earned a master’s in communication. But as much as I love learning new things, I find there is always a new song I need to sing, making everything else seem less compelling. I do think it is easier to keep going when you get your kicks from the music itself rather than from being the center of attention or from being on stage. With that kind of motivator, you are more vulnerable. I am trying, though, to learn not to bang my head against locked doors and to stop myself from sending ten more emails when one is rejected. I do need to learn to take a step back now and then. So, in fact, I need to learn how to quit - at least for a while. The song’s recording came together quickly. Do you feel spontaneity often brings out the best in your music, or do you usually prefer more structured songwriting? I usually work on my songs for quite a while, so this one was more of a “one-off,” so to speak. However, for the first draft of a song, I find it always works best to stay in the creative flow and not step away from it before I get the first framework of the song. It is super important not to judge yourself during this stage of the creative process and to try to accept whatever comes out. I usually say you have to write that “bad” song you think you’re writing, as it clears the way for the good song waiting right behind it. Often, with a few adjustments, that first song turns out to be a good song, too. That’s pretty much what happened with “Quitter.” I was sure it wasn’t any good; there were too few chord changes, and it seemed too easy to write to convince me in the first place. But that just goes to show. You recorded this song during a period of creative renewal after lockdowns. What did that break teach you about your relationship with music, and how did it shift your approach to this new album? That break was good for me - and for many other artists, too. Not financially, of course, but in terms of focus. In a regular day-to-day with live gigs and family etc, it is not always easy to carve out time to develop new material and stay in that creative flow I mentioned before. Every time you open social media, you see the other artists on tour and think, “Oh, I can’t just sit here and write; I need to be out there.” But taking a step back to focus while developing new material is important - at least for me. During lockdowns, I also discovered that, contrary to what I thought, I was fully motivated without getting any of that audience love and on-the-road-buzz. I just closed my door and got down to work. Having realized that about myself has made me stronger. I now think of my drive as a kind of secret superpower- something within me. I feel more resilient, probably, and more grateful even. Americana and alt-country are new genres for you. Do you feel like these styles allowed you to express parts of yourself that might not have fit within your previous musical work? I can’t honestly say Americana is a new genre for me, but writing and releasing a whole album in that style is new. And leaning into that more straight country vibe on several songs is new. Furthermore, in country music, it seems to me that there is no other agenda than writing the best song. The songs are the heart of the genre. I have, of course, always strived to write the best possible songs, but in Jazz, for instance, where I started out, there is a different agenda since improvisation is such an important part of it, and you need to think of your songs as vehicles for improvisation too. In pop, the production itself often seems to be the focal point. I also work with a 10-piece band, Tone of Voice Orchestra, where we have a very unorthodox instrumentation, four vocalists, hurdy-gurdy, bagpipes, saxophone, etc. In that game, the orchestration plays a big role when we write. Whereas when I was writing and recording my new album, my focus was all about my songwriting. So, to answer your question, “yes,” those styles allowed the songwriter in me to take the spotlight. What role does vulnerability play in your music? Do you ever feel conflicted about sharing so much of yourself in your lyrics, or is that honesty essential to your process? I do try to be bold and not hide behind my songs. Even when the protagonist isn’t me, I often sing in first person because I want to take responsibility for the character, and the story she “tells” is mine anyway. With this album, I specifically decided I wanted to lay the cards on the table, so to speak. I wrote the first song after hearing a song by the Scottish singer-songwriter Josienne Clarke. As I remember it, she had a line that went, “it’s not Chicago’s fault, no one came to see my show.” I remember thinking, wow, that is bold! We are all so used to going on social media and writing, “Thank you, xxx city, for coming out.” Even if the turnout wasn’t great, we post a selfie that doesn’t expose that fact. We keep up appearances and perform. I decided I wanted to write lyrics with something at stake. And I have tried to keep that in mind while writing the album. I admit, there is one song - “Getting the Hang of Being a Failure”- that I am slightly worried about in that respect. It could be misunderstood and backfire because some might hear it as defensive or pathetic. I’ll have to wait and see how that goes down. Instagram Facebook

She can go for hours and hours, don’t you know? With their latest single, “Hula Hoop,” The Infamous HER brings a playful swagger straight from New York’s Lower East Side underground scene to your airwaves. Frontwoman and self-proclaimed “hula hoop queen” Monique Staffile once again infuses the track with enough energy to steal your attention, effortlessly mixing glam rock attitude with flirtatious pop energy. As The Infamous HER continues to serve up heavy doses of glammed-up pop and rock goodness, we’ll watch their journey unfold with our undivided attention. Something that’s allowed The Infamous HER to enjoy such a positive audience reception is their willingness to be their campy, confident selves. They’re not afraid to be silly or self-aware, which endeared them to their fans. Their releases are like little stories unto themselves, with the unfiltered, authentic feeling that defines them, lending energy to their releases that resonates with listeners young and old. Each song feels like a celebration of their carefree artistic spirits, and when the music is that good, the energy feels unstoppable. The Infamous HER’s latest release, “Hula Hoop,” is rooted in a fittingly fun and nostalgic memory. It’s based on an old VHS of lead singer Staffile hula-hooping at her sixth birthday party. Fittingly, it’s a release jam-packed with spirit; heavy guitar riffs team up with thunderous drum play to form the backbone of an electric instrumental performance. Dropping lines like “You think it’s simple, then show me what you go /  You got the spotlight, why don’t you give it a shot,” Staffile’s distorted vocals amplify the energy of this release, making her enthusiasm infectious. “Hula Hoop” is a flirty, feel-good track that’s as unapologetically fun as catchy. It’s destined to get your hips swinging and bring a smile to your face, and if you’re lucky, evoke some fun memories along the way. We loved your new release, “Hula Hoop,” and wanted to ask! What was the inspiration behind this release, and how did it feel when you heard the finished version for the first time? I Was sitting in the studio writing with my band when I pulled up an old VHS tape from my 6th birthday party, where I was Hula Hooping. My parents were counting, and by the time they got to 500, my band turned to me, calling me the "Hula Hoop Queen." And BAM! That inspired us to write and record the song. We wanted a vintage vibe, and we caught that vibe immediately. What inspired you to take that initial step to pursue music seriously, and what motivates you to make music now? I would suck at doing anything else, and playing, writing, and recording music is the only thing that never felt like a job, so my lazy ass figured, if It doesn't feel like work, then that's the work meant for me. What’s your fondest music-related memory? And also, you made a music video to go with “Hula Hoop” right? What was your favorite part of seeing the vision for the video come to life? My "Fondest" memory is when I was 13. I had a band in NYC called KlonkuBine, and we had a show on the streets in Tribeca for a bar's (Yaffa's) anniversary party. Rocking out on my Gibson guitar, wearing a leopard mini skirt and docs, was the sh*t. What do you want your fans to feel when they hear your music? I want them to feel like Tinkerbell just grabbed them and took them to never-never-land What’s next for The Infamous HER, and is there anything you’d like to say to your fans? As we promote this record and new album, we are starting to write our next one. We will always be touring and creating new material, and to my fans, "Don't Wear Fur." Luv ya! Instagram Facebook

Staten Island singer-songwriter Alyssa O'Toole lays down some bittersweet confessions in her latest alt-pop anthem, "i Admit iT." The 25-year-old singer-songwriter has been carving her lane in the music scene for over four years. Since releasing her debut EP, Safe House, in 2020, she's been steadily dropping pop singles that showcase her evolving sound and songwriting skills. With "i Admit iT," O'Toole takes a grittier turn, blending alternative pop with touches of grunge. The result is a raw, emotionally charged track that's bound to resonate with listeners. Expanding on "I Admit iT," we're met with dark, grunge-esque guitar licks alongside airy drums that keep our heads nodding. O'Toole's vocals are both vulnerable and powerful, perfectly capturing the conflicting emotions of a relationship in turmoil. The lyrics paint a vivid picture of confusion and longing, with lines like "I can't figure you out, I admit it" serving as a brutally honest refrain. What really sets "i Admit iT" apart is its infectious instrumentals. The guitar riffs are particularly memorable, adding a layer of energy that contrasts beautifully with the song's introspective lyrics. It's powerful, catchy, and ready to sit at the top of your playlist. When you're looking for a new breakup song from the heart, this is it. Hear it yourself and find Alyssa O'Toole's new single, "i Admit iT," on all major streaming platforms. Welcome to Buzz, Alyssa! Congratulations on the release of your emotionally charged single, "I Admit iT." What inspired you to create this song? I actually wrote this song nearly 3 years ago. What heavily inspired me was hearing the instrumental alone. Once I heard it, I knew this was going to be effortless to write. I hit record and sang whatever came naturally to me; the rest was history. This is the first single I engineered myself. I wasn’t sure about releasing it until a few months ago. I went back and listened and thought, “Why haven’t I put this out yet?” I had such a great song sitting in my files on a MacBook, waiting to be played for years. Your biggest song is probably sitting in files, too. Don’t let self-doubt prevent an amazing creation from getting the recognition it deserves. It’s about building the confidence to release it! I started to focus on being unique rather than aiming for perfection and set realistic expectations for myself as an artist. The guitar work in "i Admit iT" is fantastic. Can you tell us about the process of creating those catchy riffs? The production behind this song is extremely powerful. I feel that creativity comes from making various attempts. I like working with riffs that don’t sound like songs already made. I enjoy making music that’s unique, where you hear a certain riff or beat come in, and you know it’s my song or say, “yep, that’s Alyssa O’Toole.” Your lyrics in "i Admit iT" are very introspective. Was it challenging to be so open and vulnerable in your songwriting, or does that come easy to you? Songwriting, in general, has always been very easy for me. I like to compare it to poetry. Honestly, I think of myself as a poet more than a songwriter. If you read the lyrics to any of my songs, you’ll see the poetic side of it. Without the music, they’re all poems. I always describe my writing process as a voiceless voice that brings words to me. I truly don’t know where it comes from, but it’s like I can hear the lyrics before I sing it.  "i Admit iT" feels like a shift from your previous pop releases. Was this a conscious decision to explore a new sound? Of course! I love working with many different styles of music. I have songs made for different genres, including rap, hip/hop, rock, R&B, EDM, etc. Overall, I make pop music. It’s essentially incorporating a little bit of everything while mixing the old with the new.  What do you hope listeners feel when hearing "i Admit iT?" I hope my listeners feel pumped and empowered when hearing my single. This is definitely a song where you can’t help but sing along! I make my songs repetitive purposely so it’s easy for the listener to jump in and feel a part of it, too! Instagram

Oklahoma-born singer-songwriter Michael Babb turns up the heat with his latest country single, "Chili Pepper." This multi-talented artist isn't just a country crooner—he's also been a family physician for over 30 years. Babb's unique background infuses his music with a blend of life experience and musical passion, drawing inspiration from classics like The Beatles and Dolly Parton, as well as modern hitmakers like Ed Sheeran and Taylor Swift. In his newest single, "Chili Pepper," Babb serves up a clever twist on the classic country love song. Co-written with John Colgin and Reid Brannon, the track blurs the lines between a spicy pepper and a red hot romance. Diving deeper into "Chili Pepper," the track immediately sizzles with upbeat energy. Babb's vocals are warm and inviting, perfectly complementing the song's playful lyrics. The production, helmed by Daniel Ford of DR FORD Productions, adds an extra layer of polish, with studio wizards Chris Condon and Caleb Mundy bringing their A-game to create a sound that's both radio-ready and distinctly Babb. We're head over heels for the song's clever wordplay. Babb weaves the metaphor of a spicy pepper throughout the song, creating a fun, memorable hook that'll leave you singing along in no time. It's the kind of track that makes you smile, tapping your foot and maybe even reaching for a glass of water to cool down from all that lyrical heat. Craving some sweet heat in your playlist? Spice things up with Michael Babb's "Chili Pepper," now available on all major streaming platforms. We're loving the spicy vibes of "Chili Pepper." What inspired you to write a love song with such a unique twist? I was sitting in a restaurant mixing hot red pepper sauce with my ketchup to kick it up a notch for my fries. In this case, it was Tabasco (I love all kinds of red pepper sauces). The cap on the bottle was red. I thought, "I love hot sauce. I love this redheaded bottle of Tabasco!" I took the idea to John Colgin and Reid Brannon during one of our writing sessions, and they understood immediately. We personified the red pepper as a farm girl, and the song was written. What was your songwriting process like with John Colgin and Reid Brannon for "Chili Pepper?" Did you have a specific 'muse' in mind? The process typically starts as a conversation about what is on our minds that day. Sometimes, we write about recent happenings. Occasionally, we share some "hooks," catchy words or phrases. When we find a common hook, we write lyrics and eventually put an appropriate melody and vibe to the song. The production on "Chili Pepper" is top-notch. Can you tell us about working with Daniel Ford and the studio team? DR FORD PRODUCTIONS Daniel Ford has been producing multiple genres of music in the studio for over 20 years. He has produced more than 50 songs for me since 2019. He has vast experience in Nashville and L.A. He can immediately grasp the idea that I have for the overall vibe. Along with Chris Condon (guitars) and Caleb Mundy (bass); Daniel and crew create the music for the song, I call them studio magicians (a play on studio musicians). They take the demo of rough coal and polish it into a diamond. I do the vocals and have often been in the booth for hours recording a 4-minute song. Daniel expects nothing less than perfection. What was your favorite part about creating "Chili Pepper"? What moments or experiences did you enjoy the most? I loved how John and Reid lit up when I explained how I came up with the idea. They are chili pepper fans as well. We had a great time comparing a farm girl's beauty to the beauty of a chili pepper. Then, when I took the song to the studio, Daniel, Chris, and Caleb immediately grasped the vibe and laid down infectious tracks. Pure magical genius. How do you want listeners to feel when hearing "Chili Pepper"? What was your goal in that respect? I want the listeners to forget their troubles, smile, and follow the story of falling in love, even if it is with a chili pepper... LOL. And, if the song is stuck in their head all day, I consider that a bonus. Enjoy!

Los Angeles hip-hop artist and producer Joey Supratta delivers a powerful opening statement with "Praise to the Most High (Intro)," the lead track from his new album of the same name. As CEO of Supratta Music Group and a respected figure in the industry, Supratta has been busy collaborating with major artists like WESTSIDE BOOGIE and REASON. His music blends classic 90s hip-hop influences with modern production, creating a sound that's both timeless and timely. The 94-second intro track serves as a perfect gateway into Supratta's latest album. With dark, atmospheric production and razor-sharp lyrics, it immediately establishes the project's tone and showcases Supratta's skill as both a rapper and producer. "Praise to the Most High" grabs you by the throat and doesn't let go. The ominous instrumental, driven by hard-hitting drums and hazy melodies, creates the perfect backdrop for Supratta's bold delivery. His flow is precise and calculated, each bar landing with impact while his clever wordplay keeps us rewinding to catch every reference. This intro track packs so much intensity into such a short time. Rather than feeling rushed or incomplete, the track's conciseness works well—leaving us hungry for more. It's a masterclass in setting the tone for an album and leaving listeners wanting the whole thing. Ready for impact? Find Joey Supratta's full album, Praise to the Most High, on all major streaming platforms. We're blown away by the intensity of "Praise to the Most High (Intro)." What inspired you to open your album with such a powerful statement? I appreciate you taking the time to listen! I felt opening with an intense record would grab the listener right from the start. The intro to the album gives you something you'd hear on a radio show freestyle segment where an artist showcases what they can do, focusing on punchlines and that lyrical skill of "connecting the dots" that hip-hop fans love. It never hurts to remind other artists and listeners just how sharp your blade really is.  The production of "Praise to the Most High (Intro)" is incredible. As a rapper and producer, what does that creative process look like for you? Regarding creativity, I don't have set steps that I tend to follow. Sometimes, I'll produce something that I have no intention of using, but to me, that's a crucial part of engaging your creative mind. For this album, though, I'd say 90 percent of the records were recorded without writing at all. I would open up a session with certain productions I wanted to use and let my mind do the rest. Piece by piece, the lines would come to me, and with each line, I'd memorize the one before it until the entire verse was finished. I thought of it as another way to strengthen my creative ability by letting the words come naturally. When it was all said and done, I really enjoyed recording this album using that process.  Could you expand on the overall concept and theme of the full project,  Praise to the Most High ? What does this album mean to you? Praise to the Most High is giving all praise to God. I know some may see that as contradicting given the nature of a few of these records, but in reality, God is the one who blessed me with this ability to create. To me, this project shows the struggle of taking matters into our own hands and trusting God's timing in life. For example, in my record, " Everything's Fine ?" I open my first verse with. " Stuck between manifestin' and asking God for direction. I've had enough of unanswered questions. In need of some time to reflect but can't come to peace with my own reflection... " and that does stem from what I, and the majority of people, deal with daily. Another example is my record " Water To Blood (Interlude)" . That record is symbolic for having God on your side and exposing the ones who choose the opposite. A few lyrics that support that are "..DND, we focused. They ain't be lending no hands unless it's the one that they sold their soul with. They hopeless. Stuck in they mind, hypnosis " as well as " Water the blood just like I was Moses. Look for the flood, the water's erosive. I'm trying to make it to Heaven. So why they keep saying that hell is the closest " Throughout the album you'll hear references to God as I remind myself not to lean not on my own understanding.  Which track from  Praise to the Most High  did you enjoy creating the most? Could you tell us about that process? That's a tough one. I feel my creative mind wanders more often than not. A different feeling inspired each record, but if I had to choose, I'd say, " Everything's Fine? " It was one of my favorites. When making that record, I feel I really tapped into versions of myself that not many see. The question mark in the title symbolizes how we tend not fully to believe ourselves when saying that phrase. The contradicting hook going back and forth is nothing more than our inner monologue trying to convince ourselves that, in fact, everything's fine, but in reality, everything just might not be. The last line of my second verse sums it up perfectly. " Just let me hide while I put up walls. And let me tell you lies while my eyes are begging you just to get involved. "  Aside from that, the records I have featuring major artists were a big accomplishment to me. "For Real" feat. WESTSIDE BOOGIE ( Shady Records ), "Playground" feat. REASON (formerly signed to Top Dawg Entertainment) , and "Stop!" feat. Cozz ( Dreamville Records ) will always be three of my all-time favorite records. What do you hope listeners take away from the full album  Praise to the Most High ? I want listeners to take away whatever they need from this album. I want these records to mean something personal to them, just as they meant something personal to me. Music can be interpreted in many ways, and that's the beautiful part of creativity. I wanted to showcase my lyrical talent, the fact that I can keep up with signed major artists, and records that show a deeper side to my creativity. At the end of the day, I just want listeners to enjoy this project and keep it in their rotation, and I hope at least one of these records can help them get through whatever it is they're going through in life.  Instagram Facebook