Artist James 'Biscuit' Rouse is the next feature here on BuzzMusic! Prepare yourself now for his blend of eccentric and harmonious stylings. James "Biscuit" Rouse is best known for his ability to mix and master tracks but applies his artistry in many, many more ways. If you're wondering how to categorize the soundings of James "Biscuit" Rouse, just know you might find yourself with difficulty. His soundings are complex, integrative, and smooth. However, they incorporate such a variety of synths, instrumentals, and overall soundings that are intricate on their own, but once combined, creates a sophisticated and baroque atmosphere. The greatest component of James 'Biscuit' Rouse is the kind of music he's able to provide for various sorts of environments. You can play James' soundings during robust dinner parties, or when you want to wind down. His music is multi-functional, which makes him stand out to us all the better!
James 'Biscuit' Rouse has written and produced "Igazi Panzi", which is an instrumental track incorporating very sensual and alluring soundings. James 'Biscuit' Rouse has been involved with the music scene for almost a decade, taking the time to craft his artistry as a drummer, bandleader, singer, songwriter, and producer. With all of the pivotal experience James 'Biscuit,' Rouse has acquired, his music has more of a refined and colorful effect. We start off "Igazi Panzi" with that sultry appeal, yet it quickly goes into more of an open and free atmosphere once an eclectic mix of instrumentals is combined. We receive a faint jazz ambiance with "Igazi Panzi" combined with a funky/soul effect, which makes for an instrumental track you'll want to move along to, without a doubt!
Listen to "Igazi Panzi" by James 'Biscuit' Rouse here.
Hey James! Thanks for giving us a chance to talk with you about "Igazi Panzi". Where did your inspiration stem from in order to curate this instrumental track?
Thx you for checking out my song. So my inspiration came from going to Ghana to do a gig with Lauryn Hill and in Spain and a few months later with the Screaming Headless Torsos I would go out to museums, market places, and nightlife; experiencing the culture.
As an artist who's involved in a multitude of projects, how do you organize your inspirations and creative ideologies accordingly?
I feel it’s all relative everything helps you grow. It is important to keep each individual artist music true to themselves and remember it’s not about you. Unless it’s your music and even then it’s still not about you it’s about touching people and making them feel. And speaking of being true "Igazi Panzi" is part of a full-length project that I will be releasing this later this year and in the early spring I will be releasing a tribute record to the legendary great drummer/vocalist Buddy Miles.
Out of the various musical aspects, you involve yourself in, such as drumming, producing, writing/recording, which component of the music scene do you prefer over the others?
I can’t really say. It’s all really producing a product in the moment. I love all aspects both good and bad. One hat when working on my projects which involve playing drums, singing, writing and producing but another hat when I am the musical director or just playing drums for others. And yet another hat if I am producing, writing and/or collaborating with others.
You're an artist who heavily collaborates with others to execute your produced tracks! How do you find the collaboration process with other artists, and how did you find it particularly for "Igazi Panzi"? "Igazi Panzi" flowed very well and had an eclectic projected ambiance. What was the overall environment you were looking to create with this song?
The environment is for people to dance. “Igazi Panzi” in particular for black people, African people, Latin people from every continent to celebrate our mark on building & creating the foundations the world.