Search this site

Los Angeles-based alt-pop artist Betty Moon has never been one to follow the crowd. Over the course of her multi-decade career, Moon has turned creative independence into both an ethos and a business model, one that continues to fuel her longevity in an industry that’s constantly evolving. After launching her career with A&M Records, Moon made the bold move to go fully independent, establishing her own label, Evolver Music, to gain complete control over her sound and vision. Since then, she has released more than ten albums that blur the lines between rock, soul, punk, and electro-pop. The result is a body of work that’s unapologetically her own, full of energy, emotion, and an unmistakable sense of authenticity. Moon’s catalog includes a number of standout singles, such as “Life is but a Dream” and “Sound,” which have charted and remained staples in retail and radio playlists around the world. Her music has also found a home in film and television, with placements in Californication, Dexter, Teen Mom: Young & Pregnant, Bounty Hunters, Walking the Dead, and the upcoming feature Butter. As an independent artist, Moon has built a global following through consistent releases, visually striking videos, and an unrelenting DIY spirit. Her work has garnered praise from Exclaim!, Huffington Post, Celebmix, Ask Men, and Rawckus, further cementing her reputation as a genre-defying force in the modern music landscape. Her most recent project, Undercover (2022), serves as a reflection of everything Moon has built, an artist in full command of her craft, unafraid to take risks, and constantly evolving. Whether she’s producing in the studio or connecting with fans online, Betty Moon stands as a testament to what’s possible when passion and independence intersect.

Jorden Albright  isn’t just making music, she’s conjuring it. On her new single “Habit,” the Knoxville-based artist blends hip-hop, pop trap, and a dose of divine feminine energy into something that feels less like a song and more like a ritual. Known for her dreamy electro-pop sound and ambient textures, Albright now dives headfirst into darker waters, and it suits her terrifyingly well. From the jump,  “Habit”  sets the tone with commanding self-talk:  “The song is about to start. Okay, I’m gonna do an abundance ritual.”  It’s part manifestation, part mantra, and all boss energy. Albright takes the often-misunderstood language of spiritual hustle and filters it through hi-hat spells and 808 smoke. The result is a track that bangs and breathes intention at the same time. Lines like  “Keep my spirit fed off all this bread, that’s just my habit”  bridge the sacred and the material, reimagining money, success, and self-worth as forms of spiritual practice. This isn’t toxic positivity, it’s alchemy. Albright’s flow is confident but not performative; her cadence snakes between silky and sharp, holding the listener in the kind of trance you only snap out of once it’s over and you hit replay. Production-wise, the record glows with precision. Each ad-lib, bass thump, and atmospheric layer feels placed with intention, like sigils in sound form. It’s got the head-nodding rhythm of a hip-hop club banger but the aura of a midnight spell circle. Following her 2024 project  Pretty Party , praised by  Earmilk  for its “delightfully dynamic” range,  Habit  feels like a statement piece. It’s proof that Albright can shapeshift genres without losing her essence. If  Pretty Party  was her ascension,  Habit  is her manifestation. “Doing magic takes practice,” Albright says. “But once you find your rhythm, it’s just habit.” With this release, she doesn’t just talk about it; she proves it. “Habit” feels like both a trap banger and a spiritual ritual. Where did that concept originate? The song feels very reflective of where I am in life right now. I’ve put the work in and fumbled a lot, but I’m finally in a place where I feel confident in my ability to call abundance into my life. And we're shaking ass at every turn. You’ve said manifestation becomes “second nature.” What real-life habit inspired this track? I’ve fallen into this habit of believing in my worth plus tax. Learning to see the abundance in every situation and building upon that. It’s this journey from my first Google search years ago about ‘how to manifest’ to now understanding it on a soul level. The intro feels like a genuine ritual. Was that a real recording or creative direction? Just a little skit moment that gives you a preview of the track’s energy. It’s also a shoutout to my hometown, Memphis. We’re talking Bass Pro Shops Pyramid levels of opulence. How does your Knoxville background influence your sound and energy? I’m a Knoxville transplant, and I’m happy to have been accepted so fully in the music scene. We don’t see a lot of pop trap moments out here, so it always inspires me to lean even more into my own style. If “Habit” were a spell, what would you want it to manifest for listeners? Abundance! More life! More love! In my perfect world, I would share the secret recipe to making their dreams come true through this track. But if the most they get from it is a witchy twerk anthem, that will be more than enough for me.

Los Angeles-born singer-songwriter Lara Wilson  is bringing heart and soul back to Electro R&B with her latest single, “ Twist of Fate .”  The track doesn’t just sound good, it feels lived-in, personal, and achingly real. It’s not a fantasy or a love song built in a boardroom. It’s the story of two people who grew up side-by-side, found their way back to each other, and turned that connection into something immortal through music. Written and recorded in just a few hours during a session with producers Chapters and Holly NuRock  (who also happens to be Lara’s husband), “Twist of Fate” captures lightning in a bottle. The song’s smooth, hypnotic production balances warm synths with soft R&B grooves, while Lara’s vocals pour out emotion with an effortless cool that still cuts deep. You can feel the chemistry between her and Holly; it’s more than musical; it’s spiritual. Their relationship, which evolved from childhood friendship to creative partnership to marriage in late 2024, fuels every lyric. The track is a testament to timing, faith, and the kind of patience that comes when you know something’s meant for you but life keeps making you wait. “ I hope people connect with the message behind the song,” Lara shares. “That life doesn’t always move in a straight line. Sometimes it takes patience, perseverance, and faith that a twist of fate can change everything in an instant. ” Having already earned love from Apple Music’s R&B playlists and features in Netflix campaigns, Lara continues to carve her lane, one built on authenticity and connection, not algorithms. “Twist of Fate” proves that the best stories aren’t written; they’re lived.

Brigitte Eve isn’t afraid to bleed a little for her art. On her debut EP Stitches of the Heart , the 19-year-old indie artist from Ontario unpacks the messiest parts of love with striking honesty. It’s not a sad-girl soundtrack; it’s a survival story. The opener, “Pretty Boi,” nails the digital heartbreak era we’re all guilty of living through. Brigitte Eve' s lyrics about scrolling through an ex’s life and confusing fantasy for closure hit way too close to home. The alt-pop production glimmers like nostalgia on a cracked screen, making the track both beautiful and haunting. “Space” takes on a different ache. It’s about wanting someone who’s already taken, that slow burn of jealousy and longing. Brigitte Eve' s voice carries it effortlessly, fragile one moment and fierce the next, like she’s trying to convince herself she’s over it even as she’s spiraling deeper. Then there’s “Fake Love Garden,” a highlight that blends soft rock warmth with emotional wreckage. The song turns betrayal into poetry as she sings about everything that was once perfect, now feeling plastic. It’s cinematic, vulnerable, and incredibly self-aware. What makes Stitches of the Heart stand out is how it refuses to wallow. Brigitte Eve ’s perspective is rooted in growth. “Being out of a relationship is a chance to rediscover yourself,” she says, and that lesson pulses through every note. Her voice feels lived-in, like someone who’s been through it and came out with a notebook full of truth. Brigitte Eve ’s fusion of alt-pop and indie rock feels effortless, pulling from the intimacy of Phoebe Bridgers and the attitude of Olivia Rodrigo. Stitches of the Heart is both confessional and confident, proving that Brigitte Eve isn’t just another heartbreak artist. She’s writing the manual on how to heal. You’re 19 and already writing about heartbreak with so much wisdom. What life moment sparked Stitches of the Heart? A specific moment that really sparked Stitches of the Heart was when I switched schools during my teenage years. It was a big transition for me personally. I was trying to figure out who I was, all while navigating new friendships and starting to date. That period opened a whole new chapter in my life. I began noticing that people around me were going through similar emotional experiences —heartbreaks, first loves, identity struggles — and it made me realize that this mess of feelings wasn’t just mine. It felt universal. That’s what inspired me to start writing from a more reflective and emotional place. “Pretty Boi” feels so real for anyone who’s ever stalked an ex online. How do you balance honesty and privacy in your songwriting? I strike that balance by using metaphors and keeping my lyrics simple yet emotionally charged. I think there’s power in subtlety; you can say a lot without revealing every personal detail. Songwriting, for me, is about being honest in how something feels, not necessarily documenting exactly what happened. That allows me to stay true to my experiences while still protecting parts of myself. There’s maturity and self-awareness in your lyrics. Where do you think that emotional depth comes from? Emotional depth comes from a mix of lived experience and how you process it. We all go through similar life events — love, loss, or change — but the way we internalize them is different. For me, I’ve always been a bit introspective, and with time, I’ve learned to sit with my feelings instead of running from them. That kind of reflection builds maturity. Also, songwriting helps me understand what I’m feeling, like it’s like therapy. Each track hits a different stage of heartbreak. If you had to pick one song that defines who you are right now, which would it be? Right now, the song that resonates with me most is If This Tour Doesn’t Kill You, I Will by PUP. It’s about the kind of relationship where you’re constantly clashing with someone, especially someone you used to love, or still do in some complicated way. That tension and emotional frustration are very real to me right now. Even without focusing on the lyrics, the rawness of the instruments and the chaotic composition hit me emotionally. It captures exactly where I am, in a way —angry, kind of heartbroken, but still trying to push through it. You mentioned this project is about rediscovery. What have you learned about yourself through making it, and where do you see your music heading next? This project really taught me that self-love isn’t just a buzzword; it is essential. I learned that loving myself is way more important than seeking validation or love from someone else, especially a man. Self-respect became a huge theme for me while healing from a breakup. Through writing these songs, I started rediscovering who I am outside of relationships. In the future, I think my music will still explore emotional vulnerability, but with a stronger voice and one that knows her worth and isn’t afraid to claim it.

Deva Mahal doesn’t just sing, she transforms. In the latest release from Grammy-winning producer Scott Jacoby’s new project Cantinuum, the powerhouse vocalist reimagines Cyndi Lauper’s 1980s anthem “Girls Just Want to Have Fun” as a stirring, soul-soaked ballad. What was once a bright pop celebration becomes a slow-burning reflection on freedom, femininity, and emotional truth. Guided by Jacoby’s visionary production and Sarah Tamir’s creative direction, Mahal’s version peels back the glitter to reveal the song’s core: resilience.  The daughter of blues legend Taj Mahal, Deva brings raw emotion and lived experience to every note, bridging past and present with stunning grace. Together, Jacoby and Mahal remind us that timeless songs never fade, they evolve. BuzzMusic caught up with both artists to discuss their collaboration, the creative process behind Cantinuum, and how reimagining the classics can uncover entirely new meanings. Deva, what drew you to "Girls Just Want to Have Fun," and what  emotional space were you channeling while recording it? When Scott came to me to be a part of this project and shared the concept,  I knew that the song we covered had to be one that I could deeply connect to. I needed to find a way in that felt genuine and authentic.   We looked at so many records, and none of them were as embedded in my fibers as 'Girls Just Wanna Have Fun'. It seems very poignant. Women, of all types, are facing a world where our very bodies are under attack and our very existence seems to be seen as a threat to some. I think about all the women who just want to have autonomy over their lives and live in peace. To be able to dream of a future where we are not judged by how we look, who we pray to, the color of our skin, or what is between our legs. We just wanna live.  I have been a fan of Cyndi Lauper for my entire life, and she has always embodied those themes for me. When I considered this song for the project, the pieces just fell into place, and it felt right for me, Scott, and Sarah. Scott, what made Deva the perfect voice to reinterpret such an iconic track? Deva is pretty much the perfect voice for just about anything. I'm a huge fan of her voice and artistry. The process for this particular track involved Sarah and me working with Deva to find the ideal song. We could have picked a song for her ahead of time, but it was very important that she feel a real connection to the message. After considering literally about 20+ songs, we hit upon "girls just want to have fun", there was a long pause, and then… "that's it!!!" it was the perfect track in all respects: ripe for a drastic reinterpretation, cindy is forever relevant, a depth in the lyric that could benefit from a different musical and vocal approach, and of course an iconic, era-defining song. It has all the elements. And Deva brought the passion and fire. How did the two of you approach balancing reverence for the original with creating something completely new? Sarah and I had a concept for the music that would really flip the original. It was essentially a triple flip because we not only drastically lowered the tempo, but we also changed the feel of the rhythm from straight time to triplet-based time feel, and we reharmonized the chords. So all of the major qualities of the original song were changed. What remained was the melody and lyric, to which we paid the ultimate reverence. We wanted to honor the original song, while at the same time doing something totally fresh. The goal of the arrangement was to create a soulful soundscape that was dreamy and sentimental, a mix of earthy grit and heavenly air. The sound that opens the piece was meant to evoke a music box with a spinning ballerina, the kind of old toy that a little girl would have. And while there is sadness and longing at the beginning of the song, the idea was that it ends in the triumph and exultation of overcoming adversity. Deva, your performance feels intimate and deeply personal. Was there a moment in the studio that changed how you connected to the song? Having someone who knows your voice makes all the difference. For this recording, I had two such people.  I invited my friend, James Goldsmith, to engineer tracking my vocals in his home studio in Wellington. It's a very intimate and humble space that allows you to just sink into it. We worked closely with Scott initially, so we could all ensure that we were part of the same vision for the sound. Once I was able to tap in, I could feel the energy of the music and find my place within it.   Scott, how does Cantinuum reflect your philosophy as a producer, and where do you see the project evolving next? Cantinuum is the most personal and important project I've worked on in my career. Full stop. It embodies everything I love in music and the gift of making music. There are no guardrails other than the song itself, which for me is the ultimate expression of creativity: taking something that exists - and not just exists, but is iconic - and then doing it your own way. Freedom within a structure. It's an opportunity to work closely with Sarah, and with so many of the incredibly talented artists I've worked with over the last quarter century. The project will evolve true to the nature of a continuum. There will not be a genre of music untouched; every song will have its own sit's and inspiration, drawing from… everything. Our next release will feature the magnificent Lila Dupont singing "Don't You "Don't About Me". It will "be profoundly different from anything else we have released so far. And the release after that will go in another entirely different direction. The link between all of this is the continuum approach and aesthetic.

Brandon Lee Adams has lived enough musical lives to fill a novel, but I’ll Follow Summer feels like the chapter he was meant to write. The Emmy-winning host, acclaimed guitarist, and lifelong student of Americana returns to his roots with a song that captures the delicate balance between gratitude for what’s been and excitement for what’s next. From the first chord, I’ll Follow Summer feels alive. There’s warmth in its melody and confidence in its delivery. The track moves with ease, reflecting Adams’ years of craft and conviction. His voice carries both wisdom and hope, singing of change not as an ending but as an evolution. “The unknown can be its own joy,” he says, and that truth echoes through every lyric. Recorded live with a dream team of musicians, including Vince Gill, Tim O’Brien, John McEuen, John Jorgenson, and Glenn Worf, the song radiates authenticity. You can hear the chemistry between players, the shared energy in the room, and the respect in every note. It’s music that breathes, unfiltered and human. The accompanying music video, directed by Adams’ wife Mindy, strips away all pretense. Shot in the studio with Hayzens Productions, it simply shows the artists playing together, lost in the moment. The result is quietly powerful. There are no distractions or manufactured moments, only genuine artistry on full display. As Adams prepares for new releases and his upcoming shows, I’ll Follow Summer serves as both a reflection and a declaration. It’s a song about stepping forward with courage, trusting the process, and honoring the past without being trapped by it. For an artist who has spent his life shaping sound and story, this feels like him coming home to himself. I'll Follow Summer  feels deeply personal. What sparked the inspiration behind this song?  The fact that I have lived long enough to have some life experiences to reflect on had a hand in it. The DADGAD tuning I learned while touring in Ireland also helped a bit. Many of my songs really start as a feeling. Often, simply strumming a rhythm initiates the process. This song was a bit like that. I don't think I have ever truly been able to exclude some part of myself or my feelings from a song, even if it is just a small piece. How did it feel to record with icons like Vince Gill and Tim O'Brien in the same room?  It was pretty intense at first. Every musician in the studio that day had a hand in my musical upbringing. Once we all sat down for the session, I just chose to be honest with everyone. I knew that if I didn't focus and get past the moment. I would not have had a chance to deliver the song close to how I had it in my head. So I was just honest with everyone in the room by telling them. "I'm going to do my best to try and pretend that I belong here and I know what I am doing." After that moment of honesty, it was easy to just be part of the band. Those guys are true pros and kind people. It was very laid back and fun. You have worn many hats in your career. How has your time in television influenced your approach to making music?  TV has kind of forced me to face the crowd. I was always very content living in the background and trying to make my way quietly. Being on a show that is seen in so many places has helped me become less afraid of my shadow and has helped me realize that the spotlight isn't so scary or crazy a thing to embrace. The idea that "the unknown can be its own joy" is powerful. How does that mindset shape your creative journey?  There are no expectations when it is just you trying to please yourself. It gives you the freedom to try anything and everything that comes to mind. It won't cost you a dime. It won't alienate anyone because nobody is watching. It is a mindset that I hope to maintain always.  With your next album on the horizon, what can fans expect from this new era of your music?   The easy thing is. You will see more of me on stages as more shows line up. As far as the music goes. I'm not trying to worry about anything other than giving the songs what they are asking me for. I'm not concerned with style or genre interpretation. I'm creating the music to the best of my ability, aiming to fit what feels right to me. I am at peace with knowing that many people won't share the same feeling. I am cool with that. If we all thought, walked, talked, and sounded the same. This world would be the most dull, predictable thing. Only we wouldn't notice.

Neil Potter’s Shipwrecked is not just another folk rock single. It is an emotional voyage through the highs and lows of mental struggle, heartbreak, and the long road to healing. The Liverpool-born artist, who has spent years teaching, performing, and mastering his craft, steps into his own spotlight with stunning purpose. At first, Shipwrecked feels deceptively lighthearted. The guitars are warm, the rhythm easy, and the melody almost peaceful. But beneath that surface is tension building like waves before a storm. Two minutes in, the track shifts sharply. The key darkens, the tempo rises, and the calm gives way to chaos. Potter’s voice cuts through the noise with raw emotion, the kind that makes you stop and really listen. The transformation is striking, mirroring the unpredictable nature of mental illness and emotional turmoil. The story at the heart of Shipwrecked captures two people on the edge. Both are struggling, both are sinking, but only one manages to find solid ground. “I always find myself back to land while you find yourself shipwrecked,” Potter sings, his words heavy with grief and truth. It’s not just a breakup song, it’s a portrait of what happens when love meets internal war. The self-produced music video adds another layer, replacing literal storytelling with symbolic imagery. Potter uses haunting shots of isolation, despair, and release to depict the realities of mental illness. As the song builds toward resolution, the visuals open up into wide, freeing landscapes. The message is clear: peace is possible, but it must be fought for. As someone who has faced OCD and depression firsthand, Potter’s storytelling hits harder because it’s real. Shipwrecked is not about perfection or pity. It’s about survival, growth, and reclaiming strength after being lost at sea. Shipwrecked  feels deeply personal. What experience or emotion first inspired it? I wanted to write about one of the darkest points in my life with mental health, for myself as well as anybody else who hears it. So shipwrecked is what was born out of that.  The shift from light to dark in the song is powerful. How did you approach creating that contrast? I wanted to keep it seeming light, and then when mental health can grab a hold of you and pull you down to the deepest depths. I wanted to capture that in music. So, from major to minor, from light to heavy was the idea. A fairly simple concept, but I think I got what I wanted out of it.  How has your own experience with OCD and depression influenced your songwriting? I find writing easier when discussing personal experiences, much like a poet who can only write with pain, or something similar. I have a few songs about it, as well as breakups and other things that bring me happiness. Not all doom and gloom on the album!  The music video is beautifully abstract. What did you hope listeners would take away from the visuals? That life can be chaos, but we’re built to fight, survive, and stand up and be counted.  With your debut album on the horizon, how does  Shipwrecked  reflect where you are artistically right now? An artist who is trying to write pensively with years of study to try and evoke what I want to say in the best way that I can.

At just 21, JesseMelancholy is crafting music that hits where words fall short. The Australian artist has quickly become one of the most intriguing new voices in alt-pop, fusing Y2K nostalgia with brutally honest storytelling and moody, experimental production. Following his breakout debut at WOMADelaide 2025 and a successful two-city headline tour, Jesse proves he’s not afraid to blur boundaries emotionally or sonically. His latest single, “Silver Sky,” captures that dizzying space between curiosity and connection, blending shimmering synths with heartfelt lyrics that linger long after the last note fades. It’s the kind of song that makes you want to roll the windows down and remember what it feels like to fall for someone again. With a growing fanbase and a fearless approach to self-expression, JesseMelancholy is redefining what it means to sound vulnerable in 2025. "Silver Sky"  feels both nostalgic and fresh. What inspired that golden hour vibe? Thank you. I really love evoking nostalgia and a sense of longing for something or someone. The yellow/orange color palette of the golden hour perfectly captures the essence of nostalgia, and all the movies I've been into recently have that look and vibe too. You've been described as genre-bending. How do you define your sound, if at all? I never know. To be honest, I think "alternative pop" describes my sound best, but I don't mind what genre people describe my music as, as long as they like it. I have a song on my upcoming project that leans into DNB/Electronic influence, but I also have songs that borrow from a more shoegazey alt-rock sound. Staying in one place is boring. How did performing at WOMADelaide and headlining your first tour shape your confidence as an artist? It showed me how much I enjoy performing, but also how nerve-racking it can be. Performing at WOMADelaide was especially different for me because I had never performed to such a diverse crowd before. It's comforting for me to know that I've overcome many hurdles and nerves when it comes to performing, and I'm excited to perform even more next year. Your lyrics frequently explore identity and mental health. How do you balance honesty with self-protection when writing? Over the years that I've been songwriting, I've gotten less and less scared about saying what I want to say. Good art never comes from avoiding vulnerability. While I've been somewhat moving away from the sound and themes of my last project - 'does the skin I wear define me', I'm so proud of that project because In the process of making it, I made so much growth as a person, exploring my own insecurities and identity. I know how much of myself I poured into it.  If  "Silver Sky"  had a visual world with colors, imagery, and emotion, how would you describe it? A bright sun-lit lookout with skyscrapers sitting over a wheat field.

Cuban-Italian pop singer-songwriter Izzy Escobar has officially arrived with her debut EP, Sunny In London , a shimmering yet soul-baring project that cements her as one of pop’s most authentic new voices. Blending the emotional punch of Adele  with the wit of Lily Allen  and the heartfelt storytelling of Sara Bareilles , Escobar delivers a sound that’s both classic and deeply Gen Z. The EP’s lead single, “Vendetta,” captures that duality perfectly, a raw, cinematic anthem that transforms betrayal into liberation. Backed by dreamy production and biting lyricism, the track’s stunning music video mirrors its emotional intensity, showcasing Izzy’s ability to turn pain into power. With Sunny In London , Izzy invites listeners into her world of heartbreak, resilience, and rebirth, a sonic diary from an artist who’s not afraid to expose the messiness of healing. Her rise has been nothing short of explosive, with over 16M views across TikTok and Instagram, 200K monthly Spotify listeners, and performances at NYFW’s event and Oceans Calling Fest. Izzy Escobar isn’t chasing pop perfection; she’s rewriting it. Sunny In London  is proof that vulnerability hits harder when it’s sung with conviction.

Sudbury-based pop and adult contemporary artist Ashley Woodruff returns with her new single “Again” on October 24th, marking her first release since 2023, and it was well worth the wait. Known for her powerful vocals and soul-baring lyrics, Woodruff steps right back into the emotional spotlight with a song that captures the pain, passion, and pull of going back to someone who never truly stays. “Again” isn’t just another breakup song; it’s a mirror for anyone caught in that push-and-pull relationship cycle. The late-night texts, the half-hearted promises, the quiet realization that you’re replaying the same story one more time; it’s all there in her voice. Ashley delivers each line with raw honesty, embodying the tension between desire and disappointment that defines modern love. The production, led by Eric Miron, pairs shimmering pop textures with a grounded emotional core. Gentle percussion from Joey Giroux and clean, atmospheric guitar lines provide space for Woodruff’s vocals to soar, while Dustin Moore’s mastering polishes the track to perfection. The result feels cinematic yet intimate, like a diary entry set to music. Lyrically, “Again” strikes that bittersweet balance between vulnerability and self-awareness. Woodruff sings from the edge of heartbreak but never falls into despair; instead, she reclaims her power through reflection. “I hope this song reminds listeners that they deserve love and respect,” she shares, “and that they are not alone in navigating the complications of the dating world.” There’s a maturity in her songwriting that reflects her journey from her self-titled debut album to 2020’s Distanced  and now this deeply relatable chapter. It’s clear she’s no longer writing just to process pain; she’s writing to help others feel seen in theirs. With upcoming shows across Ontario and new music already in the works, “Again” marks a bold new era for Ashley Woodruff, one that blends classic emotional storytelling with a modern pop sensibility. Whether you’ve been ghosted, rekindled something you shouldn’t have, or finally walked away, “Again” will hit you right where it hurts and heal you a little, too. “Again” captures such raw emotion. Was there a specific moment that inspired you to write it? To be honest, there wasn’t a specific moment that inspired Again . I just really wanted to write something with an Amy Winehouse kind of vibe, something soulful and emotional with that same raw feeling she always brought to her music. You’ve described the song as being about someone who always comes back but never stays. What keeps people stuck in those cycles, in your opinion? I think there are many different reasons people get stuck in those cycles. Loneliness can make you hold on to something painful because being alone feels even worse. It’s also natural to long for a deep connection with someone else, and when you find that, it can be tough to let go. Sometimes people start to believe they don’t deserve better, so they settle for the familiar, even if it isn’t healthy. And when the love feels genuine, even if it comes and goes, it’s easy to keep hoping that maybe this time it will finally last. How did working with producer Eric Miron help shape the emotional atmosphere of this track? He really brought the song to life in such a powerful way. The lyrics and melody are one thing, but the instrumental is what truly builds the emotion, and he nailed that. Every little detail adds to the atmosphere. One of my favorite parts is the bridge, where the voices blend together in such an emotional and haunting way. During recording, Eric had me sing the song several times to really capture the feeling behind it, and he gave me great tips on how to bring that emotion out, especially in the choruses. His production and guidance played a huge part in making the song what it is. After a year without releasing music, what made “Again” the right song to mark your return? After nearly two years without a release, I aimed to return with something powerful. Again , I felt like the right song because it carries so much emotion. It’s honest, it’s relatable, and it felt like the perfect reintroduction to who I am as an artist now. You want listeners to remember that they deserve love and respect. How do you personally stay grounded in that truth? I stay grounded by being firm with my boundaries and not letting others take advantage of me. Setting boundaries isn’t selfish; it’s necessary. Once you know your worth, it becomes easier to protect your peace and only let people in who treat you the way you deserve.