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The new landscape of music production is a testament to the incredible strides made in digital audio technology. With an array of sophisticated effects plugins available, producers and engineers have access to tools that can transform their sounds in unimaginable ways. This article explores this year's seven most innovative effects plugins, each offering unique features that cater to various aspects of music production. From reverb and pitch correction to dynamic resonance suppression, these plugins are not just tools but gateways to new dimensions of creativity and sound design. Here are some of the best plugins for music production  in 2025. 1. Waves Diamond Bundle Waves plugins have long been a staple in the music production industry, and the Waves Diamond Bundle is no exception. This bundle is a treasure trove, particularly for mastering plugins. It includes an impressive array of 76 plugins covering everything from dynamics and EQ to spatial imaging. The L3 Multimaximizer, part of this bundle, is a stellar mastering plugin that provides a transparent multi-band compressor, crucial for mastering your own tracks. This ensures that all the sounds within a track are balanced and cohesive. Additionally, the pitch correction and reverb plugins included in this bundle are indispensable tools, making it a universal audio solution for both novice and seasoned producers. 2. Moogerfooger Effects Plugin Bundle The Moogerfooger Effects Plugin Bundle is a digital homage to the legendary Moog analog effects pedals. This bundle is a virtual studio technology marvel, faithfully recreating the musicality and tone of the original hardware. The MF-104S Analog Delay plugin stands out as a masterclass in delay effects. It offers an organic, warm delay that can be the perfect addition to ambient tracks or add depth to snare drums. The MF-108S Cluster Flux plugin is another highlight, offering chorus, flanger, and vibrato effects that can transform any track into a sonic wonderland. This bundle is not just an effect tool; it's an invitation to explore and create sounds that are truly your own. 3. Soothe2 Soothe2 has rapidly become a staple in music production, especially for those working with vocals. Its primary function as a dynamic resonance suppressor makes it indispensable for smoothing out harsh frequencies. This is particularly useful in drum mixing, where cymbals or snare drums often have piercing resonances. Soothe2 works wonders by transparently managing these issues, resulting in a cleaner, more polished mix. Its intuitive interface lets you quickly pinpoint problem areas and apply the necessary corrections, making it a must-have for mixing and mastering processes. 4. Antares AutoTune Pro X Antares AutoTune Pro X has redefined the concept of pitch correction in modern music production. As a premier pitch correction tool, it's incredibly valuable for vocal tuning, ensuring that every note hits the mark without losing the natural quality of the voice. But its utility goes beyond just vocals. The plugin can creatively be used on other elements, such as tightening up the timing of snare drums or even creatively altering the pitch of drum loops for a unique effect. Its easy-to-use interface and advanced features, like Throat Modeling and Formant Correction, make it a powerful tool for anyone looking to polish their tracks to professional standards. 5. SilverLine Collection by D16 The SilverLine Collection, a comprehensive suite from D16, stands out as a remarkable toolbox for producers and mix engineers alike. The SilverLine Collection is often regarded as one of the best plugins for drums , providing an array of effects that can dramatically enhance the depth and character of your drum tracks. This collection shines particularly bright when it comes to drum mixing. For instance, its Toraverb reverb plugin adds depth and space, making it the go-to plugin for adding life to snare drums without muddying the mix. Fazortan, a phaser plugin in the collection, offers a vintage vibe that can transform a simple drum loop into a rhythmic masterpiece. The bitcrusher and multiband distortion tools in this collection are adept at adding grit and character, especially to kick drums, ensuring that every beat punches through the mix with clarity and power. 6. Melodyne Melodyne is a game-changer when it comes to detailed audio editing. It's not just a pitch correction tool; it's an audio sculptor. In the context of drum mixing, Melodyne offers unparalleled precision. You can manipulate the pitch of individual drum hits within a loop, like tweaking the tone of a kick drum to better fit the key of your track or adjusting the timing of a snare hit for perfect syncopation. The ability to edit the timing, pitch, and even the timbre of individual notes within polyphonic recordings makes Melodyne an essential tool for producers and engineers striving for perfection in their music. 7. Eventide Blackhole Eventide Blackhole is not your average reverb plugin; it's a sonic journey into the depths of space and time. Originally designed for creating massive, otherworldly spaces in soundtracks and musical scores, Blackhole has found its way into the toolkits of music producers seeking to add an ethereal and expansive quality to their tracks. This plugin excels in contexts where conventional reverb plugins fall short, offering a level of ambient creation that is unparalleled. Blackhole is a revelation for music producers, particularly those working on atmospheric genres or looking to add a unique spatial quality to their tracks. Its ability to stretch and warp reverb tails create landscapes of sound that are as vast as they are immersive. This is particularly effective for pads, synths, and ambient drum layers like cymbals or snare tails, where you desire that expansive, lingering effect that elevates the track into a more ethereal realm. Blackhole’s interface is a marvel of simplicity and power. For instance, the 'Gravity' control inversely controls the reverb's decay time - at its most extreme, it creates a reverb tail that seems to go on forever, ideal for creating never-ending echoes on a kick drum or a cascading snare roll. Additionally, its 'Mix Lock' feature allows you to scroll through presets while keeping the wet/dry mix constant, a boon for those who want to audition different spaces without losing the balance in their mix. Final Thoughts As we wrap up our exploration of 2025's most innovative effects plugins, it's clear that these tools are vital for anyone looking to elevate their music production. Each plugin offers a unique blend of functionality and creative potential, making them invaluable for novice and seasoned producers. Whether you're refining drum mixes, mastering a track, or crafting expansive soundscapes, these plugins provide the precision and flexibility needed to achieve professional-quality results. Embracing these technologies opens up a universe of sonic possibilities, enabling producers to shape their sounds to align with their artistic vision and stand out in the ever-evolving music industry.

Having a fantastic amplifier is essential for guitar players as it will make quite the difference in making the sound louder and more distinct. There’s quite a range of options available on the market, and choosing with a wide variety of features can be challenging. This article hopes to help you choose the best acoustic guitar amp for beginners pursuing their passions. Now, when you’re selecting an amp, there are so many factors that you will need to consider, and size will play a significant role, with smaller amps being more portable while larger ones will and can, in many cases, offer quality that some might be pursuing. Power output is always to watch, as higher wattage amps can deliver more powerful performances. Still, lower wattage options are more likely the chance the majority will opt for when it comes to home use. This article will review some of the top beginner acoustic guitar amps based on their size, power output, and other features that one might deem the most important. Top Acoustic Guitar Amps For Beginners When it comes to finding the acoustic guitar amp of your dreams, there is no shortage of choices, and here are some of the recommended guitar amps that cater a bit more to those who might be beginners: 1. Fender Acoustasonic 15 If you're seeking a more affordable price, consider Fender Acoustasonic 15. With a 15-watt output and a 6-inch speaker configuration, you'll experience a more balanced ideal, mainly for small gigs and practice sessions. Of course, these amps have features like a headphone jack and an aux input, making it more convenient to practice quietly or jam along with your tunes. 2. Boss Acoustic Singer Live LT The Boss Acoustic Singer Live LT is right in the wheelhouse of musicians who perform gigs, as it's a very versatile acoustic guitar amp that offers 60 watts of output through its 6.5-inch speaker. The best thing is that you'll come to find some built-in effects like reverb, chorus, and delay. It has two channels, and the microphone or any other instrument will connect easily, thus making it an excellent choice for performers. 3. Fishman Loudbox Mini So, if you have to move as a musician often, the Fishman Loudbox Mini is designed to match your needs. It is compact and portable compared to others, and the acoustic guitar amp delivers 60 watts of power through its 6.5-inch speaker. The good thing is that it also offers two channels to connect a microphone or other instruments. The built-in reverb and chorus effects will add much-needed depth to your sound, and the feedback suppression feature goes a long way with quality. 4. Marshall AS50D The fantastic thing about the Marshall AS50D as a guitar amp is that it works in both scenarios when it comes to being suitable for practice sessions and live performances. A power output of 50 watts through two 8-inch speakers provides a more dynamic sound. These amps offer options for portability, power output, built-in effects, and connectivity capabilities. Like the others, the two channels give you the flexibility to connect a microphone or any other instrument, and of course, it even has built-in effects like reverb and chorus. Conclusion Finding one can be challenging when unfamiliar with selecting a guitar amp for beginners. Still, with the correct information, you can make that decision way more manageable than expected. This piece has provided the much-needed reviews of the amps, each offering features and advantages. The Fender Acoustasonic 15 does stand out as the best all-around choice due to its sound quality, user-friendliness, and affordability. However, as said before, if you are seeking a more portable option, then the Yamaha THR5A offers a range of features, and if you're looking for opportunities when it comes to sound quality, versatility, and durability, consider the Boss Acoustic Singer Pro or the AER Compact 60. For budget choices that still deliver excellent sound quality, checking out the Blackstar Fly 3 Bluetooth or Fishman Loudbox Mini is undoubtedly worth it – particularly suitable for smaller gigs. Determining the proper acoustic guitar amp for you when you're a beginner depends greatly on preference, budget constraints, and intended usage. The good thing is that you can make an informed choice about which amplifier to go for by considering each option's different features and benefits.

When producing high-quality sound, having the right studio monitors is crucial. Whether you’re mixing, mastering, or just enjoying music, the clarity and accuracy of your monitors can make all the difference. Here’s a look at some of the best studio monitors of 2025 that are making waves among audiophiles and music professionals alike. The Best Studio Monitors In 2025: 1. Yamaha HS8 Active Studio Reference Monitor Speakers The Yamaha HS8 has been a studio staple for years, and the 2025 model continues to impress. With its 8-inch cone woofer and a 1-inch dome tweeter, it delivers a balanced sound that’s ideal for mixing. The flat frequency response ensures that what you hear is true to the source, making it easier to make precise adjustments in your mixes. The HS8 also features room control and high-trim response switches, allowing you to tailor the sound to your specific environment. Key Features: 38Hz to 30kHz frequency response Room control and high trim response switches 75W total output power 2. KRK ROKIT 10G4 10" 3-Way Active Studio Monitor The KRK ROKIT 10G4 is a standout choice for those who prefer a more powerful sound. With a 10-inch woofer and a unique 3-way design, it’s perfect for genres that demand a lot of bass. The built-in DSP allows for precise room tuning and EQ adjustments, ensuring that you can get the best sound no matter where you set up. The sleek design and striking yellow woofer make it functional and visually appealing. Key Features: 39Hz to 40kHz frequency response DSP-driven graphic EQ with 25 settings 200W total output power 3. Yamaha HS5 Studio Monitors The Yamaha HS5 offers a compact solution without sacrificing quality for smaller studios or those just starting out. Featuring a 5-inch cone woofer and a 1-inch dome tweeter, the HS5 provides a clear, detailed sound that’s great for various music genres. Its lightweight design makes it easy to position in any space, while the same flat frequency response and room control features found in its larger siblings ensure accurate sound reproduction. Key Features: 54Hz to 30kHz frequency response Room control and high trim response switches 70W total output power 4. Monitor Audio Silver 50 7G Bookshelf Speakers While not traditional studio monitors, the Monitor Audio Silver 50 7G bookshelf speakers offer an impressive audio experience suitable for critical listening. These speakers feature a 5-inch woofer and a 1-inch tweeter, delivering a rich, immersive sound that works well for both music production and casual listening. Their compact size and elegant design make them a stylish addition to any workspace or home studio. Key Features: 45Hz to 30kHz frequency response Compact design with a premium finish High sensitivity and power handling 5. Yamaha HS7i 6.5-inch Powered Studio Monitor The HS7i strikes a perfect balance between the HS5 and HS8, making it an excellent choice for those who need a bit more power without going to the full 8-inch size. With a 6.5-inch woofer, it delivers a robust sound that works well for various applications, from music production to video editing. The HS7i retains the same design elements and accuracy that Yamaha is known for, ensuring that your mixes translate well across different playback systems. Key Features: 43Hz to 30kHz frequency response Room control and high trim response switches 95W total output power 6. Yamaha HS8 8-inch Powered Studio Monitor The Yamaha HS8 deserves a special mention on its own for being a top contender in the studio monitor market. Its impressive bass response and high-frequency clarity make it ideal for mixing a wide range of music genres. The HS8’s reliable performance has earned it a loyal following among professionals and hobbyists alike, making it a trusted choice in many studios. Key Features: 38Hz to 30kHz frequency response Designed for professional audio applications Durable and user-friendly design Choosing the right studio monitors is essential for achieving the best sound quality in your productions. Whether you prefer the powerful bass of the KRK ROKIT 10G4 or the accuracy of the Yamaha HS series, there’s a monitor on this list that will fit your needs.

Los Angeles-based Pop/Rap artist TT17 is wearing his heart on his sleeve in his brand new single, Red Roses —a passionate and poetic ode to everlasting love that proves vulnerability is still the most powerful weapon in music. At just 21 years old, TT17—born Travis Thompson—has already built a reputation for blending real-life struggles and emotional depth into every bar and melody. Whether he’s unpacking heartbreak, trauma, or triumph, TT17 has found a loyal fanbase that connects with his honesty. With over 1.5 million total streams and standout tracks like 7 Years and Heartbreak Hotel , he’s not just telling stories—he’s healing people with them. Red Roses is no exception. This track finds TT17 in a different space: no longer heartbroken but hopeful. The song centers around his unwavering love for a special girl, represented by the repeated, symbolic gesture of bringing her red roses—an emblem of affection, loyalty, and everyday romance. As he passionately delivers, “I don’t ever want to ever go another day when I don’t bring you red roses,” we witness a softer, more sentimental side of the artist—one who’s not afraid to love loudly. There’s a striking moment of reflection and commitment in the lines,  “I wanted this forever, but I never planned it; but I have it, and I love it, and I’m never letting go.” It’s the kind of lyric that feels plucked from a late-night text or a vulnerable journal entry—personal yet universal, just like the best of TT17’s work. Visually, Red Roses comes with a cinematic music video that fans are already calling a "masterpiece." Filmed in the same hotel room as his fan-favorite Heartbreak Hotel , the setting acts as a callback to his past—a nod to the heartbreak he once sang about, now transformed into a backdrop for love and emotional growth. It’s more than just nostalgia—it’s a full-circle moment that mirrors his personal evolution. “If you truly love someone, show them. Give them red roses without reason. Show them your love and affection even when times are hard. That separates true love from anything else.” Red Roses is more than a love song—it’s a reminder that love is in the details, in the effort, and in the everyday actions that speak louder than words. With this release, TT17 proves he’s not just an artist who knows how to express pain—he’s also one who can honor joy, loyalty, and growth. Whether you’re falling in love or simply want to believe in it again, Red Roses is a track that will leave you pressing replay—and maybe reaching for a bouquet of your own. "Red Roses" feels like a turning point from heartbreak to healing. How did your emotional or personal growth influence the creation of this track? Thank you, guys, for having me back for another interview! ‘Red Roses’ was most definitely a turning point from heartbreak to healing. The whole song is a journey of my confusion of what true love is, and finally understanding it after a while. My emotional and personal growth definitely influenced the creation of this whole project, whether that is maturing into who I am today, letting go of things that aren’t a big deal in the end, or realizing what is truly important to me in life, I feel as if I learned these throughout the journey of ‘Red Roses.’ I initially recorded the track in December of 2023 but kept pushing it off to release because I wanted to wait until I was ready to show the world my emotional vulnerability through the song. You chose to film the music video in the same hotel room as "Heartbreak Hotel." What does that setting represent to you now, and how did it feel returning there with a different mindset? It’s actually an insane story behind the filming location of this video. Originally, I had it set to be at the Santa Monica Pier and an Air BNB in El Segundo, CA, but it was going to end up being over my budget. So, the director (Daniel Zaragoza) and I came up with the plan to shoot the video outside of the ‘Heartbreak Hotel,’ and recreate some of the iconic scenes from the music video, such as me walking into the hotel and in the hallway, the grass scene, and the pool scene. I thought to myself, “It would be insanely nostalgic for everyone if we shot the video in a hotel room.” So, I booked one for the next day (1/5/2025) and scrambled to get my whole team ready to shoot on such short notice. The next day, my girlfriend/main actress (Anika Ball) and I arrived and checked in to the hotel. The front desk lady gave us a certain room number, and I asked if, by chance, we could get room 408, the actual room that we shot ‘Heartbreak Hotel’ in. Luckily, it was available, and we got it. I can’t even describe the feeling I got being back in that room. A heartbroken kid at 19 with no recognition of his name turned into a 21-year-old man walking with his girlfriend and millions of streams to his name. You 've mentioned the importance of showing love through actions, like giving red roses without reason. Where did that philosophy come from, and how has it shaped your relationships? I’m a big believer in showing your love through actions, such as bringing your significant other flowers or anything you know they like. It’s a sign of respect and love for your partner. I consider this my first true relationship, and I am still learning how to love and how to be the best man I can be to her, but a big thing for me is showing it through gifts and symbols (and fully directed music videos!) Your music has always connected deeply with listeners who've faced adversity. What message do you hope fans struggling with love or vulnerability take from this new chapter in your sound? I truly hope that any of my supporters can always feel comfortable enough to reach out to me if they struggle with adversity because I truly do feel like a lot of people watching me firsthand struggle a lot and find true happiness within themselves. Anyone can do it. When it comes to love, let it come to you. Don’t force it; otherwise, it won’t be true love. God has a plan for everyone, and everything will work out just how it’s supposed to! With seven albums and millions of streams under your belt, how do you continue to challenge yourself creatively while staying true to the raw honesty your fans love you for? It’s crazy to me that when we worked on our first interview, I barely had 100,000 streams to my name. Now, I have over 1,500,000. I try not to get too caught up in the numbers, but sometimes, it is very cool to look back on how far I’ve come. I continue to challenge myself creatively by always wanting to do better than my last song/project. That was my goal with ‘Red Roses’. I wanted to one-up ‘Heartbreak Hotel.' I’m not too sure if I did, as I love both projects so much. I’ll leave that decision up to everyone who watched both. As for staying true to myself and always keeping raw honesty, I will never change. I will never change the people who made this life and the credentials that I have possible. I love each and every person who has been a part of this journey, and I will never stop working towards more.

The Star Prairie Project , an indie music collective founded by songwriter Nolen R. Chew Jr., is back with another compelling release. Known for their genre-blending sound that fuses elements of rock, Americana, and indie influences, the group has amassed a loyal following with their dynamic storytelling and ever-evolving musical style. Their latest single, Poor Pitiful Me , serves as the first pre-release from their upcoming eighth studio album, Little Gems , set to drop on May 16, 2025. Written by Nolen R. Chew Jr. and Rudiger, and performed by Rudiger and Ivy Marie, Poor Pitiful Me is a high-energy Americana rock ballad that balances humor and introspection. The song introduces listeners to a down-on-his-luck character—a man trapped in addiction, unable to hold a job, and wallowing in self-pity. The journey unfolds through a playful, carnival-inspired banjo introduction before diving into the vibrant chorus, where Ivy Marie joins Rudiger, creating an irresistible hook that lingers long after the song ends. While the character begins in denial, he eventually comes to terms with his situation, recognizing his own role in his downfall. “The music is light and bouncy, but the story carries a deeper message of perseverance and self-acceptance,” says Nolen R. Chew Jr. The song’s infectious energy, complete with a searing guitar solo and an exhilarating bridge, makes it a standout track that offers both entertainment and insight. Music with a Message At its heart, Poor Pitiful Me is more than just a catchy tune—it delivers an important message. “Many people these days feel lost and alone, suffering from low self-esteem and motivation,” Chew explains. “This song approaches the theme of substance abuse and perseverance with a unique, almost clownish carnival style. It’s a fun song with a serious undertone, reminding listeners that change is always possible.” Following the release of Poor Pitiful Me , fans can expect another pre-release single, Down Boy , dropping on April 25th. The full twelve-track album, Little Gems , will be available on May 16, 2025, offering more of the Star Prairie Project’s signature blend of compelling storytelling and diverse musical influences. As The Star Prairie Project gears up for the release of Little Gems , Poor Pitiful Me sets the tone for an album that is equal parts entertaining and thought-provoking. With its mix of Americana charm, energetic instrumentation, and an unforgettable chorus, the song solidifies the group’s ability to turn life’s struggles into engaging musical storytelling. Fans can stream Poor Pitiful Me now and look forward to more musical gems from the band in the months ahead. Poor Pitiful Me  tells a lighthearted yet deeply personal story of struggle and redemption. What inspired this particular track, and how did you and Rudiger approach bringing the character to life? ‘Poor Pitiful Me’ was a song that came to me spontaneously. It started out with the lyrical melody about someone who was down and out, a loser who was wrapped in denial and self-pity about his lifestyle and situation. The character is also suffering from depression and substance abuse. They seem often to go hand in hand. Unfortunately, many, many of us suffer from these conditions and circumstances. It’s not funny if you are living through it. Personally, I have suffered from anxiety and depression and periods of substance abuse, too. At times, you wonder if you can recover and reverse things and get back on your feet again. People are struggling every day just to survive, and sometimes, it’s even hard to get out of bed. Many people never recover and beat it. Many do manage to recover and move on. But the recovery often starts with introspection and awareness. Then, personal responsibility follows, allowing the opportunity for change. Your upcoming album,  Little Gems , suggests a collection of carefully curated stories. How does this project differ from your previous releases, and what themes tie the album together? We were coming off a very challenging concept album, ‘The Shining Ones.’ The subject matter was subliminal and esoteric. It was a very structured process where I was trying to fit certain mystical components into the songs themselves. Each had a theme like ascension, shamanism, mystery schools, divine feminine, etc. It is a deep and complex album that has stretched some of our musical boundaries. After ‘The Shining Ones’ was released in April 2024, I had a group of some odds-and-ends songs that I had been working on with Rudiger and Ivy. I think we had about half an album of material, and I had a few songs that were already mixed, like ‘Poor Pitiful Me’ and ‘Sunshine Skies’ that I thought were quite good. I told my wife Kathy that there were some little gems in that pile of songs. She told me that’s what I should name the album ‘Little Gems,’ and so I did. We wrote another half dozen songs to include a couple of my favorites, ‘Come Runaway With Me’ and ‘Down Boy.’ It was a fun album to write and record. It’s easy to listen to and the songs flow together very seamlessly for a body of work not linked by concept or theme. ‘Little Gems’ is similar to our 2023 album ‘New Day At Dawn’ in the sense that it is a loose collection of individual songs that don’t necessarily follow a theme or mood but find their place naturally and simplistically. The songs are a mix of rock, Americana, and Indie Pop, once again blending genres for a refreshing, unique vibe. The Star Prairie Project has a unique approach to collaboration, working with artists from around the world. How does this collaborative process shape the music, and what was it like working with Rudiger and Ivy Marie on this track? Yes, the collaboration is the project. I’m the primary songwriter. I’ll sketch out the song, verse and chorus and usually add the bridge. I’ll prepare a two or three-track demo tape and send the song to add session vocals and instrumentation. Everyone involved in the song has a wide artistic license in building the song. I have been working with Rudiger and Ivy for a while now, and we’ve put out four or five albums together. It’s fun being able to work unconstrained and do your own thing without having to worry about boundaries. I let them loose to do their thing, and that’s what I think is the magic of The Star Prairie Project. Both Rudiger and Ivy Marie are very talented producers and sound engineers, as well as vocalists and musicians. It is so much fun working with so much talent, and like I mentioned, we are familiar with each other's work now, so it just kind of falls together effortlessly. It’s really quite thrilling when it all comes together, and you look back on what you just created. I just love it. With  Poor Pitiful Me , you’ve crafted a song that balances humor with a deeper message. How important is it to you as a songwriter to address serious topics in an accessible, even playful way? I think, as a songwriter, it is important to address serious topics in an accessible way. When I first started writing songs I’d just let the lyric come to fit the mood of the melody and just flow with it. The last few years being so contentious about everything I started directing my lyrics through the events that were happening around me. The political and cultural issues need to be expressed too, because they affected my life and moods and emotions. They affect all of us. I just quit worrying about what people thought about my expressions. You can take them or leave them I don’t care. For the most part, I want a positive message, but the events in our lives aren’t always positive. The hurt and the pain and the love and the hope are what make us human. The emotions are the nectar of songwriting. Evoking those experiences and emotions through my music is the goal. That’s why so many of my songs tell a story and speak of our common feelings and experiences we can all relate to. The Star Prairie Project continues to evolve with each album. Looking ahead, what’s next for you creatively, and how do you see your sound developing in the future? We have a couple of new projects in the works. I’m currently working on a Rock album with Marcello Vieira, Ricardo Dikk, and Sandrine Orsini. That’s the gang from Portugal that produced our 2024 concept album, ‘The Shining Ones.’ We are about halfway into it now. It’s going to be a twelve-song party album that blends classic rock, prog rock, and metal. We’re trying some new things, like blending in a little brass and some songs with wisps of soul and R&B. It’s dynamic, and it’s definitely a sound that makes you want to get up and move your body. Also, Rudiger and I are working on an album with just the two of us contributing. Similar to our second album ‘Rudiger’s Revenge’. We’re starting to get an idea of where the project is going. We’ve written some very exciting new songs that are producing a sound that’s deeper and richer with the music and the lyrics. It’s exciting! There’s a lot going on, and we keep pumping out new and original material. So stay tuned, we have a new album out for release and two more in the works.

Edmonton-raised, Vegas-grown artist Benzo Berea has always known music was her calling. Born Mercedes Cameron, this alt-pop powerhouse brings a lifetime of emotion and experience to every note she sings— and her latest single,  “ PTSD ,”  is no exception. A two-time Calgary Music Awards nominee and an artist with deep musical roots—her grandfather, Tawl Ross, was the lead guitarist for the legendary ‘70s funk band Funkadelic, and her mother, a Canadian country singer, Benzo Berea, fuses soul, R&B, and urban pop influences into a sound that’s raw, relatable, and uniquely her own. But “PTSD” is more than a song, it’s a confrontation with pain, memory, and survival. Reflecting on the scars left by past trauma, Benzo navigates themes of mental health and emotional chaos with lyrical precision. "It must be the PTSD / Cause the thoughts within my brain make me feel crazy," she sings, voicing a sentiment that resonates with many struggling to make sense of their inner world. The track dives headfirst into vulnerability, but it’s also a declaration of strength. After surviving a life-threatening surgery in 2015, Benzo emerged with an even more powerful voice, both literally and figuratively. “PTSD” is a product of that resilience, turning darkness into melody and reflection into release. “ This song is about embracing the parts of ourselves that are difficult to face and finding a way to heal ,” Benzo shares. “ It’s a deeply personal story, but it’s one I hope others can connect with as they work through their own struggles. ” With “PTSD,” Benzo Berea cements herself as an artist unafraid to go deep—proving that pop music can be both cathartic and transformative. It's a must-listen for anyone craving authenticity in a world full of noise. “PTSD” dives deep into emotional and mental struggles—what was the moment or experience that sparked this song, and how did it evolve during the writing process? “PTSD” didn’t come from one moment—it came from surviving too many. Years of unhealed childhood trauma, complex PTSD, panic disorder, anxiety, depression, and the weight of spiritual battles I never asked for. I spent years in survival mode—fertility struggles, chronic pain, a premature birth, and a separation that left me emotionally gutted. Add to that the dark experiences I’ve had navigating spiritual warfare—witchcraft, voodoo, manipulation through energy and intent. As a medium, I’ve seen the light and the dark in ways most people don’t talk about. Eventually, it all caught up. I went from constant “flight” into complete “freeze.” Writing “PTSD” was my way of thawing out. It started as a cry for help in silence, and it became a declaration of survival. It’s not just a song—it’s a release. You’ve faced some serious challenges, including a life-threatening surgery in 2015. How has that experience shaped your voice—not just vocally, but as a storyteller and artist? In 2015, I had a surgery that came with a 4% chance of survival—and I was pregnant at the time. Doctors discovered two cysts wrapped around my thyroid that were so infected, they had started eating through my sternocleidomastoid (SCM) muscle. During the surgery, my entire SCM muscle and three-quarters of my thyroid were removed. I woke up with 72 metal clips in my neck, permanent nerve damage, and vocal cords left exposed. I was told I’d never sing again—if I lived. But God had other plans. Not only did I survive, but so did the baby I was carrying. He’s nine years old now and one of my five beautiful children—four boys and one girl. That surgery triggered long-term conditions like fibromyalgia, chronic fatigue syndrome, and nerve damage, but it also ignited a fire in me. My voice may not have the same physical range it once did, but what I lost in technique, I gained in truth. I sing with everything I am because I fought for this voice. Every note is an act of defiance. Every lyric is a piece of my survival story. I’m not just singing—I’m living proof that even when life takes everything, purpose can still rise from the pain. Your musical lineage is incredible, from Funkadelic to Canadian country roots. How do those contrasting influences show up in your sound or creative process today? I’m a blend of grit and grace. Funkadelic gave me soul, rhythm, and the freedom to be loud with my truth. Canadian country taught me about emotional precision and storytelling. My music lives where those two worlds collide. I might write like a country artist but sing with the weight of a soul singer. I let the story dictate the sound—whether that means a haunting R&B ballad or an alt-pop anthem with gospel undertones. My creative process is deeply spiritual, and I always ask God to lead it. I don’t create alone—my faith walks into every session with me. Jesus is my anchor, my compass, and my covering. Every lyric is a prayer, a testimony, or a cry for healing. If it doesn’t reflect truth and purpose, I don’t record it. As someone blending genres like alt-pop, R&B, and soul, how do you navigate staying authentic while also pushing boundaries in today’s music landscape? Authenticity, for me, isn’t optional—it’s survival. I’ve seen too much and felt too deeply to pretend. My mental health diagnoses aren’t trends—they’re truths. My spirituality isn’t branding—it’s real. Whether I’m singing about trauma, healing, or spiritual warfare, I lead with experience. I blend genres because no one sound can hold the complexity of what I’ve lived through. Staying authentic means I check in with myself constantly—Is this real? Does this serve healing? Am I proud of this message? If the answer’s yes, I don’t care what box it fits in. I’m not chasing trends; I’m chasing transformation. What message or feeling do you hope listeners walk away with after hearing “PTSD , ” especially those who may be silently battling their own inner demons? I want them to know they’re not crazy. They’re not broken. They’re human—and deeply spiritual beings trying to navigate this dark world. “PTSD” is for the ones who hear voices, who cry in silence, who’ve survived abuse, warfare, loss, and manipulation. It’s for those haunted by past lives and current battles. I hope the song gives them permission to feel, to release, and to seek something higher than the pain. I want people to find faith again. Not religion—faith. In God. In healing. In purpose. Because even in the darkest places, we are not alone. “PTSD” is the sound of someone who’s been through hell—but still found the strength to sing.

The Bitter Chills The Bitter Chills just released their fourth album, Young Time Rock N' Roll .  The New Jersey-based band has been steadily putting out records with Mint 400 Records, crafting their signature blend of British Invasion meets 80s post-punk energy meets Americana roots. On this latest release, they've taken a more hands-on approach with production. We caught up with them via email to chat about their musical influences, their resistance to genre labels like "catchy roots rock" or "energetic indie folk," and how they balance wit with heart in their songwriting. What comes through clearly is a band focused on making music that feels authentic rather than chasing trends. So your new album is called Young Time Rock N' Roll , which you've mentioned is a nod to British Invasion, 80s post-punk, and Americana. Which bands from those eras really shaped what you were going for here? I really love the country/Americana side of The Beatles, The Stones, and The Kinks. All three of those bands clearly had albums where they leaned heavily on American roots music. Rubber Soul and Let it Bleed are obvious examples. In a nutshell, that probably comes closest to the core identity of The Bitter Chills: Those rootsy sounds on top of the melodic, tightly arranged songs of those British bands. But then, I'm also a huge fan of Elvis Costello, Joe Jackson, XTC, Nick Lowe -- there were such great, energetic, melodic records emerging in the late 70s and early 80s. That cover photo with the three kids – I heard you just stumbled across it and knew it had to be the album cover. What was it about that image that clicked with what you're doing on this record? The boy in that photo is a friend of mine, on a family vacation many years ago. When he showed me the photo, I knew I had to use it. After that decision, we came up with the title, based on the idea of kids feeling the kind of rage and rebellion that they're pretending to have --- but which a lot of young people, and many older people, are actually feeling in this country right now. This is album number four for you guys. How do you feel this one sits alongside your earlier stuff, especially compared to "Highway 21"? This album feels special to me because we handled most of the production and mixing ourselves. We really have no one else to blame for anything that we don't love about it. But I'm proud of it. Tim (Robert Fulton) took the lead in engineering and mixing it, and we took our time experimenting with sounds and refining ideas. Plus, there was more co-writing with Tim and discussing arrangements as we tracked, as opposed to me having all the finished songs beforehand. I've been listening to "Pharmacy," your first single. What made you pick that one to introduce the album, and what's the story behind it? We just loved the energy of that one. We recorded the basic tracks live with Patrick Suler, a friend and fellow Jersey musician/songwriter. He captured a good, lively vibe, which felt like a strong way to kick off the album and introduce it to people. You've been with Mint 400 Records for three albums now. How has that relationship grown over time, and has it changed how you approach making music? It hasn't changed much. Neil Sabatino, who runs the label, has always been great and supportive; that's been a constant. The one notable difference is that Neil produced and mixed the previous albums, and we did most of that ourselves this time around. And that wasn't a rejection of Neil's talents; we just really wanted to dig into the production and mixing ourselves this time around. People describe your sound as somewhere between "catchy roots rock" and "energetic indie folk." Do you guys even think about those labels when you're writing, or do you just do your thing? No, never. I understand why labels and genre terms are useful, because music can be an elusive thing to describe concisely. But I struggle with labels -- especially as a lot of labels have less to do with music itself than with marketing and commerce. How do you balance the band's wit with the more heartfelt stuff on this album? To lean on a cliché, I've always thought of those two things as merely sides of the same coin. For one thing, people joke about serious, disturbing subjects because that's a healthy way to process them. So writing about, say, aging or estranged relationships in a way that gets a chuckle just feels natural. Plus, I don't personally have much use for musical artists who are completely humorless. Most great artists I admire have a healthy sense of humor on display: The Beatles, Bob Dylan, Tom Waits, Elvis Costello, The Ramones, Aimee Mann, Lyle Lovett, Ben Folds, Beastie Boys, Father John Misty, and on and on.

When you’ve got the grind in your DNA, staying still just isn’t an option. That’s the message Avari is driving home in his latest single “Run Around,” a fiery collaboration with Sauw that captures the urgency, hunger, and unstoppable energy of chasing greatness—city to city, opportunity after opportunity. Born Richard Alvarez in Mayaguez, Puerto Rico and raised in the heart of Haines City, Florida, Avari is no stranger to hard work. His deep love for lyricism was carved out early by legends like A Tribe Called Quest and Notorious B.I.G., and his hustle took shape as a well-known DJ in Tampa’s nightlife scene while studying at the University of South Florida. That same momentum followed him into Washington, D.C., where in 2022 he founded Phantom Music Group, LLC , launching his own independent label and dropping his debut mixtape All-Nighter . Now, Avari is doubling down with “Run Around,” a track built for those who refuse to sit back and wait for a break. Instead, this song is a bold reminder that opportunities don’t just fall into your lap—you chase them down. You outwork everyone in the room. You keep running, no matter how far you’ve come. “I hate when life gets easy,” Avari admits. “So I challenge myself over and over and over again to continue shooting higher and striving for greater successes. This song is the manifestation of that energy.” Blending his signature introspective bars with high-powered production and Sauw’s dynamic presence, “Run Around” is equal parts street-smart and motivational—designed to live in your headphones during the 5AM grind or while flying across state lines chasing your next big move. At its core, this release is a message to dreamers, doers, and anyone who refuses to let complacency creep in: “I want people to understand there’s always an opportunity to do better. Every day is another opportunity to secure the bag. You just gotta get up and go get it. I been up, I been on the run around.” With Avari’s relentless work ethic and lyrical fire leading the charge, it’s clear this artist isn’t slowing down anytime soon. In fact, he’s just getting started. You’ve worn a lot of hats in the music game—DJ, audio engineer, artist, label founder. How have those different roles shaped your approach to creating music today? Being a DJ is probably what changed my understanding of how to create music the most. I spent years traveling the country, performing at weddings, clubs, bars, collegiate events, etc.. I developed the skill of “how to read the crowd”. I began to understand, intuitively, what the crowds were looking for and how to transform my DJ sets into what felt like a roller coaster ride. The path of becoming a skilled audio engineer took many years. I'd have to say this has been the most difficult role to play because I’m an honest audiophile and getting high quality mixes and vocals is not easy. I love the sound of a crispy, yet heavy base. I love clear-sounding vocals with a light touch of reverb to give it more character. My approach to making songs is super meticulous because I want to make music people can identify with. I want to make those songs catchy, melodic, something with replay value because it has this element that resonates with the listener. I will spend days on a project or even more. I like to make sure my presentation is a reflection of who I am as a person and I am a perfectionist. Run Around” captures such a raw, driven energy. Can you take us behind the scenes—what inspired the song and how did the collaboration with Sauw come about? The inspiration for the song came from the actual fact that I be moving all around the Washington DC/Maryland/Virginia area (DMV - for short). One day, I’ll be at the University of Maryland DJing, the next I’m in DC doing a rap show. Another day, I’m out in Virginia talking to studio managers and engineers. Always looking to make new connections, searching for opportunities wherever they may be because no one ever tells you where they are. You gotta find them. The collaboration was inspired by the fact I honestly had no idea what to write beyond the second hook. I felt like having me alone on the track didn’t give it enough character so I reached out to my boy Sauw because his flows are super melodic and I know he’s very comfortable spitting about the same subject matter the song was about. He’s a latin rap artist in Maryland, he’s a graduate from UMD, too. I thought having him on the track would be a good way to include that Maryland energy into the track and show love to the community I’m putting music out for. He absolutely killed it in his verse. You mention not being satisfied with staying in one place or getting too comfortable. What keeps you motivated when the hustle gets heavy or the progress feels slow? My biggest motivation is the way my mother’s voice rings in my head like Professor Oak in the OG pokemon games when you try to use your bicycle indoors (lmaoo). I grew up in a single-parent household that struggled financially. My mother always told me “if you don’t want to see yourself struggling like I do, make the difference. Work hard and then keep working.” If it gets too heavy, be mindful not to hurt yourself. Be gentle with yourself but don’t just completely stop. If it feels too slow, focus on your form and make sure you at least get good reps in. That’s my philosophy in music, school, and love-life. I definitely believe there is a time for rest. I agree that rest is 100% essential but when I give myself a task I make sure I get it done and I do it to the best of my ability. Founding Phantom Music Group is a huge move for an independent artist. What vision do you have for the label, and how does it reflect your values as a creator? Ultimately, I want to be able to use the record label as a tool for community outreach. I want to be able to host events for artists to perform. I wanna use it as a tool to volunteer and teach kids about music and audio engineering. I’ve spent personal time volunteering around Prince George’s County, Maryland already doing just that. The cultural impact that J. Cole has made with his record label, Dreamville, is the framework that I view this through and it’s exactly what I want to be able to do with my label in the future. Phantom Music Group reflects my value of leadership, primarily. I once heard a quote that said “If serving others is below you, then leading others is above you.” and I take that to heart. From a young age, my family taught me to be a leader, not a follower. So I thought to myself, what better way to be a leader in this music space than to be the head of my own record label and use that as the instrument for community outreach? I get to serve my community while also demonstrating to them through action that there is so much we can do to uplift one another, in a myriad of different ways. It doesn’t solely have to be through music. If someone’s hearing your music for the first time through “Run Around,” what do you hope they understand about you—not just as an artist, but as a person? I hope they understand that they, too, can manifest an indomitable spirit. I hope they understand that chasing their dreams will never be easy, but that’s what makes it worth it. Long nights, hard days. When times get tough, the tough get going BUT it’s important that I don’t forget to mention this next part. There was a time between 2018 and 2022 where I completely stopped recording music because I stopped believing in myself. I reached a point where I thought I was “yelling into the void” so to speak. Years later I realized it was because I never had a solid strategy, I didn’t know how to get my music out there but now there is an abundance of information on the internet. A lot of it is freely accessible. Don’t ever give up on your dreams, but don’t let them stay dreams either. Find practical ways to realize your goals, one step at a time. Because that’s how you “run around”, one step at a time.

As the chill of winter fades and spring begins to take hold, March is the perfect time to cozy up with some binge-worthy TV. Amazon Prime Video is rolling out a fantastic lineup this month, filled with new seasons of fan-favorite series, fresh, original content, and gripping dramas that will have you glued to your screen. Whether you’re in the mood for action, sci-fi, historical drama, or a mind-bending animated adventure, there’s something for everyone. To make your watchlist even easier to navigate, we’ve rounded up the must-watch shows on Prime Video this April—along with the perfect snack recipe to enjoy while streaming. So, grab your oversized blanket , and let's go. The Wheel of Time (Season 3) The third season of The Wheel of Time  delves deeper into the intricate world crafted by Robert Jordan. This season explores complex storylines, including the parallel dream world of Tel'aran'rhiod and character backstories, offering a blend of sophisticated narratives and fan-pleasing humor. Notably, performances by Josha Stradowski as Rand al'Thor and Rosamund Pike continue to captivate audiences. House of David House of David  is a historical drama chronicling the rise of David from shepherd to king in biblical Israel. Starring Michael Iskander, the series has garnered critical acclaim for its production values and adherence to the biblical narrative, achieving an 89% audience score on Rotten Tomatoes. Its compelling storytelling has led to a swift renewal for a second season. For The Win: NWSL This four-part documentary series offers an intimate look into the 2024 playoffs and championship of the National Women's Soccer League. Combining game highlights, interviews, and off-the-field footage, it introduces viewers to the league's prominent figures and pivotal moments, making it accessible to both seasoned fans and newcomers. Bosch: Legacy (Season 3) The final season of Bosch: Legacy  continues to follow Harry Bosch's journey as a private investigator. Known for its gripping narratives and character depth, this season promises to deliver a satisfying conclusion to the acclaimed series. Invincible (Season 3) The animated superhero series Invincible  wraps up its third season this month. Following teenager Mark Grayson, who inherits superpowers from his father, the show is praised for its unique take on the superhero genre and its complex character development. The Second Best Hospital in the Galaxy This inventive series follows Dr. Sleech and Dr. Klak, two surgeons navigating medical anomalies in a futuristic setting. Balancing episodic storytelling with overarching plotlines, the show offers a blend of humor and science fiction, appealing to fans of animated series like Rick and Morty . Reacher Based on Lee Child's novels, Reacher  follows the story of Jack Reacher, a former military police investigator who uncovers dangerous conspiracies. The series has been praised for its action sequences and faithful adaptation of the source material. My Lady Jane My Lady Jane   offers a fresh take on historical events with a comedic twist. Centered around Lady Jane Grey, the series blends humor and history, providing an entertaining experience for viewers who enjoy period pieces with a modern flair. The English Starring Emily Blunt, The English  is a revisionist Western that has garnered attention for its storytelling and performances. The series offers a unique perspective on the Western genre, making it a noteworthy addition to Prime Video's lineup. Fallout Adapted from the popular video game series Fallout  presents a post-apocalyptic narrative filled with intrigue and survival. The show's adaptation has been anticipated by fans and newcomers alike, offering a fresh perspective on the beloved franchise. The Ultimate Binge-Watching Snack: Loaded Nacho Popcorn No binge-watching session is complete without an irresistible snack, and this Loaded Nacho Popcorn  is the perfect companion to your Prime Video marathon. This recipe is packed with bold flavors and a satisfying crunch to keep you energized through every plot twist and cliffhanger. Ingredients: 6 cups popped popcorn (freshly popped or store-bought) 2 tbsp melted butter 1/2 tsp smoked paprika 1/2 tsp garlic powder 1/2 tsp onion powder 1/4 tsp cayenne pepper (optional for heat) 1/4 cup shredded cheddar cheese (or nacho cheese powder) 1/4 cup crushed tortilla chips 2 tbsp chopped fresh cilantro (optional) 1 tbsp lime zest Instructions: In a small bowl, mix the smoked paprika, garlic powder, onion powder, and cayenne pepper. Drizzle the melted butter over the popcorn and toss to coat evenly. Sprinkle the spice mixture over the popcorn, followed by the shredded cheddar cheese. Add the crushed tortilla chips for an extra crunch. Finish with a sprinkle of fresh cilantro and lime zest for a fresh, zesty kick. Toss everything together and enjoy! These selections showcase the breadth of content available on Amazon Prime Video this March, ensuring that viewers of all preferences can find something engaging to enjoy. Whether you're diving into a fantasy epic, unraveling a thrilling mystery, or exploring history through a new lens, you’re in for a fantastic month of entertainment. And with a bowl of Loaded Nacho Popcorn  in hand, your binge-watching experience will be even more satisfying

Sometimes, isolation can lead to whole new realizations and creative outlets. Picture this: it’s 2 AM in Los Angeles. The city is asleep or pretending to be. In a quiet room, lit by the blue haze of a laptop screen, Nick Anderson of The Wrecks is combing through scraps of footage and half-fleshed visuals, fine-tuning the next chapter of a record that nearly broke his brain. The band’s new album “Inside” is less a collection of songs and more a magnificent and chaotic fever dream turned clarity. It's the product of two years spent in varying states of solitude- beginning in a barn in Western New York and ending in a small, tight home studio in LA, where Anderson often forgets he’s even in the city. Regarding “Inside,” Anderson says The Wrecks—long resistant to being pinned down by genre—don’t write with categories in mind. “Genre’s never been at the front of it,” Anderson notes. “It’s always been about the challenge of trying something I’ve never done before. That’s the drive.” That drive, though, stalled for a time. After 2022’s Sonder, a wave of creative inertia hit. “For the first year, I didn’t have anything to say. I was making things, but I had nothing to say.” It became a frustrating loop of trying, struggling, and failing until, finally, something clicked. What emerged from that creative crucible was a record of the breakdown and reassembly of self. “Inside” is isolation-induced disintegration and the slow, painful identity reformation. “It’s about trying so hard in isolation that it broke my brain,” Anderson explains. “The world started seeping in through the cracks of the studio walls. It’s about becoming, self-realizations, and spending time with yourself until you’re kind of forced to.” Songs on “Inside” were chosen with a particular honesty in mind. At one point, Anderson was overwhelmed by contradictions—conflicting perspectives and countless half-baked ideas. “It got confusing. I had a billion things I was chasing. I had to step back and ask: ‘What do I actually know? What feels honest?’” The answer led to a record that resonates with themes of neurodivergence, self-reflection, and the push- pull of connection and alienation. Even with all the chaos, for The Wrecks, it’s still about the moment at the end of the night: finishing a song, sitting on the couch, pressing play. “That’s the tip of the mountain for me,” Anderson says. The Wrecks may live in LA, one of the world's glitziest and most glamorous cities, but the music they’ve created is still deeply personal. With “Inside,” they’ve cracked the seal on something fragile and ferocious: the sound of breaking apart just enough to see who you really are.