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Kitchener’s very own Caprice Soleil is back; this time, he’s laying it all out on the table. TRUE COLOURS , his latest album, is a melodic rap, new jazz, R&B, and trap-infused ride through heartache, self-reflection, and ultimate liberation.  With over a decade of hands-on experience in production, recording, engineering, and video editing, Soleil has built a one-man empire, and TRUE COLOURS is proof that he’s mastered every part of the game. If TRUE COLOURS were a mood, it’d be late-night drives through neon-lit city streets—smooth, introspective, and cool without trying too hard. The production feels handcrafted, each sound meticulously selected from years of solo studio sessions. Hard-hitting trap drums? Check. Jazzy chord progressions? Absolutely. Mellow R&B hooks that float effortlessly over the beat? You already know. Soleil’s style sits somewhere between Trippie Redd’s softer side, Lil Uzi Vert’s melodic finesse, and Oodaredevil’s genre-blurring vibes. It’s that New Jazz hip-hop edge—experimental but cohesive, polished yet raw. Tracks swing between moody synths, live-sounding drums, and fluid rap-sung cadences, making each song feel like an intimate conversation set to music. Lyrically, TRUE COLOURS takes you through a journey—one that starts with heavy-hearted bars dripping with raw emotion and ends with a clear-headed sense of freedom. This isn’t just a breakup album; it’s about letting go, leveling up, and moving forward without looking back. There’s no wallowing here—just smooth, self-assured bars about shedding the past and stepping into something bigger. The “true colours” concept isn’t just a theme—it’s a statement. Soleil wants listeners to understand that at the end of the day, realness will always shine through. It’s about staying authentic, whether that means embracing heartbreak, chasing dreams, or diving into new creative spaces without hesitation. One of the most impressive aspects of TRUE COLOURS is that it’s entirely Soleil’s vision from start to finish. No outside engineers, no big-label production teams—just one artist shaping his sound exactly how he wants it. Some might say this approach risks uniformity, but here’s the thing: this album is pure Caprice Soleil. It’s unfiltered, deeply personal, and free from industry expectations. Caprice Soleil is already onto the next chapter. With TRUE COLOURS setting the stage, he’s now focused on dropping visuals, experimenting with new genres, and collaborating with fresh artists. The next era of his music promises to push boundaries even further, and if this album is any indication, we’re in for something special. You’ve been a one-man powerhouse, handling production, engineering, recording, and even video editing for over a decade. What keeps you motivated to stay independent and hands-on with your craft? What keeps me motivated these days is the freedom I feel when I’m creating something new. Being independent lets me chase an idea without waiting for approval or tweaking my vision to fit someone else’s mold. I also love learning new techniques and having full control over the process. Sure, juggling it all solo can be tough, and it’s not always a breeze, but it’s worth it when I see the finished work and know I gave it my all. Listeners pick up on that authenticity—they know when it’s genuine. That connection, that raw energy, is what keeps me going after all these years. Your music has a smooth yet raw energy, who were some of your biggest influences growing up, and how have they shaped your sound today? Some of my biggest influences are artists like Lil Wayne, 50 Cent, Pharrell, Wu-Tang Clan, A Tribe Called Quest, and even modern innovators like Soulja Boy and Lil B. They’ve inspired me to produce and write in a way that’s independent, organic, and laid-back, blending real-life stories from my own path into the mix. A lot of my lyrics flow from my subconscious, or sometimes from imagining myself in other people’s shoes and experiences. That keeps my sound fresh and open, letting me play with different perspectives without overthinking it. TRUE COLOURS feels like a journey from heartbreak to self-discovery. Was there a specific moment or experience that inspired this album’s evolution? The inspiration for True Colours grew out of a messy blend of heartbreak and years of feeling out of place. I was pouring my energy into people who didn’t truly care or value me. It took a while, but their true colors eventually showed, and I saw them for who they really were. The album reflects that journey—figuring out what’s real, taking time for myself, and focusing on my own growth.

Some artists play music. Others, like Shawn Brown , live  it. Portland’s own indie-rock troubadour is back with Into the Furious Light , a strikingly introspective EP that peels back the layers of resilience, sadness, and redemption with unapologetic honesty. It’s Shawn Brown at his most unfiltered—armed with his signature vocals, cinematic melodies, and a newfound urgency that commands attention. Breaking away from his usual Los Angeles recording routine, Brown took a more grounded approach this time, crafting Into the Furious Light  in his hometown of Portland. Produced by the illustrious Grecco Buratto ( Shakira, Tegan and Sara, Lionel Richie ) and recorded at The Panther Studio, the EP is the first to feature the full Shawn Brown Band—Ben Landsverk, Jeff Langston, and Ned Failing—who bring an electric yet deeply organic energy to the project. Engineer Steve Drizos helped capture the raw, intimate textures of the EP, while Tiago Becker’s mixing and Juan Garcia Petri’s mastering refined it into a sonic powerhouse. The result? A work that feels as personal as a whispered secret and as anthemic as a stadium chorus. The EP’s lead single, Hold Fast , serves as its thematic backbone—an explosive rallying cry against the numbing effects of avoidance and distraction. In an age where it’s easier to scroll than to sit with our thoughts, Brown challenges listeners to feel  everything, no matter how uncomfortable. This isn’t just a song; it’s a wake-up call wrapped in a kick-ass alt-rock package. Other standouts include Let Them Love You , an aching reminder that vulnerability isn’t weakness, and The Sad Ones  (Acoustic Version), which strips everything back to its emotional core, proving that sometimes, simplicity hits the hardest. Pairing sonic storytelling with striking visuals, Brown enlisted celebrated San Francisco photographer Joshua Sing for the EP’s artwork. Known for his nostalgic, introspective analog photography, Sing’s imagery perfectly complements the reflective nature of Into the Furious Light , adding another layer of depth to the project. The response to Into the Furious Light  has been overwhelmingly positive. Fans and critics alike have lauded Brown’s raw lyricism and fearless storytelling. His recent singles, The Sad Ones  and Road of Bones , have already amassed significant playlist placements and radio play, solidifying Brown’s place in the indie-rock sphere. But beyond streams and stats, Brown hopes this EP does something bigger. “Hope… truly,”  he says, when asked what he wants listeners to take away from it. And in a world that often feels like it’s spinning too fast, his music might just be the thing to help us all hold fast . Y our new EP, Into the Furious Light , has been described as your most raw and evocative work yet. What inspired this project, and how does it differ from your past releases? It’s felt pretty amazing to see so much positive feedback about this release, just in general. And you’re right - there has been a lot of talk about how raw the songs sound and all that.  I suppose there are some notable differences between these new songs and my previous work, but I haven't put a lot of thought into much of that until now. I don’t make records these days unless something really bubbles up that I just HAVE to record and share. My last couple of singles were that way. Both Road of Bones and The Sad Ones started off as these little voice memos on my phone and then became these records that I really love and was exceedingly fired-up to put out. This EP was no different in that way, these were the next songs I wrote and felt strongly enough about to share with Grecco (Burratto). And look - If Grecco likes something I write, that’s a huge relief right there. That's basically 90% of the work done. If he grabs onto something, I know we’re going to make something cool out of it. As far as the “rawness” and all of that goes, I do think there’s an urgency running through these songs that probably stands out. I’m super proud of all of the work Grecco and I have done together over the years, but I do think there’s something more immediate about these songs in particular that people seem to be reacting to.  The lead single, Hold Fast , conveys resilience and confronting life’s struggles rather than avoiding them. What personal experiences or observations led you to write this song? Thanks so much for jumping onto those themes. That’s awesome! Early on in the recording process, I remember Ben Landsverk (Brown’s bandmate and great friend) pointed out that the song we were making was about “sailing INTO the storm, not AWAY from it” and that the record needed to sound like that. He was 100% correct there. I think it is far, far too easy to distract ourselves these days when we feel uncomfortable. Our phones, social media, all of it can serve as easy ways to not have to feel the hard stuff. So I think Hold Fast is trying to speak to that part of us that needs to hang in there and take the challenges or discomfort straight on instead of allowing distractions to pivot us away from working through something hard. The irony is that so many of the things that we too-often rely on to sooth or distract ourselves contribute to way more discomfort anyway. It is a vicious cycle that way. I have to watch out for those kinds of traps just as much as the next person. Being a human can be rough, right?  This EP marks the first time your full band was featured on a recording. How did that impact the sound and energy of these songs compared to your previous work? In a word - HUGE. Grecco and I have this established recording process, which essentially began out of necessity during the COVID pandemic. We do a lot of tracking in LA and typically record with an absolute “murders row” of killer players from his circles in town. So I usually fly down to LA and record with him there. That process has worked really well for us and I love all the records we’ve made that way. Meanwhile though, I’ve also been putting together this killer band here in Portland to play shows with. Once Grecco and I started talking about recording the new songs, we organically decided to reverse our recording process. Once I’d written Hold Fast , I immediately took it to the band to work up for live shows and it just sounded so damn good. As a result, it just seemed like the perfect opportunity to cut that song with my band and turn this recording process into a Portland-party this time around. So essentially we booked time with Steve Drizos over at his Panther Studio and Grecco flew up to Portland to produce the sessions with me and the band. There’s an energy to Hold Fast that can’t be reproduced any other way than us all in a room playing together. I think the necessary urgency was captured really well on that track. You can really hear it on there.    You collaborated with renowned producer Grecco Buratto and recorded in your hometown of Portland. How did those choices shape the final product, and what was the creative process like in the studio?  Grecco is a really steady hand in the studio, so those were fun sessions. I don’t ever go into the studio with a completed idea in my head. For me, that takes most of the fun out of the whole thing. I want to see what ideas organically surface and let the process come together in real time. There’s no sense in getting a bunch of talented people in a room together if you're not going to allow for creativity to take over the whole thing. Thankfully Grecco works that way too, he wants to hear different ideas, try different parts, switch up snare drums, and see where the song goes. So I think that's what you hear on these new songs, lots of cool moments that come from having the trust to experiment.  Your music is cinematic, with deeply introspective lyrics and powerful imagery. If Into the Furious Light were the soundtrack to a film, what kind of story would it tell?   That’s such a good question. Maybe some truncated crazy version of Homer’s Odyssey? Who knows?  What I can say in all seriousness is that there is an ambivalence to these new songs that is very purposeful. The outro to Hold Fast is this repeating coda where the lyrics essentially get swallowed up by the dissonance and distortion of the music. There is no clear resolution in a lot of ways, so whatever film we’re talking about would need to have that sort of unease associated with its story. That said, you could go the complete other direction and just dump Hold Fast into a skate video featuring lots of tremendously brutal wipeouts. That would probably work just as well.

Few artists can seamlessly bridge the gap between performer, songwriter, and producer quite like Kayla Diamond . A powerhouse in the Canadian music scene, Kayla has long proven herself a force to be reckoned with—crafting infectious pop melodies, producing standout records, and leading the charge as the president of her own label, Kolossal Records. Her latest work only further cements her status as one of the industry’s most versatile creators. With over 60 million streams, collaborations spanning electronic heavyweights like Alex Schulz, Kiso Armic, and Anevo, and a recent JUNO-nominated project with Dom Vallie, Kayla’s influence reaches far beyond the studio walls. One of her most notable recent credits includes “Gold” by Alexiane featuring Salif Keita, a track that radiates with ethereal production and Diamond’s signature finesse. Her ability to blend modern electronic elements with deep, emotive storytelling makes the song a standout. Similarly, her writing and vocal feature on Domeno’s “Never Let Go” showcase her knack for crafting hooks that are both soaring and intimate—effortlessly balancing energy and emotion. Kayla’s impact extends to television as well, with her work landing placements in major productions like NBC’s The Voice, Netflix’s My Little Pony, and The Ultimatum. Beyond the music, her label Kolossal Records is redefining artist development, helping nurture the next generation of talent—including emerging pop/hip-hop artist Amarii. With her impressive credits and an unwavering drive, Kayla Diamond is setting the bar higher than ever. Whether behind the mic, in the producer’s chair, or at the helm of her label, she continues to shape the sound of today—and tomorrow.

Cory Popp for CHAIN This past weekend, Los Angeles played host to a mouthwatering new tradition as Jameson Irish Whiskey and CHAIN came together to present The French Fry Showdown —a festive Pre-St. Patrick’s Day celebration at the CHAIN House. Attendees indulged in an all-you-can-eat French Fry extravaganza paired with signature Jameson Irish Whiskey cocktails, creating an immersive experience that was equal parts delicious and spirited. The event saw partygoers take on the role of fry connoisseurs, sampling an array of expertly prepared French fries while sipping on specialty drinks such as the Jameson Minty MockRock Slushie. A lively competition added an extra layer of excitement, as attendees pitched their favorite fry to a panel of judges and rated each offering. As the night unfolded, the ultimate fry was crowned in front of an enthusiastic crowd, solidifying the showdown as a must-attend St. Patrick’s celebration. A Star-Studded Celebration Cory Popp for CHAIN The St. Patrick’s Day-themed bash attracted an impressive lineup of notable guests, including CHAIN founder and award-winning actor BJ Novak, social media sensation David Dobrik , music artist Ryan Cabrera and WWE star Alexa Bliss (Lexi Cabrera), as well as The Valley  and Vanderpump Rules  star Brittany Cartwright, alongside The Valley’s  Zack Wickham. Other attendees included Love Island  star Miguel Harichi with Leah Kateb, actor Blair Redford, Atlanta Falcons wide receiver Ray-Ray McCloud, top NFL draft pick Jordan McCloud, designer Jonathan Marc Stein, Skylar Erna, Natalie Noel, Brielle Barbusca, TV host Madison Brodsky, sports host Ashley Haas, Heidy De La Rosa, YouTuber Jarvis Johnson, DJ Sebastian Topete, Kinya Claiborne, and many more. A Fry Lover’s Paradise Cory Popp for CHAIN The menu featured an extensive selection of French fry styles, from crispy shoestring fries cooked in beef tallow (a nod to McDonald’s iconic recipe) to crinkle-cut, waffle, curly, wedge, and tots. Guests also enjoyed a selection of mouthwatering sauces, including Jameson Irish Whiskey BBQ, black garlic ranch, cheese sauce, and a top-secret classified sauce. Seasoning options ranged from Hot Cheeto Dust and Sour Cream & Onion to BBQ and Cajun. For the true indulgent experience, an off-menu Animal Station and a Caviar & Crème Fraîche Station added an extra gourmet touch—paired perfectly with a custom French Fry Challenge x Jameson engraved ice luge. Jameson Cocktails & Pairings Cory Popp for CHAIN To complement the fry feast, the Jameson Irish Whiskey Bar served up a curated selection of whiskey-based drinks designed to enhance the flavors of the evening. Highlights included the new Lucky Root  (a canned Whiskey Root Beer made with Jameson), the Minty MockRock Slushie  (a minty, vanilla Irish whiskey slushie), the Harvard J Wallbanger , and Nickel Pickle Backs  (a can of Donna’s Pickle Beer with a shot of Jameson). For those opting for a non-alcoholic treat, the Pi Day  mocktail—an apple pie-inspired beverage—was a crowd favorite. Jameson’s classic pairings, including Coca-Cola, were also on hand for a timeless whiskey experience. About CHAIN: The Gourmet Take on Chain Food Classic s Cory Popp for CHAIN CHAIN , founded by BJ Novak ( The Office ) and award-winning Michelin Chef Tim Hollingsworth, is the world’s first gourmet ‘chain food’ pop-up, reimagining fast-food classics with chef-driven innovation. Their exclusive activations, immersive tasting series, and nostalgic food festivals have earned a devoted following, with fans eagerly joining waitlists for each unique experience. As the first-ever French Fry Showdown  came to a close, attendees left with satisfied appetites and a newfound appreciation for the art of the fry. With its unbeatable combination of gourmet flavors, lively competition, and festive energy, this St. Patrick’s Weekend tradition is sure to return even bigger next year. Follow @jamesonUS and @eatatchain on social media for updates on future events.

With their latest single, “ SPITE ,” this alternative hard rock/metal trio delivers an electrifying gut-punch of brutal honesty, searing instrumentation, and lyrical depth that pulls no punches. If you’re looking for a track embodying unapologetic aggression, cutting self-reflection, and a sound that commands attention, you’ve come to the right place. From the first note, “SPITE” exudes an unrelenting energy that grips the listener and doesn’t let go. New Zealand’s Haast Hunter 's signature combination of heavy-hitting riffs, thunderous percussion, and Harper’s raw, impassioned vocals creates an atmosphere of controlled chaos—perfect for a track dissecting the darker sides of human nature. Lyrically, James Harper pulls back the curtain on the reality of Tall Poppy Syndrome and the toxic behaviors that people either suppress or fully embrace as they age. He doesn’t sugarcoat the struggle, instead laying bare a powerful duality: Do we remain oblivious to our faults, or do we lean into them and own our flaws without apology ? It’s a message that’s both brutally introspective and universally relatable. The instrumentation is a masterclass in tension and release—grinding guitars build momentum, the bass grooves deep in the pocket, and the drums crash through the mix with a precision that feels almost predatory. There’s a sense of unspoken catharsis woven through every note, making it clear that Haast Hunter isn’t just making music—they’re making a statement. If “SPITE” is just a preview of what’s to come, then Haast Hunter’s future looks dangerously thrilling. Harper hints at this in his vision for the track: stating: “I would like this to be a little taste test of what’s to come. To hear that we are a band that is consistently trying to grow and try new things.” It’s clear that stagnation isn’t an option for this band. Instead, they’re constantly evolving, redefining their sound, and pushing themselves into new, uncharted creative territory. “SPITE” isn’t just another hard rock track—it’s an anthem of defiance, self-awareness, and brutal honesty, wrapped in a sonic package that demands to be played at full volume. Haast Hunter is carving out a space in the metal and alt-rock scene that feels both fresh and timeless, and this single is proof that they’re only just getting started. SPITE" is an intensely personal track with raw, unfiltered emotion. Was there a specific experience or turning point that ignited the fire behind this song? It wasn’t until I hit my mid 20’s that I really started to realize how common Tall Poppy Syndrome and toxic, spiteful tendencies are in people (Maybe it ' s just specific to where we are down our end of the world in New Zealand?). Now as I approach turning 40, witnessing people mature into these traits that they have cultivated, I feel they either A) Remain ignorant to their ways, or B) Lean into it with an uncompromising acceptance and truly own the person they have become. In all honesty I prefer the latter – at least it’s honest. With “SPITE’ It is the embodiment of this duality. I see this time and time again. I don’t know if it is just a sign of the times or just where we are headed as a society? I really don’t know.   Your music balances aggression with melody in a way that feels both chaotic and refined. How do you approach songwriting to maintain that perfect balance? I’ve really taken to the “learning on the job” motto with songwriting, especially with my vocals. I think for those fans/ followers that have been with us since we first started releasing music, just shy of 2 years ago, they can certainly hear development and a widened arsenal to our overall sound. To answer your question, as I learn more about myself and further learn more skills vocally, I feel I can express myself in different ways, with this I can take a more balanced approach to the storytelling of our music, and use what tools I have gained along my journey to do so . You’ve touched on the idea of people either ignoring their flaws or fully embracing them. Do you see music as a way to hold a mirror up to society, or is it more of a personal catharsis for you? I would say a bit of both, I would lean more upon the latter. In person, I would like to think I am a fairly positive, up-beat person. I use music as a conduit to deal with a lot of the crap I deal with in life, and to furthermore reflect upon myself personally. Haast Hunter is clearly not afraid to push boundaries and evolve. What’s one unexpected direction or influence you’re currently experimenting with in your music? “ I would say a lot of metalcore, where this might be the obvious response to a lot of our listeners at this stage of the listening journey. There are definitely a lot of takeaways from where this genre is headed, especially as it approaches the more mainstream/ pop world. We are also heavily exploring a lot of electronic textures which inspired the metalcore genre and a lot of Nu Metal vibes too!   If you could build the ultimate dream lineup for a live show—any era, any artist—who would share the stage with Haast Hunter and why? Can I just like the whole lineup for Download festival and Aftershock festival? Any of those artists! From Deftones, Bad Omens, Sleep Token, Spirit box, Bring Me the Horizon, the list goes on! Even our OG rock n roll legends, Queens of the Stone Age!

Vancouver-based singer-songwriter NORA has built a reputation for defying convention, and his latest release, Running On Fumes , is no exception. With a sound that refuses to be boxed into a single genre, NORA seamlessly blends nostalgic textures with modern experimentation, resulting in a track that feels both deeply personal and universally resonant. At its core, Running On Fumes is an anthem for those who push forward even when there’s nothing left in the tank. The song captures the feeling of mental, emotional, and physical depletion, yet there’s an underlying sense of determination woven through its melodies and lyrics. NORA’s signature approach to breaking traditional song structures is evident here—his unconventional timing and vocal delivery create an immersive, almost hypnotic experience for listeners. The production is just as daring as the composition. The track opens with haunting synths and distant, echoing vocals that gradually build into a layered, emotionally charged crescendo. There’s a rawness to the sound—textured percussion, atmospheric reverb, and a pulse that mirrors the feeling of trudging forward despite exhaustion. This masterful interplay of sound and emotion makes Running On Fumes a standout in NORA’s catalog. One of the most striking aspects of NORA’s artistry is his ability to blend the past with the future. Running On Fumes incorporates sonic elements reminiscent of ’80s synthwave, alternative rock, and modern indie-electronic, all while maintaining an unpredictability that keeps listeners engaged. This willingness to experiment and disrupt conventional structures is what sets NORA apart. His upcoming album is poised to continue this trend—melding fluidity, experimentation, and an unapologetic departure from the norm. By refusing to be confined by labels or industry expectations, NORA is carving out his own lane in contemporary music, proving that authenticity and innovation can coexist.

When D-Shot steps to the mic, you know the Bay Area legend isn’t here to play games. His latest single, “ Hot Water ,” is a masterclass in West Coast rap, seamlessly blending streetwise storytelling, razor-sharp wordplay, and a bassline so heavy it might shake your speakers off the shelf. With this track, D-Shot not only reclaims his title as the “Godfather of Independent Rap” but also reminds us why the Bay Area is a cultural cornerstone of hip-hop. For those new to the game, D-Shot is more than just a solo artist—he’s hip-hop royalty. As a founding member of The Click alongside his siblings E-40, Suga-T, and cousin B-Legit, he helped define the Bay’s underground sound. Now, with “Hot Water,” he’s brought that family-first ethos full circle, collaborating with Cyda Lean, Turf Talk, and Bleezo to deliver a track that feels like a rap cipher you’d pay good money to witness. Each artist holds their own, but it’s D-Shot’s commanding presence that anchors the song. His deep, deliberate delivery cuts through the ominous beat, painting vivid pictures of struggle, survival, and triumph. The hook is a mantra—gritty, anthemic, and impossible to forget. Produced by Cyda Lean, “Hot Water” is pure West Coast fire. The crisp snares, rumbling bassline, and moody undertones create a cinematic backdrop for the lyrical storytelling. The production doesn’t just support the rappers; it amplifies them, elevating the track to anthem status. This is a beat that commands attention, whether you’re blasting it on your way to work or cruising the streets in a tricked-out ’57 Chevy Bel Air. Speaking of Chevys, the “Hot Water” video, directed by Jae Synth, is a visual love letter to Bay Area culture. Set in a Sacramento auto dismantling yard, the video is steeped in gritty realism, punctuated by pops of vibrant color and energy. From the gleaming gold rims of the iconic ’57 Chevy to the fluid moves of turf dancers, every frame feels authentically Bay. The video is as much about storytelling as the song itself, immersing viewers in a world where creativity and resilience shine despite the darkness. It’s not just a backdrop—it’s a stage for D-Shot and his crew to showcase the culture that shaped them. “Hot Water” isn’t just a song—it’s a statement. It’s a reminder that D-Shot has lived, breathed, and bled the culture he represents. More than that, it’s a showcase of how Bay Area rap has always been ahead of its time, blending grit with innovation and authenticity with flair.

Parisian producer Delabeat is no stranger to bending musical traditions into something entirely new. His latest release, “ Alouette, ” takes a well-worn French nursery rhyme and flips it into a hypnotic blend of urban, lo-fi jazz, and house music. The result? A track that feels like nostalgia took a wrong turn into a neon-lit alleyway and decided to stay awhile. For those unfamiliar, the original Alouette is a French folk tune about plucking a lark ( alouette in French). But Delabeat, ever the innovator, replaces the bird with something a little more… 21st century. In the music video, the feathered creature of old is swapped out for a DJI drone, a subtle but powerful commentary on how technology has seamlessly taken flight in our everyday lives. It’s a modern reworking of tradition, where the lark’s organic charm is substituted by an omnipresent mechanical eye in the sky. Delabeat’s signature style—melancholic yet kinetic—is in full force here. The house-driven rhythm anchors the track, while lo-fi textures wash over the beat like a faded memory trying to resurface. It’s a conversation between past and present, where the warmth of analog tones meets electronic precision. If Kaytranada had a laid-back, introspective cousin who spent his time crate-digging for jazz records in Montmartre, Alouette would be the track playing in his headphones. Delabeat’s fascination with genre fusion is evident throughout his discography, and Alouette serves as another example of his ability to transform the familiar into something fresh. He describes the song as an invitation to reflect on how technology has gradually replaced the visions of the past, and this theme is embedded within every layer of the track. Lo-fi synth pads pulse beneath crisp house beats, creating an interplay of organic and digital textures that mirror this shift in real time. As an Italian-born artist based in Paris, Delabeat’s work is inherently global. He fluidly moves between French and English compositions, collaborating with an impressive lineup of international artists, including Pawel Orlow, Sakti, Dyla, Mife, and Sidney. His genre-blurring approach ensures that while his music is deeply tied to European electronic traditions, it also appeals to a broad, worldwide audience. At its core, “Alouette” is a track about transformation—how something innocent and simple can evolve into something completely different in a modern context. It’s playful, introspective, and incredibly danceable all at once.  Your music blends urban, lo-fi jazz, and house in a way that feels effortless. How did your background—from Italy to Paris—influence your sound and artistic approach? Growing up with a French father and an Italian mother, I was surrounded by the beautiful sounds of artists like Oxmo Puccino, Hocus Pocus, Neffa, DJ Ax, Gazzara, Frankie hi-nrg, and many others. However, the songs that truly ignited my love for the acid-jazz and urban genres are *Mr. Tout Le Monde* and *Place 54* by Hocus Pocus—they left a lasting mark on my musical identity. You’ve collaborated with artists from different countries and styles. How do these collaborations shape your music, and is there an artist you dream of working with? Collaborating with Hocus Pocus would be a dream come true. And then, there’s the ultimate legend—Kaytranada. Having one of my tracks remixed by him would feel like the perfect seal on a project fully realized. “Alouette” is such a creative reimagining of a French nursery rhyme. What sparked the idea of transforming it into an urban house track, and what does the DJI drone symbolize to you? *Alouette* is a part of my childhood—I used to sing it with my classmates during school days. The idea came from reflecting on how quickly everything is changing and how a symbol from the past can evolve into a modern icon. The DJI drone represents this transformation—it’s a symbol of how technology now touches every aspect of our lives. There’s a strong theme of nostalgia meeting modernity in ‘Alouette.’ Do you see this concept playing a larger role in your future projects? Absolutely. I love the idea that the past can live on in the future—and vice versa. I believe music is the thread that connects every era. You’ve mentioned influences like Kaytranada and acid jazz—what was your sonic vision for ‘Alouette,’ and how did you balance classic elements with modern electronic textures? Honestly, I just followed an inner impulse. I think music has this unique quality—it’s like mixing two colored liquids together. Acid jazz blends with house, merges with lo-fi, and intertwines with a traditional folk song. That’s how an old nursery rhyme from the past can become a fresh, new musical life force.

Hailing from Oklahoma City, singer-songwriter and multi-instrumentalist Rebekah Ruyle is no stranger to pouring her heart into music. Her latest single, Left Out , is a soul-stirring acoustic pop/R&B track that encapsulates the universal sting of isolation. With its heartfelt lyricism and real-instrument production, Left Out is not just a song but an experience—one that resonates deeply with anyone who has ever felt overlooked. Written in 2020 during the throes of the pandemic, Left Out stems from a particularly painful period in Ruyle’s life. As a dedicated worker stepping up to cover shifts for others, she found herself blindsided when she was the one laid off due to managerial changes. That professional setback, combined with her natural sensitivity in friendships, led to an overwhelming sense of abandonment. Instead of bottling up her emotions, Ruyle turned to what she knows best—music. Left Out became an anthem of raw emotion, channeling feelings of exclusion, loss, and self-reflection into a beautifully haunting melody. What makes Left Out stand apart is its authenticity. The track is recorded exclusively with real instruments, giving it an organic warmth that’s rare in an era dominated by digital production. Ruyle herself plays the drums and provides all the vocals, while her talented collaborators—Logan Kelley (guitar), KENNA (keys), and Riley Luttrell (bass)—bring the song’s rich sonic texture to life. The result is a deeply immersive listening experience, where every beat and chord feels like a heartbeat echoing Ruyle’s emotional journey. Beyond its melancholic beauty, Left Out serves as a reminder that loneliness is a universal emotion. Ruyle hopes that listeners walk away from the song feeling understood. “It’s easy to feel lonely even when surrounded by people,” she explains. “But I think this release does a good job of expressing those feelings, and I hope other people relate to it like I do and know that it’s a common thing to feel.” While Left Out is a deeply personal solo release, Ruyle is also making waves in the music scene as a member of The Wavelength . As the band’s drummer and one of its lead singers, she continues to showcase her versatility as a musician. Her ability to navigate different roles—both behind the kit and at the mic—adds another layer of depth to her artistry, making her one to watch in the alternative and acoustic pop landscape.

Ever notice how a rainy day makes you want to write a moody ballad, or how the warmth of summer inspires feel-good anthems? Weather has a powerful influence on emotions, creativity, and ultimately, songwriting.  Whether it's the brooding intensity of a thunderstorm or the carefree energy of a sunny afternoon, the climate around us can shape melodies, lyrics, and a song's overall vibe. Let's dive into how different weather conditions can influence songwriting and how artists can use these elements to fuel their creative process. 1. Rain There’s a reason so many sad songs are written on rainy days. The steady rhythm of raindrops, the gray skies, and the chill in the air create a mood of introspection. Rain often evokes nostalgia, heartbreak, or deep thought, making it the perfect backdrop for soulful ballads, acoustic storytelling, or lo-fi melodies. Many artists have used rain as inspiration, including Adele with " Set Fire to the Rain ," Billie Eilish with " When the Party’s Over , " and The Beatles with " Rain ." These songs capture the emotional weight that rain often brings, weaving in themes of loss, reflection, and change. If you’re looking for inspiration, try sitting by a window with a notebook or instrument on a rainy day. The rhythmic patter of the rain can guide your lyrics and melodies, helping you channel that introspective energy into your songwriting. 2. Sunshine Bright, sunny days bring a surge of positive energy, optimism, and adventure. Sunshine is synonymous with good times, vacations, and freedom, translating into upbeat, energetic songwriting. Whether it’s a beachy pop hit, a summer road trip anthem, or a festival banger, sunny weather fuels songs that make people want to move. Pharrell Williams ’ " Happy ," Katrina and the Waves ’ " Walking on Sunshine ," and Calvin Harris ’ " Summer "  all embody the lightheartedness and carefree energy of warm weather. These songs thrive on bright instrumentation, catchy hooks, and vibrant production that reflect the energy of a perfect sunny day. When the sun’s out, take your creative process outdoors! Bring your guitar to the park, go for a walk with your voice recorder, or just absorb the natural energy. Writing in the sunlight can uplift your mood and naturally steer your song toward an uplifting vibe. 3. Snow Winter brings stillness, nostalgia, and sometimes isolation, making it a great time for deep, poetic songwriting. The muffled quiet of snowfall can inspire soft, ethereal melodies, while the biting cold may evoke themes of longing, loneliness, or warmth found in relationships. Songs like Fleet Foxes ’ " White Winter Hymnal ," Taylor Swift’s " Back to December ," and Bon Iver’s " Holocene "  beautifully capture the winter aesthetic, often using gentle melodies, poetic lyrics, and layered production to reflect the season's emotional weight. To translate winter’s stillness into music, try using soft, layered sounds like reverb-drenched vocals or ambient synths. Let the quiet and calmness of a snowy day shape your songwriting, embracing its reflective nature. 4. Storms Thunderstorms bring raw energy and unpredictability, making them an incredible source of inspiration for dramatic compositions. The booming thunder, flashing lightning, and howling wind can fuel aggressive rock riffs, cinematic soundscapes, or deeply emotional storytelling. Imagine Dragons ’ " Thunder ," Bob Dylan’ s " Hurricane ," and Prince’s " Purple Rain "  are just a few songs that embody the intensity of stormy weather. Whether through powerful lyrics, dynamic instrumentation, or heavy beats, these songs capture the drama and emotion that storms often bring. If you’re feeling stuck in your songwriting, try listening to storm sounds as a backdrop while writing—whether it's a thunderstorm playlist or recording the real thing. Let the intensity push your creativity toward bold, emotional songwriting. 5. Fog & Overcast Skies Fog and cloudy weather create a sense of mystery, eeriness, and introspection. Many artists use overcast days as inspiration for dreamy, moody, or even eerie tracks. Whether it's alternative rock, indie folk, or electronic music, gloomy weather adds an extra layer of emotional depth. Songs like Lana Del Rey ’s " Born to Die , " Radiohead’s " Street Spirit (Fade Out) , " and The Weeknd’s " The Hills "  capture the brooding, cinematic feel that fog and cloudy days evoke. These tracks lean into minor chords, haunting melodies, and atmospheric production to create an immersive experience. Experiment with minor chords, reverbs, and darker melodies when writing on gray, cloudy days. The atmosphere itself can shape your sound, helping you craft music that carries a sense of mystery and depth. Whether you're staring out the window at a stormy skyline or soaking up the sun on a warm afternoon, weather is an underrated but powerful influence on songwriting. The trick is to embrace the mood it creates and channel it into your music.