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Francis Wolfe is no ordinary artist, and his latest release, Nightfall , is no ordinary EP. If you’re a fan of bass-heavy beats, retro synths, and lyrics that straddle the line between introspection and swagger, you’re in for a treat. Wolfe, whose style blends trap with a splash of Synth Pop and Trance, delivers an audacious project that’s equal parts moody and magnetic. First, let’s talk about the vibe of Nightfall. It’s not just an EP; it’s an experience. The songs are poetic streams of consciousness that feel like flipping through the pages of Wolfe’s private journal—if that journal were set to bouncy drums and hypnotic synths. Thematically, Nightfall tackles secret romance, unfiltered ambition, and Wolfe’s unapologetic taste for high fashion. Think of it as a runway show where the models walk to the beat of heavy bass drops and retro-futuristic melodies. The standout quality here is Wolfe’s ability to marry experimental sounds with undeniable authenticity. His lyrics oscillate between vulnerability and confidence, creating a dichotomy that keeps you hooked. One moment, you’re swaying to Wolfe’s musings on faith and relentless passion; the next, you’re nodding along to his flex about life’s luxuries. It’s introspection with a side of swagger. After a two-year hiatus spent building the apparel line and movement Howlers Club™ with his twin brother, Alex Howlers, Wolfe has returned to music with a vengeance. During that time, he quietly worked on new music and collaborated with various producers to refine his sound. Now, with Nightfall finally out, Wolfe is showing no signs of slowing down. The release is accompanied by a merch collection featuring outerwear, headwear, tops, and accessories. "Doing merch drops with my music releases allows me to balance both of my passions for fashion and music," Wolfe shares. This seamless fusion of music and style demonstrates Wolfe’s knack for creating a holistic artistic experience. Looking ahead, Wolfe plans to release a full-length album and a collaborative project later this year. With his momentum in full swing, fans can expect even more innovative music and captivating visuals in the months to come. Musical Alchemy Collaborating with producers Sunrisess and Augury, Francis Wolfe has cooked up something that feels fresh yet nostalgic. The retro synths take you back to electronic music's golden era, while the trap beats keep you firmly planted in today’s hip-hop scene. Tracks flow seamlessly, creating a sonic journey that feels cinematic. Wolfe himself co-produced the EP, and his fingerprints are all over the meticulous attention to detail. Every track feels purposeful, from the pulsating basslines to the crisp snares that punctuate the melodies. It’s not just music; it’s a sonic aesthetic. Why You Should Listen Francis Wolfe’s Nightfall is more than just a collection of songs; it’s a world. In his own words, “I want people to step into my world for a moment and see life from my perspective—navigating uncertainty with conviction and elegance, being a light when the night falls.” And that’s exactly what this EP achieves. Whether you’re drawn to the slick production, the honest lyricism, or Wolfe’s ability to fuse multiple genres into one cohesive project, Nightfall is a must-listen for anyone who craves innovation in their playlists. Nightfall has such a unique sound. How did your influences, like Synth Pop and Hyperpop, shape the EP’s production? I always liked the idea of blending genres. To create an exciting new take on Hip-hop. Everything has been done under the sun, so why not have fun with it? I was exposed to New Order and Daft Punk at a very young age, so I cultivated an appreciation for synths that give a listener a nostalgic feeling. On the same note, I have an infatuation with trap beats. I am not afraid to redefine rap music as we know it. Bouncy drums with heavy bass complement retro synths, creating a synergistic juxtaposition. How did your time building Howlers Club™ with your twin brother impact your approach to music and creativity? I took a break from music for a couple of years to work on the brand. I got to experience the ins and outs of running the line, traveling, and making new connections. It was challenging to balance my love for designing clothes and making music. I was waiting for the right time to shift my focus back to music. The 'Nightfall' EP release was accompanied by a merch collection that consists of outerwear, headwear, tops, and accessories. Doing merch drops with my music releases allows me to balance both of my passions for fashion and music. Your lyrics balance vulnerability and confidence. How do you approach songwriting to achieve that dynamic? My songwriting is a first-person stream-of-consciousness narrative. My approach with this project was to create poetic anecdotes that explore topics of secret romance, ambition, pretentious flexing, relentless passion, and even faith. I confront love/hate, showcase my taste in luxury fashion, and capture the raw essence of going after my calling. Co-producing Nightfall must have been a challenge. What’s the most rewarding part of having such creative control? I had the privilege of getting to work with rising talents Sunrisess and Augury on this project. They create some of the most interesting Synth melodies and chord progressions. Then, we will come in with the drums and 808s. The rewarding part is being able to execute my unique vision. Blending my influences together in a way that I rarely hear. If listeners could take away just one message from Nightfall, what would you want it to be? I just want people to step into my world for a moment and see life from my perspective. Navigating uncertainty with conviction and elegance. Being a light when the night falls. With my new project finally out, I have no intention of slowing down or taking any “breaks.” I plan on releasing a full-length album and a collaborative project later this year.

Southern California-based indie rock outfit Pale Rider is set to release their sophomore album, 1to0 , on February 28 via Coming Home Records. Known for their seamless genre-blending and atmospheric soundscapes, the band continues to explore the depths of human experience through their music. To mark the occasion, Pale Rider has launched exclusive new merch, including a limited 12” vinyl of the album, alongside pre-save options on Apple Music and Spotify. Fans can also stream the new single, “EyeSwoon,” now on YouTube and Bandcamp. Originally the solo project of singer-songwriter Rus Martin, Pale Rider evolved into a full-fledged band in 2023, with longtime friends and seasoned musicians joining forces. Alongside Martin, the lineup includes Thomas Kraus, with contributions from Jon Santana and Joe Ramos. Their collective experience, spanning multiple groups across major and independent labels, lends 1to0 a depth and cohesion that pushes their sonic identity further. The band’s previous singles—“Until We Meet Again,” “Tonight Is Ours,” and “Your Faces”—will also be featured on the upcoming album. Produced by the band, engineered and mixed by Jon Paz Gale, and mastered by Nick Bassett (Nothing, Deafheaven), 1to0 delivers an expansive, emotion-driven sound that refuses to adhere to conventional songwriting rules. Pale Rider channels the raw energy of '90s shoegaze and ambient rock, crafting immersive, harmony-laden tracks that explore love’s highs and lows. Their latest single, “EyeSwoon,” encapsulates this ethos perfectly—its blend of melancholic introspection and soaring instrumentation invites listeners into a dreamlike space of reflection. With 1to0 , Pale Rider further cements their reputation for creating evocative, genre-defying music. As anticipation builds for the album’s release, “EyeSwoon” offers a glimpse into a record that promises to be both deeply personal and sonically expansive. Stream the new track now and prepare for the full album drop on February 28.

When it comes to piano rock, few artists today can tickle the ivories and tug at your heartstrings quite like Craig Greenberg . Dubbed NYC’s most acclaimed post-millennial piano man, Craig is a blend of Billy Joel’s storytelling finesse, Ben Folds’ cheeky charm, and Randy Newman’s soulful wit. With his latest bluesy swing-inspired release, Craig reminds us why he’s a musical treasure—and how he’s kept NYC’s music scene alive and kicking for over 15 years. Heartbreak Never Sounded So Good Craig’s latest single, "She's Gone and I'm Good for Nothing," dives deep into the messy, emotional aftermath of a relationship gone awry. “The song is about the anxiety and confusion I felt when a relationship was going off the rails and then ending,” Craig explains. But this isn’t your average heartbreak ballad. Instead, Craig wraps his raw emotions in a lively, toe-tapping melody inspired by his time soaking in the musical magic of New Orleans during the pandemic. The result? A song that’s as cathartic as it is catchy, pairing soulful piano riffs with bluesy swing rhythms that echo the vibrant energy of the Crescent City. Craig’s career is as eclectic and vibrant as his music. From playing bars in Chile and Spain to sharing the stage with legends like Jackson Browne and Chris Barron of Spin Doctors fame, Craig’s musical journey is the stuff of indie rock dreams. He’s independently released five albums , with his most recent EP, Between the Sea and the Sky (Dec 2022), earning critical acclaim and multiple film festival awards for its title track’s music video. His 2020 single “ Oh Caroline ” even made it to the semifinals of the International Songwriting Competition. With performances ranging from Lincoln Center to far-flung venues in Israel and Cambodia, Craig’s music has truly reached and touched the lives of many. Your latest track draws inspiration from your time in New Orleans. How did that city’s musical vibe influence your songwriting? Well, New Orleans is probably the city in the US most known for its history with the piano (maybe closely tied with NYC). I've been visiting since I was in college and performing there for the last 10 years; during COVID-19, I spent 2 months living there, so I've definitely spent a good amount of time soaking in that city's vibe. While the music has inspired me for years, the new single has this bluesy piano swing, which i think shows the influence New Orleans has had on my writing more than anything else i've done to date. With over 15 years in the music industry, what’s the most valuable lesson you’ve learned as an independent artist? I think the most valuable lesson would be to keep following your artistic joy, wherever it leads you.  I've seen other artists try to write what they think others want to hear, or to follow the latest trend in music, only to find they lost their muse in the process.  I've always made the music that I want to hear, that I don't really see being made much these days..  I honestly think that's the secret to longevity in this game.   That, and (as Steve Martin said) aspiring to "be so good they can't ignore you" Your songs are often deeply personal. How do you find the balance between vulnerability and relatability in your music? Well, some of them are more personal than others... and just because a singer can put emotion into a vocal doesn't necessarily mean it's a more personal song (maybe I shouldn't admit that, ha!).   I don't think being vulnerable and being relatable are mutually exclusive. Actually, I would say people relate quite a lot to vulnerability. Even if they haven't had the exact same experience, they've experienced vulnerability in some areas of their life.    But anyway, I don't really have the audience's relatability to a song in mind when I write...I don't know how I could do that. I just write what I feel, and I know that if I've experienced something, chances are there are others who have, too.    Having performed all over the world, from Lincoln Center to Cambodia, what’s been your most memorable gig and why? Ahh hmm, there have been a bunch that stands out (the ones in Cambodia were definitely the most unique!), but if I had to pick one, performing at Lincoln Center in front of about 6,500 people was the most memorable, mainly b/c it was the biggest gig I've done in my hometown, and because Lincoln Center is like holy ground for musicians. I floated from that one for months. You’ve collaborated with music legends like Jackson Browne and Chris Barron. What’s the best piece of advice you’ve received from them? Well, I don't recall any specific advice Jackson gave me, but being "seen" by him and also complimented on a song of mine pretty early on in my career definitely impacted me hugely.  Actually, that was probably the experience that sealed the deal for me as a lifer in music. I still pinch myself that I got to perform with him on a few occasions! Chris, I do remember some specific advice from. We were playing a gig in New Jersey for a group of army vets, and I think he saw me a little tense before we were about to go on. He told me, "It's just a rock and roll show..have fun with it".  That definitely put me at ease.  I also learned a bunch just from watching him over the years. He's a great storyteller and charmer on stage and off, and for being a genuine rock star, he's still a really humble and regular guy. (Jackson is similar in that regard). That left a big impression on me.

Canadian country artist Angelica Appelman is ready to make a powerful statement with her new single, Finding My Feet , released on January 31st. After surviving a life-altering car accident that left her with a serious brain injury and other lasting effects, Angelica has channeled her struggles into something truly inspiring—and Finding My Feet is the raw, emotional anthem of resilience we all need right now. The song, which Angelica co-wrote with a team of country heavyweights Jesse Slack, Daryl Scott, and Rich Cloke, captures the essence of a journey that is both intensely personal and universally relatable. From the very first note, it’s clear this track isn’t just about country music; it’s about healing and reclaiming your strength in the face of adversity. Her voice is vulnerable, and the way she shares her story makes it impossible not to root for her every step of the way. Finding My Feet is the perfect blend of classic country soul with a modern edge musically. It’s the kind of song that lets you tap your foot while simultaneously making you think about your own life’s battles. You can practically hear her determination in the chorus like each word is a step in the process of standing tall again. What makes Finding My Feet stand out even more is the way it doesn’t sugarcoat the journey. This isn’t the ‘feel good country tune’ with a happy, shiny finish. It’s about the process—the ups and downs—of finding your footing after life throws you a curveball. Angelica is laying it all out there, and the authenticity is undeniable. It’s clear that Angelica Appelman has a unique way of connecting with her listeners—her journey isn’t just hers; it’s one that anyone who’s ever faced adversity can relate to. From her debut single “Happy Place” to her EP A Reason or a Season, she’s proven she’s a force to be reckoned with in the Canadian country scene. And with Finding My Feet, Angelica is about to take that next step toward becoming a household name. If you’ve ever faced the challenge of picking yourself back up, or if you’ve simply been in search of a song that speaks to the heart, Finding My Feet is your anthem.

Lyndon Laveaux and Young Tez have teamed up to deliver a club banger that hits hard both in the beat and the bars. Their latest collaboration, " Flip ," is a track that perfectly encapsulates the art of blending catchy, turn-up vibes with serious lyricism—a rare combo in today's hip-hop scene. Produced by The Track Burnaz—the powerhouse production duo behind hits with DJ Khaled, Big Sean, and Future—"Flip" immediately pulls you in with its pulsating bass and energetic, club-ready rhythm. But it's not just the beat that will make you press repeat. Lyndon and Tez flex their lyrical muscles in a way that demands respect. Despite the song's ratchet themes—talking money, partying, and flexing—there's no compromise on the quality of the bars. As Lyndon says, "no matter what you're rapping, make sure you're still delivering quality." It's clear that Lyndon and Tez have electric chemistry, and their verses complement each other perfectly. Their delivery has an undeniable competitive energy, pushing each other to bring their best to the table, which makes "Flip" so dynamic. The track also features Rocki So Crazi, adding an extra layer to the collaborative spirit of this trio, who thrive on mutual artistic respect and growth. This isn't just a party anthem; it's a reminder that you can still elevate your craft even when you're rapping about life's more superficial pleasures. "Flip" is the first single from Heroes and Villains 2, setting the tone for an exciting year ahead. With more records on the way, including solo projects from both Lyndon and Tez, the future is looking bright for this talented collective.

The dance-pop dynamo is back, but this time, she’s flipping the script harder than a plot twist in a telenovela. With her latest track, “ BECOMING ,” Ft. TT The Artist, Megan Vice kicks off a raw, genre-hopping reinvention—think neon dance floors traded for hip-hop swagger with a side of "don't tell me what I can't do." Oh, and let’s make one thing crystal clear: this journey didn’t start with the track. Vice was born with a congenital leg and ankle condition, which meant life threw more hurdles at her than a track star. Over ten corrective surgeries and endless hours of physical therapy later, she’s now out here not just surviving but thriving.  In an industry that’s got the nerve to tell women their “prime” ends at 25, Megan Vice is out here saying, “Nah. Watch me.” So, why hip-hop now? Simple—Vice isn’t reinventing herself; she’s reclaiming her roots like a damn queen. Produced by Hamburg’s rising beat sorcerer Maru, “Becoming” taps into Vice’s musical DNA. Growing up as a Puerto Rican New Yorker, she was raised on rap royalty—50 Cent, Dipset, Jay-Z—the vibe was already in her veins. Now, she’s strutting into this space like she owns it (because, honestly, she kinda does). Vice’s whole philosophy: music’s gotta be for you  first. Forget labels and their cookie-cutter expectations—she’s not playing that game. Her upcoming EP (dropping Feb 26th—mark it) is a siren call to anyone feeling trapped in a box. It’s time to cut loose, evolve, and live loud. The Visual Feels Like a Fever Dream of Self-Discovery Now, let’s talk visuals. The “Becoming” video, shot by Berlin-based filmmaker Fabia Mendoza, is a rebellious fairytale on acid. Imagine Rapunzel and Sleeping Beauty finally waking up like, “Why the hell have I been locked away for this long?” Vice and featured rapper TT The Artist ooze power and presence, delivering bars like “Hopped right out the matrix unsupervised”  and “I do what I want / I keep it blunt”  over a bassline that’ll make your subwoofer sweat. It’s a bold reminder that your potential doesn’t punch a clock. You can rise, break free, and build yourself up whenever you feel like it. “Becoming” isn’t just another drop in the streaming void. It’s a mic-drop moment, a reminder that evolution doesn’t need anyone’s permission. So, ready to level up? Hit play. “Becoming”  is out now on every streaming platform.

Based in Los Angeles, AUS10—pronounced “AUS” like Australia and number 10 (you’re welcome for saving you from an awkward convo later)—is an emerging hip-hop artist who’s turning heads with his raw storytelling and hands-on approach to music production. This isn’t just another rapper trying to make it big; AUS10 is a one-man powerhouse, handling every aspect of his music—writing, producing, mixing, and editing—entirely on his own. The Album: A Therapy Session in Disguise While the title of his debut full-length album is still under wraps, its themes are crystal clear. This deeply personal and relatable project explores universal topics like mental health, heartbreak, resilience, and personal triumph. AUS10 isn’t afraid to lay it all out, creating a body of work that’s equal parts vulnerable and empowering. Tracks like "Trauma” (we’re guessing on the name, but hey, it fits) unpack the kind of pain most of us bury deep, while others—think uplifting bangers like "Rise Up" (again, just spitballing here)—feel like a pep talk from your wisest, most hype-worthy friend. It’s this balance of raw emotion and fire production that makes his music not just relatable but downright addictive. Why AUS10 Stands Out What sets AUS10 apart is his ability to blend vulnerability with pure talent. As a fully independent artist, he’s taken creative control of every element of his craft, and it shows. His authenticity shines through in every beat and bar, creating a connection with listeners that feels deeply personal. Whether he’s rapping about mental health struggles or celebrating moments of triumph, AUS10’s music resonates on a human level. His commitment to authenticity isn’t just a buzzword; it’s a mission. With his unique sound and dedication to telling real stories, AUS10 is carving out a space for himself in the hip-hop world, determined to leave an indelible mark on the industry. And let’s be honest: we’re all here for it. Through his music, AUS10 aims to inspire confidence and personal growth. He wants listeners to draw strength from life’s challenges, using his experiences as proof that resilience and triumph are possible. In his own words, he hopes people walk away from this album “feeling stronger, wiser, and more prepared to face their own journeys.” AUS10’s debut album isn’t just music; it’s a movement. This project blends raw storytelling, killer beats, and a hands-on creative process that showcases his talent and dedication. Whether you’re here for the emotional depth or the infectious energy, one thing’s for sure: AUS10 is an artist you don’t want to sleep on. Your music explores deeply personal themes like mental health, resilience, and heartbreak. What inspired you to be so open and vulnerable in your songwriting, and how has that impacted your creative process? My music is a reflection of my life and experiences. I’ve always believed that true artistry comes from authenticity, so it felt natural to write about deeply personal themes like mental health, resilience, and heartbreak. These are universal struggles, and by being open about my journey, I hope to connect with people who might feel like they’re going through it alone. Being vulnerable in my songwriting has been both a challenge and a gift—it forces me to dig deep and confront emotions I might otherwise avoid. But that honesty fuels my creative process, allowing me to craft lyrics and melodies that truly resonate. In the end, it’s about turning pain and growth into something meaningful that others can relate to and find solace in. As a fully independent artist who writes, produces, mixes, and edits all your music, what have been the biggest challenges and rewards of taking full creative control? Taking full creative control as an independent artist has been both empowering and demanding. The biggest challenge is the sheer amount of work it takes to wear so many hats—writing, producing, mixing, and editing all require different skill sets and a lot of time. Balancing the technical side with the creative flow can be tough, and there’s always the pressure to maintain high quality across the board without a big team to rely on. But the rewards make it all worth it. Having complete creative freedom allows me to bring my vision to life exactly how I imagine it without compromise. Every song becomes a true extension of who I am as an artist. Plus, knowing that I’ve built something entirely on my own is incredibly fulfilling. It’s not just about the music—it’s about proving to myself that I can do this independently and still make an impact Your upcoming debut album dives into some of life’s toughest experiences. Was there a particular moment or story that you felt you absolutely had to capture on this project? By the grace of God, up to this point, I haven’t experienced any close personal loss, aside from relationships not going how I would have wanted them to go. The moments I captured on the album are deeply rooted in real-life experiences. If there was a specific moment or time that truly spoke to me, then you’ll definitely hear it on the album. It’s all about being honest with where I am in life, and every track reflects a part of that journey. I want listeners to feel like they’re experiencing it with me, relating to those raw emotions and the lessons that come from them. You’ve mentioned that you want listeners to feel stronger and more confident after hearing your music. Can you share an example of how your own music has helped you overcome a personal struggle Absolutely. Most songs i wrote & write even to this day are refining my character, building my confidence and sharpening my resilience because while being spiritually conscious, whatever didn’t kill me made me stronger as a result. Creating tracks like these becomes a way to process those emotions positively and constructively and remind myself why I started this journey in the first place. I find myself thinking deeply in the writing process as if I’m having a conversation with myself, pushing me to keep going and embrace the resilience I know I have within. By the time the song was finished, it felt like I had lifted a weight off my shoulders. Listening back to it gave me the same strength and confidence I want others to feel when they hear my music. That experience reminds me how powerful music can be—not just for listeners but for the artist as well. It’s a reminder that we’re all capable of rising above challenges, and I hope my songs inspire others to do the same. With the hip-hop industry constantly evolving, what do you think makes your sound and approach stand out, and what message do you hope to bring to the genre? What makes my sound stand out is the way I blend raw storytelling with innovative production. I focus on creating music that feels authentic and timeless, but I’m not afraid to experiment with unconventional beats and melodies to give it a fresh edge. My approach comes from a place of honesty—I’m not trying to follow trends; I’m focused on staying true to myself and making music that resonates on a deeper level. As for the message, I want to bring a sense of empowerment and self-awareness to hip-hop. My goal is to remind people of their strength and resilience, no matter what life throws at them. Hip-hop has always been a voice for the unheard, and I aim to use my platform to uplift, inspire, and connect with others who are navigating their own struggles and triumphs.

Genre-defying rock outfit Zoë Kilgren Band (ZKB) returns with their captivating new single, “Magician." A bold evolution in the band’s sound, “Magician” masterfully fuses raw vulnerability with intricate instrumentation, delivering what might be their most emotionally charged track to date. “Magician” tells a story of blind faith and betrayal, wrapped in a complex emotional narrative that’s reflected in its unconventional song structure. Stripped-back verses lead into a delayed chorus that lands halfway through the song, building tension and mirroring the desperation at the track’s core. The standout bridge features a minute-long instrumental build beneath a haunting spoken-word poem, creating a chilling yet cathartic moment. Frontwoman Zoë Kilgren pulls no punches in describing the inspiration behind the song: “This song broke the line I drew for myself. It’s about the utter desperation and naivete that comes with loving someone who will never get it together. The person you love who can’t stop drinking and flirting with other people inevitably makes you look like a fool too, and then you’re left to clean off all their mistakes that have ended up staining you.” The single’s title, “Magician,” takes inspiration from the duality of the Magician in tarot. Representing both the conman and the creator, the end and the beginning, this element adds depth to the track’s exploration of trust, love, and self-discovery. It’s a profound metaphor for the emotional highs and lows encapsulated in the song. Pushing Boundaries in Indie Rock With “Magician,” Zoë Kilgren Band builds on the success of previous releases like “All The Time,” which helped the band achieve 63,000 Spotify streams last year. Known for their genre-bending style, ZKB’s sound is often likened to iconic acts such as Paramore, No Doubt, and Fleetwood Mac, yet they retain a voice that’s undeniably their own. The Los Angeles-based quartet has earned a reputation for authenticity and musical innovation, captivating a growing fan base with their heartfelt performances. Their music’s ability to blend dynamic rock elements with deeply personal storytelling continues to set them apart in the indie music scene. “Magician” is more than just a song—it’s an emotional journey that showcases the band’s evolving artistry. Whether you’re drawn in by the haunting spoken-word bridge, the intricate instrumentation, or the raw vulnerability of Zoë Kilgren’s lyrics, this track is destined to linger in your mind long after the final note fades. Get ready to experience “Magician” on January 31, 2025, and let Zoë Kilgren Band remind you why they’re a force to be reckoned with in indie rock. "Magician" has a unique structure with a delayed chorus and a spoken-word bridge. What inspired this unconventional approach, and how do you feel it enhances the story you're telling? In the creation of this song, our drummer had the initial idea of a slowed bridge that eventually ramps its way up back into a chorus, and we all felt it clicked perfectly. I originally didn't have anything written for this part, but with more rehearsal time, I started to get a clear image in my head. This bridge, musically, feels like the all consuming, nauseating feeling after you’ve realized what you love the most is gone, and with it, a part of you you'll never get back. It's cinematic. It’s the voice in your head when everything comes crashing down. With the main theme of this song ultimately being acceptance, this bridge is the turning point in the story when one begins to see the truth, not just the reality they've painted for themselves. You’ve mentioned that the song broke a personal boundary for you. Can you share more about what that line was and how crossing it influenced your creative process? Yeah, all in all, it's just embarrassing, you know? To give yourself away and be vulnerable with someone when they've shown you time and time again they are not going to respect you. I put on a very strong persona, with our music being the one place I can have my heart on my sleeve. That being said, however, no one wants to admit they've been fooled… that they've let someone take their time away, something we can never get back. This song recognizes that, and it helped me forgive the girl I was who let someone like that have power over my life. It's also allowed me to sit with shame, cowardice, and fear in my writing, which is new and scary but necessary.  The metaphor of the Magician in tarot adds a fascinating layer to the song. How did this symbolism influence the writing and emotional depth of the track? In the aftermath of this break-up, I found myself adopting some of the traits of the person who broke my heart. Callousness, contempt, a general lack of empathy for the world around me. It's the way that I survived it, but I was losing what made me me. The magician tarot card is symbolic of manifestation, alchemizing the spiritual into the physical, turning your wildest dreams into reality. Instead of becoming the person who hurt me, I needed to become the version of myself that would never accept treatment like that. It's a direct contrast to the idea of a magician we have in pop culture, a con man telling tales and tricking the eye. It's like two sides of a coin: becoming someone who takes advantage of others or someone who turns the pain into art.  Your music draws comparisons to iconic bands like Fleetwood Mac and Paramore, but you have a distinct voice of your own. How do you navigate balancing your influences with creating something uniquely yours? Being in a band really helps with that. We all have really distinct styles and influences that we bring to the table, and when we are in the room together creating, they either mesh or they don't. Thankfully, when things don't mesh, we tend to agree that creation has to be without ego. We always joke that we are “two bands in one.” We either lean toward very classic rock or very emo punk, but I think in songs where we end up marrying the two, we do our best work. With "Magician" marking an evolution in your sound, how does this single reflect where you see the band heading musically in the future? This single is taking us on a more experimental route, for sure. We have a lot of new music recorded and being written right now that reflects an honesty from all of us that we haven't shown before. In our second year together, we've been able to relax as artists, which gives us more room to experiment and grow. We have so much scheduled for release this year. I can't wait to see how it all continues to evolve.

Hold on to your headphones because Frozen Inertia is here to shake things up with their latest album, Reflectivity . This isn't just any old album; it's a genre-hopping, mind-bending, musical rollercoaster. Get ready to be whisked away into a world where jazz, blues, classical, and electronic sounds all mingle like it's a cosmic jam session. Seriously, it's a trip. Frozen Inertia comes from two pretty different places—San Francisco, California, and Akron, Ohio—but Timothy Graves (on baritone guitar, bass, synths, and vocals) and Brad Palmer (rocking the drums, accordion, and keys) somehow make it work. Together, they’re all about pushing musical boundaries and blending sounds in ways that’ll have your ears doing double takes. Reflectivity , which dropped on January 24th, 2025, is basically a kaleidoscope in album form. Each track is like stepping into another dimension, full of rich, cinematic soundscapes. Even when there are no lyrics, the music tells vivid stories. It’s like you can hear colors. Yes, I’m aware of how trippy that sounds, but trust me on this one. Now, let’s talk about the crown jewel of the album: “The Northern Lights.” This track is a whole 10-minute epic, and it’s breathtaking. Abbey Road Studios and legendary producer Oli Morgan (yep, the guy who’s worked with The Beatles and Elton John) helped bring it to life. The song builds and swells like a symphony, perfectly capturing the wonder of, well, northern lights dancing in the sky. Just when you think it’s peaked, Grateful Dead’s Scott Guberman jumps in with a Hammond B3 organ solo that’ll send chills down your spine—the good kind. Then there’s “Red Sky at Noon,” a haunting and deeply personal track. Inspired by the eerie, apocalyptic red skies during the California wildfires, this song hits home. It’s simple, powerful, and lingers with you long after it ends. You’ll feel the weight of that moment, trust me. Seventeen guest musicians from around the globe lent their talents to this album. We’re talking big names like Tim Lefebvre (of Bowie’s Blackstar  fame), jazz vocalists Dennis DeMille and Christopher Weeks, Juilliard-trained oboist Pablo O’Connell, and baritone saxophonist Lucas Sales. It’s like a musical world tour packed into one record. And how could we not mention the wild card? Brad Palmer’s nine-year-old son co-wrote a track called “No One is Driving This Car.” It’s quirky, catchy, and surprisingly wise in that "kids say the darndest things" kind of way. You’ll be humming it for days. In the end, Reflectivity  doesn’t just want you to listen. It wants you to close your eyes, let go, and see where the music takes you. It’s an invitation to daydream, to feel, and to escape into something beautifully strange and new. So, are you ready for the ride? Because trust me, this is one journey you’re going to want to take. The journey behind Reflectivity seems to be a deeply personal and eclectic one. What was the initial spark that inspired you to create this album, and how did your individual experiences shape the sound and themes you explored? Musically, there were two initial sparks that created this album. The first was about a week after finishing our last album, “After the Circus,” our bass player, Ryan, asked me if I had any new music to play around with. We just wrote an album! So I was kind of out of ideas, but I didn’t want to break the creative momentum, so I sketched something out in a few hours, which later became “Dogs in Space”. From there, new song ideas just started to flow. The other spark was a new baritone guitar, which really opened up all kinds of ideas for new sounds. Lyrically, some songs are personal, others are more abstract, and others have a sense of humor. “The Northern Lights” music was nearly there, but I had no lyrics until I went to Iceland, then I wrote the whole thing after taking a run once I was back home. The process was so fast; it’s like I needed that experience to complete the song. I’ve also started writing songs based on titles; sometimes, a phrase will just emerge, and that determines where the song goes. One specific example is “It’s Just the Beginning of Something New.” my mom appeared to me in a dream, said that phrase to me, and then jumped into the water and swam away. I don’t remember a lot of dreams, but that particular one was extremely vivid. The lyrics are about something completely different, but that sparked the idea for that song. With such a diverse blend of genres, including jazz, classical, and electronic, how do you balance the experimental nature of the album while maintaining a cohesive sound? Was there a specific moment during production when everything “clicked” into place? It’s a balance, but I like releasing a collection of work as opposed to one song at a time. So even though the music styles vary, it needs to all work together, which is hard to pinpoint how that happens. I think the one thing that makes it “click” is when the sequence of tracks feels complete, if one feels out of place then it’s not right for the album. It’s definitely a bit of an art, but it’s also what determines when the album is done when it paints a complete picture sonically: a beginning, middle, and end. The track "Red Sky at Noon" is inspired by the wildfires in Northern California, a devastating event. How did that experience influence the emotional tone of the song, and what was it like to translate that raw, real-world event into music? There’s so many strong emotions in that track. The September 2020 wildfires were just tragic and they occurred in the middle of the pandemic, you couldn’t go anywhere because of COVID, so you’re stuck at home, and on top of that, the Bay Area air quality was so poor that you couldn’t go outside for fresh air, and the sky was blood red all day - it felt like the world was ending. Since then, every year has been the hottest on record, and we’re witnessing “once in a lifetime” weather events over and over again. Then after these tragic events are over, we seem to forget about it until the next one comes along. I don’t like writing tracks that seem preachy, so I tried to be as sensitive as I could with the lyrics. I wrote it in a major key, and I wanted it to sound as beautiful as I could. I think it has a bit of a dreamy 80’s vibe to it, I wanted it to be hopeful yet realistic - but it’s so sad to keep seeing this happen. The L.A. fires are so terrible, I hope for a quick restoration, such great memories there. Your album features contributions from 17 incredibly talented musicians from all over the world. How did you decide who to collaborate with, and what do you think each guest brought to the table that elevated the album’s overall sound? As far as how we decide who and how the contributions are made, there are only two of us in the band, but as we’re writing, we hear other things come up in the music. When we were younger, we’d just try to figure out how to make those sounds ourselves, or I’d try to sing the vocal part even though I was hearing another vocalist in my head, so the song never felt quite complete. This time, we were really lucky to have so many incredible musicians on this album. We’ve always had special guests, but this one really takes it to the next level. For example, “You Had No New Messages Today ” started entirely as an abstract ambient electronic song, but as it progressed, there was this sound of an oboe that surfaced out of that music, but I needed an oboist that would be comfortable with experimental music. So I wrote a friend who plays classical oboe, and they introduced me to Pablo O’Connell, who was the perfect fit for what was needed in this song. A modern and historical oboist. A slightly different example was I needed a bass part for “It’s just the beginning of something new” and “Remember the Exit May Be Located Behind You.” I play bass, but I wasn’t right for the part, and I was hearing an upright bass on one track, which I don’t own. I must have reached out to four contacts I knew, and nothing was working out, so I needed to source a session musician and was amazed to get a chance to work with Tim Lefebvre, who was the bassist for David Bowie’s last album, Blackstar. It was an honor to have him contribute to both the lightest and darkest tracks on the record, and he blew it out of the water! There are so many other examples and stories, but I’d need an afternoon to talk about all of them. I’m so grateful and thankful for all the amazing contributions in both the music and vocals on this album, it’s the collaboration that makes this record. "The Northern Lights" is such a monumental piece, both musically and emotionally. Can you talk about what it was like to have the track stem-mastered at Abbey Road Studios with Oli Morgan? How did that experience help shape the final version of the song? The Northern Lights is such a monumental piece, both musically and emotionally. Can you talk about what it was like to have the track stem-mastered at Abbey Road Studios with Oli Morgan? How did that experience help shape the final version of the song? It was a dream and an honor to get a chance to walk into Abbey Road and have that song stem-mastered by Oli. There’s so much history in that building. I very much had a bit of “imposter syndrome” there, but everything aligned beautifully for it to work out: I was in London over the summer, the Northern Lights track was finished, and there was availability in the studio on the specific day I could go there. Stem-mastering is really cool. It’s almost like having it mixed because they’re mastering elements of the individual tracks or “stems,” so if the bass needs to be tweaked a bit, it can be — or if the vocals need a better EQ, it’s easy to fix. With regular audio mastering, you can’t do that because you’re working with the final mix. Abbey Road is one of the few studios that offers this, so it was incredible to watch Oli work his magic on our song. It took the song to a new level. He just knew what to do to bring the best out of that track.

Singer-songwriter and indie pop artist BJSR (Benjamin Rivet) has breathed new life into his 2019 ballad, I Need You , delivering a remix that amplifies both its sonic depth and emotional weight. With production by PINEL, this version transforms the song’s introspective tone into a euphoric, high-energy experience that captivates listeners from the first note. At its core, I Need You explores the universal truth that human connection is essential. BJSR reflects, “Reliance or dependency on someone else is often seen as a bad or negative thing, but this song is an internal and interpersonal acknowledgment that needing the love and support of others is not only ok but wonderful.” The remix enhances this sentiment with immersive percussion, modern synth textures, and layered vocal harmonies that build toward an exhilarating climax. The track’s progression—from uncertainty to affirmation—feels like an emotional catharsis, perfectly complemented by the soaring hook, “I know I need you.” BJSR’s signature intricate guitar work and looped beatboxing remain, but the addition of Dave Zup’s dynamic vocal bridge injects a new level of energy and contrast into the track. His performance adds a layer of hip-hop-infused romanticism, seamlessly intertwining with BJSR’s heartfelt delivery. By fusing elements of indie folk, pop, and electronica, BJSR and PINEL craft a genre-bending remix that feels both refreshing and emotionally resonant. The contrast between organic instrumentation and electronic flourishes creates a sonic landscape that is as unpredictable as it is satisfying. BJSR’s artistic vision extends beyond music, and the accompanying music video for “I Need You” is a testament to his innovation. Filmed and produced entirely by BJSR in a single take, the video uses WiFi HDMI transmitters, RGB LED panels, and a TV screen background to create an “infinity loop” effect—achieved in-camera without post-production trickery. The result is a hypnotic, surreal visual that perfectly mirrors the remix’s layered, immersive soundscape. The I Need You remix is now available on all streaming platforms, and the mesmerizing visual companion is live on YouTube. Whether you’re a longtime fan or discovering BJSR for the first time, this remix promises an unforgettable listening experience. The remix of "I Need You" brings a whole new energy to the original track. What inspired you to revisit this song, and how did the collaboration with PINEL and Dave Zup shape the final version? This remix actually came about a little differently than most I think. Ronnie (PINEL) was one of the producers of the original recordings back in 2019. And some of the instrument recordings actually go back to around 2012, so he is very familiar with the stem files and the song. Unlike a lot of remixes that are commissioned or done by unfamiliar artists and then presented to the label for distribution, Ronnie surprised me recently with an almost finished version of the song that he had been working on without my knowledge. I was blown away by the arrangement and how his unique production style took the song to a different place sonically. The addition of the bridge from my buddy and longtime collaborator Dave Zup was just icing on the cake and added a level of emotion and climax to the songwriting that I feel gives it even more complexity and heart. I loved the mix so much that I decided to put it out and create a unique video for the song. Your music often blends intricate guitar work, looped beatboxing, and layered vocals. How did you develop this signature sound, and how has it evolved over the years? I got my start as an acoustic guitar around the campfire singer-songwriter and spent most of high school and college playing solo or in bands, just beating the crap out of4 chords on my guitar and singing as loudly as I could over top of that. When I got a looping station right out of college, it opened up a new world of arranging, writing, performing, and production that I feel infiltrates all of my songs and recordings these days. The act of using a looping station and beatboxing has always been more for live performances and the traditional, polished multi-take, multi-track style of studio recordings. But as I've grown older, I've blended the two together. The "infinity loop" effect in your music video is visually stunning. Can you walk us through the creative and technical process of filming it in a single take without post-production editing? That effect was actually a pretty happy accident… I was setting up my camera and the RGB light for a different style shot that I wanted to get a screen test of to share with some of my producers. I was looking for a Wi-Fi transmitter/receiver unit and forgot that it was plugged into the TV that I was using as a black backdrop. When the receiver kicked the TV on automatically, I realized that the infinity loop effect was happening between my camera and the TV. I decided to roll with it and did a full take of the song and just let the lights and video effects go wild. The result is what you see in the music video, and I love it so much. I was alone in my studio, pouring my heart out into the performance, and the auto-focus was going wild, trying to keep up with me. I think the combination of analog real-time effects mixed with hyper-fast resolution and auto-focus creates a trippy visual and pulls the viewer into the song even more. You mentioned that the song is an acknowledgment of the importance of needing others. How has this theme of connection and dependency resonated with your audience, and what personal experiences influenced the song’s message? I played this song hundreds of times for various shows and events in my career. It's one of my oldest songs and has grown with me as I've learned more and more about myself and my relationship with others in the world around me. Showing vulnerability and admitting to needing help is something I must've realized at an early age when writing the song, but I have continued  to realize how important it is in my life. I've heard from a lot of my fans that the theme and sentiment behind this song is something that brought him a lot of peace and strength. I hope that the remix of this song and the accompanying music video highlight the power that a revelation like that can have on the way that you look at the world and the people around you. With JRNYMN Productions, you've built a career that merges music, visual art, and digital storytelling. How do you balance these creative mediums, and what drives your desire to push artistic and technological boundaries? Being a “creative” in this era of content overload is a little daunting. With all of the technology and instruments and cameras and recording equipment, it can be difficult to decide where and what to put my focus on. I've tried to lean into all of these amazing tools as a way to continue to hone my craft as an artist, songwriter, and producer and not get too bogged down in the insane capability we all have of creating more and more content every day.  Learning how to differentiate between what I think is good and what I think is worthy of sharing is the challenge of any artist in history. Fortunately, the world of social media and technology has created a huge amount of influence on my artistic and creative brain. Now, it is just a matter of discerning how to dial up or down the flood of information and inspiration and get to work.