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Emerging like a phoenix from the vibrant music scene of Fremantle, Emu Glitter's debut double single, "Resurrect Me" and "Tamarind & Lime," is a spellbinding mix of theatricality, introspection, and a dose of cheeky edge. This four-piece band wastes no time carving out a niche with their bold blend of 70s glam rock, early 2000s pop-rock, and modern-day alt-rock ingenuity. Kicking things off with "Resurrect Me," this record offers an anthemic pulse led by melodic keyboard riffs and uplifting harmonies. Frontman Jack Crooks delivers lyrics dripping with raw vulnerability, narrating a journey of self-discovery and growth that’s as cathartic as it is catchy. It’s the type of track that feels tailor-made for stadium singalongs while still tugging at personal heartstrings, which, to us, is the ultimate feat. On the other hand, "Tamarind & Lime" plunges headfirst into theatrical rock territory with a 6/8 waltz groove that’s anything but conventional. Crooks’ soaring falsetto shifts from tender to ferocious, mirroring the song’s biting critique of monotony and consumer excess. Written during a shift at a butcher shop, of all places, the track layers its societal reflections with psychedelic metaphors and cutting observations, making it as thought-provoking as it is utterly entertaining. Recorded live in the studio, both tracks capture the essence of Emu Glitter’s dynamic chemistry, blending intricate arrangements with an unmistakable warmth. With Jack’s poignant lyrical motifs, Nate Jombwe’s riveting basslines, Vanessa Millar’s bittersweet harmonies on the guitar, and Simon Martin’s impactful percussion, the band delivers a sound that’s delightfully eclectic yet harmoniously cohesive. For a debut single launch, Emu Glitter dazzles their audience with a release that’s as colorful, tangy, and unforgettable as their name suggests. We're stoked to know there's more where this came from, but in the meantime, this double feature remains on repeat.

Imagine if Blur decided to throw a therapy session and invited their indie cousins to spill some heartfelt truths. That’s the vibe John Jackson delivers in his debut EP, Tomorrow . This isn’t just an introduction—it’s a soulful handshake followed by a bear hug from the Britpop-meets-indie cosmos. Buckle up, folks, because we’re diving headfirst into the emotional ocean Jackson has so expertly charted. The opening track, “Tomorrow,” doesn’t just gently knock on your door; it whispers existential truths through the letterbox while leaving you a mixtape of grief and hope on the doormat. With echoes of classic Britpop expansiveness, Jackson stitches melancholy and resilience into a soundscape that feels like walking through a foggy London park—introspective, cinematic, and oddly comforting. Then comes “Save Heaven,” the EP’s heartbreaker-in-chief. With its orchestral swells and magnetic rhythms, this track feels like staring into the void and finding it staring back—but with a really great soundtrack. It’s the kind of song that makes you want to hug your friends while crying over an overpriced cup of tea. Jackson’s voice doesn’t just sing; it narrates an allegory of isolation with the precision of a poet and the pathos of someone who’s definitely been stood up at least once. Finally, “Hero” swoops in like the emotional rescue mission we didn’t know we needed. It’s got all the triumphant feels of an underdog story but with a side of Britpop grit. The unexpected heroism theme is like a cinematic crescendo in song form, and if you’re not feeling at least a little invincible by the end, check your pulse. John Jackson’s Tomorrow  isn’t just an EP; it’s an audio diary that feels deeply personal and universally relatable. If this is his debut, we can’t wait to see what’s next—though I’ll be emotionally preparing myself for another rollercoaster. Britpop fans, indie lovers, and anyone with a soul: this one’s for you.

Ishy Dee is back, and let’s just say Mami  isn’t just a song—it’s a mood. A vibe. A masterclass in turning syncopation into seduction. This Afrobeat RnB gem is a silky blend of ethereal vocals, pulsating rhythms, and raw originality, cementing Ishy as a sonic innovator who doesn’t just follow trends; he bends them to his will. From the very first beat, Mami  feels alive, pulling listeners into the rich lineage of Afrobeat while whispering, “Yes, this is Ishy Dee's playground now.” His voice, both dreamy and drenched in soul, wraps around the track like velvet, radiating an intimacy that feels personal yet universal. It’s the kind of performance that makes you close your eyes, sway involuntarily, and maybe, just maybe, text your ex (don’t say I didn’t warn you). This single is a tantalizing appetizer from his upcoming EP, Feed The Sheets  (the title alone is a wink that promises heat). If Mami  is any indication, we’re in for a project that dives deep into the sensual and the experimental, all while staying true to Ishy Dee’s Afrobeat roots. Since his emergence in 2013, Ishy’s carved his name into the London music scene like a true artisan, earning nods from BBC 1Xtra’s DJ Target and GRM Daily. But his live shows? That’s where the magic happens—where his loyal fanbase transforms into a full-blown dance floor army.

All too often, the good die young. Known for blending modern pop sensibilities with the timeless charm of country, Feeney continues to make waves in the music industry. Her transparent, relatable lyrics and fresh, authentic sound set her apart in a genre often crowded with clichés. Having captured the hearts and attention of listeners with charming releases like “Stick With Beer” and “Raining on My Parade,” this dynamic talent looks to impress yet again with her latest release, “If Angels Lived In Nashville.” Feeney describes “If Angels Lived in Nashville” as a deeply personal track inspired by the loss of a close friend five years ago and brought to life as a touching tribute to the beautiful memories they shared. The vulnerability displayed in this release is part of why Feeney’s been able to appeal to so many; her releases feel authentic and human in the most charming way possible. Capable of conveying joy, sorrow, and the whole spectrum of human emotion in oddly heartwarming ways, the sky is the limit for this talented songstress. Crafted entirely by Feeney, “If Angels Lived In Nashville” reflects on grief, memory, and love through soul-stirring lyrics and an emotional vocal delivery. The instrumental performance is soft, tender, and almost reverential, providing the perfect support to heartfelt, hard-hitting lyrics like “I’d burst into tears at the sickening irony / if only the good die young.” “This song came together naturally and held a very special place in my heart,” Feeney shares, describing the single as a labor of love that captures a pivotal moment in her musical journey. With a heart of gold and the voice to match, Jenna Feeney continues to prove that she’s one of the top talents in the industry right now. Whenever you’re ready, tap in and stream Feeney’s touching new release, “If Angels Lived In Nashville,” out now on all major streaming platforms. Instagram

If modern dating had an anthem, ElementxL’ s “Playing Games” might just take the crown. This fresh single from the rising Eora/Sydney-based artist is a masterclass in balancing lighthearted vibes with introspective storytelling. Freshly released on November 29, 2024, the track blends Indie, Alt Hip-Hop, and R&B into a sonic smoothie that’s as deliciously complex as its unpackable emotions. ElementxL (pronounced Elemental) has carved out a niche for himself with genre-blurring tracks like “Hazy” and “Re: Self Love ,” and “Playing Games” is no exception. This time, he dives into the all-too-relatable dance of connecting with someone emotionally unavailable. It’s a story as old as time, but with ElementxL’s signature flair, it feels as fresh as the first swipe on a dating app. Musical Mojo The track’s backbone is a smooth, melodic guitar riff that floats effortlessly over infectious R&B rhythms. ElementxL’s laid-back delivery and buttery flow give the song an inviting vibe, while the clever layering of beats and melodies keeps things dynamic. You can almost picture yourself grooving to it at sunset with a drink in hand—right before ghosting someone or getting ghosted (it happens). “ It’s all about the ups and downs of meeting someone new, not knowing what’s gonna happen. There’s so much uncertainty, but it’s also a part of the fun! ” ElementxL says of the track. And fun it is. The lyrics, while reflective, never feel bogged down by their weight. Instead, they dance playfully on the edge of vulnerability, striking a delicate balance that makes the song both deeply personal and universally relatable. For the Fans and the Curious Fans of ElementxL’s previous work will find a familiar yet refined vibe here. His ability to weave emotional depth into undeniably catchy tunes remains his superpower. “Playing Games” is a worthy successor to his hits “NOSEBLEED” and “HOLD UP ,” proving that ElementxL isn’t just playing games with his artistry—he’s leveling up. On the Horizon With plans for more releases and international touring in 2025, ElementxL is on an unstoppable trajectory. If “Playing Games” is any indication, his evolution as an artist is one to watch closely. Whether you’re an indie music aficionado, a fan of smooth R&B hooks, or just someone who’s ever been left on read, ElementxL has something for you. “Playing Games” is  not just a vibe; it’s an emotional soundtrack for navigating love in the 21st century. Visit ElementxL's website for more.

The 1970s — a time when the world was in flux, and music was its loud, unapologetic soundtrack. The post-Beatles decade was the bridge between the idealism of the '60s and the gritty reality of the '80s. It was a time when soul, rock, disco, and punk collided in a glorious cacophony. Artists weren't just making music; they were waging protests against wars, social injustice, and the rapid transformation of the American Dream. They were the voice of a generation looking for meaning in a world that seemed to be losing its grip on what had come before. But what about what was happening behind  the music? You know, the chaos that unfolded in the dressing rooms, the quirky moments that didn’t make it into the album liner notes, the backstage antics that often had more drama than the concerts themselves? These were the moments where legends were born—and often, where they lost their minds (and their clothes). The Soul of the '70s: A Symphony of Chaos and Revolution The music of the '70s didn’t just tell a story; it became  the story. From soul’s smooth, heart-thumping rhythms to rock’s rebellious roar, from disco’s glitzy, glittery glam to punk’s raw, unfiltered anger, it was a decade of musical exploration that reshaped the landscape of contemporary sound. But the true spirit of the '70s didn’t just emerge on stage—it was often shaped by the frenzy of backstage moments. The Rolling Stones, for example, were no strangers to backstage mayhem. Known for their rock and roll decadence, they had a legendary penchant for throwing after-parties that could rival the wildest of their concerts. Mick Jagger? He was a master at balancing his rock god persona with a knack for keeping things just unpredictable enough to ensure the press stayed captivated. And let’s not even get started on their impromptu jam sessions, where musicians, who were sometimes just as high on life as on substances, would create magic—or utter chaos. Meanwhile, artists like Aretha Franklin and Stevie Wonder were out to prove that soul was more than just music—it was a movement. But that didn’t mean they didn’t have their moments of unfiltered fun offstage. Imagine Aretha Franklin, known for her commanding stage presence, cracking jokes and sharing stories with her band, all while keeping a tight grip on her diva status. Or Stevie Wonder, in his own world of musical genius, sometimes stopping mid-concert just to give a heartfelt speech about social justice. Disco Balls, Polyester Suits, and the Birth of Glitter In the glittering world of disco, the ‘70s were ruled by sequins, platform shoes, and the kind of decadent nightlife that would make your grandmother clutch her pearls. The likes of Donna Summer, the Bee Gees, and Gloria Gaynor were constantly on the move, making music that practically oozed out of the dance floors and into the very fabric of the decade. But what most fans didn’t see was the hyperactive energy behind the scenes as these artists juggled choreography, endless rehearsals, and the often-absurd demands of the disco lifestyle. Consider the legendary Studio 54—the club that wasn’t just a nightclub; it was a cultural icon. Backstage at Studio 54 was a circus of famous faces, extravagant costumes, and unpredictable celebrity encounters. The line between performer and fan blurred as icons like David Bowie and Liza Minnelli rubbed elbows with regular club-goers who probably didn’t even know who the stars were. But then again, in the '70s, who really cared about boundaries when the music was this intoxicating? Punk: The Anarchy of Behind-the-Scenes Then there was punk. An anti-establishment movement that shredded convention and embraced chaos, the punk scene of the '70s was the antithesis of everything else going on in the music world. Backstage at punk concerts was often as rebellious as the music itself. Bands like The Sex Pistols and The Ramones didn’t do things by the book—they ripped up the book and used it as kindling for their post-show bonfire. These punk rockers were known for their reckless energy and their ability to start trouble even when they weren’t on stage. The attitude was: "We don’t care." They didn’t care about conventions, they didn’t care about being polished, and they didn’t care about the rules. Backstage, it was a controlled disaster of torn clothes, broken equipment, and uncensored rants. But when they hit the stage? Total chaos—and total genius. The Real Revolution: What We Didn’t See The 1970s was a decade of massive social change—and in many ways, the musicians of the era were the ones leading the charge. From protesting against war to giving voice to the disenfranchised, they weren’t just rocking the world; they were shaking it up in ways no one expected. And though most of these changes were visible on stage, they were equally powerful behind the scenes. Behind every hit record, every chart-topping single, and every iconic live performance was a behind-the-scenes crew of rock stars, fashion rebels, and social revolutionaries. Backstage, it wasn’t just about the music—it was about creating something bigger. Something that would last. And, for better or worse, something that would make the '70s a decade to remember. In the end, the ‘70s wasn’t just about the music—it was about everything that happened around it. And if you were lucky enough to catch a glimpse backstage, you’d see that the chaos, rebellion, and fun didn’t end when the lights went down. In fact, that’s when the real party began. The Best Iconic Music Moments Captured in Exclusive Backstage Photos In conclusion, the 1970s stand as a remarkable era of cultural and musical upheaval, where the backstage chaos, raw rebellion, and unscripted moments contributed to the creation of the iconic music that defined the decade. Artists didn’t just challenge social norms through their songs—they embodied revolution in their off-stage antics, creating a lasting legacy that transcended the stage. The vibrant worlds of rock, soul, disco, and punk converged in both the spotlight and behind closed doors, where anything was possible. The '70s wasn’t merely a time of musical exploration—it was a period when music, attitude, and culture collided in a kaleidoscope of creativity and anarchy. The true spirit of the decade lies not just in the songs that became anthems but in the untold stories, the unsung moments, and the chaos that fueled it all. The ‘70s were, undoubtedly, a time when the real revolution was happening not just on stage—but behind the scenes, where legends were made and lost and where the party never truly ended.

Opening up our minds up like the gatekeeper in the Matrix and sung with so much majestic focus to help us find the genuine genius within that we all possess, Garfield Mayor  is the kind of musician the world needs more of. The British singer is acclaimed and for good reason. He has the kind of vocal ability flushed with class which very few have the powers to summon from their souls. Lyrically there is a message on each of his singles and this is no different. In fact, this one might be the best of the lot. Showing us where the torch has been hiding the whole time, Light the Dark  might help many who have felt down recently. There is so much to like here as our ears are awoken rather radiantly, by a creative who seems to be flying at the minute. Garfield Mayor is highly rated and you can tell why, as this is a fine effort to play loud and proud, no matter if it is rain or shine outside. Turn this up loud on Spotify .

When it comes to creating art, youth remains an undeniable power that burns with a unique intensity. There’s something visceral about the work of a young artist processing the relentless speed of life coming at them for the first time. It’s that heady mix of heavy feelings and hopeful anticipation, bewilderment, and bliss. Most of all, however, it’s a depth of passion, pure and uncompromised, for which there is no substitute. And while there are many young songwriters, it’s a rare thing to find a vocalist that can effortlessly communicate this complex kaleidoscope of feelings in one striking melody after another. Now, put this singer in front of a young band with a clear vision, shooting for the stars. Enter the dazzling dream pop of Polaroid Fade . We were thrilled to chat with Nicoletta from the band about their debut album, Chaos Into Poetry , which is out now via Shore Points Records. Polaroid Fade's music captures a powerful mix of nostalgia and youthful exuberance. How does your experience growing up in Vineland, NJ, and the unique challenges of starting a band during the COVID lockdown shape the stories and emotions in Chaos Into Poetry ? In spring of 2020 i had just turned 14. When the COVID lockdown hit it was actually a great time because it forced my very busy parents to stay in the house and we had some amazing times being all together. One of those amazing things was my dad teaching me how to play guitar on our back deck. My dad is a musician and there was always music in the house. He taught me some chords and he and I would play covers and actually write some songs. We would write lyrics together and just laugh and have a blast with it. I would say that had COVID not happened, Polaroid Fade may not exist. As for growing up in Vineland, NJ…we are 30 minutes from Philadelphia and 30 minutes from the Shore, the latter being my favorite. That ocean city boardwalk and town overall has been my muse for most of the songs in one way or another. It's a magical place. Thats all I can say. Nicoletta, your voice has been compared to legends like Susanna Hoffs and Deborah Harry while maintaining a modern flair. How do you balance drawing from iconic influences like The Smiths and Radiohead with creating a sound that feels fresh and uniquely your own? I honestly don't even try to hide it! Haha! My favorite singer is Harriet Wheeler of The Sundays and I just try to imitate her on everything I do. Luckily I'm not that great at imitating and it comes out sounding like me. But seriously, those are great women to be compared to! As for our other influences, I think we wear them proudly on our sleeves. We take bits and pieces of all of those great bands and when we put them together the end product is Polaroid Fade . The band’s chemistry, particularly between you and Tyler Bronn, is a standout feature of Polaroid Fade. Can you take us behind the scenes of how you collaborate to merge his intricate guitar textures with your emotionally charged vocals to craft songs like 'Any Other Way' and 'Bliss?' Tyler is like the older brother I never had. We laugh a lot! His guitar parts come from the necessity to fill space in a one guitar, bass and drums band. We don’t do a bunch of overdubs in the studio because we want to be able to replicate the songs live as a four piece. Those parts always keep that in mind. We try to be aware of each others space in the song when crafting melodies as well. It’s worked so far! You’ve built a passionate fanbase by blending dream pop with alternative rock elements. What do you think it is about Polaroid Fade’s music that resonates with audiences of all ages, and how does that influence the way you approach songwriting and performing? We just write what comes naturally to us and thats where those influences come in. We don’t really write for anyone but ourselves. I mean, we have our moments when we know fans of the cure, or the sundays and the smiths will recognize what we are doing, but I dont think it steers the songwriting one way or another. I think theres something familiar about our music that appeals to the older crowd. I try to be honest and tell a story in some of the songs. Other times its a bunch of words that sound good together! Haha! I think the younger crowd likes the fact that we are mostly in our teens making music that sounds a little like the “older” bands that are finding a second life on TikTok. They are just now being discovered by my generation. Having self-produced your debut LP, Chaos Into Poetry, in a home studio, what was the most rewarding—and most challenging—aspect of taking full creative control over the recording process? How do you think it impacted the album's final sound? Having the freedom to record at home was amazing. We could track stuff whenever we felt inspired. The bad part about it is you are so close to the project that you cant remove yourself to listen objectively. Our basic attitude was we didn't want perfect takes. We didn't want to tweak the sounds endlessly. We wanted to keep everything fresh sounding. Every time we felt ourselves overthinking something we would stop and move on. We would make mixes and listen to something for weeks in the car. If something was truly not working, it would reveal itself over time. Most of the time, repeated listening would smooth over whatever “mistake” was bothering us and we would just keep it. It was maddening at times but recording this ourselves really gave us a skillset that can never be taken away. What's next for Polaroid Fade? One fan at a time. We just hope that enough people will connect with our music like we connect with our favorite bands so that we can continue to make music for the next 20 years.

Better times are coming. Having gone from small-town dreamer to accomplished Nashville artist, Creigh Riepe ’s artistic journey stands as an inspiring story to us everyday people. A rising force in the Christian music scene, Creigh Riepe initially got his start as a producer and touring musician. Supporting and sharing stages with titans of the country music scene like Keith Urban and Tim McGraw, he caught the attention of the industry even further as a contestant on The Voice in 2024. Known for a blissful combination of emotionally rich songwriting, soul-stirring voice, and heartwarming faith, Creigh Riepe's music has become the personification of the artist he wants to be. His jump to a solo career was in many ways a long time coming, and we couldn’t be happier for an artist with such an uplifting message. Crafting music that uplifts, inspires, and connects has always been his goal, and as his solo career continues to take off, there’s no better time to achieve his dreams than now. Crafted during a self-described tumultuous period in his life, his release “Better Days” is in equal parts a personal confession and a bit of a spiritual refuge. From the instant “Better Days” starts, a beautiful piano draws you in, with his tender vocals opening the track with the words “Feeling all alone / Don’t even know what day it is.” Creigh Riepe is not one to wallow, though, and singing lines like “Better days / they’re on the way / I can see it in your eyes / Don’t believe the lies,” he channels personal trials into a universal message of resilience and faith. “Better Days” feels like a glimmer of hope in a dark world, balancing his frank honesty with an undeniable sense of optimism. With “Better Days,” Creigh Riepe further affirms his commitment to a most precious mission: making music that uplifts, inspires, and connects.

Kaitlin Cassady has delivered a heartfelt triumph with her title track, "Home Away From Home," a song that feels like a warm embrace on a cold day. It’s the centerpiece of her profound 12-song debut album, which blends indie folk and rock with echoes of country and jazz, creating a fresh and timeless sound. Inspired by her journey of self-discovery after leaving her Minneapolis hometown, Kaitlin captures the universal pangs of love, loss, and longing with a storytelling prowess reminiscent of Aimee Mann and Phoebe Bridgers. The track’s lush guitar riffs and delicate soundscapes make it feel simultaneously expansive and intimate as if she is singing directly to your soul, pulling you into a beautifully crafted world of introspection, resilience, and emotional candor. Its raw emotional weight makes "Home Away From Home" special. Kaitlin Cassady doesn’t shy away from the messy parts of life. Addiction, heartbreak, and mental health struggles are all woven into the fabric of her songwriting. Yet, an undeniable hopefulness shines through, acting as a reminder that growth often blossoms from the most harrowing moments. With over 15,000 streams and a growing reputation in the Twin Cities music scene, Kaitlin Cassady is proving herself as a songwriter with a gift for turning life’s quiet moments into universal anthems. If this track is any indication, her music is something you feel deeply. She’s given us a piece of herself. And trust me, once you hear "Home Away From Home," you’ll want to stay in her world a little longer.