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Based in Los Angeles, AUS10—pronounced “AUS” like Australia and number 10 (you’re welcome for saving you from an awkward convo later)—is an emerging hip-hop artist who’s turning heads with his raw storytelling and hands-on approach to music production. This isn’t just another rapper trying to make it big; AUS10 is a one-man powerhouse, handling every aspect of his music—writing, producing, mixing, and editing—entirely on his own. The Album: A Therapy Session in Disguise While the title of his debut full-length album is still under wraps, its themes are crystal clear. This deeply personal and relatable project explores universal topics like mental health, heartbreak, resilience, and personal triumph. AUS10 isn’t afraid to lay it all out, creating a body of work that’s equal parts vulnerable and empowering. Tracks like "Trauma” (we’re guessing on the name, but hey, it fits) unpack the kind of pain most of us bury deep, while others—think uplifting bangers like "Rise Up" (again, just spitballing here)—feel like a pep talk from your wisest, most hype-worthy friend. It’s this balance of raw emotion and fire production that makes his music not just relatable but downright addictive. Why AUS10 Stands Out What sets AUS10 apart is his ability to blend vulnerability with pure talent. As a fully independent artist, he’s taken creative control of every element of his craft, and it shows. His authenticity shines through in every beat and bar, creating a connection with listeners that feels deeply personal. Whether he’s rapping about mental health struggles or celebrating moments of triumph, AUS10’s music resonates on a human level. His commitment to authenticity isn’t just a buzzword; it’s a mission. With his unique sound and dedication to telling real stories, AUS10 is carving out a space for himself in the hip-hop world, determined to leave an indelible mark on the industry. And let’s be honest: we’re all here for it. Through his music, AUS10 aims to inspire confidence and personal growth. He wants listeners to draw strength from life’s challenges, using his experiences as proof that resilience and triumph are possible. In his own words, he hopes people walk away from this album “feeling stronger, wiser, and more prepared to face their own journeys.” AUS10’s debut album isn’t just music; it’s a movement. This project blends raw storytelling, killer beats, and a hands-on creative process that showcases his talent and dedication. Whether you’re here for the emotional depth or the infectious energy, one thing’s for sure: AUS10 is an artist you don’t want to sleep on. Your music explores deeply personal themes like mental health, resilience, and heartbreak. What inspired you to be so open and vulnerable in your songwriting, and how has that impacted your creative process? My music is a reflection of my life and experiences. I’ve always believed that true artistry comes from authenticity, so it felt natural to write about deeply personal themes like mental health, resilience, and heartbreak. These are universal struggles, and by being open about my journey, I hope to connect with people who might feel like they’re going through it alone. Being vulnerable in my songwriting has been both a challenge and a gift—it forces me to dig deep and confront emotions I might otherwise avoid. But that honesty fuels my creative process, allowing me to craft lyrics and melodies that truly resonate. In the end, it’s about turning pain and growth into something meaningful that others can relate to and find solace in. As a fully independent artist who writes, produces, mixes, and edits all your music, what have been the biggest challenges and rewards of taking full creative control? Taking full creative control as an independent artist has been both empowering and demanding. The biggest challenge is the sheer amount of work it takes to wear so many hats—writing, producing, mixing, and editing all require different skill sets and a lot of time. Balancing the technical side with the creative flow can be tough, and there’s always the pressure to maintain high quality across the board without a big team to rely on. But the rewards make it all worth it. Having complete creative freedom allows me to bring my vision to life exactly how I imagine it without compromise. Every song becomes a true extension of who I am as an artist. Plus, knowing that I’ve built something entirely on my own is incredibly fulfilling. It’s not just about the music—it’s about proving to myself that I can do this independently and still make an impact Your upcoming debut album dives into some of life’s toughest experiences. Was there a particular moment or story that you felt you absolutely had to capture on this project? By the grace of God, up to this point, I haven’t experienced any close personal loss, aside from relationships not going how I would have wanted them to go. The moments I captured on the album are deeply rooted in real-life experiences. If there was a specific moment or time that truly spoke to me, then you’ll definitely hear it on the album. It’s all about being honest with where I am in life, and every track reflects a part of that journey. I want listeners to feel like they’re experiencing it with me, relating to those raw emotions and the lessons that come from them. You’ve mentioned that you want listeners to feel stronger and more confident after hearing your music. Can you share an example of how your own music has helped you overcome a personal struggle Absolutely. Most songs i wrote & write even to this day are refining my character, building my confidence and sharpening my resilience because while being spiritually conscious, whatever didn’t kill me made me stronger as a result. Creating tracks like these becomes a way to process those emotions positively and constructively and remind myself why I started this journey in the first place. I find myself thinking deeply in the writing process as if I’m having a conversation with myself, pushing me to keep going and embrace the resilience I know I have within. By the time the song was finished, it felt like I had lifted a weight off my shoulders. Listening back to it gave me the same strength and confidence I want others to feel when they hear my music. That experience reminds me how powerful music can be—not just for listeners but for the artist as well. It’s a reminder that we’re all capable of rising above challenges, and I hope my songs inspire others to do the same. With the hip-hop industry constantly evolving, what do you think makes your sound and approach stand out, and what message do you hope to bring to the genre? What makes my sound stand out is the way I blend raw storytelling with innovative production. I focus on creating music that feels authentic and timeless, but I’m not afraid to experiment with unconventional beats and melodies to give it a fresh edge. My approach comes from a place of honesty—I’m not trying to follow trends; I’m focused on staying true to myself and making music that resonates on a deeper level. As for the message, I want to bring a sense of empowerment and self-awareness to hip-hop. My goal is to remind people of their strength and resilience, no matter what life throws at them. Hip-hop has always been a voice for the unheard, and I aim to use my platform to uplift, inspire, and connect with others who are navigating their own struggles and triumphs.

Genre-defying rock outfit Zoë Kilgren Band (ZKB) returns with their captivating new single, “Magician." A bold evolution in the band’s sound, “Magician” masterfully fuses raw vulnerability with intricate instrumentation, delivering what might be their most emotionally charged track to date. “Magician” tells a story of blind faith and betrayal, wrapped in a complex emotional narrative that’s reflected in its unconventional song structure. Stripped-back verses lead into a delayed chorus that lands halfway through the song, building tension and mirroring the desperation at the track’s core. The standout bridge features a minute-long instrumental build beneath a haunting spoken-word poem, creating a chilling yet cathartic moment. Frontwoman Zoë Kilgren pulls no punches in describing the inspiration behind the song: “This song broke the line I drew for myself. It’s about the utter desperation and naivete that comes with loving someone who will never get it together. The person you love who can’t stop drinking and flirting with other people inevitably makes you look like a fool too, and then you’re left to clean off all their mistakes that have ended up staining you.” The single’s title, “Magician,” takes inspiration from the duality of the Magician in tarot. Representing both the conman and the creator, the end and the beginning, this element adds depth to the track’s exploration of trust, love, and self-discovery. It’s a profound metaphor for the emotional highs and lows encapsulated in the song. Pushing Boundaries in Indie Rock With “Magician,” Zoë Kilgren Band builds on the success of previous releases like “All The Time,” which helped the band achieve 63,000 Spotify streams last year. Known for their genre-bending style, ZKB’s sound is often likened to iconic acts such as Paramore, No Doubt, and Fleetwood Mac, yet they retain a voice that’s undeniably their own. The Los Angeles-based quartet has earned a reputation for authenticity and musical innovation, captivating a growing fan base with their heartfelt performances. Their music’s ability to blend dynamic rock elements with deeply personal storytelling continues to set them apart in the indie music scene. “Magician” is more than just a song—it’s an emotional journey that showcases the band’s evolving artistry. Whether you’re drawn in by the haunting spoken-word bridge, the intricate instrumentation, or the raw vulnerability of Zoë Kilgren’s lyrics, this track is destined to linger in your mind long after the final note fades. Get ready to experience “Magician” on January 31, 2025, and let Zoë Kilgren Band remind you why they’re a force to be reckoned with in indie rock. "Magician" has a unique structure with a delayed chorus and a spoken-word bridge. What inspired this unconventional approach, and how do you feel it enhances the story you're telling? In the creation of this song, our drummer had the initial idea of a slowed bridge that eventually ramps its way up back into a chorus, and we all felt it clicked perfectly. I originally didn't have anything written for this part, but with more rehearsal time, I started to get a clear image in my head. This bridge, musically, feels like the all consuming, nauseating feeling after you’ve realized what you love the most is gone, and with it, a part of you you'll never get back. It's cinematic. It’s the voice in your head when everything comes crashing down. With the main theme of this song ultimately being acceptance, this bridge is the turning point in the story when one begins to see the truth, not just the reality they've painted for themselves. You’ve mentioned that the song broke a personal boundary for you. Can you share more about what that line was and how crossing it influenced your creative process? Yeah, all in all, it's just embarrassing, you know? To give yourself away and be vulnerable with someone when they've shown you time and time again they are not going to respect you. I put on a very strong persona, with our music being the one place I can have my heart on my sleeve. That being said, however, no one wants to admit they've been fooled… that they've let someone take their time away, something we can never get back. This song recognizes that, and it helped me forgive the girl I was who let someone like that have power over my life. It's also allowed me to sit with shame, cowardice, and fear in my writing, which is new and scary but necessary.  The metaphor of the Magician in tarot adds a fascinating layer to the song. How did this symbolism influence the writing and emotional depth of the track? In the aftermath of this break-up, I found myself adopting some of the traits of the person who broke my heart. Callousness, contempt, a general lack of empathy for the world around me. It's the way that I survived it, but I was losing what made me me. The magician tarot card is symbolic of manifestation, alchemizing the spiritual into the physical, turning your wildest dreams into reality. Instead of becoming the person who hurt me, I needed to become the version of myself that would never accept treatment like that. It's a direct contrast to the idea of a magician we have in pop culture, a con man telling tales and tricking the eye. It's like two sides of a coin: becoming someone who takes advantage of others or someone who turns the pain into art.  Your music draws comparisons to iconic bands like Fleetwood Mac and Paramore, but you have a distinct voice of your own. How do you navigate balancing your influences with creating something uniquely yours? Being in a band really helps with that. We all have really distinct styles and influences that we bring to the table, and when we are in the room together creating, they either mesh or they don't. Thankfully, when things don't mesh, we tend to agree that creation has to be without ego. We always joke that we are “two bands in one.” We either lean toward very classic rock or very emo punk, but I think in songs where we end up marrying the two, we do our best work. With "Magician" marking an evolution in your sound, how does this single reflect where you see the band heading musically in the future? This single is taking us on a more experimental route, for sure. We have a lot of new music recorded and being written right now that reflects an honesty from all of us that we haven't shown before. In our second year together, we've been able to relax as artists, which gives us more room to experiment and grow. We have so much scheduled for release this year. I can't wait to see how it all continues to evolve.

Hold on to your headphones because Frozen Inertia is here to shake things up with their latest album, Reflectivity . This isn't just any old album; it's a genre-hopping, mind-bending, musical rollercoaster. Get ready to be whisked away into a world where jazz, blues, classical, and electronic sounds all mingle like it's a cosmic jam session. Seriously, it's a trip. Frozen Inertia comes from two pretty different places—San Francisco, California, and Akron, Ohio—but Timothy Graves (on baritone guitar, bass, synths, and vocals) and Brad Palmer (rocking the drums, accordion, and keys) somehow make it work. Together, they’re all about pushing musical boundaries and blending sounds in ways that’ll have your ears doing double takes. Reflectivity , which dropped on January 24th, 2025, is basically a kaleidoscope in album form. Each track is like stepping into another dimension, full of rich, cinematic soundscapes. Even when there are no lyrics, the music tells vivid stories. It’s like you can hear colors. Yes, I’m aware of how trippy that sounds, but trust me on this one. Now, let’s talk about the crown jewel of the album: “The Northern Lights.” This track is a whole 10-minute epic, and it’s breathtaking. Abbey Road Studios and legendary producer Oli Morgan (yep, the guy who’s worked with The Beatles and Elton John) helped bring it to life. The song builds and swells like a symphony, perfectly capturing the wonder of, well, northern lights dancing in the sky. Just when you think it’s peaked, Grateful Dead’s Scott Guberman jumps in with a Hammond B3 organ solo that’ll send chills down your spine—the good kind. Then there’s “Red Sky at Noon,” a haunting and deeply personal track. Inspired by the eerie, apocalyptic red skies during the California wildfires, this song hits home. It’s simple, powerful, and lingers with you long after it ends. You’ll feel the weight of that moment, trust me. Seventeen guest musicians from around the globe lent their talents to this album. We’re talking big names like Tim Lefebvre (of Bowie’s Blackstar  fame), jazz vocalists Dennis DeMille and Christopher Weeks, Juilliard-trained oboist Pablo O’Connell, and baritone saxophonist Lucas Sales. It’s like a musical world tour packed into one record. And how could we not mention the wild card? Brad Palmer’s nine-year-old son co-wrote a track called “No One is Driving This Car.” It’s quirky, catchy, and surprisingly wise in that "kids say the darndest things" kind of way. You’ll be humming it for days. In the end, Reflectivity  doesn’t just want you to listen. It wants you to close your eyes, let go, and see where the music takes you. It’s an invitation to daydream, to feel, and to escape into something beautifully strange and new. So, are you ready for the ride? Because trust me, this is one journey you’re going to want to take. The journey behind Reflectivity seems to be a deeply personal and eclectic one. What was the initial spark that inspired you to create this album, and how did your individual experiences shape the sound and themes you explored? Musically, there were two initial sparks that created this album. The first was about a week after finishing our last album, “After the Circus,” our bass player, Ryan, asked me if I had any new music to play around with. We just wrote an album! So I was kind of out of ideas, but I didn’t want to break the creative momentum, so I sketched something out in a few hours, which later became “Dogs in Space”. From there, new song ideas just started to flow. The other spark was a new baritone guitar, which really opened up all kinds of ideas for new sounds. Lyrically, some songs are personal, others are more abstract, and others have a sense of humor. “The Northern Lights” music was nearly there, but I had no lyrics until I went to Iceland, then I wrote the whole thing after taking a run once I was back home. The process was so fast; it’s like I needed that experience to complete the song. I’ve also started writing songs based on titles; sometimes, a phrase will just emerge, and that determines where the song goes. One specific example is “It’s Just the Beginning of Something New.” my mom appeared to me in a dream, said that phrase to me, and then jumped into the water and swam away. I don’t remember a lot of dreams, but that particular one was extremely vivid. The lyrics are about something completely different, but that sparked the idea for that song. With such a diverse blend of genres, including jazz, classical, and electronic, how do you balance the experimental nature of the album while maintaining a cohesive sound? Was there a specific moment during production when everything “clicked” into place? It’s a balance, but I like releasing a collection of work as opposed to one song at a time. So even though the music styles vary, it needs to all work together, which is hard to pinpoint how that happens. I think the one thing that makes it “click” is when the sequence of tracks feels complete, if one feels out of place then it’s not right for the album. It’s definitely a bit of an art, but it’s also what determines when the album is done when it paints a complete picture sonically: a beginning, middle, and end. The track "Red Sky at Noon" is inspired by the wildfires in Northern California, a devastating event. How did that experience influence the emotional tone of the song, and what was it like to translate that raw, real-world event into music? There’s so many strong emotions in that track. The September 2020 wildfires were just tragic and they occurred in the middle of the pandemic, you couldn’t go anywhere because of COVID, so you’re stuck at home, and on top of that, the Bay Area air quality was so poor that you couldn’t go outside for fresh air, and the sky was blood red all day - it felt like the world was ending. Since then, every year has been the hottest on record, and we’re witnessing “once in a lifetime” weather events over and over again. Then after these tragic events are over, we seem to forget about it until the next one comes along. I don’t like writing tracks that seem preachy, so I tried to be as sensitive as I could with the lyrics. I wrote it in a major key, and I wanted it to sound as beautiful as I could. I think it has a bit of a dreamy 80’s vibe to it, I wanted it to be hopeful yet realistic - but it’s so sad to keep seeing this happen. The L.A. fires are so terrible, I hope for a quick restoration, such great memories there. Your album features contributions from 17 incredibly talented musicians from all over the world. How did you decide who to collaborate with, and what do you think each guest brought to the table that elevated the album’s overall sound? As far as how we decide who and how the contributions are made, there are only two of us in the band, but as we’re writing, we hear other things come up in the music. When we were younger, we’d just try to figure out how to make those sounds ourselves, or I’d try to sing the vocal part even though I was hearing another vocalist in my head, so the song never felt quite complete. This time, we were really lucky to have so many incredible musicians on this album. We’ve always had special guests, but this one really takes it to the next level. For example, “You Had No New Messages Today ” started entirely as an abstract ambient electronic song, but as it progressed, there was this sound of an oboe that surfaced out of that music, but I needed an oboist that would be comfortable with experimental music. So I wrote a friend who plays classical oboe, and they introduced me to Pablo O’Connell, who was the perfect fit for what was needed in this song. A modern and historical oboist. A slightly different example was I needed a bass part for “It’s just the beginning of something new” and “Remember the Exit May Be Located Behind You.” I play bass, but I wasn’t right for the part, and I was hearing an upright bass on one track, which I don’t own. I must have reached out to four contacts I knew, and nothing was working out, so I needed to source a session musician and was amazed to get a chance to work with Tim Lefebvre, who was the bassist for David Bowie’s last album, Blackstar. It was an honor to have him contribute to both the lightest and darkest tracks on the record, and he blew it out of the water! There are so many other examples and stories, but I’d need an afternoon to talk about all of them. I’m so grateful and thankful for all the amazing contributions in both the music and vocals on this album, it’s the collaboration that makes this record. "The Northern Lights" is such a monumental piece, both musically and emotionally. Can you talk about what it was like to have the track stem-mastered at Abbey Road Studios with Oli Morgan? How did that experience help shape the final version of the song? The Northern Lights is such a monumental piece, both musically and emotionally. Can you talk about what it was like to have the track stem-mastered at Abbey Road Studios with Oli Morgan? How did that experience help shape the final version of the song? It was a dream and an honor to get a chance to walk into Abbey Road and have that song stem-mastered by Oli. There’s so much history in that building. I very much had a bit of “imposter syndrome” there, but everything aligned beautifully for it to work out: I was in London over the summer, the Northern Lights track was finished, and there was availability in the studio on the specific day I could go there. Stem-mastering is really cool. It’s almost like having it mixed because they’re mastering elements of the individual tracks or “stems,” so if the bass needs to be tweaked a bit, it can be — or if the vocals need a better EQ, it’s easy to fix. With regular audio mastering, you can’t do that because you’re working with the final mix. Abbey Road is one of the few studios that offers this, so it was incredible to watch Oli work his magic on our song. It took the song to a new level. He just knew what to do to bring the best out of that track.

Singer-songwriter and indie pop artist BJSR (Benjamin Rivet) has breathed new life into his 2019 ballad, I Need You , delivering a remix that amplifies both its sonic depth and emotional weight. With production by PINEL, this version transforms the song’s introspective tone into a euphoric, high-energy experience that captivates listeners from the first note. At its core, I Need You explores the universal truth that human connection is essential. BJSR reflects, “Reliance or dependency on someone else is often seen as a bad or negative thing, but this song is an internal and interpersonal acknowledgment that needing the love and support of others is not only ok but wonderful.” The remix enhances this sentiment with immersive percussion, modern synth textures, and layered vocal harmonies that build toward an exhilarating climax. The track’s progression—from uncertainty to affirmation—feels like an emotional catharsis, perfectly complemented by the soaring hook, “I know I need you.” BJSR’s signature intricate guitar work and looped beatboxing remain, but the addition of Dave Zup’s dynamic vocal bridge injects a new level of energy and contrast into the track. His performance adds a layer of hip-hop-infused romanticism, seamlessly intertwining with BJSR’s heartfelt delivery. By fusing elements of indie folk, pop, and electronica, BJSR and PINEL craft a genre-bending remix that feels both refreshing and emotionally resonant. The contrast between organic instrumentation and electronic flourishes creates a sonic landscape that is as unpredictable as it is satisfying. BJSR’s artistic vision extends beyond music, and the accompanying music video for “I Need You” is a testament to his innovation. Filmed and produced entirely by BJSR in a single take, the video uses WiFi HDMI transmitters, RGB LED panels, and a TV screen background to create an “infinity loop” effect—achieved in-camera without post-production trickery. The result is a hypnotic, surreal visual that perfectly mirrors the remix’s layered, immersive soundscape. The I Need You remix is now available on all streaming platforms, and the mesmerizing visual companion is live on YouTube. Whether you’re a longtime fan or discovering BJSR for the first time, this remix promises an unforgettable listening experience. The remix of "I Need You" brings a whole new energy to the original track. What inspired you to revisit this song, and how did the collaboration with PINEL and Dave Zup shape the final version? This remix actually came about a little differently than most I think. Ronnie (PINEL) was one of the producers of the original recordings back in 2019. And some of the instrument recordings actually go back to around 2012, so he is very familiar with the stem files and the song. Unlike a lot of remixes that are commissioned or done by unfamiliar artists and then presented to the label for distribution, Ronnie surprised me recently with an almost finished version of the song that he had been working on without my knowledge. I was blown away by the arrangement and how his unique production style took the song to a different place sonically. The addition of the bridge from my buddy and longtime collaborator Dave Zup was just icing on the cake and added a level of emotion and climax to the songwriting that I feel gives it even more complexity and heart. I loved the mix so much that I decided to put it out and create a unique video for the song. Your music often blends intricate guitar work, looped beatboxing, and layered vocals. How did you develop this signature sound, and how has it evolved over the years? I got my start as an acoustic guitar around the campfire singer-songwriter and spent most of high school and college playing solo or in bands, just beating the crap out of4 chords on my guitar and singing as loudly as I could over top of that. When I got a looping station right out of college, it opened up a new world of arranging, writing, performing, and production that I feel infiltrates all of my songs and recordings these days. The act of using a looping station and beatboxing has always been more for live performances and the traditional, polished multi-take, multi-track style of studio recordings. But as I've grown older, I've blended the two together. The "infinity loop" effect in your music video is visually stunning. Can you walk us through the creative and technical process of filming it in a single take without post-production editing? That effect was actually a pretty happy accident… I was setting up my camera and the RGB light for a different style shot that I wanted to get a screen test of to share with some of my producers. I was looking for a Wi-Fi transmitter/receiver unit and forgot that it was plugged into the TV that I was using as a black backdrop. When the receiver kicked the TV on automatically, I realized that the infinity loop effect was happening between my camera and the TV. I decided to roll with it and did a full take of the song and just let the lights and video effects go wild. The result is what you see in the music video, and I love it so much. I was alone in my studio, pouring my heart out into the performance, and the auto-focus was going wild, trying to keep up with me. I think the combination of analog real-time effects mixed with hyper-fast resolution and auto-focus creates a trippy visual and pulls the viewer into the song even more. You mentioned that the song is an acknowledgment of the importance of needing others. How has this theme of connection and dependency resonated with your audience, and what personal experiences influenced the song’s message? I played this song hundreds of times for various shows and events in my career. It's one of my oldest songs and has grown with me as I've learned more and more about myself and my relationship with others in the world around me. Showing vulnerability and admitting to needing help is something I must've realized at an early age when writing the song, but I have continued  to realize how important it is in my life. I've heard from a lot of my fans that the theme and sentiment behind this song is something that brought him a lot of peace and strength. I hope that the remix of this song and the accompanying music video highlight the power that a revelation like that can have on the way that you look at the world and the people around you. With JRNYMN Productions, you've built a career that merges music, visual art, and digital storytelling. How do you balance these creative mediums, and what drives your desire to push artistic and technological boundaries? Being a “creative” in this era of content overload is a little daunting. With all of the technology and instruments and cameras and recording equipment, it can be difficult to decide where and what to put my focus on. I've tried to lean into all of these amazing tools as a way to continue to hone my craft as an artist, songwriter, and producer and not get too bogged down in the insane capability we all have of creating more and more content every day.  Learning how to differentiate between what I think is good and what I think is worthy of sharing is the challenge of any artist in history. Fortunately, the world of social media and technology has created a huge amount of influence on my artistic and creative brain. Now, it is just a matter of discerning how to dial up or down the flood of information and inspiration and get to work.

Emerging from the soulful, sun-soaked streets of Cape Town, South Africa, GODBLESSHAZE (GBH) has always been a seeker of something greater. Growing up in a house where melodies danced through the walls like living memories, GBH found purpose in music from an early age. But it wasn’t just about listening; it was about transformation—taking life’s raw experiences and alchemizing them into art. By 15, GBH had already claimed the title of "music nerd," thriving in the competitive high school music scene where ambition was currency. Witnessing a classmate secure a record deal lit a fire in him—if they could do it, why not him? His early years were a symphony of trial and error, with the SoundCloud era providing him the perfect playground to explore and evolve. Between 2019 and 2021, GBH released three formative EPs ( ALTER-EGO , SUNSET-HAZE , and HAZE IN THE MIST ), each one a new chapter in his pursuit of greatness. But it was his final release before a hiatus in 2021 that pushed him into rooms his younger self only dreamed of entering. Then came the silence—or so it seemed on the surface. In reality, GBH spent the next four years on a profound journey of self-discovery. He delved deep into vocal training, absorbed the techniques of his musical idols, and recorded endlessly in search of his true sound. This was not just an artistic endeavor but a philosophical one: GBH sought to redefine what it meant to create, to view the world, and to be human. The Return: “Beauty Is Perspective” GODBLESSHAZE makes his long-awaited official debut with the single " Beauty Is Perspective .” A shimmering blend of French Pop, Contemporary, Alternative, and Classical influences, the track is not just a song—it’s a manifesto. For GBH, beauty is not an objective truth but a subjective lens shaped by how we choose to see the world. Inspired by a deeply personal loss, the single carries the spirit of his late cousin, whose presence he now feels in the delicate form of a butterfly. In weaving his grief into art, GBH invites listeners on a journey of self-reflection and healing. Lyrically profound and sonically lush, “Beauty Is Perspective” explores the tension between longing for better days and finding contentment in the now. One of the track’s most poignant moments comes from GBH’s own philosophy: “Unwavering hope for better days will get you through the toughest times, but make sure the dream life you envision is not one that was sold to you.” This line strikes at the heart of the song’s message—a caution against the societal pressures to chase predefined versions of success. Instead, GBH encourages listeners to craft their dreams around their values and truths. A Vision for the Future As much as “Beauty Is Perspective” reflects GBH’s personal growth, it also hints at what’s to come from his forthcoming debut album. With his intricate fusion of genres and philosophical depth, GBH is positioning himself as a visionary force in today’s music scene. His soundscape is revolutionary yet intimate—a dream built on the power of vulnerability and perspective. For those who feel trapped between aspirations for a brighter future and the heavy weight of the present, GBH’s debut single is both a mirror and a lighthouse. It reminds us that life’s true beauty lies in how we perceive it. Whether you’re chasing dreams or learning to find peace in the now, GODBLESSHAZE’s message is clear: your perspective shapes your reality. In an industry often obsessed with instant gratification, GBH’s journey of slow, deliberate growth is a refreshing anomaly. His music is not only a testament to the power of perseverance but also a gift to those ready to see the world through new eyes. “Beauty Is Perspective” may be the beginning of GBH’s official career, but it’s the culmination of a lifetime of dreaming—and it’s here to inspire yours.

Let’s get one thing straight: tackling Van Halen’s “Eruption” is not for the faint of heart. It’s the holy grail of instrumental rock—a thunderstorm of technical prowess and raw energy. So, when someone dares to reinterpret it, we’re all ears. But Susan Aquila isn’t just “someone.” She’s a force of nature armed with an electric violin, and her take on “Eruption” is nothing short of revolutionary. From the moment the violet spotlight hits her, Aquila owns the stage. The opening shot of the music video feels almost reverential—her bow raised like a sword, her blonde hair cascading over her instrument as if daring the universe to challenge her. And challenge she does. Armed with a battery of sound processors and a fearless attitude, she coaxes an entire orchestra’s worth of sound from her violin. Distortion? Check. Wah-wah? Check. Whammy pedal? Oh, you better believe it. But none of it feels like overkill. Instead, it’s a masterclass in using technology to amplify, not overshadow, raw talent. What makes Aquila’s version of “Eruption” so compelling isn’t just the pyrotechnics—though those are plenty jaw-dropping. It’s the way she pulls back the curtain on the piece’s classical roots. Eddie Van Halen himself was a pioneer of bringing classical techniques into rock, and Aquila’s background makes her uniquely qualified to highlight those connections. She doesn’t just play the notes; she deconstructs them, teasing out their underlying structure and elegance while still delivering the chaos and exhilaration that made the original iconic. It’s not a cover; it’s a reimagination. As the video unfolds, her passion is undeniable. Every note is imbued with energy, every gesture an extension of the music’s pulse. Watching her bend notes to the breaking point or unleash rapid-fire runs across her strings, you can’t help but think, “Who knew a violin could do this?” Well, Susan Aquila did. And now, so do we. “Eruption” has always been a rite of passage for instrumentalists looking to prove their mettle. Susan Aquila doesn’t just pass—she redefines the test. For fans of Van Halen, instrumental rock, or anyone who loves seeing boundaries shattered, this is an absolute must-watch. Long live the queen of the electric violin—she’s here to set your expectations (and maybe your speakers) ablaze. Your version of “Eruption” is jaw-dropping. What inspired you to take on such an iconic guitar piece and reinterpret it for the violin? I wanted to show what the electric violin could do. It’s not your grandma’s violin anymore! The fx allows the violin to explore a whole new world of sounds and expression. I am also a big fan of Eddie Van Halen. He was able to fuse his classical training with Rock into something exciting and fun. Recreating “Eruption” on the violin involves a lot of technical finesse. What was the most challenging aspect of translating the guitar techniques to your instrument? This was another reason why I chose Eruption. At the time, very few violinists had tried it. It lie well on the violin at all. I spent a lot of time trying different things out and looking at my instrument in a whole new way. Not gonna lie to you, I even cried once trying to figure it out.”LOL! But in the end, it was a great exercise in pushing the limits of my abilities and pushing the limits of the electric violin.  You highlighted the classical underpinnings of Eddie Van Halen’s masterpiece in your performance. How did your background in classical music influence your approach to this track? My classical abilities allowed be to pick up on things faster and understand what Van Halen was doing with the chords and phrasing. After that, my classical sensibilities actually got in the way. The piece breaks a lot of rules and is free flowing. I had to allow myself to do that as well.  The video for “Eruption” is a visual feast as well as an auditory one. How did you conceptualize the look and feel of the clip to match the intensity of your performance? I actually tried to keep the video simple… a woman and an electric violin. It is a simple stage setting. I wanted the piece to be the center of focus. The intensity of the performance came naturally as I was able to freely express Van Halen’s words in my own language.  After reimagining such a legendary piece, what’s next on your creative horizon? Can we expect more genre-blurring projects in the future? Absolutely! I am hoping to break a lot more rules! I am working on some new singles in which I will feature the electric violin as it’s never been seen before.

For indie music lovers, the magic of live performances is most likely to come alive in intimate, gritty, and undeniably cool venues. These spaces are where legends are born, where raw talent meets an electric crowd, and where the indie music community finds its heartbeat. From hidden basements to historic clubs, the world is filled with iconic indie venues that have left their mark on music history. Here’s a tour of the 10 most iconic indie music venues that every music enthusiast should know (or visit) around the world. 1. The Troubadour – Los Angeles, USA Photo: Martin Goizioux Located in West Hollywood, The Troubadour is the name that goes along with the rise of legendary acts. This iconic venue has been open since 1957 and has seen Elton John’s U.S. debut and indie favorites like Phoebe Bridgers and Mitski take the stage.  The Troubadour has been a haven for rising indie stars and music fans with its intimate setting and unparalleled acoustics. It’s got a storied history and it hasn’t wavered from supporting emerging talent. 2. The Barrowland Ballroom – Glasgow, Scotland Photo: Barrowland Ballroom In Scotland, this legendary venue has seen indie music since it was built in 1934. With its neon façade and incredible acoustics, the Barrowlands has hosted Arctic Monkeys, The Smiths, and almost every other indie icon. It's a rite of passage for bands and fans in the UK. There's a charm to its retro vibe and a crowd that knows how to rock. 3. 9:30 Club – Washington, D.C., USA Photo: The Guardian Ask any indie musician about the 9:30 Club, and you will likely get a wistful smile. This venue has been a mecca for indie and alternative artists for over 30 years since it opened in 1980. The Strokes and Maggie Rogers, among many others, have played there, and its reputation for having an engaged, enthusiastic crowd keeps it high in the indie music world. 4. La Maroquinerie – Paris, France Photo: Gigseekr Off the beaten path in Paris’ 20th arrondissement, La Maroquinerie exudes indie charm. A favorite of up-and-coming artists and fans wanting to witness an almost unforgettable live experience, it’s small stage and intimate atmosphere. Its unpretentious vibe draws French indie darlings and international acts alike—quintessentially Parisian, cozy atmosphere . 5. The Cavern Club – Liverpool, England Photo: Cavern Club Even today, The Cavern Club, which launched The Beatles, is essential for indie bands. This underground venue in the heart of Liverpool keeps its legacy alive with some of the most exciting names in indie music. Historic vibes meet modern indie energy. 6. Spotted Mallard – Melbourne, Australia Photo: My Guide Melbourne Melbourne’s indie scene is unmatched, and the Spotted Mallard captures its essence perfectly. This venue has just become a beloved spot for indie musicians from Down Under and beyond, known for its eclectic lineup and warm ambiance. There’s a uniquely Australian vibe with a focus on diverse talent. 7. The Bowery Ballroom – New York City, USA Photo: Time Out For indie musicians, there is no The Bowery Ballroom in Manhattan’s Lower East Side. The venue has a perfect blend of vintage charm and modern sound equipment that makes every show unforgettable. It's a cornerstone of NYC's indie music scene, having hosted acts like Vampire Weekend and LCD Soundsystem. Unbeatable location for legendary performances. 8. Paradiso – Amsterdam, Netherlands Photo: Resident Advisor Europe’s one of them, and one of the most renowned indie venues, Paradiso, is what used to be a church. The breathtaking setting for live music is created by its soaring ceilings and stained glass windows. The stage has been home to magic from artists like Florence + The Machine and Arcade Fire. A spiritual experience for music lovers (literally). 9. The Echo – Los Angeles, USA Photo: The Echo Los Angeles makes a second appearance on this list with The Echo, a venue that’s found a spot as a haven for experimental and indie artists. Whether it’s a packed show for a buzzy new band or a low-key gig for local talent, The Echo is where LA's indie heart beats. A consistent lineup of cutting-edge artists. 10. First Avenue – Minneapolis, USA Photo: Wikipedia This Minneapolis venue has been a launching pad for countless artists, including indie legends like Bon Iver, and is an iconic Midwestern indie music stronghold. From its rich history to its supportive community, this is a special place for both artists and fans. A home for musicians and for music lovers.

DEC/EMBER's debut single, "Aimless," is a powerful, raw anthem that blends the energy of punk rock with an introspective exploration of life's uncertain moments. Hailing from the suburbs of Toronto, this new four-piece band bursts onto the scene with a mission: to craft hard-hitting tracks that resonate with anyone feeling lost or without direction. From the opening notes, "Aimless" captures that all-too-familiar feeling of questioning your place in the world. Frontman Chris Allen Hess—known for his viral rock covers of pop-culture anthems—brings his signature voice to the table, conveying the frustrations of wondering, "Am I where I'm supposed to be?" The soaring instrumentals and anthemic chorus create an intense backdrop for these existential musings, offering a mix of power and vulnerability. The song kicks off the band's debut album, XII , a journey through self-reflection, self-doubt, and the hope for change. "Aimless" asks listeners to consider their own life's trajectory, while later tracks like "Unbelievable" and "Time Ran Out" dive deeper into themes of betrayal and trauma. But "Aimless" remains the perfect entry point into the world of DEC/EMBER, setting the stage for a full album that is both cathartic and empowering. With a background shaped by collaborations with bands like Hawthorne Heights and I the Mighty, DEC/EMBER's debut proves they are ready to make their mark on the punk rock scene—and they're doing it with heart, power, and purpose. "Aimless" seems to resonate with feelings of directionlessness, yet it has an undeniable energy. Can you discuss creating a song that captures vulnerability and high-energy punk rock? Was there a specific moment during writing or recording that defined the track's sound for you?   We all have a shared love for high-energy music, so that sound came very naturally when we all shared input on the same track.  We then sat down and discussed what troubles we were going through as individuals, and a lot of it came down to being the same age and going through the same transitions. Many people in their late 20s are starting to have kids and buy houses, but we all just want to jam out and keep afloat as individuals. It’s hard to feel like you’re on the “right track” in that headspace, and we figured others might feel just as aimless as us.  From starting as a fun side project to now releasing your debut album, "XII," what has the journey been like as a band? What do you think made the transition from friends jamming together to full-on band mode click for all of you? Because we've known each other for so long, we already know each other’s strengths and weaknesses. Thankfully, that allowed us to skip the growing pains that often come with starting a band and learning about your other members.  Chris, you have a strong following for your rock renditions of pop anthems on platforms like Spotify and YouTube. How has your experience as a cover artist influenced your approach to writing and performing original material with DEC/EMBER? How do you balance your style with the collaborative dynamics of the band? Being a cover artist and an original artist are totally different worlds to me. When writing covers, I am typically worried about the online perception or doing justice to the original artist. Writing original music is something I will do regardless of if anyone listens, and we have taken that approach of creative freedom when it comes to writing as a band. You all have a rich history of working with major acts like Hawthorne Heights and Dayshell. How have those experiences shaped your approach touring, songwriting, and performing live today? Are there any key lessons from those experiences you've carried into DEC/EMBER? Our exposure to working with larger artists has allowed us to break the ice of understanding what goes into putting on shows at that level. It’s pretty common for local bands to get overconfident when they earn a bit of success, so playing next to bands that have truly earned success is a reminder that we need to stay humble and put in the work to truly accomplish our goals. Despite the challenges—like the tire mishap before filming the "Aimless" video—DEC/EMBER has already experienced some memorable moments. Looking back on this debut phase, what has been the most surprising or rewarding part of getting your music into the world? What's next for you as a band after the success of "XII"? The most rewarding part of this process has been feeling like “XII” is our best work.  Our prior industry experience has exposed us to writing songs the way we think others will enjoy, but we earnestly wrote this record for us. We just hope that someone might take something meaningful out of our experiences, and we will do our best to do those songs justice on stage.

Giselle’s latest release, ‘GAME OVER,’ is the ultimate declaration of freedom as the artist walks away from the end of a toxic relationship without an apology. This song is the continuation of the story of the previous track, ‘ COLD ,’ of the emotional journey of a person in the process of power shift towards self-empowerment. As soon as the track starts, it is quite apparent that Giselle is not the same person who was once stuck in the emotional storm of a bad relationship. The pop and R&B fusion production is catchy, and the rate at which the song progresses is enhanced by the active beat, sweet vocals, and keen lyrics. Giselle’s voice is so versatile that it can go from weak to strong, and the song is always on the right note as it is about walking the tightrope of freedom. This is a cathartic release and a triumphant declaration of self-worth in ‘GAME OVER.’ From lines like, ‘I’ve had enough of this game over,’ Giselle makes it clear that leaving something toxic behind is an act of self-love. The music video that comes with the song continues from where the video for ‘COLD’ left, and the message of the video is clear: it is about cutting off anything that holds you back and embracing your true self. In ‘GAME OVER,’ Giselle offers her fans the power to embrace themselves and reminds them that standing up for themselves is the key to being happy. This track is a must hear for anyone that has ever needed that extra push to say, ‘enough is enough.’

Photo: Erik Mclean The new nomads are the touring musicians of the day, traveling from one unfamiliar city to another, juggling timetables, and maintaining the creative energy of being on the road. For 2025, the key item that helps every musician is not talent or even a great setlist—It is the apps on your phone. From your tour logistics to the best late-night food, these apps are here to save your sanity (and your wallet). Is your tour game not where you thought it should be? These are seven essential apps every touring musician needs. 1. Bandsintown Bandsintown is the MVP when it comes to promoting your shows. This app helps you announce tour dates, connect with fans, and ensure that every city knows you are coming through. It syncs with your social networks and will post your tour dates to your followers. Why do you need it? It’s like having a personal tour manager for your fanbase. It also includes a bonus feature of analytics tools showing you where your biggest fans are located so you can plan your next tour strategically. 2. Roadie Coach Not only does touring mean performing, but it also means staying sharp. That’s where Roadie Coach comes in – an app to help you rehearse on the go. This app has features like chord detection, vocal coaching, and progress tracking to make sure you are ready for your gig. Why do you need it? You will likely spend a lot of time in the car, which is the ideal time to work on that problematic chord or new song. You can also record your practice sessions and get feedback on your performance. 3. Splitwise This is especially the case for people who travel around often as members of a band, where they have to divide the costs of gas, food, and even Airbnb rentals among themselves. Splitwise is a tool that helps you manage your expenses and send requests to your friends to pay you back without all the drama of Venmo. Why do you need it? For maintaining your band’s financial harmony (yes, I meant it). This app also helps with currency conversion when the band goes on an international tour. 4. ShurePlus MOTIV Did you get a sudden burst of inspiration in the middle of nowhere? This ShurePlus MOTIV can turn your phone into a portable recording studio. A companion to Shure’s microphones, this app guarantees studio-quality recordings on the go. Why do you need it? Capture ideas anytime, anywhere — because inspiration doesn’t wait. You can also edit and share your recordings directly from the app. 5. Google Maps It may sound simple, but you must use Google Maps for driving through new cities. Whether you need directions to the event or where to find a gas station at 2 AM, it is almost essential for a road trip. Why do you need it? It's pretty much reliable navigation that isn’t wrong (unless you ignore it). Save offline maps for when you are out of signal range. 6. Master Tour by Eventric The Master Tour app is like having a personal assistant for your entire tour. This app is helpful in managing itineraries, travel schedules, guest lists, and even meal preferences for the crew. Why do you need it? To get rid of crumpled spreadsheets and confused bandmates and to share real-time updates with your team so they know what’s going on. 7. Yelp After the encore, you’re starving—but where do you go? Yelp has your back with crowd-sourced reviews for the best eats in town. Whether you're craving tacos or hunting for the perfect coffee spot, Yelp delivers. Why do you need it? To avoid disappointing late-night food choices. The app also lets you filter for ‘open now’ options because hunger waits for no one. After the encore, you’re starving — but where do you go? Yelp has your back with crowd-sourced reviews for the best eats in town. Whether you're craving tacos or hunting for the perfect coffee spot, Yelp delivers. Why do you need it? To avoid disappointing late-night food choices. The app also lets you filter for ‘open now’ options because hunger waits for no one.