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Megan Vice Crosses Emotional State Lines in "TIMEZONES"

  • Writer: Jennifer Gurton
    Jennifer Gurton
  • 44 minutes ago
  • 2 min read

Updated: 12 minutes ago

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Megan Vice doesn’t waste time writing songs that fade into the background. She builds worlds. With TIMEZONES, her newest drop produced by BOUNDXRY, she pulls us into a nocturnal maze of obsession, distance, and connection that feels both dangerous and intoxicating.

From the jump, the production is magnetic. BOUNDXRY laces the track with pulsing beats, shimmery synths, and a bassline that feels like it’s dragging you deeper into the night. It’s sleek, futuristic, and a little bit dirty, the kind of beat that demands your full attention whether you’re driving at 3 AM, sneaking into someone’s DMs, or just sitting alone with your thoughts.

Vice’s voice cuts right through the haze. Sultry yet vulnerable, her delivery blurs the line between confidence and confession. She doesn’t hide behind glossy effects; her vocals are front and center, dripping with urgency and intent. Every line feels like a whispered secret, every hook like a hit of adrenaline. There’s no filler here. She’s telling you exactly where her head’s at, and it’s messy, raw, and brutally real.

What makes TIMEZONES stand out is its honesty. Plenty of songs try to bottle late-night longing, but they often fall into cliché. Vice doesn’t. She leans into the chaos of desire across distance, the frustration, the impatience, the thrill of wanting something you can’t fully have. It’s not a polished fairytale romance; it’s closer to that electric, sometimes toxic, connection you can’t shake, no matter how many boundaries, physical or emotional, get in the way.


Vice isn’t afraid of contradictions, either. TIMEZONES is sexy without being hollow, vulnerable without being soft. It’s the duality that gives the track its punch. She’s exposing both the thrill and the ache of long-distance intimacy, and the result is a song that doesn’t just play, it lingers.

Paired with BOUNDXRY’s slick production, TIMEZONES feels cinematic, like the soundtrack to a scene where everything teeters on the edge of control. It’s addictive because it lives in that in-between space: love and lust, distance and closeness, chaos and clarity.


At the end of the day, TIMEZONES is proof that Megan Vice isn’t trying to fit neatly into anyone’s playlist algorithm. She’s not here to play it safe. She’s here to make you feel something, even if it’s messy, even if it stings, even if it keeps you up at night hitting repeat when you know you should be asleep.

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