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Who says holiday music has to jingle all the way? Brett Sheroky’s latest release, Happy New Year (Stripped) , is the heartbreak anthem your holiday playlist didn’t know it needed. Dropped just in time for the emotional crescendo of the year on December 6, 2024, this stripped-back gem is equal parts soulful, sincere, and stirring—a reflective counterpoint to the sugar-sweet cheer of seasonal tunes. Co-written with the brilliantly emotive Trannie Anderson (known for her work with Lainey Wilson and Dan + Shay), Happy New Year (Stripped) doesn’t deck the halls; it unpacks the baggage. With its sparse instrumentation, the song creates space for Sheroky’s raw vocal performance to shine. His voice—both aching and warm—feels like the sonic equivalent of watching snowflakes fall through a window, reminding you of what you’ve lost and what you’ve found in the quiet moments. “This isn’t your typical holiday track,” Sheroky notes, and boy, is he right. Instead of sleigh bells and carols, Sheroky and Anderson give us honest lyrics that reflect on the highs and lows of the past year. The song doesn’t shy away from heartbreak, making it a cathartic choice for anyone feeling a little too human during the season of forced smiles and glittering lights. It’s a bold move, blending melancholy with hope, but Sheroky pulls it off effortlessly. The stripped production mirrors the vulnerability of his storytelling, stripping away not just the frills but the facade, too. Think of it as the anti-sparkle holiday single, perfect for sipping whiskey by the fire or sending a wistful text to the one who got away. As Sheroky prepares to release his debut album in April 2025, Happy New Year (Stripped) feels like a preview of the artistry we can expect. A blend of 90s country earnestness and 70s rock introspection, Sheroky’s sound is uniquely his own yet comfortingly familiar. And if this single is any indication, his upcoming album will be filled with songs that speak to the human condition with the same heartfelt depth. So, if you’re tired of hearing the same jingles on repeat, do yourself a favor and cue up Happy New Year (Stripped) . It’s the kind of song that doesn’t just mark the end of the year—it helps you process it. Stream “Happy New Year (Stripped)” now, and prepare to feel all the feels.

If we really think about it, the fact that a blend of words, harmonies, melodies, and beats can create something that shapes millions of lives is otherworldly. Songs can transport us back to nostalgic moments, make us feel emotions that we thought we had otherwise processed, represent entire cultural movements, and even change the trajectory of music on its own.   While today we have an incredible variety of entertainment options at our fingertips, from the latest arrivals in slot gaming  to new movie and music releases almost on a daily, music in previous generations captivated massive audiences unlike anything else. Different people may experience music uniquely and belong to various subcultures, but certain songs and artists have managed to transcend boundaries and dominate mainstream charts. Decade by decade, let’s go over songs that defined their eras. 1950s: ‘Hound Dog’ by Elvis Presley If you look over the most popular songs of the 1950s, you’ll notice that the decade experienced a dramatic change in what people were listening to. Intimate solo singers, the crooner sound, and vocal jazz defined the early ‘50s. Music at that point was palatable, non-controversial, and easy to listen to. And then rock and roll came around.  Among the genre’s greats were Chuck Berry and Bill Haley and His Comets, but no one stood out quite like Elvis Presley. He oozed sexuality and took inspiration from African American rhythm and blues, bringing it to the mainstream. Although Presley didn’t write ‘Hound Dog,’ he popularized the original twelve-bar blues song recorded by Big Mama Thornton, making it ‘an emblem of the rock ‘n’ roll revolution.' 1960s: ‘(I Can’t Get No) Satisfaction’ by The Rolling Stones When the 1960s began, the general rock genre was in full swing. But with so many developing genres like psychedelic rock and British rock coming to life, those early pioneers fell into the background. One of the most iconic English rock bands still to this day, The Rolling Stones, formed in 1962 and was quickly considered a pioneer of hard rock. They took the early rock and roll sound and elements of blues and infused their own gritty, rebellious sound that resonated with the counterculture.  Out of their many hits, ‘(I Can’t Get No) Satisfaction’ not only became their first number-one hit in the US but eventually one of the world’s most popular songs. Keith Richards’s memorable guitar riff, catchy sound, and lyrics all came together to produce a song that still remains relevant today. 1970s: ‘Imagine’ by John Lennon At this point, The Beatles were already experiencing their heyday. Between 1963 and 1970, they released 13 studio albums, with a song catalog so massive and so loved that it was no question they had solidified themselves as one of the most influential bands of all time. As a revered songwriter with natural musical talent, Lennon also launched a solo career and established his own legacy. His signature song? ‘Imagine’ was written during a period of contention between The Beatles, especially Paul McCartney and John Lennon. He wrote it as a ‘plea for world peace,’ which was particularly relevant in the ‘70s  when there were social and political disturbances around the world. Beyond that time, the song’s general and idealistic lyrics still make it relevant to any generation that experiences a need for hope. 1980s: ‘Thriller’ by Michael Jackson Michael Jackson was a worldwide phenomenon. Over his four-decade career, he raked in accolades, revolutionized the concept of the music video, and essentially influenced the world with his music and live performances. Everything from his style to his presence was a talking point, making him much more than a musician. Jackson’s discography is teeming with hits, but ‘Thriller’ was so powerful that it broke down racial barriers at the time and transformed the music video concept into an art form. The song is considered a ‘disco-funk’ song, with theatrical elements, horror movie sound effects, and a killer bassline. It allowed Jackson to put his vocals on full display and perform to his full potential on stage. 1990s: ‘Smells Like Teen Spirit’ by Nirvana The ‘90s was an era that is hard to define. With so many distinct musical paths to explore that all have little overlap, music in the 1990s was sort of shaped by how the individual wanted it to look. For example, we saw the rise of the girl group and boy band concept, the early days of rap, the wave of ‘90s metal, and the alternative grunge rock scene.  No single band represented grunge as much as Nirvana, a name still cited as a major influence on artists today. In their short three-year career, they managed to become one of the best-selling bands of all time. And despite being an ‘underground’ type band, their song ‘Smells Like Teen Spirit’ could not have been more mainstream. Like the riff in ‘(I Can’t Get No) Satisfaction’ by The Stones, the four-power chord progression became a recognizable, powerful riff. People were instantly drawn to its raw expression of teenage angst. 2000s: ‘Crazy in Love’ by Beyoncé Then, it was the turn of the millennium. Digital music platforms made music accessible and discoverable, MTV had music videos on demand, and pop icons slowly but surely defined the era. People were intrigued by the polished sound of modern pop  and R&B and the stars behind the music. Everyone wanted to be in on the inner world of artists like Britney Spears, Justin Timberlake, and Destiny’s Child, mimicking their image and adopting their lifestyle. Another common trend during this time was collaborations between big-name artists, all vying to reach the top of the charts. One notable example is ‘Crazy in Love’ by Beyoncé, featuring Jay-Z—two incredibly influential artists with undeniable legacies. The track was infectious, with powerful vocals, a catchy hook, and a blend of several of the most popular genres at the time.

"Some Kind of Purgatory" opens with a bold declaration: "No, I’m not gonna break." But, if you listen closely, there's a hint of uncertainty in Mark Ciani’s voice—like a person desperately trying to convince themselves of something they’re not entirely sure about. Welcome to the mental tug-of-war of Mark Ciani's latest single, a song that pulls you between chaos and catharsis, darkness and light, uncertainty and determination. It’s a wild ride, and we’re all invited. From the get-go, Ciani doesn’t just stand at the edge of a cliff—he dances dangerously close to it. This track could easily be a battle cry, but it's one peppered with dark humor, vivid imagery, and the kind of storytelling that draws you in like a page-turner. The lyrics could make you laugh as much as they make you gasp, as Ciani has always been an expert at mixing the urgent with the absurd, and "Some Kind of Purgatory" is no exception. It's about being stuck in a liminal space, but it’s the kind of purgatory you want to get stuck in—if only because the journey is so captivating. Ciani has built a reputation for delivering raw emotionality with the sort of rock sensibility that makes you want to throw your hands in the air and sing along. Fans of his previous albums like King of Death and Sad Robot will instantly recognize his signature ability to turn even the most chaotic moments into something strangely catchy. It’s like being trapped in a fever dream where every verse brings you closer to the edge, but then—bam!—the chorus hits, and it's pure, unadulterated singalong joy. The contrast between the song's tense verses and euphoric choruses is where the magic lies. Ciani is a master of this duality, and the production by Grammy-winning Fernando Lodeiro takes it to new heights. A rubbery bass, pulsating synths, and shivering, infectious beats paint the perfect backdrop for a song that teeters on the brink of breakdown only to reassemble itself with unstoppable energy. And then there's the lyric video. Directed by Mike Kundrath, it’s a visual experience that mirrors the song's emotional landscape. Frayed ropes, glitching televisions, and the eerie glow of cell phones flicker by in a haze of melancholic beauty. But amidst the haze, there’s a hopeful push towards freedom, symbolized by flocks of birds soaring into a sky that’s not entirely clear—clouds obscure the horizon, reminding us that even when we feel like we’re making progress, the road to resolution is still far off. "Some Kind of Purgatory" is as ambitious as it is thrilling. The song is not just about a character's internal struggle—it's about the joy of experiencing that struggle, of embracing the instability while chasing the moment of release. And as you bellow the chorus along with Ciani, you’ll find yourself not just listening to a song but living it. It’s the kind of track that dares you to move, feel, and break free—even if just for a few minutes. If there’s one thing Mark Ciani excels at, it’s turning emotional chaos into a danceable, singable, unforgettable anthem. "Some Kind of Purgatory" may leave you breathless, but at least you’ll be smiling through the wild ride. And maybe—just maybe—you’ll find a little bit of clarity along the way. In "Some Kind of Purgatory," your lyrics reflect a deep emotional struggle but also a sense of humor and irony. How do you balance these contrasting elements in your songwriting, and what do they reveal about the narrator’s state of mind?  I wish I could claim that this was a deliberate choice, but it usually is not and wasn't in the case of "Some Kind of Purgatory."  In many ways, it's just reflective of my own personal disposition to find humor in the darker parts of the human experience.  Let's call it a coping mechanism.  But I will claim credit for this intention: I try to write characters in a way that feels authentic to me.  That means that the ending of a relationship, in the case of "Some Kind of Purgatory," can be painful.  At the same time, there are going to be the mundane moments that are prevalent in life at any time, but especially in depressive stages -- playing video games, falling asleep with movies playing, embarrassing drunken dances.  Those moments are funny and serve to make the song a little lighter.  They also make the narrator more three-dimensional, and that part is intentional.  I think the emotional core rings truer because of those funny details.  With that said, I don't think the narrator in "Some Kind of Purgatory" is in a state to appreciate the humor; that person is just going through it.    The production on this track, with its rubbery bass, shuddering beats, and experimental arrangement, really complements the emotional instability of the song. Can you talk about your collaboration with Fernando Lodeiro and how his production choices helped bring the song to life?  Fernando is incredible.  I've worked with him on eight full-length albums now, and he is a great friend and an excellent collaborator.  As a general matter, and in the case of "Some Kind of Purgatory", I come into sessions with the general outline for an arrangement and I will talk to the other performers about parts.  Once Fernando hears the band play my idea, his contributions come to the fore.  He colors the edges of my paintings if you will.  For "Some Kind of Purgatory," he worked with Grant Zubritsky (the bassist) and Kirk Schoenherr (the guitarist) to get the right tones.  He suggested I look to replace certain synth tones in the outro.  He made helpful changes to the organ part of the bridge.  When I performed the vocal for the song, Fernando was guiding each take, telling me what was working and what was not.  He also is just an excellent second voice -- he encourages my predilection for oddball arrangements but will rein me in when I go too far.  It helps that we have worked together for ten years.  He trusts my songwriting and vision, and I trust him to make creative choices to mess with my songs, both as a co-producer and engineer.  Your music has always been known for its vivid storytelling, and "Some Kind of Purgatory" is no exception. How do you approach character development in your songs, and what’s the key to making these characters feel so real and engaging to your listeners?    Thank you so much!  I hope that's true.  One of my songwriting principles is that the narrator should not be a good or bad person.  There has to be room for complexity and nuance.  That's true even in confessional songs that are about my real-life experiences.  I try to make characters that are empathetic, but to do that, I might present a person with a noble cause but questionable means to achieve it.  Or, I might create a mean-spirited or selfish narrator that is pitiful or pathetic in a relatable way.  I get the sense that fumbling and failing, disappointment and heartbreak--losing--is a way of life for most of us.  Maybe we design our own self-destruction, or maybe fate and circumstance fall upon us.  But at the end of the day, we find little victories, joy, and shared experiences.  We struggle to find these ways to deal with it all.  My characters are all engaging in that struggle. That engagement can be funny or serious, healthy or unhealthy, cruel or uncruel.  From that perspective, as a songwriter, I'm left with a lot of creative space to assign these characters their own unique personas.  Having said all of that intensely depressing stuff, it's a lot of fun to creatively engage with this heavy subject matter, and I'm glad you appreciate it! The lyric video for "Some Kind of Purgatory" uses powerful imagery like frayed ropes and flickering televisions. How involved were you in the visual concept, and what do these visuals represent in relation to the song’s themes of limbo and seeking resolution?   I have to credit Mike Kundrath, who directed the video.  He selected the images for the video, but I did have input into the direction.  I did not want a literal representation of the lyrics, and I think Mike took that to heart.  I think the video succeeds in capturing the unsettling undertone of the song.  The chaotic "at the end of my rope" feeling of the song comes through in the video. That was the intention, anyway.     You’ve built a reputation for exploring darker, more introspective themes in your music, as seen in albums like  King of Death  and  Sad Robot . How do you find inspiration for these deeper emotional themes, and do you think your music has evolved in how it tackles these concepts over time?  I guess it goes back to what I was saying earlier.  The core human experience seems to be a struggle to find peace and comfort.  As a songwriter, I suppose I'm fixated on the subject.  But I do shift my focus from album to album.  I wrote  King of Death  in the middle of the Covid lockdown while going through a very difficult break-up, so that album has a lot of confessional and therapeutic songwriting.  On  Sad Robot , I focused on the ways we act as martyrs in the name of love: the sacrifices we make for the things and people we care about and the toll that can take on us.  On  The Catacombs,  the album where "Some Kind of Purgatory" will appear, I tried to address how fragile a comfortable life can be and the many ways it can be disrupted.  And I'm writing new work now that adopts a more positive perspective.  I'm currently exploring the need for community and connection to get through the difficulties of life.  So, I think you're right that I write about these darker subject matters, but I purposefully explore different aspects of those subject matters from album to album.  One day, I promise you that I'll get off this ride and write a party anthem.  Just not today.

Will his affection be reciprocated or taken for granted? Drawing inspiration from the introspective lyricism of Elliott Smith and the raw emotion contained in the work of Phoebe Bridgers, musician Sam Caldwell’ s work shines with a particular ingenuity for capturing the bittersweet essence of coming of age. Simple yet profound, Caldwell’s lyrics are grounded in the beauty of everyday moments, transforming mundane observations into poignant reflections on guilt, heartbreak, relief, and joy. As this talented artist continues to make a name for himself, he remains one of the most exciting and emotionally stimulating talents in the scene today. Released in July 2024, Caldwell’s album “wanderlust” showcases his eclectic taste, weaving together a rich tapestry of tones, rhythms, cultural influences, and themes. As a multi-instrumentalist, Caldwell crafts each track with meticulous attention to detail, layering harmonies and melodies until his high standards are met. The result is an album whose soundscape is as varied as its themes, ranging from hushed acoustic ballads to lush, expansive arrangements that mirror the emotional breadth of adolescence. Caldwell’s ability to tap into universal feelings while maintaining a distinctly personal voice makes “wanderlust” a fantastic debut. It’s even more impressive that his release “Birthday Week” still manages to stand out, even amongst an incredibly strong supporting cast. Soft, gentle instrumentals ease you into Caldwell’s mellow soundscapes. From the moment Caldwell opens with the words, “Said the words you wanted me to say, I feel the silences today / I hope it's worth your peace of mind to have taken some of mine,” you get the sense that “Birthday Week” is both an incredibly intimate and captivating release. With “wanderlust” and “Birthday Week,” Sam Caldwell invites listeners to relive their own youthful experiences through his tastefully crafted narratives, leaving a lasting impact that lingers long after the final note fades. Whenever you’re ready, tap in and stream Sam Caldwell’s latest release, “Birthday Week,” from his new “wanderlust” project, out now on all major streaming platforms. Welcome to Buzz, Sam Caldwell! We loved “Birthday Week,” we had to ask! What was the inspiration behind this release? You usually incorporate a lot of personal experience into your songs, right? Thanks for having me! Yeah, “birthday week” was inspired by that feeling we get in our gut around our birthdays when we decide if we want to reach out to someone or not. This song specifically was about that struggle with an ex, but it's just as real with an old friend. Sometime,s it feels like, “Hey, if I don’t reach out now, we’ll probably never talk again.” I think the song is really about that intangible thing that tells us if we're ready to lose that relationship with someone or not. What’s your biggest source of motivation when you make your music, and as an extension of that, what does music mean to you?  Easily connecting with people! My favorite thing is after a show if someone comes up and says, “I’m actually going through a similar thing right now…” and then suddenly they feel comfortable enough to unload on a complete stranger. It's a pretty magical experience, and I hope to write about it in a way that encourages more of that. For me, it reminds me that we’re all just people at the end of the day, and all just want to be included, loved, and cared for. What was your favorite part of bringing the vision for “wanderlust” to life, and other than “Birthday Week,” what’s your favorite song from the project? My favorite part of the project was probably that it all happened right when I moved to LA. As soon as I unpacked, I started working with so many amazing people to bring the album to life. Other than “Birthday Week,” one of my favorite tracks is called “Beacon Street”. It’s just a cute little outro track about being okay with where you’re at. It makes me feel like I'm about to go on vacation in the 90’s wearing a cheesy Hawaiian shirt and listening to my Walkman. What inspired you to take that initial step to start pursuing music seriously, and what motivates you to make music now? This question has always been really hard for me. I don’t know if there was a moment where I consciously was like, “Okay, I'm going into music now." It's just something I always knew I was going to do since I first started playing piano in preschool. The thing that motivates me now is just being a part of my community and traveling the world. It’s pretty incredible to see the number of amazing individuals I’ve met all across the globe just thanks to this profession. What’s next for Sam Caldwell, and is there anything you’d like to say to your fans? What's next? More music, of course! I’m currently working on an EP that I’m really proud of. It’s a lot more relaxed and is a better representation of where I’m at right now. Thanks for listening, y’all, I love you guys!

San Diego-based recording artist and singer-songwriter Marc Oliver's music career has been exceptional. With all the chaos happening around the world, he's proud to be finally "Coming Home," as noted in his latest lush single. Oliver's sound is best described as a unique blend of R&B, alternative rock, pop, and rock music. Quite the versatile musician and artist, he's toured the world and shared stages with artists like Jewel, Pat Benatar, and John Legend. Having released his debut album,  The Matrix , and solid singles like the popular "Outlaw," Marc Oliver embraces his roots in his newest release, "Coming Home." The new single is a breath of fresh air. It's a reminder that there's no place like home. We've had the chance to feature several of Marc Oliver's singles this year, and this one is the cream of the crop. While his recent tunes lean towards a more positive, uplifting tone, "Coming Home" is rooted in it, reminding listeners that home is indeed where the heart is. Diving deeper into "Coming Home," the tune starts with a bright, beaming pop-rock instrumental with subtle electronic elements, warm acoustic guitars, and sweet piano melodies. While expressing how our time on this earth is limited, and he's found plenty of time to cause trouble, Marc Oliver is finally embracing his journey back to his roots. The song is the pick-me-up we needed. It's an uplifting reminder that home isn't just where we lay our heads but where we find our ultimate comfort. It makes you wonder if the home he's referring to is less of a place and more of a person, but that's up to your interpretation. Overall, it's a refreshing piece highlighting how we'll always have a place (or person) to call home, no matter where life takes us. Do yourself a favor and feast your ears on the latest feel-good piece from Marc Oliver. Find "Coming Home" on all digital streaming platforms. A warm welcome back to BuzzMusic, Marc Oliver! We're head over heels for the feel-good, uplifting message in your latest single, "Coming Home." What inspired this passionate and anthemic piece?  This song came from some personal troubles. I wrote this about coming home, like returning to myself. No matter the ups and downs, I can always find my way home.  What was your songwriting process like when penning the personal lyrics in "Coming Home"? What was your favorite part about that process?  I had gotten home from somewhere and just played it at the piano. Wrote this in about 30 minutes. I already heard it when I started writing. Sometimes, it's crazy how some emotions pour out into something cool.  In your own words, what did you want to get across to listeners in "Coming Home?" What was your goal in that respect? It's okay not to be the best person and make mistakes; these are things we hold on our shoulders. It's okay to say them out loud and know you can always return to yourself, coming home to who you are.  How would you describe the sound and style of your instrumentals in "Coming Home"? Did you work alongside musicians or producers to help bring that aspect to life?  I wrote it on the piano, as I do most of my music. The hook just came out with the keys, and as always, I finished what I could, then I rolled over to Beto's studio, we worked through it, we played out the instruments he produced it, and then it's done, and then we put it out.  We must add; "Coming Home" and "DREAMERS" carry a different vibe and approach than your smash hit, "Outlaw." What inspired you to release two cheerful, uplifting songs after living the "Outlaw" life?  Well, we outlaw always need a warm place to sleep. Haha. I don't overthink about writing songs in a particular genre. I write songs. I needed to think more about what needs to sound a certain way or what others want to hear. I write, and if it is soft, sexy, funky, whatever, it just is. I love the idea that when we watch movies or live through the day. Every moment has a different feeling, a different song that fits that emotion or time. So that's how I flow through it—just letting it flow.  Instagram

We might've just found your new favorite artist, and his roots in this industry run deeper than you think. Singer-songwriter, rapper, and instrumentalist Davo is shaking up the modern music scene, and tracks like " On The Run " are no exception. While the Miami-based artist is making waves with his unique psychedelic R&B sound, which has garnered him over 4K monthly listeners on Spotify alone, he's also the son of Junior Marvin from the iconic group Bob Marley & The Wailers - who he portrayed in the recent Bob Marley biopic One Love . The multi-talented artist is showing no signs of slowing down. His future is bright in both music and film, and tracks like "On The Run" are helping him break into the mainstream even further. His rockstar persona and creative flair are truly irresistible, and we're inviting you to experience that in his hot new single. "On The Run" brings you the finest R&B melodies reminiscent of Tory Lanez, paired with the catchy bars and mysterious, sultry production of acts like 88Glam. The track opens with a kickass R&B beat that's equally dark yet captivating, highlighting picturesque scenes of reaping the rewards of his hard work, living the high life, and not being afraid to fight demons off when he has to. Davo is as straightforward as ever, and it's clear he's not messing around. He's on the rise, enjoying the fruits of his labor, and constantly on the hunt for the next opportunity to level up. For an artist of his stature, impact, and with roots deep in the music industry, why wouldn't he want to make massive moves? Join him or not, Davo isn't waiting for anyone. Hear it yourself and add this banger to your playlist. Find Davo's new single, "On The Run," on all digital streaming platforms.

Back with another hit, robbietheused has gifted us the ultimate feel-good anthem we've all been waiting for. "The Feels" delivers everything you'd expect from Bert McCracken's solo project—electric energy, emotive lyrics, and a sound that's uniquely his own. Pulling you into a vibrant world of electro-pop goodness, the upbeat instrumentation is like a shot of pure joy, with jaunty tones that make it impossible not to move. But it's not just about the catchy beats; the lyrics dig deep, offering a powerful reminder that, despite the chaos that life throws our way, we can find a way to process and overcome it. Lines like, "I can finally deal with all the chaos that plagues my mind," hit hard, resonating with anyone who's ever felt overwhelmed by their own thoughts. Bert's vocals are as powerful as ever, blending the raw emotion we've come to love from his work with The Used with a fresh, uplifting twist. It's a listening experience that strikes a perfect balance between reflection and celebration, making you feel all the feels while reminding you that better days are ahead. robbietheused is an indication of Bert McCracken's evolution as an artist. This solo project is proving to be a bold new chapter in his career, and if "The Feels" is any attestation, we're in for a wild, unapologetically authentic ride. instagram.com/robbietheused

It’s not every day that a song smirks at you, but “ BETWEEN YOUR TEETH ” by Halo Kitsch manages to do just that. The latest release from this DIY powerhouse blends cheeky confidence with razor-sharp self-awareness, offering a melodious journey through jealousy, societal pressure, and finding your footing in a world of filters and facades. Recorded with a smile so wide it hurt her cheeks (literally), this track is equal parts taunt and triumph, with a punchy delivery that feels like a high-five to your inner teenager and a wink to the person you’ve become. A big congrats on the release of ‘BETWEEN YOUR TEETH!’ Can you share how it feels to release this particular track compared to others you’ve released in the past, like your fan-favorite, “All (Your) Fault?” Thank you! I always experience such a range of emotions surrounding a release. Funnily enough, I was the absolute least stressed for “All (Your) Fault.” It was my first time uploading and releasing anything, and I totally botched it. I found it online three days earlier than I’d expected and just let it ride with a laugh. I have been a nervous wreck on release days ever since, and “BETWEEN YOUR TEETH” is no exception. “BETWEEN YOUR TEETH” delves into themes of envy, societal expectations, and self-reflection. What do you hope listeners feel or reflect on as they listen to the song? I usually say, “I’m sorry you can relate” to people who find a piece of themselves in my songs, “but at least we relate together.” <3 This case feels a bit different, though. The song shifts from a state of jealousy to a state of pity/empathy/criticism and finally to a state of confidence, empowerment, and assurance. I hope it’ll meet its listeners where they’re at and pick them up, sort of carry them to the feeling of freedom at the end. I hate to say it. I think if you get it, you’ll get it. My wish is that listening makes them smile, that they shake off bullshit throughout their day humming “la la la la,” and that they’re reminded to celebrate what makes them unique. They might not be flawless, but nobody’s ever met someone quite like them. Your vocals in “BETWEEN YOUR TEETH” carry an almost taunting quality. How did you approach the vocal delivery to match the intensity and attitude of the lyrics? Aha, cute of you to notice. I brought Ben Zelico the first verse and chorus only a week or two after having written it, and we started a demo that day. So we were writing and recording simultaneously,y and I think there’s always a rawness reflected in something so fresh. Ben and I had so much fun making this track. It’s far lighter and more puckish than our work often is. I have a video of me literally cheesing into the microphone as we were recording. There was this inflection in my voice that Ben didn’t like as I sang, “Isn’t that sweet?” He said I was sort of giving away what was next, and I remember lamenting that holding back was so difficult with all the excitement and knowing what was coming in with the beat. I left the studio on a high that day, with cheeks sore from smiling. For most of the song we used that very first take, pure giddiness. The music video for "BETWEEN YOUR TEETH" features some striking visual metaphors. What inspired the concept, and how does it connect to the song's themes of envy and societal pressure? If only I dressed cool, if I was confident enough in my body to show skin, if I didn’t care about the rules, if my skirt swished effortlessly as I walked… I had a lot of those “ifs” as a teenager. But I know damn well by now that having the perfect beachy wave would not cure my depression or pay my bills. Nobody’s life is a movie; we compare ourselves to fiction. So yes, the embodiment of my idealized self steps on my CD, the most sacred thing to me, like it is garbage -  but we also see these little cracks in her. For example, the irony of her long acrylic-adorned thumbnail flicking a lighter that reads, “I might not be perfect, but at least I’m not fake.” It was my intention in both the lyrics and the video to highlight the flaws I’d created in my imaginary, so-called perfect rival. I did that for the sake of my 15-year-old self, who really thought that if she found the right mascara, her eyelashes would look just like the ones in TeenVogue, and then she’d have a date to prom. This song very much feels like a letter to her (little me)… like I’m retroactively healing her insecurities with this anthemic ode to all of her redeeming & endearing qualities. There's an interesting contrast between you and the girl in pink in the bathroom and how your relationship parallels the raw energy of the song. Can you walk us through how you and your team developed this creative direction? Well, the girl in the stall is me… but it isn’t  me. She represents a past version of myself who felt out of place and unworthy and subpar, etc. Worse than that, she’s the part of me that harbors all this jealousy, shame, and self-pity. The girl in pink is the physical manifestation of everything our protagonist wants to be: put together, self-assured, popular, stylish, confident, rebellious, and intimidating. And they have this interaction where we, as a third party, can almost tangibly feel the Venn diagram of what they have in common and where they contrast .. they’re just two girls looking into the mirror. (For me, the ultimate haunted house would be a lifetime-long room full of never-ending mirrors.) We can feel the mood shift with our outsider in the stall from holding her breath to rolling her eyes to performing right into the camera. When the bell rings, the brunette turns, and there’s no sign that the blonde is ever-present. She’d created her in her head. I really wanted the video to emphasize what I did in the song lyrics: verse 2 shatters the illusion of the girl we painted in verse 1 living this totally chic, effortless life, and suddenly, the girl in verse 1 doesn’t exist anymore. Coming from a DIY background and hustling in LA’s music scene, what lessons or experiences have shaped your sound and approach to your career? You can’t depend on anybody. People always leave. Some of the time, that’s just business. You have to love what you do alone in the dark because any light will taint it. Walk slowly, with caution. It’s Minecraft. Step by step, every step with a reason. The floor is going to fall out on occasion, but you have to keep going. You are your own safety net, you have to be, you’ve got this. The grass is always greener on the other side of the fence - so don’t look. Keep your head down. One foot in front of the other. Sometimes, the race is about distance, not speed.  Many of your lyrics challenge societal stereotypes and expectations, especially of women. How do you feel about employing the role of music as a platform to push back against those labels? I think one should use any medium possible to say what’s on their mind and heart.

Los Angeles-based singer-songwriter, stylist, and performance artist Joel Christian slaps the scene with a dark pop banger in an exhilarating new single, "MYSTERY." Known for his heated mix of dark pop and electronic music, Joel Christian creates a sound entirely his own, rooted in dark fantasies that now live through his artistry. With his previous releases gaining remarkable recognition, like "Rise from the Grave" reaching over 70,000 streams on Spotify alone, there's no telling what an artist of Joel's capacity will do next. But one thing's sure: he's leaving catchy melodies in our heads with his latest single, "MYSTERY." This new track, alongside its accompanying 80s horror-esque music video, sees Joel Christian deeply obsessed with figuring out his attraction to someone unique. The thrilling music video, the fashion, the makeup, and the cinematography bring us back in time with heavy sonic glimpses of the modern day. Diving deeper into this new track, "MYSTERY" kicks off with a loud and proud synthy bass pumping through the speakers while Joel Christian makes his velvety vocal appearance. With an irresistible electronic flair that takes us straight to the dance club, Joel Christian blesses listeners with catchy melodies in lyrics like "Your love is like a mystery," leaving us chanting along. As we continue through this fiery, mysterious listening experience, Joel Christian further explores the unknown aspects of love and his emotions. He desperately attempts to dissect the root of the attraction. It's a powerhouse club anthem that further showcases Christian's dominance in the dark electro-pop space with its video directed by Ryan Altman. Try to figure out the "MYSTERY" yourself and find Joel Christian's latest single on all digital streaming platforms. We love the steamy and dark vibe of your latest single, "MYSTERY." What inspired you to create this thrilling electro-pop banger? Hi Buzz! It's been a while! I'm happy to be back! The MYSTERY of emotions inspired me. The curiosity of trying to solve your feelings, how someone is towards you, or your attraction towards something that is a "mystery." I was driving one day, and I just heard in my head the melody, "Your love is like a mystery..." I recorded it on my phone and sent it to my producer, and that's how this all started. Conceptually, with sound, I really wanted this record to be forward, fierce, catchy, and something you couldn't get out of your head. What was your experience working with director Ryan Altman and the rest of the team when creating and shooting the music video for "MYSTERY?" What was that collaboration like? Ryan is amazing and so funny. We spent a lot of time conceptually executing this video to make the record stand out even more. I wanted the video to be about fashion, art, and, most of all, bringing the song to life. We spent months before the video laying out exactly the color edits, the cuts we wanted to shoot, the outfits, and creating a whole experience with different lighting to make it the "Joel Christian" esque. What inspired your ode to 80s horror in your music video for "MYSTERY?" Is that theme something special to you? My friends and family all know I love anything sci-fi, fantasy, or horror. I always try to incorporate some sort of those elements within my video. I told my makeup artist that day that this was my "villain era," so we went with dark horns on my eyes for the makeup. Very Maleficent vibes. Even the fashion had this villain-style, with big leather shoulder pads, gloves, dark eye shadow, and wet, glossy hair. We had a wall of TVs to show a Poltergeist feel, with the nostalgic VHS clips in the back. I was having the best time! We noticed you haven't released music since 2020. Why did you choose "MYSTERY" to be your big comeback? Why did this track lead the way? I released my debut album, Dark Magic, during the pandemic, so I felt like it got lost in the way of the world. I chose MYSTERY because it just came to me randomly one day. I couldn't get that melody out of my head, and I'm like, this is the universe telling me this needs to come out somehow. At first, I was just going to release it as a single, and then I'm like, no...let's make a cool music video! I love that Mystery showcases my vocals more & it's just a fun banger. My previous album was super electronic and experimental, so it was fun to have MYSTERY lead this new era while still keeping my dark-pop sound. What was the highlight of creating "MYSTERY?" What part of the process, be it the song or music video, did you enjoy and appreciate the most? I think the entire creative process is my favorite. I love hearing the melody, structuring the lyrics, and then seeing it become an actual song. My favorite part of the process is being on set and creating the music video. I love performing and seeing the song come to life visually. It's also great to be around creative people who love their work and make my vision come to life! We all had the song stuck in our heads all day on set and just had the best time! Instagram

She’ll stick to the softer stuff for now. With a sound that effortlessly blends modern pop sensibilities with the timeless charm of country, rising country music star Jenna Feeney is steadily carving out a niche for herself in the industry. Known for transparent, relatable lyrics that have endeared her to listeners thus far, her music feels fresh and authentic, something that’s become rarer in today’s hyper-produced industry. A lover of country music and music in general, the joy that she approaches her creations with lends an unforgettable energy to her releases. Following the success of her previous single, “Raining on My Parade,” Feeney continues to strike a chord with her audience. Her ability to turn deeply personal experiences into universally relatable anthems sets her apart in a genre often dominated by predictable tropes. Partnering with Lucky Money Entertainment, Feeney is gearing up to promote her new release, “Stick With Beer,” aiming to continue her scorching hot run and connect with listeners who crave authenticity in their country music.  Beginning with a guitar-led instrumental performance that exudes softness yet also hopes, “Stick With Beer” is the kind of charming release that we’ve come to know and love from Feeney.  Soothing melodies, heartfelt lyrics, and gentle acoustic strumming help “Stick With Beer” wrap you in a comforting sense of familiarity. Nonetheless, Feeney’s tender, soulful delivery definitely steals the show, bringing her story to life in lines like “Cuz I can’t trust who I’ve become / when a drop of liquor hits my tongue / or the way I did back when you were here.” “Stick With Beer” is the kind of song that makes you feel like you're sitting on a front porch at sunset, with nothing but open skies and the reassuring sound of country music to ease your mind and blues. Jenna Feeney’s latest release, “Stick With Beer,” is a touching release that sees the dynamic songstress captivate with her ability to be frank and vulnerable in the most charming of ways. Whenever you’re ready, tap in and stream Jenna Feeney’s latest release, “Stick With Beer,” out now on all major streaming platforms. Instagram