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From Kingston, Jamaica, pop singer-songwriter Andon makes a name for himself with a refreshing take on Jamaican music. Drawing upon a wide array of influences, from the ballads of Tori Kelly and Celine Dion to the choreography of contemporary music videos, Andon is redefining genre boundaries. Known for his full-time performances in Negril resorts, his smooth, refined sound has captured the ears of many, including his current manager. With a range of potential chart-toppers, Andon is on the cusp of becoming a pop phenomenon which he demonstrates with his new pop/R&B single, "Love Language." The song "Love Language" showcases Andon's talent for genre blending. The track commences with an intoxicating blend of guitar and percussion, leading into his profound lyrics. His verses, each marked by raw vulnerability, highlight his yearning for complete acceptance in a relationship. Each lyric beautifully conveys his desire to be embraced despite his flaws rather than solely recognized for his talents. One line, "I don't need no space, tell me that you love me anyway," clearly encapsulates this sentiment. His smooth, rich vocals further amplify the emotional depth of the song, creating an immersive listening experience. The music video for "Love Language," directed by frequent collaborator Steven Bernard, elevates the emotional narrative of the song. Using lo-fi filters and saturated hues, the video vividly portrays Andon's journey of seeking unconditional love. The visuals perfectly mirror the song's emotional trajectory, featuring scenes at a beach, intimate moments in a car, and Andon's solo dance sequences against a grey backdrop. The video subtly suggests that the relationship might already be a part of the past, adding a layer of melancholy reflection. With an emotionally charged song and evocative visuals, Andon gives fans more reasons to enjoy "Love Language." Learn more about Andon's "Love Language," available everywhere now. Welcome to BuzzMusic, Andon, and congratulations on your latest release, "Love Language." Your music masterfully weaves elements of R&B and pop, creating a unique genre that is distinctly your own. How has growing up in Kingston, Jamaica, influenced your sound and approach to music? Growing up in Kingston didn't influence my sound. Because I used to watch many Disney Channel and MTV Hits and Musicals, my love for a different sound other than what I heard around me came from dancehall and reggae. It did, however, influence my approach to music. Growing up in Kingston, Jamaica, showed me I could be a pop/RnB star. A legend known for something different is what I want to be. "Love Language" is a beautiful culmination of vulnerable lyricism and captivating melodies. Can you describe the process behind creating your new "Love Language?" I wanted to tell a version of my relationship I've never explored. And that's presenting it without any façades. And hey, what can I say? A little shot of tequila helped with that! Ahahaha. I got to say: "I don't need space; tell me you love me anyway." And that's like, yea! We're fighting, but don't walk away from me... still hug and hold my kind of vibe, you know? Your authenticity as an artist shines through in your heartfelt lyrics, which discuss realistic scenarios many listeners can relate to. Do you have a favorite lyric in "Love Language," and what is its significance to you? DEFINITELY! My favorite lyric I wrote and love is, "Would you be understanding? Care for me? Hold me tight. Don't ever let me leave". Sometimes we need that little reassurance to say that, even if we fight, we'll be grown about it—no childish games. I am just understanding. And I can go on and on, haha. But that's the significance. Your collaboration with Steven Bernard for the "Love Language" music video has proved successful, amassing nearly 70k views on YouTube alone. Can you share the inspiration behind the visual aesthetics of the "Love Language?" First of all, Steven is a GENIUS when it comes on to his craft! His passion and drive in creating each piece of work he puts out is the dedication I aspire to have when it comes to many things in my life. But yeah, I think the song told the story itself to Steven. It was pretty "vivid," as I would like to say, haha. Each verse told a story you could imagine bringing to life, and the chorus also helped a lot with how he would want the video to look. What message do you hope listeners take away from "Love Language?" Love your partner! Love is such a beautiful thing when given and received the right way. Be understanding! Communicate, and DON'T GIVE UP! Instagram Twitter

Belgium electronic artist Jacky Jack transports us to the future with a new EP - taking you on an unforgettable journey. Hispanic and Belgium-based singer and songwriter Jacky Jack has emerged with a taste for innovation in an ever-expanding electronic music category. Following his previous collaboration, Jacky Jack releases his debut project, "Disco Drip," creating a space for himself in a highly competitive electronic genre. Taken to a place we've never been, "Disco Drip" opens with a heavy mash-up of hip-hop and electronic sounds, bringing a new wave to the scene. The tempo and melodic synthesizers deliver a catchy groove to get you dancing and in a euphoric mood. In Jacky Jack's latest interview with BuzzMusic, we asked him where he drew his inspiration for this new venture. He mentioned how the words "Drip" & "Disco" are two separate realms uniquely fused to create a fresh, unique sound appealing to both universes—a clever way to expand his target market and generate more die-hard fans. "This EP invites listeners to an immersive musical experience in a captivating blend of electronic and pop music driven by rich basslines and floating synthesizer melodies". "Disco Drip" marks the beginning of Jacky Jack's new direction, sound, and futuristic aesthetics, which we are incredibly excited to receive and share with you. Read the full article and interview with the border-breaking Jacky Jack and his debut EP "Disco Drip" here. Instagram

Dyon Dawson, the power vocalist and Pop/R&B Songwriter based in Los Angeles has a fresh, emotional EP that is well worth diving into. The project at hand, titled 'Gemini Heart,' released on June 7, 2023, delves into her duality, the battle between the need for love and the urge to remain free and unattached. The southern California native has been working with producers such as SOAL to bring this body of work to life, providing a variety of new sounds that reflect every aspect of who she is present and becoming. After the first listen, we at BuzzMusic can surely admit that there is a diversity in sonic textures that creates an intimate journey that the listener can join in on and vibe to. The versatility in genres doesn’t seem forced; it feels natural as the writing juxtaposes itself alongside the change in production styles throughout the five records. The project ranges from the high-energy pop hit “Need Your Love” to the sexy, sultry vibes of “Low Down Dirty Woman,” portraying an ability to adapt to various sonic atmospheres. The cherry on top has a robust and passionate voice to add to the emotions of this rollercoaster of an EP. Dyon Dawson’s songwriting shines to the forefront on 'Gemini Heart.' She has nothing to hide regarding intimate thoughts and emotions. She even quotes her mother in “I Believe in Me,” singing ever so softly, “A flower blossoms no matter what the season brings,” emphasizing the importance of self-love before sharing love with another. Also, having a rap feature on this record interestingly brings a male perspective into the mix. The ultra-personal writing style attracts the interest of the listener without fail. Dawson shared her thoughts on the EP, exclaiming, “Sometimes I want to feel in the rush of being in love and starting something new, and sometimes I look in the mirror and tell myself no one is worth the challenges and stress of dating in 2023, and not to settle. I wanted to write an EP expressing the varying emotions of being a young woman finding and redefining herself.” She did just that, and most intimacy-seeking people can relate to this in this modern Western society, where true love is hard to find as social media is creating fictional narratives in our minds of what love truly is. Start streaming 'Gemini Heart' today, available everywhere now. Welcome to BuzzMusic, Dyon! Congratulations on your EP release, 'Gemini Heart.' The project is very versatile and filled with emotion. How was the decision-making process for the flow of the track list? Gemini Heart is all about the emotions and stages I've been through dating in the last few years. You have the first stage, where you start 0ff excited and with butterflies; that's the feeling you get when listening to the first two songs, Addicted and Need Your Love. Then comes the time they may do something that royally pisses you off or turns you into someone who doesn't care anymore. That's when Low Down Dirty Woman and Free come into play. I chose I Believe In Me for the last song because you have to step back and remember who you are and what you stand for. Were there records that didn't make the cut? Yes, several didn't make it for a few different reasons. Mainly because I have another project dropping soon that will be a blend of the r&b and alternative rock genres, so I wanted to keep those songs for that! Stay tuned Did you find it difficult writing such personal records around finding true love to share with the world? Yes and No. I love writing about my current life, but many of those songs haven't been shared. So, sharing a song like FREE was hard for me because that song is a letter to myself about valuing myself more. It's the sensible Gemini inside me talking to my other Gemini side. That's why you hear the intro in the beginning. It's my inner thoughts. You titled the body of work "Gemini Heart," do you have an affinity for astrology? How did this impact the creation process? I'm not big into astrology. I named it Gemini Heart because I always get teased about being a bi-polar acting Gemini and too gullible. I spoke to a friend during the final stages of putting together the EP, and I remember her saying, "I don't think your poor Gemini Heart can take another F*ck Boy," and right then I said That's it! That's the name. Did a specific individual inspire the records, or was it more a collection of experiences with love? Need Your Love happens to have a secret meaning, but that is something I'm not exactly ready to share just yet. For the most part, Gemini Heart is a collection of my experiences attempting to date in Los Angeles post-pandemic. What would your advice be to a love-seeking listener after taking in the entirety of 'Gemini Heart' that wasn't already stated in the lyrics? My only advice for anyone seeking love is to know your worth and love yourself first. I think this EP was therapeutic in teaching me how to do both. Instagram Facebook

Who is Tarah Who? The name pulls you in instantly. The answer is a rock duo consisting of Tarah G. Carpenter (vocals, guitar) and Coralie Herve (drums), bringing the energy and rawness we adore in indie-rock. Their new single, "Sell it to the world," released June 30, 2023, brings a powerful message. The mix of thumpy, driving drum grooves alongside the distorted guitar riffs successfully drives the conveyed idea. It resonates on the same frequency as the classic punk theme of bringing awareness to how we live in a world of consumerism. The release includes a lyric video stressing the importance of focusing on the simple story of any artist's soul who struggles to make a living through their endeavors. The technological age of streaming has made it difficult for artists to survive on music alone. Tarah says, "This song is a dedication to all artists who must work a day job(s) because their art doesn't pay. It's not about choosing a career vs. another; it's also not about changing fields so you can live more comfortably and letting go of your passion. It's for all the people who can relate to not being able to survive without their craft and passion." Tarah Who? tells it like it is, never holding back with their emotional and thought-provoking lyrics. "It's a constant struggle to be understood," a powerful line that encapsulates the thought of the modern-day creative as they try to find new innovative ways to have a vision and "Sell It To The World." The focus is no longer on the talent or abilities of an artist but more on what can be sold successfully as a brand/product. Fight to be heard with "Sell It To The World," as Tarah Who? lights the flame of determination and tenacity. Welcome to BuzzMusic, Tara Who?, and congratulations on your latest release, "Sell It To The World." Your latest release shines a light on a crucial topic of consumerism in artistry. Was it a personal experience or more of a collective understanding between other artists that inspired you to write this record? It's more of an observation. Being independent and surrounded by very talented and hard-working independent artists of all kinds (music genres and art - whether talking about photographers, painters, actors etc...) People think that TALENT is what sells and how you are discovered, but the reality is not the talent, since talent without being broadcasted, stays unknown. What sells is the media and investment around the product, and now you can add the numbers on social media. This is why independent artists usually don't have a chance next to signed artists, for instance, just because the budget is incomparable. Then you add the number of requests they get per day, per location, and you, as a "small independent band," will not be seen or heard unless someone with a reputation represents you. In today's music industry, you must add social media to that equation, so forget about being creative, having a message, and practicing your instrument. For instance, your new required focus, if you want to get noticed a bit, is spending a LOT of time posting and creating new, original content. Do you find it challenging to have an idea and "Sell(ing) It To The World" while standing out yet keeping your authenticity? What keeps you fighting for recognition? Yeah, I find it really hard and extremely frustrating, actually. Any musician who does not do the work before, during, and after the release of promoting themselves almost just releases for themselves, close friends, and family. Which is fine; we don't all want the same outcome for what we put out there. I started writing my music (rather than playing drums and bass in other projects) because I had something to say, and music works like therapy. Posting on Instagram is easy, fun, and "natural" It's like a journal for people who want to follow and are curious. But the whole tik tok, viral, influencers, and all of that is too much for me. I am a musician; I want to play, I want to write, I want to record, perform... I want to spend my day on something other than the phone making videos. That's not what music is about. I want people to relate to or influence the message through my music. To me, the social media aspect is so that fans, for instance, can get an insight, or behind the scenes, into how it all happens. Like I would have loved to know how specific tours or albums were made and get to see an artist; for instance, instead of waiting for a documentary from a director's perspective, you have the artist's P.O.V. So if someone is interested, they can follow all of this in real-time, and we get to know each other. That is how artists are REAL to their fans, the whole creating content to get views: That is selling out, and that is not why I write. It's not about fame. It is about connecting with like-minded people. How long have the two of you been creating together? Who? I write alone. Then Ash has been joining the live performances on the bass, and Christine and Vincent have been playing the drums. Unless you are talking about Angie Joseph, who has been helping me for years on the visual aspect. She saved this music video. I had this whole idea that did not work out because I trusted the wrong people, who essentially just ripped me off, then tried working with another team who did not understand my vision. I was super excited to release this single, but the video has been such a disaster, heartache and money-draining, trying to save what I could from the first attempt that I was just happy that Angie was able to make something. I don't know if it is because we are from the same musical background and generation, but she gets me and it has been so easy to work with her. She is like a Tarah Who? member. She does not play in the band, but she does all the graphic design. We did write a song together; We collaborated on 'R.A.D.I.O., 'the French song of the album. We love the emphasis on the lyric video, focusing on the message of "Sell It To The World." Was this known from the beginning of the record's creation, or did the idea come with time? When I tell you, nothing happened as planned for this video... lol! I can finally laugh about it. Initially, Coralie was still in the band. So we shot a music video. We had this whole concept, and I wanted to try someone new, a friend of a friend... So we shot the video, but then... well, unfortunately, things did not work out. No need to get into details, but it was a big disappointment. I tried saving the project so that I would not waste the money already invested in it; I contacted an editing team who, this time, just did not understand the vision or the message. So I talked to Angie, and that's why we were like... Let's make a lyric video because this is the type of song where you want people to focus on the lyrics. What does the future hold for Tarah Who? Only time will tell! But I am currently writing new songs and preparing for a new recording session. We also have a European tour in November, opening for Prong and Life of Agony; we are also headlining a French tour, which is really exciting! Facebook

Atlanta-based collective feeds us their latest creativity with their recent release. Vicki's Dream, a name to remember, consists of 4 equally dedicated humans, Toxic Thomas, Brince, Crow, and Fantazma, who all strive for consistency, drive, and uniqueness in their music. Vicki's Dream gives us a diverse and creative vision that is portrayed, an exciting act that blends metal influences, punk, and goth. They bring forth a unique and captivating sound where listeners can close their eyes and expand their minds to the different systems "Morbid" throws them in. A music video accompanies the record to grab the listener and make them dive deeper into the minds of Vicki's Dream. The video interestingly takes us on a journey to a church where we see in black and white a bride in a black dress veiled. A plot seems on the way as we hear the lyrics, "Dance with me on the moon, I sleep with death, and morbid is my love." This rare musical piece perfectly complements the music video, leading to an experience that many rock fans will enjoy. Experience the time of your life with Vicki's Dream as we review their daring single "Morbid" and interview them here. Instagram Facebook

The rising star channels his trademark elegant sound on his new release. In Hollywood's vibrant and legendary heart, a rising star is emerging, guided solely by their unwavering passion and talent. Tyran Lee Ingram, the talented singer-songwriter operating out of LA, has tirelessly honed his craft to make music he feels is worthy of his lofty aspirations. With an undeniable ear for melodies and a burning desire to reach his potential, the sky's the limit for this exciting new artist, and we can't wait to see how far his passion will take him. Nothing about Ingram is typical, which makes him all the more fascinating as a musical talent. Having picked up piano reasonably recently in 2018, although he may have gotten a later start than many of his peers, he's made up for it with passion, diligence, and faith. Having found comfort and meaning in the piano's ivory keys, he's since honed his skills to a high level, expertly manipulating the keys to convey strong emotions. Testament to Ingram's ability is his ability to connect with listeners even with the absence of lyrics, taking you on enchanting grand musical journeys. Following the profound and slightly mysterious mantra that "Yellow is for everyone," Ingram's latest release, "A Yellow Star," manages to clear the high bar he's managed to set for himself. Simply put, "A Yellow Star" is Ingram at his best; elegant, hopeful, and simply magically captivating. It's a testament to Ingram's rapidly evolving abilities that he can create such an expansive soundscape with one instrument. Still, over its six-minute runtime, "A Yellow Star" envelops you in a mystical, bliss-filled musical cocoon that melts your worries. Tyran Lee Ingram's "A Yellow Star" is a delightfully elegant and captivating new release that will capture your imagination and attention. Whenever you're ready, tap in and stream Tyran Lee Ingram's "A Yellow Star," available now on all major streaming platforms. Welcome to BuzzMusic, Tyran Lee Ingram! We loved "A Yellow Star"; what a captivating release! We had to ask what vibe you were going for with "A Yellow Star?" What was the creative process like? I just played the piano. What is your favorite thing about being an artist and making your music? The ability to play your music or make it your way. What goals do you want to achieve through your music? What motivates you to keep improving yourself and releasing music? A process from when you start to different levels is a process to make it all the way. How would you describe your music to someone who has not heard it? It'sa lot of Piano music that should be FYC. What's next for Tyran Lee Ingram? Do you have anything you want to say to your fans? I make a lot of Piano songs that could be turned into other pieces and hopefully make history correctly, but I did start with a Christmas song called, Thank the Lord. Instagram

Ambria Elàn is a dynamic talent based in Ojai, California, drawing her musical inspiration from diverse artists, including Lady Gaga, Foster the People, Adele, and Gracie Abrams. From age three, music instantly became her sanctuary, acting as an emotional outlet and a shoulder to lean on. Not only did music serve as a healing method, but she also quickly discovered that her true calling lay in sharing her experiences and emotions through songwriting and performing. Following her EP "Loner (Demos)" in 2021, Ambria is set to capture her listeners' hearts once more with her newest release, "Man." "Man" is an energetic track that springs to life with a vibrant, angst-ridden guitar riff. This foundation is expanded upon with rock-centric drums, evoking a nostalgic aura akin to the late 90s and early 2000s radio hits. Ambria enters the soundscape with her powerful vocals, delivering a message of empowerment: "I'm too good for any man; it might be for the girls. All these guys, they come to me before they get a girl.” The track was born out of Ambria's desire to explore and poke fun at contemporary dating norms candidly. It reflects her exhaustion from repeatedly being made to feel undervalued. Ambria reflects on her past experiences with the lyric, "I must be so, so in my head, thinking about how he left me on read," reclaiming her worth and asserting her autonomy. The song is an inspirational source, reaching out to listeners who may feel undervalued or unappreciated. By turning her personal experiences into a relatable, empowering anthem, her message is certain to resonate with audiences worldwide. Congratulations on your latest release, “Man." How has growing up in Northern California influenced your musical style? Growing up in a small town influenced my musical style in how I think and execute. I think I’ve always yearned for more. I’ve always wanted to step away from that small-town mindset. I’m grateful to have had that grounding growing up, though. I needed it. What was the creative process behind your new single “Man” and how has it evolved since your EP, "Loner (Demos)?" The creative process behind my new single “Man” was fairly simple. I was driving late at night, thinking about dating and how frustrating it can make you feel, so I came up with the melody and chorus and brought it into the studio. I wanted to be in charge of how I was feeling. This song lets me do that. It allowed me to be angsty, confident, and vent. What message or lesson do you want listeners to take away from "Man?" My style has evolved immensely since my EP “Loner (Demos).” I’ve become more confident in my sound and allow myself more freedom in my art. So giving myself the freedom to balance caring and not caring regarding my writing. I know how to have fun with music now. At the beginning of releasing original music, I was very much in my head about how it would be received and catering to that. Now I just let go. Describe your sound or aesthetic in 3 words. Angsty, painful urgency, grunge. Are there any upcoming projects you’re looking forward to sharing? I’ll be rolling out more singles…so stay tuned xx (the music video for Man will be released shortly after, and I had way too much fun with it). Instagram

Los Angeles is renowned for providing some of our favorite artists and being a creative hub to which many creatives migrate. This legendary city has brought us a new artist that deserves to be heard. He goes by "Jakey," bringing us a relatable, refreshing pop/R&B single, "Doormat." This gut-wrenching single describes a relationship with a toxic lover and her exiting his life. Jakey relates the feeling of him being walked all over to being a doormat. Knowing you're not okay, it's a bittersweet feeling, allowing this person to walk all over you but still mourning their presence. The emotion of being estranged from a situation like this forever changes one's perspective. Like a sincere ocean-esque feel, the minimalist production allows Jakey's voice to shine through with pure emotion. His painful vocal delivery and ultra-personal lyrics enable the listener to get deeply into their feelings – but not for too long. Just as you expect the second verse to start, the beat switches and changes the melancholy, lonesome feeling to anger, leaving you empty and wanting more. "Doormat" perfectly relates to the emotions that occur chronologically on the path to healing. Jakey reminds us that we all deserve to be loved and valued for our relationships, and sometimes the healthiest thing to do is disconnect and look inward. "Doormat," Jakey's second single following his debut, "Headphones," leaves us in anticipation for what comes next as we soak the energy of this record in like an emotional sponge. Vibe to it, mourn, reflect on it, whatever fits. "Doormat" is out everywhere now. Instagram Twitter

The Nova Scotia outfit channel some good old high school angst for their new song. Hailing from the beautiful maritime province of Nova Scotia, Andre Pettipas, and The Giants have quickly established themselves as a force to be reckoned with. Pettipas and the Giant's musical journey has been remarkable, capturing hearts and commanding listeners' attention everywhere with an infectious blend of rock n’ roll. Now gearing up to release their highly anticipated album “Under Control” (out July 7th), Pettipas and the Giants are locked in and ready to captivate their listeners again. Pettipas and The Giants have always been bold in showing their stuff. As seasoned performers, their electrifying presence, energy, and music have also garnered formal recognition for the band in the industry. They’ve won Arkell’s prestigious “Leather Jacket” contest and beat out 120 competing bands to emerge as Q104 Homegrown Champions, among numerous other accolades. In 2021, the release of their album “No Fools No Fun” propelled the band to new heights and national recognition, fueled in part by their standout single “Sympathy Card,” which rose to an impressive #27 on the Billboard Mainstream Rock Chart. With their album “Under Control” released firmly on the not-so-distant horizon, we can’t wait to see what Pettipas, and the Giants have in store for us this time. “Definition of a Dweeb,” Pettipas and the Giant’s latest creation, is both a standout track and a tantalizing taste of what’s to come. Gorgeous instrumentals set the tone immediately as the song opens with a softly strummed guitar before breaking out like a crashing wave. Pettipas sings like he’s finally letting his pent-up emotions out in a way that almost feels therapeutic. Lines like “My high school hairdo, the definition of a dweeb” feel like they perfectly sum up the angst and release of the song, and the entire track feels like it’s been perfectly moulded front to back. Fans will not want to miss this one. Andre Pettipas and the Giants’ rise to musical acclaim has a rollercoaster ride of fun, good music, and good vibes. Whenever you’re ready, tap in and stream Andre Pettipas and the Giants’ new release, “Definition of a Dweeb,” available now on all major streaming platforms. Welcome to BuzzMusic, Andre Pettipas, and the Giants! We loved “Definition of Dweeb,” you guys knocked it out of the park with this one! We wanted to ask, what was the inspiration behind this piece? Thanks so much! This stemmed from a haircut in grade 9 gone wrong. I was giving myself a mohawk for soccer provincials, and after leaving the bathroom where I was giving myself the hair-do with clippers, I noticed a long bunch of hair I needed to trim. When I returned to trim the spot, I didn’t realize that my brother (our bassist) had taken the guard off the clippers. That buzz went right to my scalp, and I had to shave the rest of my hair. This resulted in me going to school for a month with a toque, thanks to a note my mother sent to teachers that stated I had a fever and to please allow me to wear a toque in class, haha! I expanded the story with the song to explain the overall feeling of growing pains and adolescence. I drew inspiration from shows like Boy Meets World, Dawson’s Creek, and Degrassi Junior High, which were all popular as a youth. Musically the song has a major late 90’s/early 2000s feel. It is a big nod to Wheatus’ hit, “Teenage Dirtbag.” How did Andre Pettipas and the Giants come to be? Could you give us your origin story? How did you settle on your current name as a band? We are huge wrestling fans, and I was named after Andre, The Giant, thanks, Mom and Dad. I was doomed since birth, ha-ha. I have always been a fan of entertainment. I started my first band at age 12 and haven’t taken any serious time off from performing since then. I wanted the band name to include my actual name because I also perform solo frequently. (Take Matt Mays and El Torpedo as examples or Tom Petty and The Heartbreakers.) The band, in stature, aren’t huge guys, but they are giant musicians. They’re the best group of guys, and I’m super fortunate to be in a band with such like-minded individuals. Your new album, “Under Control,” is out super soon. Are there songs you’re incredibly excited to share with your fans, and what was your favorite part of seeing your vision come to life for the album? I’m super excited for people to hear this album, as I feel there’s something for everyone there. We’ve got more vulnerable songs (Obstacles, See You Later.) We’ve got dead-ahead rockers like “Ignorant Slumber” and “Knock ‘Em Dead.” The bookend of opening with “Sin City” (the first song written as the pandemic started) and ending with “Slingshot” (a song that reassures us that we’ll be okay if we remain “Under Control” of ourselves during it all) should hit listeners with the most authentic representation of our live show on a studio album yet. Getting to record at The Hip’s studio was nothing short of amazing. It was inspirational to record in the space where so many of our heroes have done albums before us. We’re proud of the product and tones we got throughout and can’t thank the people who worked on the album enough for their contribution. What do you want to achieve through your music? Connection. We are so avid about performing live to hear the stories from the show or from our audience after the show. We want people to forget about their everyday problems and let the musical wave wash them away to a better place for a while. These songs show a band that persevered through tough times and became much stronger TOGETHER in the end. We’re looking forward to hearing what people think about the songs, which ones are their favorites, and why. What’s next for Andre Pettipas and the Giants? You mentioned you’d be touring a lot soon as well, right? We just finished a cross-Canada tour in support of the lead single, “Definition Of A Dweeb,” and that taste of normal touring being back made us hungrier than ever. We’ve got a busy summer ahead, touring the Maritimes in select cities and ending the maritime run with the first year of our self-produced festival, “Giantstock.” We’ve got a three-day festival that includes a bunch of our musical buds, stand-up comedy, a giant throwback to 90s music, and much more to cap off our East Coast summer. We’ll be back to touring across Canada in September. Dates and venues are coming real soon! Instagram Facebook

Raised by the rhythm and soul of Nashville, Miles Jenson has forged a unique path in the Los Angeles music scene. Traditional sheet music and a jazz pianist father became his first portal into the music world, which led him to develop an uncanny ability to absorb melodies and musical patterns. This talent became the foundation of his creative process. While Nashville imparted to him the art of emotional storytelling through music, his unique sound walked a more abstract path. With iconic influences like Donny Hathaway, Otis Redding, Stevie Wonder, Fiona Apple, and Coldplay, Jenson crafted a distinctive sound that surpassed the boundaries of genre. With standout tracks like "Indiana Jones," "Wet Leaves," and "Hot 16," his discography showcases his capacity to fuse a diverse array of influences into a unified auditory experience. His latest single, "Rose Colored Glasses," is a testament to Jenson's musical and lyrical prowess. The song commences with a series of bright piano chords which build into an upbeat melody, evoking a feel-good aura. The smooth bass line, coupled with the carefree strum of a guitar, further heightens the track's uplifting ambiance. Yet, the lyrics reveal a profound and reflective tale beneath the surface. Lyrics such as "Whenever I'm nostalgic, I rewrite the story in italics, To make it look less tragic trying to emphasize the magic," and "It seems as I grow older, I'm getting colder shoulders" uncover a contemplative narrative, where Jenson grapples with the complex nuances of change and personal growth. The song explores the human tendency to romanticize the past and the challenges that lie within personal evolution. It encourages listeners to embrace change with open arms rather than holding on to an idealized past. With the release of "Rose Colored Glasses," Jenson continues to prove himself to be an innovative artist, sparking thought, empathy, and unity through his music and with his audience. Welcome to BuzzMusic, Miles, and congratulations on your latest release, "Rose Colored Glasses." Please tell us what led you to transition from Nashville to Los Angeles. How do their music scenes differ from each other? When I was a kid, I moved with my mother to a neighborhood in Nashville called Sylvan Park. We moved from Nashville to Atlanta after a couple of years, but Nashville sparked the recognition within me that I wanted to pursue music as a child. I know everyone talks about East Nashville being where it's at now, but I found myself surrounded by creativity in West Nashville. I lived across the street from an aspiring country singer, and there were a lot of parties on my street where local artists and songwriters would hang out. I would go to songwriting camps as a kid and had the opportunity to move out to LA with one who particularly believed in me, but my mom thought it might be better to keep me at home. While I wouldn't consider myself "in the music scene" in Nashville since I was a kid, it imprinted ideals about songwriting for me. Country Music is narrative, conversational, and often heart-wrenching. I wanted to be able to communicate those attributes in my music. I felt supported and encouraged in Nashville by older artists, and in Los Angeles, I've found a similar type of creative abundance. While there is a lot of "knocking on doors" out here, I've generally been excited to work with many driven people. I find it exciting that so many people are here pursuing their art. I cut my teeth in the music industry in Atlanta, which was an awesome city to come up in. I got to see Atlanta get its overdue recognition as a significant cultural export through the rise of southern hip-hop and working in the DIY scene. It had this really cool duality of commercial success and indie excellence that informed my career aspirations. Atlanta is similar to Los Angeles in that many people migrate there to "make it," and as such, you often meet many creative folks eager to collaborate. Given your background in studying traditional sheet music, do you find yourself incorporating these classic elements into your current sound? I should clarify that I can't read sheet music, and the extent of my experience with it is that it frustrated me and prompted me to teach myself to play by ear. Technically, I'm a pretty sloppy piano player-my fingers aren't positioned right, and I can be quite percussive on the keys-to the point that the keyboard itself will wobble if I'm not careful. Walk us through your process when creating "Rose Colored Glasses." Did the melody or lyrics come easy to you, or was it a more selective process? This was one of those songs that flowed out of me. That doesn't happen all of the time, but when I was playing the chords for the verse, it took me to a place mentally where I thought about peoples' tendency to romanticize some of the more brutal moments of our past to lessen their severity. I got really fascinated by the intersection of delusion and nostalgia, and the lyrics felt super intuitive. I wanted the melody to have a Motown feel to it. Still, I also included some subtle nuances into half steps and ran that gave it a bit trickier feel to embody some of the more insidious parts of foregoing our faults in our memories. What message do you hope listeners take away from your music? Is there an overarching theme that resides in each of your songs? I try to write bold, honest, and unflinching music with its commitment to tell the whole story. I have a somewhat sarcastic style in my songwriting that can sometimes obscure the darker themes of my content, but I do that to elevate the subject matter to an approachable and provocative place. Sometimes I write with the audience in mind, but most of the time, I am just expressing myself and trying to offer something to the world that I feel is a true reflection of what's happening inside. I hope people feel less alone, but most of all, I want them to feel seen and validated. If you could collaborate with any musician, who would you choose? Oh, easy. Donny Hathaway. Instagram