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SET is a multitalented artist from the Inland Empire of Southern California who moved to Los Angeles to chase her dreams. As a child, she fell in love with theatre at school and ended up throwing herself into acting. Years later, SET managed to land roles on the well-known television show Bernie Mac, Fraser, and Strong Medicine. She continued her acting career by pursuing an education at the University of La Verne on a full theatre scholarship. Although her dream was a career in acting, SET always had a love for music. She was inspired by a diverse set of artists, from Christina Aguilar to Portishead. Having grown up using theatre as her therapy, she now looks to music as another outlet for her emotions. SET's musical vibe could be described in two words: summer night. SET is always a soundtrack for LA-style vibes with the ability to combine hauntingly poetic lyrics with a euphoric soundscape. Discover more on SET here. instagram.com/sierraevataylor sierrasavage.bandzoogle.com/home #BUZZMUSIC

Alt/Rock artist Alifchief is all about immersing listeners into methodical expressions of pure blood-boiling sound. Garnering inspiration from the old-school rock music scene, as well as from '60's psychedelia, Alifchief is ultimately able to construct his music to be rousing and transformative. The most recent release we've featured by the artist consists of "Boda Boda," which had a heavy grunge appearance due to the organization of sonic fusion. Alifchief is quite creative when it comes to constructing his own narratives in the music he releases. Stylistically, Alifchief finds it purposeful to source out influence from artists he admires, as well as aiming to remain neutral when it comes to the level of inspiration he soaks in. Don't let the neutrality fool you, though, as Alifchief is still able to propel his enthusiasm for the music and his passion for the craft in quite an amicable way. Alifchief often leaves his listeners in a state of haze, which can lift listeners' curiosity and stimulate further exploration in the sound of Alifchief. Listen to Alifchief's EP here. Discover more about Alifchief here. instagram.com/alifchief facebook.com/alifchief #BUZZMUSIC

Under the hard-wearing privilege of being an independent music powerhouse, The Knitts have always separated themselves from the suffocating grips of major record labels. Their sonic-chops and super-charge melodies have been festooning their fans' minds since their inception in 2016 and their following tours across the country, where they floated between festivals like BottleRock, Desert Daze, and Treefort Music Fest over the next few years. With brothers Justin and Charlie Volkens covering vocals, and guitar, their long time companions Jimmy Jazz (bass), Sandra Alva (drums), and Victor Portillo (lead guitar), rule over the measure of their newest singles, "Dimensions," as it marks the opening of their EP garnishing the same title, with a prismatic Video-feature attached. As Charlie Volkens effortlessly swipes across the strings of his guitar, establishing the Garage-rock textures of this piece with his dusty tone, his brother Justin takes grips over the microphone with a buzzing incantation that draws from the introspections of his lousy luck. The video accompaniment features kaleidoscopic renderings of the Band perform their song with an intoxicating enthusiastic spirit amongst tight walls of the small room they're performing in. It doesn't take long before another scintillating guitar garnishes the indie mix's edges, and Sandra Alva lays down a tottering groove over her Industrial sounding drumkit. It marks the foreshadowing of Sonic eruptions that are about to consume us. Meanwhile, Jimmy Jazz subtly finds his place within the meandering garage-rock sound pressure, and as Justin's multi-tracked voices quaver in unison over the hooking Chorus, The Knitts plunge us into those eager spaces on the venue floor, reserved for head-banging and bouncing off our toes. Minus the "Ooohs" and "Aaahs," The Knitts bring forth a refreshing "wall of sound," aesthetic to their Indie Rock character, and it's infatuating, to say the least. As "Dimensions" develops over the smashing dynamics of Alvis' sticks thundering over the cymbals, and the unity behind the hot-blooded electrics that synergize together for the tracks' booming chorus, it's hard not to find ourselves absorbed in the bombproof vibrations they exude. Like a hardened exoskeleton, this Band has grown into their independent-Garage-rock carapaces, and we're itching to witness more. We would like to start off by asking, what were some of the emotions each of you had to channel into for the performances you recorded on "Dimensions'" music video? We had one day to get the video done, so each of us had to come in focused and with a clear vision of what we needed for the video. But it’s always super exciting to be making a music video and each member knew going into this one to bring the energy of our live performances into the “Dimensions” music video. Was this a song based on personal life experiences, or was this a combination of a collective of ideas from each band member? The lyrics are real feelings drawn from a real place, definitely! Some lyrics, like these, are written just vague enough so that the listener can attach their own narrative to them. It’s a therapy for us to write the song together so we hope it can be therapy for someone listening to the song! Can you tell us about some of the learning experiences you've encountered as a band during the recording of this single's Music Video? How to adapt, maybe? But if we’re good at anything, it’s definitely been the ability to adapt to unforeseen circumstances. Filming a music video during a pandemic had its limitations and concerns but we put our collective minds together and came up with a video and a process that worked best for each of us! How do you think "Dimensions" fits into the cohesive nature of the rest of your EP and is there a reason this single mirrors the name of the Extended Play? We thought the song “Dimensions” was a track that showcased where we’ve been and where we are going. There might be songs that are more suitable for that diction, definitely. But coupled with it feeling like a good (re)introduction to The Knitts, we went with it as the overarching theme for this block of songs. What has been keeping you all inspired in 2020? Two things probably. Each other definitely, but also the challenge of 2020 itself! We’re all best friends at the end of the day and we’re always communicating, so naturally, The Knitts is a popular topic! We can’t help but motivate one another. 2020 however, is more motivation than inspiration. We had worked really hard to record nearly 20 songs in 2019 and we’ve never been very good at sitting still as a band. It’s been a challenge for sure, but we’re always up for a good challenge. There’s more to come from The Knitts before 2020 is over and we’re hoping to be a consistent and reliable source of entertainment for everyone going forward. instagram.com/theknitts theknittsmusic.com #BUZZMUSIC

Singer/songwriter/pianist/guitarist (the list is never-ending) Kaitlin Puccio is here today to showcase her lush and poised instrumental sound. Kaitlin Puccio combines contemporary, cinematic, and classic themes and melodies. Kaitlin Puccio crafts her music with such a specific vision in mind. The product always extends itself beyond expectations, and with the pivotal experience Kaitlin Puccio has garnered over the years with her music career, we're hardly surprised. Graceful piano melodies are what take the spotlight in Kaitlin Puccio's latest track release, "La Cloche En Verre." Part of a three-track EP, "La Cloche En Verre," focuses on simplistic piano orchestrations, honing in on a persistent tempo that adds a mystical tone to the single. There's a more intense performance that occurs midway through the track, and eventually, "La Cloche En Verre" becomes a song of twists and turns. Listeners may feel the essence of the song and its theme all too prominently near the ending, where Kaitlin Puccio decides to transcend the soundscape into a sharper orchestration. Eventually, "La Cloche En Verre" becomes vehemently impassioned, and Kaitlin Puccio only further proves her versatility as a pianist. All in all, "La Cloche En Verre" surfaced many stimulating sensations amongst listeners, deeming Kaitlin Puccio a skilled instrumental artist. What was the intrinsic drive behind the creation of "La Cloche En Verre" and what kind of vision propelled the crafting of the single? “La Cloche En Verre” (“The Bell Jar” in French) is the first track in a three-track single called À Côté Du Paradis (“Next to Paradise”), which I released right after I released my first album, ABYSS. The other two tracks that comprise À Côté Du Paradis are “Fantasmagoria” (Italian: “Phantasmagoria”) and Trois Démons (French: “Three Demons”). Together these tracks make up a trio of piano-focused pieces influenced by classical and cinematic music—likely a result of my background as a filmmaker. À Côté Du Paradis as a whole is a journey into melancholy, offset by the brightness of the piano. “La Cloche En Verre” is the first step in a descent into the coldest corners of our minds. Despite the dark undertones, the music is quite calm, and this juxtaposition may be a bit curious and disconcerting—like melancholy itself. Compared to other instrumental tracks you've released; how do you feel "La Cloche En Verre" contrasts and/or complements to other subsequent compositions? “La Cloche En Verre”—and À Côté Du Paradis in general—is more heavily influenced by classical piano pieces than the tracks from ABYSS. While I incorporated piano into ABYSS as well, I also more freely used other instruments and sounds to give the album a more epic, cinematic feel. “La Cloche En Verre” is a bit more serene—a bit blue—while ABYSS is more reddened with intensity. Both have their own stories to tell, and both have a darker, mysterious feel, but after the month-long sprint that was my life while composing and producing ABYSS, I wanted to explore more stripped-down piano while maintaining the understated heaviness that I am able to create with electronic music. As someone who dabbles in various forms of the arts, would you say that instrumental orchestrations have your heart as a music artist? I am fortunate that my childhood dabbling has turned into working professionally in several artistic fields, despite the ease with which artists are sometimes labeled as one “type” of the artist or another—e.g., primarily a “singer” or primarily an “actress.” Artists can be malleable, and our creative pursuits don’t need to be disjunctive; I shift comfortably between my roles as actress, model, and musician because I am able to find and use the appropriate medium for whatever story I want to tell at any particular moment. Instrumental compositions are what came to me at this time because the music on its own is a universal language. I think 2020 has left us all—globally—a bit speechless, and I didn’t feel the need to layer lyrics onto these particular compositions. I do, however, also write different types of music, and am currently recording vocals for a new single that will be coming out soon. Are you hoping to refine your style with time or do you feel that you've found the right kind of approach with your ultimate sound? I hope that my style will evolve as I evolve and grow as a person. If it doesn’t, I’m probably doing something wrong. As a general principle, as long as I keep writing songs that I actually want to listen to myself, I’ll be satisfied with my sound. What has been keeping you inspired in 2020? Nothing inspires quite like a necessity. Working in isolation for the past several months has allowed (or forced) me to become skilled at things I might not normally consider attempting completely on my own—like producing my own music. instagram.com/kaitlin.puccio kaitlinpuccio.com #BUZZMUSIC

It was musical kismet that only decorates our live's soundtracks once every few decades; two American producers meeting in Valencia during their studies at Berklee and conspiring together to reign over the dominion of new-age electro dance-pop. It's a destiny that combines the creative hunches of Jason Faust—the L.A. based notoriety and Wyldephyre, the Wilmington, North Carolina-hailing electronic producer—together into a tangible and infatuating encapsulation of the Caribbean and Dutch influences found in Sint Maarten, with an American hip-hop glow that permeates throughout our head-spaces over their latest collaboration title, "Elevate Me." "Elevate Me," Jason Faust and Wyldephyre reach out into the expansive artistic worlds of Europe and the America's, unearthing two gifted features who refine the textures of this track with timeless propensity. On one end, Chanti, an enamoring pop intoner from Saint Maarten, now based in The Netherlands, and—Ashton Martin—an Atlanta-based Hip-hop rhymester. It's a sonic endeavor that draws reminiscent to the low-end buoyancy found in Kaytranada's music as it's tastefully saturated drones evoke dance-inducing energy from below. There is a piano that vacillates over oscillating filters, which sound like muted incantations from a super-sliced vintage grande. The measure here is visceral, featuring a four to the floor boot which renders punchy as all hell, mustering up a need to shuffle the rubber off our soles forgoing all our cares in this world, as our ankles sway from side-to-side. Chanti's top-line dis-arms as her expressive voice's cherubic nature envelops our foresight for a rooted moment and transports us into the same prismatic room she's singing from. Before we have a moment to recollect our focus, our electro-curators chaperone us into the highlighting verse that Ashton Martin festoons with his Atlanta-defined lyrical flow. He shoots every shot with an Emcee-like cantor, and as each syllable fires from his lips, an imparted uplifting anecdote follows behind, detailing the slice of hope he endows unto us from the vestiges of his past; inevitably leading him to the success of the present. As this dance evoking single simmers over its final oscillating filters, there's one thing left to ask. Who will Jason Faust and Wyldephyre collaborate with next? Hello Jason and a warm welcome to BuzzMusic. How did you go about writing this track? Did the sonic journey begin with a few hooking lyrics? A melodious top-line? We began writing this song with the intention of making a dance track, listening to inspiration like KAYTRANADA, and others. It started with a catchy piano melody that you hear at the intro and repeating throughout the song, which represents the excitement of a new life journey, which for me was moving to Los Angeles to become a music producer. Wyldephyre produced a house-inspired bass line, tight four on the floor drums, and vibrant synths to layer over top. We then had a chill, yet energetic vibe for the featured vocalists to add their finishing touches to polish the track off. What was the dynamic like between the four of you collaborating together? Was this a remote project, or were there times you all congregated over the same studio desk, buzzing over your individual creative impulses? Our dynamic was electric from the moment we all met. At the start of creating the song, we all had recently met in Spain and The Netherlands at various music conferences. The production of the track started off in a Spanish studio.  The foundation of the track between Wyldephyre and myself really only took about an hour to lay out. From that seamless inspiration, we knew all we needed was to find the right vocalists to create something special. Shortly after meeting Chanti and Ashton, we decided to collaborate on it further and continued working remotely in our home locations. Ashton Martin, the rapper, and I even reunited back in Florida to record his rap verse on the track. From two continents and 3 US states, we were able to bring ‘Elevate Me’ to life. At what point did you know "Elevate Me” was going to be an electro-banger? Was it merely the talent behind your collaborators and their highlight sections on this track? Or the unison of four individual minds working together as one to curate the trajectory of this Single's flow? The moment Wyldephyre and I heard Chanti’s lyrics and Caribbean-inspired vocal melodies over our production, we knew we had an electro-banger on our hands. It was most definitely the equal contribution of all four creative individuals that shaped the energy of the song, especially all coming from very different cultural backgrounds. The moment Wyldephyre and I heard Chanti’s lyrics and Caribbean-inspired vocal melodies over our production, we knew we had an electro-banger on our hands. It was most definitely the equal contribution of all four creative individuals that shaped the energy of the song, especially all coming from very different cultural backgrounds. How do you end up fueling your creative intuitions when inspiration runs dry, and a writer's block is imminent? Or has this never been the case in your sonic adventures? In times of resistance or blockages when writing music, it’s always best to not force it. Taking some time away from the instrument or computer and then coming back with a fresh head can really help in balancing the creative flow. We always find it fascinating when musical ideas just flow right out when keeping an open mind. Listening to great songs with a similar vibe to the song one is writing is also a great way to get creative juices flowing again. If you were to give your audience a few words about this track and what it means to you as producers, what would say, and what sentiments would you endeavor to convey to them about this audible experience? ‘Elevate Me’ is about starting from the beginning of one’s journey with nothing and building a valuable life for oneself. It is about leaving the nest and support system of the family for the first time with not much money, connections, or work and taking a huge leap into unfamiliar territory in order to grow and adapt to a challenging, yet thriving environment. The music industry is a fierce one and takes much perseverance to succeed and elevate one’s soul to a place of great joy. instagram.com/jasonfaustmusic instagram.com/wyldephyre_music instagram.com/heychantay instagram.com/itsashtonmartin #BUZZMUSIC

GEM's artistic inception manifested itself almost instantly within a professional NYC studio at the young age of eleven. Her life's direction changed after that, and from then on, GEM would pursue her artistic intuitions to the ends of the earth. With the mentorship and guidance of her long-time collaborator, Nisha Asnani, the New York City-bred songstress gathers her influential touchstones from the likes of James Blake, Rihanna, Ariana Grande to render up her newest single titled: "What I Like." On her latest infatuating pop and new-wave amalgamating single, GEM utilizes a pop-inspired production with whimsical sonorities and honest introspections for an original take on the freedom that comes attached to independence. Here, the supporting show lies low for the young-intoner to play over the blithe atmospheres of her mix with her magnetized voice's empyreal inflections. She resounds over the hooking lines, "I'ma do what I like, if I wanna ride, then I'll learn to drive," as blissful pads softy texturize the backdrops of the ambient expanses she's singing from. There's a punchy backbeat that stands as the foundation for our feet to sway along with, plus low drowning keys that dissolve inebriating vibes with every transition from verse to hook. When we listen back, it's easy to imagine blasting this single from our cars' top-down seats as we adventure down the Venice-boardwalk. There's no shortage of enamoring Pop characteristics found within "What I Like," and as GEM softly exudes her embellishing vocals into our lives with a timeless character, we can help back race over to the repeat button for one more spin. Can you run us through the writing and recording process for "What I Like"? What kinds of emotions were you channeling for this song's story-line? I wrote “What I Like” at a time when I was feeling stuck and found myself wanting to please people. I realized that putting the opinions of other people before my own happiness was weighing me down, and taking a toll on my creativity. “What I Like” is a song about freeing yourself from whatever is holding you back, and putting yourself first. How do you manage to come up with one Pop-hit after the other at such a young age? And do you feel like your time in New York left a fundamental texture in the sounds of this latest single? I never put pressure on myself to write a “hit” song before a session. I feel like the second you make it about hits, it takes away from the creative process because it becomes about numbers. When I write, that’s the time for me to just let all of the thoughts and emotions flow, and not think so much about what’s going to sell. I think that’s why the songs come so easily. Where do you see yourself artistical over the next few years? Are there any musical directions you've gained interest in that you might want to experiment with in the future? Over the next few years, I definitely see myself writing more pop, but also leaning more into the R&B feel. I want to experience with more flowy melodies and simple yet powerful production. Overall, I want to bring a sense of maturity into my songs, so that my sound matches my personality and experiences. Who has been your biggest supporter throughout your Artist career thus far, and what would you say to them now if they were here? My biggest supporters throughout my career have been my parents! I’m so lucky to have a family that supports my goals. It’s not easy by any means to go for a career in music, but having people in your corner who have your back no matter what can make all the difference. Having that safe space to create and take risks is the reason why I get to make music, and I’m very grateful for that. What has been keeping you inspired in 2020? 2020 has been a plot twist for sure, but I’m motivated by the hopes that things will get back to normal in the future! I was really looking forward to touring, and that’s one thing that I’d really love to do once it’s safe again. Eventually, things will be better, and I want to be ready to hit the ground running once they are. #BUZZMUSIC

Hailing from Manitoba, Canada comes a gypsy songstress who aims to heal the world around her with one song at a time. Her name is Jessie Tylre Williams. Jessie's purpose? She wants her listeners to remember to take on challenges day by day, and she's evoking this message with her new effortless single "Breathe." Jessie Tylre Williams is giving listeners the vision of life and reminding us to enjoy and cherish the moment. Jessie Tylre Williams has accomplished great accolades for herself thus far with awards that include Nashville's TCMA Most Outstanding Showcase Entertainer of the Year and Most Promising Female Artist of the Year. Not only is Jessie Tylre Williams, an incredible musical artist, but she also devotes a passion for supporting military veterans with PTSD and awareness. Jessie Tylre Williams' sound is similar to Tanya Tucker, Stevie Nicks, and Stevie Ray Vaughan. Jessie Tylre Williams immediately soothes her listener with the riveting and delicate instrumentation from an acoustic guitar. Starting "Breathe" out with a beautiful chord, you hear an abrupt pause in the song, perfect for a dramatic effect before the bashful drums kicks in. This elevating instrumentation continues to bring new levels of excitement to every corner of the song. She is creating a highly enjoyable journey for the listener. The lyricism in "Breathe," directly reflects the personality of Jessie Tylre Williams. This hopeful, unproblematic, and motivating gentle touch she exudes through her music is mirrored with the joyful lyrics. "Time won't wait for you, just breathe." "Picasso took away my soul, left me here with an empty hole." The romantic metaphors help cultivate the story Jessie Tylre Williams is seeking to tell. "Breathe" is the perfect song to listen to when you tend to get stressed over little things in life. It's a soft reminder to let the stress go and focus on the moment you're living in. Jessie Tylre Williams delivers this message with her soulful and western vocal tone. Jessie Tylre Williams finds a great balance between the soft and powerful vocal touches. "Breathe" was an all-around relaxing song that'll open your mind up to the realities of life! Enjoy the moment, let the stress go, and just breathe. You exude a nomadic and free-spirited aura in your music that we find to be super calming. In what particular ways do you feel you best ensured this atmosphere with “Breathe?" I think because of the intonation, music, and lyrics, it just naturally became that environment for the listener. I think as an artist you always hope that you can deliver the message to the listeners that you intended. In this case, it was really important for me to help the listener deal with daily life….just breathe baby….we got you! Every song has it's 'why'. We would like to know the why behind “Breathe?" The initial why was I had about 30 minutes to write something, the end result was life doesn’t always work out the way we plan it to, and sometimes the end result really sucks for us! When things get crazy and you feel like your losing control, just take one second and stop, breathe, then breathe again, and then again and repeat! What inspired you to create this song and in what ways do your personal life experiences parallel with its lyrics? Time doesn’t stop for any of us….it doesn’t wait for us either, we only have this moment and what we choose to do with it is up to us.   I have made A LOT of mistakes in my life, however, I don’t dwell on them anymore, and its because I take time every day to be thankful for what I have and where I am at and its because I do take the time to slow myself down using the “Breathe” technique through meditation. I think with everything that is going on globally it almost forced us to stop and just breathe. Let’s talk about the instrumentation, the rhythmic drums correlate well with the melodic guitar chords. What was the direction you were seeking when it came to the production of “Breathe?" It was pretty magical when we cut this song in the studio.  It took me about 10 minutes to write the song and then about 3 hours until what you are hearing now. I was so fortunate to be sitting in a room with very talented musicians and producers. It was such a cool flow of energy that day in the studio and it was all happening so naturally and melodically that it really was a special kind of magic that day. Sometimes it took me about 10 minutes to write the song and then about 3 hours until what you are hearing now. to write a song and other times, like this time, it just happens. In what ways have your various well-earned awards motivated you to elevate your sound and career? The awards are incredible and they remind me of how hard I have had to work to get to where I am today. They remind me that no matter where you come from and no matter what you think or have been conditioned to think, you CAN do this and don’t ever give up on your dreams because they really do come true! You did an amazing job with this single “Breathe” and we’re looking forward to more releases. Can you hint to us what we can expect next from you? I’ve got a few things up my sleeve (laughing), no but really what I want is for my music to resonate with the listeners, helping them through each moment and I think if I stay authentic to myself I will be able to deliver that message to my audience, building better music each time I step out the gates. I think with this next single person will get a better inside look at me and get a better picture of where I am going musically. instagram.com/jessietylre facebook.com/JessieTylreWilliams #BUZZMUSIC

Vehemently rousing Hard Rock band, Dali Van Gogh hails from Halifax, Nova Scotia, and strives to produce music full of raw vitality. Consisting of members Isaac Kent on guitar, Johnny Moore on drums, John Scotto on vocals, Lance Hicks on bass, and Rachelle Moreau on keys, the collective sound feels very cohesive. Together, the band has a specific strategic rhythm in place, and Dali Van Gogh often produces tracks that feel like a real expression of their passion for the music. Dali Van Gogh's intensity throughout their latest hard rock single, "Boneyard," doesn't waiver during their ferociously structured track. The vibrant melodies stimulate head-rocking, blood-boiling type of mechanisms, and the high-energy performance on Dali Van Gogh's end proves that as a collective band, they aren't planning to compensate on their stamina anytime soon. The guitar riffs often take the pedestal, as the chunky and satisfying aspects of it can so easily allow their tracks to feel potently gritty. "Boneyard" has a fierce ambiance, so prepare yourself to feel intensely aware of your surroundings. Strong and potent guitar strumming is what ultimately fills the ears of listeners, and in general, "Boneyard" proves that there isn't any mediocracy within the sound of Dali Van Gogh. With five members all contributing to the essence of "Boneyard", how did the collective influence and expression occur during the writing and recording stage of the track? John Scotto (Lead Vocals):  I felt everything came together pretty organically, we already had the riffs and the structure of the song. Lyrically speaking we felt very influenced by the world we're living in and our nature, the way we treat each other.  Everyone brought their ideas to the forefront, and it came together really well. We had a really good time working on it. I found the feedback we got from Rob really helped. His experience and insight influenced us a lot in how we wrote it and how we approached it. Lance Hicks (Bassist): “Boneyard “was very collective when it came to the writing process. Isaac came to practice one night with the main riff, From there we all molded the song. Everyone made suggestions on parts for it to the point where the finished product has all our fingerprints on it. Isaac Kent (Lead Guitarist): Yes with boneyard it was pretty fluid, to be honest. I had the main riffs and arrangement right off the bat. From there we all just sunk our teeth into it.  And as John said We had some comments come back to us from our producer, Rob Laidlaw, that were weighing on our minds as well. Johnny (Drums): I just love how we can all sit down and just jam as a collective group, shape, and write songs, it is such an amazing feeling! Boneyard is no exception. We all did our part and all put our 2 cents in. This was a fun song to write and is a fun song to play. Rachelle Moreau (Keys): It all occurred very naturally. Isaac has the main riff and the guts of the song written and then Scotto added fantastic lyrics. The rest of us added bits and pieces here and there leading up to and during the recording stage. Did you find that the projected ambiance for "Boneyard" matched the initial vision the band had for this track?. Isaac: I’d say so, yeah. We knew it was heavy and hard-hitting just from the initial music treatment, which didn’t have the kind of “pop” sounding first pre-chorus. John delivered lyrics that matched and with some fine tweaking, the song was ready to go. It all happened rather quickly, to be honest. Johnny Moore: Exactly we knew we wanted that heavy hard-hitting sound, but that being said I don’t think personally I imaged the song turning out as it did. What I really love and didn’t expect is the dynamic that happens throughout the song. It really just grabs your attention. Scotto: It feels like we all were pretty happy with the direction the song ended up taking. Everything came together very fast but in a very good way. Rachelle: We wanted a hard-hitting gritty track and that’s exactly what the end result became. I couldn’t be happier with the track. Lance: From the start, I don’t think any of us really thought “Boneyard” would turn into what it’s becoming. We knew it was going to be heavy but the longer we worked on this song the more pieces were built for the story that we’ve written for this song. Like the preacher speech that opens the song was something Isaac wrote after our producer, Rob said that he wanted the song to open with lyrics to catch the listener's attention. After playing around with a few different intro vocal lines Isaac came to practice with this speech that John instantly took and recited and as soon as he finished, we knew that that was going to be the opening to the song. Already having released 5 official records, how does the band collectively feel on "Boneyard" when in comparison to your previously released tracks? Isaac: We’re incredibly proud of it. Says Kent, the song, and the next few releases we are planning really, are the culmination of years of work and all those other records lead us here. It sounds like us, having the polish of much higher scale production. Adam Newcomb is largely to thank for that. He and Rob really allowed what makes Dali Van Gogh sounds like Dali Van Gogh shines through. It's a great amalgamation of everything we do well, from grooves to giant riffs, to big harmonies and hooky choruses. Lance: Having a bit of an outside perspective where this is my first recording with the band, I’m obviously going to be a little bit biased in saying that “Boneyard” is my favorite Dali song. With that, however, I can say that “Boneyard” really feels like a Dali Van Gogh song. Rachelle: I feel the same way as lance I wasn’t part of the band during the creative stage of the previous tracks so I definitely feel more attached to this song than any other. Scotto: I think it's the best track we have written yet. Previously we only had produced our albums internally, and while I am proud of most of our work I think that working and consulting with industry veterans and other musicians over the years has made us a better band, not only in the sense of performing but also with songwriting and creating music Johnny: I have only been in the band since we did Under Her Spell so like Rachelle and lance I'm kind of in the same boat. As much as I love the Under Her Spell album, I feel like this single is the best piece of music Dali has put out! Where does the sound of Dali Van Gogh extend from here, now that "Boneyard" is successfully released? Lance: I think sound-wise Dali is in a good place. With “Boneyard” we were able to find a sound that everyone in the band is happy with but it’s also a sound that came very naturally. Issac: We have several more songs in the works that we are planning to release as part of a collection called “The Testimony”. In times past they probably would have been released as an Album or EP. But the pandemic ended up being the final nail in the coffin for that business model. Hard to sell records when there are very few shows. So, we are releasing the songs one at a time and tying them together with this sort of altered reality, multi-media experience. There’s an eBook being published on our website (https://www.dalivangoghmusic.com). 22 pages so far, both text and images Little clues in the upcoming music video, bits, and pieces in ads. Etc. It’s all rolling out over the next year or two. You could consider it a “Concept Record” for the modern world so to speak. It’s more than just the songs, and it’s exciting and different for us but is also really peaking a lot of people’s interests. Sound-wise we’ve always been a very diverse band. We’ve got everything from Country-Esque ballads, to tunes that push the boundaries of heavy metal, to 8-minute-long epic prog pieces. But it all sounds recognizably like us, or at least that’s what we heard. So, I’d expect more of that. Diverse hard rock. Johnny: The sound of Dali Van Gogh is only going to go up from here Boneyard is an amazing song but we have a bunch of other great tunes that we are working on and we are going to spice up. We can’t wait to show everyone. Rachelle: We’ve got a few more rocking tunes that we’re going to be recording shortly. I’m excited to see what results from that. Scotto: That's a good question. We've got several different songs in the works, and likely will be true to the times we live in and where we could be going from here. "The Testimony" is something new and it's a bit of an experimental project for us in away. It's a very nice chance to try some different creative approaches. Musically speaking, I feel like we're working on a lot of different song ideas. Everyone has been bringing a lot of great ideas and songs to the table.  We aren't afraid to experiment a little, and I think people are going to like what we've been working on. What has been keeping you inspired in 2020? Whole Band: Yeah, it’s been a tough year. We had a lot lined up that has had to be delayed or outright canceled. But we are making the most of the extra time we have with that multi-media thing we mentioned before. It’s a unique situation that requires a unique approach to survive. So, for now, we are diving into that, and finding ways to perform safely for whomever we can, be it in person or live streamed. instagram.com/dalivangoghofficial dalivangoghmusic.com #BUZZMUSIC

David Christy Jones from West Cork, Ireland, has been making and performing music for the past ten years, although music had been a part of his life long before that. Growing up in a musical family, David was influenced by all kinds of music genres, from Contemporary Rock to Classical, and grew up to make unique music of his own. He has played drums, bass, guitar, and has done vocals for many diverse acts over the past ten years and is getting ready to release his album. The second single release from David’s forthcoming album is called “Idiocy” and premieres on September 18th, featuring the vocals of BenZo from Skibbereen. Right from the beginning, “Idiocy” is compelling and fierce, meant to make a statement and have you grooving along at the same time. This song is influenced by old school rock and rap, among other genres, with a heavy focus on guitar as the backbone. Using harmonies and witty lyrics, David sends a message to the world about our actions and harmful beliefs plaguing modern-day. Bringing parallels to current issues and politics, this song is surely one to make you think. Both David and BenZo bring incredible energy to the song, ending with an insane guitar solo. David Christy Jones’ debut album Welcome To Virology is to be released in the next few months, so stay tuned. “Idiocy” was such a unique song to listen to and incorporated many themes into the lyrics. Can you delve deeper into your reasons for writing this song? What do you hope listeners take from it? Thank you very much! I wrote this song because I've been frustrated with the overall response to the Covid19 pandemic. I've been in almost total lock-down since March because I have vulnerable family members. Overall, the responses of governments and certain groups around the world have been shameful. As I see it, we're all in this together and we need to look out for each other. A unified response is important and seeing such a lack of unity has been very frustrating. I hope that listeners can appreciate that it's a light-hearted song with a less light-hearted message. I like to jab fun at things that involve a much more serious issue or issues. How did you know you wanted a feature on the track, and how did you decide that BenZo was a good fit? I've always loved rap, particularly the 90's era of rap and hip hop. I've known BenZo for years now and played with him a good number of times in a live setting. The guy has got rhymes and lyrics that blow my mind and bring me right back to my favorite artists of that style and era. Long story short: BenZo is a lyrical and rhythmical guru and I'm proud to call him a friend and collaborator! You’ve spent a great chunk of time traveling and performing with various artists, what has been your favorite place to perform at? That's actually a really tough question. My local is the world-famous DeBarra's Folk Club in Clonakilty – the home of the late and great Noel Redding. In many ways that have to be my favorite place to perform – it's like a second home to me. I guess further afield it would have to be The Foundry in Athens in Atlanta, Georgia. Amazing venue, amazing town, and amazing history – what more could you want?! How would you describe your upcoming album “Welcome To Virology” in one word? What can we expect musically from this album compared to “Idiocy”? One word? Hmmm... “Different” perhaps. It's quite a fluid album, I think, in terms of styles and progression. It's a little difficult to pin it down, but loosely it's a concept album of a sort. I visualized the Coronavirus pandemic as a theme park that nobody wants to go to and then wrote a serious of songs that loosely rotate around that idea. Musically it's got a few bits of a number of different genres. Funk; Prog; Rap; Blues; Ambient – I'm hoping there's something for everyone! What has been keeping you inspired in 2020? I've kind of become self-inspired at this stage. I know that I want to write music that I want to hear and in order to make that music, I have to put the work in. So I guess I'm inspiring myself to do more and to do better. It's also been amazing seeing the amount of amazing music coming out with some amazing local musicians. For example, I play drums with Fintan McKahey (who I believe recently featured on BuzzMusic!) and he's been such a great inspiration and help for me to get this album up and running. Big shout out! instagram.com/david_christy_jones_music facebook.com/Davidchristyjonesmusic #BUZZMUSIC

Hailing from the San Fernando Valley, the spiritual TikToker and R&B singer/songwriter Lüna Asé releases an upbeat banger titled, "With You (feat. Sticky)." She noted that the song is purely about being in love, giving listeners that 'honeymoon phase' type of feeling. Escalating in popularity within TikTok's spiritual community, Lüna Asé decided to create more paths for her artistic endeavors to flow. With her latest single "With You (feat. Sticky)," Lüna Asé brings heavy dance/R&B vibes with this upbeat track. While Sticky spits his passionate bars and adds to the track's vibrant vibes, the two set sail into greatness with the release of this bright anthemic single. "With You (feat. Sticky)" begins with Lüna Asé's mesmerizing vocals singing daydreamer lyrics towards someone who's caught her eye. The supporting production is incredibly modern; the synth work and electronic production bring elements of Rihanna, meshed with Partynextdoor, perfectly portraying those vibes of warm summer love. Once Sticky begins rapping with wild passion and attraction, his flow brings this depth to the track that creates a captivating back and forth between Sticky and Lüna Asé. Ending the song off with layered vocal arrangement, playful ghost vocals, and a gripping R&B beat, we can't help but feel exhilarated after one simple listen. Lüna Asé has provided glowing vibes accompanied by superbly desirous lyricism through "With You (feat. Sticky)," and we're encouraging you to get lost in the passionate and playful atmosphere. Why do you feel that "With You (feat. Sticky)" is the perfect debut to begin your music career? How can listeners get to know you through the single? "With You (feat. Sticky) is a song anyone can listen to and catch a good vibe,  it's made for everyone and that's what makes it a great debut single. This song introduces listeners to who I am, because it expresses love and that is a major part of me, I believe we are all made of love. Within your single "With You (feat. Sticky)," the production brings incredibly warm and inviting vibes. What inspired the song's overall vibe and atmosphere? How did you execute your ideas within the creative/production process? This song was originally written as a low-temp R&B song with most of the same lyrics.  I then showed it to a producer friend of mine who loved it so much he remixed it for me. He took my vocals and created this amazing feel-good beat! I was so pleased with it but I felt it was still missing something, that's when Sticky came to mind. He is a friend of mine as well, and I always admired his talent and feel-good melodies so I hit him up and asked him if he would be down to hop on this remix. He then sent it back with this awesome verse and after listening to it multiple times, I then sent it back to the producer with more adlibs, harmonies, and some suggestions; like adding or reducing reverb for example. That was it, then I got it back and I was so excited with the outcome. Why did you want Sticky to feature on "With You (feat. Sticky)"? What made you want to go deeper and add a male's passionate verse? As mentioned above, I always admired his rapping style. He also inspired me to actually begin recording music again so I knew I wanted to have him on. I let him vibe with it and trusted him with whatever verse he created, although the vibes of the song weren't discussed in private; the mood was easily felt. When I would listen to the original R&B song I felt like I just got a one-sided story. My goal for the song was to showcase a relationship that I had been a part of with a man, where both were equally passionate about one another, and so that's when I decided I would have a male join me in this. We've heard that you're a very spiritual person while sharing your healing rituals with those on TikTok. Do you plan on merging your spirituality with your music career in the future? Thank you for asking this! I have been thinking about this heavily and I feel like I will combine both, it is only right that I embrace all parts of me as a whole. This way I can feel happy about my art being out there to inspire and unite people. What can we expect to see next from you? You can expect my 13 song R&B album to drop early 2021 if all goes as planned. However, I do plan on having other singles unrelated to the project released as well, which might be more spiritually influenced than the album as a whole. instagram.com/ase.luna tiktok.com/@luna.ase #BUZZMUSIC