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From New York City, Fab The Duo is made up of boyfriends Greg Driscoll and Brendan Eprile. They want to use their love of creating music to show inclusivity and celebrate all kinds of love. Too often in the media is love portrayed in a certain way, and Fab The Duo is making it their goal to show appreciation for everyone, no matter who they choose to love. It is refreshing to see a duo rising in music with such an amazing message, and their fanbase is only expected to grow as time goes on. The duo’s recent single “I Want A Man” is a beautiful track about the heart-wrenching search for true love, that runs deeper than just a physical bond. They sing about finding someone who will love them as a whole and see through the faults that make us human. The song is a blend of Rock and Pop, with clear elements from Broadway as well. It starts softly, with only vocals and acoustics, and then builds as the song progresses. Their vocals are powerful and moving, and allow the listener to resonate with the emotions in the lyrics. The video features eccentric costumes, makeup, and backdrops, that emphasize their message that people are more than what is shown on the surface. Two dancers who are originally alone, dance their way to each other throughout the song and finish off together in a symbolic representation of love. The music that Fab The Duo create together is truly from the heart, and their passion for what they create is going to bring them far in their careers. Check out "I Want A Man" by Fab The Duo here. Welcome to BuzzMusic Fab The Duo! Your single “I Want A Man” seems like a very personal song. What is it like sharing something so close to your heart, and is it being received by your fans the way you wanted it to? It’s both exhilarating and terrifying. Being an artist is all about being vulnerable and we wanted to be as honest as possible in our music. We wanted to have a song that represented what so many people like us have felt. Growing up gay can be really isolating and we wanted to let everyone who might have felt this way know that we’ve been there too. Our fans have responded the way we wanted them to. We have received so much love and gained a lot of new fans because the song is so personal that it feels like anyone could have written it. Your music video for “I Want A Man” was beautifully done, what inspired you to include the dancers? Was there a meaning behind the particular style of dance you chose? We wanted to showcase a couple having fun and being goofy together. We let the dancers hear the song and tell it through their language; both of them are on Broadway so everything they did looked beautiful. They’re a real couple so the love you see in the video is genuine. Both of you have such powerful voices! Do you have a history of musical theatre? How long have you been making music together? We do have experience in musical theater, and we actually started out by playing cabarets together. We met on Tinder two years ago, became a couple, and started performing together slightly over a year ago. Have you always known that you wanted to use your artistic platform to make a difference socially? Never a doubt, whether it’s singing or acting, if art doesn’t make a difference, what’s the point? Whenever you look at us and/or hear us, you know we’re not your average pop/rock band. We know and accept that this comes with a certain level of responsibility and we do not take it lightly. Is the duo planning any live shows in the coming months to promote your new music? Yes! We are doing the last show of our residency at The Bowery Electric on November 18th and then we’re gearing up for our big New Years' Eve show at the iconic Bitter End. facebook.com/fabtheduo instagram.com/fabtheduo twitter.com/fabtheduo #BuzzMusic

From Tucson, Arizona, Payton Goldston has had a passion for music since he was a kid. Born into an extremely musical family, he grew up watching his mother and grandmother sing, but they never traveled far out of state to perform. Payton wanted to honor his family and pursue a career in music, and worked hard during his high school years, singing in the school choir and gospel groups. He was guided by a Pastor that he met in his teenage years and developed a very strong relationship with the Lord during this time. After many hardships, losing his mother, and battling homelessness, Payton turned his life around and found a way to use his skills for a greater purpose. He became a booking manager for Battleground City, where he could sing during events, and now works as a minister in Arizona trying to spread God’s word. Payton’s song “I’m In Love” is a mix of R&B and soul and displays his natural talent for vocals. It has a slow introduction but speeds up as the lyrics begin, describing the feeling of finding a meaningful relationship. He has an incredible quality to his voice that is accompanied by a fun background beat and allows the apparent emotion of his lyrics to be projected to the listener. Payton Goldston has God-given musical abilities, and it is a privilege to watch him grow as an artist and man of faith. Check out “I’m In Love” by Payton Goldston here. Hi Payton! Great to be chatting with you at BuzzMusic today! Where did you draw the inspiration for your single “I’m In Love”? Hey there! Thank you for having me. My inspiration for this song comes from my wife Erica. We've been married a little over 3 years and this was a song dedicated to her. In such a short time we went through a long of trials but every day we decided to love each other and not give up on each other. This song is my thank you to her. Creatively, how are you going to approach your next batch music? Do you ever experiment with different genres? My next batch of music is centered around the contemporary Christian and R&B genres. I love to sing about love, loss, having faith in God and everything in between. I do experiment with other genres such as hip hop, pop, and folk music. I rap as well as sing so expect a blend of the two in future songs. In addition to your duties as a minister, do you have a lot of time to spend focusing on music? What would you say is your current focus? Yes, I do have plenty of time to do music. I'm a member of the worship band at my church, so my pastor encourages me and the team to create our own music. At this time it is my current focus, however, I do manage to balance between the two. Using God's word as inspiration for my music and also learning more about God to reach and teach people. Music is such a great way to spread positive messages and beliefs! Do you ever include your faith in your songwriting? Absolutely! I mention going to God for guidance, healing, safety, and strength in several of my upcoming songs. I believe that it is necessary to know that God is closer to us than we think. I try to create a clear picture of that in my songs. Do you have any live shows planned for the near future? Where will you be performing? No shows as of yet. I'm working on getting my name out in my local scene right now so hopefully, I'll have shows lined up soon. As of right now, people can come here me sing worship at Living Faith Christian Center every Sunday at 10:30. 4108 East North Street in Tucson Arizona. instagram.com/paytonrefocus twitter.com/paytonrefocus #BuzzMusic

InternalEye is an artist you don’t want to miss out on. He will completely create the ultimate experience for you as a listener, and it doesn’t get any better than that! Currently based in India, InternalEye crafts ambient and electronic soundscapes. He has always had a deep connection with music and got his start by playing the guitar in various bands during his early twenties. His good ear for sound has led him to release absolutely amazing music with a good substantial production behind it. InternalEye keeps you captivated with his bewitching and magically executed singles.  With such ease, InternalEye blends a variety of styles to create his own signature sound. Sourcing inspiration from the likes of Hammock, Coldplay, This Patch of Sky and Passengers - InternalEye has a relaxing and tranquil atmosphere within each song he writes. Listeners can experience this first hand in tracks such as, “Who” and “Open Heart”.  InternalEye represents everything an artist should be in our personal opinion. The passion he has for his craft is what’s important and resonates well through the music he releases. Artists who rush their projects, or don’t take much time in developing their artistry usually fall short from the lasting impressions on listeners. However, for InternalEye, he goes against that stigma and the thought out planning he has put into his music can be heard through how nearly perfected the product of his music. Hey InternalEye! To start out, we love the stage name. What was the story behind it? What does it mean to you? It’s all about perception for me. The fact that we all have two eyes, see the same world but our perceptions are different and somewhat unique. This happens because of our Inner eye so I wanted to convey this through my moniker and hopefully enhance the act of perception through my sound. What’s the most challenging aspect of production for you and in what ways do you overcome the obstacles? I don’t find too many complications in the process of production, it always seems like a joyful process to me. I guess it’s tough only when I’m emotionally down or drained in some way. Sometimes I wish I had more opportunities to work with a vocal performer I really connect with, the extension of my sound would find a new dimension if a bond like that could develop. Where do you find most of your inspiration from for your songwriting? Your music is absolutely amazing. Thanks, I’m glad you liked my work. Inspiration is all around. For me, the fact that I get to live amongst nature means a lot. I love spending time walking in the forest, connecting deeply with some people, listening to my favorite artists on long drives and going deeper and deeper into the world of sound. Were there any direct influences in both “Who” and “Open Heart”? If so mind detailing this? “Who” is an expression of a deep-rooted longing which never ceases. An expression of the human predicament. “Open Heart” came through me as an expression of pure joy, hence the title, an attempt to open up the listener's heart through sound. How were you able to emotionally connect to the lyrics behind both releases? Can you recall any personal experiences that helped relate to the theme of both of these singles? 2020 should be exciting for you! What do you have in store for us InternalEye? I always have a number of tracks I’m working on so I plan to keep releasing them on a regular basis. I also feel my sound is evolving. I’m moving towards a more organic guitar-based ambient sound. I look forward to sharing my new work with you all. twitter.com/InternaleyeM instagram.com/internaleyemusic #BuzzMusic

Kurt Riley is an incredible musician and recording artist, who has made his name known throughout central New York. His “meta pop” and theatrical performances set him apart in the music scene in a huge way, but with his new single “FTR SHK” (pronounced “future shock”) on New Vine Records, Riley enters a new chapter, a Chrome Empire phase. To further solidify the change, Kurt Riley and his band are now kurt.riley+praxis. The use of melody in the verses throughout kurt.riley+praxis’ song "FTR SHK” is a big part of what makes their sound unique. The vocal performance here has definite hard-rock energy to it, it’s a good moment within which listeners can get a clear and concise hold of the lyrics, the meaning behind the music, and at the same time feel a little closer to kurt.riley+praxis as a band. "FTR SHK”  on the whole doesn’t come across as your average recording. Consistently there’s a strong presence of songwriting as opposed to just instrumental weight. The melody winds around in a simple and hypnotic manner during the verses, then there’s this brilliant build-up, the musical intensity beginning to rise, and then the spectacular hook and the resolve. The moment at which every element meets and the sound and the concept concludes and satisfies. The guitar riffs spiraling out of control towards the end keep the mind engaged and mesmerized, and then the final bit of vocals bring that pinnacle of emotion and passion. The way kurt.riley+praxis fuse creative songwriting and melody with this heavy edge is impressive and memorable. "FTR SHK” stays with you long after its end! There’s much more to come from kurt.riley+praxis, who will be releasing 10 singles through the coming year and leading into 2021. Check out kurt.riley+praxis' music here Hey kurt.riley+praxis! Great to be showcasing your new music on BuzzMusic! Tell us more about your start in the music world? How did the band form? Lovely to make your acquaintance - thank you very much for having us. I've been working as a solo artist for a decade; my first record, Brighthead, was produced by Beyoncé/Run The Jewels collaborator BOOTS and his brilliant father, Steve Cruz. For my sophomore release, I composed a sci-fi concept album, called Kismet, which was highly acclaimed. Tabula Rasa, my third album, was released in 2017, and subsequently, I began releasing singles exclusively - three of them in 2018. This year saw the beginning of my newest thematic phase, Chrome Empire - cyberpunk rock and roll, futurist both in tone and subject matter. My very first single from this phase, FTR SHK, was just released by my label, New Vine Records - and the response has been amazing!Ever since Brighthead, I've been blessed beyond comprehension to work with many brilliant musicians who have comprised the multiple iterations of my live and studio band. The current group is the best yet, and to honor their dedication and faith, I've rebranded as kurt.riley+praxis. (They deserve to be recognized!) Do you believe that the way you intend to communicate your messages through your music is easily received by your listeners? An artist certainly hopes so. From the responses I've received throughout the years, it appears that I've largely been successful; however, I do have a lyrics section on my website, just in case. (laughs) FTR SHK and the rest of the forthcoming Chrome Empire singles will push the limit in this regard, to be sure. But the topics at hand with this new material - climate change, AI, vast inequality, human/machine relationships - they're all either here, or on the horizon. To address them within the pop idiom is a unique opportunity. “FTR SHK" was an incredibly versatile and catchy track. Where did you draw the inspiration to create this particular type of sound? Thank you for your kind words. Principal musical inspirations are difficult to pin down - the work of Geordie Walker was certainly a key influence - but my general aim was to create a sound that sonically mirrored the brutality of the lyrics. New Vine Records was instrumental (ha) there - their production work on the track is utterly magnificent. We've gotten great compliments on the drum and synthesizer engineering, in particular.From a meta-perspective, I've wanted for years to retrofit the classic 1950s rock and roll combo for the 21st Century. So look at Bill Haley and The Comets - you've got a rhythm guitar, lead guitar, sax, upright bass, and drums. We're 4 pieces in kurt.riley+praxis, but we stripped down that archetypal chassis and rebuilt it in drydock with new upgrades - icy synth, deeply chorused guitar, growling bass, and drums that sound like miniature explosions. The backing vocals in the pre-choruses are even a bit rockabilly, really - one could picture a dystopian Blue Caps singing them. (laughs) Can you dive into some of the lyrical depth within this new single? FTR SHK contains more narrative information perverse than any piece I've composed thus far - even the cinematic tracks written for Kismet. Each line within the song cuts to another scene - it essentially creates the vision of this haunting future within one's mind. And each prognostication is drawn from real-life precedent; augmented reality's increasing prevalence, the rise of China's Orwellian social credit system, the troubling incel movement - followed to their logical conclusion, each of these real-life examples paints a dim picture of the years before us. Thank you so much for chatting with us and letting us get to know you in the process! Do you prefer the more intimate recording process over live performance? How do you personally feel when you're performing your music live? That is a Solomonic judgment for me. (laughs) I can't do without either half of the equation - the composition, arrangement, and recording of new material let my soul breathe, but performing those songs live puts an electric crackle across my skin. I've got to have them both. Performing live is one of the greatest pleasures I've ever known. (Even greater than a pint of Ben & Jerry's. Haha.) Just yesterday evening, we performed our last concert of the year in our hometown, and it was the greatest honor to hug and greet all of the people who came up to the stage to congratulate us after our performance had concluded. Connecting with another human being like that is truly a remarkable thing; I don't feel so alone on those nights. (No wonder I play so often!) Thank you very much for speaking with me - this interview was great fun. Cheers! facebook.com/kurtrileymusic #BuzzMusic

AWAL is a sultry, R&B/pop artist hailing from Central Pennsylvania. Now based in New York City, she blends her upbringing and life experiences into her authentic sound, creating something completely new in the music world today. She aims to create a sound that makes you want to move, feel sexy, and be empowered. “Your Love” brings back nostalgic sounds of yesteryear and consists of the smooth and old school inspired R&B vocals combined with a gorgeous melody. AWAL’s clear-cut and confident vocal bursts into the room with purpose and depth. It’s a beautiful example of her love for the art-form. The soundscape is gorgeous as “Your Love” provides a few minutes of musical bliss and delicacy. The vocal drive and lyrics feel incredibly hopeful and mighty in the way they’re delivered. “Your Love” is a versatile track that can be interpreted in whichever way suits the listener. The R&B backbeat keeps the track swaying with AWAL’s expansive vocals. Her expert lyricism is the result of years of practice leading up to this release. With so much notable success and so much to look forward to after this release, we can’t wait to see what AWAL delivers next! Listen to “Your Love” here Are you able to share with our readers what first got you so passionate about music? My dad is a musician and I grew up listening to him play guitar every day and singing in his worship band at church on Sundays. The biggest moment for me was when I auditioned for Annie at our local summer stock theatre. I walked into the room, stood in front of the directors and refused to sing. I just stopped and said I wasn’t going to do it.  Needless to say, I didn’t get the part. I remember being devastated when my parents took me to see the show and I realized what I was missing. After that, I couldn’t get enough of auditioning and performing! “Your Love” hit us to our very core with your vocal performance. Do you find it comes effortlessly to fill your voice with such soul and passion? I express myself so much easier when I’m singing and it helps that what I am singing about really matters to me. When I was growing up, I would get a lot of “Your a voice is so beautiful” then go on to describe it as raspy, deep, low, and different.  It took me years to accept my voice and be able to listen to recordings of myself. I wanted to be like all the Broadway and Popstars on the radio but I never sounded that way. My voice has always defined by others until I really learned how to love and embrace my sound and let it flow. As a song that presents itself as a pleading love song, was it hard for you to write/record “Your Love”? When you write music you never know how it is going to be perceived or how people will relate to it. This song for me is really about having that intimate connection with someone. Maybe it’s someone you don’t expect to fall for but it’s something that you trust right away. I was so pumped to bring this song to life! Love should be fun and exciting; It shouldn’t stress you out or cause drama and I wanted the song and the beat to reflect that. Do you feel that your music is an accurate depiction of your life? Do you feel ultimately connected to your listeners through your music? My music comes from real experiences that I’ve been through. So if you’re feeling connected to the words that I’m singing and the melody that’s playing, that’s a real authentic connection to my life and where I come from. Can you describe how your performances feel? Do you enjoy live shows, or do you prefer the actual songwriting process? Also, any solo live shows coming up in the near future? The stage really is my home. It’s where I feel the most comfortable and have the most fun. I want my performance to be as fun and rewarding as it is for myself on stage. If you know me, you know I love throwing parties and that is what I try to bring the stage every performance. You can catch me and my band FAM with Michael Kraun at Pianos in New York City on November 2nd! Ticket links are on my website www.awalmusic.info. instagram.com/Awal2music facebook.com/awal2music #BuzzMusic

Kelli Baker is the epitome of an independent artist. She moved to New York City with $500, chasing the heels of Hurricane Sandy - and big dreams. Born and raised in Phoenix, Arizona, Kelli has been performing since a young age, and the level of practice and dedication is clear in her breathtaking vocals. Her bluesy rock inspired vocals have been compared to Liz Phair, Chris Cornell, PJ Harvey, and Aretha Franklin. Kelli herself was inspired by The Rolling Stones, Jane’s Addiction, The Black Crowes, Bonnie Raitt, and Neil Young, to name a few. Kelli Baker’s father suddenly passed in 2015, marking a turning point in the artist’s life. Kelli states “Life before is part one. This is part two." Her singles this year include “Red Winter”, an intensifying piece that grows with the sway of the music into an explosive moment of resolve at the end, and “The Living”, which dives into everything that makes us human. It’s haunting and melancholic, but so powerful and captivating. We’re blown away each and every time Kelli sings and we’re always looking forward to hearing more. The year has been one of realization and work for this up and coming artist, but she’s well on her way to having an even bigger 2020. Listen to Kelli Baker's music here Welcome back to BuzzMusic Kelli Baker! It’s always a pleasure talking to you. How have you honed your songwriting style over time, and what do you think are the main qualities that make a song truly connect and last in the long-run? The best thing I've done for myself is not to write songs for likability - of course I want a song to be likable, but I want it to be true to the emotion and moment it represents, authentic. I write it because I need to get it out of me. If you're connecting with my music, you're connecting with me. I write who I am. I'm not writing for the masses. I'm writing for me and for you. It's a personal thing. Can you dive into the lyrical meaning within “Red Winter”? What inspired this song? Red Winter is easily the most stripped down, personal song I've written to date. If you read through the lyrics, it tells a very intimate story. Red Winter is about perspective. For example, two people can look at an object, a situation, a person- and view it completely differently. You'll see that theme run through my music- who is it you think you see? Who is the bad one, is it you, or is it me? At the time, I felt I was vastly misinterpreted and also left without the opportunity to speak about my end of things. Again- I needed to get it out of me, and it poured out. I wrote the core of it in about ten minutes. “The Living: really introduces a diverse soundscape. What was the recording process like to achieve this sound? Working with Philip A. Jimenez is great because he's a multi-instrumentalist. He does things in his brain with music that the normal human just can't do. He'll hear something and it will just simply make sense to him- he operates on a higher frequency. He creates an atmosphere, and knows what needs fill that space. I love the harmonica he placed at the beginning- he dug through three cases of them to find the right one. It's not just any tambourine he uses, it's a set of South African shakers he picked up while touring that no one else can replicate. There's a sound you get with Philip that is impossible to get elsewhere. What has it been like working with Philip A. Jimenez? Philip is family at this point. I'm fortunate to have been able to work with someone with such an impressive background (Philip is a multi-platinum producer, most notable work is an international hit, Teenage Dirtbag with his band Wheatus.) Philip knows who I am as an individual and an artist; he brings a personal understanding and depth to the work. He knows what I want to come out of it, where I want it to go. How does your hometown influence who you are as an artist? How do you feel about living in New York City? Phoenix will always be part of who I am underneath it all. There's something about the desert air on your face, volume up, windows down, freeway lit up that can't be described if you haven't felt it- the way it smells. It's driving for hours, riding air that never turns cold. California holds similar energy in some places. I think of that a lot when I'm writing- what do I want to hear with the windows down and the volume up? I love the diversity and culture of New York. I love the hustle, the sound. I love the fast pace; it's much more my style. I'm often back in Arizona, but I've truly found my best self in New York. I needed to be both of those versions to round out the artist I am now. Thanks for chatting with us! We love hearing new music from you. Do you have more new music currently in the works? I've been quite inspired lately- waking up in the middle of the night, writing, then falling back asleep. My newest single, Run, will be releasing in January. Stay tuned! facebook.com/kellibakermusic #BuzzMusic

Hey Stupid November and welcome to BuzzMusic. It’s a pleasure to have you! For a group that's only been together for a few years, what kind of lives were you all living as musicians prior to forming the group and what lead you to become one? We’re happy to be speaking with you, thanks for reaching out. We all went to Finger Lakes Community College near Rochester, NY, and all met each other outside the context of the band at school events and in classes. At this time we were all musically very different, with Elijah rapping and producing hip hop beats, Joel working on original production, Alan in a noise rock duo, and Charlie pursuing his love of jam band playing. However, when it came time for Joel to record some original songs for his final project at FLCC, we all came together organically. Joel brought in Elijah and Alan, and Alan brought in Charlie. Once we got in the studio we all sort of knew it would continue beyond just that project. The chemistry was there. The song "Monday" has a very relaxing and deep chills vibe to it. By closing your eyes, you feel the essence of the song calm you right down. How do your other songs compare to it? Is there a common theme between your music? Monday is definitely the most relaxing song in our discography. When we started as a band, we were playing a lot of jazzier stuff, and then moved more towards funk. That’s what you hear on our debut album Do Not Disturb. Monday is a different direction for us, moving towards our love of neo-soul and jazz-hop music. We also knew Mary’s voice would be a perfect match for that style, and that inspired us to pursue a calming vibe during the writing process. We all agree that the common theme throughout all of our music is us and the chemistry we have as a band. We have many musical interests that are not genre-specific and look forward to exploring them all while still sounding like us. The lyrics to the song Monday seem like they come from deeply personal experience or the current situation. Can you give us more depth into the meaning of these words and what inspired you to write about them? Monday is about missing someone from a past relationship, even when it was your idea to end it. They are kind of inspired by a lot of different experiences, as they were co-written by the featured vocalist Mary and our bass player Alan. We think Monday is an effort to show breakups from the perspective of a person who ends a relationship they’re not sure they want to end. We think many people have had a brush with that situation in one way or another. Do you think your music style will change over time, and what qualities in a song do you feel are needed to make it connect and still be heard many years down the road? Our style changes all the time. Monday differs greatly from our debut, and the music we have prepared for releases down the line is different from Monday. The constant in our music isn’t the style, but the mission to make music that we want to hear. We try to make songs that come about through organic inspiration and excitement. Capturing the excitement of the artist is what makes the music last, and that’s what we want to do regardless of genre or style. Thank you so much for chatting with us and we look forward to hearing more from you. What can we, and your fans expect from you next? Any live performances in the planning? Thank you for having us! We have a number of projects coming up. We just had a live movie of our album release party performance come out on our YouTube channel. We also have a hip-hop-inspired EP featuring Irate Musik and Modyst Vibes coming out on November 28th. As far as live shows go, you can always see where and when we’re playing on our website, stpdnvmbr.com instagram.com/stpdnvmbr facebook.com/stpdnvmbr #BuzzMusic

Hey, Numb Tongues! Congratulations on the release of "Naive". What a funky and raw sounding you have throughout this track! Is this a sound that was crafted over time, or comes naturally to you as an artist? The funky raw sound is something we've developed over time but now it's like second nature to us. We've always been attracted to funky music but it took Tristan joining and our former bassist leaving the band for us to really be able to kick it up a notch and fully embrace our funky side. We've found that funk has always worked to our advantage because it's always been about the groove and that groove gives a character that allows us to be our true authentic selves. How do you feel with how "Naive" was executed in the end? Did your initial vision for the track remain constant throughout the creative stage, up until recording? It turned out 1000x better than we ever could've expected. We initially wrote the track with our former bassist who left the band shortly before we decided to record. He was never into slapping his bass though, so when our guitarist Tristan decided he'd play bass on the track and insisted on slapping, it was if we'd found the final piece to the puzzle, especially given the way the main riff locks with Corey's drumming. Given the unorthodox decision for us to record as a three-piece without a permanent bassist, we gave ourselves freedom to try some cool things in the studio. One of those things was adding some synths that Jonah programmed on his laptop, which we think helped add to the energy of the recording. We also used some analog gear emulators to mix and master the song to add depth and character to the audio. A lot had to fall into place in order for this track to be recorded and released the way it was and we're beyond thrilled that it's been getting the reception it's gotten thus far, because we knew we had something special when Corey first came up with the initial drumbeat. What do you believe is the most integral aspect of your music? What sort of elements to your music do you personally think elevates it to that next level of alternative rock? To be honest, nowadays, rock and roll, alternative rock and punk music have become really stale and boring and most of it just sounds the same. We always say that rock and roll could use a lot more funk. We also take a lot of inspiration from jazz, hip hop, reggae, and post-hardcore. It gives us a wide sonic palette that allows us the freedom to do whatever we want musically, and thankfully we're all very technically proficient on our instruments. Too many people take themselves way too seriously but we've been known to have a quirky character that helps give our music a sense of fun. We take what we do very seriously but we don't want to make music that makes people sad, even if we're talking about the dark subject matter. Take “Naive” for example, a song Jonah wrote the lyrics to after a girlfriend had cheated on him. He really strives for honesty, authenticity and vivid imagery in his lyrics. We love making people want to dance and mosh like there's no tomorrow and we hope that reflects in the energy we bring to the music. What sets "Naive" apart from the other tracks you've released? Do you think you're advancing the sound of Numb Tongues with every release, or do you stay familiar with the soundings similar in "Naive"? This is by far the best sounding track we've released thus far. This single almost serves as a reintroduction for us and truly the first real statement that this lineup of the band has made thus far. We definitely have a lot of different sides to our sound but this was the first time we were truly able to capture the funk-groove element of it. Every song we release going forward will only continue to sound better from here. Are you planning on performing anywhere in the near future? How do you feel about live performances in general? Without live shows, we would cease to exist as a band. Along with our quirky character, we've also been known for bringing intense energy to our performances. Jonah wears onesies whenever we play live, which really helps let people in the audience let their guard down, because if he's willing to make a goof of himself on stage, then everyone should be willing to also. We also recently started occasionally playing with a DJ live, which has helped add a whole new layer of possibilities to our sound. Keep your eyes and ears peeled for the next single we release because he's featured on it. Our goal with our recordings is to be able to translate the energy we bring to our live shows. We've been playing in Toronto for quite some time but our goal for 2020 is to start playing out of town (from Ontario and beyond). Our dream is to open for bands like PUP and illScarlett, and in an ideal world for bands like RHCP, Incubus, Smashing Pumpkins, Rage Against the Machine, Busty and the Bass, Billy Talent and Lawrence. facebook.com/NumbTongues instagram.com/numb_tongues #BuzzMusic

If you aren’t already familiar with The Living Street, then you need to be. This folk-rock duo is comprised of Edward J. Angelo and Nick Guckert. When they formed in the summer of 2017, the powerhouse duo had already been songwriting together for well over a decade. Now, after consistently touring and performing, The Living Street was able to hone in on their authentic craft and release their sophomore album, “It Won’t Last”, at the end of August 2019. The album features highlight tracks like “Mean The Most”, “Home On The Road”, and “Disco Ball” and 6 other original songs. The Living Street are experts at telling their story and spreading their musical genius wherever they can. The chemistry that Nick and Edward hold is so evident and pure. This can only come from a lifetime of friendship and collaboration. The two have recently announced that they will be heading out on an East Coast Tour in the winter of 2020. If you have the chance to see them live, I would highly recommend it. The charisma, authenticity, gorgeous soundscapes, and overwhelmingly honest sentiments that The Living Street delivers with every song is admirable, to say the least. Keep an eye on these two, they’re headed to the top! Listen to The Living Street’s album here. Welcome back to BuzzMusic! Congratulations on the success your album “It Won’t Last" has received! How long has this project been in the making? Thank you! We've been working on "It Won't Last" for about a year and a half. Some of the songs were written during our first tour down the east coast, spanning three months. We didn't get into the studio until quite a little while later, but it gave us time to play the songs out first to see how the audience reacted. Being a lifelong friend duo, are there any prominent challenges you two face musically more than that of other duo bands? Do you believe having such a long-standing connection aids in the development of The Living Street’s music? We believe being life long friends has helped us in our ability to communicate effectively with each other. We know what pushes one another's buttons and actively try to stay away from them. So, in regards to songwriting, if an idea comes around one of us feels could be improved upon, there's a gentle way to express it where neither party gets upset. So, it tends to get our songs together with a little faster than if we weren't as good of friends. We are basically married. What predominant message was integrated within "This Time Around"? Can you tell us more about the concept of the music video? Why did you decide to release a music video from your previous album? This Time Around was easily the most enjoyed song from our last album. We were given the opportunity to work with an amazing charity out of Tampa called Warrior Pals. The song has a theme of being there for a loved one to help them through a hard time. It can fit a number of situations that are all unique, and we really love that aspect of the song. It can be special to a lot of people for different reasons. Warrior Pals is a charity that helps the loved ones of fallen soldiers get back and stay on their feet. So, we made a music video attempting to show the awful loss that too many have to feel and the eventual recovery from that grief. You seem to be artists who put more thought into their lyrics than most. What can you tell us about the lyrical depth within your most recent singles? We have been songwriting together for nearly ten years in different projects. It started in early high school. At that point, we were just writing songs to have songs to play. We recorded them as well, and hearing them back was key in figuring out we weren't all that good at songwriting. I didn't believe in the words I was singing. It is very important for us to believe in the music we are recording and putting out. It also acts as a therapy for us. When I'm feeling down, I write about how I feel or what I wish someone would say to me. If it helps us, then maybe it can help someone else too and that's the goal for our music! Also, to write something meaningful and real I think the person has to have had some life under their belt, some battles, both internally and externally. We both have had those struggles. We've now been all over the country, slept in the car, ate poorly, met so many interesting and unique people, missed family and loved ones, struggled with mental health, lost loved ones, have seen loved ones lose themselves and nearly lost ourselves at times. Anything negative we have had to go through has only made us stronger. And the silver lining? Meaningful song lyrics. Thank you so much for talking with us about your new album and creative process. Can you describe how your performances feel? Do you enjoy live shows, or do you prefer the actual songwriting process? Thank you for asking about it! Our performances are the best part of our job. We play almost five days a week on average, and sometimes, the shows can last over four hours. We pride ourselves in our ability to perform and entertain! There's no better feeling than having a whole room of people having the best night of their lives, and we are partially responsible. It truly is a blessing. Performing is also a part of the songwriting process. As I said earlier, there's no better test of a song than to play it for the people who are going to consume it. We are writing for ourselves and for our audience. What can we expect to see from The Living Street as 2019 comes to an end? We're home for the remainder of 2019, playing as much as possible in and around Pittsburgh. We are catching up on spending time with our family and loved ones as we gear up for another three-month tour set to kick off in January 2020. We are flying to Nashville at the end of the month to do a singer/songwriter showcase. We are hoping they like our Pittsburgh songwriting down there. We are also pumped to announce a whole new line of fall/winter merch coming soon. facebook.com/thelivingstreetmusic instagram.com/thelivingstreet #BuzzMusic

In this specific day and age, music is more than just knowing how to sing, rap, or play instruments. Production is a highly important element and some artists are so multi-faceted, they know how to correctly do both. For Jay Nomád, he fits right into that category of versatility. When it comes to Jay and his music, we were so impressed that we felt it would be foolish to not highlight this artist's accolades and star quality presence. With so many amazing releases in the year of 2019, Jay Nomád is somebody who is proving to be an immaculate newcomer in the industry. His releases, like “Hanabi”, “Gone”, “Wanna Be Mine”, and “Forever and Ever”, brought electric pop tunes that you need to hear. Each single has had its own distinct characteristic taking inspiration from different artists. Jay Nomád is not like your ordinary artist who likes to stick to one singular method of creating music. Instead, he is ingenious with the way he creates and makes music. He strives to make each track stands in a lane of its own. Who doesn’t love an artist who strategically curates the productions and arrangements of their music instead of following a simple formula!? Simple is simply a term Jay Nomád can not relate to. As somebody who is constantly evolving and exceeding expectations, Jay Nomád is on a whole other level! We’re so excited to see what’s about to come from him in 2020! Listen to Jay Nomád's music here Welcome to BuzzMusic Jay Nomad! Knowing you produce and create your original music, which aspect do you find to be more challenging? Production or songwriting and why? Thank you. I appreciate your support. Regarding the challenging aspects of creating original music, it really depends on what part of the production we’re talking about. I’m comfortable with every part of the process but I find post-production (mixing and mastering) a bit challenging.  Songwriting, however, comes so naturally. Whether I’m on the train or sitting at work, I’m always cooking up melodies and beats in my head. Once I get home, I sit down in the studio and record them, so that works well. Let’s talk about your amazing music this year! Between all 5 releases, which would you say best represent who you are as an artist and why is that? It’s hard to pick since each new release is an improvement production-wise from the previous one. Or at least for me, I feel I learn more from each song I release. For some reason, though I find “Gone”, my second release, to be the best representation of Jay Nomad. It’s melodic, it has simple lyrics and a nostalgic vibe. That’s what I usually like to write about, although some of my next releases will probably have a different sound as I continue expanding my influences. What specific arrangements were you going for in the song “Hanabi”? That was my debut song and it starts out with a Japanese Koto and a story about two lovers meeting in Shibuya. Initially, I wanted Jay Nomad to blend Japanese traditional instruments with Pop Music as a way of reconnecting with a part of my background (Japanese Grandfather). Eventually, though I realized my project could reach audiences in Asia by using more Latin influences in my music which is something you can notice in “Wanna Be Mine” where I sing in Spanish in the bridge. It’s now resulted in something more authentic and I feel my future releases will have more of that influence, so I guess “Hanabi” was just me testing the waters in the beginning. Considering the fact that each release pulls from some inspiration for you musically, mind sharing to us a few of your influences? Who specifically inspired the style for the single “Wanna be mine”? Some artists might hate me for what I’m about to say but over the course of exploring so many genres throughout the years, I’m really drawn to mainstream music in general. There’s a lot of work done in producing hits and they usually involve some of the best producer-songwriters. I like Jon Bellion, Ed Sheeran, Post Malone, Gryffin, Skrillex when it comes to newer artists. Older influences are Queen, Michael Jackson, Dr. Dre, the list goes on. “Wanna Be Mine” was originally going to be a more trap-pop song if we can call it that. My influences were Juice WRLD, Post Malone, and an Italian artist called Sfera Ebbasta. My producer Juanda Morales, however, insisted we go towards a more pop sound and eventually added his influences which I think were Charlie Puth, especially in the Chorus. I wanted the bridge to be in Spanish since my new purpose was to give Jay Nomad a bit of a Latin sound in some songs. I drew some inspiration therefrom J Balvin. My mother’s Colombian and I lived there several years so I was also influenced by his music, especially his most recent work. What has been the most monumental single you’ve released so far and why? I would say “Gone”. If I could show you the stems from that production, you’d notice all the work Juanda and I put into it. Aside from all the guitars he recorded for the song, I layered a bunch of vocal tracks especially in the bridge where I wanted it to sound like a gospel choir. I added a church organ in the chorus along with synth pads. Juanda did an amazing job with the beats and percussion. Every section of the song has a unique percussion in the background. I wanted the lyrics to be simple. The purpose was just to tell a story any artist could relate to. That’s why I think in terms of production, “Gone” has been the one we’ve worked on the most. Any exciting plans for the upcoming new year? What can we expect from Jay Nomad? I’ve got 3 singles coming up for the first half of 2020 as well as plenty of music videos. I’m also teaming up with an event organizer to play more shows in the city. I’m now looking to expand and find opportunities to play live not only in NYC but also in some other major cities. So 2020 will be more about reaching audiences upfront and in-person compared to 2019 where I reached people mainly online. I’m excited because just starting off I’ve gotten quite a good number of followers and people streaming my music. I also want to collaborate with singers with this new production I’m working on. So anybody interested is free to reach out on my website: www.jaynomad.com instagram.com/jaynomadmusic facebook.com/jaynomadmusic soundcloud.com/jaynomad