Attic Light has become known for their vigorous and eccentric live performances which have made the band a distinct presence in the Midwest since the release and tour of their debut EP, Different Shades of Black. The Kansas City based band recorded their most recent album, The EXILE EP. This album features the single "Whiskey Love" in Nashville with producer Dohse of AGD Entertainment. After the release of EP, the band spent months touring the Midwest, performing and appearing at many prominent venues, regional radio stations, television programs, and publications. Attic Light is currently working on their third EP, beginning with the release of the single "Wasted" in 2019. Continuing Attic Light's journey of fusing elements of both dance and rock, "Wasted" depicts thinking of someone so obsessively that it becomes debilitating, as if being wasted on intoxicating thoughts. This midwest band is putting Kansas City on the map! A country rock sound with strong lyricism and amazing instruments. “Wasted” has a really dance rock feel. I hear some old school 80s rock tones with some electronic pianos and other choice sounds. You can feel the wasted thoughts through the production of the song. It is really eclectic and one that you can catch yourself singing in your head later. The lead vocals give a nice blend of heavy, rock, and electronic dance bridging an old sound with a new sound that creates their epic sound! Listen to "Wasted" here, and learn more about Attic Light in our interview below! Hey guys! Please, introduce yourself to our readers! Hi there! We’re Attic Light, a dance-rock band based out of Kansas City, MO. The band is led by singer/songwriter Nathan Bowman with Patrick Rippeto on bass, Mike Pittman on guitar, and Joseph Dillman on drums. After our debut EP Different Shades of Black, and months of touring, we recorded our second album, The EXILE EP in Nashville with producer Dohse of AGD Entertainment. Our most popular single,the hometown inspired dance track “Hot in Kansas City," was recorded during a break we had on The EXILE Tour. A lot of bands say this, but we are all about giving audiences a great live show. To quote a review "The band is barrels of fun with endless energy, and...onstage flair. It’s rare for us to sexually scrutinize a musician, but Christ Almighty, Bowman is one hell of a guitarist, with a fiery and passionate rock and roll persona to match." (I Heart Local Music) What’s the story behind your band name? I wish I could say it had some deep meaning behind it, but I can’t. We sat around a table brainstorming names, picking ideas we liked, tossing around synonyms. I think in a car ride someone said “what about Anchors and Balloons” and I thought “balloons float high, what else is up high? Attics, those are up above things too. How about that?” And it sort of spiraled from there…yeah, great story right? How would you describe your sound? Do you have any music inspirations that help you channel your music? We like to call ourselves “dance-rock.” Some of the more significant influences on my writing are Prince, Depeche Mode, and Nine Inch Nails. I love music with a driving beat, something you can really move to. Prince is a great example of blurring genres. Most of his music is pop, and rock, and dance, and jazz, and so on. I like that. While Attic Light is definitely a rock band, I like integrating elements of dance and pop. The same with Depeche Mode and Nine Inch Nails. Most of their songs have really dark content, but it’s all driven by a club-style dance beat. That’s what I aim for when I’m writing Attic Light songs. I think our songs “Hot in Kansas City” and “Help Me Darlin” are good examples of that. How was the creation process behind your new single "Wasted"? For all of our previous work, we worked with outside producers, a production team, and recorded in the traditional studio. “Hot in Kansas City” was different as it was the first time I took over the reins of producing. For “Wasted” we went the opposite direction and took a DIY approach. I wrote the song on acoustic guitar, and played it around open mic's to see what worked and what didn’t. The lyrics changed almost night-to-night. Once I thought we had something, we gathered our equipment, soundproofed my basement, and went from there. I wanted “Wasted” to have a more lo-fi quality to it (something about the idea of being wasted made me think lo-fi don’t ask me why). There was a lot less stress recording when we weren’t confined by the amount of time we paid a studio for. Patrick, our bass player, could come over and record his parts one day, Mike on guitar another. Can you tell us personally the meaning behind "Wasted"? “Wasted” is about an unhealthy obsession with someone. The song depicts thinking of someone so much that it becomes debilitating, as if being wasted on intoxicating thoughts. I think the metaphor of being wasted is pretty apt for describing how people get caught up in their feeling for another person, without considering why it might be a bad thing. You keep consuming it, even though you shouldn’t. How has Kansas City influenced your band? Historically, Kansas City is known for jazz. There are a ton of jazz clubs here. Attic Light is definitely not a jazz band. But I think the mentality behind jazz permeates the culture here, and certainly our approach to music. Jazz developed as a response to classical and big band music that working-class people, particularly people of color, were left out of. It’s music for the people, not elites, the opposite of pretentiousness and highly produced music. For me, I just want to write music people can move to. People like to move. I’m not trying to write the super-produced artistic masterpiece. I don’t want people to think about our music, I want them to feel it. I think that is the heart of jazz, and I think that’s Kansas City at its finest. What are your goals for this year? 2019 is going to be a busy year. After a year off, we have a lot of new music we will be releasing. “Wasted” is the first in a series of singles we will be releasing throughout the year which will culminate in our third EP release. On top of that, we’ll be releasing acoustic versions of some songs as well. The upcoming EP will be followed by a tour in 2020, but until then, we’ll be playing a lot of shows in the KC area to hype the new music and build a good set list for the tour. Connect with Attic Light on social media: Facebook Instagram Spotify #BuzzMusic

A rising star in his own significant lane, we touched base with upcoming music prodigy Hearts<3 to get a more in-depth view on his California upbringing, the inspiration and artistic vision behind the exciting release of his new single "Germs", and a more clear understanding on his shared project "The Factoury"! Hey Hearts <3, care to tell our readers a bit about yourself? I’m a 20 year old artist out of Los Angeles, originally born in OC. I started out making clothes in LA and somehow found my way into making music. Music has been a part of my life from the jump though, as I've always enjoyed performing, playing the guitar, and singing. It felt natural to make the move. Did your OC upbringing influence you to pursue music? In my case, quite the opposite. I found myself in a band at a young age, but later got some negative reactions from some of the kids at school when I would play guitar and sing. That always stuck around in the back of my head, but I’m glad I ended up making it work. You fuse together Hip Hop and Rock to create your own personal sound that we know and love. Who are some of your musical influences? Rock was always more natural for me to feel a part of. The suburban lifestyle of OC made me feel more of the emotions and stories behind a lot rock music. Paramore, Pierce The Veil, and a bunch of other emo bands were really influential. Growing up skateboarding though, a lot of the older homies put me on to hip hop. Ironically being a west coast kid, the first artist that really caught my attention was Biggie. My homies mom once bought me a Biggie CD collection for my birthday, and I listened to those most nights. Lil Wayne was another huge influence for me, and when he introduced rock to his already insane style, it really opened my eyes to what I could create. Tell us more about the inspiration behind your new single, "GERMS"? To start off, a “germ” is another way of calling someone a lame. So, you know, I don't fuck with germs. From there, it's self explanatory. During production, did your lyrics come first or the guitar additions? Which one comes to you easier? My producer Luke Wild came through with a piano loop, and it instantly caught my ear. I had him throw some guitar over it to fit my sound. I hopped on the mic, free-styled the hook, and that first take became what you hear on the track. Can you give us a little insight to The Factoury? The Factoury is where I make music every day. It originally started off as Jesse’s (Jesse Rutherford of The Neighbourhood) personal brand, and he developed a studio for us to come together and have therapy sessions, whether thats making music or just talking things through. What are some of the contributions from the people on the team at The Factoury? What role do you play? Jesse (@jesserutherford) is the bossman. He’s the superstar dad at the Factoury. He gave me a chance with this music thing and i’ll always be thankful for that. Beef (@viabeef) is a legend. He is the best DJ in LA and knows how to write a damn good song. Danny Parlay (@dannyparlay) is our engineer. He’s incredible. He’s also a great producer and songwriter. Alex Mcdonell (@alexandergmcdonell) is our in house photographer. He’s the one who takes all the photos you see. As for me, I’m the young gun making hits, writing songs, and working every day. Trying to help in any which way I can and make the team proud What keeps you going in this music industry? My love for music will always come first. The bags I'm chasing will come if I just keep doing what i’m doing. What can we expect from you this year with your music? Do you have any upcoming releases or performances? I have a song coming out on Valentine’s Day called “I Wish That You Were Coming Home” that will have a visual attached. A bunch of more music after that. There’s a lot of exciting things in the works right now. You’ll just have to wait and see. Connect with Hearts<3 on social media: Instagram #BuzzMusic

Have you ever had that situation come up where your lover disappears and there’s a blood red stain on the carpet next to your bed? Well Ryan Rahhal (or at least the character he portrays in “Sutures”) has. And he’s going to tell you about it in an extremely radio-friendly love ballad about repairing a relationship. Rahhal has a wealth of experience from days living in Philly and Nashville to draw on, and he’ll often turn to alt-folk or head to the 20th-century US poetry well for inspiration. Certainly Maroon Five comparisons are unescapable for this musician who returned home to Oklahoma City to follow his passion. And there are certainly some stand-out elements in “Sutures”. We're thinking of the starkness of the acoustic guitar, the blurry fret slides and, of course, the bloody imagery. This includes one that caused us to think about how we just learned there are giant, terrifying snakes in the Los Angeles canyons — something we only learned yesterday. Basically, what we're saying is, given the careful structure, the Adam Levine-esque vocals and the killer use of strings, there’s something for everyone in this track. Paint within the lines and you might just succeed. It’s a pretty song for a pretty person, no doubt. Listen to "Sutures" here, and learn more about Ryan Rahhal in our interview below! Was it hard leaving the worlds of Philly and Nashville behind for your old stomping grounds? Or was there a joy in it? Yes, to both. There was certainly some angst in having to uproot and move again, as I’ve been doing a lot of that over the past four or five years. The decision to get off one path and onto another one is a difficult one to make, and it’s come with its tough moments.  But overall it has been really positive. I had been wanting to come home for a while. Pouring into old friendships and new ones, spending time with my family, and engaging with the local art and music scene in my own community has been really rewarding. How long have you been singing for? I’ve been writing songs since I started playing guitar as a teenager. I was never in choir or anything. I’m not a trained singer. My musical interests were mostly instrumental when I was growing up. I didn’t start feeling really confident in my voice till I started playing in a band in college, when I started to embrace the more unique and unorthodox elements of my singing voice. So it was nice that when I started seriously writing again some years after that, I felt like I knew who I was as a singer. "Sutures" is a pretty universal song, but it seems like it's based on some pretty heart-wrenching experiences. What were you going for with this number? Yeah I guess it would be pretty obvious to say that it is a song about grief and loss, huh?  But yeah, that’s what it is. It’s a song about not feeling like you know who you are, and looking back on all the painful and unhealthy ways you’ve tried to figure it out. There was a lot of physical and emotional movement going on when I wrote that song, and there is a kind of displacement and disorientation that comes with that. I think that’s what’s going on in Sutures. Do you have to do vocal exercises to prepare before gigs? Eh, not really. I just yell into the mic and hope for the best. How do you make sure your songs stand out in the pop music world where there is so much competition? I like sharing my music and hope people will hear and enjoy my songs, but I don’t really have one trick or method that I follow to make that happen. It’s taken me a while to get to this place, but I really try not to think about music and songwriting in terms of competition. If I start thinking about it that way, I start to feel a little crippled. I want to be able to take joy in good songs that other independent artists write, rather than feel threatened by them every time they play a better show than me or get more streams, or whatever else it may be. I’m at the point now where I really just want to be supportive of other artists, and to be in a position to write songs for the inherent reward that comes in doing that. How important is it to write songs for yourself versus keeping your fans in mind? When I first started writing songs, there really wasn’t a thought in the world as to who might hear it. It was just something I liked doing that I thought I was decently good at. Obviously once you start toying with the idea of making a record, you start to make allowances based on the (imaginary at that juncture) people who might hear it. So yeah, there were definitely times in the studio when those thoughts or discussions would come up. Really though, as I continue to write, I feel more and more convinced that the more you write based on your perception of what this or that demographic wants or needs to hear, the more often you’re going to miss it. I think the more authentic you are in your writing, the more people are going to resonate with it anyway. So I tend to err on that side of things, both in this particular song and on the rest of Color My Bones. Connect with Ryan Rahhal: Instagram #BuzzMusic

Cory Stone's latest, "Follow Me," is a delicious fantasy from the Letters From My Soul album, that lulls you through a cold evening and warms your interior with plenty of polish. It's his favorite creation off his sixth album, one that reminds you to keep it real and never stop reaching out to those you care about. When he sat down to pen these tracks, he knew it was time to "let everything out." The music is alive with crisp, understated, hi-hats. The sub bass is like a drone that is more classy than guttural. We've got some reverbed cymbals that act as contained shimmering. It all serves to remind you about that shorty you need to stop taking for granted, reach out to and, ultimately, protect.Because the real world is heavy, and y'all be playin' some dangerous games. Emotions are no joke. "Follow Me" is utterly pop, in the post-90s RnB sense of the term. It's music the boys blowing smoke from their butterfly door Lamborgini along the canyons, as they roll through downtown during a blazed out night of longing, not partying. It's a milky nearly-half-moon, ever rising, matchy-matchy with the sleek condo appointments for sale along the route. This is a hit for people who take chances, fall down, have a late night coffee, then pick themselves up again -- enjoying the rhythm and flow of the beats along the way. Listen to "Follow Me" here, and learn more about Cory Stone in our interview below! How do you maintain consistency when writing songs? I would say one of my main ways of keeping consistency through my work would be the elements that I surround myself by and within. As an artist, vibes are EVERYTHING so full immersion into the world that inspires me would be my one variable that never changes , and in turn comes out in  the music. Was there a particular energy you were hoping to capture when in the studio this time? With the "Letters From My Soul" album I really didn't go into it with the intention of capturing any kind of vibe in particular, aside from the usual. Throughout the process though it evolved into something much bigger, (hence the album name ). I can say that I am very proud of this album and it is the truest piece of art that i have to present as a reflection of myself, to date. What do you picture when listening back to "Follow Me"? When I listen back to "Follow Me" I always hear the same things and it has always taken me to the same place every time I hear it. Palm Trees and coastline baby!! Your music reminds me a lot of the Weeknd, which I'd imagine is a comparison you wouldn't mind too much. But what other artists do you like to consider your music to be in the same vein as? Thank you for that!! I will defiantly consider that a compliment, although I can't say The Weeknd has been one of my main influences. He is amazing I just recently caught on to his wave so I cant really attribute much of my sound to the hearings of his. But it IS crazy how music translates from person to person so differently, varying only in 3 different ways. The loudness they were played at . The location/ ambiance they were  listened to in The listeners emotional state at the time of listening. It's always been fascinating to me as a music producer and artist. What was the hardest part about putting this record together? Honestly, I think the hardest part of putting this record together was the order and making it flow correctly. The battle every artist has in the mastering stages, of course, but then also making sure I had added nuances  and textures from the studio and places as well as the people that I find stir an energy in me and enhance the artist that i am becoming and have already become. What's next for you in 2019? 2019 is the takeover year for Cory Stone and the AWDIMH crew.. Hold me  to it. Connect with Cory Stone: Instagram #BuzzMusic

You know that pulsing, side-chained repetition you hear walking along LA's Santa Monica Boulevard around San Vicente Boulevard? That’s the fluid coursing through Deney Adam’s “Blue.” Welcome to a world filled with bodies recalling the dudes you see dancing in those clubs along the way. And, of course, they have a great roster of preening attire to match, you have to admit. It’s so electric. So in your face.But not in a way that’s threatening. At this point we’re peacocking to the max. Everything is so smooth. Raw. It’s a track of throbbing synthetics; constantly superficial; sensuality at a heightened level. But the meaning has been stripped away, and all that’s left is a blur. The sound of the song is way past the point of a buzz. You feel the alcohol burning your stomach and the drugs numbing the gnawing thoughts of reality into oblivion. This is what you came for, and you definitely don’t regret it. But you’re not quite sure it was the smartest choice either. It’s all so fast and furious: booty shorts, advertising adulation, desire. You’ve consciously descended into this dark hunky paradise, and now you have that familiar pounding headache. But you wouldn’t give it up for the world. It doesn’t stop: electro at club level that’s four on the floor critical. There was a message of hope and acceptance at the door, but we’re way past that now. This is emotionally dark and dirty. Just how you like it. Learn more about Deney Adam in our interview below! Hi Deney! Can you tell us a bit about yourself! I was born in Saint Martin move to NY and never left, I was always passionate about music and had no other option but to be a musician. But life takes its own course, which is why it took me this long to finally release something. What was the journey you went through to come up with the track "Blue?" It took me a year to produce Blue. The song is very personal and I wanted it to sound exactly how I envisioned it as for the vibe an feels, and represent who I am and what I would like to bring to the lgbtq+ culture, I wanted it to be unique. If you could have your choice, where would you hope to hear the song played? Obviously, I would like my song to be played on the radio and every club. I grew up going to clubs and circuit parties. Needless to say, I love house music and pop music is what I grew up singing to, so why not to mix the two. When you listen back to "Blue" now, what does it make you think of? It wasn’t easy but I loved it. Were you conscious of trying to make this into a pop song? And if so, what was the key to doing it successfully? If you listen to Blue you’ll see that the vocals are treated like a pop song with a house beat. I find that you need to really love what you do and know where you want to be, and success will follow. Connect with Deney Adam: Instagram #BuzzMusic

This uncompromised, melancholic and dynamic post-punk rock from Copenhagen goes by the name of Mount Ego. With an untameable drive to relieve their creative vibe, Mount Ego has curated all of their energy to release their debut EP I AM NO ONE. The songs, painting pictures of family misfortunes, are backed by intense and energetic beats, bass-driven synthesizers and atmospheric guitars. A strong independent vocalist lift these efforts to a true level of cosmic understanding. With heavenly high ambitions, the band thrives to achieve recognition outside of their rehearsal studio with upcoming shows on a summer tour in Denmark this summer. This song has a really high energy! What starts off with a solo of strings, quickly turns into guitar party starring the electric guitar himself! A retro-punk type of feel; one of those songs you see everyone jumping or intensely dancing! The guitar is what gets me in this song. It comes in right where it is needed. The drums as a nice feature and then the entire band comes in with the vocals. The vocals are electrifying! Giving us a 80/90s classics with a up to date twist. It is a must we talk to these guys to get the low down on this song! Listen to "I AM NO ONE" here, and learn more about Mount Ego in out interview below! Hey there! Could you tell us a little about Mount Ego? Mount Ego is a Copenhagen based rock/indie band and foremost feelings being told through our music, which is never completed before we have felt it, ourselves. We go through a process that in some cases are short and on point, and in others long and dreadful. This is where our focus and persistency is eminent. It is crucial to us that we feel our music is thoroughly worked through in to every detail of a song and be able to be proud and vouch for it when it gets out there. What is the music scene like in Copenhagen? The Copenhagen music scene is very diverse and exciting if you go down a layer or two. Pop, hip-hop and R’n’b artists primarily dominate it. If you want to be listened to, and have people show up at your gigs, as a rock band such as ourselves it is hard work all the way! The audience is critical, but once you’ve gained their trust, Danish fans are very loyal. Who are some of your musical influences that have influenced your career in the music industry? As individuals in the band we have very different tastes in music. We believe our different musical upbringing is an advantage when being in our creative spaces. We somehow managed to find common grounds and inspiration in a small number of artists such as The National, Editors, White Lies, Interpol and two Danish bands; The Minds of 99 and Fugleflugten. We are, obviously, not trying to sound like a mix of these bands, which would probably sound awful, rather than trying to set free our sound. We’ve often been told that our sound is quite international. How much time and energy went into this new EP? We’ve spent 7 months since it was recorded just correcting mixes. In this case the writing process has actually been somewhat easier. Two of the songs where written overnight. Too much time was put in finding the right producer after we recorded the songs. So, it has been a little tough, and in some case we nearly made it to the point that we didn’t like the tracks anymore, fortunately the right producer came along and changed that. Could you give us some backstory on this EP? The backstory is Mount Ego finding its sound. As individuals in a collected creative environment coming together and letting the music find its course. Most of the song centres lyrically around family tragedies and misfortune. Some of them stories from our own lived lives. What are you most looking forward for the Tour in the summer? Naturally we look forward to getting out of the studio and present these songs live. We’ve only played a few of them live, and we really anticipate the reactions from the audience. We are a band who lives to play live, and we believe our music has its best expression when performed live. Connect with Mount Ego: Instagram Facebook #BuzzMusic

Hi Jennifer! Great to chat with you! Can you tell us a bit about yourself? Thanks for having me! My name is Jennifer Lauren and I'm a pop singer from Canada. I love, love, love spending time in the studio, performing, and drinking smoothies. How did you first hear about the ISINA Music Mentorship program, and what did it take to convince yourself to apply? I think my dad actually heard about ISINA through a friend or someone he worked with. ISINA is a mentorship program you can apply for. If you are selected, you get to spend 6 weeks in LA, all expenses paid, working with industry professionals, performing in awesome locations, and creating music. So.. it didn't take much to convince me. I applied with a couple original songs and I ended up being selected out of 30,000 applicants along with 15 other artists and musicians to live 6 weeks in Beverly Hills and meet incredible people.  During this program is when I recorded Now Or Never, which has opened wonderful dream-come-true-doors for me. Incredibly thankful to have has the opportunity to take part in this program. What are some of the things you've picked up from your interactions with songwriters and producers who've worked with people like Beyoncé and Rihanna? So last summer I took part in the Vocalize U Artist Intensive and spending time with incredible mentors that the writers and producers or hits like Halo by Beyoncé and California King Bed by Rihanna was one of the incredible experiences that changed my life while attending. Honestly, the biggest thing I learned while spending time with these amazing people is to be true to yourself and who you are. People, whether in the industry or out of it, always have opinions on how things should be done, how you'll get "famous". People always said I have to figure out what my act is, figure out who I want to be as an artist and make it extravagant. I really struggled with that because I'm just not an extravagant person. I'm really chill and a total introvert. It just ended up feeling like who I was as a person wouldn't cut it if I wanted to be successful in the music industry. It's not a good feeling to have.  To have people that have been so successful in the industry, and having failed in the past like everyone else, unanimously agree on the fact that you just need to be yourself and do you was a total life changing moment for me. In the end, people want to connect and relate. Pretending to be someone else isn't going to do that. So I'm going to be myself, wear what I love to wear, make the music I freaking love to make, and go after every single one of my dreams. How would you describe the difference between what it was like to record with Davix Foreman, compared with some of our previous recording experiences? I've been working with different producers over the past few years now and what I've learned is that I respond and work a lot better to a more chill environment. I've worked with a couple producers that had really high energy and they were just like go, go, go! In the end I just felt rushed and started doubting myself.  Davix definitely has a super chill and relaxed vibe in the studio. What I loved about working with him is there was zero judgement and he was so patient. I'm still learning when it comes to songwriting, and he was always open to my ideas and trying things out. He also challenged me to up my game as a vocalist. I can't wait to work with him again. Does it change your appreciation for music as a whole when you see how seriously songs are crafted at places like Sunset Sound and Henson Studios? It was really surreal to be standing in studios used by legends. I mean, I was in the same studio as Julie Andrews was when recording Mary Poppins. That's nuts. And like two days after I'd recorded in Henson Studios, Nick Jonas posted a vid of himself on the piano in the exact same studio I recorded in. And this isn't me fan-girling. I'm not really one to do that. Though if I met Julie Andrews tomorrow, I would definitely have a mini freakout afterwards. It's funny cause while I was there I just kept thinking "man, this is so cool. I can't believe I'm here right now" but after we left, and still to this day, I kept thinking that I got to be in a place where people have made music that continues to inspire me today and I didn't feel out of place. It may be the Irish in me, but I feel like there's an energy and a vibe that is left there from all the previous people who created in that same space and the history they made. It was really cool and life-changing to just be in that energy. How does it feel to have something you wrote selected for a Netflix show? Having a song that I was lucky enough to create with Davix make it into one of Russia's top television dramas is still so unreal. It was also really humbling. The whole process was a huge learning curve for me and I feel so lucky and blessed to have supportive people in my life. When I finally watched the episode and heard both my singles Now Or Never and Enemy played in the show it was a moment where I thought to myself "See? You got this. You can totally do this." It was awesome. What do you hope to accomplish through music? I want people to be able to listen to my music, relate to it, and just feel. Whether it's just vibing out, singing to the top of your lungs in the car, or getting those chills all over your arms. I really love the connection people have with music. I just really want to be part of something bigger while doing what I love. What's upcoming for you in 2019? Way more music, more performances, and hopefully amazing new opportunities! If you want to stick around and see what happens, you can follow my on Instagram. Connect with Jennifer Lauren: Instagram #BuzzMusic

Dan Beltran released his single titled “Night Terrors” and he creates a calming acoustic instrumental with hints of influence from the classical guitar to modern folk music. It’s more challenging in my opinion for instrumentalists to fabricate hits that doesn’t have any vocals or lyrics due to the decreasing chances of the listener connecting strongly with the music. However, we believe Dan Beltran’s “Night Terrors” has this unique ability to give its listeners freedom to connect to the music however they choose. The open door that leads us to liberation of creativity and self-expression. We can paint vivid images that we feel best applies to the aesthetic of the music due to the dream-like resonance from the hauntingly enchanting guitar strings. If you’re looking for a well orchestrated sound that’s peaceful, relaxing, and fabricate a setting of serenity then you might want to check out “Night Terrors” by Dan Beltran. Listen to "Night Terrors" here, and learn more about Dan Beltran in our interview below! How has the journey been so far for you? It's been a wild ride with life's fair share of up's and down's but I'm here for it. What made you get into music Dan? My dad got me into playing guitar when I was 6 years old; I've kept playing ever since, and I don't think I'll ever stop. You have your own way of storytelling through lyricless music that we love, do you find it challenging at times? I've written songs for a mix of different genres and every time I've started the writing process, it's on guitar. So, when I'm writing these acoustic instrumental pieces, it comes very natural and is so therapeutic for me. I really enjoy writing this kind of music and I hope others can find a sense of peace in them as well. Mind telling us a little bit about your creation process of Night Terrors? The opening "riff" for the track was what started it all and was just something I just played on my own while playing guitar at home. I would always come back to it time and again and decided to make a song of it. What’s next for you? Any future plans regarding your music? Since releasing "Night Terrors", I'm starting to work on a debut acoustic album with mostly original music and maybe a cover or two with some collaborations. So I guess this where I tell you all to "stay tuned". Connect with Dan Beltran: Instagram Twitter #BuzzMusic

Hailing from Long Beach,CA the Rock-Pop-Americana group, Manuel The Band, was founded by songwriter, guitarist and vocalist Manuel Grajeda. The band consists of Brandon Charlesworth (Drums), George Madrid (Pedal Steel), Richard Fernandez (Trombone), Kevin Nowacki (Bass), and Matt Kalin (Saxophone). Described as “a breath of fresh air” by Julie Montante of Coachella Valley Weekly, Manuel The Band has fused an unorthodox range of instruments not normally seen in the pop-music genre. The band has made an impression on the SoCal music scene with a unique sound deriving from influences like John Mayer, Dave Matthews Band and Gram Parsons. Manuel The Band’s energetic live show has brought them to perform on many stages. Tuning into their latest single, “Strong Independent Woman”. This band is so cool. Before looking at anything involving the band I always listen to the song first and their sound is so warm and inviting. The bands connection sounds dedicated and effortless showing how well they work together. And not just the traditional sense of a band but all the bells (brass) and whistles (saxophone & trombone). The lead vocals in this song has a sound similar to a Adam Levine or even Sam Smith. His voice is easy on the ears and it’s mesmerizing. And of course I had to check them out and they are definitely a SoCal swag band. And the cover art is so simple almost like an emblem and it will be remembered because of that. Overall, this band has something and if you want to keep up with them, check them out @ManuelTheBand. Listen to "Strong Independant Woman" here, and learn more about Manuel The Band in our interview Below! Hey fellas. Can you tell us a little about the creation behind your new song "Strong Independent Woman"? This song was probably one of the coolest collaborations we've done as a band. It's a really "inclusive" song, meaning we've had a bunch of people come and play and put their own spin on it or add different feels and instrumentation to it when we do it live. The song started off as an acoustic piece written at the end of a relationship. It really show cases a cool mixture of our unique dimensions, juxtaposing horns with pedal steel. You never see that combo! So to be able to work out some amazingly unique parts with those instruments that work so great together was really awesome. George's pedal steel line is so ambient and beautiful. It tells a story of its own. Matt and Richard have these awesome horn lines that compliment the lyrics, adding a sort of "umph" to the story. When Brandon and Kevin drop the drums and bass it's as if the story really begins. It's super cool. We've also had the pleasure of performing and recording this song live with Jam in the Van, where our buddy, and amazing musician, Thomas DaVinci takes on the second verse. At the time I had finished up the first verse and I thought it'd be really cool to put a different spin on it. So I sent it to our Thomas and asked if he'd be down to write a second verse. Man, he brought the fire! He came back with the coolest second verse mixed with hip-hop and this R&B feel. It's a really cool rendition of the song and gives it a whole different story. You can find that version here. How do you maintain the strength within your band? You know, we're a really bonded band. We've traveled together, spent nights cooped up in the smallest hotel rooms together. Recorded together. Laughed, cried, been totally pissed off together. We've seen each other in our best and worst states and come out stronger and more united every time. I think we're lucky that, from the start, we already had good chemistry and a good bond, but when you spend so much time together you either work and become stronger, or you don't. We've had our hardships, like any band, where things seemed like "oh shit, how are we gonna pull through this one?" But we always do and we do it as a cohesive unit. I (Manuel) am a total history nerd and love to make the connection with the Greek phalanx: It only worked if the guys worked together and looked out for the guy next to him. It was strong and formidable. Totally nerding out here, but I think we work in a similar way. We look out for each other and we decide on things together. We're a family and bonded by our love for what we do. What inspired the song Strong Independent Woman? Ahh yes. The song inspiration. Well, it's a relationship song. Shocking, I know. The song is really about being with someone who deserves more than what I had to give at the time. I don't care to write generically, and this song is no different. This person was, well, IS a very special person and what we had was truly beautiful. Beautiful, but not solidified. I, at the time, was making very different choices about where I was going in life and what I wanted to do/ pursue. I just don't think I was right "there" as a relationship needs. So, when things didn't work out this song became a reflection of just how strong and amazing this woman was/is and where my head was at during that time. What do you hope listeners get from this new single? I was having this conversation the other day with a friend. I always have a struggle with this one. For me writing lyrics and making melodies is a therapy for me. It helps me get out what's on my chest. If people get anything out of the song, I hope it's an inspiration to find a way to do the same. What can we all hope to see from the band this year? Yes! We have such a cool year planned with so many big things coming up. We will be dropping two more singles after this one and an EP by summer. We're in the talks about a music festival or two and possibly a tour. So, keep a look out- we might be heading your way! Connect with Manuel The Band on social media: Instagram Facebook Website #BuzzMusic

Chloe Caroline was born and raised in Manhattan Beach, California. Her music and artistry radiates a warm, authentic, SoCal vibe. Having influences from Fleetwood Mac, Amy Winehouse, Dusty Springfield with the pop and writing sensibility of Ed Sheeran and Taylor Swift. Her cover for “Last Christmas” made the Radio Disney Holiday playlist. Performing and writing for a number of others and herself she has an extensive resume that shows how compelling she really is. “Old Souls” was released in 2018 and here for us to tune into. Chloe Caroline, you have truly embodied an old soul in the modern day flesh. Modern day old fashioned is the perfect description for her sound. This track is one of those down home, sweet, sultry, lyrical lullaby’s. This girl has that southern belle with a touch of SoCal soul. The piano and organ take this track over the edge in bliss a true melody. This is one of those tracks that is easy to listen to first time around and you can’t help but to let it repeat. Listen to "Old Souls" here, and get to know more about Chloe in our interview below! Hey Chloe, care introduce yourself? I am a Los Angeles born and raised beach chick who happens to be a singer-songwriter. I’ve been based in Nashville for 6 years now but split my time with LA still. Speaking on "Old Souls" what type of music was played in your home growing up? When I say everything, I mean everything. A lot of classics though. My dad was in a rock band when i was little so definitely a lot of 80s rock, and a LOT of 70s (Fleetwood Mac, The Carpenters, Cat Stevens, Carol King, Rickie Lee Jones, Dolly Parton). But I also grew up around that time of awesome female pop with Michelle Branch, Avril Lavigne, Shania Twain. What influenced your pursuit in the pop music scene? I have never want to define my music one way, i just wanted my melting pot of a sound to allow the music to speak for itself and i think pop gives you the freedom to do that. Growing up in LA influenced that sound because it’s also a melting pot. It’s why if I had to label my music, i always say “its a new Southern California sound”. You can hear that freedom, those stories, and that vibe in it. There’s going to always be a molding of old with the new in my music, like something organic with synthetic in some form. You got keep your roots twisted in to what’s happening currently music wise so you always stay authentic. What's the message you're trying to relay to your listeners with “Old Souls”? I wanted to bring intention to people’s attention. Way back then, there was more intention behind everything—music, relationships, work, clothing, etc. The effort was put in and the quality was just better. We live in a world where its quantity over quality with most things and it affects us every day. It’s why it’s harder to date, harder to stay focused on anything, and harder to get the output we still want, all because we’re choosing to not value things the same anymore. If you could collab with any artist, who would it be? Why? Stevie Nicks because she’s a total free spirit, a creative genius and undoubtedly always been herself. She fought her work even when her own band didn’t believe in it. That takes guts. What's next for you in 2019? I plan on releasing the next wave of my music and doing whatever I can to push my boundaries creatively. This is music that challenges the status quo a bit. I wanna find cool ways to bring me even closer to my fans and get to connect with them, I really want to share in this experience with them and bring them along like never before. Whether that’s touring, visiting places I’ve never been (hint hint), and on social media. Connect with Chloe: Instagram Twitter Facebook #BuzzMusic