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Sometimes, the past can be a burden, but letting it go allows us to seize our future. As a dynamic recording artist who’s quickly built a buzz for herself with her fusion of pop and adult contemporary sounds, Ashley Woodruff has established herself as one of the most exciting talents in the industry today. Based out of Sudbury, Ontario, her unfiltered and undying love for music underlines every single release, imbuing the audience with her infectious passion. Having first burst onto the scene with her self-titled debut album in November 2017, this talented artist continues to impress with each new release, and we have a feeling that this one will be no different. A musical go-getter at heart, Ashley Woodruff’s music love affair began from an early age. What began as an innocent curiosity quickly became an earnest desire and goal as she began to take vocal lessons and receive formal classical training. As time passed, this love only intensified, and the budding musician poured her artistic output into every release she could find, performing first in her native Sudbury before performing all around Ontario. Having already received critical praise and acclaim for charming releases like her Christmas EP “A Gift For You” alongside more traditional releases like “Sweet Like Candy,” she’s admittedly set a high bar for herself with previous releases, but that’s a good problem to have. “Free (Live off the Floor)” is a fitting representation of all the good things Woodruff has come to embody as an artist. A soft piano forms the basis of a minimalistic instrumental performance, but in this case, less is more. As the piano softy builds up, it perfectly accompanies Woodruff’s powerful and emotion-inducing vocal performance. As lines like “You’re a memory cause I am finally free” are delivered with outstanding grace and poise, you’d be hard-pressed not to feel emotions well up in you. That’s the nature of an Ashley Woodruff release: elegant, charming, and ultimately human in experience. Ashley Woodruff’s latest release, “Free (Live off the Floor) is a powerful and emotionally stirring release that shows her ability to fuse the elegant and the powerful. Whenever you’re ready, tap in and stream Ashley Woodruff’s “Free (Live off the Floor), available now on all majour streaming platforms. Instagram Facebook

Calgary's hip-hop recording artist and tenacious rapper D.O.M of DnD blesses our speakers again with a new 20-track album, World D.O.Mination II. Deep into the hip-hop game in 2015, D.O.M. of DnD started covering Eminem tracks in middle school and was later inspired to try his hand at spitting bars. Falling head over heels for the process, D.O.M. quickly made a name for himself while joining the rap supergroup Splinter Fraction. He's enjoyed working alongside acts like Rick Ross, Rittz, Krizz Kaliko, and many more. More recently, D.O.M. of DnD dropped a jam-packed new album that brings listeners deeper into his always-evolving songwriting journey. With heaps of killer features and pristine production, it won't take long for World D.O.Mination II to make its way over to your speakers. Check it out below. The album starts with the intro track, "I-1," a fierce opener that introduces listeners to D.O.M. of DnD's relentless approach to his music career and his ability to emerge as a winner amidst life's trials and tribulations. With heavy drums and dark, eerie melodies, this track perfectly sets the tone for the album while keeping listeners hooked with D.O.M. of DnD's incredible flow, not to mention the stimulating production from Ukrainian producer KCREWW. Track two, "How 2 Win," continues the eerie and mysterious melodic vibe with piercing synths that make way for the hot and heavy beat. D.O.M. of DnD wastes no time jumping into this track with authority, walking listeners through how he continuously manages to come out on top of the independent rap game. The minimalist yet impactful production from KCREWW perfectly rounds out the song to emphasize D.O.M. of DnD's powerful lyrical message. If you're a fan of chill, lo-fi hip-hop, feast your ears on track number three, "3nder Wiggin. " It melts the speakers with smooth melodies reminiscent of a 1999 Joey Bada$$. With production from Private Work and his dusty drums and wavy Rhodes, D.O.M of DnD smacks the speakers with bars about what he's witnessed and experienced in the rap game and why he's become so distant. It's a reflective tune that feeds the soul. Onto track number four, "W4R DOGS (ft. Hus Kingpin and Anno Domini Beats)," we sink into another chill, lo-fi tune featuring hazy production from Anno Domini and the reflective, thought-provoking verse from Hus Kingpin. With samples of D.O.M.'s dog barking and two sweet-sounding verses dedicated to this sweet pup, D.O.M. of DnD honors his furry friend for being by his side most sharply and compellingly possible. Traveling back to the prime era of boom bap is track number five, "EXTREMI5T (ft. Jadakiss, acid messiah, and Anno Domini Beats)." This relatable and groovy track sees Anno Domini's record scratches and uplifting, boom-bap production paired with a killer verse from Jadakiss and introspective bars from acid messiah and D.O.M. of DnD. The recurring theme? They all manage to take things too far, even when guided in the opposite direction. In the mighty and dark sixth track, "NA6ASAKI DISPOSAL (ft. Tragedy Khadafi & Yukmouth)," we're met with a powerful verse from D.O.M. of DnD that attacks the speakers with authority while Tragedy Khadafi and Yukmouth round out the sides with massive features alongside KCREWW's heavy boom bap production. This might be one of our favorite tracks on the album, oozing with talent and confidence from every angle. On the seventh track, "7Eacup Grip (skit)," we're met with the album's first interlude, which sees D.O.M. of DnD confessing personal thoughts about why he seems to perceive things negatively. With melodic piano samples that rain down from above, this self-produced track concludes with D.O.M. of DnD realizing that his pessimistic inclination results from longing for what he doesn't have and not appreciating what's in front of him. In the album's eighth track, "PIN-UP L8DIES (ft. Pacewon & Grammashouse)," we're greeted with some powerhouse, experimental production from Grammashouse that sets a stellar groove. With a killer, cut-throat verse from Outsidaz member Pacewon, D.O.M of DnD picks up the baton and takes over with heated bars about his experiences with friends making fun of him. It's playful yet incredibly serious all in one. The speakers continue sparking with track number nine, "Phosphene 9as (ft. Inspectah Deck & Temper)," which starts off with a kickass verse from none other than Wu-Tang member Inspectah Deck. The song's lo-fi production paired with D.O.M. of DnD's introspective and personal bars make this song a treat for the ears, not to mention the impressive feature from a member of one of the most respected groups ever. Upping the energy is the album's tenth track, "MU1ONY (ft. C.Ray)," increasing the intensity and power with a fast-paced trap beat from the skilled production of KCREWW. Impressively, D.O.M. of DnD takes on a quicker, more complex flow while showcasing his hip-hop prowess alongside C. Ray's seriously catchy hook. If D.O.M. of DnD makes one thing clear: the grind never ends, and he's always looking for the next opportunity to level up. Landing on the album's second half with track eleven, "SHE11 SHOCK (ft. Bishop Lamont, Young Buck & Anno Domini Beats)," we instantly sink into a more profound, darker boom-bap atmosphere from producer Anno Domini. Bishop Lamont kicks off the track with power and emotion, and D.O.M. of DnD invites Young Buck from G-Unit to close the song with heavy-hitting bars that showcase his ability to come out superior in the face of adversity. Reaching the twelfth track, "AR-12 (ft. J.L., Krayzie Bone, Twista, Wrekonize, Wyshmaster & Anno Domini Beats)," we dive into a killer 5-minute collaboration. With a combination of Wyshmaster and Anno Domini's trap production, D.O.M. of DnD takes his first verse with a quick chopper-style flow alongside hip-hop veterans Twista, Krayzie Bone, Wrekonize, JL of B Hood, and Futuristic. It's a dynamic, engaging track that grabs our attention from the get-go. On track number thirteen, "13 Rules To A Gunfight (skit)," D.O.M. of DnD blesses us with the album's second interlude. With his own uplifting yet muffled production and samples of gunfights, D.O.M. of DnD dives into personal themes of how he's managed to not only maneuver his way through the rap game but stay on top of it. An ominous, dark edge adds a layer of intensity to the record. Heating the hip-hop scene is track number fourteen, "AR-14 (ft. Swifty McVay & Anno Domini Beats)," pounding through the speakers with a dark, orchestral boom-bap vibe from Anno Domini. At the same time, Swifty McVay scorches the scene with harsh, powerhouse bars that hold nothing back. D.O.M. of DnD's similar gritty verse is throwing punches left and right, keeping our heads bopping and toes tapping from top to bottom. Here's a feature we didn't expect. On track fifteen, "MEMO1RE5 (ft. Xzibit & Anno Domini Beats)," we're greeted with a thrilling, punchy verse from Xzibit. At the same time, the D.O.M. of DnD trades bars and offers a dynamic back-and-forth over Anno Domini's dark, orchestral production. With themes of navigating life's peaks and valleys and how they change us as people, this reflective and exhilarating track Another heated trap beat blasts through the speakers on track number sixteen, "T1GHT 6LOCK (ft. C. Ray & Bad Lucc)." KCREWW's dynamic and tight trap production leaves us hooked from the first beat. While D.O.M. of DnD kicks off the first verse, C. Ray's hypnotic hook leaves us singing his lyrics instantly, not to mention Bad Lucc's grimy verse that perfectly rounds out the track and leaves us nodding with stank face. In the album's seventeenth track, "CONFL1C7 OF INTEREST (ft. Conway the Machine, Temper & DJ Flippp)," we dive into smooth-sailing soulful production over sweet samples and drum breaks, courtesy of DJ Flippp, Temper, and D.O.M. of DnD. While Conway The Machine hits the speakers with a classic Griselda verse, D.O.M. of DnD expresses the many keyboard warriors and how no one wants to beef unless they're behind the keys. On track eighteen, "18+ ESTABLISHMENT (ft. Krizz Kaliko & Kato On The Track)," the groove continues with a more modern approach to hip-hop featuring killer production from Kato On The Track. While Constantine's catchy hook smokes the speakers, a rhythmic verse from Krizz Kaliko meets the ears while setting the scene perfectly. D.O.M. of DnD wastes no time jumping into themes of cars and broads, the finer things in life ;) Do you wanna make it to the top of the hip-hop game? Listen to track number nineteen, "EN19MA CODE (ft. KXNG Crooked & Anno Domini Beats)." Packed with motivational and uplifting chords thanks to Anno Domini's skilled production, KXNG Crooked tackles the first verse with inspirational words about navigating the tough hip-hop landscape. D.O.M. of DnD's similar approach details his come-up, the perseverance needed, and the critiques received along the way, perfectly encapsulating the competitive hip-hop space. Reaching the album's twentieth and final track, "G20 (ft. Young Buck & Anno Domini Beats)," D.O.M. of DnD ends the project on a high note with fiery production from Anno Domini that leads into Young Buck's tenacious verse detailing the perpetual grind no matter the circumstances. D.O.M. of DnD's catchy hook plays on the phrase "F*ck it we ball," reminding listeners that no matter what, he'll continue conquering the hip-hop scene if it's the last thing he'll do. It doesn't get much better than a genuinely diverse hip-hop album, and that's precisely what D.O.M. of DnD provides in his latest project, World D.O.Mination II. Packed with impressive features and D.O.M. of DnD's conceptual bars, it's not something any hip-hop lover should miss. Find World D.O.Mination II on all digital streaming platforms. Instagram Facebook

Music has been a potent force throughout human history, touching the depths of the soul, evoking emotions, and connecting people across cultures and beliefs. Its influence on spirituality is undeniable, transcending religious boundaries and uniting individuals in a shared journey of self-discovery and connection with the divine. This article will explore the profound and timeless relationship between music and spirituality. The Universal Language: Music is often called the universal language because it can communicate without words. Regardless of one's native tongue, music speaks to the human spirit on a primal level. It transcends the limitations of verbal communication, tapping into the emotions and thoughts that connect us all. This universal appeal makes music a powerful medium for spiritual expression, allowing individuals to explore their beliefs and experiences beyond linguistic barriers. The Healing Power of Sound: Throughout history, various cultures have recognized the therapeutic potential of music. From the ancient Greeks' use of the lyre in healing rituals to the modern practice of music therapy, sound has been acknowledged as a means of promoting physical, emotional, and spiritual well-being. The soothing melodies of specific instruments, such as Tibetan singing bowls or Native American flutes, have been associated with relaxation and alleviating stress and anxiety. For many, these calming qualities enable more profound meditation, prayer, and connection with the spiritual realm. Worship And Ritual: Music is central to facilitating worship and rituals in religious and spiritual contexts. Churches, synagogues, mosques, and temples worldwide utilize music to evoke a sense of holiness, transcendence, and unity among congregants. Gregorian chants, Hindu bhajans, Sufi qawwali, and Jewish klezmer music exemplify how different faiths employ music to elevate spiritual experiences. The rhythm, melody, and harmony of these songs guide the faithful towards a state of spiritual communion. Meditation And Mindfulness: Meditation and mindfulness practices often incorporate music to enhance the meditative experience. Music can be a powerful aid in achieving inner peace, clarity, and spiritual enlightenment, whether it's the soft sounds of nature, ambient compositions, or devotional chants. Music's harmonious vibrations and frequencies can help individuals focus their minds and transcend the noise of everyday life, allowing them to connect with their inner selves and, for some, the divine. Transcendence And Ecstasy: Music is a direct path to transcendence and ecstasy in some spiritual traditions. Shamanic rituals, ecstatic dance, and the mystical traditions of Sufism are known for using rhythmic and repetitive music to induce altered states of consciousness. The idea is that through music, participants can journey beyond the boundaries of their ego, experiencing a profound connection with the divine or the universe. Unity And Connection: In an increasingly divided world, music has the unique power to bring people together. Spiritual gatherings, festivals, and concerts often become sacred spaces where people of diverse backgrounds join in harmony. Music is a unifying force that transcends differences, allowing individuals to share a spiritual connection, regardless of their specific beliefs. The relationship between music and spirituality is profound and timeless. Music transcends language, fosters healing, and acts as a conduit for worship, meditation, and transcendence. In a world filled with division, it uniquely can unite individuals and facilitate a sense of spiritual connection. Whether in a sacred setting or a personal practice, music continues to be a source of inspiration and a powerful bridge to the realm of the spiritual. It reminds us that we may discover a glimpse of the divine in the harmonious melodies that resonate deep within us.

Welcome to Buzz, Proverbial Cool Aid! We're head over heels for your sophomore album, 2023. What inspired the core concept of this record, and what made you want to bring it to life? Hey guys. Thank you very much. I appreciate that. What inspired 2023? Well, so, after West LA came out, that group of guys broke up. The group of guys in the West LA video. That band broke up right after the song and the music video came out in August or September of 2022. Creative differences, I guess. I don't know. Let's call it indie musician creative differences. That group broke up, and right then and there, I decided to go forward and write another record. I had more material that I wanted to finish. I just was in writing mode. I had just written West LA. And I knew that I could do it. That I could write another record, I knew that I could compete with what was going on in Houston music. I went out, and I got a practice room, and I set up like a lawn chair or something in the room and my amp, and I just started writing in front of the microphone. Song by song. Pad and pen. After the songs finished, I'd go into Wire Road and record them. One by one. Song by song. I asked musician friends of mine to record on my tracks. I used session players. Whatever it took to bring my songs to life and fruition and to complete the record, I did it. I had a great producer and a great studio behind me, too. Wire Road and Josh Applebee. Josh and I went through the songs individually until the record was done. And finally, after a year of recording, in September of 2023, it was done. I dropped the record on Oct. 1st, 2023. I dropped the singles prior to releasing the record throughout the year. But, yeah, the record dropped Oct. 1st, 2023. And I just decided to call it 2023. And it did. It turned out fantastic. This first year has really been incredible. We must ask, what led to your 12-year hiatus, and what inspired you to come back by recording the track "West La" from 2023? So, I graduated from college in 2000. After graduation, I moved to Houston and recorded the first record. It was a mix of stuff, so I called it Proverbial Cool Aid. We recorded that first record in 2005 - 2009. It came out in 2010. And back then, PCA had another writer and another singer that joined us for the last few days of recording on that first record. But, he ended up leaving the band for two shows or something like that and us going out to play the record. He put together another band here in Houston and started playing the whole record live as his own. The record that I had just written 90% of and financed and walked through the system every step of the way. Man, that so put me off, I pulled the record down, and I gave up music and playing altogether. I went to work. I completely put music down. I worked for 12 years or something like that in the Houston oil and gas business. I was an analyst for these oil and gas companies here in Houston. An oil and gas analyst. Fast forward 12 years, at the tail end of COVID, I was a senior analyst at ExxonMobil. I got sick. I was in the hospital for a month and in rehab for months after that. I was ill. After six months or so, I had to forfeit my job. I couldn't get well in time. When I got better, that group of guys from the West LA video started playing together. The original PCA singer and I reconnected, and I picked the guitar back up. His dad had passed away, and I had been really sick, so I guess that kind of reconnected us. Anyway, we reconnected for a couple of songs. And he left the band again. But West LA was one of those songs. We had gone into the studio to record another song that weekend in July of 2022. We had some time left on the meter, so I went into Studio A at Wire Road and recorded the rhythm and the vocals for West LA simultaneously. I don't think the guys knew I had finished the song. I had only shown it to them once or twice in practice. Based on the drummer at the time saying, "Hey, that's kind of cool," I finished the song behind the scenes. The guys went in and recorded their parts on top of that scratch track. That's how West LA came to be. And, I'm telling you, everyone, that touched that song, nailed it, from the drums to the bass to the video. Everyone nailed it. But then, like I said, that group broke up, and I took the band forward and started writing. On a broader note, how has your band and sound evolved during that 12-year hiatus? What's changed since you took a break? Well, the band used to do more acoustic stuff. The old singer played an acoustic guitar. I did, too, back then on the first record. The first record was almost acoustic. But, it had a very rooty, un-produced sound. Once that first singer left, and I started doing all the writing and all the singing, the sound changed. With the new songs in 2023, as I dropped them, we started getting noticed and getting shows. The writing changed. The singing style changed. I'm a much smoother type of singer versus the kind of guttural singing that was on the first record. The instrumentation changed. An acoustic guitar became a Les Paul. With those changes and new material, I started getting some attention. Some good press. I was picking up some good shows. The collaboration with Vince B and JQ Musiq on 2023's "Sick & Pool Hall" is exceptional. How did this collaboration come about, and what was that process like? Yeah. That song turned out great. Vince, JQ and I had worked on a song a year or so ago called Champion. One of Vince's songs. It turned out well, so I asked Vince about getting on one of my tracks. I found a guitar riff that I liked, and I had Josh record it and send it to him. That main riff of "Sick & Pool Hall." He and JQ went to work on it. They sent me back the "Pool Hall" piece. I thought it was fantastic. I brought the band in and had them drop the drums and the bass. That's how that song came to be. That song did turn out fantastic. Tyson Sheath dropped the drums on it, and Glen Ackerman dropped the bass. Those two are fantastic musicians. We did that song live in the studio in 2 or 3 takes. At Wire Road in Studio A, 2 or 3 takes. Josh Applebee did a fantastic job with the production of that song—good low ends. "Sick" and "Sick & Pool Hall" both really turned out fantastic. In terms of the listener's experience, what did you want them to feel and take away from your album 2023? What was your goal in that regard? My goal? Well, my goal, first and foremost, was to write a good record. On my own. By myself. To write an excellent record. A full-bodied record like the first record. The first record had that too. Different genres. I think that, though, from a marketing standpoint, this record, like the last one, is hard to market. It's a county record, you know? With Houston Time. It's an American record with My Days. It's an alternative record with It Goes Sometimes. It's a rock record with West LA. It's got a little bit of everything. But it's hard to market from a label standpoint. But I wanted a well-rounded, full-bodied record like the first record was. But, yeah, Proverbial Cool Aid, as a band, and 2023, as a record, is tough to market. It's an excellent record. But hard to market. I'm ok with that. I finish what I want to finish. But, yeah, the record did turn out great. I'm proud of it. Read our review of 2023, here. Instagram Twitter

Navigating life's ups and downs is a rollercoaster. And singer-songwriter/Los Angeles-based actress Melanie Gillott is exploring those peaks and valleys in her dynamic 6-track debut EP, Unpredictable. While she's had the talent and grit all along, it wasn't until December 2022 that Melanie Gillott released her first single (co-written with Brian Donovan), "When Christmas Is With You," and that's when her love for songwriting ignited. Using it as an opportunity to connect with listeners, Melanie Gillott is on a mission to inspire, heal, and leave an impact that stands the test of time. Impressively, her debut EP has already made a mark. Unpredictable consists of 6 diverse songs that stem from the human experience. Melanie Gillott uses this project to reflect on her journey, and others too, while honoring the many emotions we'll all experience at one point or another. The new EP opens with the upbeat and pop-oriented introduction track, "No Love Around," bouncing through the speakers with heavy electric guitars and a vibrant pop feel. While Melanie Gillott tosses bitter memories of a past lover, her cut-the-sh*t attitude and honest lyrics grab our attention right off the bat. It's clear she's unimpressed, but, alas, she reminds herself that she's better off, even when there's "No Love Around." Taking it back to the "summer of '18," Melanie Gillott blesses our speakers with lush acoustic guitar picking and beautiful vocal melodies, reminiscing those warm summer nights by someone's side. As the song gradually expands with mid-tempo percussion and subtle pop production, Melanie Gillott confesses her deepest sorrows about the memories that linger in her head "like a broken melody," she softly sings. It's a truly relatable song that anyone can find a piece of themselves in. Upping the energy is the EP's third track, "Actor," opening with plucky background synths and Melanie Gillott's animated vocal performance. Her attitude, delivery, and vocals bring heaps of similarities to a Midnights Taylor Swift, blessing listeners with conceptual lyrics and pristine production that keeps our toes tapping. This brutally honest song discusses the facade of an ex-lover and their phony, actor-like ways. Thankfully, Melanie Gillott is holding nothing back. Reaching the EP's halfway point with the title track, "Unpredictable," we're met with a darker, mysterious vibe, atmospheric production, and Melanie Gillott's melodic vocals. While highlighting life's unpredictable ways, she reminds us not to look down and hold our ground with all we have. It's a refreshing, inspiring song that perfectly encapsulates the turbulent human experience while leaving listeners with hope for a better, brighter day. Onto track number five, "summer's in bloom," Melanie Gillott lifts us into an ethereal, feel-good space that feels like the first day of summer. With fluttery pop instrumentals and a mid-tempo groove, Melanie Gillott keeps the vibes high with stunning melodies that perfectly depict the theme of slowing down to stop and smell the roses. It's a beautiful reminder to chill out, do what makes you happy, and savor special moments while we still have the time. Landing on the EP's sixth and final track, "Everybody's Somebody," we're thrown into an upbeat pop atmosphere while Melanie Gillott honors the human race and our unique, individual journeys. The catchy melodies and earworm lyrics will leave you chanting this song with all your heart, and it's quite the pick-me-up to do so! This was an excellent outro to such a dynamic, engaging project, leaving listeners with a beautiful reminder to make the most of each day. If one thing's for sure, Melanie Gillott knows how to put on quite a show, and her engaging vocal performance on Unpredictable is no exception. Do yourself a favor and check out the new 6-track EP on all digital streaming platforms. Facebook

Suppose you've ever needed a musical pick-me-up or a reminder that you're a total badass. In that case, Melanie Gillott's "No Love Around" is your new anthem. The music maverick, straight out of the buzzing hub of Los Angeles, has dropped a sonic bombshell with her latest single, and if you thought you knew Melanie from her enchanting holiday hit "When Christmas Is With You," get ready to experience a whole new level of her artistry. Melanie's a force to be reckoned with – a singer, songwriter, actress, and all-around creative powerhouse. She's got the world at her feet, and she's not holding back. When she's not gracing the silver screen, she's tearing up the stage and making waves in the music industry. With "No Love Around," Melanie Gillott has unleashed a pop anthem that'll have you grooving and feeling invincible. Her vocals are like a siren's call, luring you into a whirlwind of emotions and empowerment. If you thought heartbreak could bring you down, Melanie will show you how to rise back up with style. This unapologetic declaration of self-worth and independence has Melanie showing off her newfound swagger, and she's here to snatch back the love she deserves. With every note, she exudes confidence and a bold attitude that's contagious as hell. "No Love Around" thrives in pop as a pump-up jam with catchy hooks and electrifying beats; it's a bold statement in a world that sometimes forgets the power of self-love. Melanie ensures her music is a shot of adrenaline and a reminder that you should never compromise your worth for love. Melanie Gillott's journey is about transformation and empowerment, and she invites you to join the ride. So, crank up the volume and let "No Love Around" be your soundtrack to self-discovery, resilience, and all the awesomeness you embody. Instagram Facebook

Los Angeles-based trio Selfish Ways shows us a thing or two about living the "Lit Life" in a new picturesque music video. Comprising South Carolina brothers Prince and King Riley, the vocalists have a very impressive track record, having shared stages with Yo Gotti, T.I., Waka Flocka Flame, 50 Cent, Gucci Mane, and many other rap legends. They've also collaborated with electronic duo Riggi and Piros while continuing to make their mark on the West Coast music scene. Now enlisting one of the architects of the current pan-Caribbean sound, producer MAAHEZ, for their new single, "Lit Life," the song itself highlights all three artists' vast creative abilities through feel-good Caribbean-inspired electronic production with a warm, melodic R&B edge that's impossible to ignore. Taking a look at the new music video for "Lit Life," directed by Castro Tarantino, the venture begins with Prince and Riley strolling Venice Beach with their ladies and taking in the lively West Coast scene. We love the vintage look of this music video, even though the entire experience offers this timeless take on living life to the fullest and experiencing all the wonderful things it has to offer. As the group meets up with producer MAAHEZ for a trip to 777 Sarbonne Road in Bel-Air, they make their way over to some of the most beautiful homes in California. When the sun begins to set, the crew keeps the vibe alive with some midnight dips, bonfires, and taking in the stunning scenery around them. Don't miss out on a glimpse of the "Lit Life" with Selfish Ways and MAAHEZ's new music video, now available to watch on YouTube. Welcome to BuzzMusic, Selfish Ways. We can't get enough of the many beautiful and engaging scenes in your new music video for "Lit Life." Why did you want to create the song in the first place? What inspired you? The inspiration came from having the freedom to travel and expressing ourselves in the purest form seeing people and things every day that reminded us that We are alive. It’s taking the time to reflect and be grateful for the present tense. Why did you want to create this beautiful and picturesque music video for "Lit Life?" How did that process begin? The process began when we woke up and said, Let’s create something on a higher vibratory frequency that can stimulate the heart chakra. We literally hit every part of California that vibrated with the record "Lit Life." Even hiked for an hour to capture breathtaking moments for the music video. The outcome was definitely rewarding. How did you want the "Lit Life" music video to impact the viewer? What did you want them to realize or take away? We aimed to create such an intimate vibe that the viewers can feel as if they are taking this journey with us. Wanted them to be impacted by just seeing the odyssey unfolding before their eyes while expanding their subconscious through every visual What was it like working with producer MAAHEZ, your female counterparts, and director Castro Tarantino for the "Lit Life" music video? What was that experience like? It’s always an amazing encounter and conversation when we link up with Maahez never gets old always got something new on the horizon. Working with both models Mariah Lopez & Monica Bay was very fun and professional. It was a very organic and natural flow. Castro did an excellent job of capturing the cinematic view of us being caught up in the moment of living life, making the music video authentic and real. What's next for you? What’s next for Selfish Ways is preparing for tours, shows, press events, and working on new singles & potential New Album for this Summer. We also currently started our clothing brand ROY*ELL*BLOOD be sure to purchase some new merch. If you’re new to Selfish Ways stick around for a while this is only the beginning. Instagram Twitter

Welcome to Buzz, FAUSTOE! We're deeply impressed with the depth of your recent album, 7Dayz 7Wayz. What inspired the album's name to begin with? What's its significance? I appreciate the feedback! "7Dayz 7Wayz" has always been a slogan I've used in my music over the years. Which then became the name of my clothing brand, representing the hustlers. 7Dayz in a week, 7Wayz to make a difference! That said, I had already envisioned the album being two sides, seven tracks on each. Connecting it back to the phrase's significance, it was only right to make it the official title for this album. We admired your many homages to Pink Floyd's Dark Side of the Moon in your new album, 7Dayz 7Wayz. What inspired you to draw so many parallels, and how has Pink Floyd influenced you as an artist? Considering "The Dark Side of the Moon" is one of the greatest albums ever made to this day, I felt this album would go down as a classic in my catalog. The details and seamless flow of tracks I've curated together give you a cinematic feeling if played without skips or shuffling. I wanted to incorporate something similar yet from a completely different genre to show listeners something they can relate to from all ages & cultures. Pink Floyd's sound & different styles have always influenced me since before my teen years! The psychedelic aspect of it all and storytelling with just instruments has always been something that has hit home to me. It was easy to incorporate and pay homage correctly, mixing styles and "Easter eggs" all over this album! We noticed you self-produced the interlude "Impatience" and the outro on "7Gramz." What was that experience like? Might you dabble in more self-produced works in the future? These beats are the very first beats I have ever produced! I first purchased a MiDi controller at the beginning of the year and started dabbling with different sounds, just having fun with it at first. You can expect to hear more production done by me, A.K.A "Mr.MojoRisin." Who produced the majority of your album, 7Dayz 7Wayz? Did you have different producers for the album's first and second half? Yes, it was a mix of 6 different producers, not including myself. One who stood out the most was WRONA, who produced several tracks on both Side 1 & 2 from Poland! His style is like mine, where we can be versatile with different sounds and execute them properly. On Side 2, AWSMEJ also produced about three out of the seven, as well as local 818 producer A BAD MAN coming in hot with "Great Gig in the Valley" and the psychedelic outro concluding the album! On a broader note, 7Dayz 7Wayz was a breath of fresh air. How do you maintain this authentic sound in an industry submersed in the mainstream? Over the years, you see which music is timeless and what has an expiration date. What's made quick without effort or substance will only last for a while! It has always been natural for me to stick to the originality of my sound, being influenced by the greats who never sold out or switched up for the masses. I continue to see progression in my lane and those around me who dabble in the same field, so it's for sure I don't plan on selling out for nothing! Instagram

Sometimes, we forget that the people we care about are just a call away. Throughout his dynamic career, Edmonton-based artist Doller has always been surrounded by music. The son of roots reggae singer Kush Tafari and nephew of Jamaican rapper Flash, Doller’s lineage always provided him with a strong link to the arts. He’s owned this rich heritage, channeling his upbringing and a natural sense for music and making it his mission to awe every crowd he comes across. With a rare poise and versatility that sees him float from genre to genre seemingly effortlessly, there’s no doubt that this talented artist is one to keep an eye on in the future. Over the course of his career, Doller has received cosigns from multiple highly respected figures in the music scene, such as Tion Wayne, Charlie Sloth, Wiley, and Ghetts, among others. It comes as no surprise that his releases have been well-received by his peers and audiences alike; the effort and pure passion that underline his releases give them an energy that is at times intense but always appealing. Having started his journey as a grime MC at the tender age of 16, there’s no doubt that Doller has well and truly come into his own as an artist, and with his skills, the sky is truly the limit. Doller’s latest release, “Call Me,” is one of those rare tracks that effortlessly fits into the category of “music that simply makes you feel good.” On this offering, Doller manages to fuse garage, trap-dancehall, and trap-soul to great effect. With garage-inspired instrumentals creating an atmospheric ambiance that leaves your head in the clouds, Doller has crafted what feels like an instant classic. Doller intertwines bars like “I’m the last one that connects, make you smile when you vex” with the mellow yet groovy instrumental background to great effect, and it’s fair to say that on “Call Me,” he’s once again knocked it out of the park. Doller’s release “Call Me” is a charming and entertaining example of the marvelous things possible when you combine softer styles like a garage with grime. Instagram

Picture this: lush guitar riffs that hit you like a freight train, a hypnotic rhythm that grabs you by the collar, and vocals as raspy and intriguing as a midnight secret. This is the world of lye. ll's latest single," 'river of love (ft. Carmen Vandenberg)." You're instantly transported into nostalgia and emotion when you press play. It's a hit record that doesn't just tickle your eardrums; it shakes your soul. But who is the mastermind behind the sonic sorcery? Meet Lyell Evans Roeder, the man who goes by lye.ll. He's not your typical artist; he's a triple threat—artist, producer, and composer. And he's gearing up to drop 'RED LETTER DAYS,' his upcoming album, which kicks off with this gem. As you sink into the music, you can't help but notice the layers of production that add texture and set fire to the sonic landscape. It's a symphony of harmonies and reverberations, a rich concoction of sound that'll have you hooked from the first note. And then there's Carmen Vandenberg, the Grammy-nominated magician on lead guitar. Her strings weave in and out, adding a punch and spark to the track. It's not a mere feature; it's a spotlight that shines brightly, showcasing the true rock 'n' roll spirit. This isn't lye. ll's first rodeo. He gained recognition through his duo, Tigers Are Bad For Horses, sharing stages with acts like SHAED, Cautious Clay, MisterWives, and many more. He's worked with a diverse range of artists as a producer, and "river of love" is just one more feather in his cap. But the journey continues. 'RED LETTER DAYS' is on the horizon, and it promises more mind-bending music." 'no more fights" is the next single set to drop on December 1st, and it's bound to make an impression that's out of this world. In the grand scheme of things, lye.ll is crafting experiences. "'river of love (ft. Carmen Vandenberg)" is a journey you embark on, a wild ride through a world of sound and emotion. So find your way to the volume button and turn it up as you let the rhythm take control and get lost in the hypnotic world of lye.ll. Instagram