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Jkev Music is a producer, rapper, singer, and a classically trained pianist and violinist. With such a wide variety of skills, Jkev allows his talent to shine through his music. With lyrics that take you away to a new place, we are drawn in by this artist's lush vocals and his ability to translate emotion through the depth behind his production. His new song, "The Weekend," touches on what it's like to be caught in a routine and wants to break free from it. This is just one example of this artist's ability to relate his music to mass amounts of people. Jkev Music creates from the ground up. Catchy yet straightforward lyrics come easily to this artist. Layer by layer, Jkev Music finds a way to communicate his inner thoughts and struggles through his songs. His style comes from a mixture of genres, bringing us the best of each of his influences. With this versatility, his music has now has reached a total of 200k streams. JkevMusic's songs are something we can all relate to right now, and his new single, "The Weekend," has us anxiously waiting for his next release. You can listen to "The Weekend" here. Welcome to BuzzMusic! We’re moved by your heartfelt approach to writing on your latest single “The Weekend”. Could you share what themes you wanted to stand out on “The Weekend”? Hey happy to be back! My approach to "The Weekend" was to touch the subject of moving on. Life moves on and we do as well, but a lot of times we want to move on and change, but we keep going back to old habits on the weekend. Two steps forward two steps back. We love Jkev Music’s ability to go back and forth from perplexing flow to sweet-sounding vocals on your single “The Weekend.” Could you expand how Jkev Music goes about creating a song structure or is your creative process a little different? I approach a song with a simple melody. From that simple melody I am able to construct a song layer by layer. When Jkev Music says “staying home is something I’m used to”, were these lyrics written before the world’s current events? Or did the news serve as the main inspiration for writing “The Weekend”? Those lyrics were written before the pandemic. Although it does create a good representation of my life with or without the lockdown. Now that Jkev Music is beginning to make waves across the R&B/Hip hop industry, is there anything you’d like to share with our readers about who you are and what Jkev Music wants to represent as an artist? I have experimented with a lot of genres from hip-hop, alternative, EDM, pop, the list goes on, but R&B is a genre that really speaks to me. I want to continue experimenting with other styles, but I definitely want to see myself as an R&B artist. What can we expect to see from you throughout 2020? This year I will continue to create music and hopefully release a second album by Christmas. Instagram

From Calgary Alberta, Jkev Music is back on BuzzMusic releasing his latest sweet-sounding single “The Weekend”. Finding his own style within a mix of genres, Jkev Music has recently surpassed a total of 200k streams by intriguing in a broad and diverse fanbase. Not to mention that he’s also a producer, rapper, singer and classically trained on the piano and violin. Jkev Music’s latest mellow R&B track “The Weekend” brings forward introspective bars and lyricism that take us through a journey into Jkev Music’s inner monologue. While his soft vocals serenade us bringing an incredibly vast heartfelt aspect to “The Weekend”. Opening with soft piano chords and moving into the initial R&B/Hip hop downbeat establishing the vibe of “The Weekend”, while Jkev Music’s lush vocals give us a slice of sorrow that we can all relate to and understand. Singing lyrics of routine and wanting to break loose from what’s holding us back from our deepest desires, Jkev Music begins to move from singing to thorough and effective rapping which adds layered depth to “The Weekend” and Jkev Music’s well-rounded versatility. Through down-tempo production with haunting piano chords that bring in a reflective R&B piece, Jkev Music’s “The Weekend” serves us something we can relate to during these unnerving days. Listen to "The Weekend" here. Instagram

From the famously sensational, fast-paced city core of Boston, MA, Lucid Lynx came from an unlikely meeting of four college students with an appreciation for languid, atmospheric jams. This psychedelic foursome is made up of band members: Billy Paulsen, Demitri Katsanevas, Charlie Cassells, and Noah Dail. The group's commonality in appreciation of the 60s and 70s progressive rock, including Jimi Hendrix, Led Zeppelin, and Pink Floyd, has fueled the band's sound full of modern psych-pop hooks, vibrant guitar riffs, unleashing drums, signature groovy bass lines, and catchy melodies. Their love of taking to the road and showcasing their prominent sound has continuously impressed audiences across the US, even sharing the stage with the likes of The Brian Jonestown Massacre, Dead Meadow, and Psychedelic Porn Crumpets. Working with good friend and producer Dennis MacKay (Bowie, Phil Collins, Jeff Beck), has enabled Lucid Lynx to experiment on various production elements including synthesizers, percussion instruments, and even an electric sitar. Lucid Lynx's continual experimentation with instrumentation makes them one of the 2020s most transcending artists to follow this year. Listen to “Open Earth” here. Welcome to BuzzMusic Lucid Lynx! Can you tell us more about the lyrics of “Open Earth”? "Open Earth" is a tribute to Mother Earth and also kind of a look at how we as people have a connection with Nature. It all stems from an urge to find some kind of meaning and fulfillment in our lives and for a lot of people they find that meaning through Nature and the circle of life. It's kind of like if you took the message and themes from the Lion King and made it into a song haha.  You told us that you have been inspired by classic artists including Led Zeppelin, Jimi Hendrix, and Pink Floyd. How have these bands influenced your music style? Something that we all instantly related to when we first started as a band was our love for the '60s & '70s psychedelic and progressive rock. We all grew up listening to Zeppelin, Floyd, Hendrix, and The Doors, and that still has an influence on what we listen to now, although there's also a lot of other really cool stuff coming out today as well. But a lot of our favorite music tends to be 10+ minute psych-tinged epics and that comes up a lot when we write our songs. We actually almost always find ourselves accidentally writing songs that are at least 5 minutes long and at times have to challenge ourselves to make something shorter like our last single "Nothing to Find." Overall though it's just the kind of music we grew up with so I think that it naturally comes out in the songs we write, like the trippy & atmospheric sounds that come from Floyd and the Doors mixed with the heavier stuff from Zeppelin and Hendrix.  You told us that you enjoy the experimental process of producing your music. Can you tell us about the creative process of “Open Earth”? That song was an especially fun process, the main riff was written on a Rogue electric sitar which right away felt like it was something that came from a '60s flower power band only with our own messed up proggy twist of an alternating 6/4 to 5/4 time signature. We recorded the majority of it at Mad Oak Studios in Allston, MA and the resources and gear available there were just fantastic. The song is all about Nature so obviously we wanted to make it very organic sounding. We added 12-string acoustic guitar to give it a little bit of a folksy Byrds tone and then Benny, head engineer at Mad Oak, let us use a Fulltone tape echo to just noodle around on the sitar and let it oscillate making all the trippy noises you hear at the end. A real exciting part for us was getting to use a vintage Mellotron from the '60s that was at the studio to get the flute sounds that are in the verses. As soon as we got that in there it was impossible to imagine the song without it, it felt like we were producing Stairway to Heaven or Strawberry Fields or something. Our producer, Dennis MacKay, initially had the idea of adding tablas to give it more of the raga feel but we, unfortunately, couldn't get a hold of any. Instead, we opted for some bongos that we picked up last minute down the street at a store called "Mr. Music." Can you tell us how you communicate and collaborate as a band in order to make the most of each of your talents individually? It usually starts with a vibe that I'm (Billy-Guitars/Vox) trying to capture with a chord progression, riff, melody, etc. and that gets brought in to the band and evolves from there. Charlie (Drums) has also started a few ideas with some grooves, but generally, we all get a sense of a certain mood that we wanna evoke and try to put in our own individual flares from there. Charlie's parts can either be spacious and have a lot of room for tasteful fills or can be totally tight and complex, but they almost always sound huge and bombastic. Dimitri (Bass/Vox) usually locks into whatever Charlie's doing and comes up with basslines with tons of effects on them that can loop forever and remain totally hypnotic. Then Geddy (Guitars/Vox) and I kind of vibe off each other on guitar with one of our parts being complementary to the other, along with the occasional lead harmony. It's all kinda just different bits of our personalities that get stirred in together to make the sound that we have now. It never really feels like any of us individually are trying to show off, but rather all of us are trying to challenge and push ourselves collectively as a unit.  What can we expect to see from you throughout 2020? We've got more new music that's coming very soon and a new album that'll be coming later in the year. We were in the midst of finishing up the final touches for recording the album before mixing but then the COVID pandemic completely pushed those plans back. So now we're just working on a new schedule with all of us getting relocated to our respective hometowns across the country and having to do the last bits of recording ourselves. But we've got a few songs that are finishing up the mixing process including another new single that we'll be announcing probably within the next month. We were also hoping to plan another tour in support of the album but we'll have to wait and see how it all pans out with the pandemic. As for confirmed shows, we have two that were postponed, one at a festival called SoCal Psycheout that's supposed to happen in September now, and one in December with the bands Elder and Bask. So hopefully by then, the world is a little bit more at ease and we can go back to doing what we love. Instagram

The budding band Lucid Lynx formed in the urban scenes of Boston when four college students bonded over their preference for laid back, atmospheric music. The band draws from legendary groups such as Pink Floyd and Led Zeppelin for traditional psychedelic rock inspiration. Lucid Lynx aims to bring their own ‘trance-inducing’ flavors to the progressive psychedelia world. With their new single “Open Earth,” Lucid Lynx creates sparks and serenity all in one package. A single riff of an electric guitar will invite you into the open arms of Lucid Lynx’s new release, “Open Earth.” The instrumental turns into a classic melody of psychedelic rock made up of guitars and drums. They sing with soft, unhurried voices that seem to echo throughout the whole song. With both the instrumentals and vocals of “Open Earth,” Lucid Lynx create a comfortable melancholic atmosphere. The song will make the listener feel as though they are in the middle of a daydream. The lyrics of “Open Earth” are a poetic painting of our Earth; they highlight its beauty throughout the song. With “Open Earth,” Lucid Lynx brings back the best of traditional psychedelic rock, all while introducing their personality to the game. Listen to "Open Earth" here. Facebook Instagram

Stoopid Swagg OG (Okye Glaze) was born and raised around the raw and soulful music of Memphis, Tennessee, and now resides in California. His music journey began during the 2009 mixtape era and has evolved into his current style and flow. Having joined forces with esteemed artists such as Bricksquad and Starlight PR, Stoopid Swagg OG demonstrates a commitment to narrating his personal experiences and hardships through the universal language of music. His 2021 single, "Don’t Blame Me," has been steadily ascending in popularity, which is hardly surprising given OG’s compelling lyrics and flow. "Don't Blame Me" showcases his best work; its laid-back, hypnotic beat and signature gritty vocals create an effortless, dynamic sound. Its warm melodies are complemented by a low, muffled bass and hypnotic hats, creating a captivating auditory experience. The lyrics share an unabashedly raw narrative, looking into Stoopid Swagg OG's world - a celebration of lust, desire, and passion. In the lyric, "I could change your life, baby just in one night, ain’t got to think twice you tryna be my girl," he promises to provide a thrilling, life-changing encounter. It reflects OG's confidence and fits well with the carefree aura of "Don’t Blame Me." This track invites listeners to indulge in their fantasies and unapologetically embrace intimacy. Stoopid Swagg OG’s authentic sound is undeniable; ultimately, his music speaks for itself. Welcome to BuzzMusic Stoopid Swagg OG, and congratulations on your latest release, "Don't blame me." What’s the story behind your artist moniker, Stoopid Swagg OG? The story behind Stoopid goes back to young Okye Glaze when I first started rapping. My initials are Okye Glaze, so I ain’t have to come up with a rap name, you feel me, but as I got older, I realized I couldn’t be called young anymore, so from growing up Memphis, my folk (Mane Lil Ant, Crazy Chris, and Mac 6) mane learning the game, learning to be a playa and I I always dressed fly you feel me. A hustler gotta look like a hustler, right? So I keep my swag up to par. It was standard. I grew up during the 3/6 mafia, Cash Money, Playa Fly, and old Do Or Die music era, so Pat and Juvenile were my influences. So after you add all that up, it equals StoopidSwagg Okye Glaze. Don’t blame my partner in Omaha. Shout out to Jason Jones for the beat, and I had some other stuff written to it, but frfr I wasn’t feeling what I had because of the beat mane. I listened to the beat 1000 times, and then boom, I’m listening to it one day, and I’m like, I'm going to make this my first song for the women. Like my trap Your single, "Don't Blame Me," has continuously gained traction. What was your process when creating this track? Did you start with the lyrics or the beat? Rap music is frfr real talk, but man, that rnb rap side though we go there, you feel me my homeboy told me while we were doing a song with Jason as he making the beat bro told me, okay what your perfect woman? And bro was like, be creative you feel me like all the way race looks style I mean from her eyes to the perfumes she wears you feel me so it like she British (that’s my weakness ) like a light brown and blah blah blah so don’t blame me is of that nature, but there is the chorus, but it’s writing. It’s like beautiful daydreaming about what’s going on in the song like we are on a walk or in a car going on an everlasting date with all the perks and exclusives. I want people to hear me out. I gotta a different style. I don’t sound like everybody else. I want to make a statement in the industry, you know, like Nike, when they drop a new pair of Air Force ones, you dig? The flow, the style, what I say, and keep that momentum and create that lane for okye glaze. The final goal is to believe you can make it. Don’t stop; don’t give up regardless of what’s happening. That’s what I want the world to understand through my music. How do you hope your music influences your listeners? Is there a specific message you hope to convey? My fans and supporters, I mean the whole world, but creativity and facts in these songs are just being. I stand by what I say. The word is bond so real musical artistry none of that what hit wonder this is infinite we are gone be labelled a great by the time I’m done. Instagram Twitter

After Hour Animals, an alternative/post-hardcore band from Milwaukee, Wisconsin, was formed in 2020 by Nik Voyn and Armon Hassan. Since their inception, they have evolved their unique sound by drawing inspiration from influential groups such as Bad Omens, Dayseeker, and Bring Me The Horizon. Their recent hit single "Dangerous" wonderfully showcases their distinctive style, which has amassed over a quarter million streams in six months. Nik Voyn, the lead vocalist, articulates the group’s aspiration: "We all feel vulnerable & lost sometimes. After Hour Animals is just aiming to embrace it." The band’s newest song, "What I Wanted," perfectly represents what After Hour Animals is all about. Diving into themes of loss, sorrow, and self-reflection, "What I Wanted" explores the stages of grief. The song commences with a tranquil melody, casting an immersive ambiance throughout the intro, soon joined by the gentle cadence of vocals and a simple drum pattern. The instrumentation swells during the chorus shortly thereafter, evolving into a powerful rock number. The track fluctuates between laid-back harmonies and intense vocal surges, reflecting the erratic emotions one may experience through hardship. The "What I Wanted" music video perfectly complements the song's essence. Cool blue hues color a sequence of vacant spaces to create an alluring yet uncertain ambiance, forging a connection between the visual aesthetics and the song's underlying theme. The video shifts to a montage of the band members' silhouettes, evoking feelings of darkness, ambiguity, and solitude. Through their music and visual art, After Hour Animals displays an unapologetic embrace of the wild side by exploring all aspects of the human experience and finding beauty in imperfection. Dive into "What I Wanted" today, available on all streaming platforms. Welcome to BuzzMusic After Hour Animals, and congratulations on your latest release, "What I Wanted." Can you walk us through creating “What I Wanted?" So it’s funny how this song came about. We were searching through our folder of demo tracks, thinking about which we wanted to use, and stumbled across one we were interested in pursuing further. As we were writing, however, the song took a drastic turn (which it often does) and quickly went from a fast song full of energy to a slower, emotional ballad. We focused on making something highly repetitive to drive home the meaning behind the song, which is that you have to own up to your mistakes in life and take accountability for them. Though it doesn’t outright say it, to let the listener relate to it however they see fit, the song is about how substance abuse can change you and make you unbearable to even the people that love you most. Sometimes a person leaving can be the best they could ever do for you. What have been the greatest influences on your music? Well, when talking bands, it probably has to be Dayseeker, The Plot In You, and Sleep Token. Their music is very much their own, which we respect, and is very lyrically driven and properly orchestrated to bring their central themes to life. Like those bands, though, we try to use our shortcomings as human beings to inspire our songs to help us learn from our mistakes and cope. How has your music evolved since your group’s inception? We’ve always tried to make our music catchy but also experimental in delivering sound by smoothly crossing genres. I think this sound we have been chasing is finally coming to fruition after years of maturing and hard work. In what ways do you hope your music will impact listeners? I hope that listeners can take away something positive or impactful in some way to help them deal with whatever it is that is going on in their lives, even if that’s something as simple as listening to our songs, letting loose, and forgetting about life's problems for a short time. We all need that time to breathe. Looking to the future, what are your aspirations for After Hour Animals? We hope to take this project as far as we possibly can. We have no plans of stopping and don’t ever want to put a limit on what After Hour Animals is capable of accomplishing. Instagram Facebook

The Nashville outfit is poised and ready to make a difference with their music. In a society, increasingly obsessed with the shallow and the bland, Nashville-based Boys Club for Girls fearlessly ventures into uncharted territory, confronting the dark underbelly of addiction and its devastating impact on the human psyche. Made up of the enchanting powerhouse singer-songwriters Amie Miriello and Vanessa Olivarez, this dynamic duo fearlessly dives headfirst into the abyss of addiction, mental health, and other issues, unafraid to shed light on the painful realities of those consumed by their vices. Although they may be relatively new to the music scene, Boys Club for Girls’ sound belies the ability of veteran musicians. Drawing from influences like the brilliant Tori Amos, Fleetwood Mac, and Joni Mitchell (among others), the duo uses their considerable musical ability and versatility to create lush soundscapes that envelop the listener while they serenade you. They’ve demonstrated a remarkable ability to create expansive worlds and draw listeners into them, making their music a one-of-a-kind experience that should not be missed. Their latest single, “5 O’Clock Shadow”, is at the heart of their rapidly expanding repertoire. Delving into the depths of drug and alcohol addiction, the track unflinchingly examines its toll on the body and mind, entangling individuals in a web of depression and anxiety. The accompanying video sees real people step forward one by one, bearing stark confessions scribbled on chalkboards. When those visuals are combined with powerful lyrics like “Hold together everything I gotta hold / But I fall whenever I’m alone” and “Taking me down to the dark side of town, back to blue / Oh, that’s my 5 o'clock shadow”, they not only bring attention to the significant issues of vice but start to remove the stigma around it, acknowledging the fact that it’s okay to seek help. The video for “5 O’Clock Shadow” also aims to raise funds for Fund Recovery, a Nashville nonprofit dedicated to bridging the gap between struggling individuals and their path to mental health recovery. Prepare to be spellbound as the resplendent voices of Amie Miriello and Vanessa Olivarez sweep you away. Whenever you’re ready to both be enlightened and be put under their spell, tap in and stream Boys Club for Girls’ “5 O’Clock Shadow”, available now on all major streaming platforms. Welcome to BuzzMusic, Boys Club For Girls! We loved “5 O’Clock Shadow”, what a powerful piece of music! We had to ask, what inspired you to make this song? Why did you make the decision to address these kinds of issues? Vanessa Olivarez: Amie and I have struggled with various depression and anxiety issues ourselves. I feel that, as an artist, it’s important to use the opportunity to reach others through various platforms as often as possible, to try to make some kind of real impact on the world. We wanted to be open about our own issues publicly to let people know that we are a safe space for all. No one is alone. Amie Miriello: We also both know people close to us whose families have been destroyed because of addiction. We care so deeply about this topic and always try to be as honest and raw as we possibly can be in our songs. We absolutely love your band name as well! What’s the story behind your name, and on another note, what was your favourite part about seeing the vision for your music video come to life? Amie: I'll let Vanessa tell the band name story. (laughs) Vanessa: Originally, we had decided on only going by the name Boys Club. The Instagram handle was already taken, though, so we were forced to find another and we settled on Boys Club For Girls. Our debut show as a band was at a beloved venue in town called the Basement, owned by Mike Grimes. Grimey put “Boys Club For Girls” on the marquee and refused to call us anything else from there on out because he loved the name so much. So we kept it! The concept for the video was something I brainstormed, but never thought we could make happen. So I was so thrilled when I began to see our vision come to life. Amie has a close relative in the sober community, and with his help and the help of our directors, Josh and Keturah Bishop, we were able to involve people with authentic experiences in battling this disease. It was so moving, their willingness to share. Amie: Yeah, my favorite part about the making of the video was absolutely hanging and talking to all the beautiful and brave people who got involved and told their stories. It was really amazing. Do the two of you have a favourite musical memory together? Vanessa: Personally, I would say the first day we got together. It was like lightning in a bottle—I’ve never experienced anything like it. Singing with Amie immediately felt like blood harmony. It was like a sign from the universe that I was in the right place at the right moment at the right time. We wrote “Romance Is Dead” in 30 minutes. Amie: The spirit of the song literally comes right through us and we both feel like vessels. It's truly a beautiful experience. You recently released your self-titled debut album! How would you describe your sound to someone who hasn’t heard your music before and do you have any favourites from the album you especially want fans to hear? Vanessa: We like to call it “Americana Dream Pop.” It’s a cross between the classic rock bands of the ‘70s and the sparkling creativity of our favorite bands of the ‘90s. New but old. Shiny with patina. I think the song “Tell Me I’m the Only One” really defines our sound as a band. I also love “Past Life.” Amie: I'd describe us as the ‘90s Lilith Fair raw angst with ‘70s Laurel Canyon dreamy vibes. I like “Tell Me,” too, and also “Bad Luck Baby” and “Not Just Yet.” What’s next for Boys Club For Girls? Do you have anything you want to say to your fans? Vanessa: Currently, we are in the process of figuring out our next record. Personally, I believe it’s going to be even better than the first. We have been writing a ton with our band recently, and it has really elevated the songs in a way I couldn’t have imagined. Amie: More music, more shows. And more ways to connect with our audience. We definitely have a few tricks up our sleeves for the summer and fall. We’d like to say to our fans, “Welcome to the club, we’re so happy you’re here!” Instagram Twitter

Sonic Scene Kids is an eclectic group of artists who have been individually contributing to the Toronto music scene for almost two decades. Coming together five months ago, they embody the Punk, Metal, Indie, Ska, and Rock influences from their local music communities that have nurtured their artistry. Their sound is a call-back to those who enjoy replaying old CD mixes whilst catering to those who crave new renditions of the familiar. The Sonic Scene Kids — comprising Kyle Mallouk, Austin Davidson, Chris Hadzipetros, and Peter Ward — write, produce, and perform their original hits. They aim to connect people and communities through music, which they accomplish in their latest album, "Live, Laugh, Toaster Bath." "Live, Laugh, Toaster Bath" exhibits the band's characteristic blend of hypnotic guitar riffs, upbeat drums, rich vocals, and captivating melodies. The first track, "Less Than Human," provides commentary on identity and self-perception with the lyrics, “There's something wrong with my mirror's reflection" and "I've got you under my skin, but I'm a little bit less than a human, darling." These lines shed light on the protagonist's struggle with self-perception. The song's nostalgic sound complements its introspective lyrics, rendering it a powerful introduction to their album. Simultaneously, it communicates a universal message about human vulnerability and the enduring struggle for self-acceptance. The second track, "Snake Bit," embarks on a journey to explore the harsh realities of life and conformity. The line, "My mind has been branded a prison," emphasizes the self-destructive patterns that can lock us into cycles of despair. This song gives listeners a deeper understanding of the struggles tied to the human experience, presented through a hypnotic symphony of sound. "Hideaways" candidly presents the idea of emotional concealment and the gruelling cycle of toxic relationships. The song starts with the lyric, "You’re always hiding something,” which depicts someone running from reality. It encourages listeners to face their problems head-on rather than seek refuge in 'hideaways.' In the album's finale, "Heaven," the group addresses substance abuse. The melody's dreamlike quality amplifies the feelings of longing and loss, creating an ethereal canvas for the lyrics’ painful realities. This song ties the album together by summarizing its overall message: exploring human vulnerabilities, self-destruction, and the quest for salvation. Throughout “Live, Laugh, Toaster Bath,” Sonic Scene Kids captivate their listeners with mesmerizing music and foster connection through shared experiences and emotions. Welcome to BuzzMusic Sonic Scene Kids, and congratulations on your latest release, "Live, Laugh, Toaster Bath." Can you share the story behind the name "Sonic Scene Kids?" The name took a long time to decide on. We wanted to come up with something catchy and memorable but that represents what we are trying to accomplish musically. We went back and forth between the four of us for weeks until we started to circle some common themes. The Masonic Lodge in Mississauga (specifically, Streestville) in the early 2000s was where we connected with our scene and watched some of our favorite bands. Some bands who played shows there during that time went on to have big followings (such as Billy Talent, Alexisonfire, and Bedouin Soundclash), while others remained local favorites. Still, all those bands have had a major influence on us as artists. One of us finally threw out the name “Sonic Scene Kids.” It felt like the connection between the three major themes came together: the physical “Sonic” referring to the Masonic Lodge where we came together, “Scene” referring to the community of artists across the punk, ska, emo, power pop, and metal genres whose shows we attended and “Kids” because of the nostalgic early 2000’s vibe our music has brought us back to that time, and we hope it does the same for those listening. What were the biggest influences that shaped your group’s distinctive musical style? All of us spent our early years deeply involved in our local music scene, which included fans and artists from the Emo, Punk, Ska, Rock, Indie, and Metal genres. Most of our influences for the album came from early 2000s pop punk, punk, metal, and emo, but our influences span multiple genres and decades. We didn’t want to prescribe one particular sound when we approached the project. We have not restricted ourselves to a specific genre and have always wanted to stay true to expressing our feelings and experiences. The four of us have eclectic tastes in music. Because of that, we do a good job of balancing searching for new artists and sounds to connect with while always leaning back on the ones that stood the test of time. How does the title "Live, Laugh, Toaster Bath" reflect the album's spirit? The title is a funny way of looking at how hard life can be. When you reflect on the lyrics of the songs, it also fits that theme of not taking life too seriously. Just be a good human: live your life, do your best, and say “fuck it” to the rest! What themes or messages do you hope listeners pick up from "Live, Laugh, Toaster Bath?" Well, many people are feeling nostalgic these days, especially when it comes to music. Throughout the process, it has been important to ensure the songs represent who we were when we started writing and who we are today as artists. We consciously included nods to some of our previous projects when writing the album. When attending shows in the early 2000s, we would refer to our community as the “Scene.” The Scene was a collective of shows where you built lifelong relationships and memories. Our venues typically had a capacity of 100-200 and were a place to escape, thrive, and be a part of something bigger than yourself. This album is a living, breathing reminder of the scenes that supported and nurtured our personal and musical growth. We feel the world could use more of that shared connection, especially now. Our album hopefully provides a safe place for people to sing, dance, laugh, smile, or cry – whatever they need. What's next for Sonic Scene Kids? We want to play live. We have a great lineup with incredible chemistry and are having so much fun right now. We are pushing out the whole album very soon and getting ready to start playing live shows again. Everyone in the band is pumped to play the music we wrote for crowds again. There is no better feeling than communicating how you are feeling through music. A big focus for us has been bringing that Scene back together. As we start sharing and performing, we also try to connect and engage with those in the space who share our mission. We are committed to bringing this idea of community around music to life for those who lived it before and those looking for a safe place to hear awesome music and meet good people. Instagram

The Zurich-based musician provides some fresh new perspective on our tendency to advance ourselves without considering those around us. In a society where self-absorption is often celebrated, it often takes an outsider to shed light on the corrosive effects of radical individualism. Hailing from Zurich, Switzerland, singer, songwriter, and observer MattO has decided to step up to the plate. In his latest single, “It’s All About Me,” he affectionately examines America’s pursuit of personal interest, skillfully satirizing the overzealous grinder who prioritizes personal goals at the expense of community and compassion. MattO's portrait of this relentless character is witty, compassionate, and, most importantly, free from malice or contempt. MattO's love for America and its people is evident throughout his music, as he tackles themes of racism, social division, inequality, and the inherent selfishness that permeates the human condition. Although “It’s All About Me” excels in several areas, MattO truly shines through his storytelling and songwriting, which he uses to paint vivid pictures and imagery that are sure to strike the hearts of listeners everywhere. “It's All About Me” showcases MattO's reflective and soulful vocals, laden with the weight of hard-earned experience. The instrumental performance builds up, seemingly marching towards a future you can see but can’t quite grasp, led by a hypnotizing strumming of guitars. MattO drops lyrics like “Don’t count on me, to give you more” and “I want it all, I don’t care if the world’s gonna fall” in a vocal performance that melds perfectly with the instrumentals, making for a hauntingly beautiful performance. MattO's “It's All About Me” urges us to reflect on our all-encompassing pursuit of self and instead reminds us to pay attention to our loved ones just as much. With his witty ability to think outside the box and provide some perspective, MattO’s “It’s All About Me” will surely leave a powerful impression on listeners everywhere. When you’re ready, tap in and stream “It’s All About Me,” available everywhere. Welcome to BuzzMusic MattO! We loved “It’s All About Me," it felt like such a breath of fresh air and perspective that we hadn’t seen in a long time! Can you tell us how the inspiration for this song came about? I was working on a concept album titled From Tribal To Modern Man, a history of Mankind. While men in early history were “herd animals” who only survived in groups, modern man has become increasingly autonomous. Individualism is today's buzzword: everyone can make his/her own choices and live life as he/she pleases. On the flip side of this positive development, there is a lack of solidarity in Western societies. We do not feel part of a bigger group anymore, which threatens our societies' cohesion. Ironically, the song talks about this feature of the modern man, who thinks that “it’s all about me.” What was your favorite part about taking the vision for “It's All About Me” and bringing it to life in a music video? Could you take us through the creative process for it? Marcello Bumbica, the video director, had the idea of presenting the artist in his little recording studio (Lakehouse Music), where it is all about him and his work, and to put those images in contrast to the big city (New York), where the individual is lost in the masses. So, we mixed some footage from the studio recordings with video material that Marcello shot in New York and along the New Jersey shoreline. I quite like the result. So you mentioned you’re currently based in Zurich, Switzerland. What’s the music scene like there, and how has it influenced you as an artist? Zurich has a very international music scene, from local folk music to rock, blues, South American dance vibes, African beats - everything! Bruce Springsteen filled the soccer stadium on June 13, and Depeche Mode filled a big indoor venue the day before. I am inspired by the music of the artists I listened to in the late sixties and seventies. So, my roots are mainly in American and British folk, rock, and blues. So as evidenced by “It's All About Me,” you don’t shy away from some of the more complex problems we as a society face. Would you say addressing your thoughts on modern society is important for your music, and what goals would you like to achieve through your music? I am a critical observer of our times. I want to know where we come from as this will help us understand where we are today and where we might go tomorrow. From Tribal To Modern Man is a special project I had and is not necessarily representative of my music overall. I do not have an objective or goal when I write music. I want to create interesting stories, look at things from a different angle, and express true emotions that people can relate to. If I could capture my listeners’ attention and make them think about important issues that affect us all, I would have done a good job as a songwriter. What’s next for MattO? Can we expect to hear more new music soon? I have close to 30 songs ready for release, so expect more songs to come your way: I plan to publish an EP in July and two albums over the next 18 months. In addition, I have scheduled some gigs in Italy and Switzerland later this year and hope to make it to the US East Coast as well. Instagram Facebook

The Houston-based outfit manages to walk the fine balancing line between the old and the new. Proverbial Cool Aid is what you get when you have a lifetime love affair with music. Bringing a sound that seamlessly blends the influences of The Breeders, Smashing Pumpkins, and Pearl Jam, his unique sound results from his embracing the motto of “Be yourself; everything is taken.” With the burning desire to, above all else, be true to himself, he’s quickly amassed a buzz, putting the industry on notice with a rich and expansive sound. Proverbial Cool Aid’s musical awakening happened at the tender age of 8. His passion for music was sparked when his parents took him to see the movie “Amadeus”, and the rest, as they say, is history. Enchanted by the world of classical melodies, he immediately sought to begin his musical adventure, taking up piano lessons. After discovering Led Zeppelin at sixteen, he inherited his father’s classical guitar and began writing his music. Now firmly set on the musician’s path, he would continue to hone his skills, waiting for his time to come. Over hopeful, classic rock-inspired instrumentals that start subdued before bursting forth with energy, Proverbial Cool Aid takes us on an exhilarating musical journey, dropping lines like “You know I think of you / its almost all I do, yea” with the kind of pure joy that makes you feel like cracking a smile and singing along. They say that the best music is the music that connects with you on a deeper level, and with “It Goes Sometimes,” he’s done just that. “It Goes Sometimes” is a song that is tinged with the comforting sounds of nostalgia, but it also manages to ground the listener in the present, as each note serenades the listener. Proverbial Cool Aid struck a delicate balance between the nostalgic and modern, resulting in a performance that shouldn’t be missed. Whenever you’re ready, tap in and listen to Proverbial Cool Aid’s new release, “It Goes Sometimes,” available on all major streaming platforms, and keep an eye out for new music and live performances at The Viper Room on June 24th and Warehouse Live in Houston on July 13th. Welcome to BuzzMusic, Proverbial Cool Aid! We loved “It Goes Sometimes,” and we had to ask, what inspired this song? Could you take us through the creative process for it? Sure. My inspiration for "It Goes Sometimes" was the 80s. The 80's, and a new delay pedal I got. "It Goes Sometimes" is kind of my homage to the '80s. To 80's movies and 80's music. That's what I felt, what I felt when I wrote the song. That's what the song reminds me of. The 80's. Playing it is tough because I put a heavy delay on my guitar, and I slap the strings to the beat of the delay while playing the chord progression. I sing over the top of that. In my part of the song, I never strum the guitar strings. I slap the strings the whole song to the beat of that delay. It's a difficult song to perform. There is another guitar part in the song that does strum the strings and then drops some melodious notes over the main guitar part. The two guitar parts go together so well. But, the slapping of the strings to the delay gives the song that helicopter sound. That's how I wrote the song. It's a great song. It turned out nice. What’s been your favorite piece of music so far, and why do you find it so enjoyable to perform? My favorite song to perform is a new song called "My Days." I just released it a couple of weeks ago. Just the mood and the flow of the song are really enjoyable. I enjoy the melody of the song, the words, and the space I get in when I'm playing it. It's got a nice bounce to it. For those who may want to follow in your footsteps, what do you think the most important thing for a musician to have is? I think, probably, the most important thing that you need is good songs. Turn out to be good music. I think that if you have that, you'll get opportunities. You'll get airplay. Another thing you need is, resolve. Some strong resolve. Because things go wrong, right? Have more resolve and more drive than the next guy. Outwork the other guy because most people talk about it. But, when it comes down to it, they aren't willing to spend that time that it takes in the practice room. Just keep doing your thing no matter what obstacles you face. Keep pushing. Nobody is going to do it for you or hand it to you. And it's not because people are anti-you. It's because they are just pro-them. Remember that as well. What would you want it to be if your listeners could take one thing away from your music? You know, I write music, and I record music, for me. Because I enjoy doing it, I'd do it if nobody listened. You know, I'm not writing Flavors of the Week, either? Those songs will disappear in a month. The goal, I think, is for your music to withstand the test of time. To have your music stand up 20 years from now as strong as it does today. I think that I did that with my first record. Those songs still stand up today. But I love that people are digging the new stuff, as I've been dropping it. I love that people are enjoying it. That's always cool. To get those nice little notes from people saying how much they enjoyed this or that song. People know. People know who's writing what and who's writing good material. What’s next for Proverbial Cool Aid, and is there anything you want to say to your fans? Well, we have several gigs lined up at the moment. One next week in LA. We have several hometown shows in Houston and Bryan/College Station. I think later this year. We'll hit the road a bit. Do some out-of-town work. That's being planned right now. Man, I want to say thank you to all our fans. Thank you for all the support you've shown us, for all the emails, all the phone calls, and all the kind messages. I appreciate all the support and the love that people and Houston have shown us. I very much appreciate all the airplay. The stations that are playing me right now. I very much appreciate it. When the new record comes out, I look forward to seeing what it does and how far it goes. Instagram