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The Brevard, NC-born artist rejects toxic stereotypes in his new release. For fans of any music, discovering good new music is one of the best feelings. For fans of R&B, look no further than Joe Trufant, the Atlanta-based artist making waves with his relatable lyrics and ear for soul-capturing melodies. Having already collaborated with some huge, respected names in the industry (Ty Dolla $ign, K Camp, Kap G and more), Trufant is looking to take the next step and establish himself as a mainstay in the music business. Trufant's smooth vocals and catchy beat testify to his talent as a singer and songwriter. Still, the quality that makes his music truly unique is his willingness to incorporate and address tropes and issues that may have been traditionally ignored in his music. As we enter a new era of R&B, artists like Trufant refuse to shy away from the taboo, instead using his voice to challenge some of the toxic values we hold as a society, especially regarding masculinity. One of his latest releases, “Boys Need Love Too,” showcases Trufant’s rare ability to combine the catchy with the meaningful. This soulful track speaks to the emotional needs of men in relationships, shedding light on the vulnerability that often goes overlooked in our culture's expectations of masculinity. Trufant’s smooth vocals pair perfectly with the hazy, late-night instrumentals. Spitting lines like “Ain’t a dang thing changed / You still playing games / gassing up my time,” Trufant instantly transports you to a sonic world of his creation, forging a connection with listeners by channelling the vulnerability we all feel when we’re in a whirlwind of romance. The track's message is clear: men have emotional needs too, and expressing them is okay. In a society that often stigmatizes vulnerability in men, Trufant's music offers a refreshing reminder that everyone deserves love and affection. Whenever you need new R&B for your playlist needs, why not check out music that is both meaningful and simply catchy? Tap in and stream Trufant’s “Boys Need Love Too,” available now. Welcome to BuzzMusic, Joe Trufant! We loved “Boys Need Love Too,” the meaning of the song was pretty cool and something we haven’t seen much, and it was so catchy too! We have to ask, what was the inspiration behind this track? Can you take us through the creative process for it? The idea behind the song came when I realized that in the past few years, I had heard a lot of songs about girls needing and deserving love, and yet I hadn’t heard any songs in that same lane for the boys. My boys Yegr, Nepaondabeat and Emzy put together the perfect beat and sample to complete the idea. I’m thrilled with how it came out. So you mentioned that in “Boys Need Love Too,” one of the principal messages you intended for it was that it’s okay for guys to be vulnerable. What do you think about current perceptions and expectations of masculinity in society, and what made you want to address some of that in your music? I don’t like to overshare my feelings or be very vulnerable. That’s not how I am but to each his own. I made the song so the fellas could get some representation in that arena. Boys need love too. How did you get started on your musical journey? What does music mean to you? I started writing raps in class in middle school, and in early high school, I started putting out music, though not very good. My boy Trey Keysor and I worked jobs in high school to buy a mic, and for Trey’s senior project, we built a studio in his mom's basement. We were self-taught, so it took time and a lot of mistakes to get our music to sound halfway decent, and in 2015 we released the Fall Through EP that changed everything for us. That was a big turning point for us because it was the first genuinely polished project we had put out. Music has been an essential outlet for me. I can’t see myself doing anything else, so I’m locked in 100% no matter where this goes. What do you want your fans to feel when they listen to your music? I want them to be able to escape whatever troubles are going on in their life with my songs. I view music as an escape, so if I can give that gift to someone else, I will succeed in this whole music game. You mentioned you have an album coming out soon! What can we expect from it, and are there any songs, in particular, you’re excited for your listeners to hear? I’ve only released singles and EPs, so this tape is new. Instead of 5, 6, and 7 songs, we’re looking at dropping 12. I’m excited for you all to hear the records. I’ve been making much different music, but if that makes sense, I wanted this to be a more “Joe” sounding project. Closer to my pocket and my sound. I’ll put the more experimental songs I’ve been making on another project. This one’s a “Joe” sounding tape. Can’t wait for y’all to hear it. Instagram Facebook

Mobile, the acclaimed JUNO Award-winning rock band hailing from Quebec, is back with a vengeance after a 15-year hiatus, proving their musical prowess remains undiminished. The group, consisting of vocalist Mat Joly, guitarists Christian Brais and Frank Williamson, and drummer Pierre-Marc Hamelin, has rekindled their creative partnership, sparking a renewed vigour and passion for their art. The highly anticipated album, Roadmap to Redemption, set to be released on March 31 via Sonic Envy/Warner Music Canada, marks a triumphant return for the band, showcasing their growth and evolution while staying true to their roots. "In My Heart" is a standout track from Roadmap to Redemption, blending the band's signature rock sound with an irresistibly funky 80's vibe. The song features splashy snares and rising synths, evoking a sense of nostalgia that transports the listener to another era. Lyrically, "In My Heart" delves into the introspective journey of letting go, embracing the night, and seeking solace in the depths of one's heart during trying times. This captivating tune exemplifies the band's artistic growth, seamlessly melding modern pop sensibilities with their distinct rock foundation. Gauthier Marinoff's ethereal production ensures that the band's newfound direction maintains its authenticity while capturing the urgency and intensity Mobile is renowned. Vocalist Mat Joly's melodic prowess is on full display in "In My Heart," highlighting the undeniable chemistry between the band members that has long been a cornerstone of their success. The reassembled original lineup brings a fresh perspective to their partnership, evident in the palpable energy and emotion that permeates the entire album. The band's commitment to their craft shines through in Roadmap to Redemption, as they have forged an album true to their artistic vision without succumbing to external pressures. Mat Joly eloquently states, "We are very proud, happy, and excited about this new album. It sounds real. It sounds powerful, and we put a lot of heart and soul into it. We made the album we wanted to make without any outside pressure, so we just went with the flow and trusted our feelings, and I think it pays off in the end." "In My Heart" is a testament to Mobile's resilience and unwavering dedication to their musical journey, serving as a beacon of hope for fans eagerly awaiting the release of Roadmap to Redemption. As the band embarks on this next chapter, it is clear that their story is far from over, and their future is as bright as ever. Welcome to BuzzMusic Mobile! Cheers to your latest anthem, “In My Heart,” which embodies an 80's vibe. What inspired you to fuse these elements into the track, and how did the creative process unfold while composing this particular song? The inspiration came fairly quickly for this one. Christian had worked on the instrumental and played it for me one night, and I got really inspired and came up with vocal ideas and random words, and then we could put it together nicely. The lyrics of "In My Heart" focus on letting things flow and drifting into the night when one's spirit is down. Can you share any personal experiences or emotions that influenced the poignant message behind the song? It’s about walking down the street late at night and feeling pretty down and out of place, but knowing that you will eventually have to find a way to get better. Havin’ faith that things will be ok, but first, you've got to get through the bullshit…If I may say. "In My Heart" showcases the band's evolution, blending your signature rock sound with modern pop elements. How did you approach balancing these genres, and did you face any challenges maintaining your unique identity while incorporating these new influences? I think it all came down; naturally, we started writing that record without expectations from anybody and just wanted to write good songs. The problem sometimes is when you think too much and try too hard to fit or write in a certain genre, you can easily get caught up, and it can lead you to a certain path, and I don’t think it’s the right thing to do. As a standout track on the album, "In My Heart" highlights the chemistry between the band members. How has your collaborative dynamic evolved over the years, and what unique contributions did each of you bring to the creation of this song? Most of the songs are usually written by Christian and myself, and we also did some co-writing with Matt Dematteo, a producer and a songwriter from Canada. As far as this song is concerned, Christian and I started the song together, and Maa and I had a go at it later in the process, and we wrote the bridge in one take if I remember correctly. We have such a natural bond musically; it’s always been there and very rewarding. With "In My Heart" solidifying your growth as a band, how do you envision your musical direction and sound evolving in the future? Are there any specific themes, styles, or collaborations you want to explore in your upcoming projects? That’s a good question. To be honest, I have no idea what is in the cards for Mobile in the near future. Apart from promoting this new album and playing shows, I don’t know if and when we’ll release new music. Hopefully, we will someday have a great relationship and love playing music together, so we’ll see. Instagram Facebook

Hailing from Russia, the post-hardcore band Forget My Silence, founded by Ziad Baydoun and Roma Sadygov, has captivated fans with their unique sound since 2011. The current lineup, which includes Baydoun, Sadygov, bassist Petr Starkov, and guitarist Ilya Solonnikov, has seen the release of their EP "Lifeline" and the album "Fall To Rise." Now, they are preparing to unleash their latest single, "Fake Fate," from their highly anticipated second LP, "The Division Agenda," which also features tracks like "Freedom Of Speech." "Forget My Silence" is a hard-hitting, hardcore rock song that draws inspiration from Linkin Park, Korn, and Bring Me The Horizon. The band's powerful sound and passionate lyrics reflect their ability to merge different musical styles and create a compelling sonic landscape that resonates with fans across the globe. With "Fake Fate," Forget My Silence delves into themes of inauthenticity and conformity in today's society. The song addresses the pressure to adhere to certain standards set by elite organizations and the resulting loss of individuality, culminating in a moment of defiance as the characters choose to break free from the imposed constraints and forge their own paths. Musically, "Forget My Silence" features a potent blend of heavy guitar riffs, pulsating bass lines, and powerful vocals reminiscent of the aggressive energy found in Linkin Park's music. The song showcases the band's ability to harness raw emotion and deliver a captivating auditory experience that leaves listeners yearning for more. As Forget My Silence continues to work on their second LP, "The Division Agenda," fans eagerly await the release of more dynamic tracks pushing post-hardcore music's boundaries. With their unyielding passion for creating thought-provoking and emotionally charged songs, there's no doubt that the band is poised for even greater success in the future. Welcome to BuzzMusic Forget My Silence, congrats on your latest hitter with "Fake Fate” The band draws comparisons to bands like Linkin Park, Korn, and Bring Me The Horizon. How do you incorporate these influences into your music while maintaining your unique sound and identity? Thank you for having us! It is a pleasure! There is no fixed or stable strategy to do that. Everything heavily relies on many factors. It might be, for example, a melody or vocal line that we came up with and use chord progressions that these guys would use. Or maybe we came up with something that sounds very Nu or Alt, and we worked around it for it to sound like us. Why this genre in general? We think it is about time someone revived the early 2000s. In "Fake Fate," you tackle the themes of inauthenticity and conformity in modern society. Can you share any personal experiences or observations that inspired you to address these issues in your songwriting? These things happen every day! In every corner, people are dedicating their lives and perfectly good physical bodies to maintain their online social status; the world has gone nuts, man! Nothing happened in particular with anyone, but we thought just maybe there was a bigger game here, so we decided to include this topic in the album. The music video for "Fake Fate" uses symbolism to portray the characters' journey toward breaking free from societal constraints. What was your creative process behind developing the visual narrative for the video, and how do you feel it enhances the song's message? It is crazy, but somehow, we all saw it as a not-so-accurately modern piece of machinery, but we wanted it to appear more Soviet-sh-looking combined with a bit of Stanley Kubrick’s “A Space Odyssey.” It was shared ideas from all band members with the videographer Shareef Dana. Overall, the result is quite close to what we all expected, and the visuals here definitely enhance the song in many ways. The instrumentation is crucial in conveying the track's intensity, with "Fake Fate” being a hardcore rock song. Can you discuss the collaborative process among band members in creating the song's powerful guitar riffs, bass lines, and vocals? It started with the clean guitar and main riff in the intro. Our ex-guitarist Max came up with it. From there, there was no particular job for anyone. We all brainstormed and attempted to add, remove or edit till everyone was satisfied with the final result and the song was done. As you continue to work on your second LP, "The Division Agenda," what can fans expect regarding the album's direction and themes? Do you plan to explore new influences or genres in your upcoming work? Today we are not the only people trying to talk about this. Many other artists we noticed (most of them independent) are trying to discuss the same thing. In extreme and unlimited ways today, attempts are happening to pull people apart as much as possible! There is no denying the direction of the world, which affects you who are reading this and us. This album is mainly more political than others. Each song in it represents a way to keep people separated. Speaking of genres, it differs from our previous styles, but we are sure everyone will love it. Hopefully, upcoming albums won't be like this and will be more about our extraordinary lives! As long as it is genuine. Instagram Facebook

Emerging from the rich musical backgrounds of its members, DEAD CHIC, a Franco-English Rock and Roll group, has carved out a distinct sound in the contemporary music scene. The group, which consists of Andy Balcon (Heymoonshaker), Damien Félix (Catfish & Bigger), Mathis Akengin (Emea), and Remi Ferbus (Kimberose & Mika), is known for its dark, soulful tunes that evoke the imagery of a mysterious ceremony in a duke joint amidst a hazy Morricone landscape. With their debut EP 'The Venus Ballroom,' released on March 24th, DEAD CHIC showcases a tapestry of fervent and emotive tracks, highlighting their diverse talents and well-honed musicianship. "You Got It," the opening track, invites listeners into DEAD CHIC's sonic universe, blending colossal minor chords and rhythmic piano that perfectly complements Félix's driven guitar tone. The song's narrative, conveyed through Balcon's impassioned lyrics, builds to an electrifying climax marked by a brass and electric guitar maelstrom, displaying the band's ability to elevate an already powerful chorus to new heights. "The Belly of the Jungle" captures the raw energy of DEAD CHIC's live performances. It transports listeners to a chaotic carousel, propelled by the Farfisa organ's whirls and frenetic interludes. The chaotic interplay between Balcon's vocals, Akengin's ivory mastery, and Ferbus's percussive expertise create an immersive and intoxicating atmosphere that would delight even Bacchus himself. In "Les Fleurs Séchées," DEAD CHIC demonstrates their versatility by seamlessly transitioning between English and French lyrics, set against programmed drum beats and discordant guitar riffs. The preservation of Damien's poetic sensibilities alongside Balcon's interpretation allows for a vivid portrayal of a visceral romance as if the listener traverses through a dark carnival procession. "El Malecón," a musical parenthesis punctuating 'The Venus Ballroom,' highlights the band's prowess in crafting evocative soundscapes that captivate the imagination. This track serves as a bridge, guiding listeners through the expansive sonic terrain of the EP and preparing them for the concluding journey. "Ballad of Another Man" delves into the complexities of a life well-lived with its percussive rhythm and evocative lyrics. The track features an intricate arrangement of Dick Dale-inspired guitar lines and iconic piano melodies that exude a nostalgic aura, inviting listeners to sway their hips to the rhythm. The song's heavy-hitting drums and elaborate instrumentation create a vibrant atmosphere reminiscent of a dimly lit bar, urging one not to forget their fedora upon departure. The EP concludes with "Good God," a track that offers an emotive odyssey, from the intimacy of the opening chords to the exhilarating crescendo. Balcon's heartfelt vocals, combined with Akengin's brass arrangement, showcase the band's dynamic abilities. This song leaves a lasting impression on listeners, exemplifying the remarkable talent that has come to define DEAD CHIC. 'The Venus Ballroom' is a remarkable debut EP demonstrating DEAD CHIC's eclectic sound, rich songwriting, and refined production. As the band embarks on their international tour in 2023, this impressive body of work will captivate audiences and establish DEAD CHIC as a formidable presence in Rock and Roll. Welcome to BuzzMusic DEAD CHIC; cheers to your latest release, 'The Venus Ballroom' The title "The Venus Ballroom" evokes a sense of mystique and allure. Can you share with us the inspiration behind the album title and how it ties into the overarching theme of the EP? The Venus Ballroom references a theatre in which I stayed following the pandemic. As Damien and I worked remotely in the first instance, the theatre hosted several ideas and experiences realized and referenced in the tracks. The theatre was decadent, though time had tarnished its prestige. From my side, it transcended the writing process. With "The Venus Ballroom" being your debut EP, how did you ensure that the title and the music within accurately represented the unique sound and style of DEAD CHIC as a band? It’s always fun to try and determine what you are on the starting blocks. The sound and way we play are inevitable with all four musicians in the room. We all have our chops and bring our personalities into the room. Each track on 'The Venus Ballroom' showcases a distinct facet of your musical prowess. How did the album title influence each song's creative process and songwriting, and did it help maintain a cohesive narrative throughout the EP? There was a narrative to which we would always come back, mainly through visual references. This way, we could rely merely on one’s own interpretation and pass through their personal experience to guide the song. We fell back on the album title as we reflected on what it was we had put together. Can you elaborate on the symbolism and significance of the imagery associated with 'The Venus Ballroom' album artwork and how it connects to the themes and emotions in your music? It was important to capture an image of the theatre in its abandoned state. It was a job to try and light it up fully, as many of the bulbs had blown out. The shoot was very impromptu and done in the silence of the morning, but the results aligned with how we felt about the record, and finally, it stands as a visual reference to that time. As you look towards the future of DEAD CHIC, how do you envision 'The Venus Ballroom' shaping your artistic trajectory, and what role will this debut EP play in the evolution of your sound and the projects you plan to undertake next? As it’s the beginning of our journey, I think this Ep will be a landmark in our story. We are working on new material already and have a strong foundation to build upon. Stay tuned. Instagram Facebook

Travis Shallow, born on July 31, 1984, has made a name for himself as an American singer-songwriter, musician, and recording artist. Known for his solo career and his time with alternative country band A Few Good Liars, Shallow's ability to weave captivating stories through his music has resonated with fans and critics alike. His commitment to his craft and unique vocal personality, reminiscent of legends like Willie Nelson and Otis Redding, has set him apart in the music scene. Shallow's latest single, "HTWTT," released on Pearly Girl Records on March 31st, 2023, is a heartfelt country song about coming to terms with the past and present. With its emotive melodies and evocative lyrics, the song serves as a reminder of the strength of the human spirit and the beauty of resilience in the face of adversity. As a testament to the power of personal growth and self-discovery, "HTWTT" showcases Shallow's innate ability to connect with listeners on a profound level through his music. Drawing inspiration from personal experiences and the world around him, Shallow has consistently demonstrated a deep understanding of the complexities of human emotions. His music reflects the intricacies of the human experience, touching on themes such as love, loss, and the power of letting go. This has been seen in previous works like "Let It Pass," a song beautifully captures the struggle of holding onto something that has long since faded away. The song's rich, evocative lyrics are complemented by its emotive melodies, creating an atmosphere that invites introspection and reflection. As Shallow takes the listener on a journey through the highs and lows of life, his powerful storytelling is made even more impactful by his distinct vocal style. His voice's raw emotion and sincerity allow the listener to feel the weight of the song's message, offering a sense of catharsis and understanding. "HTWTT" is a beautiful and poignant country song that showcases Travis Shallow's remarkable talent for storytelling and his ability to create music that speaks to the human experience. With its emotive melodies, heartfelt lyrics, and timeless sound, the song offers a powerful message of resilience and personal growth. It is a shining example of Shallow's artistry and his ability to connect with listeners through the universal language of music. Reflect on this one, out on all platforms. Welcome to BuzzMusic, Travis Shallow; cheers to your raw truth on your latest single, "HTWTT" The lyrics of "HTWTT" resonate deeply with listeners, touching on the complexities of reconciling one's past and present. Can you share specific events or realizations that inspired you to address this theme in your music? I was in a waiting room waiting to be called, and I think there are these mundane tasks that we do as humans where our minds can drift to another place while on autopilot, and it happens to me at random times—mowing the grass, sitting outside in the sun with coffee in the morning. I start to see this almost “b-roll” cinema playing in my head of childhood memories, close calls, and people I haven’t thought of in years. At first glance, some of the memories on re-call seem to have no real ties to the present moment, but I think they do. We all replay that film on how we got to the moment. The losses, the temporary moments of peace, and the childhood joys before the adult world got a hold of us. The little moments that seem to be fleeting and just out of reach. Those memories ARE important, and I wanted to write a song that touched on that replay. The " HTWTT " melodic structure beautifully complements the song's evocative lyrics. Can you describe your creative process for developing the melodies and harmonies that capture the essence of your narrative? This one started to like the always do, me in a chair with an acoustic guitar. The verses and chorus came quickly because the song's imagery is the memories replaying in my own moment of this mind-wandering-trance I mentioned. (Mowing the grass is a hotbed for this right now) What's that about? My Uncle Tommy used to drive an old blazer and could do flawless backflips un-tucked on the trampoline as a man in his late 30s. As a kid, it blew my mind to watch. I was also on the way to Tennessee when the breaks went out, as in, on the highway and hit the brakes, and they went to the floor and did nothing. Terrifying. Luckily made an off-ramp to an exit unscathed, but that memory is burned forever, I’m sure. So I wanted to dive into these memories, make them timeless in a song, and see if putting them to paper gave me any more clarity or revealed something. I usually get a song more flushed out before gathering any musicians to record it or diving into the production myself. But this time, I took this raw version down the street to a dear friend of 20 years and talented producer and songwriter of his own right, Tom Gossin, and did the production and flushed it out. I loved what the blueprint looked like, but it needed a lift moment, and Tom helped craft the bridge. We did a vocal take and had a great working session. I usually don’t co-write much, but after this one came out as it did, I’m thinking of diving into that world more when a song is almost there but needs that extra sauce. I would craft songs alone and revise and edit them until it was clean. But this song opened a new door, and might do this more, especially with my calibre of songwriter friends. But then, covid derailed us. The song then got shelved with Covid in full swing, and those times were hard. But I knew that song needed to finish; it had good bones, but the timing was off. Then one day, I got a DM from a songwriter and producer that I’d watched from afar for years. He had seen some videos on IG and reached out about working together. But rewind, 12 years before that, while in Mississippi making a record, a documentary about a band came out called “Golden Days.” It was about the band The Damnwells and followed the arc of them being signed to a major label, making a record, and everything that follows—the full scope of peaks and valleys. The frontman for that band was Alex Dezen. I was hooked. I followed his career from afar, and every solo release became my everyday soundtrack and playlist. So to see a message from a songwriter I admired like that out of the blue was a moment for me. We hit it off like old friends and wanted to work on something together, and I remembered that song. I sent him a big folder of unreleased songs, and he quickly said, “That one first.” So we got to work. The foundation was there, but Alex saw a different variation with fresh ears of what was there and finished producing it. We went down that new path and got it to what you hear today. We found ourselves close to the finish line but needed one more thing. something sparkly to give it another lift. Keys. So I contacted an incredibly talented drummer and producer friend in Portland, Steve Drizos, and asked if his wife might be interested in taking a pass or two on this song. His wife is Jenny Conlee-Drizos from the Grammy-nominated band The Decemberists. I'll never understand how I have super-talented friends like this, but she hopped on board, and we recorded key tracks the next day. That was the last ingredient in the sauce. I’ve been saying it a lot lately cause it’s true, sometimes the flowers arrange themselves. The song you hear now was finished. Alex also took on the task of the final mixing and mastering. So as you can see, this song touched more hands and ears than any of my previous songs. It became a family affair, and I liked this new process. As a storytelling artist, your ability to create engaging narratives is apparent in "HTWTT." Can you discuss any literary or artistic influences that have shaped your approach to songwriting and storytelling? I’m a big Foy Vance fan; I have been following his stuff for years. He’s one of those songwriters. And even though this song is not right up that same alley regarding genre, it’s impossible for his sonic influence not to have made its way into this. He was on heavy repeat during these sessions. "HTWTT" delivers a powerful message of resilience and personal growth. Can you share insights on how this theme has affected your life and what you hope your audience will learn from your experiences as they listen to the song? I’ve been sober for 7 and a half years, and this song touches on that in the last verse. It’s kind of the gut punch at the end. Even with all that clean time, those old coping mechanisms show their face when life comes at you fast. I’ve decided not to drink anymore, but I’ve learned that the things and choices you make when nobody looks are the hardest. That’s the real shit. And it’s taken me a long time to be an ally for myself. It can be a daily grind. But I’ll tell you, life is better when I stay the course and keep a clean nose. It’s an armour I’ve had to build up each time I make that next right choice. And song by song, I think I’m getting there and deepening that relationship within myself and with my audience. As your career progresses and "HTWTT" finds success, what direction do you envision for your future musical endeavours? Are there any untapped themes, genres, or collaborations you're excited to explore in your upcoming work? I’ve started producing with other artists in the last couple of years, and that’s been a real joy that I didn’t see coming. The downtime we all experienced the last few years gave me permission to try other things that usually weren’t in my deck of cards. Right now, I’m working with a talented songwriter named Ethan Hanson, and we have music of his dropping next month on my label, Pearly Girl Records. A song called “Light The Way.” Good. Investing my time into other people's work has helped me look at my own work in a new light. It’s been a win-win that I will stay open to if the timing is right. I also have a few more singles I’m releasing over the next few months and a live album (I recorded from 209 episodes of my live stream I do every Wednesday at 6 pm Eastern time on all my socials). I’ve cherry-picked songs from these live performances that cover my entire catalogue and mixed this one myself. It’s like a thank you to everyone who has tuned into that stream over the last few years. That’s a community that’s been a real silver lining for me. So busy year ahead. And I’m here for it; busy is good when the songs keep coming. Instagram Facebook

HART's first single, "They Say," showcases the artist's talent and unique style. The moment the song begins, it's clear that HART is a gifted singer with a soulful voice. The track combines R&B, Pop, and Hip Hop elements to create a familiar and fresh new sound. The lyrics of "They Say" are a testament to HART's ability to turn personal experiences into themes that resonate with listeners. The song tells the story of a relationship and being able to say important things to each other. The chorus is incredibly catchy, with HART pouring out his soul to emphasize the power of his love. However, what sets "They Say" apart is HART's emotional depth in the song. The lyrics show him being raw and vulnerable, and HART's delivery is filled with boldness and love. "They Say" is an impressive debut from HART, which is talented and passionate about his music. He brings his unique sound and willingness to explore personal themes in his lyrics. Check out HART as he chats about his debut single, "They Say," in the interview and review here. Instagram Facebook

Kyle McKearney is a Canadian country music artist who is quickly making a name for himself with his unique blend of country, blues, R&B, and rock 'n' roll. His latest album, 'A Traveler's Lament,' produced by JUNO Award-winning producer Russell Broom, is a testament to Kyle's ever-evolving musical prowess as he continues to showcase his powerful voice and engaging storytelling. Kyle's roots run deep in his small-town northern British Columbia upbringing and his family's Metis heritage. These elements shine through in his music, marked by raw honesty and authenticity. The industry has recognized this authenticity, with Kyle receiving numerous nominations and awards for his work. His debut album, 'Down-Home,' released in 2021, received two Canadian Country Music Award nominations, two Western Canadian Music Awards, three Country Music Alberta nominations, and two YYC Music Award nominations. Kyle was nominated for three Canadian Folk Music Awards and three Country Music Alberta Awards in 2023. Kyle's latest single, "Rebel Child," is a classic, upbeat track that showcases his versatility as a musician. The song is a fun, foot-tapping number that will get listeners dancing. Kyle's voice is strong and clear, and he effortlessly blends elements of country, blues, R&B, and rock 'n' roll into a cohesive whole. The song's lyrics tell the story of a rebellious child unafraid to take risks and chase their dreams, even in the face of opposition. Kyle's storytelling abilities are fully displayed here as he weaves a relatable and inspiring tale. The song's infectious melody and catchy chorus will have listeners singing along in no time. "Rebel Child" is an excellent addition to Kyle McKearney's growing discography. It is a fun, upbeat track showcasing his musical range and ability to craft engaging, relatable stories through his lyrics. Fans of country, blues, R&B, and rock 'n' roll will all find something to love in this song, which will surely become a staple of Kyle's live performances. Get free with this one out everywhere. Welcome to BuzzMusic, Kyle McKearney. Kudos for the nostalgic feelings on "Rebel Child" Can you tell us about the inspiration behind the lyrics of "Rebel Child?" Did a particular experience or person inspire you to write this song? Hi folks. Thanks for having me. Yes, I have a particular memory of fighting in grade school. I repeatedly punched another kid in the face until I felt the fight was over. My friends thought it was all so cool, but the look in that kid's eyes and the painful sounds from his mouth destroyed and changed me. His name was Buddy, and he lived in the trailer park down the street from our school. Buddy got into trouble all the time. He had homemade haircuts and hand-me-down clothes. All of us made fun of him until that day. I could feel he was in much more pain than I had caused him. He was humiliated, isolated and alone. After that, I told everyone to be nice to him, and thankfully, they listened. This song is my attempt to care for that poor child and others like him. These kids are victims of circumstance and need extra love even if their circumstances make us uncomfortable. We have to lean in. Your music is known for its unique blend of country, blues, R&B, and rock 'n' roll. How do you incorporate these different genres into your songs, and how did this approach inform your writing process for "Rebel Child?” I don’t think about it. I write and trust what’s coming out. Sometimes I must work through the fear and force that trust, haha. I think these genres, you mentioned, show themselves in my tunes because it’s all the music I grew up on and love. However, you forgot bluegrass, haha. I’m also very subject to change. I moved 27 times from age 14 to 18 while trying to finish school, so new environments and experiences thrill me. “Rebel Child,” musically, feels like a Willie song. It reminds me of “Pancho and Leftie” in many ways in the chords and melodies. It has classic country, rock and soul, I would say. "Rebel Child" is a fun, upbeat track that will get listeners dancing. How do you balance creating entertaining and enjoyable music with telling meaningful stories through your lyrics? I think I naturally have a “commercial” or “lullaby” writing style because we mostly listen to the radio growing up. I didn’t have many albums until I got older, and then it was mostly Beatles, haha. I don’t think about the song being anything for anyone while writing. If that makes sense, I only try to move it from source to paper. Songs come from either; we all have the gift to reach them if we practise. You shared the stage with incredible artists, including The Black Crowes, Kip Moore, Our Lady Peace, and Dean Brody. How have these experiences influenced your music and live performances, and how do you hope to continue growing as a performer? Kip took me on tour, and I learned that you could do it your way and succeed. Kip does not waver in his vision. I learn something from every headliner. Fortunately, with everyone you mentioned, I learned great things. With the release of A Traveler's Lament and your recent signing with the Sakamoto Agency, what can fans expect from you in the future? Are there any upcoming projects or performances that you are particularly excited about? Yes. Some videos are coming for the songs, and we’re working on exciting live moments. You’ll have to stay tuned and watch my socials for those announcements. Instagram Facebook

For Toronto-based outfit Ghostbear, music is the ultimate form of expression. Their newest album, the eclectic ‘Persona Chroma,’ manifests their artistic integrity and ability to remain true unto themselves. They describe “Persona Chroma” as an alternative potpourri of songs, a wonderful mix of songs, some sad, some happy, and some in between. Their sound cannot be easily described, but they combine the goodness of classic alternative rock with expertly crafted sonic synths and elements of indie and even soul. For the lovers of alternative rock and those pushing the boundaries of alternative, “Persona Chroma” is sure to be a satisfying listen. ‘Persona Chroma’ opens with good old rock n roll on “Unity Strain Motion.” As an opening track, “Unity Strain Motion” feels like an epic herald of things to come. Dropping lines like “Cry if you want to / shine if you want to,” Ghostbear alludes to infinite possibilities before seeping into the groovy ear candy of “Shoe Gaze Man.” As Ghostbear sings, “Oh to be in the arms/shoegaze man,” every riff flows seamlessly from one to the next as vocals meld in and out. By the conclusion, there’s the feeling that you could be searching - or heading to a destination not yet specified. However, it's all about the journey, right? And the journey’s been fantastic so far. However, the end of “Shoe Gaze Man” marks the beginning of a shift. Ghostbear’s sound mellows significantly from hear, starting from “Sudden Voices.” As Ghostbear drops lyrics like “Sudden voices in our head / and hear the rise, a flashing light / strong enough for us to fight / sudden voices in our head tonight,” there’s a feeling of intense melancholy. After the relative lows of “Sudden Voices,” “Campus Code” brings a slight shift, akin to the changing seasons. Although there is still a slight sense of melancholy, a slight shift of rhythm seems to indicate a change. Although lines like “Solo nights drenched in despair / I wait for you to call, you don't care” indicate the struggle continues, there is a sense of acceptance and almost defiance as the lines, “but you don’t care,” are repeated. “We’d like to thank Frank” continues the progression of sound with some sonic new wave synths. Lines like “For all that you do / for all that we put you through / well this one’s for you! / We’d like to thank, Frank” bring a shift in focus along with the shift in sound and instead portrays feelings of what feels like intense gratitude. However, “Twilight” brings another shift. The fierce and intense instrumentals bring the feeling that we’re snapping out of a dream and getting back to business. Although “Twilight” has no spoken words, it perfectly transitions to “Drop Your Pants and Dance,” which feels like sunshine at the end of a dark tunnel. Things feel considerably lighter. Lyrics like “I think we should just drop our pants in the street and dance again” feel like a commitment by Ghostbear not to take themselves too seriously and just have fun with it. The familiar feelings of melancholy pop up again in “Happy Apart,” although there is more balance this time. Although lyrics like “we’ll find out, either way, / I shoulda known from the start / that we would be happy apart” do convey sadness, unlike “Sudden Voices,” which almost felt defeatist, “Happy Apart” shows poise and maturity. It will be what it will be. Keeping with the feeling of growth, “Infinicity” returns to the groove. It feels more upbeat. Lyrics like “Everything is black, everything is white / there's no room for flea, no room for fight” further show a progression in the journey “Persona Chroma” has been taking us on, and feels like another step of maturity. It feels like Ghostbear is rising above the bullshit and overcoming. It’s just as well, as they conclude their sonic journey with “All our time (Fuggin' it up),” which feels like a balanced note to end on. Familiar feelings of melancholy return, but it’s balanced by positive energy. As the lines “So forget all that's past / it’s this day that lasts” bring an end to ‘Persona Chroma,’ there’s the distinct feeling that something beautiful has come to an end. As we said earlier, it’s all about the journey, right? ‘Persona Chroma’ is a journey worth taking. Welcome to BuzzMusic, Ghostbear! Wow, just wow. 'Persona Chroma' felt like an epic musical journey. Everything felt so well put together! We have to ask, what was the inspiration behind this album? We tried to free ourselves from outside expectations on this album and recorded what we felt were great songs. Inspiration for a song could evolve from our sense of humour or deep seeded trauma and everything in between. In reality, we wanted to make an album that was an ode to the band WEEN. Their albums are a potpourri of songs, but it always seems to sound like the band. You mentioned you’re based in Toronto. What’s the music scene like there, and how has it influenced Ghostbear’s artistic growth and identity? Toronto has a lot of talent, but the music scene is in a lull right now. I think the covid lockdowns hurt the city's vibe, and it doesn’t feel lively right now. Toronto has some massive international artists, but the indie scene needs to re-emerge. But I think it slowly bounced back and started to develop the scene it once had. We have faith! What was each of your favourite parts of bringing 'Persona Chroma' to life? What was the vision for this album? Dan: I loved that we laughed through the whole process. Also, the relative ease of the project made me confident we were on the right path. Rob: My favourite part was the unconventional structure of the songwriting process and how much of our personality came through. Every idea was given a chance, came from a different approach, yet was never overworked. Frank: The recording process was a blast. I learned a lot, and it all felt organic. How would you describe your sound to new listeners, and are there any particular songs they should look out for on 'Persona Chroma?' We think listeners will notice that our songs can turn in any direction. We are a rock band at our core but don’t be surprised to hear many genres from song to song and sometimes genre shifting within the songs. SHOEGAZE MAN is a perfect example of us weaving different styles together to make a cohesive piece. What’s next for Ghostbear? Do you have any big plans for the rest of the year? We have a lot of new and exciting material. No two songs will sound the same. We have silly songs about guys named Frank, morbid covers of Kylie Minogue songs and heartfelt breakup ballads. Plus, we are planning a short run of live shows this summer. Instagram Facebook

Emerging artist 301icon is a force to be reckoned with in the music industry, representing the DMV area with his unique blend of Afro-pop, trap, and R&B. Born to a pair of worship directors, his love for music started at an early age. 301icon began playing piano at four and performing live at services when he was nine. But it was through the first heartbreaks that he learned the power of music to express, transmit, and heal emotions and mental traumas. He embarked on a mission to break genre boundaries and explore the deeper aspects of human expression. 301icon's music is a complete reflection of his personality. His leading brand celebrates the life and encourages healing and growth. At the same time, his alter-ego expressed through his Broken Lover releases grants listeners permission to live more openly through difficult emotions like heartbreak, anger, and grief. He is a complete artist who creates from any state of being, wielding dual blades of vulnerability and perseverance. The singer-producer's talent has been widely recognized in LA, winning the Grammy-week Something Dope competition weeks after moving to the City of Angels. With his releases ranging from the whole palette of human emotion and musical expression, 301icon is on his way to taking the music industry by storm. His latest single, "Love Songs" off 2022's Broken Lover II, exemplifies his nuanced emotional approach to music. The music video for "Love Songs," directed by Errand Boy and produced by Rèmi Fréyo, takes the viewer on a multi-layered journey that explores the depths of Icon's pain. The video is shot through multiple perspectives that serve as the perfect backdrop where the bleeding of his neon heart begins to fade through betrayal, symbolizing the anguish that Icon is experiencing. He is seen strewn over a sofa, painfully belting out his woe. The cutscenes in the video provide a deeper understanding of the source of his pain, which is toxic infidelity and dishonesty. The video also highlights a deeper message about love and betrayal. When your love is unfaithful, it can feel like you don’t even know who they are, and all you can feel is pain. Icon's response to this pain is to sing it out, to express his hurt through his music. It is a testament to his resilience and his commitment to creating music that explores the full range of human emotions. 301icon's "Love Songs" is a testament to his artistry and commitment to breaking genre boundaries. The track showcases the intense emotional range of his inhuman vocal cords, and the music video takes the viewer on a multi-layered journey that explores the depths of his pain. Icon is an artist who creates from any state of being, wielding dual blades of vulnerability and perseverance. He is a force to be reckoned with in the music industry, and "Love Songs" is just the beginning of his journey to becoming the next big thing. Welcome to BuzzMusic 301icon! Cheers to getting through that wild episode on "Love Songs," where you explore the theme of heartbreak and the journey of moving on. How has your experience with heartbreak influenced how you approach writing and producing music? My heartbreak experience heavily influences how I approach writing and producing music. We all have different ways of coping with pain. My way has always been music. "Love Songs" was written in the middle of the most toxic relationship I’ve been in, and it was my way of processing the heartache I was experiencing. The "Love Songs" music video features powerful imagery of emotional pain and resilience. How did you work with the video production team to bring your vision to life and convey the song's message? I’ve always pictured heartbreak to be almost violent. It’s like someone’s ripping your heart out. The cover art of love songs depicts that very imagery. So with the video, we decided to continue that theme by showing me being kidnapped and tortured by women I once loved. The video producer (Rèmi Fréyo), the production team (Errand Boy and Eman from Future History Labs), and I came up with the concept together, but they were the ones who brought it to life. "Love Songs" is just one example of the emotional range you bring to your music. How do you balance vulnerability and strength in your songwriting, and what do you hope listeners take away from your music? I feel like vulnerability and strength are often seen as opposite ends of the spectrum. However, I believe vulnerability is a strength because you’re not afraid of what others might think of you. It’s easy to hide behind a mask. It’s harder to love yourself and be secure enough to show your truth without fear of how it will be perceived. I hope my listeners will remember that love, gratitude, and self-awareness are the keys to overcoming anything. Regarding songwriting, “Love Songs" showcases your unique blend of Afro-pop, trap, and R&B. Can you speak to the importance of genre-bending and pushing musical boundaries in your creative process? The genre of hip-hop has become monotonous; it all feels the same. I cannot feel like I am a true artist if I’m copying the next guy or following the trend. Sonically, the music has to be relevant, and yes, you can have the same starting point, but if I don’t add a new feeling to my offerings, I feel I’m copying instead of creating. With Broken Lover II on the horizon, what can fans expect from your upcoming release? How does "Love Songs" fit into the larger narrative of the project? Broken Lover II is out. "Love Songs," in a way, is the narrative. It’s the beginning track on the EP and sets the tone. It’s the story of a man wanting to be in love, wanting to love a certain person, trying to love a certain person, but failing because of the pain that loving that person causes. 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Canadian duo Neon Dreams, which consists of frontman Frank Kadillac and drummer Adrian Morris has just released an inspiring music video for their latest single, "This Is It," a visual that makes you feel like you’re watching it through rose-tinted glasses. The video perfectly captures the song's energy, with its catchy pop beats and a triumphant message about living life to the fullest. "This Is It" is an emotionally charged and upbeat bop featured on their album “Love Child Baby Dolphin.” With its tender and soulful beginning, "This Is It" takes listeners on a joyous path to the power of love by showing us how to seize the moment and live life to the fullest. Directed by Daniel Cole, “This Is It” opens with lead vocalist Frank Kadillac walking towards the beginning of a new journey into the world as he is seen traversing different corners of the earth, sharing serene moments with the band, fans and nature, illuminated by a South African sunset. Serving as a visual chronicle of the duo's journey over the past year. It showcases their everlasting passion for life, art, and their family, capturing some of the most memorable moments of their experience. Creating a bright and uplifting vibe right from the start, the song builds, the video becomes more and more electrifying and striking shots of the band performing in various scenes show packed venues full of cheering fans getting to bond with the band giving us a look at how truly down to earth Neon Dreams is. One of the standout features of the visual for “This Is It” is its use of quick-cut photos that show the unforgettable moments Neon Dreams have shared throughout their journey, which only adds to the overall heartwarming tone of the song. As the adventure continues, we even meet some friends along the way, such as an elephant which emphasizes the surreal and worldly atmosphere created by "This Is It." As the chorus kicks in, we are greeted with an overwhelming sense of connectedness as Neon Dreams and the fans shake hands and embrace, reminding us of how unified people naturally are in a world divided to create a sense of oneness in shattered times. Neon Dreams has created a memorable and impressive work that will surely be a hit with their fans and new listeners. The video showcases the band's creative energy and passion for life. Check out Neon Dreams' latest music video here. Welcome to BuzzMusic Neon Dreams, and congratulations on your latest visual, "This Is It." What brought you guys together, and how did you decide on the sound direction the band would come to be known for? Before we sounded like we do now, we made electronic dance music as a band. So high energy and dance drop singing about random things that didn’t make much sense to me now. We were at a crossroads. We got lots of love from our side of the country for our shows. Trying to grow outside created problems because we were a band performing in the DJ world. No one wanted us to open up because our energy would take away from headliners, and no one wanted to work with a 4 piece EDM band. I remember after realizing all this, I said, "Let’s just make our own path; let's make music that will just last forever." The very next week, I made this song called Marching Bands, which hit every radio station in the country, and that was the start of our uplifting sound. What's the story behind your band name, "Neon Dreams?" If you see the world as I do, you’ll know nothing is a coincidence. Sometimes you get an idea that you were so happy about but never took action on it, and then a year later, someone has that idea and took it all the way, and the whole world is talking about it. Before our first show, we didn’t have a name and while Adrian and I were throwing out ideas - City of Dreams was one, someone in the room was like Neon Lights! Then Matt, who is now our manager, was like, "What about Neon Dreams?" Everyone looked around, and it was very quiet at that moment. I had never felt such silence before. Then everyone agreed, Neon Dreams it is. And we took action and never looked back. What's your favourite song to perform live, and why? It’s like asking who’s your favourite kids, haha - but my favourite song, live would always be life without fantasies until we create something that makes people feel as happy as that song does. The whole room lights up, and people are smiling from Ear to Ear! Friends are hugging each other, and right then, every night, I realize these guys just made a memory they’ll talk about to their kids when they are older. What message do you want people to take away from "This Is It?" Your heart and soul will tell you what love is, not your eyes. Watching my friends be in love helped me make this song; they are such different people, and I realized no riches could make this type of love. No material thing can create this type of love. When your heart chooses someone you know before you even speak your first few words to them. You love her cause your heart said, “This is it; this is true love” What's next for Neon Dreams? I hope for this music to spread further into the world, not for my ego but because I think of music as spiritual medicine, and it would make me happy to see people worldwide experience Neon Dreams. We are preparing for our Sunshine Tour with another Canadian, Colemen Hell, and local Joburg artist, The Saxby Twins. The goal is to do this once a year, bring an international artist to South Africa, and show them how beautiful this country is. But other than that, we've already started working on the next body of music, and it’s incredible we found a working formula that will make this family a lot bigger! Instagram Facebook