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Montreal's finest r&b recording artist and singer-songwriter KEMAR releases a sweet and soulful tune with his latest single entitled "No Rush." KEMAR's sound is like no other. Having performed in church choirs as a child alongside the likes of Ray Johnston and Zina Edwards, KEMAR was bound for a career in the music industry. Influenced by acts like Aaliyah, Frank Ocean, Kelly Price, Erykah Badu, Chris Brown, and many more, KEMAR is currently on track to release his sophomore EP, 'Space & Time,' this spring. There's no saying what the soulful recording artist will do next, but one thing's for sure, he's in "No Rush." KEMAR's newest single is like a breath of fresh air; he playfully and charismatically serenades us overtop of the lushest r&b production while singing a message of not needing to rush to fall in love, letting everything fall into place organically. Expanding on the new single, "No Rush," the song brightly opens with KEMAR's warm vocal harmonies and a smooth electric guitar melody. As he takes us into the first verse alongside a sugary and organic drum arrangement, KEMAR begins to enlighten us on a lover who tends to rush things, talk about kids, and come off way too strong. While grooving his way over to the catchy and rhythmic hook, KEMAR sharply reminds us that love shouldn't be rushed. His vocals are unmatched; KEMAR carries a certain tone and style like a more youthful and groovy Frank Ocean, but his delivery and magnetic performance techniques are entirely his own. We adore the message and sonic warm embrace KEMAR offered in his latest single, "No Rush." Find the new bop on all digital streaming platforms. We love the energy and feel-good approach within your latest single, "No Rush." What inspired you to create a song about being in no rush to fall in love? I wrote the song no rush because I was dating someone that wanted to rush into things, love bombing me right at the beginning and it made me really uncomfortable. I like to get to know the person for who they really are, their personality, their character, know what their goals are, do they have ambition? Are they good people, do they treat the janitor or the waiter with the same respect? Those kinds of things, you know? We tend to jump right into situations and completely ignore the red flags that we see or that our friends see. What sort of atmosphere and vibe did you want the production to offer in "No Rush"? Who helped bring the song's production to life? I wanted it to be catchy and easy (somewhat) to sing along. I also wanted it to be an anthem of some sort to get the message across "Hey, you! Slow down a bit will ya?" I grew up in the 90s and I'm obsessed with 90s R&B, rock, pop, heck any genres in the 90s. There's something about that sound that resonated with me. Being an old soul, it came naturally to me and this allowed me to write and structure "No Rush". If you say that it's nostalgic or has a nostalgic sound, you're right about that. What do you hope to make the listener think and feel with "No Rush?" What impact do you want the song to make on your audience? I want people to reflect on the lyrics and really evaluate themselves when they first start dating or enter into a relationship. I want people to do a bit of introspection and ask themselves, can I be this way or do I have these tendencies? Controlling, toxic, emotionally immature, etc. I want people to be the best version of themselves before entering into anything. Should we expect to hear "No Rush" on your forthcoming sophomore EP, 'Space & Time?' Could you drop any hints regarding the project? Actually, "No Rush" was released on my debut EP 'Revolution' officially back in August 2021, and first came out in November 2020 as a single but it's been my most successful song. Space & Time has a double meaning: needing space and time from someone or something and feeling or having feelings of being in space and that time is distorted in some way (past, present, and future). It's a follow-up from the 1st EP- now that I'm not into any rush with love, I need to distance myself a bit and work on my a bit, work on my inner "demons", if you will. This EP will be telling a story of what I've been going through for the past 2 years and I'm so excited to be releasing this soon come early Spring 2022. What's next for you? With all that's happening in the world, it's hard to say but definitely more live performances are on the table. I want to be able to do music festivals and more. The last show I've done was opening up for Davido back in 2018. I'm definitely working on new songs, new singles and I'm trying to give my fans new music every month or every 2 months and eventually work on my 3rd EP. In 2020 and 2021, I challenged myself to work hard and be consistent and I can see that it's definitely paying off. Instagram Facebook

The Northwest Indiana farmer-musician and country-folk recording artist Dennis J. Leise releases a straightforward tune on the dullness of routine entitled "I Only Do It 'Cause I Have To." After listening to Dennis J. Leise's delivery and artistic approach, it's clear that he doesn't tiptoe around any issue. Known for his tightly-written throwback country-folk songs and clever, memorable verses, one can only stare reality dead in the face when listening to Leise's witty yet blunt lyricism. His latest single, "I Only Do It 'Cause I Have To," is an "honest confession of exhaustion and a protest against the dullness of routine," notes Leise. In the song's accompanying music video, we see the Indiana musician act out his routine as a farmer, which once gave him joy—but after evolving into a world where there's no love left in that labor, he only does it cause he has to. Expanding on the new single, "I Only Do It 'Cause I Have To," the tune opens with a cheerful midtempo country-folk instrumental, but that uplifting tone is quickly swallowed by Dennis J. Leise's warm vocals that sing a bitter message. Leise's songwriting is smooth and poetic, perfectly voicing his thoughts on what his farming routine has become. Peeking at the song's music, we get to know Dennis J. Leise on a more personal level as he walks us through his routine as a farmer; trimming the hedges, feeding the goats, caring for the chickens, letting the turkeys roam about, etc. There are also a few cuts to Leise sitting on his grounds, picking away at a washboard guitar— playing the farmer "routine" he seems to have gotten too caught up in. Experience a day in the life of Dennis J. Leise with his latest single and music video for "I Only Do It 'Cause I Have To." Find the song on all digital streaming platforms and the music video on Youtube. Welcome to BuzzMusic, Dennis J. Leise. We truly appreciate the honesty and poetic approach you've taken with your single "I Only Do It 'Cause I Have To." What inspired you to write a song about the dullness of routine, particularly yours? Back in 2020, I was almost completely isolated from the world on my small farm in Gary, IN. On the one rare occasion that I had a couple of friends over for a hang, my friend Scott Ligon (NRBQ, The Flat Five) sent me an idea for a song that he had with just the title, "I Only Do It 'Cause I Have To", which came to him after waking up from a nap. I love riffing on ideas like this, so I started right into it. To me it was really easy--there is so much I do, simply because I have to, as I'm sure everyone has. How long did it take you to write the lyrics for "I Only Do It 'Cause I Have To"? What was your songwriting process like? Honestly, once I landed upon the delivery and feel I was after, the lyrics themselves took about 15 minutes to write. I decided to try to keep it as vague as possible in a dual effort to both be coy/clever and also broaden the appeal of the idea to be more universal. I never get around to saying what "It" is. My writing process can be all over the place from song to song. For this one, since it came from a friend and qualified, in-the-industry source (I get enough suggestions on what I should write a song about in general, that I've actually written a song about these suggestions.), I wanted to give it its due. I love songs about ideas, so I did my best to craft them in that direction. You can interpret it from the sublime to the ridiculous on what I/we only do because we have to in this life and world. Who helped you shoot and create the music video for "I Only Do It 'Cause I Have To"? Did you have a director help execute your ideas? I worked with Rob Fitzgerald of Hip Video Promo. He and I had worked together previously on my "Nobody's Comin'" video (A Gospel Song for Atheists) and we got along great. I sent him a handful of tracks from "The World That You Grew Up In Is No More" and this was one that called out to him and got some ideas going, him having been on my farm previously and having seen what all I have to do to keep things going. We collaborated on ideas and went with what you see here, and I couldn't be more pleased with the outcome. What do you hope your audience feels and takes away from the single and music video "I Only Do It 'Cause I Have To"? I'm hopeful that people enjoy the song and the video. My greater hope is that it makes them contemplate the things they actually have to do, vs what they don't have to do, and in so doing, approach life in a different way--whether it is by altering the number of things that they have to do, or the way in which they approach what they have to do. Too often we feel like we're trapped in the devices of our doings to just keep on keeping on without thinking about how we can make things better. If there is mindfulness in any direction as a result of this song, I see it as a good thing. What's next for you, Dennis? I'm hoping to get back into the studio as I always have ideas that I'd like to see get the treatment. Beyond this, COVID permitting, I'd love to get out on the road. Otherwise, I'll just be doing what I have to to get by. twitter.com/dennisjleise

Greg Hoy has taken on many roles throughout his career. He has seen every moving part of the music scene from his early start in the tech industry to become a singer-songwriter, multi-instrumentalist, recording producer, and label owner. Knowing how to walk the walk, it's his vast knowledge that makes Greg Hoy & The Boys a well-oiled machine, cranking out tunes to the likes of Jack White, Queens of the Stone Age, and The Beatles. Dedicated to expanding their creative artistry in more ways than one, it is clear that Greg and his formidable bandmates connect with fans of all walks of life and from all demographics. We always love when the modern sounds of music revisit old-time favorites. A prime example is what Greg Hoy & The Boys deliver to us in their lively rendition of ZZ Top's "Sure Got Cold After the Rain Fell." Empowering us with a simmering blend of musicality bolsters a hypnotic foundation of nostalgia, the melancholy that pours from this record brings back a refreshing essence of rock n roll. Through the melodic progressions that amp up in intensity as "Sure Got Cold After the Rain Fell" advances in its harmonious nature, we hear the passion that sprinkles into this creation. Of course, it's always a challenge to cover such notable records, but Greg Hoy & The Boys manage to give us a new slice of the pie as we hear what they bring to the table. Each powerful percussion hit lingers with its sparsity and impact as moments like the sustaining guitar riffs get a chance to shine even brighter in the emotion-driven solo. Weaving into the smooth essence of this rock ballad, the infectious grooves keep us in line as we eat up every word that Greg Hoy wistfully portrays. Motivated to project his emotion through the breakup of many things in his life, Greg Hoy & The Boys take a timeless piece and give it the attention it deserves in 2022. We're thrilled that you took on ZZ Top's "Sure Got Cold After the Rain Fell" and made it into something of your own. How did it feel to tackle this song versus an original creation motivated by emotion? We're thrilled, too! With the passing of ZZ Top bassist Dusty Hill late last summer, worshippers of that lil ol' band from Texas mourned together in the usual way — revisiting the band's incredible catalog. We noticed many clubs during our fall tour across the Central part of the United States were playing early ZZ Top albums before and between the live acts. This particular tune, from their album 'Rio Grande Mud', played in Kansas City, KS, just before our show there. Jungle Jim the drummer of that tour and me looked at each other and said 'Holy moly this song is a lost gem'. Though best known for their 80's synthesizer and MTV period, it is their first 4 records that really impress the most. Their early recorded work cannot be touched as far as taste, sonics, and simplicity. How long did this concept and record take to come to fruition? What was the creative process like? Almost every Halloween means recording a cover song. Now, covering ZZ Top is not to be taken lightly. I knew if we were going to try one, it had to be special. After the tour, and with the current feelings around the state of the world, covering 'Sure Got Cold...' became the obvious choice. The GH&TheB's recording's rhythm section on it is the same as the 'Cacophony' album recorded in the summer of 2020 out here in Oakland, CA. Jason Slota is an incredibly intuitive drummer, and Ian Miller is bass and all things bass. They were jazzed to tackle this song. After many meager attempts at playing the guitar part like Billy F. Gibbons, I finally gave up and learned the main riff on my 1922 Steinway in my living room. (You can see our setup in the video for the song). My dear friend Lara Hope added her vocals out in Kingston, NY at the very last minute. And I still get the goosebumps listening to it. Who makes up Greg Hoy & The Boys? How did you all come to meet, and what is it like working with one another so creatively? Oh, I think it's at probably around 30 or so folks that have been the 'Boys' at this point? The first version of the band in NYC back in 2006 was myself and three very competent musicians that happened to be women. Clearly, Jack White consistently steals my ideas. The trio changes — from tour to tour, and sometimes even from show to show — depending on everyone's availability, the type of music a particular venue may be best suited for, etc. And for the next tour, we're expanding to a 5 piece so I can try just singing. I've only done this for two shows ever, and I enjoyed it. I get to pretend to be Guided By Voices. It's lovely for me to be consistently surprised putting different personalities together to celebrate this great religion of rock n roll. How have you found your growth as an individual and a band since you began creating? There's magic to just making things. It can be dinner, or plans, or a song. Creating is my drug. It's addicting. Some weeks I'll write a song a night. A lot of them aren't very good, and that's ok. The simple act of conjuring something out of thin air is still a miracle to me. And the people with whom I perform are just the best. Some of them have been playing with me on and off for 20 years. What's next for you? There are about two dozen songs sitting on a hard drive in various states of completion. My dear friends Tom and Paul - who I met in Pittsburgh 'back in the 90s' - recorded with me at my cabin on Lake Superior last summer. I'm finishing 2 EPs from those sessions - one of the rock songs, the other more introspective. They're flying out in May and we'll tour California for a few weeks. Who am I kidding? We'll road trip Highway 101, hike, sightsee, and lay on some beaches. And then we'll get to spend 45 minutes at night playing rock n roll because what else is there to really enjoy in 2022 but nature and each other's company? thegreghoy.com facebook.com/greghoyandtheboys twitter.com/thegreghoy instagram.com/thegreghoy

The resilient recording artist, producer, and singer-songwriter Drey releases a profoundly emotional and honest anthem with her latest single, "Losing Game." The 22-year-old singer-songwriter takes incredible pride in writing, recording, and producing all of her music. Learning her chops from her minor in music at the University of Alabama at Birmingham and being classical trained, Drey recently learned her way around the guitar to broaden her artistic horizons. Drey's latest cathartic single, "Losing Game," is one that will definitely stand the test of time. The song is incredibly personal to the young recording artist as it was written from the perspective of an addict struggling in silence and trying to overcome their condition. "I'm so excited for people to hear this song and hope that it can make someone struggling feel less alone," notes Drey. Expanding on the new single, "Losing Game," the song gently begins with a lush and melancholy acoustic guitar and Drey's soft and warm vocals. As she begins to elaborate on the song's heavy and genuine theme, Drey tugs on our heartstrings with her extremely relatable words that sing of the inner wars of an addict struggling to cope in silence. Drey belts her vocals in the brightest and most radiant way to emphasize the song's empowering hook while reminding us that reaching out when in a time of need is essential. As she takes us around the hook one last time towards the outro, Drey leaves us staring at such harsh realities dead in the eyes while wondering how we can lend a helping hand. We genuinely appreciate Drey's new single, "Losing Game." If someone you know is struggling with addiction, please make sure they know they're not alone in this journey. Find "Losing Game" on all digital streaming platforms. Welcome to BuzzMusic, Drey. You've truly touched our hearts with your latest honest and resilient single, "Losing Game." Why did you want to create a song about addiction awareness and how addicts often struggle in silence? I wanted to create a song about addiction because last fall I had the opportunity to experience how heartbreaking it is. I think that erasing the stigma related to addiction is essential in advocating for more widespread available resources in order to help people heal. I think that many people have a preconceived notion of what addiction is and have no idea how those reliant on a substance suffer. I think the more people understand what addicts face the better they can help those close to them heal and cope. What was the most challenging part about writing your genuine lyrics for "Losing Game?" Did you face any personal obstacles during your songwriting process? The most challenging part about writing "losing game" was finding the right words to describe how lonely addiction can be. Many times it feels quite literally like nothing will ever be able to stop the hurt and that the only way out is the worst way. Once I had the chord progression and the main message, everything sort of poured out. What do you hope the listener takes away and learns from "Losing Game?" I hope the listener takes away that it is never too late to seek help!! Addiction is a disease and no one should have to fight alone. Do you usually create such meaningful and compelling songs like "Losing Game?" Do all of your songs carry a significant meaning behind them? Most of my songs have significant meaning, but this is the first one I’ve released that I feel is what I wanted it to be! What's next for you? Next up is releasing more singles and a new album this year! Instagram

Integrative rock/soul band 7Descent are known for their uncomplicated approach to music. They collectively resonate with a heavy, yet poised sound and desire for their music to represent the real grit they know themselves to possess. Comprising of members Ed Taylor on guitar, Ishmael Herring on lead vocals, Andrew Cremmins on drums, and Brian Coffey on bass, 7Descent is truly the collective work of 4 individuals that share a similar passion for the art of sound. 7Descent has released its twist on the timeless classic, "Ooh Child" by The Five Stairsteps. The drive to cover this specific song comes from the tragic and heartbreaking loss of guitarist Ed Taylor's parents. The love and heart that's felt throughout their cover will persist in many ways, which we can't wait to hear in more of their original songs. That expected hosting and bustling melody of "Ooh Child" is set from the start, propelling listeners into a sea of free-spirited waves. With a soulful performance by 7Descent, the heart they're able to put up is undeniably strong and affecting. There's a grand impact left by the band, mostly due to their energy being authentically bright, as well as their mission to connect, inspire and uplift listeners through the power of music. Welcome, 7Descent! Thanks for joining us and congratulations on the release of the band's "Ooh Child" cover. We're sorry to hear about the passing of Ed Taylor's parents. The heart-wrenching loss was surely a difficult time for the band. With the cover being released, how are our emotions settling in now with you all, especially Ed? We recorded the track in May of 2021 a little over two months after my parents passed and to this day I still get emotional listening to it. The emotional feelings it brings to me take me back to that time when I was hopeless. What were some hopes you all had going into the recording of "Ooh Child"? Once you all heard the final product of your cover, what were your reactions? Did the cover meet all of your expectations? The final cut of the cover exceeded my expectations. I've heard several renditions of this iconic song and we are proud of the cover that we produced. I want to give a special thanks to the guys in the band and also guest performers on the track Kevin Lee Mcbride, Peter Gallinari, Cat Fritchman, and Chelsea Fuller. Everyone did an amazing job on this track and I am eternally grateful. Can you share what you all hope your audience feels after listening to your cover? First, my hope is that this song touches other people's hearts that have gone through the tragedy of losing their loved ones to Covid19. "Ooh Child things are gonna get easier" " Ooh Child things are gonna get brighter" "Someday yeah we'll get it together and we'll get it undone" "Someday yeah we'll walk in the rays of the beautiful sun" "Someday when the world is much brighter " These lyrics are what music is all about. These lyrics are what inspired me to cover this song with my band, They gave me hope. I hope they help others. The lyrics with that beautiful melody are what made me cry like a baby when I heard the song shortly after my parents died. When I was listening to the song, I felt the lyrics were being spoken to me through my parents. I felt as if my parents knew the pain I was suffering from losing them and they were trying to comfort me. Sometimes music can bring you to tears and this one definitely did. I truly hope that this song helps others who have experienced the untimely passing of a loved one, especially one's mother or father. Does the band plan to release music shortly? We are going to be releasing a video "Behind the Song" for this project. Yes, we have plenty of our original tracks that have yet to be released. 8 or 9 of them actually. We have enough original material to release a full album which is our goal this year. With the short attention span of listening to music these days we felt it was best to release them more like a slow drip rather than all at once. Stay tuned! What's next for you? I'm still trying to get back to what normal was before this whole pandemic. As tragic as the story of my parent's passing was, I was dealing with other critical issues during that time. My brother Chris was in the same hospital with covid when my parents passed, my 17-year-old daughter Sarah was in ICU at Vanderbilt's children's hospital. I also had covid along with my youngest daughter Kaylee and their mother Rhea. With Covid still so prevalent I very much live in fear of reliving that nightmare. I've been in and out of deep depression in this last year and look forward to daily life can feel normal again. Website Facebook Twitter Instagram

Toronto-based country/pop recording artist and singer-songwriter Peter Peres basks in the glory of genuine love with his latest music video entitled "Sold." Working as a photographer and videographer at concerts and music festivals inspired Peter Peres to begin his venture into the music industry. He has a strong link to pop and modern country music, and his emotive lyrics are a perfect representation of his wholesome artistic craft. Inspired by the likes of Brett Young, Jordan David, Hunter Hayes, and more, listeners can easily hear these influences shine through on Peter Peres's songs like "Sold." This song is a heartfelt piece of pure, devoted passion that speaks on the comforting sensation of knowing a lover will stick by your side no matter what. Peter Peres perfectly represents these themes in the song's new music video. The music video for "Sold" opens with scenes of a couple pouring a glass of wine and celebrating the moments they share together. As we shift into Peter Peres's heartfelt and energetic performance, his warm and tender vocals begin to expand on those precious moments with someone special while exclaiming his love for them in the utmost passionate and sincere way. What's refreshing about Peter Peres's performance is that his face beams with a warm smile the entire time. We can't help but feel that he's had some experience with musical theater, as his stage presence and charisma are truly inviting. The couple continues to share picturesque and intimate moments until the outro, where they suddenly begin to argue, leaving us with a "To Be Continued" caption that's doused in anticipation. Catch Peter Peres's heartwarming music video, "Sold," on YouTube, and find the single on all digital streaming platforms. Welcome to BuzzMusic, Peter Peres. We admire the passion and genuine emotion you've performed within your music video for "Sold." What inspired you to write the song itself? "Sold" was one of the first few songs I wrote for my upcoming EP. It was written by my friend and fellow artist/songwriter David Madras. He had put the title down in the writing room and from there, we both shared the things that sold us on our previous relationships and applied it to the song. Being in a relationship is very special so we wanted to capture that emotion in the song. What was it like shooting your music video for "Sold"? Did you have any directors or other team members help bring your ideas to life? The music video was shot by Roadhouse Productions and both of us came up with the ideas showcased in the video. This was my first music video ever being filmed and the process and production of it were really fun. It was all shot in one day and couldn't be happier with how it all turned out. The guys behind Roadhouse are also really great and fun to work with and I recommend them to any Canadian artist based in Ontario looking to film their next music video. What did you want to make the viewer feel when watching the heartfelt and touching music video for "Sold"? What did you want your audience to experience? This is an upbeat love song so I definitely want my viewers to feel happy and in love while watching. Whether you are in a relationship or not, love does exist in many shapes and forms and I definitely want my viewers to experience that emotion. I also want couples to be able to relate to the song and visuals being presented. The actors in the video are also a couple in real life so their love presented in the video is very unique and natural to them. Seeing as the music video for "Sold" ended with an argument and a "To Be Continued" caption, could you give us an idea of what we should expect next? I don't want to give too much away, but the story will be continued in the music video for my next radio single which will be released sometime in March. So look out for updates on my website and my socials. What's next for you? I have my next single coming out at the end of this month and it will lead to my next radio single being released in March of this year. Following that is my debut EP which I'm super excited to finally put out into the world. peterperesmusic.com

Sam Handy began penning songs in 2016; a year later, during a studio session in Newbury, he ran into producer Ed Stokes, who collaborated on his hit song, ''She Lit Up the Floor.'' They'veThey've been working together ever since. With the successive releases, he moved into a more experimental alt-pop territory. This style and sound come naturally to the up-and-coming singer-songwriter. Sam Handy is now ready to bring listeners a piece of his latest single, "Done," as he encourages us to soak up the feel-good vibes. Touring the glorious harmonies accompanying the jaunty and upbeat energy portrayed in the record, it's relatively easy to fall into the infectious grooves filtering through the speakers. Sam Handy has a unique vocalization that invites us into a jazz-like ambiance in the alternative pop territory. "Done" brings a lively feel to the theme of saying goodbye to toxic relationships. Acting as the sonic middle finger that powerfully establishes itself in a realm of emotion-filled ballads that tend to rock the broken relationship boat, there's a vivacity and sign of life that comes from the hopeful glimmers sparked up. Sam Handy's melodic range is rather impressive as we dig deep into the nitty-gritty of "Done." Upon a minimalist instrumental that complements the full-bodied croons heard on this track, it's a seamless blend of simplicity and moving forward that brings this song to the top of our radar. With "Done" being his most recently released piece, there's a beauty that comes from the unknown as Sam Handy gears up for his next single launch. Eager to treat our ears to the sounds he has in store for us, we highly recommend that listeners check out "Done" and see what all the hype is about. Welcome to BuzzMusic, SamHandy, and congratulations on the release of your latest single, "Done." It's genuinely refreshing to hear such a unique approach to a song that signifies the end of toxicity. What inspired you to approach the song in this manner? I wanted to write a song that could hit back. To show independence and growth in an individual, without being too generic and soppy. It’s about a cruel and toxic person, but I didn’t want to stoop to their level. I wanted to show them up and call them out, whilst remaining the gentleman. I wrote this song to be on the offensive, but without the aggression. At the end of the day, he/she isn’t worth it, and it’s about being better than them. What was the straw that broke the camel’s back in terms of the inspiration leading you to write on this subject matter? I had been listening to a lot of neo-soul. Anthony Hamilton and D’Angelo, are artists I absolutely love listening to again, and again - on my good days, and my worst. I had to write a song that was reminiscent of that era, but I had to stay true to myself. I wasn’t going to fake it, so I remained somewhat the pop artist but truly dug deep for this new sound and style. That humbling attitude and daring lyricism. How does "Done" speak to who you are as an artist and individual? As an artist, I believe it showed me that I could be more experimental with my sound. That I can really push myself instrumentally and be more ‘poetic’ lyrically. I found it hard to write a song like ‘Done’ because it was so easy to be generic and cheesy. I found I was able to walk that fine line after plenty of trial and error. As an individual, I discovered the more important values in my life. And I cherish them even more after this time in my life. Could you please share a glimpse into what the creative process looked like when bringing "Done" to life? Are there any memorable moments? I spent hours figuring out the chord progressions I wanted to use, and how I could make them more impactful rhythmically. I really wanted to push the boundaries of my melodies and harmonies. I spent weeks getting the lyrics right. Originally, the song was a lot ruder and vicious, so I had to take some words out and take a step back from the aggression! Then it was sounding too cheesy and too obvious. So I spent forever perfecting the structure, and timing, of each line and phrase. Eventually, I thought I should record an acoustic guitar solo, something out of an old Western movie. It took me several hours to figure out that solo, and another hour to record it perfectly. By the end of the recording process, my fingertips were white with blisters! Instagram

Drachel uses her unique sound and magnificent songwriting ability to show the country music world just how powerful women in music can be. With a history of performing, Drachel is ready to show Nashville she is not here to be taken lightly. Tapping into a healthy dose of reminiscent 90's country music tenors, Drachel revitalizes the term Country Queen with the release of her latest single, "Champagne and Roses." Giving us a slight edge to the empowering nature of this record, we admire the charisma that comes from Drachel. She has us reflecting on the likes of everyone from Reba and Dolly Parton, to Shania and Jo Dee Mesina. Filling her sound with glimmers of these techniques, Drachel manages to give the music she creates her unique flair while keeping the femme momentum strong. The top-tier production quality accompanying her forward timbres has Drachel's vocals standing out on "Champagne and Roses" while gliding across this masterpiece in a buttery fashion. Lyrically, her songwriting aptitudes have her taking us to a narrative that makes it crystal clear that while she loves her life and her partner just the way they are, sometimes it's nice to go all out and get pampered once in a while. Speaking on such a relatable topic, there's no doubt that Drachel has everyone in the world of love seeing through her rose-colored glasses as they tap into "Champagne and Roses." Welcome to BuzzMusic, Drachel! Congratulations on the release of your latest single, "Champagne & Roses." With such an expressive song that spoke to us dearly, is there a story behind the inspiration of this record? It was actually inspired by my parents! They were high school sweethearts and have now been happily married for 25 years. Growing up around that kind of love taught me never to settle for less than I deserve. Watching the way my dad treats my mom—showed me how a gentleman should treat a lady. Let's talk about the music video! What was the concept in your mind when bringing this vision to life? Did it come out exactly how you imagined? Right off the bat, I knew I wanted the music video to illustrate the real meaning of the song. I think that even though it’s cute and fun with a sort of tongue-in-cheek lyrics, “Champagne & Roses” has an important message. A successful relationship isn’t about how much money you spend; it’s just about making your partner feel loved. I really wanted to emphasize the compromise factor, and show both characters going the extra mile, even if it means getting out of their comfort zones a little! Was there anyone assisting you with the production of this record? How did they help bring the essence of "Champagne & Roses" to fruition? Yes! Sean Giovanni at The Record Shop is my producer and artist mentor. I told him my vision when I sent the first work tape for Champagne, and he got to work immediately. He helped me revise the song until it sounded like it did in my head. He was always available to bounce lyric ideas off of, and he found the perfect team of musicians for the live-band studio recording we wanted. He mixed the song, and Joe LaPorta mastered it! If your audience could know one thing about you that they don't already, what would you want it to be? I would just want people to know how grateful I am for them listening to my song!! This has been my dream since I was 5 years old, and it feels so surreal every time I get a message from someone saying that my music means something to them. What's next for you? I am so excited about my next single, and I’m hoping to release as soon as I can! It means so much to me, and it’s probably my favorite song I’ve ever written, so I can’t wait for y’all to hear it! Facebook Instagram Youtube

Hailing from New York City, the scrappy rock band The Jones Title releases the first poignant single, "Lonely," off their forthcoming second installment of four EPs. Percussionist Justin Gray wanted to take advantage of the rehearsal facilities during his role as a teaching assistant and Carnegie Hall's education program, leading him to reach out to childhood friend and vocalist Brian Detlefs. Detlefs spoke with bassist Roger Mulligan about playing together, and Mulligan knew guitarist Joey Vaughan wanted in. From there, the rest is history. The Jones Title is in the middle of releasing a double album over four EPs, and their latest single, "Lonely," marks the second EP installment. This song was written and sung by guitarist Joey Vaughan and depicts the painful situation of parting ways with someone he spent half his life with, only to realize the effect loneliness has on his view of the world. Hitting play on the new vulnerable single, "Lonely," the song peacefully opens with Vaughan's melodic and sparkling lead guitar, setting the moody and heartfelt tone. As he begins to showcase his soothing, warm, and wistful vocals, he lets us in on the troubling thoughts of feeling like he lost a genuine part of himself. As The Jones Title slowly but surely makes its way in, the song's atmosphere lifts into this soulful and chilling sonic landscape that perfectly portrays those life-altering moments. We adore how The Jones Title started slow and built this sense of anticipation that carries us into the dreamy, dynamic, and lush outro. We truly appreciate the raw and calming emotion of The Jones Title's latest single, "Lonely." Be sure to catch the single on all digital streaming platforms and stay up to date with The Jones Title as they announce their forthcoming EP. We genuinely appreciate such a raw and honest single like "Lonely." What inspired your group to take it down a notch and create this emotional slow-burn piece? The song itself was actually written way before the band even knew each other and intended for a different musical project altogether. I think Justin and I (Joey) were living together for a brief period and sharing ideas in the apartment back and forth. When I played it for him, it was just a stripped-down, almost Townes Van Zandt style and direction. I heard a quiet, unassuming, and lonesome tune, but Justin and Brian got really psyched on the idea of layering all these parts and revealing them one by one that lead to these big choruses. I had no other plans for the tune when we recorded so we sort of just went with it and let it happen. We weren’t really sure about putting on the record until we added drums to it in the second session. We were kind of feeling it out, but once we heard where it could go we dove in. Regarding Joey Vaughan's sincere songwriting, what was your experience writing and singing "Lonely?" Was this your first time tackling that process as a part of The Jones Title? Not to be dramatic, but it was written at the end of a relationship as you can probably guess. And if you’re going to write a song about a relationship ending, I figured it was probably more interesting to write about a relationship that lasted half a lifetime, like two people who know each other so well that it’s almost a shared identity. A couple who have grown apart as they start to go grey and it feels like it’s the last person you’re going to get to know. The truth though is that no matter how long anything lasts, isolation for any stretch can feel so permanent. It’s interesting that everyone in the band supported this song so much at a time when a lot of us were kind of forced into very lonely positions, and sometimes even reconsidering our definitions of the word, due to the conditions of the world. It’s probably not just coincidental, but either way, I think it hits at a feeling that is very universal and prevalent in our world these days. Could you expand on your band's creative process when creating the dreamy and chilling instrumentals for "Lonely?" What sort of atmosphere and vibe did your band want the song to emit? It was….and I have another song that will be on the record down the line that has a very different arrangement, but this was the first time I took a song to the band and we threw it through our process. I mentioned I didn’t have other plans for it really, so it was really interesting to just let go and follow it down the rabbit hole. It can be a challenge to let go of an idea you have of a song completely and watch it become something you never considered. And credit to Brian, who writes the majority of our songs and the process is essentially the same for every single one. So it almost made it easier for me since I saw what we can do with raw ideas, which made it much easier to trust the band with it too. Expansive while remaining personal. We wanted to blend the intimacy of Joey’s original solo arrangement with a more sweeping, almost cosmic wash of sound, like if we capture what it would sound like if you could hear the Earth turn on its axis. We hope that someone listening might get the feeling of staring into a cloudless night sky with a ton of stars. Hopefully, those choices juxtapose the heartbreakingly understated and personal nature of Joey’s vocal performance and lyrics. In pursuit of all that we basically mixed as we arranged. We threw a ton of different colors at the song through different tracking layers and then carved away at it until the song took shape. We added about three electric guitar layers, 2 guitars in Nashville tuning, a synth pad, 5 backing vocal layers, and probably more we’re forgetting at this point. Justin ran the board for a majority of those sessions, and he and (Producer) Dave (Rosenberg) definitely kept us from this one just becoming a slur. How does "Lonely" fit into the concept and theme of your forthcoming EP? Why did you choose to release the song as the lead single? Lonely really captures the feel of the next EP, because it’s really meant to be the nadir of the entire project’s narrative. The entire Birkenhead Drill series is all based around this loose narrative of ego death, and this second EP is really meant to capture that moment of change when everything feels a little aimless and hopeless. Lonely really is the harbinger of that feeling, because probably the first trick our brains play on ourselves is convincing us that we’re somehow alone in our pain, that we’re somehow uniquely or irreparably damaged. We really feel like Lonely just perfectly captures that feeling that so many of us can end up feeling around this time of the year, and we think it’s important to lean into it when you need to. It’s about letting yourself admit where you’re at so you can chart your path forward. And we’re super excited about the stuff we’ve got scheduled ahead of us. Our first few singles and the entire first EP were really rocked n' roll. Very much in the kind of modern indie/alternative rock sense. While creating Birkenhead and the concept to release the multiple Ep’s we tried to group the songs in a certain way that will complement each other. With the second EP and this single, we really wanted to switch it up and give you something different from the first EP while still giving you The Jones Title feel. The hope is that every time we put something out there’s a certain level of anticipation surrounding what corner of our sound we’re going to push to the forefront. We take a lot of pride in creating music that feels expansive and dynamic. With everything we released on the first EP, Lonely just feels like the perfect way to pivot and really show off something completely different. We promise to continue this idea with the last few EP’s as well. What can listeners anticipate next from you? A deeper dive into some of the ideas that we’ve started to explore with Lonely for sure. But also a lot more evolution and growth. We’ve been looking at this whole first run of EP’s as really defining what the Jones Title’s sound exactly is. We think there’s a lot more we have to offer and we’re super excited to share it all with the world. We’ve got two more EP’s on the horizon, and our debut album, Birkenhead Drill, which we hope is going to encapsulate this work in a lot of really cool ways. We’re pretty jazzed for everyone to hear what we’ve got to share. Instagram Facebook

From Flint, Michigan to Los Angeles, Master songwriter and producer Pendrick Lamar isn't just focused on his evolving music career, but yours too. Having been stationed in Iraq then venturing into engineering school in Arizona, Pendrick knows the dedication and relentlessness it takes to have a career in the music industry. Buying his studio and sleeping in his car or the vocal booth led the Master songwriter to work directly with names like Saweetie, G Eazy, GASHI, PRETTYMUCH, and more recently, Disney. Pendrick has always held a passion for developing artists, similar to his main inspiration Jermaine Dupri. With the new Pen State University 30-Day Songwriting Course, allow Pendrick Lamar to mentor you, the hitmakers of tomorrow. He also encourages other serious and evolving artists to reach out and hit his studio if they're open to consulting or collaborating. Stay up to date with Pendrick through his Instagram and Twitter. Welcome to BuzzMusic Pendrick Lamar. It's great to have you with us. Can you start off by telling our readers a bit about yourself? My story started in Flint Michigan, went to The Army and Iraq, to an Engineering school in Arizona. From there, I started producing and making beats and moved to Atlanta. I basically grew up as an adult there and after some time, I realized my true passion was on the songwriting side. At that point, I felt like Pendrick Lamar was a cool play on words, rebranded my entire image, and moved to Hollywood where I’ve been now writing songs for the last three years. Sheesh. Can you talk to us a bit about the challenges and lessons you’ve learned along the way? Looking back would you say it’s been easy or smooth in retrospect? The music industry is everything but a smooth road. I moved to LA with everything I owned in my car about 3500$ and big dreams. 2600 of it was gone day one as I opened a recording studio that I lived in for months before I was finally able to get an actual place to stay. I slept on the floor of my vocal booth after sessions and sometimes even in my car. But I had faith that once I was able to build up my clientele, everything would work out. It took about six months of walking to 24hour fitness to shower every day and literally one bathroom stall for 15 studios to share before I finally was able to get a proper place to live in addition to my studio. But I thugged it out because I knew the plan would work! I live by faith. Let Go and Let God! Thanks – so what else should our readers know about your work and what you’re currently focused on? I’ve always modeled myself after Jermaine Dupri. He was known not only as a hitmaker but a star creator and artist developer as well. I’ve always wanted to develop and groom artists from the early stages as they transition into their stars. I was able to move to LA off the heels of getting the first and only artist I had signed a record deal with. Since then, I’ve been developing a couple of social media influencers and rising singers. Along the way, I’ve also worked directly with artists such as Saweetie G Eazy Gashi Pretty Much, and most recently Disney. Alright, so to wrap up, is there anything else you’d like to share with us? I’ve been able to be in some pretty dope rooms since I’ve been in LA and as a result, I’m in a great position to help upcoming artists get to the next step in their careers. I’d love to connect with the next star and consult or collaborate! I also have a studio in the North Hollywood area that has a great sound and a creative vibe. If you’re really serious about your career, don’t hesitate to reach out! Instagram Twitter