Search this site

Toronto-born singer, composer, and multi-instrumentalist Jennie Laws has emerged as a beautiful and brilliantly talented arrival on the cutting edge of today’s music. She’s best known for her unique songwriting skills, distinctive sultry voice, and story-telling delivery, with the ability to bring it all together in one accessible and appealing package. The pulsating soundscape exposed through her most recent single “Everything You Know About Me,” has us completely absorbed in the warm vibrations radiating from a clear as day summer track. Transporting us to the shoreline where we hear this single acting as the soundtrack to our life, the balminess radiated from the welcoming environment sends us into overdrive. With mid-tempo instrumentation that compliments her sensual vocals, the smoky essence is a contrast that hones in the overall structure of this truly unique summer vibe. From melodically capturing your attention the moment this song begins, you get taken into a world that is authentic to Jennie Laws and the virtuoso talents that she personifies. What we love the most about “Everything You Know About Me,” has to be the fact that it takes over your very being in a way that conveys vivid imagery to the musical landscapes Jennie Laws has set in place for her audience. It’s hard to replicate such a quintessential trait that ultimately gives a record its entire groove. Jennie Laws proves that she doesn’t need to fit into a cookie-cutter of genres in order to take the world by storm. Getting us all prepared for the summer, we’ll be keeping this track on repeat. Hello Jennie Laws, welcome to BuzzMusic, and congratulations on the release of “Everything You Know About Me.” This is the ultimate summer vibe wrapped into a single song! What inspired the narrative behind this piece? Thank you so much! Right? The song is such a vibe. You know, the concept “Everything You Know About Me” just came out naturally once we created the guitar riff and drum groove, so we just rolled with it and didn’t second guess ourselves. That feeling when someone close to you has that power over you because they know too much and could expose you if they wanted to, but you trust them and that’s the beauty of it. I wanted to capture that reality in a song without overthinking it. In your own words, what does this song mean to you? What are you hoping that your audience takes away from it? From love lost and love gained, to moving back home and reconnecting with my roots, this song deals with the core of who I am and inspires others to be themselves. From secrets and fears to excitement about the joys in life. Everything you share with the people closest to you. We all experienced that getting through the pandemic and finding a new footing in life. I’m hoping the listener takes away a sense of vulnerability from the song - that feeling when you open yourself up to someone completely, revealing all which is good and bad about yourself. But that it’s also a wonderful thing, a rare joyful beautiful thing to be treasured and celebrated, urging you to move and sway to its infectious rhythm. Could you please share a glimpse into what the creative process looked like when you brought this song to life? Do you find that being well-rounded in all aspects of your craft allows this process to flow more naturally? Most definitely! Well, producer Frank Nebula and I were in the studio in Los Angeles one day not too long ago, and he asked me to play a guitar line that I was vibing with. I’ve been really digging this lo-fi guitar sound that has been growing on me as a listener. From there we built a complementary drum groove around the guitar, and I was instantly inspired with a vocal melody and even a few lyrics to get us started, so we could finish the bass and drum idea before I headed back home to Toronto. I couldn’t stop dancing to it! After I left town, he worked on it a bit more on his own using a rough vocal loop I had quickly recorded, then sent me the stems so I could start layering and completing the track. We had another writing session over Skype, mutually agreeing that we should trust our instincts and stick with our natural reaction to the beat with the concept “Everything You Know About Me.” This got me pouring out my heart and writing the rest of the melody and lyrics. I didn’t hesitate, I just let it flow freely. I recorded more guitars, through my Peavey amp and AKG C-1000 microphone on my Fender Stratocaster, and completed the vocals over the course of about a week because I was juggling a bunch of other projects. I used a Neumann U87 for the vocals. Usually, I’m like a mad scientist in the studio, going nuts with tons of harmonies and production ideas, but this time we decided to keep it simple and just create a vibe. I do find that it helps a lot to be able to play instruments, record and edit audio myself, and have enough knowledge of production and composition to never feel stuck musically or that I can’t take something all the way to its completion without outside help. It really is very empowering, and I always encourage other singer/songwriters to learn these skills so that they have the freedom too to accomplish whatever they desire. What’s your mission statement as an artist? My mission statement as an artist has been the same since I was fourteen years old: to spread universal Love through music. By universal Love, I mean that good energy that you can feel but can’t quite name. That stuff that everything is made of, that vibration that is more powerful than darkness, than evil. We’re all capable of going in either direction - more towards our dark side, or more towards the light. I choose the light and I choose to express it through creating and sharing music. I want to add something positive and authentic to the world, in a way that you can feel and relate to. Instagram Twitter

The California-based alternative artist, guitarist, and singer-songwriter Jared Harper invites listeners to let loose with his latest upbeat single, "All for Me." With help from his signature sound influenced by The Strokes, Arctic Monkeys, Oasis, The Beatles, and John Mayer, Jared Harper has managed to land himself a loyal and ever-growing fanbase. With plenty of radio airplay and features on various online blogs/magazines, Jared Harper has proved himself as an artist here to stay. Now unleashing the ultimate party-rock anthem entitled "All for Me," Jared Harper brings listeners into a heated and exhilarating soundscape through his fiery basslines and smooth drum breaks. Inviting listeners to flee their everyday woes with help from this single, Jared Harper also had this to say, "It was written in 2018 as a thunder-cracking form of encouragement not to miss out on good times or let others miss out. It resonates today more than it did back then." Blasting into "All for Me," the track begins with short electric guitar bursts, smooth drum breaks, and a plucky bassline. As Jared Harper makes his breathy and warm vocal appearance, he sets the song's energetic tone through a quick transition into the hook the unleashes the beast of pop rock. Pushing through the single with the utmost life and energy, Jared Harper continues bringing listeners into picturesque scenes through his passionate lyricism and groovy rock-inspired instrumentals. Making our way to the outro, Jared Harper and his rhythmic vocal approach delivers all the passion and heat we're looking for from our summer tunes nowadays. Don't miss out on the exhilarating experience of Jared Harper's latest single, "All for Me," now available on all digital streaming platforms. Instagram Facebook

Sinking us deeper into the grooves of alternative pop, the up-and-coming singer-songwriter and recording artist Alana releases a deliciously dancey single entitled "Taboo." Constantly showcasing her infinite vocal range through her alto and soprano abilities, Alana never fails to leave listeners captivated with each mesmerizing aspect she delivers. Enhancing her music through her pristine storytelling, it's without a doubt that Alana creates a unique ambiance that's impossible to ignore. As she continues seeking major record deals with labels, Alana's latest single, "Taboo," might just land her a contract, as it's truly refreshing and stimulating from each aspect. We can also feel heavy sonic and vocal similarities to Dua Lipa, as Alana creates rich pop soundscapes while leaving us in awe of her dynamic vocals. Plunging into "Taboo," the track begins with powerful major piano chords and steady claps. As a heavy bassline makes its punchy appearance alongside Alana's breathy and low vocals, she starts touching on picturesque scenes of young love and feeling lost in its glitter and glam. Reaching the hook, we highly adore the groovy sonics and instrumentation alongside Alana's vocals, as it gives us all the energy and drives to get on our feet. Not to mention Alana's broad vocal range; she goes from belting her powerful soprano vocals to sinking deeper into the low alto range while keeping us locked in for the ride. This track is incredibly fresh and modern, and Alana makes it all the more difficult to look away from such an infectious and beaming pop single like this. Don't miss out on Alana's latest stimulating single, "Taboo," now available on all digital streaming platforms. Instagram

Hailing from Cedar Rapids, Iowa, Gina Owens is a 26-year-old country music artist and songwriter. Gina began songwriting and performing at just six years old with her audience being anyone who would listen. Her dreams started early on with her all-girl band Fire Angels in fourth grade where she and her friends would write songs during recess and beg to perform them in front of their peers. Growing up on local talent shows, school plays, and national pageant stages, Gina Owens decided to take her talents to her own solo career. With the debut of her single, “Take Him Home,” Gina Owens hones in on a refreshing Country sound that has her shaking the industry paths in an impactful way. Through this power ballad that has a focus on nourishing guitar riffs and decisive percussion designs, the rhythm instilled into this arrangement leaves us with an established feeling of satisfaction. Gina Owens’ prevailing croons elevate us, as her storytelling delves deep into a descriptive nature, radiantly painting vivid imagery through our thoughts. As we transport ourselves to the very headspace that Gina Owens intends for us to, we get swept up into this striking ode to falling for someone bad for you quickly through a night out and knowing where he thinks the evening may take him. We become invested in this plot the moment that Gina Owens’ charisma comes flowing through our speakers. She conveys this narrative in a way that has us wanting more, as we embrace the astounding techniques she embodies to portray such an intense series of images through lyrical motifs. Basking in the integrity of this song, we walk away with our head held high and the unforgettable words ‘guys like him should have a warning,’ etched into our mind. Hello Gina Owens and welcome to BuzzMusic. We love the rich and mature essence of your debut single, “Take Him Home.” What does it feel like to have released this track into the world? I am overwhelmed in the best way possible. Since the release, my phone and social media have been flooded with such kind and positive comments about the song. I’ve had multiple people tell me they aren’t country fans but my song has changed their mind! I’m so incredibly proud of this song and everyone who made it possible. I’m beyond excited to get to share a piece that I am head over heels for and hear that others feel the same way! Could you please share a glimpse into what the creative process entailed? Did you work with a team to bring this vision to life? This song started where all great songs do- singing in the shower. Haha! I had a melody that I just couldn’t get out of my head and was singing it over and over, changing up the words each time I sang until something just clicked. I recorded it and sent it to the writing team at Off the Row Studio in Tennessee and co-writers Erin McCaffrey and Sarah Morey basically picked up where the song left off and created such a relatable storyline and catchy chorus. I knew that this was a song that would have people singing along to it I fell in love with it immediately. How long did it take for you to write this piece? Was there a specific moment or story to inspire the lyrics? As soon as I sent Erin and Sarah my rough draft of the song, they put it all together in no time. I feel like between the three of us we had it ready to go in a couple of days. They are an incredible team to work with. This song was inspired by that one person that everyone has at some point in their life that they know isn’t good for them, but they’re going to go for it anyway haha! We don’t want to admit it, but we’ve all been there and I feel like that is why this song is so relatable. As an artist, what is your mission statement? What are you hoping that your audience feels when listening to your music? I want my music to be something you hear and it turns your bad day into a better one. I want my audience to be able to see themselves in the story of my song and belt it while driving around on a Sunday afternoon. I want my songs to get stuck in your head and make you dance the second it comes on. And I want my audience to be able to feel the love and excitement I put into every word. What's next for you? I will be releasing 3 more songs this year that are produced by PT Houston at Off the Row Studio as well as focusing on performing live shows throughout the summer. My goal is to return to Tennessee to record more songs and eventually have a full album out in 2022! This is definitely just the start of it all and I can’t wait to see where this new wind takes me. Instagram Facebook

From Poland to Los Angeles, the soul-infused R&B singer-songwriter instills a sense of hopefulness and adoration with the themes of this single honing in on love being essential to the essence of life. Adapting to a retro-organic soundscape that pulls you in through waves of experimental hues, the formidable atmosphere drips into ominous indie rock hues through the musical arrangement cast out by Dan Searl. The atmospheric vocalization of Viktoria Vera elusively works its way into this composition before it breaks out into the prevailing nature of empowering reflection. As we carefully listen to the intricately crafted lyrics cascading euphonious timbres over the build of the instrumentation, we begin to feel the music on profound levels. With a narrative that is a mirror into us as human beings in society who continuously want more to the point that the world suffers when we repetitively compare ourselves to others. The end result is we wind up feeling that we are not enough. It takes an array of emotions to portray such a vulnerable reality through croons that poignantly shift your perspective for the better. "Living In The Future," has us blown away by the artistic versatility that Viktoria Vera showcases. She proves to her audience that she can adapt in a way that sees her reaching heights that propel her to unchartered territory. The brilliant collaboration between Viktoria Vera and Dan Searl takes the cake for being so intensely unique, and spellbinding. Welcome to BuzzMusic, Viktoria Vera, it's a pleasure to speak with you, the essence of “Living In the Future,” has us fully wrapped up in your talents. What inspired you to follow a different musical structure than the R&B/Hip-hop route that you’re used to? I would not say that artistically I am caught up in one genre. In addition, I would not call myself just an RnB and soul artist. I am influenced the most by those 2 genres but I enjoy mixing other genres. I don’t like limiting myself to one style of song. My goal is to create as many different songs as I can and find a way to make my voice shine through all the different formulas. We are honestly huge fans of both yourself and Dan Searl. So, hearing that this collaboration was happening completely left us in shock. What was it like working with one another? How did this collaboration come to be? I have always enjoyed collaborating and Dan and I have been consistently making music together since we met in 2019. “Living In The Future” was a co-write songwriting-wise as usual. What works well is that Dan has a touch with the production, beats, and lyrics and I have my voice, storytelling, and production preferences as well. Usually, when I write I like to write to a beat and use the music to inspire a top-line. Dan may come up with a new beat and I just hop on the microphone and see what happens. Spontaneity is an element in our work. A lot of melodies come from the feeling the beat fosters and in essence lays the groundwork for harmonically. Was there a particular moment that inspired the elaborate and vulnerable narrative told in this single? Yes, I have moments all the time when I miss my family for a long time and not being able to see them because of the travel restrictions however I wanted to enjoy myself and make the most of the opportunity that was given to me by God so I am always doing my best to stay present and be grateful for a moment. How would you compare “Living In the Future,” to others songs heard in your musical catalog? With this song, I felt the writing was on point and the message means a lot to me. I know people will connect with the message of needing to be present and not focus on the past or too much on the future. The lyric is meaningful for me as a human being - I never have recorded an indie rock song before this record and in general, I have always been a fan of rock so it feels good to share this song with the world. Instagram Facebook

Fronted by fiery-haired Aussie- Leah Martin-Brown, Evol Walks is a 5 piece band who call Los Angeles, CA their home. While in Stockholm, Sweden working on their forthcoming album, vocalist and songwriter for the band Leah, decided she wanted to put together a version of one of her favorite tracks of all time; “Man in the Box,” by Alice in Chains. Enlisting the talents of Swedish producer, engineer, and guitarist Chris Wetterstrom, lead guitarist Johan Lund as well as the incredible Los Angeles-based bassist and guitarist Alex Windsor, the group of musicians assisted her in bringing this vision to life. Delving into a full-on frenzy of driving guitar riffs, luminescent percussion hit, a deep bassline, and of course, the striking timbres of Leah Martin-Brown dipping into foreboding tones, Evol Walks rendition of “Man in the Box,” sends chills through our sound waves. There’s a burning passion that effortlessly drips from each member as the sounds amalgamate for a colossal sound that performs as larger than life. Each amplified note that is hit does the original justice in a way that mimics that charisma Alice in Chains is known for while solidifying the quintessence of Evol Walks with their added flair. Down to the heated guitar solo that sips on the warmth of intricacy, you bask in the energy portrayed through an extensive realm of dynamism. We can’t help to clasp onto the boisterous persona of Leah Martin-Brown as we hear her authentic nature lash out from a place of determination. The original meaning laced into the lyrics of “Man in the Box,” uses animal cruelty as a metaphor for humanity being trapped in confinement by censorship. Allowing that to sink into the topical events of the world today, we would say that Evol Walks has done an extraordinary job at having the vision sink into the status of the world and what their listeners are feeling worldwide. Together Evol Walks pays homage to the gritty, dark, and powerful tones of Alice in Chains while staying true to the original track and emphasizing their own creative environment. Welcome to BuzzMusic, Evol Walks, we absolutely love your cover of “Man in the Box.” Was there a specific moment that inspired you to release this single while working on your forthcoming album? Thank you! Alice in Chains is one of my favorite bands and, since being in Sweden, I've been really revisiting their album 'Facelift'- especially 'Man in the Box'. I love the track's darkness and the way the vocals explore both the lows and the highs of Layne Staley's range. I was in Chris Wetterstrom's studio in Enskede, Sweden (Music Solutions) to work on some re-writes for the album and was just struck by the idea to record our own version. I asked Chris if he would be willing to Produce, Engineer, and play the main guitars and he was super down! It honestly just started as a bit of fun and went from there. Then I reached out to my friend Alex Windsor in LA to play Bass (and she said YES!) and Chris knew a Swedish guitarist (Johan Lund) who also was keen to collaborate. So it came together really well. Do you find that your artistry takes any notes from Alice in Chains, or was this creation more of a one-off release? Lately, I've been finding that my writing is very inspired by the 90's grunge era in general. But this is more of a one-off release than a reflection of the upcoming album. How do you find the creative process differs from tackling a cover with your own flair, versus creating an original piece? When creating an original piece, you have a blank canvas. You can do anything your heart desires because obviously- it's brand new. When I approach a cover- I believe there are certain parameters that you need to work within, especially if you're attempting an iconic song such as 'Man in the Box'. If you change it too much, true fans of the original will most likely hate it. So I always try to pay tribute to the original whilst adding a small touch of myself rather than reinventing a song that (in my eyes) is already perfect. What has the creative and recording process been like for you in Stockholm, Sweden? Can you tell us anything about your forthcoming album? Being able to write this album here in Sweden has been absolutely incredible. Each and every co-writing session I have had has produced fantastic material for the upcoming album. Currently, we have around 23 tracks ready that need to be whittled down to 10-12 songs for release. As the writing process has occurred during the Winter, it has been easy to knuckle down and really work. Swedish Winters are so dark and so cold that it just makes sense to spend days at a time sitting in the studio writing music and drinking too much coffee! This country and the musicians and co-writers I have had the pleasure of working with here are incredibly creative. It's been an amazing process. What's your favorite release of 2021 so far, from an independent artist you admire? Alexa Villa just released her incredible song 'Invisible' the other day and I have had that track on REPEAT! It is an absolutely beautiful song. Instagram Facebook

Thirteen-year-old Anna Duboc has carried a flame for the arts since childhood. Gracing the stage at the young age of five, Anna Duboc has continued to bring her harmonious melodies to stages around the country. As we heard on her latest single "Blamed it on Me," Anna's voice soars over the soundscape in her soulful display of balladry and lyric delivery. Her musical inspiration comes from a wide range of artists including, Harry Styles, Billie Eilish, Adele, and Amy Winehouse, while also relying on her mother's professional songwriting career to educate on vocal techniques and music production. Anna Duboc writes from a personal place using her music to express emotions and center herself. Anna Duboc continues to explore her music abilities, having mastered the piano, Anna is now learning to master the guitar, pairing them to her soulful voice. Growing up in a house that was a "recording studio," Anna already possesses an advanced level of comfort in expressing herself through song. We cannot wait to hear what project Anna Duboc releases next. facebook.com/annadubocofficial instagram.com/annaduboc #BUZZMUSIC

Lost in a Memory is the solo music project of musician and producer Emmanuel Morales, affectionately known as Manny. He has been playing music on various instruments since 2008 and as of a few years ago, he began releasing original, self-produced creations onto streaming platforms. Recruiting the musical talents of Albuquerque New Mexico-based vocalist Zandi, the latest single delivered by Lost in a Memory is titled “False Promises.” Taking this heavy-hitting sonic composition and pairing it with eye-catching visuals is the way Manny operates his foundation of storytelling through numerous senses. Exuding an amplified atmosphere in the raging intensity brought on by the colossal percussion patterns, chugging guitar riffs, and Manny’s smoldering timbers, you’re instantaneously brought into a world that is fresh with a vibrant blanket of cold, hard energy. Unleashing their virtuoso with a supreme vigor, Zandi comes in on the second verse to take the spotlight with prevailing vocal techniques that tell her side of the narrative, as the song acts as a call and response to each person’s outlook on the situation. With forceful video edits enhancing each scene, both Manny and Zandi can be seen on the shoreline performing their hearts out through a series of quick-cut scenes as they feed off of one another’s liveliness. Navigating us within lyrical motifs such as ‘You are sorrow. You are darkness. You’re the memory I want to forget,’ you hear the dynamism of both Lost in a Memory and Zandi collide in a larger-than-life showcase of pent-up emotion that truly gets their fan bases up and out of their seats. Welcome to BuzzMusic, Lost in a Memory, and Zandi. Congratulations on the release of “False Promises.” With such a passion-fueled performance offered up, could you please share the inspiration behind the song’s meaning? Manny: Of course! My good friend Zandi Ashley and I had gone through our own separate breakups from toxic relationships (not with each other lol) and we used those real-life past experiences to create the narrative of the song. The lyrics of the song are about a fictional former couple whose relationship ended badly and both get their turn to express their past frustrations with each other. Zandi: Manny & I had just produced a cover for a pop-punk song called “forget me too” and we really wanted to ride this pop-punk energy and we were looking back at our respective experiences with failed relationships and that inspired the theme of the song. How did you two come to collaborate on this project? What was it like working with one another? Zandi: We’re both really good friends and we both really bonded over liking pop-punk music and being musicians and we figured why not make a badass pop-punk song! Manny: Zandi and I have worked together on covers and projects in the past, in fact, I currently play guitar for Zandi’s band Scorpio Szn whenever we play live so we have a history of working together prior to this song which made the process so much fun! Zandi: The progress making the song had its up and downs (filming the music video) but seeing the final product being released was very rewarding. Could you please take us into the creative and recording process that brought this song to life? What did it entail? Zandi: In terms of lyrics I played off of what Manny was playing on guitar and immediately I had a melody! The fact that that we both write using similar methods of using the notes app on the phone to brainstorm ideas was very helpful. I was looking through the notes on my phone and found the phrase “False Promises” and thought that we can work on that idea. Manny: Making the demo was a very organic process, we started by recording a simple chord progression on my phone’s voice memos app while Zandi sang vocals and the structure came together very quickly! I then took that basic idea and worked on the full production process of recording every instrument arranging the music, etc. Making the song was a smooth process thanks to Zandi’s many years of experience writing melodies and lyrics and to my experience in producing. In the music video for “False Promises,” how did this vision unfold? You both feed off of one another’s energy and it truly shows on screen! Manny: Back in March Zandi was in Orlando Florida on a business trip for her band Scorpio Szn which was the perfect excuse for me to go visit with friends as well as film the music video at the beach. While filming the video we didn’t get the perfect sunny day I envisioned, instead we got a cold, gloomy & windy day which ended up adding more energy to the video and added elements of real frustration that elevated our performance and it shows. Zandi: I was really living the dream of being in a pop-punk music video. I really wanted to make middle school me proud so I channeled my angst from the scene/emo days and went off and unleashed it on Manny throughout the video. What would you like new listeners to know about you and the music that you create? Manny: 2021 is going to be a busy year for Lost in a Memory, I have plenty of new music and videos I’m working on, as well as playing live shows and collaborating with other great artists like Zandi! Zandi: I'm honored to be involved in this project with Lost in a Memory. I’m also in my own band called Scorpio Szn, we’re a pop duo and we just released a new song called “Sugar Sugar.” On all streaming platforms so check it out! Lost In A Memory Instagram Zandi Ashley Instragram

Digger Jonez is a Canadian Rock/Rap artist who merges EDM/Hip-hop beats with guitar-driven rock. His music and high-energy shows are full of comedy, art, and inspiring music for all ages. Digger Jonez plays on the fringes of Jazz Rock (The Dave Matthews Band), EDM (Pendulum), and Hip Hop (2Pac). A buzz is quickly brewing about his talents as everyone who hears him wants to know who Digger Jonez is. His highly anticipated forthcoming album, ‘Hydro,’ happens to be home to the hit song “Rain City Brats.” The enticing elements of this recording have you dipping into an almost ethereal environment. Heavily weighing in on resonated guitar chords, electric synths, and a clear and present vocal delivery that has you embracing the musical transition between the verses and chorus, Digger Jonez has transported you to a unique realm custom to his eclectic sounds and intense presentations. We admire the versatility that lives within this soundscape as you’re forced to the edge of your seat with your toes on the ground to solidify the impact that weaves in and out of this composition. There’s such a flexible dimension that gets met when you turn the volume up and lose yourself in a Digger Jonez arrangement. The intricate detail placed throughout each element has the necessary complexity as your attention never strays from his allure. Paired with a prevailing vocalization rich in an old-school Hip-hop tone, we appreciate the artistry that surfaces through every crevasse of the rhythm. If “Rain City Brats,” is a reflection of what we’ll be hearing on the ‘Hydro,’ album, we’d like to pre-order our copy now. Welcome to BuzzMusic, Digger Jonez. How did your unique fusion of sounds come to you? Have you always adopted a sound of this caliber? My parents love rock music, folk, classic rock, so that was always an influence in all my writing, but I was listening to hip hop music, which I love the lyrics of, and I noticed there is rarely any guitars or musicianship, so I wanted to put lead guitars solo's with awesome lyrical verses. It did not stop there, however. DJ Digger Jonez noticed that dance and dubstep music had the best drops and chorus, so he added hip hop lyrics on top of dubstep drops and it took off. Now with melodic guitar, lyrics as keen as 2Pac, and big chorus drops, DJ Digger Jonez found his style. Where did the inspiration for “Rain City Brats,” stem from? What does it say about you as an artist? Rain City Brats is a perfect example of how rap can coexist with drum and bass. The verses are fast-paced and informative, whereas the chorus is open, jazzy, and melodic. I was inspired to write this song in 2018 when I first came to Vancouver and noticed that many people were in their own selfish, materialistic world, spoiled and ruining Vancouver, so I wanted to say something about it. "I want my city back, the mountains, the eagles, the beaches, the seagulls." I believe this shows that I am a down-to-earth artist that is socially conscious, and not just in a fake PC sort of way. Could you please take us into the creative process that you typically endure when bringing a song to life? I always write lyrics first. Sometimes songs come to me in a dream, or a rush, and I write them down in fifteen minutes. Other times I must strategically create songs from loads of information, ideas, and poems, writing for hours in nature or a public library. The music arrangement is usually created with a bass line or motif in mind. Adding lyrics to a verse is usually easy, having that verse connect perfectly with a Pre-Chorus or Chorus is where the hours of work, editing, modulating, and process of elimination come into hand. What do listeners have in store when it comes to your forthcoming album ‘Hydro?' 'Hydro' is a thematic album. It deals with the idea of water and its shortage, its power, and all the whimsical magic of water. The album fringes on R&B and Hip Hop, with a wide range of instruments in B Sides, and Melodic Bangers such as 'Rain City Brats' and 'Heaven's Gate', 'Hydro' is DJ Digger Jonez' best work and best production. What's next for you? We @ New Legacy Entertainment really enjoyed the idea of a concept album, so we decided to go back into the studio during COVID and record an album all about Food. Singles include Frozen Food Friends & Wrap Music. Hopefully, DJ Digger Jonez can get back to touring the Feeble Hands and Hydro Albums. Instagram Facebook

The Los Angeles-based recording artist, producer, and singer-songwriter Barbara Teresa releases an endearing and romantic single entitled "just this one time." Grown with love for various artists, genres, and periods, Barbara Teresa found her sound heavily influenced by staple acts like Taylor Swift, Lorde, Gracie Abrams, and Lizzy McAlpine. While her sound is best described as a blend of pop, r&b, folk, rock, and alternative, Barbara Teresa is also known for her sincere and poetic lyricism depicting teenage struggles. Recently releasing her sweet-sounding single, "just this one time," Barbara Teresa expands on the bittersweetness of holding someone's hand for a final time. We can't help but feel similarities to Taylor Swift's Fearless era, as Barbara Teresa brings listeners deep into her lush folk-inspired grooves while serenading us with her soothing vocal stylings. Sinking our teeth into the single, "just this one time," the song opens with gentle acoustic and electric guitars. As Barbara Teresa makes her breathy and delicate vocal appearance, she begins to elaborate on a romantic yet emotional scene of holding someone for the time being, even though they should be on their separate paths. With the addition of dreamy background vocals and slow downtempo drums, Barbara Teresa makes her lyrical message all the more alluring and emotional with help from the blissful soundscapes. We must also highlight Barbara Teresa's lyrical and songwriting capabilities, as she paints incredibly relatable and poetic scenes of young love that's unfortunately not meant to be. Relish the reflection of Barbara Teresa's recent single, "just this one time," now available on all digital streaming platforms. Welcome to BuzzMusic, Barbara Teresa. We’re truly lost in the emotional and sonic bliss of your recent single, “just this one time.” What inspired the saddened and reflective lyrical message within this track? Thank you so much! It was mainly inspired by personal experience. When writing this song, I put myself in my own shoes from a few weeks prior, when the specific moment I wrote about took place. I wrote about the experience through that lens, but with the knowledge of everything that ended up happening afterward. I guess I use writing as a form of self-therapy and this was just one more instance of that. Could you take us through your songwriting process for “just this one time?" Is it easy for you to convert your thoughts into lyrics when writing songs? “just this one time” was born at 2 a.m like ten weeks ago when I was trying and failing to fall asleep. I’d been trying to write about this instance and person for some time now, but nothing came to mind. The lyric “linger for a little longer” randomly popped up in my head and I really liked the ring of it, so I took my phone out and wrote it down in my notes. I ended up whipping up the whole first verse and chorus -- melody and chords included -- that same night. I finished the rest of the song as soon as I woke up the next morning. A lot of the time I do find it easy to convert my thoughts into lyrics, but that’s definitely because I have spent so much time practicing it. I remember I used to struggle a lot with this. Sometimes I still do, but I give things a rest for a couple of days and everything comes together smoothly afterward. I’ve written almost every day for over a year now; practice is key! What was your sonic creative process like working alongside producer Danny Balentine for “just this one time?" What was your collaborative experience like? Danny has produced all of my music to date, and we’ve spent the last 8-9 months working on a ton of material! I had been listening to a lot of Lizzy McAlpine in the weeks before writing “just this one time”, so sonically (chords, melody, etc), I was really inspired by her. I sent Danny a voice memo of the track as soon as I finished it, gave him a few Lizzy songs as reference tracks, and he came up with the most beautiful instrumental track ever in no time. We worked through a few revisions, and voila! I’ve really loved working with Danny on my music. He always seems to know what it is I’m going for. We’ve been able to communicate with each other really well despite working remotely -- I’m really hoping that future experiences with other collaborators run just as smoothly as things have with him! For readers who are just getting to know you now, could you give them some insight as to what you stand for as an artist and what your music often represents and touches on? As an artist, I stand for people speaking their truth and allowing themselves to be vulnerable. I think that’s one of the most important things I’ve learned since I started sharing my music with others. It’s really easy to live in constant fear of judgment, but life becomes way more fun when you let go of others’ opinions and start holding your own in the highest regard. I guess I stand for that as an artist because I’ve spoken my truth and allowed myself to be vulnerable through my music. My first three releases have been about heartbreak, but going forward I’m going to branch out and talk about other teenage struggles through my songs, whether that be self-image, friendships, or other aspects of our very digitalized society. What can we anticipate next? Lots of music (and more videos)! I’m currently working on a couple of singles, and I spent the first few months of 2021 wrapping up a pretty big project I’m hoping to put out in the fall. I don’t want to reveal too many details until everything is set, but I’m so excited! Instagram