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The Houston cantatrice Mallory Henderson started out playing in her church's choir and later went on to produce distinctive-enough contemporary R&B-Pop. With 'Rflxn.', her first decorous full-length album after a pair of singles, she manifests a rich and creative sound. Her blood-pumping, topline-hooking approach adopts from inspirations openly but tastefully amidst vast Contemporary R&B arrangements, the soulful introspections of her past, and the more recent of her relationship troubles. This is a gathering of addicting and ultimately prismatic passion songs from the profound capacity of a veteran vocalist, woven from her most prominent influences. The opening eclectic-fantasias of "Rflxn." and the string quartette adorned "Who Are You" represent the vibey territory Henderson has found solid pace in following throughout her budding career, and though she toys with a mystifying cascade of vocalized samples that shine in the R&B ballad's backdrops, it never crosses the line of converting into kitsch. The notary expressiveness of a frequented piano sparks some more sheen over this profoundly affecting mix as it's endowed with a gorgeous polish. Songs like the unremittingly melodious "Outta Time" sound like a single from an especially foamy R&B super-group, but this Houston-intoner has the enthusiasm and harmonic sense of an early-2000s Destiny's Child. These carefree toplines and lightly carbonated productions could bang into place on any fan of R&B music's playlists, yet still remaining intricately individualistic from her visible influencers. On "Fantasy," Henderson channels her Diva energy. She sings in a calamity of adverse and ricochetting melodies from sultry stuttering samples and swirling pads, while the enamoring chanteuse repeats the wondersome hook, "Better than a fantasy," before the bridge brings forth a more fleshy and embellishing rendering of Henderson's Queen B decorated swells. More influences are incorporated on "Feelin' Fine," still mirroring the operative and effortless control over each word's succulence and strangely affecting melody. She manifests offhand comfort in her expression with her borrowing creations that somehow still feel individualist in how transcendent she fits each track's role. This cut gains distinguishability in how its carbonated hook plays amongst vocal samples reminiscent of FKJ's eponymous record from 2017, and the way you can feel the artiste and her sentiments through each breath. 'Rflxn.' is a continual growth in the budding intoner's identity. Mallory has assembled her criteria for making music click with an aesthete's recommendation and the Contemporary blueprint strategy: the productions are designed to serve the vibes she aims for on the record. "1 Hunnid," Henderson's debut single in the music world, is a cheery, artful summer jam that everyone can relate to, and the strangely affecting track sounds like a modern-day FM radio hit from the authority of the tropical Soca rhythm. "Horror Story" paints a hairy memory from the chanteuse's past relationships, as it sways in a new-school swaggering breeze. Her choir foundation shows up again and again, especially on highlights like "Outta Time" and "Who Are You," and though it secures her record an entrancing tinge admirably, "Rflxn.," is just the beginning on her songs about her relationship misadventures. There is no real tastelessness here, just bubbling, and soul infusing expressiveness amongst magnetic hooks. Hello Mallory, it's great to have you back with us at BuzzMusic. What was your mindset like going into this EP, and how do you think you've evolved as an artist after Rflxn.'s release? I was in a reflective space. There was a lot I hadn't gotten off my chest so it was weighing heavily on me. Sometimes we don't get to say what we have to say to people, make amends, or get an understanding of situations. I had twenty-something years of that lack of closure bogging me down, so I had to give myself the closure I needed and I did that through RFLXN. Through using this EP to do that, I have learned so much about myself, but most of all, I've learned that my music is about what I want to put on a track and how I want to express myself, and nobody else should have an opinion on that matter. I also learned how to let go and pour my feelings into the music. Stay tuned. How do you fuel your artistic spirit throughout your songwriting sessions? I have three simple practices that keep me creative when writing: challenge myself with the type of beats and melodies I combine, don't think too much, and be real. I just let what I hear and feel come out. It is what it is. What's been the ethos behind the music you've released thus far as a relatively new emerging artist? I don't know if I can pinpoint one. I write what's honest for me so my thoughts and inspiration come from whatever is surrounding me. Being a young black woman already comes with a plethora of angles that inspire, but I'm also influenced by so much that everyone can relate to like love, family, friends, recreation, self-love, and more. Do you plan on releasing an escapade of enamoring singles next, or maybe embarking on a release with an anticipated collaborator? What can we expect from you in the future? You can expect all of the above. There's so much I want to do and I'm always writing. What order they come in, I can't say yet, but you can be assured that there's more music coming. What has been keeping you inspired in 2020? Most of all, I have something to prove to myself as well as goals and dreams to make come true. The older I get, the less interested I am in missing out on life and my desires in order to make sure others are taken care of, so I'm more driven than I've ever been to make whatever I want to happen. Besides that, the opportunity that we have to pivot and prosper in the middle of the chaos of 2020 keeps me motivated and excited to go out and get it every day. instagram.com/iammallory facebook.com/iammallory #BUZZMUSIC

Specific Alt/Indie singles can make listeners feel a variety of emotional drives. Dre Drinkard is the kind of artist that perfectly captures some of these emotional states we all endure, and he manifests music that perfectly intertwines with such moments we go through as humans. Best described as an artist who creates movie-like moments with his sound, Dre Drinkard is a Californian who is all about exploiting his expertise to bring the elucidating experience his listeners crave. Paying close attention to artists such as Mac Miller, Lil Peep, and Joji, Dre Drinkard extracts various influences from his most in-tune artists, and listeners successfully receive a harmonic collaboration of sorts. Dre Drinkard released his wavy and organic sounding track, "Turnaround." The single introduced itself with a consistent lo-fi beat that establishes certain alternative energy. Dre Drinkard makes use of echoing styles in order to craft an almost mystified listening experience, and in doing so, he amplifies the soundscape in a vivid way. The hazy synth collection is what ultimately allows "Turnaround" to rise to the top, as the unique blend of organic sounding beats is what brings that flavourful reality. Dre Drinkard didn't fall short one bit with "Turnaround," as he conjured the perfect ambiance for any late-night thinking. All in all, "Turnaround" gave an inspirational feel, making us feel reminiscent and in a state of clarity. "Turnaround" had that perfect kind of wavy ambiance set for listeners. What thought process went into the structure of the production, and how did you intend for your listening base to interpret "Turnaround" rhythmically? Turnaround was made entirely on one live stream. I just started playing guitar, and recorded into a beat, and started singing comments that my fans were writing. One thing led to another and then we had a song. What was the main essence of "Turnaround" and how were you hoping it would inspire your listeners? Most of the lyrics in Turnaround come from a fan turned friend of mine, and veteran Jeremiah Pippin. He wrote the lyrics after going some through some tough times coming back from the war. The song marks a turning point in his life. Some of the other lyrics were perfectly placed by another fan turned friend Kasia Wrona and a friend of mine from high school. You have a very versatile sound that draws from a variety of genre styles. How would you ultimately describe the way you shape your music? Would you categorize yourself into one specific genre? I just make beats with whatever instruments I have available and try to write songs and sing them over the beats. I would say the genre is just modern pop music, maybe with some emo/pop-punk influence for this song. But as a producer, I produce a lot of different sounding type beats from reggae-ish to emo so it just depends on the song. Are there any goals or milestones that you're hoping to hit by the time 2020 is over? Nothing specific, but maybe break 100k Spotify streams and 10k listeners. Currently, I am sitting at about 75k Spotify streams and 7k monthly listeners for my first year releasing music as Dre Drinkard. What has been keeping you inspired this year? I live with a band that I play in called Water Tower, all the members of the band have multiple projects going on and side hustles as instrumentalists and producers so we are always creating in one house. It really helps to be around people who are as motivated as you are. instagram.com/dredrinkard facebook.com/dredrinkard #BUZZMUSIC

Female rapper from New York, Issa Storm, is fiercely taking on the hip-hop scene. Issa Storm uses the hardships she has experienced in life as fuel to pursue her career as an artist. Having been raised in Harlem with a family of musicians, she was never a stranger to the music scene. Issa Storm’s father is a DJ, and her mother played the piano, which allowed her to experience a diverse range of music styles growing up. Heavily inspired by female rappers who refuse to allow the haters to contain their talents, Issa Storm embodies the exact attitude required to persevere through this journey. Her new single “Dior Me” pushes boundaries and shows us that nothing can stop the Storm. With a head-banging beat and an addictive melody, the song emanates empowerment. Suppose someone asked what Issa Storm sounds like in her music. She has the perfect answer – just me. She is the type of artist who is truly authentic with her sound, nothing fake – just Storm. It’s the personality of self-empowerment that makes her such a catch. Her confidence radiates through her music and is contagious for fans. With a “don’t try me” kind of attitude, she emits power and passion through her song “Dior Me.” By including phrases like “I don’t want you to adore me, I want you to Dior me,” Storm shows us her self-worth in a fiery way. She has enough confidence not to rely on others to adore her. She’d simply rather Dior! In addition to “Dior Me’s” self-fulfilling lyrics, its high-energy beat, and electronic soundscape will easily have fans feeling like they are on top of the world. Can you tell us a bit about the lyrics of “Dior Me?” We love the message of female empowerment! Dior Me is one of my favorite songs. You could listen to the words literally or read between the lines and it basically is the feeling of “I don’t want you to adore me because I can and do adore myself. I give that to myself through Self Love. I want to see how far you will go for me. that’s the Dior Me part... I want you to Dior me. And Dior expensive! So show me how far you’d go for me. I’m just using Dior to measure it. Like on a scale of adore to Dior, where you got me at? Oh, Dior? Oh okay, you serious about me Lol. Every woman got a few men that adore her. That’s a regular thing. So you gotta stand out from the crowd and let me know why should I give you my time? Are you gonna Dior Me? You gonna give your all to me and then some? Then the literal meaning is just buying me pretty things lol. Can you tell us about why you chose the name Issa Storm, and more about how your personality can be represented by a storm? My name is Issa Storm. Storm for short. Issa is actually the last 4 letters of my real name, Marissa, and Storm came about because I’m a bright ball of energy and I have a strong presence like when a storm hits. People know when I’m around. My presence is felt, seen, heard, and when I come around you have to prepare for it because I'm going to knock you off ya feet. Just like a storm has a strong effect whether good or bad on everyone around it, So do I. Mostly in a good way unless you get on my bad side. Just don’t get on my bad side lol. I love my name, Storm. I took the bad of what “a storm” represents and turned it into something new. Instead of letting the storms that hit in my life keep me down, discourage, or destroy me. I take that strength the storm had in trying to destroy me and use it to help me push through. I became the strength of the Storm, controlled those stormy situations and I come out stronger and on top each time. That’s the deeper meaning of my name because I been through some real storms in my life. Now, I am the Storm. Can’t nothing defeat me. Growing up you were exposed to a diverse array of music styles. Does this exposure influence your music style? Do you find that different genres inspire your music? Yeah, I was exposed to a lot of different music styles. My grandparents played them old school gospel songs, while my father DJ’ed the newer gospel songs, and my uncles DJ’ed and played alot of songs that were hot at the time. Then there’s the music I heard around me on a daily basis from the radio to just hearing it when I’m outside or at events. My love of music falls in all genres. When it comes to my personal style of music, I make music based on a feeling I feel, the life I live or use to live, my street side, experiences, empowering women, and of course my ghetto hood side lol. Anything I’m feeling or lived or my future that I want to live influences my music. You get to know me from my music. Hey, sometimes I just talk my ish but it’s the confidence in how I talk it as a woman. The confidence in other female rappers, I hear more of it and I love it.. if anything, that influences my music the most because one thing about me, ima talk that Storm talk and won’t double back on it! haha You told us that you have been inspired by new-age female rappers because of their determination and perseverance when they are told no. Can you name a few of your main inspirations and how they influence your music style? Yeah like I said a lot of female rappers influence my music when it comes to being confident in who I am. Some of the New age female rappers that I like is Cardi B, Saweetie, Mulatto, Meg The Stallion, Dreamdoll, City Girls. That’s just a quick few of them but some of them. Long story short, Their confidence in being a female rapper is contagious. What has been keeping you inspired throughout 2020? My family and close friends been keeping me encouraged and inspiring me to keep going. They remind me that the gift I have is specially made for me. Yeah everyone rapping but can’t no one tell my story better than me. I’m not just another rap employee. I’m a star and I’m going far. They keep me believing. I do this because it’s my passion and I love it but I also do this for my family. I want to give my family a better life, no matter what it takes. They deserve it all. They keep me going and feed my ego when it comes to this rap life lol. When you have a good support system, there ain’t much that can keep you down and out... even a pandemic. instagram.com/itsjust_storm #BUZZMUSIC

Twenty-year-old music artist Luo'xia Moji hails from Philadelphia and is beyond ready to showcase his resourceful take on music. As a passionate, well-rounded guy, Luo'xia Moji fills his motivation with the drive to succeed for himself, and his version of success is the raw truth. He wants to impart wisdom, encouragement, and various emotions onto listeners who seek some guidance. If you're carefully listening, you'll extract something meaningful from the music of Luo'xia Moji. Luo'xia Moji has released his song titled "Valley." The sound of Luo'xia Moji within this track is incredibly impressive, as his inspiration draws from so many different music artists. "Valley" comes right off of Luo'xia Moji's latest EP "Moji's World Peace." The entirety of the album offers a varied and eclectic persona. Getting back to the emotive of "Valley," it's clear that Luo'xia Moji wanted to create an elusive and low-key environment for his listeners. Bringing in warm and slow instruments such as the trombone, but holding a consistent beat to bring in that more contemporary melody. Luo'xia Moji's vocal outflow is a bit of a mish-mash between various artists, and "Valley" in particular felt quite the mix between Anderson Paak and Kendrick Lamar. Picture the two artists together, completely slowed down in order to create that almost mystifying effect he so perfectly captures within "Valley. Looking at the song's entirety, "Valley" is stimulating in many diverse ways, and Luo'xia Moji greatly showed his artistic versatility. Let's dive right into the lyrical composition of "Valley". What was the imposed message for this song and why did you choose this particular directive? Don't be afraid to take time to yourself and be alone. You will come across moments in your life where you feel stuck and don't seem to know which direction or path to take in life. And in most times, it gets more frustrating and difficult because of distractions. Some people don't give themselves their own time to collect themselves and really get to decide what's for them and what's not. Other people are just afraid to be alone. I want you to know it is okay to be alone and that your mental health should always come first before anything. What kind of productional properties of "Valley" were most attractive in your opinion? The delivery, tones, and textures of the song really shine through! The delivery itself enhances the meaning and message that the song is giving, whereas the different tones in the song are more so like your conscious speaking. The beat behind it is the icing that seals the mood for the entire song. It's soulful with guitars and other instruments so vibey that is like ear porn, so In my opinion, these qualities together make an amazing track. Teaching yourself the various talents you have today, including mixing, recording, and mastering your own music, do you feel that you have somewhat of an advantage within your own music as a result? Most definitely! Being able to mix and master my own music gives me endless possibilities and is like the Kingdom Key of being an independent artist. Having those skills, when I know what type of sound I want in a particular song I can just give myself that sound and also not have to rely on anybody to get things done for me either. I can say I did this and that it's my work! Plus, you can save yourself money. The long hours of learning are definitely worth it. Lots of all-nighters and long nights for sure. What're some next moves you're planning on making within the next few months? Any virtual live-shows listeners should mark down on their calendars? I perform in Philly September, 26 for an Open Mic/ Art Gallery at the "Philly Art Collective Gallery". Along with that, I plan to release some soulful vibes within the next couple of weeks, as well as release some music with my group "Shcuba Gang". I plan to have a virtual live-show too for people who are far away! More info about that will be on my social media.  What would you say is your biggest goal that you'd like to achieve with your music by the end of 2020? My goal is to really connect with myself and with my craft, finding my niche with the different types of music I would love to put out. I want to have releases that are within genres such as Rock, Pop, Alternative, and more. I want to have at least a small fan base of dedicated listeners. Other than that, I'm going to continue putting work in and the rewards will come when it's earned. You guys can expect a lot from me soon so stay tuned. instagram.com/luoxiamoji #BUZZMUSIC

With love for the golden age of Hip-Hop, Unlearn The World adds his contemporary spin on the classic old-school Hip-Hop style. He is known for his massive beat production and throwback soundscapes that resemble the sounds we might hear from the greats, including The Notorious B.I.G. and Biggie. Unlearn The World has been described as a Nas meets Busta Rhymes meets KRS One. Although he is known for his hard-hitting and aggressive delivery style, he compliments this edge with introspective and clever lyricism. His thoughtful lyrics are the result of his freestyle songwriting process. Unlearn The World first produces the beat he’d like to work with and then begins to layer melodies to the rhythm. With his LED lights in his studio, he allows his contemporary vibe to flow as he pieces together lyrics from his freestyles of the moment. The best types of rappers to listen to are the ones who can throw down a verse without any preparation – it comes from within – and that’s what fans can expect from Unlearn The World. Read our exclusive interview with UnLearn the World, here. instagram.com/unlearntheworld unlearntheworld.com #BUZZMUSIC

"Rowthiram Pazhagu" is Harini Iyer's latest melodic fantasia. Rendered with a cultured touch and designed with exemption from all things mundane or dull, this Chennai intoner uses her professionally disciplined vocals to manifest the World Music that speaks to her creative soul. With Western influences drawn from Nai Palm, Solange Knowles, and Nina Simone, the inherent vocal craft Iyer displays in her musical compositions feel fresh in the way they leave behind an enamoring after-glow. On her latest cut, the professional vocalist dips into her network of capable and enthusiastic musicians, recruiting Han Beyli and his attached Azerbaijani influences, fitting perfectly with the fleshy sentiment "Rowthiram Pazhagu" produces all over our skin. A sonorous melody that inaugurates over an enchanted dominant hymn glides over the affecting and constant fleshy harmonics that cascade over this mix's expansiveness. The World Music sonics amalgamate over a contemporary arrangement of warm saturated bass, subtle guitar fingerings, and the chanteuse's impassioned hymnology. But what's most notable is the rhythm here; sustained through the captivating tonality of the Tabla, a pair of twin hand-drums from the Indian subcontinent. While Harini sings her uplifting incantations in a traditional mannerism reminiscent of her native culture, the twin-drums synergize over the bass guitar as it tumbles over an enthralling scale with dexterity reminiscent of Thundercat over his six-string hollow-body. "Rowthiram Pazhagu" is captivating from one turn into the next, and Iyer's cantor is enamoring and cohesive all the way through while echoing within the reflective walls of this mystifying fantasia of World-Music experience. What's most striking about this track is the ethos behind its central broadcasts. The title, "Rowthiram Pazhagu," is naturally a reference to the transcendent Tamil elegist Mahakavi Bharathiyaar, and his quote about righteous indignation, translating approximately to "learn to get angry," and it's a sentiment that lands as profoundly on our engorged heartstrings as her English and Tamil intoning vocal performances. Hello Harini and welcome to BuzzMusic. What's been the most fulfilling part about working together with HanBeyli for this track? Even though this was our first time working together, there already existed a rapport and trust which was surprising. Han’s musicianship and high work ethics apart, he has this beautiful quality of trusting the process and just letting the collaborator do their thing. That was empowering because we just went with the flow, not trying to control any bit inorganically. What fuels your creative intuitions when it comes to blending your culture's textural sonic with some of the Western world's more contemporary sounds? I grew up learning Indian Classical ( Carnatic) music but have been heavily influenced by Western pop and RnB. As we moved a lot in India, I was exposed to different cultures from an early age and soon that became a way of life. It is my personality to learn and blend different cultures and I guess my music exudes that quality too. Why did you feel that highlighting the messages and sentiments you focused on within this track was important right now? This song was birthed because of the emotions that not only I but we, as a collective conscience are going through currently. This year has been tough on multiple levels- personal, political, and social. The song is about dealing with fears that arise from conventional norms that go unchecked and are followed blindly by us on a personal level. The focus is around how revolution really begins within oneself first, and then it is just a matter of time before it turns into a domino effect. So, let’s look fear in the eye and face that shit together! What kinds of collaborators will you be working with next, and can we anticipate an Extended Play reaching us from you anytime soon? I have a bunch of new music coming out real soon. I am working on a few more songs with Han and we have been discussing a potential EP in the near future. I am currently in the process of releasing a guitar- voice duo track with a collaborator from Berlin. I have also been working on a song with Jatayu, a Chennai based Carnatic Jazz-Rock quartet. So, stay in the loop for more information! What has been keeping you inspired throughout 2020? To be completely honest, I have settled pretty well into this calm, laid back lifestyle where I am focusing on growth as a person and a musician. I have been working out and doing yoga regularly and I am excited to be able to get all this time to release more music! instagram.com/hiyerama facebook.com/hanbeylimusic #BUZZMUSIC

Johnny Bedford is a Singer and Songwriter known for his unique voice and dark country blues guitar style. He has been creating his music under the stage persona Dead Freedom since 2017 when he released his debut album “Standing Tall.” Since then, he has been working tirelessly as he continues to perform and tour around the world. During the quarantine in early 2020, Dead Freedom released his first single “Lose My Mind” from his upcoming album “The Last Man.” “Bad Kind of Man” is the second single from the album which has just been released. “Bad Kind of Man” opens with extended and slow-paced riffs of an electric guitar. A percussion set joins in with unique flavors as it plays a counter beat to the guitar chords, bringing chaotic energy and showing fans what they can expect from the rest of the song. Throughout the entirety of “Bad Kind of Man,” Dead Freedom’s percussionist only makes use of the bass drum along with light taps of the snare and high hat. With a more laid back drumming style, Dead Freedom leaves room for the attention to focus on his many electric guitar riffs and solos. Possibly the most captivating aspect of Dead Freedom’s music is his uniquely gruff and raspy vocals. He brings a soulful and blues style passion to his rock and roll style song “Bad Kind of Man.” Hello Johnny and welcome back to BuzzMusic. Can you tell us about the creative process behind “Bad Kind of Man?” What do the lyrics of the song represent? When writing "Bad Kind of Man" I had just come out of a really toxic relationship the year before, you know the kind where the person you're with makes you feel like you are nothing and really gets a hold on you to the point you question yourself and it's really difficult to leave. So, it ended up when I started dating and eventually found a new partner that lasting effect was still there and I was questioning myself as to whether I deserved her in my life.... but I'm happy to say I lucked out she's an incredible woman and I'm really lucky to have her in my life. You chose to create your music under the stage name Dead Freedom. Can you tell us what this name represents, and what it means to you? When I was a kid, I always wanted to be a biker and have a biker MC group called dead freedom, the patch was going to be a skull with a native American Indian headdress, to represent this strong, proud force which was silenced by "Progress", since I was a kid I've always been fascinated with Native American culture, just living off the land, being free and taking only what you need to survive. so that really powered the idea for the MC name. When I eventually got into the biker life I quickly realized that being part of an MC wasn't for me, as it came with too many rules and regulations, like you get that same feeling of brotherhood with anyone that shares that mutual, perilous love of the open road on two wheels and when you ride on your own you don't need to ask who you can ride with. So I had this name that I really liked just sitting there and I ran into some issues with uploading my music to streaming platforms under my previous name Johnny B, as there were rappers and country artists all with the same name, so naturally, I thought what the hell let's use the idea for the MC and go with Dead Freedom. “Bad Kind of Man” is the second song released from your upcoming album “The Last Man.” Can you tell fans what they can expect from the album? How does this song compare to the rest of the album? Anyone who has seen me play live will know about 50% of what's to come on the album, but it's going to be packaged differently, just like "Bad Kind of Man".  I usually play my tracks acoustically, however, I've found a real love for making the tracks with a full band behind them, so it's safe to assume that you'll hear those same old songs just in a very very different way...  I'm aiming for about 75% of the album to be a full band and the other 25% will be the usual acoustic singer-songwriter stuff I'm just really giddy to get it finished and released now haha. Since your first album release in 2017, you have had the opportunity to play around the world with a variety of artists. Have any of these experiences stood out to you and impacted you as an artist? I've been really fortunate over the years with artists I've met obviously one of the biggest parts of my career so far has been working with my good friend Wilson who helped me record the previous album, other artists that have really stood out that I've loved working with have been a young dude by the name of Miles Knoop who I met in Manchester in the UK when I first saw him getting on stage, I had no idea what to expect as I would never have expected that voice.... seriously check him out you won't regret it since then I've been lucky enough to gig a few times with him and have made a definite friend for life. A very similar tale is Phil Turner of Sheffield based hurt attack I played a show for the BBC introducing down in his hometown and he was also on the bill with his band since then we've been great friends played a city farm bbq together, my 30th birthday and even played the O2 academy together in Sheffield last year. but I've also been lucky enough to strike a deal with HMV to distribute the first album which I'm hoping will also be extended for this coming album "The Last Man". I've had my song the Road featured in an Amazon Prime tv show called Keeping Wood which was this mind-blowing experience, I've always wanted to hear my music in film/tv so this just completely blew me away, I've also got a few other tracks being considered for other film projects in the near future so keep an eye out on the website or social media links and you'll find out all about them! What can we expect to see next from Dead Freedom? Obviously I'm working on getting "|The Last Man finished at the moment but a big part of that is the video I'm working on for the title track. I'm really excited for people to see it...but when it's ready I will be in touch with the awesome Buzz Music. Other than that given current circumstances, gig's are not feasible for the foreseeable future and the last thing I want is to put anyone in harm's way, so I plan to do a series of live stream events through my Facebook, Instagram and Patreon pages to keep giving people the Dead Freedom sound. instagram.com/officialdeadfreedom facebook.com/officialdeadfreedom #BUZZMUSIC

Before the elusive California-based Rapper started creating his own ominous and captivating Hip-Hop music not too long ago, but before that, the budding artist served the Bay Area as a crooner performing commercial and mainstream Hindi and Punjabi numbers all around San Francisco's most exclusive gatherings. Now, 2020 favors him with good fortune thanks to the last few passing years of introspection and self-development aimed at cultivating his sonic notoriety. With his passion centered on formulating his identity as an original artist, Ronak Mission finishes off the summer months with his freshest offering of the foreboding aesthetic he manifests so eloquently on his swarthy track, "Condo." He is reaching us from the most formative depths of his artistic vision, this single start off by sounding like a twisted reimagining of an "ASTROWORLD" reminiscent theme park. Bells and twinkling samples chime over the thumpy sub-bass below, affecting in the way it provokes a whimsical undertowed feeling of wonder as Ronak divulges the first verse with his enamoring textured voice and an abundance of tasteful reverb. The soft tempered Rapper sketches a vivid story about a manipulative significant other in a partnership gone bad through relishing in his own life experience and relationship pasts. "She wants it all, she wants it all, even if that meant that she would watch me fall," he sings with a soft serenading falsetto before the mantra of the hook transitions into an intoxicating trip through Haji Springer's highlighted stave. Here, the supporting Emcee flaunts his rhythmic wordsmithery with a smooth draw; reflecting a tsotsi type brashness when he says, "I'm Hip-hop monopoly, I pull up with the zip-lock and a lot of weed, see if I can't do it, then it can't be done." This track feels like the type of cut an upcoming artist releases right before his fandom quadruples in size, so naturally, we can't wait to witness the Bay Area Rapper's uprise. Can you take us back to the defining moments when you realized performing other artist's music was just not viable for you? When I used to perform a lot of Indian music there was this one song, in particular, that seemed to really resonate with every audience. The more I sang it the more praise I received and soon it became my "signature" song. People told me how I sang from my heart and how it went beyond the lyrics I was saying. It was after this night I realized how false that praise really was, because the words, the melody, the composition - the song itself - was not my own. Even though I could relate to it so much and convey that proper emotion through the music, it didn't feel genuine. It felt fake. It was soon after this I began taking my own music seriously. What's been the most challenging aspect of being an original artist and creating music from scratch while also incorporating your own unique textures and aesthetics? I would say the only thing that is challenging is finding the best way to get people to hear my music and critique it. Critique, good or bad, is an essential part of any professional occupation. Unfortunately, one of the most challenging things to do in assessing your personal life is to critique yourself. It's hard to accept that what you have created isn't the best it can be, even after hours, days, or weeks of work on a single part of the whole project. The better you can become at critiquing yourself and accepting your flaws, the more independent and efficient you will become in almost everything you pursue. When you think about a song like, "Condo," what's something that stands out as the critical takeaway sentiment or lesson you were trying to convey to your audience? My verse, the first verse, in Condo is where the real message is, and it simply is that everything isn't always as it appears to be. Sometimes what you want to believe about someone or something can and will lead to your downfall. The only way to avoid that is to find and focus on what is right for your own life.  What new things can we expect from you on your continued venture through developing your artistic voice beyond the music industry's contemporary mandates? What you can expect is nothing less from the last you heard. My goal isn't to make 300 songs a day and drop 30 albums in a year. Quality is and always will be more important than quantity when it comes to art. I think one thing I will change relative to what's expected of artists in today's industry, is that I don't plan on releasing an album anytime soon. A lot of, mainly newer, artists use albums to release "filler" songs which wouldn't perform well at all alone as "singles". I don't like this practice, and I don't ever want to carry it on. I won't release an album until I can offer something that is really worthy of being called one. What has been keeping you inspired in 2020? Wanting to impact the world positively, and to ultimately leave behind a better, cleaner, and safer world for future generations. instagram.com/ronakmisson #BUZZMUSIC

Hailing from Montreal, Canada, Radium Moon is an Alternative-Rock trio consisting of multitalented musicians Sandrine Chouinard, Brandon Muir, and Raphael Poletti. With their own unique talents and tastes, Sandrine is a vocalist and bassist, Brandon is a vocalist and guitarist, and Raphael brings the heat with his percussion. As a group, Radium Moon refuses to box themselves into one genre and instead draws inspiration from a variety of music styles. They released their debut single “Life is a Lie” in March 2020, and followed with a self-titled EP in June 2020. The alt-rock song begins with a heavy focus on guitar riffs and thumping percussion, introducing their traditional heavy rock style. Soon after, Radium Moon surprises fans with punk-style vocals – proving their musical diversity. Throughout “Life is a Lie,” they continue to keep the listener on their toes with a dynamic flow of music styles. During the chorus, vocalists Sandrine and Brandon scream with passion, whereas in the verses, take on more of a mellow voice. Radium Moon sings about ‘waking up from the life you live’ in an effort to bring the listener into the present moment and encourage introspection. To finish up the song, the last minute and twenty seconds are entirely instrumental. Raphael maintains the good vibes with his consistent beat as the guitarists show off their talent with electric riffing and solos. Could you tell us about how your group collaborates when creating music? Well, we don't just sit down and decide to write a song. The song is usually there already, we just have to figure out how to play it. It's usually something that just comes together based on a riff that Brandon has stumbled upon while playing guitar on his own time. Our typical practice usually starts out with Brandon saying "Hey, I got this new riff.." Things just kinda go from there. Sandrine will come up with a bass line that throws everything together and then Raphael (Raph/Raff) will throw us a curveball rhythm that takes the song in a whole different direction....always for the better.  Other times...garbage comes out from all of us...but that's showbiz baby! Can you tell us about the meaning behind your lyrics for “Life is a Lie?” Well, hmmm. Fear of rejection, teenage angst, realization, growth, questioning your modern instincts towards face value....really it can mean whatever you want it to mean, just depends on your mood at the time. How did you come up with your band name Radium Moon? What does it represent? Well like every other band, it starts with a list! A big freakin list! Do you know how hard it is to find a name that's unique, has great imagery, sounds cool, and isn't taken already!? We just couldn't agree so we settled on the name we hated the least and it grew on us. We can't imagine having any other name. We loved what we heard from “Life is a Lie.” How does this song compare to the songs from your self titled EP? Well, the EP is kind of eclectic. As a whole, it makes sense. It all fits, yet it has different tones or moods to each song.  'Stand up and run' has an upbeat tempo and a pop-rock like an approach, 'Wonderful' is just fun, anthemic and heavy, 'Don't ask why' is melodic until it punches you in the face. ....and then you have 'Life is a lie' that just goes straight to punching you in the face. What has been keeping you inspired throughout 2020? Well, our EP came out in June of 2020, so literally the worst time ever for an independent new band unable to play shows and sell CDs. But the online response was so positive that we didn't even question getting back into the studio. We have a new single coming out in the fall! We wish we could release all the new material at once but since we can't perform right now we are planning on releasing a few more singles throughout 2020/2021. We are very much looking forward to expanding our online presence in the hopes of gaining some new fans abroad before we (hopefully) tour in 2021. instagram.com/radiummoon facebook.com/Radiummoon #BUZZMUSIC

The rap pugilist Nenjah Nycist is the product of Lo-Fi amalgamating with boxing Emcee flow. Cooking out of his Brooklyn New York-based studio, the young producer has shown affluence for collaborating with lyrical mercenaries who work using adhesive lyrical methods that supercharge their flows with a magnetic influence. The most notary aspect of these collabs being that he engineers and produces them himself, leading as the conductor for his Lo-Fi voyages that feature thematic storytelling with dripping character and texturizer dust on each new releases. The underground Emcee has designed a creditworthy rubric that scores the budding artist international tours dates across the world, and opening for names like J.I.D, Migos, Redman, and Big Boi. It's not hard to observe its effectiveness in combining his love of Lo-Fi knocking samples with the masterful lyrical tendencies of '90s Hip-Hop—but with a revamped and polished outline. But still, Nenjah is more than just a distinguished name in the new-age Emcee environment; he's a consistent and constant progressor; releasing "Akiya,"—an independently released EP with the proceeds being donated to Save The Children—and his last two consecutive album journeys, "Misadventures of the Nenjah Nycist" and "Teslo.fi." All of which presented as groundbreaking bestowments of lyrical wordplay sliced between his definitive and captivating Lo-Fi supporting productions. Thus far, "777," his highest-profile record, and most anticipated Lo-Fi articulations, are yet to grace us with their presence. Or at least not in full form, having only teased a minute-long animated video sampler called "Circuit" for us to brood and wonder over. He's capable of the magnetic ninja-like flow that operates as the glue to his instrumentally orchestrated Lo-Fi trademark sound, but it's not his only defining character. Each incredible record he makes tells a thematic story on the same profound and captivating heights as some of the greatest; think André 3000 and Big Boi. Each interlude facilitates a scene change, and the intros set the stage for the thematic experience we're about to have. With his track record so far, we're impatiently awaiting and scratching at the knees for another dose of his addictive creations. The EP is set to release by the end of 2020's closing months and has been teased as his most notable and unprecedented project to date. What's something pressing or new that you wanted to bring forward to the table for this upcoming record? With “777,” I wanted to create something for the NenjahNycist fans that will ideally stand the test of time and become a collectible art piece. Sonically, the album is like entering another world. I wanted to create a true experience for listeners and viewers alike. As an indie artist, I’ve always thought BIG and this is one of the projects that shows how dope it really is on this side. Also, being able to create a comic book is something I never knew I wanted to do but have always wanted to do...if that makes sense! My inner child is super lit about it haha. Can we expect any of the same themes or textures we've experienced from your last two albums, or can we expect a different type of after-glow? Like a true Nenjah, you gotta expect the unexpected! In terms of textures and themes though, there is a coming-of-age theme within the album and the comic book. The documentary is revealing yet completely honest. There’s wisdom, anger, success, failure, family, depression, struggle, drugs, education - planted within it all. It’s a new world full of experiences, many of which have derived from me trying to find my light and stay in it. If there were a few sentiments and words you could use as a preface for the upcoming record, what would they be? THE ULTIMATE COLLECTOR’S BUNDLE. It’s vast, epic, and rare. A piece of history. Classic material. Have you experienced any challenges or setbacks this year in your artistic journey? How did you overcome them? Man 2020 is a wild one but I‘m learning a lot. The biggest setback was not being able to travel and see the fam. Time is precious as hell so to remedy that, I did a lot more Zoom meetings and video chats. I also met a lot of different artists from around the world by participating in Beat Cyphers(big shout out to BBS and Today’s Future Sound)! The internet can be beautiful sometimes haha. instagram.com/nenjahnycist nenjahnycist.com #BUZZMUSIC