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KALEN has a connection to moody Electronic-Pop that's as complex as any romance. The flawless vibe dripping from her second EP, 'Fallen From The Sun,' is a lesser reflection of the New York City native's addicting songwriting capabilities—swaying ballads, cheeky lyrics, and distinctively textured vocals—and her echoes of early-'80s productions also opens her music up in a more sonically provocative context. On "Honeysucker," a luxurious single from her upcoming myriad of juicy 2020 singles, KALEN struggles over the strong sentiments that happen within the exoskeleton of a love-struck mindset. The connecting points here are reminiscent of the contemporary textures of today's most celebrated singers like Kate Bush and The Yeah Yeah Yeah's or even as profound as some of the best selections of Fionna Apple. Still, KALEN remains less overtly partisan than the latter, while still managing to draw her line in the sand, distinguishing herself under an ultimately unique sonic profile. "Honeysucker" is a sultry ballad, with a dancey orchestration dedicated to driving the music forward. Her enamoring vocals swell to a supple falsetto reminiscent of Naomi "Nai Palm" Saalfield—who has been mentioned as a significant influence to the NYC songwriter—during the chorus's hook. "Your words are sweet, they are sweet like honey," KALEN blossoms as the words leave her lips; these are lyrics that belong to no specific genre, but certainly feel appropriate for these sorts of sonic supplements. Here, she lets herself down gently: "I'm hearing what I wanna hear, hearing what I wanna hear, Honeysucker!" Subtle in its delivery yet landing anthem-like, it never strays far from its original musical theme. Still, KALEN flourishes on through whimsical harmonies and magnetic hooks, exposing a myriad of sensations with each note her vocals approach. Like its catchy title, Honeysucker is as alluring as it is striking. How do you think your sound has developed and evolved since your last Extended Play in 2012? Well, since the Fallen From The Sun EP, I've played with increasingly electronic production. I sought out Eric Zeiler as a producer in part because of this aesthetic. What has been the most memorable experience to come out of the writing and production process for Honeysucker? Most surprising was that Eric dropped this blues bassline that I had that was part of the cornerstone for the piece. Somehow he transmuted that vibe into something fresher. I never felt that he erased it, but rather that he evolved it and brought it up to modern times. What stands out as the longest-lasting and most consistent influence you've pulled from for the continuous development of your own character and sound? I like the question but have no idea how to answer it. Simply put, just spending time with the process. Have there been any lingering emotions or sentiments on your conscious that you've been meaning to make into a song? And is there any chance of experiencing these effects in your up and coming releases? Love. Not unrequited love or disappointing love or riddled with complication love, but expansive love. And, yes, it has a place in some songs, some of which have been recorded and will see the light of day...or rather the velvet cover of night. What has been keeping you inspired in 2020? My daughter, who was born in late March. Peoples' ability to adapt. instagram.com/kalenkraze kalenmusic.com #BUZZMUSIC

It's refreshing to hear an artist that shatters all expectations within the first moments of a track on the radio, and when it happens, you'd expect the artist to acclimate to the natural frameworks of contemporary music to stay relevant. This is where Desarae Dee is differentiating. She eternally follows her creative intuition by incorporating unique and distinctive chord structures, impacting heavily, while compelling melodic toplines conducted us from one end of her influences the next. It does not far fetch to describe the Toronto, Ontario based artist as passion-driven and soul-spirited with Neo-Fusion vibe, especially after listening to her newest single, "LVLS"—an enigmatic journey through evaporating decays. Here, as a fervent ambiance develops, an astonishingly potent turnaround lingers nearby. With a short run time of just over two minutes, Desarae wastes no time establishing the orchestration of a resounding piano topline that soon proves unforgettable through its profound magnetism. She accomplishes expansive width in her mix with the use of reversed cymbals and reverb dissolves that last a lifetime—synergizing with the ominous backdrop of a vocal synth pad. The highlight in this song in the middle section, though, when "LVLS" opens up to reveal a whole new floor to this composition. It almost feels like looking into the ever-evolving window of this Canadian pianist's expansive artistic mind. The rhythm picks up with a 32nd not scatter, and a new buzz-saw-synth shoots into the air, as discernable as the north star. While things begin to buckle down and evaporate for the final seconds, a fresh mindset descends on us. We're amazed and left feeling like we're on a sabbatical: settled in, invigorated and renewed, then gently tucked back in by the end. If you could learn one more instrument masterfully, which would you choose, and why? I would want to master the saxophone, as, throughout my musical journey, that was my secondary instrument. I have always been a classical saxophonist; being able to read sheet music and play in a concert band, but I’ve always wanted to develop my ability to solo on the spot, which I find not as easy to do (like the piano), but it’s definitely an instrument that I want to continue to work on and to grow with, which would be an added bonus to my music, as it fits into the Jazz/Soul vibes that I already produce. Was that instrument always a contender to the piano growing up? I don’t think the saxophone was a contender to the piano; the piano will always be number one because I’ve had space and the time to master my craft, but I’ve always loved the sounds of the saxophone and having it apart of my instrumental library. I always saw the saxophone as a complement to the piano, so if I got bored of playing the piano, I could play my saxophone and develop my ear for picking up music or simply playing along to classical music. What are some of the emotions running through your mind right now with a full-length debut and an EP set to move out later this year? Things must feel like they're moving fast. To be quite honest, my emotions are all over the place. The EP is something I definitely would like to get out by the end of 2020, but the full-length album is definitely a 2021 project. Time is definitely flying by and I think I’ve gone back and forth many times on whether I actually want to release the EP or if I’d rather release single songs for the rest of the year and then release the full-length album come 2021. I know my supporters are hoping for an EP soon, so that’s definitely something I’m no it aged to release and it’s keeping me hopeful and excited. What has been feeding the flame in your musical creativity these days? I believe that it has been my passion for producing and working on the sound design that has been the driving force in my creations. Producing was always something that I wanted to become better at and the fact that I can now produce for all instruments without relying on others is amazing. This allows me to create a lot more music so that I can build a library of ideas, and if I decide to release more music in the future, I have music that just needs to be mixed and mastered and it’s ready to go! During this COVID-19 pandemic, I’ve really been able to tap into producing more (through my #DailyVibes series on Instagram) and my level of creativity has increased and evolved over these last few months. Who are some of the influencers that hold the most sentimental parts of your artistic heart, and can we expect to see some of that reflecting inspiration on your upcoming music? I have 4 musical influences who have shaped the way I create my music and the way that I play: Alicia Keys, Robert Glasper, Oscar Peterson, and Frédéric Chopin. The music that I have created before and even now still reflects all of these inspirations from a musician standpoint, however, because I’ve been so dedicated to production and sound, I’ve been influenced by producers such as Sango, Ryan Leslie and recently Chill Select. I’m also trying to be my own producer and creatively evolve in an “outside the box” way; similar to my playing style, so there may be hints of my influences in future music. instagram.com/desaraedeemusic facebook.com/desaraedeemusic #BUZZMUSIC

With every changing season, we're bestowed with a unique and ever-changing theme; fall with its harvest colors and a sense of cleansing, Winter with its snow submerged street corners and melancholy, and spring with rejuvenation in the air. But it's Summer, the period that interjects some utopia into our lives before fading away into the glow of autumn, that Halle Abadi was inspired by for "Summersong." This cycling of emotion that we all experience year-round is translated perfectly in this song and the long time denizen in our top five playlists has nailed the summer vibes on "Summersong." Notwithstanding the hazy vibraphone chimes and the vocals' electric gliding presence, the production isn't as laid back as it first implies. Almost as if it's breathing, the mix incorporates a voluptuous earthy rhythm section and introduces a room bowing bass against a clear high-end, as the vocal harmonics cascade across the atmosphere of this track. It all feels well thought out, using a dynamic orchestration between vocals and synths. The chorus sings like a hypnotic mantra, as the track unveils similar to a love letter: "Don't wanna miss out on the things you do, the way you move, the way the city sets my heart on fire," it's a clever passion story that is relatable to all. "Summersong" is an exotic twist on some of contemporary dance music's long tradition of making songs about "shaking what you got." Still, this one plays like a top forty hit while also serving as a soothing mechanism for the anxiety we feel when summer passes. It is a welcoming reminder that with each season that comes and goes, none hold a place in our hearts as novel as summertime. You've been working as an artist and producer for some time now. What has been the most distinguishing milestone for you at this point in your career? Halle & C-Ray - We’ve hit so many milestones that we’ve set for ourselves and each one feels more special than the last. Our most distinguished thus far would actually be towards the beginning of our journey when our 2nd single “Pandora’s Box” was picked up by a Spotify editorial playlist. It was such an incredible feeling to have that type of validity and so early in our growth! From that moment on, we knew that we were on our way to create special music as an artist/producer tandem. Our goals are set high and we’re excited to hit certain milestones, so we like to think our most distinguishing one is still somewhere ahead of us. When you think about the other producers categorized by the same musical niche as you do feel inspired? Do you recognize them as inspirations or influencers in your artistic journey or the competition? C-Ray - I see other producers most definitely as inspirations. The amount of talent in the world is unreal! When I started producing music 20 years ago (I’m aging myself here), we only heard of the names that made headlines like Timbaland (my biggest influence FYI), Dr. Dre, The Neptunes, Kenneth ‘Babyface’ Edmonds, etc. No social media, no access to content via the web, you name it. There are days I get lost in scrolling through my IG timeline watching beat making videos. It’s truly awesome to see so much creative drive. The only competition I have is an internal one. I’m determined to keep growing and my hunger for knowledge within the music field is larger than ever before. If you could collaborate with anyone currently in the music scene, who would you choose to do it with, and why? In a dream world, I would love to work with John Mayer. He’s my ultimate musical and lyrical inspiration. Some artists who also inspire me are Olivia O’Brien and King Princess. I love that all these artists are incredibly honest in their lyrics and don’t always sing about things that aren’t mundane and unromantic; they have a sense of realism in their music. What are the next steps for you? Are you planning on releasing an extended play or maybe collaborating with someone in an adjacent genre? The next steps are to keep releasing new records that are consistently better than the last and to push boundaries with every release. We are planning on releasing an extended play very soon, I’m excited to release it and share it with everyone! As for collaborations, I’m extremely interested in and open to collaborating with other artists. What's keeping you inspired? What's some advice you can give other artists who are struggling right now? I’m not exactly able to find inspiration these days the way I could pre-quarantine. As of late, I haven’t been able to go out and make new experiences, and initially, I felt that it stunted my creativity and my ability to write. However, I’ve found that quarantine has been helpful in allowing me to rethink certain aspects of my life and it’s given me an opportunity to work on myself. I’ve been able to process some of my older experiences and that processing and rethinking has truly rekindled my creativity. To other artists who are struggling right now; I feel it’s common to experience writer’s block and not just during a pandemic. If I were to give any advice, it’d be to give yourself some time. Listen to some new music, maybe something you wouldn’t normally listen to. And lastly, give yourself time to process things you haven’t been able to in the past. It’ll help you rethink your own story and maybe give you some ideas on how you want to tell it. #BUZZMUSIC

New Jersey's own, R&B artist Bobbie Rose is taking the music scene at full force with her luscious vocal style. As a singer/songwriter, Bobbie Rose puts a ton of emphasis on giving her truth and wisdom to her listeners with full transparency. With inspirations such as Rihanna, Jhené Aiko and Amy Winehouse, listeners can expect to receive a dynamically thrilling R&B experience from Bobbie Rose, combined with a bit of early 00's impressions. She takes her inspirations and plays with them in flavourful ways, and once you listen to some of her latest work, you may share a similar vision. Bobbie Rose's newest track, "Wusgood," exploits almost tropical flairs from the beginning, but the production is quickly brought down to establish a more low-key ambiance. You can tell right from the start that the flow of the track is natural and sets you into an enigmatic atmosphere. The storytelling in "Wusgood" is captivating, and Bobbie Rose reels listeners in with her ultimate confidence and allure. There's definitely that authentic R & B feel to Bobbie Rose, but it's combined with slight contemporary segments embedded into her production, making "Wusgood" feel much more dynamic. Bobbie Rose is all about sharing her vulnerability in a bold, yet honest manner and "Wusgood" didn't fall the slightest bit short with that theme of her artistry. What was the ultimate goal in mind with the release of "Wusgood"? What was your purpose for writing and recording the song? The ultimate goal of “Wusgood” is to show people the other side of me that isn’t shy or soft, but the side of me that is confident, sexy, and loud.  I wanted to make a song that others could listen to and blast as a soundtrack that reminds them of good times. I wanted to make other people feel as good as I feel writing, recording, and listening to “Wusgood”. How would you describe your main objective as a music artist, and how do you feel that the release of "Wusgood" attributed to the advancement of your objectives? My main objective as a music artist is to share all of my truths.  The good, the bad, and the ugly, all while resonating with others in doing so.  Music has always been how I feel emotions.  No matter what I’m feeling I can turn on a song or start writing a song and figure out how to express it.  As an artist, I want listeners to be able to put on my music and make their day better, get them through  hard times, or just remind them that they are amazing and should be flaunting what they have and who they are.   “Wusgood” contributed to this because the lyrics are showcasing how much I am feeling myself.  I may not always be so sure of myself, however, this song exudes pure confidence and I believe that it is hard to not feel it while listening.  It is a “feel good” song for people to put on as a mood booster. When was the moment you received the right kind of stimulation and/or inspiration to create "Wusgood"? Was there a certain life event that pushed you to write the single? I was sitting in my room in New York, when I put on a beat and began freestyling. First came the hook, just about being a “Jersey Bitch” and my usage of the word “Wusgood”.  The first verse discusses how I shot my shot at a guy, which is not the usual, however, I asked him for his Instagram and the rest is history as he is now my boyfriend.  At the time I had caught feelings for him, but was trying to pretend like I didn’t so I wrote “Wusgood” reminding myself that I am indeed that bitch, and it’s his loss if he doesn’t want me.  When I sang “I’m not tryna be your girl” I totally wanted to be his girl, but I was trying to remind myself and other women that we don’t need a man because we are just as amazing on our own. Do you find that the natural confidence and fierceness presented within your music comes easy for you whilst writing and recording, or was it a trait of your artistry that came with time? Ever since I was young, whenever I would be singing, there has always been an innate sense of self-esteem.  It has always been the one ability that carried the love I have for myself.  I professionally recorded music for the first time in March of 2019 and I was super shy but after a few takes, all of the assurance in myself and my abilities fell right back into place.  Since then, the fierceness and confidence came naturally.  Throughout my daily routine the confidence isn’t always there, but the second I start writing and recording it’s there. What can your fans anticipate to hear next from you, Bobbie? Fans can definitely expect to hear more of the journey between myself and the man both singles “Wusgood” and “Hit My Line” are about.  I love storytelling, so anticipate following along to my life through my music.  I am currently exploring new sounds and areas of my voice that haven’t been heard yet.  Be on the lookout as more is definitely coming! instagram.com/itsbobbierose twitter.com/itsbobbierose #BUZZMUSIC

Amanda Lynn gives us a multidimensional fusion of sound as you spin out to her latest track, "Magnolia." This southern peach hails from Cartersville, Georgia, and the first stage she graced was her daddy's 1980 Chevy pickup truck's tailgate. Amanda's musically wired mind has always had a song itching to make it out onto a page, Amanda grew up writing music and singing into broomsticks and hairbrushes. Amanda has evolved far further than singing into her hairbrush, gracing our stereos with her fiery and unapologetic harmonies. "Magnolia" has the soundscape of a sweet southern ice tea, its refreshing, crisp, and has a bite- that bite is Amanda's angelically devilish voice. There is a distorted, resonating electric guitar that first grabs your attention as a fiddle wails away as Amanda's voice enters center stage. A voice like Amanda's doesn't come along often, and there isn't anything cookie-cutter about her voice, it's captivating and memorable. Amanda's voice feels like home. "Magnolia's" lyrics are emotional and transformative, offering a glimpse into Amanda's imaginative songwriting abilities. "Magnolia" will imprint on you; we will not be forgetting Amanda Lynn's voice anytime soon. instagram.com/the_amandalynn facebook.com/theamandalynnmusic #BUZZMUSIC

Rapper Shogun Jizzol is here to show listeners what they've been missing out on. Giving absolute vigor and passion towards all of his music, Shogun Jizzol strives to craft contemporary tracks with his trapped-out style. Recent music offerings from Shogun Jizzol includes a more laidback performance compared to his other tracks. One of the artist's most recently debuted tracks, "Drip Caprisun", outlines this well and listeners get to see a refreshing aspect of Shogun Jizzol's artistry. "Drip Caprisun" has been released by Shogun Jizzol, and the artist has already released the tracks music video. Shogun Jizzol focuses on creating high-energy performances within his music, and his style is ultimately versatile. The music video for "Drip Caprisun" definitely brought about vivid imagery that easily went along the vibe of the song. Some would say that there's almost a humorous component embedded into the songs music video, and Shogun Jizzol's wordplay matches up with the energy of the track in the most fitting way possible. Shogun Jizzol is all about giving an entertaining and quality performance, and "Drip Caprisun" wasn't any different. We're anticipating what next ambiance Shogun Jizzol will establish next and hoping this Kansas City artist will continue his streak of single releases. How did you go about crafting the vision for the music video of "Drip Caprisun"? Being that it was quarantine I had to go back to my roots as an independent artist and shoot it myself, but also get a little creative. In the video, I stuck to the name of the song by adding elements that represented water and the drink Capri Sun and worked from there. Then I added some tick-tock dances of my kids and anime-like effects to it. I was happy with the results. What was the general atmosphere you were trying to establish within your listeners with "Drip Caprisun"? A celebration, a party, just getting your bag and drippin because of its type of atmosphere. Compared to other tracks we've seen from you, "Drip Caprisun" definitely had more lax energy to it. Can you describe the ultimate vision you had for this song and how it differed from previous releases of yours My vision for the song was just to stick to the title of the EP called Trap Geek 2. So, I had to think of something that you can turn up to and feel good listening to while getting to your bag still keeping the anime-type of vibes in the song. At the same time, I wanted to express how stylish I am now with my own drip and how I've evolved from being an underdog. It differs from my previous songs because I'd just done an album called AYTD which had a more serious tone to it. It was an introduction to my fans to let them know who Shogun is and give them more of an insight into where I've been and some of the things I've experienced in my life. That album came from a very dark place due to a lot of losses in my life, a lot of heartaches, and people passing away in my family. Since that was the story I told in AYTD, I wanted to get back to the litty me lol, you know what I'm saying, the more stylish and drippy me. That was the tone for this new project Trap Geek 2 and I approached the song "Drip Caprisun" with that same energy. I wanted to create a song that was easy to listen to, easy to sing along to, and easy to digest. I simplified it a little bit but I still kept certain elements that are true to me and true to who I am. Where do you hope to take your sound next from here? I just want to take it to new heights sonically. I want my music to keep evolving. I love to try different things and experiment with my music. It makes me feel like a mad scientist you know, lol! I get that feeling sometimes when I'm in there! I'll just be experimenting with my vocals, playing around with my voice while I'm writing or rehearsing it and when I get that feeling and I get chills I will be like yeah... that's it...this is gonna be fire!! That's how I know I got something. Yeah, I think I'm on the right track right now though and I know it's going to get better from here on. I want my sound to be a staple sound in Hip Hop, so I strive to give quality content and make my music stand out. What has been keeping you inspired throughout 2020? My fans honestly, me seeing that they love my music makes me happy! All the love and feedback from my fans, seeing their comments under my videos, seeing them come out to support me at my shows, seeing them post videos on Snapchat, Instagram, and Facebook of them listening to my music and recording themselves and tagging my name in it is amazing!! I've made a lot of progress over the years and I'm proud of myself. Knowing that my numbers started from 0 and are now in the thousands and heading to the hundred-thousands and that I'm actually making money doing something that I love, it's crazy! These are the things that keep me Inspired and let me know that I'm on the right track and not to give up. I'm making waves. instagram.com/therealshogunjizzol #BuzzMusic

Canadian artist Vanden Dool enjoys creating synth-pop music and has had the opportunity to travel across provinces to share his art with the world. Vanden Dool has performed alongside artists such as ACTORS, Chersea, and Too Soon Monsoon over the past few years. He is ready to share a song off his new EP 'The View from Here.' "Small-Town City" has a classic '80s atmosphere with a modern twist. Starting with a perfect instrumental introduction combined with his layered vocals give the song a dreamy and uplifting feel. Vanden Dool's voice has a lot of character, taking inspiration from '70s and '80s electronic bands. It flows through the lyrics but also has a bit of grit to it. Backing the vocals is an upbeat blend of synth beats and melodies, with the same whimsical idea carried throughout the song. Vanden Dool has a way with storytelling, singing about the perks, and the fallouts of growing up in a small town. You know, the experiences you can sympathize with if you grew up in a town where everyone knows you by name. In "Small-Town City," there is something for everyone, and from its spirited melody to its comforting lyrics, Vanden Dool has a timeless sound. We loved “Small-Town City” and its classic sound, how did you go about writing this one? What came first, lyrics or melody? With most of the songs I write, the very first thing to be fleshed out is chord progressions. From there I'll write lyrics that fit the timing of it, and if I don't already have a melodic line in mind for them I'll often come up with one as I begin to do vocal takes, which is probably why a lot of my vocal lines end up being quite monotone. "Small-Town City" came about with pretty much this same process except that, as with most songs on the EP, the very first thing to appear in my head was the title. What were some of your favorite artists growing up? Would you say your music models after your old favorites? I grew up in a slightly conservative Christian household, so most of the music I listened to in my formative years was Christian rock and contemporary. My go-tos until mid-high school were artists like Skillet, Red, the Newsboys and Michael W. Smith, none of whom I listen to today. I did get exposed to a bit of secular music as well (mostly through my dad), but hardly anything I listened to was purely electronic and none of it was new wave unless you count Michael Jackson. What did stick with me from those years, though, was the fact that I enjoyed little electronic embellishments in the production and gravitated toward music that was either emotionally driven or considerably dark (for those not familiar, there was a surprising number of dark-sounding Christian artists in the late 2000s, Red being one of them). Those stuck with me as my listening habits changed after high school, and ended up translating into appreciating electronic genres for being so effective at accomplishing all of these things. For some reason synthpop just happens to do it best for me. You mentioned you are a graduate of music, what specifically did you study and where? How has your music education enhanced your career as a musician? I studied at the University of Lethbridge in the Digital Audio Arts program, which focuses on production and engineering along with the standard music theory and history classes. I basically owe all I know about music production to my studies, as I went in not having any experience with a workstation that wasn't Audacity and little to no knowledge of how to use their features in the first place. On top of that, the theory and composition classes I took helped me have a better understanding of how to arrange parts, as did recording projects where I emulated certain artists and had to analyze how they arranged parts. I didn't initially know any producers to show me the ropes as is usually the case with popular music makers, so the academic approach was the best idea for me at the time. Like many other artists, you enjoy traveling the country and performing live music. How has it been adjusting to the current state of the country and the limited travel opportunities? On the one hand, it's a relief to my bank account, because as an unknown there's no money in touring at all and is just a way to get my name out there. Instead, I've been investing more into the marketing side, which still builds up but nowhere near the level that touring costs do. On the other hand, one of the things I liked about touring was that it was an excuse to take a road trip to places you'd never been to or haven't visited in a long time, so what I really miss is the adventure of it all. This year also would have been a chance for me to see if anything stuck from touring in 2019, and this time with a release I felt a little happier with. What are you doing to stay inspired and creative throughout these tough times? Thank you for talking with us, we can't wait to hear what's next from you! I've spent a lot more time streaming artists' albums and EPs now that I've limited my shopping and don't buy CDs or vinyl anymore. I have a lot more time to do that now that the only shows I go to are the rare outdoor ones, so it gives me the opportunity to expose myself to more of what's out there. I was producing instrumentals and remixes during full lockdown (which you can find on the Isolation EPs on my Bandcamp page until pandemic season is over), and if we go back into lockdown because of the sudden jump in cases going on recently I'll go back to doing more of those. I also plan on making another one of my annual witch house EPs for the Halloween season, which will be available between October 13 and November 1 on Bandcamp. I might start work on a standalone single release for next fall once I've tired myself out promoting the EP, so there's more from me on the horizon for once things are safe again. facebook.com/TyVandenDool instagram.com/tyvandendool #BUZZMUSIC

Matthew J. Thomas sings with a discerning voice in what feels like a small room with intimate enclosures on "Mom And Dad", the Tennesse-natives lastest single. At first, this track sounds like a contemporary radio love songs mixed with some of the roots-texture you see in good country music. But as it leisurely progresses, we establish a different narrative out of the ballad-like orchestrations and heartfelt lyrics at play here. One of the most notable effects of this track is in how defusing it becomes, and how effortless its listening experience presents. It exhibits magnetic energy as it pulls you in behind the rhythmic and dynamic accompaniments that Matthew J. Thomas produces: a lush grande piano lead, a tremendous low-end that molds to low frequencies with ease, and an expansive air that proves intimate. If that wasn't enough, an orchestration of harps comes standard on this ballad too, with harmonies peering out into corners of this mix and becoming more engaging as it develops further. His vocals have a particular tone that sounds like if Phil Collins was twenty-one years old again and mixed together with John Mayer; and his music sits somewhere in between how those two categories make you feel also. "I'll be just fine, one day I will go out on my own," he sings on the melodies hook. It's a song about transitioning from one chapter of your life into the next and all the attached fears associated. As he continues, he finds strength in his core as he sings out, "walking out into the open road, I know I'll never be alone, through the struggle, I beat the storm, I don't feel the pain anymore, at least not like I did before." Although his lyrics and storytelling abilities are well developed, his sound sometimes falls into a pragmatic state. In a way, his performance tends to stay stagnant in one distinctive texture, doing his performance a disservice with the little bit of muted volume gives his expression. However, the saving grace comes in uplifting sonic blessings in the form of reverberation. Here, the effects exerted on his vocals prove transformative, making it feel like Matthew J. Thomas is singing in the same room next to you. It's a song that shows what the Young-Tennesse Artist and Producer has in store for us. His new single lands somewhere in-between the realms of Pop-Ballad and Adult Contemporary as we could definitely picture this cut finding it's rotating on the radio amongst some of the top songwriters of this decade. How do you find the motivation and fuel to power your creative endeavors through your day as an artist and producer? First of all, thank you for having me today for an interview I find my creativeness as an artist through daily life living each moment to the fullest and being able to put those into a story people can relate to. What has been the most challenging experience about the release, recording, and writing process of "Mom And Dad"? The most challenging part of writing mom and dad was making it where people can see how my parents have helped me so much in my life and that life isn’t easy but with a great support system anything is possible If you were to relate this song to three different emotions, which would you choose? Love, happiness, and anxiety. What's been the most exciting milestone you've reach recently as an up and coming artist working in Nashville? Well, I have recently been working on my debut album and that has been the greatest experience in Nashville and excited for everyone to hear this new music I’m working on. Can we expect more from you this year? Yes you can after mom and dad I will be releasing a new music video about a week or two after and a few more songs and then the album coming afterward so super excited for everyone to hear this music stay tuned for more updates and thank you for having me today #BuzzMusic

Like something out of the James Bond series, "Gabriella"—the newest single from Amber Prothero—takes on a luxurious silhouette with a swooning nonchalant swagger. Here, the breezy and gleeful melodies reflect the James Bond epoch with subtle keys and a hook embellished with the orchestration of crooning horns. This framework is well-suited to Amber Prothero's unique distinctions in sound. Her voice communicates with a soulful-playfulness without ever waiving its attraction, making her catalog play like a candle-lit Friday night, completely enveloping you into the present and now. "Gabriella" channels the croons and sways of times before her as Prothero taps into influences from legends like Norah Jones and Ella Fitzgerald, whom she refers to as her "Muses." The lyrics here reflect the implied notion that —"Gabriella"— is the most sophisticated player in town, and the tenacious quality of this grooving construct only extends to verify that. "They ask her name, it's Gabriella," she remarks with a cheek, leaning into the pause a bit. She hovers just above the minimalistic drum pattern and piano twinklings, while the bass guitar streams like a cloud billowing until the song swells into a flurry of trumpet incantations for the hook in the chorus. As it opens up here, her intoning chants crescendo ever so lightly. She succeeds in highlighting the tenuous character she is known for with an endearing charm and brutal accuracy—while never failing to sink into her distinctive earthy tone. What was this song about for you, and did it have any imparting emotions or lessons for the audience? I actually wrote this song after school one day when I was about 15 years old… so about 8 years ago now. I would best describe Gabriella (poetic license used for the name for obvious reasons haha) as the girl that everyone wants to be and who everyone else wants to be with! I suppose the moral of the song is that despite the fact that Gabriella appears to be this huge character who is extremely sure of herself, deep down she is actually just like everyone else and has her own insecurities. Most likely, I wasn’t aware of these connotations when I originally wrote it but that’s one of the main reasons why I love this single so much. It stands the test of time and is still pertinent all these years later with so many people, including myself, who go through life with a very confident exterior and yet are insecure on the inside. I also have to thank my ridiculously talented friend and producer Tyler Myroon who helped breathe new life into this song and transformed it into the groovy, sexy tune that it is now!  What have been the most distinctive and vital milestones for you at this point in your career? I honestly think that there have been numerous different challenges and goals which have all led up to where I am now in my career. For example, my first collaborative writing experience happened when I was about 17 with some friends of mine from Leeds. Prior to that, I had only ever written by myself in my room with a little help from my sister or my mum! Those friends taught me so much about the different ways of songwriting and how incredibly fun co-writing can be. Three years later we ended up supporting Busted at Festival Too in King's Lynn to a crowd of 15,000 people… It was an amazing journey for us and so surreal.  In 2018 I moved to Paris to work for Universal Music France. From 10-7 pm I would work there but then nearly every night after work I would go to one of the many open mic nights to perform and try out new original material. I did that for about 4 months. This experience gave me the confidence to know that I could play anywhere, knowing the power that music could have on people from all over the world. I met so many amazing people and I feel that this experience is another huge part of the musician and person that I have become today. More recently, however, the last couple of months have been crucial in terms of my career milestones. I co-wrote a song called ‘Won’t Let This Love Go’ with a very talented musician and songwriter called Jack Hawitt and it was with that song that I had my very first BBC introducing play on the radio! That has always been a long term goal of mine and made even better by the fact that it was the first piece of material that I had released in about 2 years. At the end of July, I then went on to film my very first music video with the help of Dan Sloan, a local director, and writer who, along with his team, did the most unbelievable job. The video will be coming out over the next few weeks or so, and I’m so excited for everyone to see it!  Can you express some of the impacts that the influencer's you've listed before have had in terms of your ability to convey emotions through your lyrics? Growing up, I have always listened to a variety of strong female artists; Corinne Bailey Rae, Norah Jones, Gabrielle, and Carole King to name a few. I think that what all of these artists have in common is their ability to paint a picture through their lyrics whilst also being capable of delivering them with just the right amount of emotion and passion. Over the years, I have learned a lot from these artists when it comes to my songwriting. For example, never settling on a lyric just because it fits the melody or because it comes to me easily. I like to think of lyric writing as a bit of a jigsaw, you have to find the best piece to fit the story that you’re trying to tell. Even if it takes all day or even a few months, I like to wait until the lyrics feel right.  In terms of recording my songs and thus the performance of them, I have learned so much not only from these artists but also from my friends and colleagues. My producer who I mentioned earlier is always encouraging and pushing me to almost exaggerate the emotion when recording the song. It may sound silly when you’re recording it but actually, when you listen back it doesn’t feel too much, it sounds ten times better than if you were just trying to sing whilst solely focusing on hitting every note perfectly. I love to use Christina Aguilera as an example for this, who mentions that she did a one-take vocal for her song ‘Beautiful’. There are quivers and imperfections in her vocal that have been kept in because those are the things that convey the emotion. Can we expect more new singles coming from you this year, or can we anticipate a full record sometime soon? 100%! I'm planning a couple more exciting projects before Christmas, before releasing the full EP in 2021. This time around I've been really inspired by jazz and Latin influences, I've even been lucky enough to work with a really talented saxophonist on the later tracks! I'd say Gabriella is definitely one of the more upbeat songs on the EP but I've also got a couple of other groovy, fun ones as well as a ballad or two. Then the plan will be to start playing the songs at gigs. COVID permitting, I'll be playing an acoustic night at Moustache Bar in London where I will showcase many of the songs from the EP. If anyone wants to buy tickets they can do so by using the following link: https://bit.ly/3f8SA8e What has been keeping you inspired throughout 2020? 2020 has been a weird one as I’m sure many people will agree… At the start of lockdown, everything came to a halt. My gigs had stopped, writing sessions were canceled, and being in a physical studio was no longer an option. However, slowly but surely, virtual live shows and zoom writing sessions became the new norm and I felt like lyrics and songs were pouring out of me at a rate that I’d never experienced before! I have a little home studio set up in my bedroom which I am so grateful for and this allowed me to carry on recording my EP.  Inspiration never tends to come to me when I force myself to sit down and write but throughout lockdown it did. I suppose that seeing people come together and unite to fight the virus was inspirational in itself, then throw in the fact that I couldn’t see my loved ones because of travel restrictions and self-isolation rules, it all gave me tons to write about. And as much as the pandemic has been the most devastating thing that I have ever experienced in my lifetime, it has also been - from a musical perspective - the most incredible period in which I have been able to dedicate all my time and energy into doing what I love, creating. instagram.com/amberprothero facebook.com/amberprotheromusic #BUZZMUSIC

Emerging Pop artist Kacey V is spreading her infectious spirit and soul with new music. The singer/songwriter intricately crafts her sound and lyricism in a way that can relate to her listening base and follow her own truth. Kacey V embraces all aspects of life and consistently attempts to bring out the best in everything she chooses to do. Kacey V's music is ultimately the product of her candid persona, combined with her lively influence, and her latest song release proves just this. Kacey V has released her spirited summer single "Patient." The track begins with an inspirational rhythm, which instantly has our tastebuds gratified. Kacey V's vocals softly embed themselves into the pop-driven beat, and from there, listeners are taken on an adventurous journey alongside the songstress. "Patient" guides through young love, focusing on the virtues of patience and how it can aid in the blossoming of something special. One thing Kacey V definitely doesn't fail to accomplish within "Patient" is showcasing her exquisite vocal range, as listeners truly do receive a full pop performance from this female powerhouse. Whatever Kacey V releases next, we're expecting nothing short of refreshing and stimulating. "Patient" has very characterizable energy, ultimately feeling quite charismatic and fresh. Was this the kind of ambiance you were hoping to achieve amongst your listening base? Yes! My goal with “Patient” was to have some 80s inspired vibes blended with synth-pop. I was so happy with how my debut single “Jealous” resonated with listeners, and “Patient” felt like the perfect next single both sonically and lyrically. I wanted it to feel bright and fresh for the end of the summer! There's definitely a vibrancy that emulates off of you during "Patient". Is this type of persona easily adaptable for you or do you feel that it comes naturally altogether? Thank you! That bright pop sound and aesthetic feels natural to me, and that’s how I knew that “Patient” had to be a single. As an artist, my goal is to always create art that reflects my feelings and my personality, so I hope people can listen to my music and feel like they know me (and dance with me, too!) As an artist who typically releases inspiring and compelling pop music, how do you feel you're going to continue this streak of song releases with newer components? I’ll always write lyrics that are honest and deeply personal, but I am also exploring other areas of pop – like Pop R&B. It’s definitely a different creative approach than “Patient” or “Jealous” were, but it still feels organic and natural for me, especially as a singer, to play around with different styles! What's the next step for you artistically and personally? Are you planning on releasing more music within the near future or having any virtual live-shows? I am planning on releasing more music in the near future, and it might have that Pop R&B vibe that I mentioned above. What has been keeping you inspired throughout 2020? I’ve had the time to dive into some amazing new music. It’s inspiring for me to see artists continue to share their art during such an uncertain and difficult time in the world. Music is always what helps people unite and heal, and to think that I could play a small part in that and make people feel good with my music is what’s kept me motivated. I finished “Patient” before the pandemic hit, and I felt so excited about singing and dancing to it in the studio. I hope that people listen and feel the same. facebook.com/kaceyv instagram.com/itskaceyv #BUZZMUSIC