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Hailing from Hollywood, CA, Little Homies are emphasizing the raw elements of music to their listeners--the instrumentals. As musicians, Little Homies combine their artistic abilities in order to produce progressive soundings. The duo has recently released their album "Thankyou", which highlights contemporary rock elements in a whole new way. Little Homies know how to capture listeners right from the start with their robust and unique tempo. They playfully create alternative and indie soundings with a combination of guitar rhythms and striking drum appearances. "Flan" is the first record off of "Thankyou". This specific track really set the mood of the album, and the exact sort of artistry we could expect listening further in. Little Homies maintained electric energy all throughout the track, which didn't waiver at any moment. Their consistency with keeping that eclectic and expressive guitar sounding was the highlight of "Flan". As we delve more into the soundings on "Thankyou", we reach the second track "Neo American". This record has a particularly fearless and vigorous element to it. Little Homie's enthusiasm for their intense and bustling sound is quite apparent within this track. Their piercing passion can be felt immensely--it's hard to find any imperfections with the craft in this one. The instrumentals set a compelling and gritty ambiance. Taking a moment to sit back and soak in the potency of "Neo American" is an extremely vivid experience, and such an experience we highly recommend to alternative rock fans. With most rock/alternative tracks today, we're used to hearing these insane instrumentals in conjunction with vocals. Little Homies transcends the listener's experience in "Neo American" because they put the spotlight on the instrumental aspect of rock. "Neo American" is hands down our favorite track from "Thankyou". We're soonly introduced to "Porter", Little Homie's third track from their recently released album. Encapsulating a dynamic vocal effect, "Porter" showcases a sounding we haven't heard in the album, up until this point. It's easy to hear the passion and vehemence in their voices. Their sound is a thrilling and stimulating experience--we're extremely obsessed with their ability to produce records that contain the best aspects of alternative/rock music. They allow listeners to appreciate such intimate aspects of the genre by spotlighting certain elements in each track on "Thankyou". "You Kiss Your Mother With That Mouth" ends off their lively album, and adds more to that entertaining atmosphere they've created thus far. We receive fervent soundings as a result of the drums, and the heavy appearance it makes throughout this track. Little Homie prioritizes the listener's experience, as the craft, they put into "Thankyou" is an incredibly memorable experience for listeners. Listen to "Thankyou" here. It's great to have you guys on BuzzMusic! Can you describe to us the ultimate goal little Homie's had going into the production of "Thankyou"? Mario: The ultimate goal that I had was to release a record that I was proud of and something that illustrated our diversity. Since it was just Albert and me doing everything, I wanted to create the Little Homies record we've always wanted for the fans as well as for ourselves. Albert: We had lost our bassist and vocalist, so we felt as though the band was falling apart. So what we really wanted to do going into this was to make a short and sweet album for our fans as a Thank You for their continued support. What record off of "Thankyou" was a personal favorite of yours? What does this track express in comparison to the others? Mario: It's so hard to pick one because I love them all, but if I had to choose it would be a porter. Marcelo did such an amazing job on vocals and dominated the theme I wanted him to write about. The final version of the song that was released on the record is something I'm very proud of. I've always wanted a Little Homies song to sound like this, I'm super stoked on it. Albert: Porter. and Flan is my favorites. I like Porter. because, not only does it showcase the amazing work our friend Marcelo contributed, it projects a lovely gradual warmth and stillness that you can dive into, and Flan just makes me happy. What steps do you take in order to ensure your music is as authentic as it can be? Mario: Watching films and listening to my favorite drummers is a step I definitely take when it comes to getting inspired for writing new music. I don't think about it, to be honest. I don't listen to radio music or whats considered "popular", so I just focus on writing what makes me happy. Albert: I use the past, present, and future to celebrate life and make sure we're taking our vitamins every day :) How does Little Homies gain a vision for the type of blended soundings found predominantly throughout "Thankyou"? Mario: A good friend of mine named Will said it best: "Walk in shadow, move in silence Guard against extra-terrestrial violence But yo we ain't on no government list We straight don't exist, no names and no fingerprints". That was how I gained my vision. Albert: We lost some members and it sparked some creativity. We also smoked a ton of cannabis. Thanks, Little Homies for allowing our readers to get a better sense of who you are as an artist! What do you hope to accomplish next within the music world? Mario: Making more records, collaboration with more artists, and playing tons of shows. Albert: Perform more and continue writing new material. littlehomies.bandcamp.com facebook.com/littlehomiesmusic #BuzzMusic

Hailing from New Jersey, Gianna Richelle Salvato is known as Gigi Rich, is a soulful jazzy pop singer/songwriter. Gigi first became enthralled with music at a young age when listening to Alicia Keys’ very first album. This inspired her to pursue a passion for playing the piano, writing music, and bringing it to life through song. Gigi’s musical influences range from James Brown and Fleetwood Mac to Amy Winehouse and the aforementioned Alicia Keys. She uses her personal experiences to draw inspiration from in her lyrical writing, which comes across as authentic and beautiful poetry. After releasing four singles in 2019 she is currently completing her follow up EP. It is no surprise that her most recent single "Guilty Pleasure" was featured in the film The Wedding Year. Gigi’s powerful and soulful voice is a force to be reckoned with. Her raw and natural talent is beyond apparent when listening to her music. Coupled with lyrics that are poetic in nature, Gigi Rich is by far a star in the making. Her other singles, "Silver Lining", "Don’t Give Up On Me", and "One Night" showcase her remarkable gift in an awe-inspiring way. Big things are in store for Gigi Rich as she continues to create music and inspire the masses with her impressive sound. Check out Gigi Rich’s music here! Welcome back to BuzzMusic Gigi! Your music is so beautiful and you have such an incredible voice! What is your creative process like for making music? Thank you SO much! That is so sweet of you to say. My creative ideas can come to me in many different ways. There is no definitive pattern in the way that I write. Sometimes it can be melody, other times it’s lyric, and even a chord progression that strikes me -  and then I go to work from there. In terms of concepts though, all of that comes from whatever is going on in my life at any particular time. It is definitely my way of working through life stuff. How did your song ‘Guilty Pleasure’ end up in the movie The Wedding Year? A producer I was working with had a friend who knew someone filming that movie that mentioned they were looking for music (LOL,  lots of people involved). He offered to send them some of my music, which was so awesome of him because he did NOT have to do that - and they ended up picking one of the songs! We love that you use your personal experiences in songwriting, ‘Don’t Give Up On Me’ is an especially heartfelt and personal song – what message were you hoping listeners would get from it? I actually wrote that song for the person I was with at the time. That relationship brought out a lot of insecurities within me that I had to deal with - and that’s kind of what it’s about. That yes, maybe at this moment I might feel insecure and realize I am sensitive, emotional and a little all over the place at times, but I will love you like no one else could ever love you. I hope listeners take away that being vulnerable is a strength and not a weakness - and that being honest about your emotions takes a lot of courage, even if it’s with someone you love and trust. That idea transcends just romantic relationships and flows into all other aspects of life. Your sound has been likened to artists like Alicia Keys and Amy Winehouse, how influential were these artists music in your releases of 2019? They will always be influences of mine. Both artists hold special places in my heart because their music makes me feel so many emotions – and even now am always learning something new from their songs. I also feel like I’m allowing myself to experiment with other types of music I’ve always really gravitated to. I love classic rock and bands like Queen, Fleetwood Mac and Heart. Soul will always be at the root of all of my music, but I definitely switched it up a bit this year! My releases lean more on the pop/rock side of things, which I love. Can we expect a tour accompanying the release of your upcoming EP? I definitely want to set up a tour!  I’m still in the studio right now, but I would absolutely love to do an east coast/west coast tour - or just perform anywhere for that matter. Playing the new stuff I’ve been writing will be amazing. What’s next for you in the coming new year? I’m really excited for the new year - 2019 was a year of tremendous change for me and is reflected in my new music. I want to release this EP, play shows and connect with people – and just keep working hard, staying focused and putting out into the music world that I’d love to write more for other artists as well. facebook.com/iamgigirich instagram.com/iamgigirich twitter.com/iamgigirich #BuzzMusic

Rickie B from the heart of Las Vegas, Nevada, is still considered “Under The Radar” of Hip-Hop artists out of the City today. That won’t be the case for long though. Rickie B provides lyrical prowess and a commanding delivery, but also produces his own beats with an R&B blend to his music. All in all, it’s the message that’s the driving force of why he’s an amazing artist to listen to. As talented as he may be, his work ethic, drives to fulfill his purpose and his creativity is what separates himself from his peers. His passion is to help his community which stands above all else in his mission to change lives not only in Las Vegas but worldwide. Rickie B’s humanitarian persona is what makes him an interesting artist to become interested in. Rickie B is representing what most artists tend to shy away from. He’s opening this bridge for his fans to connect with not only his music but Rickie B himself. Rickie B is a sonically artistic individual who has all the right ins and outs to become a huge success if he keeps his consistency going. With various amazing singles released this year including “The Fame”, “Sky High”, “Know The Deal”, “I Can Do Better”, and more. Rickie B is uncertainly on his way to the top. Listen to Rickie B here. Welcome to BuzzMusic Rickie B.! What initially inspired you to pursue music? Can you recall some of your early influences? Thank you again for the opportunity! My initial inspiration came from my own curiosity. I was always interested in how people made beats and how a song was created. I’ve also had musical inspiration from within my family, so even at a very young age, I was always exposed, first hand, to real artistry through my cousins Nikko (who has the best vocal ability that I know as a singer) and Lawrence (who is the best drummer I’ve ever seen). Big s/o to them! Outside of family, Michael Jackson was the one that led me to become interested in music as an art form, especially on the entertainment side. Seeing all his concerts when I was a kid and how he commanded the stage and controlled the crowd led me to believe early on that if I ever did music, I’d want to do it on that scale. He taught me about how powerful and influential music is and eventually I made it to where my goal was to utilize that same power to help someone else out. As I got into high school, the person (or people) that actually drove me to pursue a career in music was my bro Tiny G. Beats and his dad Darrell McKenzie (who was like a 2nd dad to me). Meeting them two was like the key to my development as a producer and a rapper. They taught me my work ethic and helped lay the foundation of who Rickie B. is as an artist. Talk to us about your release of “In The Game”. What was the theme behind this song? I actually created that song in hopes to get in the NBA 2k20 soundtrack. I saw through UnitedMasters that they were accepting independent artists on the soundtrack and I thought it would be dope to make a track for the game. Unfortunately, I wasn’t selected, but the response was well received. I’m glad so many people enjoyed that track. Hopefully, next year, when the opportunity comes back around, they won’t overlook me. Did you face any challenges when creating “In The Game”? If so mind detailing to us which? The only challenge that I had for creating the track was the mix. I found out about the opportunity kind of late, so I only had about 5 days to create the lyrics, make the beat, record the track, mix and master the track and then submit it. The mix didn’t fully sit well for some odd reason to me. So although it may sound good to most people, I feel like I could’ve gotten a better sound out of it had I had more time. What was the biggest inspiration behind the songwriting in “The Fame”? My inspiration came from my purpose in life. “The Fame” is more than just a song to me. I wrote it as if I was penning a letter to my younger self to warn myself about the dangers that Fame can bring and that without God at the helm of your life, that fame and fortune will ruin you. I also wrote it to my audience as well to let them know what my intentions are in rap and within the music industry as a whole. Overall that track is really personal. It’s my statement song in which I’m saying: I’m not in this for the fame or the fortune. I make music because this is what God has for me in order to help save the lives of those that are lost in this world or struggling in this world. The mark I want to leave will be legendary, not because I did it for the money or to be seen, but because anything that you do in Christ Jesus becomes glorified in heaven; thus adding value to what you do here on earth. If I ever feel like I’m falling off track, I have that one song to help push me back in the right direction. Were there any arrangements you were experimenting with within both “The Fame” and “That’s Real”? The Fame was definitely a sample from an arrangement from Norman Conners - “You Are My Starship”.  My dad was actually the idea behind it and introduced me to the song. He was telling me to sample that track and to make a beat off of that for like a whole year. Once I touched the sample (and he heard the final outcome), it almost brought tears to him. So that definitely was a proud moment for both of us. That’s Real on the other hand was completely made from scratch with no samples or arrangements added. That was just, at the time, probably one of the most in the zone moments of production I’ve ever had in my life. I will say that the creation of That’s Real is the reason why The Fame came out the way that it did. Both beats are proud producer moments for me. What’s next for you in 2020 Rickie B? I’ll take over in a major way in 2020. I’ve got some new business ventures that I’ll end up sharing once the time comes especially when it comes to the music and my new shoe line. You can also expect to see at least two new projects from me next year. My main focus though is just to keep elevating musically, spiritually and in life in general and to build with my wife, my family and within my community. I’ll definitely be doing more performances as well and I want to really help the music scene in Vegas grow as a whole. So that is definitely the focus. Shout out to my team, Kiing Lavon, Qweezy’, Tiny G. Beats and all of Etymology and to Luke Wynn and William Wynn. I’ll be helping them grow as well in the next year. Last but not least I plan on being apart of another feature with BuzzMusic for 2020 because y’all are magnificent. Thank you guys once again for the opportunity and stay Grandatious. rickiebmusic.com twitter.com/Rickiebmusic facebook.com/rickiebmusic instagram.com/Rickiebmusic #BuzzMusic

It’s no secret that Jeffrey Krantz has hit the music industry like a wrecking ball when he hit the scene with his first self-produced solo album titled “KRANTZ”. Jeffrey Krantz left his hometown in Iowa, traveled the world, toured over 200 days per year with a band called “The Effects”, and opened for multiple acts such as the Kings of Leon, Shinedown, Foreigner, and The Toadies. Hard-working is undoubtedly an understatement of Jeffrey Krantz. His work ethic is commendable and creates admiration for him as an artist. Jeffrey Krantz recorded his self-produced solo album in Nashville where he decided to pursue the dream and create his own legacy. He actually recorded this album in between tapings of MTV’s music competition, “American Supergroup”. He eventually became a finalist in the competition. However, Jeffrey Krantz isn’t just a solo act! While working nonstop at the Honky Tonks of Music City to reach his musical dream, Jeffrey Krantz (lead guitar, singer) joined forces with Tee Tallent (keys) and Adrian Flores (percussion), all whom he met on the Broadway circuit. Together, the band “Krantz” brings a psychedelic/pop/rock edge equipped with an in-your-face attitude, intertwining meaningful lyrics, and authentic, no-holds rock and roll. Super cool right? As an alternative rock band in a land of country music, Krantz embraces a refreshing take on golden age rock acts, combining classic musical elements of The Beatles and T. Rex, with more modern sounds of bands like Weezer and Green Day, creating whimsical and catchy melodies that are certain make your feet dance and heartthrob. Their sound is out of this world and you can’t compare this intricate band with any other musical act you know of. Just hearing the name of the album, “Misty Morning Dew” already sets a visual that sounds heavenly according to Jeffrey, the visionary behind Krantz. Their third release recently came out on Oct 25th, and the track is a bit more of a raw feel, very influenced by two of Jeffrey’s favorite decades in music: the ’60s meets the 90’s. 2019 has deemed to be a powerful year for these multiple bands, and we’re excited to see what’s in store for their beaming future. Listen to the soundings of Jeffrey Krantz here. Welcome to BuzzMusic Jeffrey Krantz! For you, How have the transitions been between working solo & with a band? Any major conflict you deal with and overcome? Well, thank ya BuzzMusic! Honestly, I do most of the writing and all that myself, but I don’t like to be viewed as a solo artist. Definitely more of a band guy. I like to have my gang around me. Honestly, the hardest thing with the band is just organizing everything. I really don’t have much going on besides my music, but that’s not necessarily the case for everyone else. We make it work though. Talk to us about your single “Misty Morning Dew”. What was the initial vision and theme you had for this record? Well the single is just kind of a world in my imagination…a kind of happy place ya might say. Most of the record is about love, sex, and drugs….groundbreaking, I know. I feel it’s a very colorful record that anyone can put on just for some good feeling music. How were you able to resonate that with your listeners? Well hopefully they found the same theme I was trying to portray when they listened. Can you talk to us about your songwriting approach to the record “Alone” and what this song represents for you as an artist? Alone is actually a song I wrote for the girl I was dating about 5 years ago or so, and just kinda never went anywhere. At the time, I was in a rock band more on the heavy side, so that song didn’t quite fit in with the rest of our catalog. I think I was just going through old songs and demos, came across that one, and thought “hey, I liked that one” so there ya go. It was fun to record because the rest of the band had never heard it until we were in the studio. We had a little extra time to kill, and I knew I wanted it to be simple and stripped down, so I showed it to them, and we just laid it down on the spot. Studio magic…. What was your personal favorite element to the song “Sweet N Sour Marylynne”? I love how it sounds like the mix between 90’s alternative, but with a 60’s melodic pop twist. One of my faves of the album for sure. I wrote it with my good buddy from the Wildfeathers, Joel King. Talk to us about the album “Misty Morning Dew”  what was the creative process behind this project? It was mostly just my favorite songs I’d written over the year of 2018. Jammed them out with the band, and went into Sienna Studios here in Nashville, TN. Laid everything down over two days, so that’s what gives it more of a live, raw feel than a lot of the past Krantz tunes. What are you looking forward too in 2020? Always keeping with the writing and recording, touring more, and hopefully heading over the pond to make a splash in Europe! facebook.com/krantzband instagram.com/krantzmusic twitter.com/krantzmusic #BuzzMusic

Hi Craig and welcome to BuzzMusic! You've made quite a successful career for yourself over these past 15 years. What moments stand out for you?  Hi, and thanks for having me! Well, there have been many great moments over the last fifteen years, but if I had to pick my top 5: performing with Jackson Browne (at the Steel Bridge festival in Wisconsin), performances at Lincoln Center and the Gramercy Theatre in NYC; overseas tours w/ songwriter Jerry Joseph in Israel, Costa Rica and Mexico; seeing a song I co-wrote be performed by the legendary Donovan at Carnegie Hall;  and having song of mine ("Our Own Way") placed in a film by Jane Wiedlin, the songwriter/bassist of the Go-Gos. Sometimes it's easy to get caught up in the day to day and what I'm working on now and forget some of the highlights I've had in my career so far, so thank you for asking that! "Sailed Ships" has such a powerful message about letting go. Can you give us more insights into the opportunities you are referring to? Well, I wrote "Sailed Ships" right around the end of my 30's, when I started to look back on my life for the first time; and also for the first time, think about opportunities, both professional and personal, that I'd missed. The song is about facing an impending end of youth and reassessing if you have the same goals that you did when you first started out on your path. When I wrote the song I was going through a bit of an existential crisis I guess you could say, but even though the song has a bit of self-pitying, it does have a happy ending-- the subject (i.e me) never gives up. You have such a trademark sound which is piano-driven pop/rock energy. Do you see yourself incorporating any other genres/ style into your future works? I don't see myself doing making any drastic changes to my sound anytime soon, mainly because I feel like I'm still approximating the vision I had in my head when I starting writing songs years ago. And I still love the piano and feel I have much more to explore on the instrument. That said, one area that has always interested me, is New Orleans music, and I see my music incorporating some of that sound, going in a rootsier direction in the years ahead. We appreciate that this past year has been difficult with your mom's passing. What other themes do you explore in this album? Thank you for saying that. Let's see. there a political song on the album called "All The Hate In The World", a song called "Aberrations of My Mind" that deals w/ seeing the creative process through blocks. There's a post-apocalyptic love song on there called "Aberdeen", a song "Candy Store" based on a psychedelic adventure I had in high school, and a song "Oh Caroline" that's about a female artist friend who was avoiding putting herself "out there" Thank you for chatting with us, we've heard that you've been sought after by other artists. Do you plan on releasing any collaborative singles soon? Ahh, well there's no plans for that right now, as I'm quite focused on getting my solo album out.  But I would certainly really like to do that at some point, as I have had many good co-writing collaborations over the years. So maybe, ask me that question again in a year or two. Pre-save "Sailed Ships" here. craiggreenbergmusic.com fb.com/craiggreenbergmusic instagram.com/craiggreenbergmusic twitter.com/craig_greenberg #BuzzMusic

From England, our ears and yours are ready to be graced with this amazing artist, Serious Child. Born in Sussex, Alan Young is making unique indie/ folk music that is sure to turn heads across the globe. The new song “Brambles” starts off with urban-influenced beats and hums, which make you think you aren’t about to hear an Indie/ Folk tune, and then Alan starts singing. As soon as the vocals come in, you’re met with the Jim Morrison of Folk, if you could imagine that! This is honestly one of the more unique songs written for the genre and breathes fresh air into the traditional sounds of Indie/ Folk. With a lyric such as “in the dark, old shapes have new meanings”, Alan proves that he can get deeper than most and provide a unique experience for all listeners. The song wraps up at 3:34, feeling appropriate and just long enough. After hearing such great tones, you can’t help but want to dive into more of the Serious Child catalog. Their second album, “Time In The Tree’s” will be released on the spring equinox, March 20, 2020, and you should definitely keep your eyes and ears peaked for it! Listen to "Bumbles" here. Thanks for talking with us here at Buzz Music! Do you find growing up in Sussex has given you a unique experience to craft your fresh Indie/ Folk Sound? Hey, thank you, it’s great to talk to you too. Yeah of course where you grow up completely shapes your music. I grew up next to a forest in the South of England and spent a lot of time hanging out amongst the trees. But we were also not so far from London, and the music my friends were listening to was indie. It was only when I came back to live in the forest in Sussex that I started to work with folk music. Mixing the two just seemed natural. At what age did you start writing music for Serious Child? I’ve been singing all my life, but I only got the confidence to start writing songs about four years ago. When I wrote my first proper song, I couldn’t believe that I was allowed to do this. Somehow, writing songs was for other people, and it was life-changing when I realized I could do it. Are there any places you hope your music will bring you in 2020 with the release of your new album, “Time In The Trees”? Brambles came from a chance conversation with a forensic botanist, Dr. Mark Spencer, who works with police to solve serious crimes. Who knew that was a thing! That grew into a beautiful collaboration, and my music supporting the launch of his book, Murder Most Florid. I’m hoping to do more collaborations and see where that takes us. It could be a dance performance in a forest or writing music for a sculpture park, I just don’t know. And of course, I’ll be taking the album on tour with the band in the UK, and playing a bunch of festivals. Who would you say have been some of your biggest sonic influences? As well as lyrical? What a lovely question. It’s a very exciting time in the UK folk scene at the moment. There are lots of people experimenting and using old acoustic instruments that creak and groan. Check out Lau, or This Is The Kit, or indeed my producer, Boo Hewerdine. From the US, I’d have to mention The Decemberists, or The Deep, Dark Woods. And lyrically, there’s only one Nick Cave, and he happens to live here in Sussex too. Will you be releasing any more singles for your new album? Absolutely. The next single, The Oak, will come out at the end of February, before the launch of the album on the Spring Equinox in March. We’ll probably put out a couple more singles and videos after that. facebook.com/SeriousChildMusic instagram.com/seriouschildmusic twitter.com/ChildSerious #BuzzMusic

Thanks for talking with us today at Buzz Music! CienTell, you have been a dancer for several years, what inspired you to transition to being a singer/songwriter? I have always had a love for music since I was 8 years young. When I first heard the R&B singer Aaliyah, groups like TLC and Jodeci, I knew that one day I would be in the music industry. I needed to be surrounded by other music artists to get the experience and confidence to do my own. Do you find that having a background in dancing has been able to help propel your career as a vendor, making you stand out above most? Yes indeed! There’s a quote I stated on Facebook which is “ Without music, what would I dance to and without dance, how will I express my passion and musicality?” Lyrics and movement go hand in hand and what makes me stand out from others is the ability to express what my passion is through intricate dance moves! What has been your biggest accomplishment so far as an artist? You seem to be getting a lot of radio play on 105.9 Kiss FM in Detroit! As well as BBC Radio in the UK.  My biggest accomplishment was putting out my 1st single, “Slow” out on YouTube and with it being featured on VEVO til this day. The film director Diego Cruz shot the video just because he believed in me. That was in February 2015 so yeah, people believed in me before they became global :) Your new song Grown N Sexy has come out on November 9th, do you have any new singles slotted for the end of 2019? Can we expect new music soon? Yes my new single “Grown N Sexy” is on Spotify, as well as my new song “Confidence Within” My newly released album, Hear Me Out, is also on iTunes, Spotify and CienTell.Bandcamp.com. Lastly, what message do you want to leave everyone with to do what you have done in following your dreams and natural talents as a singer/ dancer? Believe in yourself first and make sure you know that whatever passion you have is what you believe you will succeed in. Be your biggest supporter and as I say in my song, “Confidence Within” - “You gotta hustle up that confidence cause it’s not hard to get and it’s magnificent”. :) #BuzzMusic

Thanks for being with us, guys! Stoked to have you on Buzz Music. Your band has some songs in English and some songs in Italian. What inspired you to be a bilingual band and what challenges have you been faced with this? Writing in both languages ​​was natural for us from the beginning. Initially, we focused more on English because of our musical background which is predominantly English and American. Then with time we also started writing lyrics in Italian. Let's say we do this because we want to keep more doors open for us to address a wider audience. Writing in different languages ​​remains something that not everyone can do. You may have metric or pronunciation problems in English, while in your mother tongue you may fall into clichés. Deciding whether a song will be in English or Italian always depends on the project and the audience we want to reach. However, we have had positive feedback in both cases. Your song “Pitch Black” is reminiscent of Metallica’s “One”, but has modern influences of Trivium. Is that the vibe you were looking to get across?  They are bands that we listen to but that didn't affect us. Although it seems presumptuous to say, we have no reference artists. Over time we have been compared with so many bands that had nothing to do with us. The vibes that we carry in our music are inspired by the life and by what happens to us. In Pitch Black's case, we wanted to create a song that played with lights and shadows. Being from Italy, what challenges have you faced trying to break in other countries? Unfortunately for us, being an independent group with no labels or agencies behind it, it is very difficult to try to emerge abroad. We are already struggling to play in the different regions of our territory, let alone organize a tour in other countries. At the moment we approach the rest of the world via the web, sending our songs to as many people as possible. We were also transmitted in some American webradios and inserted in different playlists. What inspired your lyrics for your Rock ballad “The Sun Is Not Coming Home”? All the lyrics are in a metaphorical key. The sun that doesn't return home is an allegorical figure to say that happiness is no longer finding a safe place to reside. If we let ourselves be carried away by the atmosphere of the song and interpret the words for what they mean at first glance, it is a song that could speak very well of science fiction and space. Where can fans find you on social media and what can we expect from you in the near future? We are on the main social networks and all digital stores. You can find them at this smart link https://linktr.ee/redblind4. As for our future now we want to organize a small tour in Italy to promote "FUN FACT: Quello che non Sei", our second album released a month ago. At the same time, we would like to go back to writing new songs since we have accumulated a lot of material. #BuzzMusic

Are you ready for Maso·K·ist again? His music completely encapsulates his expressive persona, which allows the listeners to vividly understand who Maso·K·ist really is artistical. Maso·K·ist incorporates extremely striking and potent material within his creations. Such material can be seen as borderline volatile but captures the listener's complete attention nonetheless. There is never a point throughout Maso·K·ist's music that you'll sense a lack of passion. Maso·K·ist pours all that he has into his musical curations, and that fierce passion can be effortlessly felt all the way through. One of his most recent compelling releases, "Pro-Create Hate" captures the sharp vision of Maso·K·ist, such a vision that can only be truly understood through listening to the track. Maso·K·ist never waivers on his forceful persona. "Pro-Create Hate" surges with intensity for the entirety of the track, which sets the overall mood right from the start. Maso·K·ist reveals his dark side lyrically throughout "Pro-Create Hate", and this allows listeners to connect on a deeper and darker level with the artist. Maso·K·ist's artistry is a true blend of electrifying passion. It's clear to us that as an artist, Maso·K·ist encompasses the very essence of what it is to be punk/metal. Maso·K·ist takes punk elements, which are evidently embedded throughout the production, and intertwines them with a more grungy outflow of vocalism. His artistry never disappoints throughout the punk/metal scene. Maso·K·ist's music makes our hearts pound and blood rush, which we solely believe any punk and metal track has to master. Listen to "Pro-Create Hate" here. Welcome back Maso·K·ist! Thanks for taking the time to speak with us on your most recent single "Pro-Create Hate". How did you collect the energy required to produce such a single? “Pressure to have the song finished in time for the recording of our ‘Sex Sells’ ep. My friend Ryan Hommy who produced my record, and I began talking making the record in December 2017 with plans to enter the studio in early January, so I had a few weeks but am a notorious procrastinator. So procrastination and having a deadline is where I got my energy. *Laughs How would you describe the takeaway message listeners should receive throughout "Pro-Create Hate"? Do you always ensure there's a takeaway from the majority of your songs, or are the songs simply a platform for you to express your inner passion? There’s always something to take away, it just depends on if you’re willing to take it. I’m not forcing you to do anything, leave it even… don’t ever touch it again if it disgusts you. All that being said there’s this subliminal theme in ‘Pro-Create Hate’ which I like to think promotes self –love one of the songs juxtapositions… I did it on purpose because with my sense of humor I figured no one would pick up on it. On the surface of the track, there’s definitely a message of how we’re living in a society where we all get off to our own erotic fantasies with a self-destructive tendency to repeat error because let’s face it… you kind of like it and it’s all in the reoccurring repetitive motion I state in the chorus of the song. Was there any wavering in your vision for "Pro-Create Hate" throughout the writing and recording aspect? Do you typically find your vision remains constant while creating a song? My vision does usually remains constant, yes, but I usually change my lyrics 3 to 5 times. I find that I’ll have a message or theme in mind, but maybe at first I’m too vague so I need to be more descriptive, or add a curse word here, or be more punk rock about it there, perhaps be a little more honest and sincere… or sometimes I even like to be dishonest so that I’ve totally f*cked your brains out by the end of the track and you don’t even know. For ‘Pro-Create Hate’ I had to sit down with my drummer Jordan Lysenko and together we got on the topic of masturbation, amongst other forms of fun and it all took off from there. Are there any aspects of music you could find yourself embedding within your current songs? Are there any genres you don't think you could ever blend into tracks like "Pro-Create Hate"? When it comes to music it you can really do anything depending on your knowledge of theory. Would I personally take the time to embed certain aspects of music or blend genres in my current existing songs you can access on the Internet? No, I’m kind of lazy… and am probably already writing more songs.  In terms Maso·K·ist I already have ideas kicking around for different albums that might see the light of day or maybe not, and they’re all different moods, genres, and aspects of music… I like to keep things versatile, but when it comes to a full-length album I enjoy consistency in sound and lyrical themes for sure. "Pro-Create Hate" is finally released and out there! What's the next step for you artistically from here? Will you be performing anywhere, or recording more songs to keep the energy alive? I might release some garage style recordings of songs that didn’t quite make the cut for my Sex Sells ep in the New Year. Other than that I just really need to focus on taking good care of myself and make that the number one priority… I may do something drastic soon though. I don’t know what but it’s coming, I’m at this weird place in life that I feel is what you might call a ‘mid-life crisis’ except I’m 23 so it’s allowed and not frowned upon. My ‘Sex Sells’ ep was released Friday, Dec 6th… Check it out on Spotify Or Apple Music when you have a second, you might like it…. or really hate yourself for giving the record the time of day. instagram.com/masokist.music facebook.com/Masokist #BuzzMusic

Nashville, Tennessee has always been a place that produces such heart-filled music, specifically country music. Kate Magdalena is a complete embodiment of these feelings and has projected them into her music in a truly fascinating way. Her latest song “It Came Upon A Midnight Clear” starts off with a mystical synth that sets the tone of angelic sounds, then is met with beautiful piano and steel guitar. When her vocals come in, you fully emerge in the world created by her beautiful music. The song feels like it speaks to bringing yourself closer to God/ your higher power and provokes feelings of love with the birth of Christ. The 3/4 ballad changes up in the chorus, but still keeps the overall tone and vibe of the song. It’s hard to not get emotional with her smooth vocal performance and her annunciation, coupled with her choice in lyrics. Clocking in at 4 minutes, you feel lighter when the song is done and closer to all of the things that brought you, love. Kate is backed up by amazing people, such as producer Billy Smiley. (Johnny Cash, Clay Aiken) and her band that consists of players who also perform with Kacey Musgraves, Sheryl Crowe, and several other names. Make sure you give her music a spin today! Listen to “It Came Upon A Midnight Clear” here. Thanks for taking the time to speak with us here at Buzz Music! What was your inspiration to write “It Came Upon A Midnight Clear”? I didn't write the song of course, but my arrangement of "It Came Upon A Midnight Clear” is unusual in that there is pedal steel which gives a lustrous quality to the instrumentation.  I love this Christmas Carol, how it focuses on the angels being so close to us, especially on one clear night.  I will probably make a full EP of several carols to release for next Christmas. What sort of influence does your new producer, Billy Smiley have on your vocal performances? Billy Smiley, my producer, has a terrific impact on my music.  I had never worked with a producer before, as I produced my first album with a local recording engineer.  Working with Billy is night and day from what I experienced before.  Billy is able to bring together some of the world’s finest musicians to build a track that it is just heavenly to sing with.  In addition, Billy is able to get the best from me.  It’s his gift. The influence of the producer is tremendous because, in a good artist-producer relationship, the producer draws forth from the artist vocal qualities the artist might not reach on her own.  This has been my happy experience working with Billy Smiley. How did you come across your back up band members? Playing on this track are Blair Masters on keys (Blair plays for Garth Brooks); Jonathan Crone on electric guitar, a master player; Byron House on bass (Byron played with David Plant); Jared Kneale on drums (Jared plays with Kacey Musgraves) and Bruce Boudin on pedal steel guitar.  While these musicians lead active touring lives, they also play as studio musicians for Mr. Smiley.  So lucky to have them, plus they are the swellest guys. Do you find being in Nashville has helped your career? As far as Nashville, I don’t live there yet!  Though I’d like to have a place there, I’m in Northern California, about an hour north of San Francisco, in a little town called Sebastopol, where my husband Randall and I raised our two children, now grown.  I will continue to record in Nashville, but as far as actually living there, that might be in the future.  I feel California is becoming a less safe place to be, especially with the fires in our area.  I love Nashville.  Being there would bring more opportunities certainly; it’s the music capitol of the world! What’s next for you, Kate? I’ve begun to work with a manager in the Los Angeles area, and we are working to build really nice performance opportunities.  I’m heading to Utah tomorrow to sing and play the harp at the Zurmaat Resort in Midway at their Swiss Christmas event.  And I’ll be returning there again in January to play at the Multi-Cultural Film Festival there from January 24-February 2, 2020.  This November I’ve just released a full album produced with Billy Smiley, called “A Larger Dance.”  Please find it on Spotify or here: https://smarturl.it/LargerDance . And I have another album on the way in 2020!  It’s exciting, and also a labor of love! Thank you so much for the opportunity to share with your readers about my music which is about healing from and understanding some of the unique challenges of our times.  My music is strongly influenced by the songwriters of my own generation, the 1960s, however, the sound is contemporary and modern. I call it “Timely Americana.” facebook.com/katemagdalenamusic instagram.com/kate_magdalena #BuzzMusic