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Quebec's very own multidisciplinary artist, David Houle, returns with one of his most expressive releases to date: a new single and music video titled "With Me." David Houle is undoubtedly one of the hottest artists to watch this year, having recently played a lead role on the Las Vegas Strip at the legendary Jubilee Theatre, not to mention being part of the show WOW at the Rio Hotel, performing alongside finalists from America's Got Talent. And for an artist who's shared stages with acts from Simple Plan and Blink 182 to Slipknot and The Strokes, it's clear Houle is only getting started. Keeping the momentum going is his latest single, "With Me," a deeply expressive song that tracks the tumultuous nature of post-break-up experiences and the darkness and confusion they can cast. Diving deeper into "With Me," the experience begins with a powerful punk rock instrumental to kick the song into gear. As David Houle makes his warm vocal appearance, he reflects on the recent happenings of parting ways with someone who was once his 'hero' and watching how they've fallen short. But, alas, he knows he's better off, even if that means sleeping on the hills of 'intimate street.' The song's music video is equally expressive, with David Houle's solo choreography making the experience even more palpable. He's also accompanied by the stunning presence of an alluring female costar, captivating him entirely with her own fluid choreography that adds a dynamic back-and-forth for maximum impact. It's an emotional, cathartic experience that anyone can resonate with. Allow David Houle to guide you through post-break-up confusion in his latest single, "With Me," now available on all digital streaming platforms. Welcome back to Buzz, David! What an emotional listening experience you've provided with your recent single, "With Me." What personal experiences inspired you to create this cathartic song? Hello Buzz Music! It's an absolute pleasure to connect with you again. As a songwriter, I always strive to create music reflecting my experiences and emotions. My latest track, "With Me," is a testament to that. It's a song that was born from the ups and downs of my life, particularly as I navigated through some significant changes and struggles. I'm slowly getting to where I want to be, but some past baggage still keeps me from being fully present. Since I started my journey to sobriety, songwriting has been my go-to for staying healthy and channeling my emotions through art, and I'm so grateful for it. Recently, I ran into someone from my past, and things got confusing. I was hoping for some closure but felt lost and anxious. To add to the mix, I was starting to date someone amazing, but I couldn't fully open up due to work, timing, and feeling inadequate. I've always turned to my songwriting to stay healthy, and with "With Me," I wanted to challenge myself to experiment with a different style. Growing up, I was a massive fan of bands like Sum 41, Simple Plan, and Blink 182, and seeing them perform at the 25th Vans Warped Tour, where I was also performing, was a real eye-opener. This track differs from my last few singles, and I'm excited to share it with my fans. I love the feel of this song, and I hope it resonates with people in the same way it did with me. It's a testament to the fact that even though we may face struggles and challenges, we can still find ways to stay true to ourselves and pursue our passions. What was your experience creating the music video for "With Me?" What was that collaborative process like with your costar and team? Creating the music video for this track was an absolute blast! Being an indie artist, I always strive to have a visual for each single and challenge myself to do it within a reasonable budget because, let's face it, everything is crazy expensive right now. Have you seen the price of grapes lately? It's like they're made of gold! Anyway, we filmed the video at Studio Focus in Montréal, Canada. I couldn't have done it without the incredible talents of Amber Teolis, the star of the Las Vegas "Some Say" video. With the help of the fantastic videographer Zac Courchesne, we created different worlds, and the final result is nothing short of amazing! Collaborating with artists from other mediums has always been a treat, and this project was no exception. We filmed everything within 2 hours, and I'm thrilled with the outcome. I can't wait for you all to see it! Why did you choose to infuse "With Me" with a raw punk sound? Why do you feel this particular approach worked best? As someone who always seeks new challenges, I decided to explore a different genre of music. And I learned a lot from my first attempt! After touring with Marilyn Manson a few years ago, I rediscovered my love for raw punk music. Now, I focus on creating music that's true to my style rather than conforming to what people expect to hear. As a professional dancer, I've always wanted to incorporate movement into my performances. However, I must admit to feeling like an imposter in singing and songwriting. Nevertheless, I'm determined to let go of those doubts and not waste more time. I love how creating music brings me a sense of peace and happiness like nothing else does. Each new single I produce has its unique flavor, but ultimately, I continue to pursue music because it makes me feel alive. Trying something different and stepping outside my comfort zone has been crucial to my journey. I'm evolving as an artist, and this new single perfectly represents this chapter in my life. Considering "With Me" is quite an emotional song, did you encounter any personal challenges when writing it? Was it difficult to open up and be so vulnerable? The most challenging part of writing "With Me" was editing the lyrics and deciding which version to record when I went to track vocals at Planet Studios in Montreal. After listening to the recordings, I realized that I repeated one word, which did not bother me then, but now I know I can push myself when finalizing the lyrics. As a new songwriter, I know my current skills, and being bilingual, I often move between French and English when mapping out song ideas and themes. The tricky part was having a version of the song ready before going into the studio and not overthinking it. Every creation has its unique period of inspiration and a never-set expiration date. While editing and rewording are important aspects of the creative process, it's essential to balance perfecting your work and preserving the initial drive that inspired you to create it. This balance between creative editing and inspiration is the key to producing high-quality, long-lasting work. I was fortunate to work with Hugo Germain, an excellent producer and sound/mixing engineer. What did you want listeners to consider or take away after hearing your personal lyrics in "With Me?" What impact did you want to leave on your audience? I hope my lyrics in "With Me" empower anyone going through life transitions to trust themselves enough to choose what feels right, even if no one else understands. It's challenging to navigate the opinions of others in today's society, where everyone feels entitled to share their thoughts. I intend for the audience to find peace of mind and embrace simplicity in life. I desire a life that is simple yet meaningful, not boring. I want listeners to feel the power they hold regarding decision-making and relationships and the importance of being mindful of the energy we allow into our lives. Taking time for oneself is crucial. Finding someone better than an ex is possible, but we still need to find the right fit for each other. I never thought I'd be the one to say goodbye. Instagram

From Oklahoma to Nashville, singer-songwriter and country recording artist Justin Andrews pays homage to the upbeat tunes of the 90s with his newest single, "Goldmine." "You can go anywhere and be anyone in a song," says Andrews, captivating listeners in stories rooted in truth, God, girls, and regret, whiskey-coated and drenched in melodic emotion. For the past 15 years, he's reigned as a honky tonk king, and his performances in Nashville over the last 7 years have generated significant attention. Keeping the momentum going is Justin Andrews' massive single, "Goldmine," taking us back a few decades to one of the prime eras of country music. Co-written with Bobby Pinson, Trent Tomlinson, and Smith Ahnquist, "Goldmine" reminds Andrews of "growing up in the 90s era of good upbeat country toe tappers. I can’t tell y’all how excited I am about 'Goldmine' and what the rest of the year has in store," he explains. Jumping into "Goldmine," this riveting new tune jumps into action with a large and in-charge beat alongside twangy country instrumentals that lean into the groovy foot-stomping verse. As Justin Andrews relishes in the blue-eyed beauty and grace of someone special, he backs up his vivid storytelling with upbeat instrumentals that keep the energy at a high. The song's hook is an earworm, and Justin Andrews' vibrant performance makes it easy to tell why he's been shaking up Music City for the last 7 years. It's an incredibly dynamic, attention-demanding track loaded with melodies and a lively country spirit—a refreshing revitalization of 90s country music brought back to the modern day for the new generation to feast on. Hear it yourself and find Justin Andrews' latest single, "Goldmine," on all digital streaming platforms. Instagram Facebook

In their latest single, "A=N," The Formalist takes listeners on a transcendental journey through ethereal soundscapes and introspective lyricism. Drawing inspiration from ambient and experimental genres, the duo showcases their mastery in crafting immersive sonic experiences. With pulsating rhythms and haunting melodies, "A=N" invites listeners to delve deep into the intricacies of human emotion and existence. Echoes of artists like James Blake and Broken Bells resonate throughout "A=N," yet The Formalist's unique blend of electronic and organic elements sets them apart. As they prepare to release their upcoming album, "A Trace of Yourself," this single serves as a tantalizing glimpse into the sonic landscape that awaits. Reflecting on their creative process, the band shares, "Sometimes it takes a long time to realize a song’s potential. 'A = N' was one such track, which we found ourselves returning to repeatedly over several years until arriving at its final form." With "A=N," The Formalist continues to push boundaries and defy expectations, solidifying their place as pioneers in the intersection of ambient and experimental music. As listeners immerse themselves in the mesmerizing sounds of "A=N," they eagerly anticipate the full release of "A Trace of Yourself," poised to embark on a transformative musical journey unlike any other. Instagram Facebook

On May 01, 2024, Nashville's emerging band Brother Maven will be releasing their highly anticipated new song, "I Just Wanna Love You." The song is a mesmerizing testament to Brother Maven's deep southern roots, featuring soulful melodies and captivating lyrics. Crafted by the talented duo Hal Odell and Daniel Mason Schwartz, this song promises to make waves in the music scene. Welcome to Buzz Brother Maven, and congratulations on your upcoming release, "I Just Wanna Love You." We are intrigued: Where does the band’s name, Brother Maven, come from? After a few weeks of banging our heads against walls and throwing out every conceivable or remote possibility, we somehow stumbled across this word, 'maven,' which is a person that is at the top of their game, an expert in their field. We decided to go with that since it's what we all aspire to be, individually and collectively. But it didn't feel quite right by itself, so we attached 'brother' to it to signify the sense of brotherhood we share in the band and to try to make it a bit more impactful and memorable as a name, You are getting ready to release a new track, “I Just Wanna Love You,” on May 1. Can you talk to us more about that? We released our first full-length album back in November 2021 and have been working on new material ever since. Once it became apparent that it made more sense for us to regularly release singles as opposed to waiting until we had another album's worth of material in the can, we decided to put songs out one at a time. That's sort of the reality for a band at our level, so we're doing our best to embrace it. This particular song has gone through its own share of metamorphosis. It started out as more of a straight-ahead modern country thing, and we liked it. We didn't love it, but we liked it. But we felt like there was more in the song than we were getting out of it. So we went back to work on it and came out with the version we're releasing. It's definitely more "us" and not as conventional as it was originally. With “I Just Wanna Love You,” what was the “a-ha” moment when the band knew the song was completed and perfect? We had a version of it recorded that we thought was good but not quite great. We knew we had to do something with it, so we went at it again to see if it was fixable. I think we sped up the tempo a little bit, and the drum groove became a little bit more aggressive. Then we tightened up some of the space in the melody (watch out for some odd-time measures in there), and eventually, we got on a roll of good ideas that we were all really liking. Somewhere in that process, you start to forget the old version because you're so much more in love with the newer one, and that's when you know. Where does your musical inspiration come from? So many places. As a band we all have our own particular favorite artists, and when we come together as a group and find our thing, there's a pretty wide range of musicians we're drawing from. A lot of what could be called classic rock, for lack of a better term, but also a lot of country, southern rock, and pop acts, too. We talk a lot about artists like Eagles, Toto, Van Morrison, Sting and Bob Seger, but also Chris Stapleton, John Mayer and Zac Brown, too. How was the last year for you? What were your highlights? It's been great. Difficult in a few ways, but a great experience. We just had our maiden voyage on the Rock Boat along with Sister Hazel and Jon Foreman from Switchfoot. We have been getting out of Nashville and playing some other markets. Our usual spot in Nashville has been shut down since the New Year for renovations, but it ought to be up and running around the summer. The best part of the last year, though, has got to be graduating from a trio to a four-piece band. Jeremy McCoy, our bassist, had been working with us for a long while, more or less as a hired gun, since we had parted ways with the band's original bassist. Eventually, we all just looked at each other and asked, "Why isn't Jeremy a full-time member?" We extended the invite, and thankfully, he decided to come on as a full member. He's an incredible musician and has brought so much to the table that it's hard to quantify. What has been your greatest challenge in the music business? Making the right connections will lead to meaningful opportunities that will take the band to higher levels. We really believe in what we're doing and have received so much support and great feedback from so many people. But it still feels like we're trying to figure out how to get our foot in the door in a lot of ways. Things take time, and that's good, but we're eager to get a real shot with a team of people who can help open those doors we can't open on our own. What is one thing you can tell us that most people don’t know about you and might surprise us? I have a newborn baby due in two weeks. My other kids are six and three and, for many people in the music world, getting married and having kids is something you wait to do until after you've "made it," whatever that means. But we're all family men in this band (JP's getting married in November), and we're absolutely sold on the idea that being a successful musician in a successful band does not have to come at the expense of your family. When you get time off, how do you like to relax? I read like it's my job. I'm a huge history nut and a massive fan of authors like Hemingway, McCarthy, McMurtry, and great crime writers like Dennis Lehane, James Ellroy, and Elmore Leonard. I love a good workout almost every day, and some of my best memories are from the hikes I've gone on with my wife. Building memories with my kids is a big priority for me, too, so whatever we can think up for them these days is well worth it. At the end of the day, what do you hope is the message of your music? What do you hope people take away from your songs? That good music can be just that. It doesn't have to preach, it doesn't have to attach itself to any trend or fad, it doesn't have to be toxically introspective... it can just be what it is: good music for its own sake. That normal guys can make great music without worrying about being rock stars or celebrities or anything. That great melodies and catchy lyrics can get together with cool grooves and help improve your day (and life). You don't need computers and digital editing to make a great record, and playing and singing well still matter. Basically, a group of guys who have worked really hard to get good at their craft can get together and come up with something that you'll want to sing along with at the top of your lungs while driving down your favorite road and music like that never really goes out of style. Any last words for our readers and your fans? How do they connect with you? I just hope you enjoy listening to "I Just Wanna Love You" as much as we enjoyed writing and recording it. If you dig it, share it with anyone you think might like it because word-of-mouth is still the most powerful form of marketing for us musicians. Instagram Facebook

Singer-songwriter, rapper, and hip-hop recording artist Lil Datty is coming in with a message for the masses from Luxembourg with his emotional yet powerful new single, "Cali." Born Diogo Carvalho Matos, Lil Datty was influenced by his friend and fellow artist Mon$ta to get into music, with help from his artistic influences like XXXtentacion, Juice Wrld, and Ski Mask the Slump God. Now, he's racking up streams across platforms and trusting the process until this passion project becomes a full-time gig. In his latest single, "Cali," Lil Datty brings a message everyone needs to hear. While the track discusses the sadly relatable and emotional experiences of feeling lost in life and turning to drugs as a temporary fix, he uses this track to remind listeners that drugs are never the answer. The melodic new single "Cali" opens on a peaceful yet melancholy note with tender hip-hop/R&B production that paves the way for Lil Datty's bars. As his sweet melodies and calm delivery meet our speakers, Lil Datty expands on life, its trials and tribulations, and not knowing how to cope with these profound emotions. While substance abuse seems like the easy way out, it's only pulling you in deeper. This song is beautiful, perfectly blending hip-hop drums with R&B melodies and production, not to mention Lil Datty's Juice Wrld-esque vocals that offer a sonic blanket of comfort. What's even more beautiful is his message. Lil Datty wants every listener to know that his DMs are wide open. Whatever's bringing you down, don't hesitate to hit him up. "And if you can‘t DM me, just comment on my last post," he says. Let Lil Datty bring out your inner emotions with his latest vulnerable single, "Cali," now available on all digital streaming platforms. Welcome to Buzz, Lil Datty! We love the message of encouragement you brought with your latest single, "Cali." What inspired you to create such an emotional and important song like this? Like, "Cali" I created on an off-work day like I was at home, and I start messing with some beats, and then I took the Cali one beat from my beatmaker prodbyfvbio and I start working. The day before me and, my best friend we had a good night, haha, like with some Cali, but yea and I looked at my desk, and I saw some leftovers from Cali, and so I started fuck, we are young, but like I feel that I have some problems but like when I mix this drugs, I feel free so I started doing some lyrics inspired from it. How is "Cali" different from your previous releases? Would you say it's one of your more emotional songs? "Cali" is different cause, like cali was the first single that I did total alone the lyrics and recording part, and I had so much work on it this music has like 5 months but video clip,mix and master, people, videomaker like everything took some time so there was work fr. What was your creative process behind the scenes of "Cali?" Did you collaborate with anyone to help bring it to life, or did you tackle everything solo? I had the beat that I bought from prodbyfvbio, the mix&master made by Mon$ta (my best friend), videoclip made by rs.photolux, and I got the CBD store named Sativa Box. Appreciate all of them fr without them fr nothing is possible. If there's one message that you want listeners to take away from "Cali," what would that be? The message is it's ok to feel lost and not know what to do. But drugs like weed can help fs, but just at how you feel for a short time cause everything's gonna be there when weed is over, so don't do drugs! What was the most rewarding part about creating and releasing "Cali?" How did this song impact you? The most rewarding part was seeing that all the work paid off with a good result! Instagram

Brooklyn-based duo Free Whenever features a dynamic partnership between the two instrumentalists Neil Gularia and Trevor LaVecchia, resulting in a paracosm of mind-bending psychedelic music. Their musicianship is shown through their expansive depth of cultural influences and an astute ability to immerse the listener in a story. This quality is notably more challenging to achieve as instrumentalists. One of the more impressive aspects of Free Whenever’s music is how they can create a sense of narrative through their songs. Each song has a distinct feel and atmosphere, often drawing from different cultures and musical traditions. At the heart of Free Whenever’s music are the instrumentals themselves. Instrumental music, at times, can mistakenly be misconstrued as not invoking a narrative experience due to the absence of lyrics, but the opposite is true. It is precisely because it makes Free Whenever’s music so enjoyable. When the mind is not preoccupied with the words, all that is left are the sounds and the imagination for world-building. The duo’s ability to tell a story without the use of lyrics is a testament to their musicianship as instrumentalists and their understanding of the power of music to communicate on a deeper level. In this way, Neil and Trevor belong to a class of artists that deal in the mystification of storytelling, challenging the listener in true psychedelic fashion to listen meditatively. The duo draws inspiration from cultural influences steeped in their musical traditions. In their latest release, “Camino” (the Spanish word for “path”), the beautiful instrumentation feels reminiscent of an introspective journey across the vast dry lands of the Americas. "Camino" is a journey through the peaceful deserts of Mexico, and it’s a journey that is complex as they fuse eastern strings and elements of Latin and African rhythm in percussion, a fusion I love to hear. As the song starts in the introduction, you quickly are enthralled by Free Whenever’s world-building, one that transcends cultural boundaries and fuses them like an alchemist—starting up with a catchy rhythm in the drums and bongos. The opening guitar riff begins and quickly transitions into the song’s first chorus, which metamorphosizes into a groovy trance. Percussion instruments such as congas and bongos help add to the global feel of their music. This creates a unique, familiar, and foreign sound, drawing the listener in and keeping them engaged throughout each song and ultimately leading into a breakdown where a new part of the song is revealed and leads into the second part of the journey. Free Whenever’s “Camino” can evoke a sense of introspection and contemplation. Creating nostalgia for a time before and losing yourself in a trance of modern experimentation. Intricate melodies and nuanced rhythms create a sense of depth and complexity that invites the listener to sit with their emotions, reflect on their experiences, and move onto their own unbeaten "Camino." A warm welcome to BuzzMusic Free Whenever. We're captivated by your latest release, "Camino." The instrumentation feels reminiscent of a psychedelic journey across the vast and peaceful lands of the Americas. There is a distinct evocation of the desert that you execute stunningly well. Creatively, is that what you’re imagining in a narrative sense? Trevor: Having grown up on the East Coast, I think big natural spaces (i.e., canyons, space, the ocean) are a romantic thing in my mind. They are emblematic of ultimate freedom, and I think we make music to transport us to that space. Many people have commented that our music makes them think about wide-open spaces — a bit ironic because we live and work in tight Brooklyn apartments. Neil: I feel like our music evokes the feeling of being in a vast natural environment. In many ways, I think that is intentional insofar as we crave that feeling, especially living in NYC. Still, I feel like neither of us actively visualizes what the looks like when we make the music — more so the feeling. Can you share with us the creative process of writing and arranging such an emotive experience as the one in your latest single, “Camino?" Trevor: “Camino” actually came about pretty quickly. I had just returned from a backpacking part of the Camino de Santiago in France and Spain, and we wanted to make something more upbeat. We spent a few weeks just writing and recording a new song every day, eventually building up the momentum where ideas started flowing. Neil: Yeah, we have periods where we play, write, and record new ideas. After you get in the swing of it, accessing emotionally rich moments and stickier ideas becomes a lot easier. We wrote it to a random hip-hop beat, played out the entire bass and guitar structure live together with that beat loop playing for two hours straight, and then I overdubbed the drums. We'd love to hear about how you came up with the song's title and your upcoming EP, The Movement... Where did the seed of this art grow from, and how does it relate to Free Whenever's overall output? Trevor: The title comes from my trip to the Camino de Santiago. But the word itself means path or road, which seemed the perfect way to describe it. After making music together over the past few years, we feel the project has been on this journey, and we are just experiencing it as it unfolds. The four songs on “The Movement” are some of the best we’ve done to date, and we wanted to ensure listeners know that this is a new milestone in our journey. Neil: As we go through our songwriting process, we usually marinate some philosophical idea, and eventually, it converges with the music. But initially, when we are writing, it’s all about the music. There aren’t any lyrics usually, so all about notes and chords and structures. But as we reach the close of a particular era in our songwriting, we draw a line in the sand and start to think about wrapping our music together in some philosophical theme. We’re interested to know; who are some artists the band grew up listening to? And who are some of the artists relevant to your music today? Trevor: We both grew up with pretty heavy foundations in classic rock — particularly Led Zeppelin, The Doors, Pink Floyd, and the Chili Peppers. In high school, I started getting into the Grateful Dead, which turned me on to bluegrass, jazz, blues, and everything. Neil: Yeah, mostly classic rock and 90’s as my foundation growing up. Started to learn more about hip-hop and electronica as I got older and started gravitating to pretty much anything with a trippy, stony quality. Since meeting Trevor, I’ve become much more open in my music listening and more knowledgeable and appreciative of more diverse genres. Nowadays, we’re spending a lot of time learning musical practices from all over the world — everything from Turkish psychedelia to folkloric Afro-Cuban drum music. Trevor: We also adore dub music! It relaxes the soul. When I started playing bass more seriously, I would wake up every morning, smoke a joint, and then play along to hour-long roots reggae playlists on YouTube. Lastly, what would you like your listeners to know about what draws you to create this unique type of music for your listeners? At a fundamental level, what inspires you to do what you do? Neil: We love what we get to do every day. Trevor and I are such dedicated musicians as individuals and as a team. It’s rare to have a strong musical connection that continues to grow and bear fruit as time goes on, and we’re fortunate to be in that position — it’s what allows us to make the music we make. Trevor: And with so much music out there already, we want to make music that we want to listen to. We want to be the best at what we’re doing. Instagram Facebook

Los Angeles-based 3-piece band Winnetka Bowling League is lifting spirits effortlessly with their latest exhilarating single, "Handsome." Featuring the versatile and irresistible music stylings of Matthew Koma, Kris Mazzarisi, and Sam Beresford, Winnetka Bowling League has made waves with previous releases like "Slow Dance," "CVS," and "On The 5," gathering over 400K monthly listeners on Spotify alone. The band is set to release their debut album, Sha La La, on May 31 via Local Weather/MDDN Records. Off that album is their lively recent single that's guiding us to the dancefloor titled "Handsome," teasing the album's vibe, while Koma says it's about "telling your friend to shut the fuck up about their new texting obsession and either go fishing or be fished." The new single, "Handsome," kicks off with the brightest vibes and Koma's delightful vocals that instantly lift the spirits alongside the band's upbeat alt-rock instrumentation that keeps the feet moving. As we near the insanely catchy hook, Koma reminds his buddy that all this texting won't do him any good. Either take this "Handsome" girl dancing, or someone else will. It's a highly passionate, supremely uplifting listening experience that not only serves as the perfect introduction to Winnetka Bowling League's unique stylings but reminds listeners that if they want something, they better go get it. The chilling bridge that feels like a whirlwind of emotions is top-tier, perfectly leading us to the outro while closing the song on a powerful, exhilarating note. Lucky for you, you can catch Winnetka Bowling League live this summer as they kick off their new tour on June 25 in Seattle, Washington. Until then, check out their latest single, "Handsome," on all digital streaming platforms, and don't miss their upcoming album, Sha La La, on May 31. Instagram Facebook

Things don’t have to be this way. Hailing from “The Magnolia State” of Mississippi in the US, Josh Waters has consistently found ways to capitalize on what can only be described as a genuine gift for music. With a voice that embodies deep wells and depths of emotion and the warmth of his homeland’s sun, Josh captivates audiences with his soulful melodies and heartfelt lyrics. Not one to let himself stagnate or be complacent, this talented musician immediately began etching his legacy into the modern soul and R&B scene. Waters has every tool needed to thrive in this scene for a long time. Rooted in Mississippi’s rich musical heritage, Josh Waters’ music journey began in his formative years. Influenced by the nostalgia of classic R&B and contemporary sounds, he cultivated a style that straddles the line between both to achieve the best of both worlds. Waters’ significant talent hasn’t gone unnoticed either; he’s graced stages alongside renowned artists like J. Holiday, Big Krit, and the legendary Rakim, enchanting audiences with his magnetic presence. Factor in his listing as an upcoming artist by the Grammy Awards, and Water’s ascension seems certain. The first thing you notice on Waters’ latest release, “Crash and Burn,” is a peppy drum that almost makes you believe the heartbreak isn’t coming. Water’s smooth and sensual vocals put your head in the clouds as he sings lines like “Look at the mess we made / you took it too far,” but somewhere within the hazy soundscape Waters has created, the pure emotion and turmoil in Water’s voice brings you back to earth. This is an emotional release; make no doubt about it, but what truly makes “Crash and Burn” work is Water’s captivating ability to make you feel invested in the story. Josh Water’s latest release, “Crash and Burn,” shows the upcoming artist continues to prove why he’s one of the hottest talents in the business. With a musical passion as strong as the Mississippi River and a voice that lingers in the soul long after the song ends, Josh Waters isn’t just an artist to watch; he’s a musical force poised to leave an indelible mark on the world of R&B. Welcome to Buzz, Josh Waters! We loved “Crash and Burn;" what a heart-wrenching release! We had to ask what inspired this release, and were you drawing from personal experience? Thank you so much. I genuinely appreciate it. Crash and Burn was birthed from a real situation. I entered a relationship, knowing I wasn’t ready for it. ultimately ignoring what I knew to be true, we both knew better to be honest. I allowed my ego to swell in that time and allowed myself to make some mistakes that led to the demise of that situation in that season. Actually, writing the song with my brother, Jamaica Smith, was one of the most therapeutic sessions and experiences in general that I’ve ever been a part of. This song was a release in more ways than one. What is your favorite part of the creative process, and can you take us through the creative process for “Crash and Burn?" My favorite part of the creative process is when the magic happens. I think the magic is when everybody in the equation becomes free enough to allow the creative energy to flow freely through them and be expressed authentically. When that happens, I’m lit up every time. Making Crash and Burn was one of the most therapeutic things I had ever done as an artist. I wrote this song with my brother Jamaica about a year and a half ago, maybe two years now, and I can remember just being in a vulnerable space that day. I can remember us actively conversing about what I was going through, and my brother Hero played a couple of beats for me. When he got to this one, it just l grabbed me, stuck out to me, and because we were already having a conversation and it was so honest, the song practically wrote itself you know what I mean. we just told the truth. What do you enjoy most about making music, and do you have any advice for all aspiring musicians? What I enjoy most about making music is the fulfillment of knowing that I’m doing what I’m supposed to be doing when I’m making music. It feels right, I’m happy, and I’m at home. I think my advice to any aspiring artist would be to have fun, follow your heart, and keep your “why” somewhere close to the front of your mind. If your audience could take one thing away from your music, what would you want it to be? If my audience could take one thing away from my music, I would want them to take my heart. One of my biggest goals is to give people different perspectives on giving and receiving love from the lens of a brother from Mississippi. So I pour my heart into the music, seriously. I hope that’s what’s being felt out there. What's next for me is more music. What’s next for Josh Waters, and is there anything you’d like to say to your fans? I owe my fans more music, and I think what I would say to my fans is just thank you. Thank you for being patient with me. It’s been two years since I was released, so all the support I’ve been getting so far really means a lot. I couldn’t do any of this without them, so thank you. Instagram

Welcome to Buzz, Sixsense! We love the emotion and passion packed into your recent single, "AYANNA." What inspired you to create this particular song? Thanks, guys. It’s a pleasure to be here! Ayanna is a song I wrote during a very confusing time in my life. Working full-time in the studio and constantly bombarded with stress, I kept thinking back to a simpler time when I had many more people around me, some who had left me behind and a few whom I had left behind myself. "AYANNA" beautifully combines Afrobeat rhythms with Latin-infused R&B. Would you say this is a typical sound for you, or would you like to explore it further? My dad is Chilean, and I spent a lot of time there when I was young, so I grew up on Latin music. But my Australian mum gave me all of the folk music from her day, and it blended into the fusion of what is much of my music today. Where AYANNA is different is in the Jersey/ Afrobeat blend. It’s something I started trying recently, and I plan to do a lot more of it. Did you collaborate with any producers or musicians when creating "AYANNA?" Who helped you bring this song to life? The beautiful guitar loop is from Jkei, without which the song wouldn’t be what it is. I think that does about 90% of the work. As for the rest, I produce, record, and mix independently. It’s a way I work I’ve done for a while now, and most of the time I don't like to record tracks with anyone else in the room especially if they're very personal to me. How is "AYANNA" different from your previous releases, and what makes this song unique to you? This is a very different style from my other releases because most people know me as a rapper. It’s also much more ballad-y rather than energetic or vibey. The uniqueness comes, I think, from the blend of all of these styles and the mixture of English and Spanish. What theme or message did you want to convey to listeners with your impactful lyrics in "AYANNA?" What did you want them to feel and take away? Bittersweet nostalgia. Read the full Buzz review on "AYANNA" here. Instagram Facebook

Be careful not to lose yourself in the pursuit of love. Led by the visionary Brooklyn-based singer-producer KALEN, Death By Piano has emerged as a groundbreaking force in the live electronic darkwave music scene. The diverse band's electrifying performances captivate audiences with a seamless fusion of music, movement, and visuals. With their post-pandemic resurgence nothing short of remarkable, this talented outfit looks to capitalize on their steadily building momentum. With an explosive return marked by a triumphant sold-out show at NuBlu in New York City's Lower East Side, Death By Piano is eager to continue blazing its trails in the music scene. Poised to take the stage as headliners at Brooklyn’s Sultan Room, Death By Piano looks to make an emphatic statement to coincide with the release of their highly anticipated project, ‘THE VOW EP.’ With their latest acts channeling feelings of ceremony, myth, and feminist power, brought to life through the transcendent power of music, one thing is for certain. This is going to be one wildly entertaining ride. The first thing you notice on Death By Piano’s latest release, “Vow,” is distinct and confident keyboard play. Nonetheless, the opening instrumental salvo has an almost ominous and sinister feel, compounded by the defiant yet haunting vocal performance that follows. This feeling is maintained for the entire release, and as a mysterious female voice sings, “You have changed me,” it feels like you’ve delved into an emotional graveyard. As “Vow” ends, there’s a distinct feeling of waking up from a dream, a testament to the immersive soundscapes Death By Piano creates. As Death By Piano continues to redefine the live music experience and music in general, one thing is clear: they are more than just a band—they are storytellers, visionaries, and advocates for the transformative power of art in all its forms. Instagram Facebook