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Hailing from Asbury Park, NJ, is 4-piece alternative rock band Sonic Blume, questioning personal and societal issues with an engaging new single and music video titled "Falling Behind." Formed in 2016 over their shared love for 80s-inspired indie music, high school friends Max Connery, Danny Murray, Noah Sullivan, and James Waltsak released their debut self-titled E.P. in 2017, earning the Asbury Music Award for Best New Band (under 21). Sonic Blume went on to release their critically acclaimed debut L.P. in 2021, not to mention being named Best Indie Album by N.J.'s Elephant Talk Music Magazine. The momentum continues with the band's latest single, "Falling Behind," off their upcoming album dropping December 29, All Your Favorite Songs. The song is soul food, offering hints of Radiohead with gut-wrenching guitars similar to the Pixie's "Where Is My Mind?" And paired with the song's music video, it provides a sensory experience. "Falling Behind" centers around themes of not feeling ready to reenter the post-pandemic work, mixed with hints of not feeling comfortable in your skin and "Falling Behind." But they have a different meaning in the song's video, which sees an E.T. and a human being put to a series of tests of their physiology and cognition. As the E.T. answers what he perceives in the inkblot, it scores results like "beautiful, honest, a true friend," while the human scores "insane, disturbed, serial killer???" It makes you wonder if our E.T. friends are here to spread good. It's clear the human subject is "Falling Behind" in this series of tests. But, with Max Connery's soft repetition of the song's title on the bridge, intertwined with the video's concept, it makes you wonder if the entire human race is "Falling Behind." Deeply introspective, subtly funny, and beautiful, Sonic Blume's song and video are thought-provoking and sonically enjoyable experiences that perfectly reflect our inner and outer emotional worlds. Find "Falling Behind" on all digital streaming platforms, and catch its music video on YouTube. Instagram Website

The talented Manhattan songstress exudes warm holiday cheer on her take on her mother’s classic release. Having emerged from the cocoon of Manhattan’s vibrant artistic scene, Susannah B has consistently impressed with her ability to capture the hearts of audiences the world over effortlessly. A multifaceted artist with a legacy so rich and varied it more than does her famous home city justice, Susannah’s artistic roots run deep. Nurtured by the brilliance of her celebrated mother (Broadway composer/lyricist Carol Hall) throughout childhood, although she’s had big shoes to fill, Susannah B has more than done her rich musical legacy justice. Susannah B has shown her transcendent talents, whether commanding the stage, enchanting audiences from behind the mic, or gracing the silver screen. After establishing herself in Manhattan, she journeyed westward to Los Angeles, making her name and once again capturing hearts in legendary venues like Hotel Cafe and the Catalina Jazz Club. Susannah B is in the business of making unforgettable moments. Although only a few artists achieve this, she’s done so every single stop and foray of her career. With each timeless release, she continues to shine as bright as the stars in the night sky. It’s funny how life comes full circle sometimes. Written by her mother, “Hard Candy Christmas” is a song that’s seen renditions performed by titans of multiple sectors of the industry like Dolly Parton, Alison Krauss & Cyndi Lauper, LeAnn Rimes, and RuPaul. What better way to ring in some holiday cheer than to perform her rendition? Although many have sung it before, Susannah B’s “Hard Candy Christmas” version impressively shines brightly and warmly as a contender for the best rendition yet. Smooth, groovy, and comforting, as Susannah B sings lines like “Lord, it's like a hard candy Christmas / I'm barely getting through tomorrow / But still, I won't let sorrow bring me way down,” her velvety vocals melt your worries away with the power of Christmas warmth. It might not even be December, but for holiday music fans, with Susannah B’s rendition of “Hard Candy Christmas,” Christmas may have come early. Susannah B’s new release, “Hard Candy Christmas,” is a charming, full-circle moment for an artist who continues to impress with each release. Whenever you’re ready, tap in and stream Susannah B’s “Hard Candy Christmas”, out now on all majour streaming platforms. Instagram Facebook

Brian James unleashes a whirlwind of festive energy with his latest holiday single, "On My Way for Christmas." The Michigan native and former lead guitarist for Uncle Kracker brings his brand of country-rock cheer to the holiday season, and it's nothing short of infectious. Brian James takes a different route in a musical landscape often adorned with slow and sentimental Christmas tunes, opting for an upbeat and fun approach. As he puts it, he combined his love for lively Christmas songs with a dash of personal sentimentality, resulting in a rollicking country Christmas jam that's impossible to resist. "On My Way for Christmas" bursts with a fast-paced tempo that transforms into the ultimate dancing tune. It is an open invitation to join Brian James at the heart of his Christmas celebration. Brian's ability to keep up with the lively rhythm adds charisma and energy, creating a musical experience that is bound to have listeners on their feet. What sets this holiday anthem apart is the sincerity behind the storytelling. Brian James hopes to plant the seed that making the effort to be home for Christmas is a gift. In a world that sometimes emphasizes material presents, he reminds us that our presence is more than enough for our families. The lyrics encapsulate the warmth and joy of the holiday season, making it a perfect soundtrack for creating lasting memories with loved ones. Produced by the acclaimed Chuck Alkazian at Pearl Sound Studios, the track is a sonic masterpiece that marries the festive spirit with Brian James' signature country-rock sound. The jingling bells add a delightful touch, creating a warm embrace that complements the song's upbeat vibe. "On My Way for Christmas" delivers an unforgettable musical experience. You will want to join Brian James in celebrating the holidays with joy, dance, and the simple yet profound gift of presence. It's a testament to his ability to infuse holiday cheer with an edgy flair, making it a must-listen for anyone ready to groove their way into the festive season. Welcome to BuzzMusic, Brian James! Congratulations on the release of "On My Way for Christmas." This track brings a fresh and upbeat twist to holiday music. Can you share the inspiration behind choosing a lively approach for this record, and how did you find the balance between festive cheer and your personal touch on the track? I've always been a big fan of upbeat and fun Christmas songs. I wanted to write something that captured not only that but also my feelings. I've missed some Christmas with my family, and I just had to rewind and resurface what I felt at those times. The song is just the truth. It encompasses my love for my Mom/family and my love for good, fun music!! There's a significance in being home for Christmas and the meaningful message behind the song. Please delve deeper into the personal experiences or sentiments that fueled the lyrics and how your family traditions influenced the creative process? Well, there are many visuals in the verses, and they come from actual experiences. I was raised in the middle of nowhere, and my family is pretty crazy. I D.I.D. run at the snowman and high-kick that sucker right over. My Dad does cut the rug to Chuck Berry like you haven't ever seen. My Grandpa turned me onto gizzard, and if you haven't ever had rhubarb pie, ya outta try it!! And a fun little fact that people wouldn't know is that I have a brother named Christopher. Some think that the line is referring to Kris Kringle. Prerry funny how that worked out. What was working with Chuck Alkazian at Pearl Sound Studios like? How did this collaboration contribute to shaping the unique sound of "On My Way for Christmas," and what was the most memorable aspect of the recording process for this particular song? You know, Chuck and I have known each other for a while. We just never did get together on a project. This song was a shot in the dark when I reached out to him because I thought he'd be perfect for it. When I reached out, I couldn't believe it when he replied, "Be here in the morning." That doesn't happen in Chuck Alkazian's world, so I took it as a sign and was right. Working with Chuck has been an actual match in the studio. The most memorable part of this recording was after we did the vocals and listened to the song completed for the 1st time. We just looked at each other, laughed, and smiled; that is exactly the relationship an artist should have with their producer. He's incredible. How do you approach creating music that resonates emotionally and invites listeners to engage physically, especially in the context of a holiday-themed track? So when my label, Belle Chasse Records, asked me to write a Christmas song, I knew two things: 1. It was going to be quick. 2. I wanted listeners to be able to relate, but I also wanted it to mean something to me personally. So I just had this idea of a T.R.O.U.B.L.E. vibe Christmas jam. At that moment, the music was complete in my head. After that, the lyrics came easily because these are my real-life experiences. It's so nice when things come together so easily because it doesn't always happen, that's for sure. And I am thankful when it does. How do you envision your musical journey unfolding, especially considering your love for being on the road and connecting with new audiences? What can fans expect from Brian James in the coming year? I LOVE being on the road and connecting with different people. That's what I live for; if it were up to me, I would just be touring nonstop. I have a song that just hit the radio called "I ain't been drinking," it will be followed by many more in the new year. I'm finishing up a full album with Chuck, and we are STOKED about it!! I hope that my music gets heard by millions of people worldwide and that I can come to their city/town and meet them. That's what this is all about for me. I have things to say, and there is no better feeling than fans knowing your songs word for word. That's when you know you have touched somebody's heart like a songwriter should. And that is what I will keep trying to do until I'm just a memory on this rock. Facebook

In the turbulent ocean of today's hip-hop scene, Awesome Ahsem emerges as a tempest, unapologetic and in-your-face. Hailing from the heartland of Dayton, Ohio, this multimedia artist brings a refreshing blend of raw lyricism and a digital aesthetic that's as DIY as possible. Formerly known as GAWN and navigating away from potential gonorrhea references, Awesome Ahsem stands tall, delivering a message that is as much about substance as it is about style. The transition from self-producing to collaborating with Tyren Hines of Near an Open Flame marked a new era for Ahsem, infusing his sound with a sonic landscape that echoes the diversity of the blog era. His latest single, "HUMANITY IS AN INVASIVE SPECIES," is a bold declaration. The accompanying music video takes us on a journey where Ahsem bears it all, lyrically and visually. With entrancing shots on a sunny beach, he dives into the roots of the human species, unraveling the stark reality of our impact on the environment and the choices we put in front of one another. The lyrics hit like a punch to the gut, showcasing Ahsem's signature blend of existential contemplation, social commentary, and self-deprecating humor. Lines like "I'm so tired of this nonsense, I swear I would've opted out of it had I been given the option" lay bare his unfiltered perspective on life. The regrettable text to his mother echoes a sentiment many might have felt but rarely voiced. Here, Awesome Ahsem doesn't pull punches when addressing sensitive topics. He navigates through the abortion debate, expressing a pro-choice and anti-life stance with a biting edge. The lyrics, sharp and provocative, challenge societal norms with lines like "I'm sorry, I don't mean to be, so bleak, I prob'ly need to see, a shrink so I can keep, doing my, bidding but why, fucking bother, when it's all, a blink?" In an industry saturated with clichés and conformity, Awesome Ahsem stands out as a bold voice, unafraid to delve into the uncomfortable, the unconventional, and the unfiltered. His unapologetic demeanor challenges listeners to question the status quo, leaving an indelible mark on the sonic landscape of modern hip-hop. Congratulations on the release of your latest single. With your work blending intricate lyricism with a diverse sonic landscape, how do you create a cohesive narrative in a song like "HUMANITY IS AN INVASIVE SPECIES"? Thank you! It’s just kind of the way my brain works. I’m a big-picture person. I take a holistic approach to making music. I start with the whole project. Then I figure out the specifics. Whenever I just sit down like, “Okay, I’m gonna write something!”, usually it’s trash. I like to have some kind of structure or idea of what I’m doing, a point I’m trying to get across. The instrumentals and lyrics that help me accomplish that follow from there. For example, I came up with the title for this project, MISANTHROPIC PHILANTHROPIST, back in 2019, before I even had any music out. Sometimes I feel mad at the world. I have a love-hate relationship with humanity, as most of you probably do. We can really suck sometimes. But we can also really rock. Hence the oxymoronic title. Quick etymology lesson: if you don’t know, the word “misanthropic” comes from mīsos- which, yes, is a Japanese soup that became the subject of a viral TikTok sound- but it’s also Greek for hatred (e.g., misogyny, the hatred of women). The second root word, ǎnthropos, is Greek for human (e.g,: anthropology, the study of humanity). The word “philanthropist” comes from phīlos, Greek for love (e.g.: philosophy, the love of wisdom), and also ǎnthropos. Ergo, MISANTHROPIC PHILANTHROPIST: someone who hates humanity but also loves it deep down and does their best to improve it. On this album, I’m trying to find the love. This search informs both the structure of the tracks and the sequencing between them. I’d like to make it clear that this isn’t the correct way to make music. There’s no such thing. Art is subjective. There’s nothing wrong with freestyling your lyrics, making music off of the vibes, or being more single-driven. I’m just saying that’s not really me. Which is okay. Everyone’s different. That’s exactly what makes this fun. This song touches on heavy themes like existential contemplation and societal critique. Can you share more about the inspiration behind the lyrics and the overarching message you intended to convey? So the lyric about me texting my parents. I wished they had used protection so I’d never been conceived is a true story. I really did say that. You could chalk it up to teenage angst, but this was actually two weeks after my twentieth birthday, so I guess I can’t use that as an excuse. I’ll admit it was a mean thing to say. Especially after all they’ve done for me. Life is a privilege, and for me to not appreciate it as such is ungrateful. It is biting the hand that feeds. But I also think it’s kind of a valid response. I take issue with the notion that this song (or the album it’s on) was made purely for the sake of shock value. While edgy in its presentation, it’s also an expression of a sentiment I’ve genuinely held. In fact, “HUMANITY IS AN INVASIVE SPECIES” isn’t really a diss against my parents. If anything, it’s a diss against myself and life itself. Life involves suffering for everyone, forever. The fact that none of us consented to it, yet we’re all forced to endure it anyway, is fundamentally unfair. If life is truly a gift, why didn’t it come with a gift receipt? We didn’t sign up for this. We have no control over the circumstances we were born into or much of what follows. I think that’s an understandable thing to be angry about. I know I’m far from the only one who has felt this anger. So with this song, I just wanted to 1) let that anger out, and 2) let anyone else feeling it know they’re not alone. While life has suffering, that does not mean life is suffering. We can get through it together. The music video for your single is visually captivating, especially in its portrayal of environmental issues. How does the imagery in the video complement the song's theme, and what impact do you hope it will have on your audience? Like I said, I’m a big-picture person and an album artist. With every project, I try to make a statement, complete with its own iconography and aesthetic. I love it when artists do that. (Think The Weeknd’s After Hours or Childish Gambino’s Because the Internet.) That’s something I incorporate into my own work. The first image that came to mind for MISANTHROPIC PHILANTHROPIST was an island. After all, an island is a symbol of isolation. It is by definition, solitary, cut off from the rest of the world. I’m an island boy. So, I wanted the visuals to reflect that. That’s why on the album art, I’m on an island, just me and my tortoise Slow and Steady (the official AwesomeAhsem mascot). That’s why on the single art, he’s looking out from the island at the destruction on the mainland. The music video is basically an illustration adapted into film. (I had a whole short film for the album planned, but I had to scrap much of it due to budget issues.) Climate change is one of the hottest (pun intended) debates of our time. Is it real? Is it a hoax invented by the Chinese? Are we causing it? Is there anything we can do to stop it? Or is it already too late? Much like Sway, “I ain’t got the answers”. I’m not an environmental scientist or activist. So, without getting too Greta Thunberg on you, I’ll say this. While I do happen to think climate change is real and caused by human activity, it doesn’t have to be our legacy. I think in “HUMANITY IS AN INVASIVE SPECIES”, I’m kind of hiding behind the environment to justify my own misanthropy. Given everything going on, it’s easy to be cynical. Hey, I’m cynical too. But ultimately, I acknowledge we shouldn’t just resign to that cynicism. We should fight against it, to improve our situation, even when it’s tough, even though it’s not guaranteed to work, even if it feels like there’s no point. This is also true in my personal life, as I’m sure it is in yours as well. Sometimes I feel like trash. Sometimes I feel like I am trash. In “HUMANITY” I even said I wish I’d been tossed in the garbage and that I stink. When you feel that way, it starts to bleed over into your outlook on life and the world at large. Why even bother fixing it up? It’s all trash, anyway. That’s the doomer mindset. But I’m not really trash. I can pick up trash, both literal and figurative. While I may be addicted to trashing myself, at least I’m trying to get clean. Let’s get the Earth clean too. Like that song they had us sing in kindergarten: “clean up, clean up, everybody do your share!” And I will do my share. But first, let me mope for ninety-four measly seconds. I need it. Your transition from GAWN to AwesomeAhsem involved both a rebranding and a change in music production responsibilities. How has this evolution influenced your artistic approach, and what led to the decision to have Tyren Hines take over production? So it was April 2022. I had just released my second LP, to no reception. I was more or less playing to an empty house. I had reached an impasse creatively. While I do what I do for myself, I also wasn’t sure I wanted to keep doing it if this was the fate I could expect, if no one would ever take notice. Like many, during the pandemic, I sank into isolation. “Especially in these trying times.” as all the companies would say when trying to sell you something. I didn’t really know anyone. I wasn’t part of the music scene. So, my work as GAWN was mostly self-produced. And while it was okay, in hindsight, there were also things I could have done better. Namely, the technical aspect. I learned how to produce through trial and error (and YouTube University), which was frustrating at times. DAWs can be intimidating at first. There are so many buttons to push and knobs to turn, and levers to pull, it’s like a spaceship: a spaceship I don’t want to crash. And while now I know my way around one (I use Logic), I still wouldn’t say it’s my area of expertise. I figured maybe that’s what was holding me back. I figured maybe I should enlist someone more well-versed in that, so I could place more of my focus on the writing. Coincidentally, at the time, I was a host at a restaurant. One of my coworkers, who is a singer (shout-out Sayaka, she’s on the album too. Check out her stuff!), put me in touch with Tyren Hines of Near an Open Flame, whom she went to music school with. And as they say, the rest is history. Funny enough, this ties into the theme of MISANTHROPIC PHILANTHROPIST. That’s why Tyren is on the album cover, sailing in a lifeboat to the island I’m stranded on. That’s why the guest vocalists (including Sayaka) are on the album cover, looking out from the shore into the ocean: because they all helped me execute my vision, and in turn rescued me from my self-imposed exile. I suggest collaboration to any creative reading this. While it can be tough, while it’s not always the move- you have your idea, it’s important to you, you don’t want it diluted or corrupted, I get it- others may actually enhance it. They may know things you don’t. They can bring a level of expertise to your work that you simply may not have. That’s why right now on Threads everyone’s asking the algorithm to put them in touch with fellow creatives. As I progress in my artistic journey and career, I hope to expand my team so they can help me deliver a better product to my audience. (By the way, hit me up y’all.) In an era defined by digital DIY sensibilities, you're recognized for being a self-sufficient artist. How does this independence contribute to your distinct aesthetic and sound, and what challenges or advantages do you find in maintaining autonomy in today's music landscape? Oh my gosh, it’s so hard (pause). I struggle to reconcile my artistry with the industry. By extension, I struggle to reconcile with the world, which is what this album is about. Instagram

Lizzy Donzis has a knack for sending her audience on a journey into the depths of introspection and emotion. Hailing from the vibrant musical landscape of Los Angeles, Lizzy brings a fresh and soulful perspective to her craft, seamlessly blending folk, pop, and indie influences into a uniquely her sound. From the first notes of the recently released "Why Do I Ask For Flowers?" it's evident that Lizzy is more than a singer; she's a storyteller with a gift for translating universal emotions into melodies that resonate at a profound level. "Why Do I Ask For Flowers?" is a poignant expression that goes beyond the surface, reaching into the core of the listener's soul. Lizzy's vocals are a powerful vehicle for every lyric's raw emotion and vulnerability as she encapsulates us with her truth and pure sentiments. What sets this track apart is Lizzy Donzis' elevated approach to songwriting. Her wide vocal range becomes a signature, drawing listeners into a world where introspection and reflection reign supreme. The song explores wanting more for oneself and the complexities of relying on others for appreciation. Within this, Lizzy's lyrics act as a mirror that reflects the human condition, making her music relatable and deeply resonant. In a world filled with music, Lizzy stands out as a rising star, and "Why Do I Ask For Flowers?" is a testament to her unwavering passion for creating music that leaves a lasting impression. This single is a standout note in the grand symphony of her musical journey. The melody tugs at heartstrings and invites listeners to join in the introspective dance of self-discovery. As she continues to evolve as an artist, Lizzy's commitment to creating meaningful and heartfelt music promises a future filled with soul-stirring melodies and stories that echo the universal human experience. Instagram

When all your love has faded, all you have left is hate and disdain. Although they started as a passing joke that blew up into the band we know and love today, Unhealthy While Unhinged (UWU for short) has immediately shown that there’s nothing funny about the talent they possess. Bringing an unhinged, chaotic, and ultimately fun approach to music, this talented outfit was established only two months ago but has still quickly carved a niche. With their unique approach, they’re well on their way to cementing themselves as one of the most exciting up-and-coming acts in the scene today. Hailing from Cleveland, Ohio, Unhealthy While Unhinged decided to strike a balance between the resilience of their home city and the naturally unpredictable, unhinged, and chaotic energy they possess. Fueled by copious amounts of energy drinks, countless sleepless nights, and what we suspect might be a questionable pact with a guitar-playing demon, UWU is poised to take over the Cleveland NuCore scene and beyond. Grab your popcorn and strap in because this will be a wild ride. “Trump Card” starts with some crisp snares and 808s, but don’t let that fool you. By the time you’ve hardly taken one breath, Unhealthy While Unhinged kicks off a vicious drum and guitar performance that feels like they put every ounce of their being into this release. UWU feels like they just have that “it” factor, and as lines like “So sick of all these motherfuckers just like you / Still walking around without a goddamn clue,” and “I'm sending it back / Prepare to get mad / Only way out / Is out in a bag” are delivered with righteous rage. It’s hard not to get goosebumps. Unhealthy While Unhinged’s latest release, “Trump Card,” is a righteous rejection of the fake and those who would do you harm. Whenever you’re ready, tap in and stream UWU’s new release, “Trump Card”, now on all majour streaming platforms. Instagram Facebook

It’s tough, but you can wish someone who’s harmed you well, just from a distance. Having traversed Europe with punk, rock, and other genre-defying bands, electrifying musical talent Dos Floris has quickly made a name for herself. As she ventures into the intricate relationship between music, the cosmos, and the human spirit, she’s woven a powerful musical tapestry that has captivated her listeners and kept them hanging on her every word. As Floris continues to strive and reach even higher heights, she’s made one extremely clear: this is a talent you’ll want to keep your eyes on for the future. At the helm of this mesmerizing project is Florence Donovan, a classically trained, world-worn, and eclectic soul who invites listeners into a realm where electronic soundscapes intertwine with the profound intersections of her life’s journey. The beginning of musician Dos Floris’s grand musical adventure traces back to a childhood where, at the age of five, she found herself singing songs to flowers. Little did anyone know, this would be a prelude to a lifelong connection with the language of music. Fast forward, and she’s captured the hearts of listeners with exquisite releases like “Silence” and “Water” that tug not just at the heart but also the soul. With its soft instrumentals and a gentle yet impassioned and emotional vocal performance, Floris’ latest offering, “Somebody Else,” provides a tantalizing glimpse into Floris’ forthcoming album “Broken Love.” Keeping with the themes of honest reflection expressed in “Broken Love,” “Somebody Else” is a cathartic journey back to self after an emotionally charged separation. Lyrics like “Cause if you're not sitting right within yourself, tell me what can I do? / When I've always been true, always following you” shows great maturity even during heartbreak, even as heartwrenching lyrics like “Keep a hold on your heart and your head / Now I wish you the best / Just with somebody else” detail the internal conflict that comes with wishing someone who has hurt you well, just from afar. As Dos Floris continues to shoot for the stars, the sky gets closer to her daily. Whenever you’re ready, tap in and stream Dos Floris’ new release, “Somebody Else,” on all majour streaming platforms. Welcome to BUZZ, Dos Floris. We loved "Somebody Else," so we had to ask: What inspired this release? Were you pulling from personal experience? Thank you so much. Yes, this song came from personal experience, as it marked the beginning of the end of my marriage. The words just wrote themselves in one gulp onto notes on my phone, and when I sat down at the piano, the melody was there, too. All I had to do was find the chords. What was your favorite part of the creative process for this release? The whole song came together so quickly. Everything I touched in that instant just happened to fit. When I turned on the preamp to record the vocals, I didn't even check the settings (which were set to a pretty heavy gain) as it was meant to be a demo. Those are the vocals that you hear on there. The life experience was heavy and painful, but the song creation was light and effortless. What does music mean to you, and what's been your favorite part of your musical journey so far? Music communicates emotions that I struggle to express precisely in everyday life. I see music in colors, images, and feelings. It has this magic way of reaching and grabbing you where you didn't know you needed to be grabbed. My favorite part of my journey so far is all the people who reach out and tell me how much my music means to them. It's extraordinary that you can record something in a room alone and reach listeners miles away. How would you describe your music to someone who hasn't heard it before? The musical equivalent of taking a hallucinogenic drug. What's next for Dos Floris? Can we expect to hear more new music soon, and is there anything you want to say to your fans? My second album, "Broken Love," has just been released on vinyl/CD, which is available on my website and Bandcamp and will also be in record shops as soon as I find the time. Streaming the next song, "Mountains," comes out on the 8th of December, and then I'll be playing the entire album live on piano at a gig in The Camden Chapel, London, on the 30th of November. Another album is also in the pipeline. It's just finding the time to do it all! Immense gratitude goes out to my fans. There is such value in the creative process, and once you have something you are happy with, you can only hope that people resonate with it - that bit is beyond your control. So, thank you for coming on this journey with me. Instagram Facebook

Jess Elise, the enigmatic indie siren from the City of Angels, spills her soul in her latest single, "Jealousy," and the result is nothing short of a musical exorcism. With every note she sings, you feel the raw emotion coursing through her veins, leaving you mesmerized and yearning for more. What sets Jess Elise apart is her unapologetically edgy and out-of-the-box approach. In "Jealousy," she defies the conventional, fusing various eras and genres into a uniquely her concoction. It's a musical kaleidoscope, where influences from different worlds collide to birth a sound that's as haunting as it is striking. But let's talk about those vocals—Jess Elise possesses a voice that grabs you by the collar and demands your attention. It's an emotion-laden journey, and she's the guide, leading you through the peaks and valleys of her musical landscape. Her delivery is a testament to her years of musical immersion and dedication, merging the classical finesse she honed through trumpet play and temple choir singing with indie music's gritty, poignant narrative. The lyrics in "Jealousy" are a window into her psyche, a peek into the tumultuous sea of emotions she navigates. Lines like "I can see them now, thoughts behind your eyes, you begin to shout, so I begin to cry" are painted with a raw vulnerability that's as relatable as it is heartbreaking. Jess Elise emerges as a breath of fresh air in a musical world where the mainstream often overshadows true artistry. She's more than a singer-songwriter; she's a force, a musical maven who weaves tales of heartache and longing, leaving an indelible mark on your soul. "Jealousy" is a poignant confession that lingers long after the last note fades—a testament to the power of embracing your truest self in the noisy realm of music. Read our full interview with Jess Elise as she opens up on "Jealousy" here, Instagram

Catch a live show at one of the city's best music venues. Los Angeles is wealthy with hot and rich music history as this exhilarating city is home to an irrefutable music scene. What's so marvelous about it is the diversity upholds a ruthless complexity that caters to all concertgoers, no matter how eclectic your musical preferences may be. Everybody knows the iconic stature of The Hollywood Bowl, one of the must-visits in LA, as it's been hosting concerts since the L.A. Philharmonic first played here in 1922. However, the Hollywood Hills staple often takes the cake for being the city's most monumental venue, as it holds space for some of the biggest names in rock, pop, country, and musical theatre. We're taking this chance to shine a light on our personal Top 5 picks to catch a concert in L.A. THE ECHO / ECHOPLEX 1822 Sunset Blvd.; 1154 Glendale Blvd., Silver Lake Considered the one-stop shop in the alluring music scene, Echo Park's twin music venues, The Echo, and its downstairs parallel, Echoplex, continues to book some of the hottest up-and-coming indie bands that are dominating the industry. Also, when you think of dancing the night away with the hottest D.J.s spinning pop mashups and edgy rock bops, this is where you'll find yourself. While both The Echo and the larger capped Echoplex below share the same passion and vision for who rocks the stages, everybody who walks through those doors is there to share good vibes and is never too good to let the music move them. EL REY THEATRE 5515 Wilshire Blvd., L.A. A striking Art Deco staple, the 800-capacity El Rey offers up nostalgia and glamour. A stone's throw away from Museum Row on the Miracle Mile, this venue doesn't just sound good, but it looks damn good too. From the neon signage to the grand chandelier radiating the ballroom, the El Rey is your spot to see your favorite emerging artists before they blow up and hit the mainstream charts. GREEK THEATRE 2700 N. Vermont Ave., Griffith Park In close quarters with The Hollywood Bowl for being Los Angeles' most whimsical outdoor venue, the Athen's inspired magnificence has show-goers taking a break from the gritty club scene and embracing an outdoor favorite. Known for staging national and local acts with big summer shows, people often leave here saying it's as if they've seen a concert in the woods as they breathe in the open air of this spacious 6,000-seat theatre. How many people can say they've taken in their favorite band with the help of Griffith Park canyon acoustics? TROUBADOR 9081 Santa Monica Blvd., West Hollywood Angeleno musicians and visitors from afar adore the beloved Troubador. This musical treasure has a lush musical history as Randy Newman started here, and Elton John made his U.S. debut in 1970 as he hit the Troubador stage. You can tell you're approaching this historic rock n roll society as you drive down Santa Monica Boulevard and take in its monumental sign. Its size is perfect for those intimate shows where you can focus on the ballads of singer-songwriters, but when it's time to wild out – it's big enough for a boisterous rock show. An iconic venue in itself – this hot spot has been around for a while and has no plans of fleeing anytime soon. THE WILTERN 3790 Wilshire Blvd., L.A. What we love about this architectural gem has to be the quality and diversity of the acts performed between the four walls. Named for its cross streets, Wilshire Boulevard and Western Avenue, The Wiltern Vertically holds 2,300 bodies as the balcony seating and multiple levels of the standing room allow concertgoers to view the stage from a myriad of angles. From performers like King Princess, the Growlers, or Trey Anastasio to Madonna, there's no doubt that you're in for quite the experience at one of the most over-the-top artistic detail-oriented venues out there. When it comes to live music venues, Los Angeles is the place to be. We've got it all when it comes to live shows and if you're lucky enough to catch a show in the Golden State – bask in every moment.

It’s so rewarding to relax and enjoy our time with the people we love. Having already racked up hundreds of thousands of views for their latest video, “Kiss My Baby Goodnight,” it’s fair to say that blues-rock outfit Second Hand Mojo has been on a little of a hot streak. Hailing from Canton, Michigan, and surrounding areas, their electric stage presence and high-energy performances have quickly generated significant buzz, endearing them to audiences as they give their all with each performance. As these talented artists continue to shoot for the stars, remember their names; they’re destined for big things. One of the most appealing characteristics of Second Hand Mojo is their ability to make music that is easily enjoyed. Their releases effortlessly capture that nostalgic, good old rock n’ roll party and good vibes feeling, making for entertaining releases that manage to hit you right in your nostalgic feels. Composed of Vern Springer (guitar, vocals), Chuck Riepenhoff (lead vocals), Scott Brokaw (percussion, vocals), MarQ Andrew Speck “Q” (keys, vocals), and James Hampton (bass, vocals), Second Hand Mojo has made it their mission to elevate and entertain wherever they go, and they’ve succeeded thus far. “Good Vibes” is an aptly titled release that embodies Second Hand Mojo’s approach to music. According to Vern Springer, the inspiration and meaning behind “Good Vibes” was simple; “good times dancing, hanging out with your friends and family.” Beginning with a warm piano quickly joined by a rollicking guitar, “Good Vibes” eases your worries from all musical directions. As lines like “Bring the good vibes all around” are delivered with a pure, unadulterated giddiness, it’s hard not to let some positivity rub off on you. Accompanied by a heartwarming music video that sees Second Hand Mojo throwing a massive party for their friends and family, “Good Vibes” is a release that evokes pure happiness in multiple ways. Second Hand Mojo’s new release, “Good Vibes,” is an easy, feel-good release that will uplift your mood when you’re having a rough day. Whenever you’re ready, tap in and stream “Good Vibes” today, which is available on all major streaming platforms. Check out the heartwarming music video, too, available on YouTube. Welcome to BuzzMusic, Second Hand Mojo! We loved "Good Vibes," we had to ask you! What was your favorite part of bringing the vision for this release to life? The collaborative process. The whole band played a part in writing and developing the song and production. This latest set of songs has come mostly from rehearsal jams. Good Vibes started with Marq "Q" Speck on keys, giving it a Jackson Brown vibe. Chuck was working on the melody and lyrics. James had the breakdown section. Scott and I were able to add our parts, and off we went. How did Second Hand Mojo come to be? Could you give us your band's origin story? Scott and I were in another band that had finished its run. We were talking and decided we still wanted to write and perform. I had a batch of songs to get us started. So, we began looking for other members. Chuck came to us first through a Craigslist ad. He was in another project prior and wanted to do more of his style of originals. He found us, and we got together and jammed to get to know each other. We started writing lyrics and melodies for my songs at that time. Next up was James. Chuck knew James from their college years. They both played in successful bands in the Toledo/Bowling Green area. He asked James to come and see if he would be interested. He came in and added the high harmonies and more than just straight eight-note bass lines and gave us some jazz and a more diverse sound and feel. After that, I asked MarQ to come and check us out and see if he would be interested. Q and I played with David Winans at the time and enjoyed playing together, so it was a comfortable fit. On the first day, he improvised the solo for the first single we released. The one on the recording is close to what he played during our first rehearsal. From that day on, this has been the lineup. What do you think is the most important quality for musicians to have? An ability to go outside your comfort zone and collaborate. Too often, people are very rigid in their approach to what they are comfortable creating. One of my favorite parts of Mojo is how our songs are organically developed. It may not be in everyone's preferred vibe or style, but we all approach it honestly to try and serve the idea and see where it goes. What does music mean to you, and do you have any favorite musical memories you would like to share? Vern: My favorite musical memory with Second Hand Mojo would be filming the last video for Good Vibes. The idea in the video is taken from the lyrics that Chuck wrote. Chuck: The lyrics I wrote are based on this concept: You hear commotion from afar, you can feel the energy from afar, you can't see it yet, but you know there's a party going on over there, and you can tell where it's at - so you're drawn to go to that commotion you hear and energy you feel - and when you get there, sure enough, there is a big party going on…so you join right in! Vern: The lyrics inspired me to throw a family and friends party and film it for the video. We did that at my cousin Dave and his wife Leslie's house in their pole barn. The director, Nick, took that idea and ran with it. We even had the video's world premiere at a movie theater. What's next for Second Hand Mojo? Can we expect to hear more new music soon? And is there anything you want to say to your fans? Next, we have a slate of shows for the end of the year, and we are also booking for next year. We have the rest of the recordings to be released, starting with another video and single in February for the song "Sister Surrender" and then another release of the balance of the project later in the year. We are also writing for the next set of recordings. We also plan to go into the studio sometime next year to get that ready for release. As for the fans, we are just wow, and we thank you so very much to anyone who has ever been to a show, listened to a song, watched a video, bought some merch, recommended us to a friend, left an encouraging note, or just came up to say hi. It means the world to all of us. Hope to see you soon! Instagram Facebook