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Stay true to yourself, no matter what. Having burst onto the scene with releases like “Intersection” and “Flowers in the DMZ,” San Francisco outfit Keepers of Humanity is arguably one of the most unique and enticing alt-rock bands. Having captured the hearts of audiences with their edgy, theatrical, and eclectic artistic identity, they’ve drawn comparisons to esteemed acts like Kate Bush, Tori Amos, and Amanda Palmer. With their warm, approachable, and enticing sound, these talented artists are only hitting their stride, and if they manage to maintain the standard they’ve set for themselves, the future will be bright. Channeling themes of introspection, uncertainty, chaos, hope, true love, and more on each release, Keepers of Humanity have made it their mission to make music that appeals to listeners on a deeper level. Comprised of Jean Nanjo (lead vocals), Rudy Choy (bass), guitarist Steven Bonaccorso (guitars), and Alexi Robins (drummer), although each member of Keeper of Humanity came from vastly different musical backgrounds, they fuse these influences to significant effect. Rather than take away from each other, they multiply their unique strengths, resulting in a cohesive sound that is as enticing as it is versatile and unique. On their latest release, “Intersection,” the group’s rare and fantastic chemistry is again on display. Every part of this release works in tandem to enhance each other, from Nanjo’s vocals to Choy’s bass. Robins and Bonaccorso also turn in stellar performances. As Keepers of Humanity tap into feelings of leaving a bad relationship, racial discrimination, and more, it’s easy to get swept up in their pace. A standout release overall, Keepers of Humanity describes “Intersection” as “a celebration of individuality and homage to musicians who have made their mark by staying true to their ambitions.” A lofty goal indeed, but one they have exceeded here. Keepers of Humanity’s latest release, “Intersection,” is a gripping release that balances poignant lyricism with a down-to-earth yet compelling sound. Whenever you’re ready, tap in and stream Keeper of Humanity’s latest release, “Intersection,” available now, and keep an eye out for their upcoming EP, 'Pansori,' out on October 6th. Instagram Facebook

Hold on tight because Everlasting God Stopper, the musical storm brewing at the intersection of American metal and industrial music, is about to hurl "Techno Logic" into your speakers. From the gritty depths of Columbus, OH, and the fierce alleys of Detroit, MI, this band, comprising Charlie B. Koyote (vocals/guitar), Steve D. Monic (guitar), Johnny Mayhem (bass/vocals), and Patrick Baily (drums/piano), is set to unleash their forthcoming self-titled album on October 28, 2023, allowing "Techno Logic" to tease what's to come. Koyote, the mastermind behind the sonic assault, describes "Techno Logic" as a dire anthem, a rallying cry against the creeping technological behemoth. It's a guttural scream into the void, a warning shot that echoes the encroaching dystopia fueled by the monopolization of power. A fierce, unrelenting fusion of inspired sound, the song laces the distinctive influences of Rammstein, Slayer, Coheed and Cambria, Devin Townsend, Megadeth, and Misfits. As the pounding drums and searing guitars converge in "Techno Logic," Everlasting God Stopper paints a visceral soundscape that mirrors the cacophony of modern societal discord. Charlie B. Koyote's lyrics cut through the sonic chaos, channeling the spirit of rebellion and a vehement call for awakening. This track is more than a song; it's a turbulent journey into a dystopian world where man and machine clash in a ferocious battle for dominion. With blazing guitar riffs slicing through the air and Koyote's potent vocals delivering the message, Everlasting God Stopper marries auditory aggression with a visually immersive performance that's nothing short of a full-throttle sensory assault. This is more than music; this is a war cry against the rising techno colossus. Welcome to Buzz Music, Everlasting God Stopper! We love how "Techno Logic" addresses technology's obtrusive influence and power consolidation. Could you elaborate on how this societal concern drove the song's creation and role in your forthcoming album? The most efficient way I can describe the drive of the song's creation is anxiety. No one is a stranger to that feeling; we all dread the future on some level. We believe it's more than just the fear of the unknown. At one point, we relished the idea of a more utopian future, but the further we go in the direction we have been, our vision of the future is more dystopian. Seeing the writing on the wall is the basis of the drive to create this song, and as the 2nd song on the record, its job is that of 2nd contact. Setting in stone the tone set by the initial song and reassuring you of your journey. Can you discuss the collaborative process within the band when creating this track? How did each band member's contributions shape the final sound and impact of the song? This particular track started with a riff and a scrap of poetry and grew there. The process for Techno Logic was similar to a giant Tetris game where 4 people are letting the pieces slide down the game board at once. Some pieces fit, and some fell by the wayside, but it came into focus quickly once we got a solid base. Each of us brought our own flavor to the track; with each of those flavors, the track is complete. Charlie, as the lyricist, could you share more about the storytelling and symbolism in "Techno Logic?" What specific message do you hope listeners will take away from these lyrics? EGS/Charlie: What I want to do with this song is paint a picture of unease with emerging technologies to start the conversation of responsibility and corruption. To question who is in charge and whether they are responsible enough to handle it. I hope people will take away the serious questions of where we are going, who's pushing us there, and why. The upcoming album's release show is slated to be an intense experience! Can you provide some insight into what the audience can expect from this event and how it ties into the broader theme of the self-titled album? We cannot reveal much, but this show will deliver new songs, wardrobe, set design, and show! With all this and the upcoming album, we are reinventing the wheel. This will be an event not to be missed!! What are your aspirations for Everlasting God Stopper, and how does "Techno Logic" set the tone for your future music and artistic evolution? "Techno Logic" sets the bar higher than ever before, keeping with our reinventing wheel theme. We still have much to say and want to say it so loud you can't ignore us. We like to think of ourselves as being able to see what is wrong with the world, and if enough of us see it, too possibly, we can change it. EGS is a movement, and we are only gaining steam. That means we will continue to refine our craft to make the best thought-provoking songs we can and deliver the most immersive and inspiring stage show in our power. Instagram

When someone you love does you wrong, you should be this angry. It may seem small, but when a band can accurately yet succinctly capture their artistic identity in their name, you know you’re in for a good time. As their name might suggest, Black Rock Candy has perfected music that grabs your attention with its catchy, memorable choruses with a healthy infusion of hard rock edge. Armed with the artistic talent to take the world by storm and the equally vital willingness to put their heads down and put the work in, as long as this talented band can maintain the impressive standard they’ve set for themselves, the world is their oyster. Drawing influences from dynamic bands like Heart, Stone Temple Pilots, and The Runaways, Black Rock Candy’s down-to-earth passion and love for music has earned them paramount respect in the scene, landing two songs on-air at 95.5 KLOS and taking them on tour. Constantly finding ways to incorporate their lived experiences, good and bad, part of the reason fans have found their music so appealing is simple. Black Rock Candy’s music feels inherently human, and there are always themes fans and first-time listeners alike will be able to relate to. Never afraid to shy away from speaking their truth, every Black Rock Candy release gives something different for listeners to enjoy. Black Rock Candy’s latest release, “Trouble,” shows this dynamic band’s commitment to their artistic integrity, even if it’s not always glamorous. The song’s story focuses on a topic far too many can relate to: a friend who cheated on his girlfriend. Beginning with raucous, powerful guitar riffs that immediately set a powerful, defiant tone, Black Rock Candy immerses you in a soundscape that captures the anger and hurt one would feel in this situation. Dropping lyrics like “Looks like you’ve found yourself a new baby / So don’t try to call back I won’t be waiting,” Black Rock Candy describes “Trouble” as an eye-opening experience for the band, ultimately finding irony in the fact that the person “Trouble” was based on loved the song, having no clue he was the subject. Black Rock Candy’s latest release, “Trouble,” is an electrifying release that deliciously channels the rightful anger you feel at a lover who’s betrayed you. Whenever you’re ready, tap in and stream Black Rock Candy’s “Trouble”, available now on all majour streaming platforms. Welcome to BuzzMusic, Black Rock Candy! We loved “Trouble;" what a powerful release! We have to ask: we know the inspiration came from someone close to you, but how did the creative process for this release shake out? “Trouble” was inspired by a true story. It became sort of a “scream at the top of your lungs” kind of song. We wanted to keep the lyrics simple so anyone can relate, which we feel many can. The concept is about someone who screwed you over and made you seem like a fool. The anger, sadness, and pain that may come with an experience like this is definitely something we wanted to shine a light on and show that we can regain control over those feelings. You’ve also made a fantastic video to accompany this release; what was your initial vision for the music video, and did the final version end up similar to what you first imagined? Because of the story and the feeling of “Trouble,” we thought what better way to show this anger and chaos than a rage room. This was our initial idea initially, and we are so happy with the outcome of the video. Our director, Allison Parra, was amazing at helping our vision come to life, and we are so proud of the final product. You’re not afraid to draw from personal experiences. How meaningful are your personal experiences to the music you make? When we use our personal experiences in our music, it’s often a therapeutic outlet for us. We feel it is important to use personal experiences because it helps us to connect with our audience. The emotions come through when we perform the songs, and we think that is vital in engaging an audience. In other words, it’s real. If your listeners could take one thing away from your music, what would you want it to be and why? Throughout the current project, including the release of “Honey” and “Trouble,” we hope listeners feel empowered. We want them to walk away wanting more and feeling good about what they hear. What’s next for Black Rock Candy? Can we expect to hear more new music soon, and is there anything you want to say to your fans? We will release another project, including “Trouble,” in the future. More than likely an EP. We are continuously writing, playing shows, and working on our brand so our listeners can follow the journey with us. We also plan on going on tour next year, so we are also looking forward to that. Instagram Facebook

Sometimes, you just have to revel in your own power, especially when you realize you’re stronger than you think. Known for a dynamic sound that defies genres and pushes the limits of artistic creativity, enigmatic musical shapeshifters TEMPOH Slow have solidly established themselves as creative forces to be reckoned with in the music industry. Their unique ability to capture the intricate nuances of human desires and emotions through their genre-defying sound has enthralled and captivated audiences everywhere they’ve gone. With a burning commitment to their artistic vision and the skills to flawlessly see that vision through to fruition, TEMPOH Slow continues to push its limits and set the standard for musical excellence. Accurately describing the vast expanse of TEMPOH Slow’s sound is like trying to bottle up the ocean. The collective’s musical palette is like a bright, vivid, and vibrant combination of a little bit of everything, intricately woven together and infused with emotion. Their sound is vast - encompassing many aspects of the human experience, and their ability to evoke the raw and visceral makes for a one-of-a-kind listening experience. Fresh off the release of bangers like “Bite Me” and “I Just Need Enemies,” Slow feels like they’ve been unstoppable lately, and their white-hot streak of releases seems like it won’t be calming down anytime soon. From the moment the drums and electric guitar kick in on “Daggers,” you can feel the violent power of the release. With lines like “Now all of a sudden I’m feeling like a shotgun” and “I’m the one with the motherfuckin’ dagger,” Slow feels like they’re in the middle of an intense war within themselves, brimming with energy and feeling dangerous. Slow’s ability to maximize their sonic output through perfectly in-sync vocals and instrumentals is again on display, as both aspects complement each other on this release. Tellingly, “Daggers” feels more than the sum of its impressive parts, and TEMPOH Slow continues to show why they’re so highly regarded. TEMPOH Slow has continued to evolve with each new release, and on their new single, “Daggers,” they’ve once again outdone themselves. Whenever you’re ready, tap in and stream TEMPOH Slow’s newest release, “Daggers,” out now. Instagram Facebook

Dive into the sonic realm of The History of Gunpowder's latest single and music video, "Eye, the Sky." This exceptional creation unveils the band's musical evolution through a live-off-the-floor performance captured in a visually engaging film, addressing the prevailing uncertainty of our times and the universal longing for connection. Recorded during an intimate seven-day residency at the Weird Church in Cumberland, BC, the band boldly shifts their signature style toward an acoustic exploration. Here, distortion gives way to velvet textures, and primal growls are exchanged for heartfelt howls, showcasing an auditory landscape that marries the band's characteristic rawness with newfound depth. Making innovative use of the church's renowned 19th-century pipe organ and choral vocal additions, The History of Gunpowder crafts an intimate yet monumental sonic tapestry that delves into community, music, and art themes. As stalwarts of the Canadian live music scene, The History of Gunpowder consistently challenges conventions on stage and in the studio, garnering a devoted international following. The film unveils the band's unreleased material and incorporates video vignettes and original soundtracks, providing a glimpse into their creative process and the vibrant community surrounding them. "Eye, the Sky" is a captivating journey that allows listeners to experience the magic of their live performances, immerse themselves in their enigmatic energy, and become part of a vibrant, resonating community. The shift towards an acoustic sensibility in "Eye, the Sky" is evident. Could you investigate what drove this stylistic transition and how it influenced the creative process during the recording and filming? The majority of what I write is along these lines. For every loud, chaotic, and expansive song in terms of instrumentation, I write ten that originated on acoustic guitar and would stay in the folk/acoustic world. Ironically, the rest of The History's catalog is unique in my writing process. "Swallows" was an excuse for me to produce some of the songs that were dear to me that I thought did not have a home in The History of Gunpowder without a concept. This concept I found in recording and filming in a church; the environment was perfect, acoustically and visually, and the decision to shoot everything live off the floor felt suitable for these arrangements. Many songs, including Eye, the Sky, were written in the church the summer before recording. I was offered the keys to the church, and I was fortunate enough to spend time in that room alone, working with the acoustics, finding the subject matter and arrangements that would resonate well within the space. This was even more important as it would be captured on film, so the entirety of the project would be heightened if the songs matched the room. It isn't often that we can pursue this kind of exploration, and I am grateful to have had the chance. The song "Eye, the Sky" is an interesting one... it is spoken from the voice of the Sky, trying to communicate to all of the folks below how absurd their lives are and how carefree it would seem if they could only step back. A reminder to myself. Using a 19th-century pipe organ and choral vocal additions is a unique aspect of this project. How did these elements impact the overall sound and mood of the music, and what was the inspiration behind incorporating such unconventional instruments? This project was part of a residency at the church centered around using the organ; it was baked into the mandate itself. The organ had much more of an impact on the interludes, extra songs, and soundtrack/ambient pieces to the film rather than the songs on the album. We experimented quite a bit with the pipe organ's wind, how we could control the pressure of the air, and how we could attain microtones by regulating pressure. As for choral arrangements, I have always felt the gravel of my voice requires some upper register accompaniment. In fact, if I had it my way, I would opt for the voice of Leo D.E Johnson over pretty much any vocalist I've met. They are incredible. The vocal additions on this record include Leo, Marisa Etchart, Elise Boulanger, Della Kit, and Lola Whyte. It was a pleasure working with them on harmonies and featured sections. The most incredible part is all of this is live off the floor (no tuning, of course), so all the harmonies you hear are live; they were able to lock in so well. As the rehearsals and recording days went on, we gave the voices more liberties and had quite a few improv and solo sections just because they became a through-line to the project, one of the grounding components of the sound. Lucky for us, the film features unreleased material and video vignettes. How do these elements contribute to the narrative of the project, and what was the thought process behind intertwining live performances with this style of visuals? How this project came together still needs to be clarified. We knew we wanted to go in to record these songs - Eye, the Sky being one of them - but we needed to know what the end product would look like. I knew I wanted to have improvisational recordings during the days at the church and record the pre-rehearsed songs in the evening when we could work with the lighting rig. But Adam Amir captured enough raw video to complete a feature-length project that could consistently hold the audience's focus. During the days, he would go and shoot character profile vignettes of each member of the band. Some of these became interludes. He would also shoot ambient shots of Cumberland. These became interludes. He would also document the behind-the-scenes party nights, rehearsals, and everything else. These became interludes. His commitment to the project and ability to consistently be the observer brought in enough material to finish a project of this scale. He is incredible. You rarely meet another artist in a different medium you trust and are inspired by; I am fortunate to have met a videographer I can rely on and trust his artistic instincts. The overall narrative was crafted by Adam and myself every week, meeting after meeting, choosing the right momentum, cuts, direction, and order of scenes. It was a thrill to work with him, and I'm sure it will not be the last project we work on together. You're all known for pushing boundaries on stage and in the studio. How does this latest work align with your artistic vision and sonic experimentation approach? This project is unique for us in every way. It has two ends 'products': one is a feature-length video album, and the other is an audio album. The feature-length film premiered in a theatre, which was a wild experience. The audio album has yet to be released. Still, the experimentation involved here involves the overall concept, arrangements with pipe organ and choir, and being guided by the visual accompaniment. In many ways, this album and project is a soundtrack to the 'making of' video that was captured. "A soundtrack to the film about the album" is how we promoted it. It may not make much sense, but it is how it turned out if you look at the process of finishing the music. Community and collaboration speak wonders. Could you share some insights into those aspects of this project, both within the band and with other musicians involved? How did these collaborations enrich the creative journey, and how do you expect them to enrich it moving forward? At the film premiere for "Swallows" at the Rio Theatre, I introduced the film as a love letter to the members of The History of Gunpowder and the Cumberland Community in all their weirdness. After almost 20 years of writing songs, I have learned that music is about the community that works to get it from the page into the world. Amazingly, these songs brought 16 people together to produce, record, mix, and play this music. In the end, the film is something that The History family will always have as a snapshot in time: a blissful week in the middle of COVID at a time when everything was falling down around us when we turned a church into a studio and created music for a week and enjoyed each others' company. There is a lot of love in this group, and I consider them my extended family, so really, these projects that we do are driven by the fact that we enjoy spending time with each other and pushing ourselves as musicians. This is the reason that has kept this band moving forward tirelessly. What else could you want? Instagram

The harmonies of music have traversed boundaries and united the world in a symphony of connectivity. Anna, a multifaceted talent graced with the gifts of song, dance, modeling, and acting, emerges as a catalyst in this transformative era of the music industry. Through her craft, Anna melds English and Japanese verses, paying homage to the facets of her identity as a Japanese Armenian residing between LA and Tokyo. Nourished by her diverse heritage, blending the essence of Japanese and Armenian roots, this multilingual, international pop star embarks on a blazing trail in the captivating realm of Japanese pop, J-Pop, while leaving an indelible mark on the broader pop genre. What happens when romance leads you into the darkness of a broken heart? When the moments you used to long for no longer happen? Anna's latest infectious release brings us closure on all this and more. It is truly allowing ourselves to reflect on what's on the inside. "Someone Else" comes to us with a sonic and visual component that plays a prominent role in painting this narrative for her audience. Destined to reach the eyes and ears of those yearning to experience real love and take a chance on themselves, the brilliant "Someone Else" is fueled by adoration and stirring hearts. Immediately pulling us into her captivating embrace, Anna shines on screen in the latest fashions and colorful decor that accompany her bursting from the screen. As the rich chronicles unfold before us, a storyline follows through from start to finish, and it's impossible to take your eyes off the screen. "Someone Else" has us touring Anna's room along with memories that emphasize sentimental times between two lovers. This graveyard of empty promises ultimately leads Anna to discover Mr. Perfect - but the catch is he doesn't exist. Within this, Anna instills a powerful message by encouraging her listeners to recognize their worth, learn from the past, and look forward to a brighter future. It's impossible not to see how cohesive the messaging is throughout the song and the visuals, as Anna's heart is mirrored in this work. Embodying the beloved trademarks of a pop music video, Anna and her team make it their own by showing off all that makes Anna unique. As one magical portal reveals everything she truly desires, Anna realizes she can discover this within herself, no longer needing to rely on anyone for her happiness. Keeping us on our toes for the entirety of this music video, "Someone Else," is a record you need to check out for yourself. Instagram TikTok

Get ready to dive into the musical universe of Jacob Giaimo, the singer-songwriter hailing from the sunny vibes of Orlando, Florida, and now basking in the creative energy of Los Angeles, California. As he unleashes his latest sonic masterpiece, "It's Okay," listeners can expect to embark on a poignant excursion through emotions and realism that will be impossible to overlook. Jacob Giaimo's music has always been a magnet for hearts of all kinds, and "It's Okay" is no exception. The track's acoustic-driven melody serves as the canvas for a storytelling experience that'll take you on a heartfelt journey bound to make you feel something. Giaimo's voice? It's like a warm cup of cocoa on a chilly winter day – lulling and comforting, wrapping you in a cozy musical embrace that feels good no matter the time of year. But what sets this song apart is its message. "It's Okay" isn't just a catchy tune; it's a soulful reflection on life's ups and downs. Giaimo's lyrical genius reminds us that even when life throws curveballs, believing in ourselves and working hard toward happiness is the ultimate game plan. Jacob proudly labels "It's Okay" as his most mature creation to date, and you can feel the complexity in every note. The song was cooked up in the musical kitchen of Opus Recording in North Hollywood, and you can taste the magic in every chord. "It's Okay" is more than just a song; it's an experience waiting to unfold. So, get ready to hit that play button and submerge yourself in Jacob Giaimo's infectious charisma, reflective lyrics, and mesmerizing melodies bound to whisk you away. "It's okay" carries a powerful message of resilience and self-belief. Can you share the personal experiences or emotions that influenced the lyrics and storytelling in this song? Sure! Over the last year, I started therapy, and I just felt inspired by the differences between feeling okay in moments and not okay in others. It's okay to feel not okay, but everything can be okay if you ask for help and work to improve. Your music has a unique and compelling sound that resonates with a diverse audience. How do you approach creating music that connects with people on an emotional level? I resonated with more "emotional" music at a young age, and I think that my passion for creating music that people can sit in their emotions with and relate to has always been the driving force behind what I do. "It's Okay" was recorded at Opus Recording in North Hollywood. Could you tell us about your experience working in that studio and how it contributed to the song's overall production? I've been recording my songs at Opus ever since moving to LA. I've become close with the producer there, Denis, and it's allowed the process of being in the studio to feel very comfortable. We bounce ideas off each other, and I trust his professional opinion. He's been incredible to work with. What can you tell us about the music you're working on? What do listeners have to look forward to? After my last album, I wanted to focus on transitioning into a new realm of sound. Different kinds of music have inspired me for the last couple of years, and I want my music to reflect that. 'It's okay' is a small taste of the sound I want to grow into. It'll be a learning process I'm excited to embark on. How about you? What are you most looking forward to in terms of your career? Fortunately, I found a music passion because I'm always excited by it. I'll continue performing as much as possible and searching for new ways to express myself through this medium. Stay tuned, and there's more to come. Instagram Facebook

In this talented musician’s hands, music is something to be inspired by. With a remarkable career that spans over a decade, Swedish musician Azure Blue’s particular brand of ethereal pop has garnered him respect and adoration. A hopeless romantic known for his heart-on-sleeve lyrical style, his authentic approach to music has garnered him legions of loyal fans who’ve felt Blue’s ability to touch people with music firsthand. With his sixth studio album, “The Night of the Stars,” slated for release shortly, Blue has again kicked it up a notch. Having already set an extremely high standard for himself with his previous releases, “Stockholm’s Gentle New Wave King” seems to have outdone himself once more. Born Tobias Isaksson, Azure Blue has spent the better part of the last decade building a rich musical legacy that has been acknowledged both by his peers and by his audiences. He’s won a Swedish Independent Grammy for best pop album, among other things like features on Swedish National TV and even a grant from the government’s culture council for his contributions to music. With his upcoming “The Night of the Stars” album, Blue is poised to show that his artistic growth has continued for over a decade. Focusing on themes of togetherness in times of hardship, Blue’s heartfelt approach promises to touch hearts again, and we’re on the edge of our seats waiting to see what he’ll show us. Blue’s latest release, “Rise,” is the second single from “The Night of the Stars” and a dynamic release in its own right. It features energizing and vibrant instrumentals accentuated by a rushing drum and shimmering layers of analog synths and sees Blue’s longtime companion, The Land Below, singing vocal harmonies. Put simply, “Rise” feels like a call to dream, aspire, and overcome, and it does so in ways that are not easily quantified. It’s a release that will leave you feeling better afterward, and it’s impressive that Blue has found a way to harness music’s innate ability to heal while entertaining. Azure Blue’s latest release, “Rise,” is an energizing offering that promises to soothe your worries and elevate your mood. Whenever you’re ready, tap in and stream Blue’s new release, “Rise”, available now on all majour streaming platforms. Keep an eye out for his upcoming album, “The Night of the Stars,” as well, out soon. Congratulations on your latest release, "Rise." We loved "Rise," what an excellent release! What was the inspiration behind this release? Thank you for the kind words. I wrote the chorus on guitar a few years ago. It was one of those immediate melodies and lyrics that just came out, played the chords, and sang almost all at once—like written in a flash. Those instant song moments I value and always try to keep. The rest of the process was more a marathon than a sprint. The verse lyrics develop a movie-like scenario of me looking at old photographs and longing for the West Coast where I grew up and a more straightforward relationship. And in the second verse, we are finally on the beach together. But in the perfect setting, there is a flashback or a glitch from the past. Without ruining it, it deals with being in the moment. And the irony of always getting some feeling that you can't shake. Life, love, and summer are never perfect. That's why we need music as an alternate universe! What was your favorite part of the creative process for bringing "Rise" to life? Playing with synthesizers, you often end up loving a sound. When I first transitioned from basic chords on guitar to electronic production, I wanted a Gorillaz' On Melancholy Hill' vibe. It has a sweet, repetitive melody on top, but my take on that became much weirder. That dripping sound was fun. As I progressed, it sounded more like Bernard Sumner and Johnny Marr's duo Electronic. So, my second favorite was when I decided to add a Peter Hook bass. For someone who has been compared to New Order many Times, it is almost so obvious that it becomes mischievous, but I like that. Last but not least, it is always such a treat to receive the vocal takes from The Land Below, who has been singing choirs on every record since my second album. He lives in Malmö 600 km south of Stockholm, so he tracks his parts and always adds some surprise bliss in the package. This time it was the falsetto. Your new album, "The Night of the Stars," is slated for release soon, right? Are there any other releases on this album you're incredibly excited for fans to hear? Yes, as soon as I finish the rest of the songs. I have become a terrible perfectionist, and this time, I am working with mixer legend Ollie Olson (Snoop, Tupac, The Bee Gees, Robyn, etc.), who does the final touch mixing. So Godspeed! I hope We make it! The whole album will be appreciated by my previous listeners as it is the best of my first two albums and with a lush and more hifi production. And I am thrilled with the material! It is very melodic! What's been your favorite part of your musical journey so far? The first hype for Azure Blue in 2011 was quite overwhelming as it was just me solo, doing everything without a band and being the only one to blame if I failed. But the critics liked it, and I even won a Swedish independent Grammy for best pop for the debut, and the listeners still refer to it as my highlight. But every time something fun happens, I enjoy the ride even though I have been putting out records since 2004 under different monikers. It never gets boring. What's next for Azure Blue? Is there anything you'd like to say to your fans? The release of another favorite song called' Three Times the Drama' as a single and then the whole album, hopefully only a short time after that. I want to thank the listeners for their patience and hope it's worth the wait! Instagram Facebook

The New Orleans R&B songstress returns with another standout release that’ll have your head in the clouds. Driven by an unwavering love for music and an uncanny ability to transform personal adversity into something positive and beautiful, New Orleans artist Dash Michelle has quickly cemented herself as one of the brightest rising talents of her generation. Born Destyni Michelle Green, Michelle’s talent and passion for music began at the tender age of three, spurred by American Idol and iconic acts like Destiny’s Child, Brandy, and Aaliyah. Armed with an uncanny sense for melodies and silky vocals that glide over instrumentals, this bright young star is one to watch for the future. Initially finding solace in music to cope with depression and being misunderstood, Dash Michelle is no stranger to adversity. Impressively, where others may have crumbled under the pressure, she’s prevailed, bouncing back repeatedly while channeling life’s challenges into soothing releases that leave you feeling like you’re on cloud nine. Having met her musical mentor, Davis Chris (an impressive and talented artist and producer in his own right), Michelle has further unlocked her already vast artistic potential. With releases this smooth, it’s only a matter of time before she has her big break. The first thing that pops out on Michelle’s new release, “Stain,” is her dynamic vocals. “Ima make you say my name / You can’t get it off your brain”, Michelle sings in the first few opening lines, immediately making a solid impression. An underlying power runs through the first couple of lines of “Stain.” Still, in subsequent lines like “Not for the faint / I’m dangerous / Get you hooked like angel dust,” this feeling is akin to sweet honey, striking an intoxicating balance between the dangerous and appealing. Oh well, you know what they say: high risk, high reward, but when the music is this good, you might not even care. Dash Michelle’s new release, “Stain,” is enticing, sweet like honey, and catchy. Whenever you’re ready, tap in and stream Dash Michelle’s new release, “Stain”, available now on all majour streaming platforms. Instagram

Trick-or-treat yourself to some of the best live music LA has to offer. Yup, the time is upon us. As summer draws to a close, we trade our daisy crowns for skeleton costumes in honor of the spookiest month of the year. October's consistently a lively month for concerts, but if you're overwhelmed with choices, don't worry; we've got you. We've compiled a little list of artists we're stoked to see go on tour in the City of Angels this month, and we made sure there's a little something for everybody. Without further ado, here are the 5 concerts we can't wait to see for October. Jauz Date & Venue - Oct 21st at Academy, LA Genre - EDM (Bass house, chill trap, future garage and more) This cheeky DJ has made waves since his equally bold "Off The Deep End" Tour in 2017 with his eclectic blend of EDM mixes. An electronic festival mainstay at this point, he's performed at festivals like Electronic Daisy Carnival (EDC), Tomorrowland, and Ultra. Bringing his talents to the esteemed venue Academy, you'll want to catch his set if you're into a funky house that'll surely keep your energy high. Get tickets here. Gus Dapperton Date & Venue - Oct 3rd at The Bellwether, LA Genre - Pop, Indie Pop Since releasing his instant indie-pop classic "We're Just Snacking" in 2017, Gus Dapperton has gone from strength to strength. After following his explosive debut with two stellar EPs in "Yellow and Such" and "You Think You're a Comic!" (which spawned another instant classic in "Prune, You Talk Funny"), Dapperton would again outdo himself with the now double platinum hit "Supalonely" with Benee. Fans of pop and indie pop will want to take advantage of this one. Get tickets here. BIA Date & Venue - Oct 9th at the Belasco Genre - Rap Boston native BIA has been on an absolute tear since she exploded onto the scene with 2020's "For Certain" EP, which included the smash hit "Whole Lotta Money." Combining a witty, biting lyrical style with swagger for days, Bia's electric stage presence and ability to turn the energy up to 10 with every performance has seen millions of fans flock to her concerts. She's having the time of her life, having fun with it, and taking her fans along for the ride. Get tickets here. Gaidaa Date & Venue - Oct 14th at The Moroccan Lounge Genre - R&B Hailing from the city of Eindhoven in the Netherlands, R&B songstress Gaidaa first came onto the scene in 2018 on Full Crate's "A Storm On A Summers Day" before releasing her own debut EP "Overture" to immediate critical acclaim. Proudly Sudanese Dutch, this talented musician crafts exquisite melodies that calm the mind and soothe the soul. If you're trying to be swept off your feet but want to dance simultaneously, this concert's for you. Get tickets here, Hannah Dasher Date & Venue - Oct 22nd at The Echo Genre - Country Never one to mindlessly follow trends, Hannah Dasher has long danced to the beat of her own drum. With her iconic hair, larger-than-life personality, and ability to craft authentic, unfiltered country, she's captured the hearts of country music fans worldwide. An engaging creative at heart whose country-music-infused cookies series "Stand By Your Pan" saw her TikTok following explode from 12,000 to over a million. Nashville's best-kept secret continues to impress. Fans of country music will want to take advantage of this one. Get tickets here.