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Halon described her release “Music To Get Rich To” as “a song where the divine world makes small glimpses in the material one.” Having already made waves with her hauntingly beautiful dark soundscapes and poetic lyrics, “Music To Get Rich To” was Halon’s declaration of her arrival on the biggest stage. Now featuring Ghostface Killah on the remix, Halon further cements herself as an act to watch now and in the future. “Music To Get Rich To” was already sinfully dark and delicious. Still, Ghostface Killah adds another layer of sound that seamlessly blends with Halon and her labelmates Jahju16 and Lorentz to elevate an outstanding listening experience further. Halon’s graceful and ethereal vocals balance the more intense rhymes of Ghostface Killah and Lorentz, while Jahju16’s dancehall-influenced verse infuses some island sound into the production. It’s a delicate balance, but it speaks to the strength of the artists that they can make this work. Impressively, Halon’s vocals are still the centrepiece for this track, as her signature vocals tie the whole song together and flawlessly transition each of her peers’ verses together. Although “Music To Get Rich To” may have a new verse, some remain the same. Halon’s still a certified bag chaser; above all else, she remains true to her artistic vision. If “Music to Get Rich To” is any indication, she’s well on her way to fulfilling her musical dreams. Welcome back to BuzzMusic Halon! We didn’t think “Music To Get Rich To” could be even better, but you and Ghostface took it to another level! How did you decide you wanted Ghostface Killah on the track, and what does collaborating with such a legendary artist mean? Thank you, guys! We did, didn’t we? I’m a big fan of Wu-Tang, Ghost being my favourite; this was a given. He is also what the song symbolizes - hedonistic and spiritual in an interesting and fun conflict. It means the world to me to have such an icon on a song this early in my career. S/o to him for that. So in the short time since we’ve last talked, you’ve been blowing up even more! What does it feel like to have more and more people discover, acknowledge and, most importantly, enjoy your work? Ah, it feels great. I’ve been writing in solitude for so many years, so have the music out there, and for people to like it the way they do is incredible (supposed to be read in Italian: incredible). What drives you to make music? An urge to create beauty. I love it and want to contribute the way I can. How would you describe your music to new listeners? Spiritual and hedonistic in a movie-like fashion? What’s next for Halon? Can we expect to hear more new music soon? Album coming in May! So it’s not too far now. Much love! x Instagram

Hailing from Kannapolis, North Carolina, Princekidd has captured the essence of vulnerability in his new release, "Loved Wrong." As a self-made artist who wears many hats, including songwriter, singer, rapper, and producer, Princekidd showcases his undeniable talent in this latest offering. Drawing inspiration from Usher, Chris Brown, and Jhene Aiko, Princekidd weaves his unique sound, using music to create positive outcomes from negative situations. The sincerity and emotion behind "Loved Wrong" become apparent as Princekidd delves into the complexities of modern relationships. The song explores the harsh reality that love, although pure and gentle in nature, can sometimes take a darker turn, leaving us feeling "loved wrong." This raw, genuine expression of pain resonates with listeners as it speaks to the universal experience of navigating love and heartache. Princekidd's journey in music began as a therapeutic outlet to cope with depression. Over the past two years, he has honed his skills, transforming his emotional pain into a powerful, cathartic experience for himself and his audience. "Loved Wrong" reflects his growth as an artist, revealing a level of depth and vulnerability that is both refreshing and captivating. As a self-taught artist, he handles everything from writing and performing to marketing and promoting. This hands-on approach to his music ensures that every aspect of the song is infused with his authentic vision, giving listeners a unique and intimate connection to his work. Despite being relatively new to the music scene, Princekidd's accomplishments are impressive. After graduating from A.L Brown High School in Kannapolis, he has focused on creating a solid foundation for his burgeoning career. Although he has yet to collaborate with other artists, Princekidd is open to future partnerships that align with his mission of transforming emotional pain into something beautiful and healing. "Loved Wrong" is available on all major streaming platforms, allowing listeners to dive into Princekidd's world of raw, genuine emotions. His music is a reminder that even in the midst of darkness, life can still be beautiful, filled with loyalty, love, peace, joy, and happiness. As Princekidd continues to make his mark on the music industry, fans can look forward to more soul-stirring, emotionally charged releases. Welcome to BuzzMusic Princekidd, and congratulations on your latest release, "Loved Wrong." How has your experience with depression influenced your songwriting and overall approach to music? I feel like the music is the main part of my healing. Being able to release the hurt, pain, and anger more positively has made my songwriting grow since I first started. I have some songs for therapeutic purposes, especially when I am upset about a situation that’s going on around me or I am a part of. What message do you hope listeners take away from "Loved Wrong" and your other releases? Loved Wrong is about acknowledging what you’re going through or went through. Analyze and understand what is right and wrong. Know your worth and stand up for how you should be treated. My main message for “Loved Wrong” is “When you start loving yourself, you will never allow anyone to love you wrong…..” Are there any specific artists or producers you dream of collaborating with? My biggest dream is to meet Jhene Aiko, Usher, and Chris Brown. I think my doing a song with Chris Brown is more like some fairy tale I have made up in my head. He is the inspiration for all this. How do you maintain authenticity in an industry that often values commercial appeal over raw emotion? I maintain by staying in my own lane. I don't deal with it if it requires anything other than real true emotions that we all relate to. I stay out of the way. What goals do you have for your music career in the coming years, and how do you plan to achieve them? My goals are to keep going up. Hopefully, it will inspire someone to become an artist and touch those struggling with life. I also would love to write songs for other artists as well. Instagram Facebook

Sofia Martynova, a multifaceted artist with a rich figure skating and music background, has captivated audiences since childhood. From her early studies in music at the age of five to her professional figure skating career, Martynova has always showcased a strong determination and passion for her pursuits. Inspired by her love for opera, her songwriting now focuses on crafting intricate melodies that reflect her diverse influences and talents. Her latest single, "Flexy," demonstrates Martynova's artistic prowess, as she effortlessly blends her exceptional vocal and instrumental skills with her physical abilities in figure skating, dancing, and contortion choreography. Working closely with producer Mykhailo Busyn, Martynova has honed her music arrangement, mixing, and mastering craft, resulting in a truly distinctive sound. Her dedication to creating captivating visuals alongside her music has garnered significant praise from fans and tastemakers. "Flexy" is an exuberant, jazz-infused dance anthem that features a lively blend of pounding drums, atmospheric synths, and grooving bass lines. The track showcases a moving baseline and bouncy trumpet, creating an irresistibly buoyant atmosphere that compels listeners to move their bodies and souls to the rhythm. Martynova's vocals, imbued with pop sensibilities, perfectly complement the song's infectious melodies. Martynova's goal with "Flexy" is to evoke feelings of positivity, energy, and joy in her listeners. The song's upbeat tempo and vivacious instrumentation effectively transmit this message, as it is nearly impossible not to feel invigorated while listening to the track. Accompanied by striking visuals, "Flexy" is an auditory delight and a feast for the eyes. Since her first release, "DIVA," in 2022, Sofia Martynova has consistently impressed audiences with her unique sound and undeniable talent. Amassing 71k streams on Spotify and over 12k views on YouTube, she has already established a loyal fanbase that eagerly anticipates her future endeavours. As Martynova continues to evolve as an independent artist, the world can only wait to witness the heights she will reach in her remarkable career.

From Baton Rouge, Louisiana, Lil Dane finds his way in the hip-hop world with a style inspired by genre legends like Rick Ross and Jay-Z. His self-proclaimed "lyrical" approach results in an alluring blend of sophisticated wordplay and spellbinding storytelling, making his music impossible to ignore. Lil Dane's creative journey is methodical and thoughtful. Starting with a captivating title, he progresses to crafting a beat and penning lyrics that inspire hustle and resilience. He intends to motivate fans to relentlessly pursue their goals, a relevant message in our fast-paced society. Lil Dane's creative journey is methodical and thoughtful. Starting with a captivating title, he progresses to crafting a beat and penning lyrics that inspire hustle and resilience. He intends to motivate fans to relentlessly pursue their goals, a relevant message in our fast-paced society and his ability to connect with audiences on an emotional level. Furthermore, his past work with Maybach Music Group artists attests to his versatility. What sets Lil Dane apart? His unwavering commitment to authenticity and his ability to maintain a genuine connection with fans. By balancing his personal life and his musical endeavors, he remains grounded and true to himself and his fans by engaging with them on social media, using likes, comments, and shares to celebrate his accomplishments and acknowledge his journey. Lil Dane, a seasoned artist with 20 years of experience, including 15 years in the developmental phase, is no stranger to the relentless pursuit of success. His ambitions include performing on international stages and collaborating with other artists, spreading his message of creativity and tenacity to all who will listen. Keep your eyes and ears peeled for LilDane as he continues climbing the ranks and inspiring dreamers to push beyond their limits. Get hip to this one today; available on all platforms. Welcome to BuzzMusic, Lil Dane! congrats on dropping a new anthem with "Trials & Tribulations," on which you've managed to capture the essence of hustler music. Can you share a personal experience or a particular event that inspired the creation of this song, and how did that influence your writing process? So, everyone goes through things in life. I heard Dj Khaled God did a version with some legendary artists, Rick Ross, whom I am inspired by, along with Lil Wayne and Jay-z; it motivated me to create a different wave to motivate the people. The beat in "Trials & Tribulations" is anthemic and inspiring. How did you decide on this specific sound, and what role did it play in conveying the song's message of determination and ambition? I went with the flow of the beat on the original version. It's harmonized. I just added my flavour with a solid hook. The message that I am delivering is to continue to keep pushing no matter what obstacles life throws at you. Continue to Hustle ​ In "Trials & Tribulations," you talk about overcoming life's hardships. Are there any specific rituals or practices that have helped you stay focused and motivated during challenging times, and do you have any advice for others facing similar trials? With me, I have discipline. It's a must. I stay excited about my own success. On some days, I might not be as motivated, but I am consistent and put that work in to get me through the trials. My advice is to continue to have faith, put god first and watch the doors open. Collaboration can be a powerful tool for artists. Considering the release of "Trials & Tribulations," are there any artists you dream of collaborating with? How do you envision their unique style enhancing the themes and messages of your music? ​ I would love to collaborate with Meek Mill. We have similar styles. You know that song will turn out the fire, and Rick Ross & Jay-z, man. That would be huge. It is a dream come true. Just creating something to inspire the hustlers As "Trials & Tribulations" is sure to resonate with your audience, what are your plans for the future in terms of musical direction, growth, and upcoming projects? How do you see this song influencing the evolution of your sound and the stories you share with your fans? I plan to travel, attend networking events, and build relationships. And continue to create positive music. To motivate and change the culture by creating an anthem everyone can relate to. We are preparing to shoot the video of trials & tribulations in Miami, Florida. I also have an Ep. "Only Time Will Tell" that's available on all platforms. Instagram

In his new release, the burgeoning star showcases his resilience and rare musical ability. With a penchant for flair and an instantly recognizable signature blend of indie, power pop ballads and R&B, Lex Candy has burst onto the scene and quickly established himself as an exciting act to watch. Having struggled with alcoholism and self-confidence issues, Lex has excelled where others would crumble. Instead of succumbing to pressure, Lex Candy channelled his trials and experiences into something brilliant, pouring his heart and soul into creating something truly his own. With some help from his collaborators, Candy’s efforts resulted in a sound that connects with listeners through his ability to make familiar and fresh sounds. Although his musical roots are firmly planted in the world of punk, Candy’s latest EP, “You’ve Done the right thing, Let’s Move on and Celebrate Life,” showcases his versatility and capacity to change and evolve, both as a musician and a person. “Bad Luck,” from Candy’s new EP “It’s Like Magic,” is a testament to many things; Candy’s artistic honesty, resilience and ability to make meaningful and catchy music. Over swelling, upbeat and uplifting instrumentals, Candy candidly addresses his battles with substance abuse but weathers to storm to find sunshine on the other side. Dropping lines like “Because of you, I finally came to” Candy shows us that there is always light at the end of the tunnel. If you’re on the look for fresh new music that’ll take you through an immersive musical experience, look no further. Tap in and stream Lex Candy’s “Bad Luck,” and check out his “You’ve Done the right thing, Let’s Move on and Celebrate Life,” available now on all major streaming platforms. Instagram Facebook

The Irish songstress and songwriter detail the difficulty of letting go of something that used to be exceptional on her new release. With her emotionally charged vocals and heartfelt lyrics that capture the hearts of her listeners, SAL Irish singer-songwriter SAL is poised to make a significant impact in the music industry. A keen and naturally gifted songwriter and vocalist of great ability, SAL blends folk, soul, and pop elements to envelop listeners in lush and emotional soundscapes that capture the imagination and stimulate the senses. SAL's first three singles, "Bullet In The Heart," "Everything," and "Merry Go Round," were warmly received by radio and music media in her native Ireland, with the latter going to No.1 on the Irish iTunes charts. Her simple yet layered and sophisticated artistry and captivating performances have earned her a growing fanbase and opportunities to share the stage with some of Ireland's most prominent musicians. SAL recently completed a cafe tour of Ireland with acclaimed singer-songwriter Louis Cormack and opened up for Hermitage Green in Galway's Black Box. SAL’s latest release, “Red Wine,” showcases her rare storytelling ability and penchant for enveloping listeners in a musical fantasy of her creation. Over instrumentals feature perfectly balanced bass lines, acoustic guitars and accompanying slide guitars that wind in and out of focus. SAL’s vocals take you away, whisking you to a story that details the difficulty of letting go with lyrics like “You’re my, red wine / you’re my, sweet crime.” Recorded out of a Cork-based collective called Catalyst, in “Red Wine,” SAL has managed to perfectly capture a bittersweetness that will surely tug on listeners’ hearts. “Red Wine” is a beautifully crafted song that showcases SAL's ability to tell a compelling story and capture the hearts of listeners. Whenever you’re ready, tap in and stream SAL’s “Red Wine,” available now on all major streaming platforms.

Pop punk trio ON HIGH is ready to take the world by storm with its authentic and uninhibited sound. Comprised of Sam Boxold on vocals and guitar, Alex Lofton on bass, and Andy Ackroyd on drums, these seasoned musicians have joined forces after working with industry heavyweights like John Feldmann, Zakk Cervini, Ashton Irwin, Calum Hood, and Travis Barker. With a shared vision of creating music free from external pressures, ON HIGH is a testament to the band's commitment to their unapologetically flawed selves. As of April 12th, ON HIGH is set to release its latest single, "Alive," accompanied by a music video that'll have you reminiscing about the golden days of pop punk. "Alive" delves into the complexities of lost love and the internal turmoil that comes with cognitive dissonance. Frontman Sam Boxold explains that the song is about taking responsibility for one's happiness, a concept his darker side initially resisted. "Alive" starts with the striking lyrics "I'm so powerless in the great abyss,” setting the stage for a raw and emotional exploration of heartbreak, further showcasing the band's undeniable pop-punk sensibilities and knack for crafting earworms that you'll be humming all day. The energy in "Alive" is contagious, making it impossible not to tap your feet or even jump around to the beat. Sam Boxold's vocal performance on "Alive" is impressive, effectively conveying the raw emotion of the lyrics. His voice is powerful and emotive, perfectly encapsulating the push and pull of cognitive dissonance experienced during heartbreak. ON HIGH's bassist, Alex Lofton, and drummer, Andy Ackroyd, play pivotal roles in shaping the song's infectious sound. Their undeniable chemistry and exceptional musicianship breathe life into "Alive," providing a firm backbone for the rest of the vibes to build upon. With their high energy and no-holds-barred humour, ON HIGH is ready to make you feel "Alive" and remind you of the best night of your life. So put your cape on and get ready for the edge because these guys are bringing it. Make your senses come "Alive," and listen to this one today, available on all streaming platforms. Welcome to BuzzMusic ON HIGH! Cheers to letting it all out on “Alive,” which carries a strong message about taking control of one's happiness. Can you share a specific moment or experience that inspired you to write about this theme and incorporate it into the song? I was going through a tough breakup after about a 3-year relationship. I stripped myself down entirely and begged this person to take me back. I got rejected so hard and fell into denial, which crushed me for months. I was already not doing well before that. After a bit, I started scrambling to put myself back together, reaching into really old places in my mind. Alive popped out of that mess. The lyrics in "Alive" capture the raw emotions of love pains and bad memories. How did you balance expressing these vulnerable feelings and maintaining the upbeat energy characteristic of the pop-punk genre? That’s kind of just the way the music expresses itself for me. Often times when I’m writing, it’s acoustic first, and when I translate things into electric, I like to give the tempo a significant bump. Combining moodiness with high energy makes the song feel much less difficult to get through and helps reframe the meaning for me internally. In "Alive," the basslines and drum beats play a crucial role in shaping the song's overall sound. How did you approach the collaboration between Alex and Andy during the writing and recording process to ensure their performances complemented each other and the rest of the band? For a lot of our songs, I write all the parts myself, and the other dudes put their spin on it later on. I can be a control freak, though, regarding the material. I’m not afraid to say that when it’s right, it’s right. The catchy and memorable chorus in "Alive" showcases your knack for writing hooks that resonate with listeners. Can you walk us through your creative process for crafting this particular chorus and how you knew it was the perfect fit for the song? I always thought questions like this were particularly hard to answer. I know they don’t “just happen,” but most of the process is just jamming my voice into random syllables until stuff clicks. Sometimes, we’re talking hours of rambling nonsense melodies, and eventually, those turn into words that seemingly fit the context. With "Alive" sure to capture the hearts and ears of pop-punk fans everywhere, what can we expect from ON HIGH in the future? Are any specific themes, sounds, or collaborations you're excited to explore in your upcoming projects? We’re loving the high-energy thing we have going on, but we’re all getting to a point of being veterans in music. We aren’t afraid to try things out of our element, and I’d like to say the things to come might surprise you. Instagram Facebook

Hailing from the South-Central coast of California, Beau James Wilding is a solo artist whose musical prowess has been shaped by diverse influences, from punk and blues to jazz and traditional music. Wilding's journey as a musician started at the tender age of fifteen, with his passion for songwriting and guitar playing blossoming over the years. A life-altering event at eighteen, when he was rendered "legally blind" due to disease, propelled Wilding's relationship with music to new heights, transforming it into a spiritual practice. Wilding's latest release, "The Dove," is a testament to his ability to craft enthralling musical experiences. This enchanting track masterfully merges a Mediterranean guitar style, resounding violins, and evocative grungy vocals to create a unique, multi-dimensional sound. The song is an homage to various genres and inspirations, encapsulating a harmonious fusion of rhythmic guitars, mellifluous strings, and alluring vocal lines that captivate listeners from the first note. In "The Dove," Wilding explores embracing life's perceived imperfections and transforming them into art. Inspired by his father's significant brain injury, Wilding's message resonates with listeners as it delves into the universal human experience of living with imperfect bodies and the beauty of allowing those imperfections to tell one's unique and magical story. In addition to the song's musical and lyrical prowess, "The Dove" also stands out due to its exceptional production quality. The track's sonic landscape is finely crafted, ensuring that each instrument and vocal element has ample breathing space while maintaining a cohesive and immersive listening experience. This attention to detail elevates "The Dove" from a mere composition to a sonic masterpiece, demonstrating Wilding's commitment to his craft. As Beau James Wilding prepares to release his album "seeing i god" in April 2023, this talented musician's future appears incredibly bright. With "The Dove" as an indication of the depth, emotion, and ingenuity that can be expected from his forthcoming album, it is evident that Wilding is on a trajectory that will undoubtedly propel him to the upper echelons of the music world. Welcome to BuzzMusic Beau James Wilding. Cheers to your latest vibes, “The Dove” In "The Dove," the intricate guitar work and sweeping strings play a significant role in the song's overall impact. How did you approach composing and arranging these elements, and what challenges did you encounter in achieving the desired balance between them? The song is about my father and his journey of recovery and rehabilitation after a significant stroke he encountered when I was five. It’s about my experience watching him struggle for the rest of his life to overcome this debilitating brain injury and his eventual death. My father was called “the Dove” in college because of his peaceful, calm demeanour. His lifelong close friend Bob told me he played violin. My father didn't play the violin but loved all music, including violin music. I often heard him playing Jay Unger’s Ashokan ‘Farewell’ on piano, as much as he could, given his condition. For that reason, and in homage to Bob, the violin felt right for the track. The violinist on the track, David Stone, is a classically trained violinist from Santa Barbara. He was in my band then, so I asked him if he could play on the track. This part was largely improvised in the studio, with me coaching and encouraging David on what I wanted. The image I had was of a dove travelling through space on to its next adventure, which is how I see my father after having left this earthly realm. I remember telling David, “Don’t be afraid to get weird—think after ours and a couple of whiskies deep at the Scottish fiddler’s convention, think psychedelic dove in space!” The violin adds a great depth to the track, and I’m grateful he was willing to contribute his skills. The dirty electric guitar is meant to invoke a sense of life's grittiness, suffering, and the hard-edged determination to transcend it. I also wanted that deep feedback drone from the electric to pervade the whole track. I’m fascinated by drones and thought it would add to the rough eeriness of the whole composition. The engineer JP and I had many layers of electric guitar and violin, and it was a process to balance them all. The end goal was a feeling of build-up of intensity with a climax at the instrumental break before the last verse. JP and I meticulously went through each cut of violin and guitar, editing mistakes and foibles and weaving the many threads together to create the final tapestry. Throughout "The Dove," your grungy vocals contribute significantly to the emotive quality of the track. Can you share the process behind developing your distinct vocal style and how it complements the theme of embracing imperfections? From around fifteen, I wrote songs and dreamed of being a songwriter. But I always felt I wasn’t good enough to pursue my calling for some reason. I tried singing a couple of times but never quite felt comfortable with it. I thought my voice was weird and unpalatable, certainly not beautiful. In other words, imperfect for sure. When I found “weird” or different-sounding singers like Louis Armstrong, Tom Waits and the many strange and intense vocalists of the punk rock world, I began to feel a sense of licensure to be myself. To name a few, Henry Rollins, Glen Danzig, Bobby Sox, Ian Curtis and Steve Ignorant, amongst others. Blind Willie Johnson and Ronnie Drew were also major inspirations. I figured I would accept my so-called imperfect voice, take pleasure in my weirdness, push it as far as I could, and see where that took me. I had heard that Tom Waits used to scream into a pillow to give his voice the rough quality that it has, so I started doing that, and it seemed to help loosen me up. I became known for my screaming pre-rehearsal. I remember screaming a bit in the studio when recording this record. There was a time when I had to push the roughness and the weirdness to the extreme to experiment and feel what was right for me. The first record, “Violet of the Pacific,” is an example of me pushing my voice way too far, so much so that it is painful. But I may not have gotten to the point I am now without experimenting with the extremes. A note of interest on the vocals for “The Dove”; this was a tough song for me to sing. I wanted to convey a sense of immediacy, of aggressive determination as well as a sense of theatricality. That balance was difficult to achieve. My original idea was to speak some parts and sing others. JP suggested that I do both and add an additional whisper track. So, the vocals blend sung, whispered and spoken words. The lyrics in "The Dove" evoke a sense of vulnerability and self-acceptance. Can you discuss any personal experiences or emotions that inspired these lyrics and how you channelled them into the songwriting process? As stated, the song was inspired by my father, who had a disability when I was five. But I have also had my own lived experience with a disability as I am “legally blind.” My wife is completely blind, and in my other job, I work to help support the disability community here in California, so disability is something that touches my life. Something I’m stating without stating in the song is that we all have perceived flaws, perceived imperfections, whether you have a bona fide “disability” or not. I see a lot of separation between the disabled and non-disabled communities, with the non-disabled folks often treating us as unfortunate others. But disability is a natural part of the human experience. If you live long enough, you will likely age into some disability. This relates to my overall ethos. We are all part of one human family, one beautiful human rainbow. With no true state of perfection attainable, how could a state of imperfection even exist? The only state imperfection can exist is in the context of comparison. In the first verse, I am playing with the spiritual concept that one chooses their existence and the form one will inhabit before birth to help the world. A friend once said that my father came to this world in the form he did to show us all how loving presence is our most valuable offering. Hence, "I will break my back and tear out my eyes/And still prove I am love through majestic flight.” In the second verse, I discuss growth. This gnarled and twisted process is self-improvement and emphasizes that the at-times flashy state of supposed perfection is not always what is of the highest value: “Though my thorns be mangled/Petals droop like heavy sighs/It’s my quiet strength that abides and inspires life.” In other words, it’s not always the surface-level expressions of beauty that are most valuable for one to aspire to. And the conclusion “Man said to God/through the broken body you gave me I have learned/I’m love not form/boundless, beyond time” is the transcending, the equanimity, the sense of personal triumph, joy and connection that comes from living true to one’s own personal path. Considering the beautiful blend of various genres and inspirations in "The Dove," can you share some key artists or musical influences that shaped this unique sound and how their impact is reflected in the track? In “The Dove,” as with many other tracks on the album, I’m attempting to fuse some elements of 80s hardcore punk with Irish traditional and traditional folk music elements. Some touchstones of the punk world would be Black Flag, particularly the guitar work of Greg Ginn and Henry Rollin’s mid-career vocals—the experimental punk of the Flesh Eaters and the amazing guitar playing of Jay Mascis. A life-changing record for me was the Planxty self-titled/”black album,” which inspired some of the acoustic tones and the use of the bodhran. I listened to many Lankum, particularly “Cold Old Fire” and “Between the Earth and Sky,” while recording the record. I’d come home from the studio, make the dinner, throw one of those on the turntable, and get lost in all the layered, textural tones that are swimming about together, building and taunting one another until a roaring wave-like crescendo is reached. I wanted to create something like that in my unique sphere, using my unique musical toolbox and aesthetic. Around the time that I composed the Dove, I had just begun listening to Rodrigo y Gabriella. There was also a record on my turntable pretty regularly at that time, which was a live, duelling piano recording of Chick Corea and Herbie Hancock in which they play with some improvised flamenco motifs such as clapping, finger-snapping and the Andalusian cadence. So that “Spanish” style, which to me is so energetic, eerie and beautiful, was also on my mind. The chord progression for “The Dove” is a reverse Andalusian cadence. With the upcoming release of your album "seeing i god" and the success of "The Dove," what are your aspirations for the future, both as an artist and in terms of the messages and themes you hope to explore in your forthcoming projects? I hope to keep building the project and adding to the snowball! My live sound partner Tom Kenny and I are taking off to Ireland and playing gigs there. (Shameless plug, if anyone in Ireland wants to set up a gig, we’ll be there from 4/30 – 5/15! Let me know if you are interested!) I aim to continue developing interest in my home region on the central coast of California, and I’d love to make some connections in the Pacific Northwest after that. I’d like to play more festivals, get some non-commercial radio exposure, and keep marching forward to the next right thing! If it sounds like fun, we’ll probably do it. As far as themes, determination, being true to one’s self, individuation, the creative process, studying the self, the human experience and breaking down boundaries between people to find greater connection are all lyrical themes I think I could explore for quite a long time! What excites me the most musically is making something that sounds at once ancient and modern, natural and industrial. That clash has become how we live. The oil derricks in the middle of the beautiful Pacific you can see if you walk out my front door are an example. So I want to keep listening to the oldest folk music, moshing to the weirdest rock n’ roll, finding a way to fuse a feeling of ancient mystery with edgy modernity, and let passion flower and flail to its greatest potential! Instagram Facebook

Mathieu Karsenti, a musical genius of the modern era, has proven his mettle in the realm of sonic landscapes. His remarkable talents have led him to compose television, film, and dance scores and collaborate with renowned celebrities at the BBC. His impressive portfolio, boasting multiple awards and credits, has garnered him recognition on major networks such as Netflix. This French native's extraordinary skill set and unique vision prompted a move to Los Angeles, where he continues to captivate new audiences. Karsenti's approach to music is akin to that of a painter, carefully overseeing every element from cover art to orchestration. This attention to detail and dedication to his craft has solidified his reputation as a 'modern-day French Impressionist for the Social Media generation.' Through his work, Karsenti continues to craft engaging and imaginative compositions that resonate with listeners. "Nocturne," Karsenti's latest offering, is a mesmerizing instrumental piece that transports listeners to a dreamy realm of musical scapes. The seamless fusion of nostalgic and royal undertones creates a distinctive medieval James Bond-like ambiance. As the melody unfolds, the therapeutic, organic quality of the music invites a feeling of serenity, as if wandering through a mystical rainforest. The enchanting flute notes, interwoven with the calming bass, showcase Karsenti's mastery of multi-layered compositions. The delicate yet bold arrangement demonstrates his commitment to evoking powerful emotions in his listeners. It's hard not to be drawn into the allure of "Nocturne" with all its ethereal, otherworldly charm. "Nocturne" is a testament to Mathieu Karsenti's expertise in creating captivating sonic landscapes. This dreamlike melody is a true auditory delight, offering a therapeutic escape from the mundane. Dive into the mystical world of "Nocturne" and experience Karsenti's powerful composing voice. Float away with this one today, available on all platforms. Welcome to BuzzMusic Mathieu Karsenti! cheers to releasing such timeless pieces with "Nocturnes,” which has a smooth, dream-like quality that will transport listeners to various ethereal scapes. Can you share the inspiration behind these unique melodies and how you captured such a vivid atmosphere in the composition? I composed ‘Nocturnes’ at the end of 2019 and before we hit lockdown in the UK. I was thinking about music to be listened to at night, and the classical format of nocturnes seemed to be a good direction. I also wanted to compose for 2 or more instruments having a conversation, and it turned out that the flute, clarinet, violin and viola were the right instruments for this release. Other than arranging woodwinds in my commercial TV work, I hadn’t composed for them in a solo release project. They feel very flowing and watery, and I started to imagine these nighttime atmospheres, scenes happening in nature, in forests, somewhere unknown… I could create tracks with more drive and drama with violin and viola. So the first part with the winds may be more meditative and reflective, and the second part has more momentum and is more emotionally charged. The seamless blending of the mystical, golden age, and mysterious elements in "Nocturnes” is truly captivating. What brought you to develop this calming fusion of styles, and what challenges did you face during the creative process? While composing for solo instruments, I wanted to ‘cocoon’ them in atmospheric settings, something quite abstract but that could be mysterious and perhaps otherworldly. So I played around with various found sounds, pitching them and automating them so that they crescendo with my musical arrangements. I also envisaged an all-encompassing, all-enveloping musical ‘aura,’ like a wave that would mould itself around the solo instruments. The challenge I encountered was mixing all the elements together. My work is often in layers, with each layer unfolding and revealing new sounds as the tracks progress, but it can take a while to get the balance and mix of sounds right. The instruments have to sit in there naturally, and nothing can or should overtake them. So as the lockdown happened, my energy was focused on piano work, and I left ’Nocturnes’ to mature a little on the side. I revisited the project a couple of times, adding a few things and changing the mix, and eventually, this year, it felt the moment was right to consider it finished! The organic nature of "Nocturnes” is especially evident in the presence of breath between certain flute notes. Can you discuss the choice to maintain this authenticity and how it contributes to the overall therapeutic effect of the piece? Yes, breath is important. The woodwinds were recorded close to the microphone, and it didn’t occur to me to take the breaths out at first. Some of them were a little too loud, so I adjusted the volume, but overall, I kept them for authenticity, as you rightly pointed out. They also add to the meditative nature of the track - like deep breathing in meditation. After a while, I found myself breathing along too. It matters to me a lot to work with real musicians; their interpretation of my pieces is crucial to make them come alive. I love those extra bits of realism; it’s perfect for this project! Given the enchanting, multi-layered arrangements of "Nocturnes,” can you walk us through your process for composing such intricate pieces, from the initial concept to the final stages of orchestration? It’s hard for me to talk about that process in detail because my mind is on auto-pilot when I work. Unless I’m working out an arrangement or a chord progression specifically, I tend to switch the analytical part of my brain and let the feeling part take over. I normally start out with a chord, a pad or some atmosphere and start exploring, playing around with a specific instrument. I used computer sounds to compose for the winds and the strings, and that is always a challenge because they never sound or behave like the real thing. When so much of your work is feelings-based, making a computer more human can be tricky, so you have to imagine that it will sound good when replayed and rerecorded. Working with George Millard (flute and clarinet) and Violeta Vicci (violin and viola) exceeded my expectations of how good the tracks could sound. In terms of orchestration, I layer bit by bit, making on-the-spot decisions about where to take the tracks. As I mentioned above, I used a lot of found sounds and textures; I also played electric guitar through FX pedals with added delay and reverb. And I wanted to treat all these textures more creatively, manipulating and distorting them, cooking up some new sounds. And lastly, I worked a lot on the mix. This is usually a more cerebral approach for me as everything has to be balanced, and I try to stay true to what I want to convey in the music. With the success of "Nocturnes” and your distinctive composing voice resonating with audiences, what does the future hold for you as an artist? What new projects or creative avenues are you eager to explore in the coming years? I’m always grateful for how complimenting and supportive audiences have been towards my music since I started releasing albums in 2017. In this age where we have access to so much music, it means a lot that someone would listen to my music and part with their money to purchase it. The fact they are willing to engage their imagination with my often abstract and cinematic work is gratifying! So in the future, there’s more film work for me which I love doing. Being part of a team working towards a common creative goal is fantastic and completely different from my solo work. In terms of composing, I have also written five large piano projects. One of them will probably come out later this year; the other four, I’m not sure when. And in between, there will probably be more explorations and musical adventures! Instagram Facebook

The supersonic London outfit stands up for themselves and anyone who had to cut someone bad for them off. A rising star in the hyper-pop and alternative rock scene, Keeper has exploded onto the scene with his ability to balance the nostalgic with modern, innovative ideas and sounds. Taking influence from hyper-pop artists such as Glaive and Dorian Electra and alternative bands like Neck Deep and Enter Shikari, Keeper’s sound is underlined by an energy that can only be described as electric. Keeper's debut EP “Guess I’m Keeper,” tackled meaningful themes of mental health, loneliness and friendship with a vulnerability that has become rare and precious in contemporary musicians. His transparent approach to music is part of why he’s connected with listeners so quickly; his music is undoubtedly human, honest, and thus inherently relatable. Having followed his debut up with strong acts like “Soul,” “ISPY,” and “Here We Go,” Keeper is quickly establishing himself as an act to watch for the foreseeable future. In typical Keeper style, his latest release, “Come Around,” tackles another crop of relatable issues with transparency and honesty that is simply refreshing. Although “Come Around” wasn’t written directly from Keeper’s experience, the inspiration for the song came from a friend who got caught up in a toxic relationship. Over spunky vocals and an equally spunky music video, Keeper lashes out at a partner who continually lets him down, dismisses him and makes him feel like shit. Dropping lines like “Pick me up let me down / I thought you would come around” and “I've been losing out on myself with you,” Keeper clarifies his feelings and takes a stand for himself. It’s a powerful reference to having the courage to love yourself enough to let someone bad for you go, even if you love that person. “Come Around” is a heartfelt and emotional tribute to a friend and explores the idea that your source of life should not come from someone else. Whenever you’re ready, tap in and stream “Come Around,” available May 18th. Welcome to BuzzMusic Keeper! We loved "Come Around," and it was both sweet and moving that the inspiration came from a close friend of yours. We wanted to ask, a common theme that runs through your music seems to be transparency. What makes you so vulnerable in your music, and how much does artistic honesty play a role in the music you create? Thank you for having me, and obviously, thank you for enjoying the song! It looks like you took the time to go through all the material! That means a lot! Come around is very much that, Transparency. I've recently taken some liberties with some new ones, writing them from the basis of characters and stories. Less emotional investment and more the purpose of just being creative! I just wanted to try something new. However, with Come Around, the lyrics were written from a more traditional standpoint, coming from a point of feeling and (reusing the exact phrase here) emotional investment. For a while, I saw something written without any truth or meaning as a bland piece of art, a lack of integrity. I'd always try to write from a place that meant something to me, where I had an actual connection. So, in a way, my own bias and creative barriers caused me to be transparent. Naturally, it wasn't all that. If something were playing on my mind, I'd write about it. The Come Around story was one such thing. There was a lot of communal anger there, not just from me but also from my friends. So, when that relationship ended, I think there was a feeling of relief from everyone, which transpired into a song. There's still anger, as the lyrics are very direct and confrontational, but there's also a real sense of happiness and reflection. The Instrumental of Come Around is very upbeat and in a primary key, which creates a nice mix. I think the themes and emotions of the lyrics, intertwined with the beat, create a sort of hopeful sound. That's what the song is. It's hope for the future. Corny as hell. In terms of artistic honesty, my view has shifted. As I said above, my limited worldview of music causes me to look at art as something that has to carry emotion or honesty. You might agree, what's the point of art if it has no intellectual honesty? But then again, what's the point of art if it must be honest? Isn't that limiting itself? If art should be without limits, why should you limit it? It creates a paradox. I now think art should be written from the point of being art. Art should make you feel something at the end. If you write something that breaks the mundane of someone's day, it can be genuinely written about anything. So now I'll write about whatever I want. I've got a song about being a silly vampire coming up soon, just because I can!! When did you decide you wanted to start making music seriously? What made you decide to do so? When I was young, my parents encouraged me to learn how to play musical instruments. I started with the piano and continued for a year or two, but my teacher eventually moved to Australia, and I never really picked it up again. It wasn't until a few years later that I decided to try learning another instrument, and I chose the guitar. Initially, I didn't enjoy it; it felt like a chore. Instead, I would have been playing video games with my mates rather than sitting alone in my room practising scales from a book. Videos my parents showed me never clicked. Slash, BB King, and Eric Clapton looked like some old guys playing in front of billions at the time. It made it look corporate and like work. I had zero inclination toward what music could be! This was my mindset for ages. However, when I turned 15, my musical tastes started to develop, and I began seeing it as a potential career. I watched a documentary about the band Paramore called "This is Riot." Their music was amazing; they were young, having fun, and making money. They weren't some distant rock stars on a stage; they were kids! Hanging out with their mates, playing music, driving around, and exploring the world! Not just some goofs doing a segment on Sunday Brunch (which I'm sure they probably did. [sidenote: Sunday Brunch, please hit me up, I would love to do a segment for you!!!!!]) Watching that documentary made me feel like becoming a musician was achievable, and since then, it's been all I can think about. My dream isn't to become rich and famous with fancy cars and cameras; I want to play shows with my friends, write music, and not worry about going broke or borrowing money from my parents. I want to live off the music I create and have unforgettable adventures, sleeping in the backs of cars or on university floors! Do you have a favourite musical memory? Oh, I've got a funny one, but it's not as Keeper. It's a bit back during my time in Jack The Envious. JTE was a post-hardcore band I was in for many years. Inow joined roughly as soon as I turned 19, and they were already pretty off the ground by then. I had to learn a lot and quickly. Without JTE, I honestly don't think Keeper would've started. JTE used to play up and down the country, and whenever we did have a local show, it was east London. Which, for me… is not local. At all. Getting home from an east London gig was always a nightmare, as the trains stop after a specific time, so I finally convinced the boys to have a show nearer me instead. I ran it all. Booked the venue and organized the bands, all of it. It was my first time trying to show my friends, look, I'm not in a rubbish after-school band! What I've got is the actual thing! A BAND band! After all, I wanted it to be a fancy dress, a Halloween gig! I ensured all the advertisements showed it; I told everyone, my bandmates and the other bands. But did anyone turn up in fancy dress? Nope. Not even my guys. But, it was packed. Thank god. Finally, something nearer me, and something that looked good!! I was so happy. We got on stage and started playing. The crowd was popping off. I'm starting to feel it now and getting fully pumped. We're on our 2nd to last song, the heaviest of the set. I see my mates moshing in the front row. They're all shouting and having fun. I want to join! So there I am, Jumping off the stage, going straight for the audience… Still playing, mind you. Mate, I. Am. Flying. A power jump straight into a mosh pit. Then BAM. The world goes black, and I'm on the floor. The Music's still going. I'm still playing. But I'm not on the stage anymore. I'm on the floor, and everyone's looking down at me, and I'm there looking up. My head is pounding. My vision is blurry, but I'm still playing. The pain I felt in my noggin was awful. I wanted to be sick. I had somehow jumped so high that I smashed my forehead into the ceiling and fell directly on the floor, narrowly missing the stage with the back of my head and landing square on my back, luckily all without breaking the guitar. Looking at the video (which is on my IG), it's insane that I didn't cause more damage than just a headache. I still managed to finish the set, pack up, and drive 35 mins home. How would you describe your music and sound to new listeners? I've been in between sounds recently. I'm still in that testing phase where you're just writing for the sake of writing. I have the usual genres I pick from, but at the moment, they're all turning out in different ways. The default styles are; Pop Punk, Emo, Post-hardcore, Emo-Rap, Hyper-pop, and Pop. Most of those genres link anyway—the 3 first and then the last 3 links. The new EP has a song for each of those genres. So as long as you like any of those, you're in for a good time with Keeper! Each song takes a different amount from each genre. Come Around has its pop-punk bones with hyper-pop elements. I have one with the artist Synsy, which is metalcore/trap metal; I have two hyper pop ones; one that's straight up MCR / Escape the Fate 2000s style; and one which is a cool mix of all of it. They're all different but take from those six main genres. I'm still trying to find that happy spot that I think isn't rehashed to death but still has the nostalgic vibe. The final of the 6 is the closest to finding my "sound."All of them are Keeper, but that 6th is just a little further than the others. (I guess, as it's the newest). Whenever Cass and I write something new, we get closer to that "sound" I'm after. The journey there is so cool to see!! You can hear the progression throughout the releases. Track-wise, they're always a bit in your face. I like songs with a body to them. We try to make sure the chorus is loud and catchy, something you could adequately shout your heart out to. That's the hook, the most important part of the song, so you HAVE to make sure it's loud and in charge. What do you want people to feel when they listen to your music? This is a cool question that ties in nicely with the first one. I don't want them to feel anything specific now; I want them to feel something! If you hate the song, that's cool. I made you feel a strong emotion from the 3+ minutes of random sound waves I made in my bedroom. That's the win. Anything that made you feel anything is something I want! Sure, some of the songs are written from a specific place, using specific emotions I had at the time, but that doesn't necessarily mean I want you to feel those same emotions. That would be limiting! And, as I said earlier, that's not arty. Like, if you feel the same, that's cool. That's a win. But I will still take that as a win if you don't. I want you to feel whatever you want to feel. That's my job, and that's my goal. Please excuse the pretentiousness of it all. If I'm self-aware, does that mean it's not as bad? Haha. I hope so Instagram Facebook