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The Hard Rock/Metal project, Truenemy, is back again with the hard-hitting, thrashy single, "Saturation Point." This song follows the release of their extremely well-received track, "Midnight Train." Paul Vuocolo is the mastermind behind Truenemy. The Southeast, Michigan local drew inspiration for his latest release from Megadeth's “Rust in Peace” era, which has played a huge role in his guitar playing and songwriting journey thus far. While creating “Saturation Point," Paul Vuocolo teamed up with his nephew Nick Slayton, who assisted in the co-writing of the music and lyrics of the track. Vuocolo notes how the lyrics behind “Saturation Point” come from a place of frustration and feeling completely fed-up with someone in your life, and no longer being able to deal with them (or in this case, feeling like you’ve reached your physiological saturation point with this person). It’s one of the first-ever songs he wrote and performed with his first band, written in his late teen years and drawing on the angst he felt throughout that time of life. Now, we’ll take a deep dive into the head-banging release from Truenemy. “Saturation Point”. This song is completely in your face and hard-hitting from the jump. It’s filled to the brim with energy, with blasting electric guitars shredding up a storm while driving and forceful drums propelling the energy of the song forward. Vuocolo’s vocals are powerful and dynamic, immediately engaging the listener and hooking us on to every word. He makes statement after statement throughout his descriptive lyrics and captivating delivery, never holding back. This Hard Rock/Metal track delivers a perfect mixture of intense energy and impressive instrumental and lyrical skills from the get-go and doesn’t let up once. Truenemy has hit the nail on the head with this release, and we can’t wait to hear what comes next. Sink your teeth into the thrashy, hard-hitting world Truenemy has created in his latest single, “Saturation Point." Thank you for catching up with us at BuzzMusic, Truenemy! We are so happy to have you here celebrating the release of your track “Saturation Point." Can you tell us a bit more about what inspired you to write this song? Megadeth. I started playing guitar in the early 90s and that was around the same time Rust In Peace and Countdown To Extinction were released. I spent a lot of time during the summers of 1991 and 1992 learning how to play the songs from those two albums on my Fender Squire. So, Dave Mustaine and Megadeth had a huge influence on my guitar playing and songwriting. In fact, the chorus riff in “Saturation Point” was inspired by the verse riff in the Megadeth song, “Vortex”. Listening to “Saturation Point” now, I hear the Mustaine attitude in the lyrics/vocals as well as other stylistic influences from Megadeth songs from that era (i.e., Tornado Of Souls, This Was My Life, The Killing Road). Chuck Alkazian (Producer) said that it sounds like Anthrax. So, I’ll take that any day! You’ve mentioned that your nephew Nick Slayton helped co-write the music and lyrics to “Saturation Point”. Had you worked creatively with each other before? What was it like working with a family member throughout this kind of creative process? Nick and his brother, Chris, are my nephews. We were very close in age and spent a lot of time together during our formative years. They were like younger brothers to me. As kids, we used to do things like dig in my backyard for the Ark of the Covenant (insert facepalm Emoji) and later on, make sketch comedy home videos. We also shared the same appreciation for metal music during our teens which eventually led to us forming our first band, Sloth. "Saturation Point” was the only, fully finished, original Sloth song. It was never professionally recorded and we only performed it live a few times. There are home videos that documented the sometimes tense and comical moments as we rehearsed and prepared the song for its initial live performance. So, working with family members isn’t without the same ups and downs as working with non-family. The Truenemy version of “Saturation Point” contains all of Nick and Chris’ original contributions to the song. Nick co-wrote the lyrics in the second verse as well as the riff that plays during the main guitar solo. There’s also a drum fill at the 03:02 mark that I was able to recreate based on a live, improv fill of Chris’ that we always loved. Additionally, the single artwork is an amalgamation of Nick’s original handwritten lyrics along with Chris’ “Now your face turns blue!” sketch (an ode to the song’s pre-chorus). Not long after Sloth disbanded, Nick and Chris formed their own band, Slayton, of which I sang lead vocals for a couple of years. Nick and I talked recently and we both agree that it can be both fun and challenging working with family members but in the end, we both have fond memories of the time we spent making and playing music together in both bands. What sort of listening experience did you want to give your audience with "Saturation Point?" How did you want the song to make them feel? With regard to the songwriting process, I don’t recall whether or not we consciously gave thought to how we wanted to make the audience feel. At the time, I think it was more about how heavy, intricate, and melodic the riffs sounded. If it felt good playing the song together as a band then the shared belief was that it would resonate with those who have similar musical tastes. “Saturation Point” is a hard-hitting song yet still accessible. I can definitely see people thrashing along or adding it to their cardio workout playlist. With regard to the remix process, I definitely wanted “Saturation Point” to hit hard and heavy like the aforementioned Megadeth songs. Up until now, the Truenemy version had only existed as a roughly mixed demo. So, I sought out Chuck Alkazian at Pearl Sound Studios to inject energy, clarity, and power into the mix. I even cut some new vocal tracks to add missing harmonies and backing vocals so that the studio version matched up more closely with past live performances. I’m very happy with the final mix and how the song turned out! Are there any other musicians who performed on "Saturation Point"? In Sloth, I composed and performed both guitar solos. However, for the Truenemy version, I wanted the solos to sound more exotic - like former Megadeth guitarist, Marty Friedman. So, back in the winter of 2003, I reconnected with a high school acquaintance, Keun Lee. Keun left an impression on Nick, Chris, and I several years earlier with a spot-on performance of Randy Rhoad’s guitar solo from Ozzy’s “Tribute” album at a high school talent show. In the summer of 2003, he laid down the guitar solos that you hear in the final mix. He’s a phenomenal guitar player who can also be heard screaming the final “Saturation Point!” towards the end of the song. You’ll hear more of Keun’s lead guitar work from these sessions on future Truenemy releases. Your love and passion for music and performing are extremely apparent in your music. Do you remember where your love for music all began and who some of your biggest inspirations were growing up? Music has always been an integral part of my life. Whether it be listening to or singing/playing along, it has always been a constant source of joy, escapism, healing, creativity, bonding, brotherhood, and more to both myself and those around me. Between my parent's and older siblings' tastes in music, I was exposed to many different artists and genres. I listened to everything from the Bee Gees, Elvis Presley, and Rick Springfield to Billy Idol, Duran Duran, and U2. Plus, I was part of the MTV Generation. In fact, I can remember being very young and singing “Jessie’s Girl” into my late brother’s walking cane. And I may (or may not have) lip-synced to one or two Duran Duran songs during elementary school talent shows. However, I made up for those non-metal moments by indirectly inciting a mosh pit during Sloth’s performance of “Enter Sandman” at my high school’s talent show. By the way, one of the Duran Duran songs that I lip-synced to was entitled, “Is There Something I Should Know?”, a question that is echoed in the chorus of “Saturation Point." What's next for you? I’m pleased to share that “Saturation Point” recently kicked off the May 1, 2022 episode of Motor City Riffs - a weekly, local music showcase on 101.1 WRIF in Detroit, Michigan. So that was pretty cool! Instagram Facebook

As the sound of "NTM (Night Till Morning)" flows through the airwaves, one is immediately captivated by its sultry, smooth rhythm. Released on Valentine's Day, it's no surprise that the song's main theme revolves around love and the pleasures that come with it. With J Cardy joining in on this collaboration, the song has become a modern hip-hop/R&B classic that showcases the duo's musical prowess. The song's 808s will have you swaying to its beat from the start. As the lyrics kick in, you first notice the undeniable chemistry between the two artists. The song's hook, "You ain't gotta leave tonight, you can stay from night till morning," paints a vivid picture of a love-filled night that one can't bear to part with. The following verses are equally captivating, and King Gamble's rap style adds a unique edge to the song. The second verse starts with King Gamble reminiscing about how he and his love interest started off as friends and how she caught his eye with her pretty brown eyes. Gamble takes the song to the next level with sensual and provocative lyrics. He talks about wanting to explore his partner's body, and the thought of a night full of passion sends chills down his spine. As the bridge of the song comes into play, the tempo slows down, and the music takes a more sensual turn. J Cardy then takes the mic with just as provocative lyrics as King Gambles. He talks about wanting to beat that “thang” until his partner falls asleep, emphasizing that he knows he's wrong for her. His lyrics are confident, seductive, and filled with a sense of longing that's hard to ignore. The song's final hook brings everything together, with both artists coming together to reiterate that they don't want their partners to leave. The chemistry between the two is electric, and as the song fades out, one can't help but wish it went on for a little longer. "NTM" is a song that showcases the art of seduction subtly and compellingly. From the smooth beats to the provocative lyrics, the song is a masterpiece that will leave you wanting more. It's a perfect Valentine's Day gift for your significant other or something to listen to on a lazy Sunday afternoon. If you're a fan of modern R&B, hip-hop, or just good music, "NTM" is a must-listen. Welcome to BuzzMusic King Gamble, and congratulations on your latest release, "NTM." Aside from the cozy vibes, what or who inspired you to create and release this track on Valentine's Day? Thank you for listening. I appreciate the love. The vibes were the focus of the release. It just felt like it was time to switch it up and drop something with a sultry feel. As far as Valentine’s Day, we thought it would be the perfect time to release it to enhance or ignite a mood. How does "NTM" compare to some of your previous works in terms of sound and style? Do you see yourself incorporating new elements from other genres? I’ve leaned into different lanes before, but this is a full-blown genre change from my normal hip-hop vibe. It has a sexy grown tone that can be spread throughout all walks of life. As we grow as artists and as people, things change. So I feel that’s what’s happening with this sound I’m pushing to the world. In the future, I’m sure to keep blending and crossing over into different lanes. Can you walk us through your creative process in crafting the lyrics and sound of "NTM?" Honestly, one day, we were sitting around in the studio, and we were like, it’s a lot of drills right now. Not enough storytelling or picture painting. Let’s do something different and slow it down compared to our last release, a faster-tempo song in don’t stop the party. Soon as the beat dropped, I said we’re not rapping on this. It’s a melodic track, and the rest is history. What was it like collaborating with J Cardy on "NTM (Night Till Morning)," and how did his style complement yours in the song? King Gamble: Man J-Cardy is my brother. We think alike, so it’s always super easy to collaborate. He brought a higher tempo and change of pace to his verse to mine. Collectively we complemented each other from two separate POVs but told the same story at the end of the day. Can we expect any future collaborations between you and J Cardy following the "NTM (Night Til Morning)" success? We’re always going to drop music together. That’s family, and we have more in store for the world's eyes and ears. Don’t be surprised if you get another article sooner than later. King Gamble Instagram J. Cardy Instagram

Gianfranco Pescetti's "Clownspunk" is a masterful piece of electronic ambient house that has taken the music world by storm. Released on February 20th, this second single from his upcoming album has made fans and critics eager for more. Hailing from Maui, HI, Pescetti draws inspiration from the juxtaposing happy and sad feelings of a clown to create a psychedelic feel that gradually builds and leaves listeners on the edge of their seats. With a danceable beat that is both catchy and hypnotic, "Clownspunk" is a cinematic masterpiece that takes listeners on a journey of emotions. Pescetti's ability to blend different genres seamlessly is on full display, with elements of modern indie rock interspersed throughout the track. The result is a unique sound that is fresh and innovative yet familiar enough to make it accessible to a wide range of listeners. One of the most impressive aspects of "Clownspunk" is Pescetti's ability to capture the essence of the circus and the energy of clowns. He has managed to create a piece that is both light and dark at once, just like the energy of the circus. This dichotomy makes "Clownspunk" so intriguing, as listeners are taken on a rollercoaster ride of emotions. The gradual build of the track is another aspect that sets it apart from other electronic ambient house tracks. Pescetti's use of different sounds and textures adds depth and complexity to the piece, making it much more than just a simple dance track. The layers of instrumentation create a sense of depth that draws listeners in and keeps them engaged throughout the entirety of the track. Overall, Gianfranco Pescetti's "Clownspunk" is a triumph in electronic ambient house music. It is clear that Pescetti is a master of his craft, and his ability to blend different genres and capture complex emotions is nothing short of impressive. As fans eagerly await the release of his upcoming album this fall, it is clear that Pescetti is an artist to watch in the world of electronic music. Be sure to check out “Clownspunk” on all streaming platforms. Welcome to BuzzMusic Giangfanco Pescetti, and congratulations on your latest release, "Clownspunk." What inspired you to create a song with a unique title, and what does the name mean to you? When I first started working on this track, I didn't have a super clear objective as to what the end result should be. I never really do whenever I work on music. I usually start with a simple idea and follow a thread that usually takes me to unexpected places. Once this song started presenting itself more clearly, I felt it had this push between happy/sad and slightly creepy but with a circus-like energy. I kept hearing a clown laughing in the chorus, but I'm sure it's not there unless it's a ghost. The title can be read in more than one way. The Clown exudes spunk - courage) Then there's the word punk in there, which in some way I've always related to it -- in terms of working outside of the box. There's another way of reading the title, but I'll leave that to you... In what ways does "Clownspunk" differ from your previous work? Is this track indicative of the sound we can expect from your upcoming album? I've been in a few bands before releasing stuff on my own, ranging from shoegazing rock to punk. When I released my first solo album, 'Love is Rain,' in 2014, everything I had done musically and my life experience informed that moment. It was a very "dark side of the eighty's" with one happyish song, but I wanted that album to have a tension between electronic and rock. My new stuff is definitely different. I haven't given myself any restrictions on this album, and Clownspunk has definitely set the tone. The energy of clowns and the circus is known to be both light and dark simultaneously, as you mentioned. Did this duality inspire any other creative choices in "Clownspunk?" Once the track revealed itself, I definitely started enhancing the tension -push and pull- between moods. I guess in movies; they call it "dramedy." With its atmospheric and ethereal sound, "Clownspunk" would be an excellent fit for a movie or TV soundtrack. Have you ever considered scoring music for visual media? I've always dreamt of scoring for visual media! I'm almost finished producing the next track on the album, and I have an idea for a video using footage from an absolutely groundbreaking old silent movie. There's tons of good stuff available in the public domain. What do you hope listeners take away from "Clownspunk" and your upcoming album? Do you want to convey a particular message or emotion through your music? I hope listeners will think of Clownspunk as an evocative, exciting track in its own lane. My new music has no lyrics; therefore, it allows the listeners to approach it more personally. It's more like working with feelings that are more in the abstract. When I listen to instrumental music that speaks to me, I usually engage with it on an emotive, transcendent level. Life can sometimes seem dark, but we must be resilient and hang onto what's uplifting while recognizing that darkness. Facebook

Shane Morgan Raps, a songwriter/producer with a history of engineering, came from humble beginnings creating many of his early songs in his college dorm. Taking his time to learn the ins and outs of intricate music creation, he vigorously studied songwriting and audio engineering. Wanting to put his new skills to the test, he decided to dive head first into recording and producing for other artists on his off time outside of school. Only when he felt genuinely ready did he decide to become a fully independent artist. Focused on building his foundation, sound and fan base, Shane has consistently dropped vibe after vibe, with each song having a fresh and breezy tone akin to chilling on a rooftop watching a summer sunset with a cider in hand. Shane’s latest musing release, “Back And Forth,” has him unashamedly wearing his heart on his sleeve as he gives us an inside look at how easily relationships can turn into a game of cat and mouse, sending you into a rollercoaster of up’s and down’s. A cleverly unmixed acoustic riff immerses you in the room's ambience and seemingly transports you into the world of “Back And Forth” right from the outset. With a display of Shane’s well-earned mixing ingenuity, he brings it all to the forefront with a beautifully refined medley of soulful sounds. The smooth bouncing bass accents the reverbed guitar like a calm wind through a car window on a warm night, giving you all the nostalgic feels, and when the washed-out background vocals hit, they only add to the warm yet cool mood. Shane Morgan Raps sets his sights amidst the summer night stars with a visual that effortlessly matches the dusky feel of “Back And Forth” and an upcoming NY tour. Check out the song and visual for “Back And Forth” out now on all streaming platforms. Welcome to BuzzMusic, Shane Morgan Raps. We admired your open-book approach to “Back And Forth.” After putting out songs about rocky relationships, do your exes ever reach out to you about them? Truthfully I'm super bold with music and relationships. Luckily none of my exes reached out to me whenever I dropped a song about them. I treat my songs like I'm reporting on my life, and if someone happens to be part of that moment, I'll send her the song before it's out. Sometimes I'll even play it for her. If we're still involved and say, "Hey, I wrote this about you." With such a high demand for studio time, mixing and producing, do you ever feel overwhelmed trying to balance the artist life with the producer/engineer life? I love mixing and producing; it's just really time-consuming because of how much I care about the little details. I tend to make about 20 mixes with my songs and then choose the best one. When I mix and produce for other artists, it's overwhelming to execute someone else's vision for a song and make time for myself. We probably go back and forth for months about where the drums sit in the mix or how loud the verse vocals are compared to the chorus vocals. I could go on forever about that stuff; I geek out over mixing. Your music sets a summery tone; when starting a song, what visuals usually come to mind to bring your vision to life? Man, I love summer; it's my favourite time of year. When starting songs, I get all excited about what color the beat and vocals sound like. Then, when it's done, I usually have a solid idea of what the visual is gonna look like. I often find inspiration in skate compilation vids or old 80s movies because of how bright and saturated the colours are. I always felt like summer is a time of freedom and joy, ya know. What message would you like to deliver to people in "Back And Forth?" With Back and Forth, I originally freestyled everything except the second verse. I came back a week later and wrote a second verse, then realized the message I wanted to convey was just raw, unfiltered honesty about a relationship that's not working. The whole relationship is a whirlwind of romance and chaos, but I'm unphased by the highs and lows of it. I can't tell you how many times I've heard "I'm fine," and things weren't fine. One week I'm blocked; next week, she's lying on my chest. That's what this song is about. When can we expect to see Shane Morgan Raps on a NY tour? I'm gearing up to drop a project or two this year so you can see me tour the city summer of 2023. I love performing and meeting people the music resonates with. My shows are usually filled with me having heart-to-heart conversations with people in the crowd in between my songs. I started telling jokes and making the show a fun and vulnerable time. Twitter Instagram

Do you think rock 'n' roll is the relic of a past generation? Think again. BreakTime champions an upbeat, optimistic pop-rock songwriting style with generous vintage touches culminating in a sonic celebration from their studio to your ears. Founded in 2018 to keep the original youthful energy of beloved classic rock tunes alive, BreakTime has developed from a standard-issue Jersey cover band into its own songwriting collective. The collection of songs on their latest album, 'Great Times,' resembles nostalgia through the eras influencing their reminiscent sound. With a jaunty ambiance propelled through the album's introductory single, "Mastermind," BreakTimes instills an upbeat and energetic atmosphere through our speakers as we bask in rhythmic basslines and a swing that's bound to get you grooving to the music. Infused with an analog touch to further enhance the old-school characteristics streamlining through each song, "Mastermind" kicks off the album with a frenzy of danceable doo-wop music that continues to catapult glimmering elements of musicality to the forefront. Now, we get the pleasure of revisiting a realm much like this one when we get to the sixth track, "Jam Sauce." Although this record ditches the smooth croons for a purely instrumental narrative, the effervescence of BreakTime insists on shining through each melody performed. From crunchy guitar solos to the dynamic percussion, not only carving out a path for the drum hits to leave an impact - but also leaving space to caress each shake of the glimmering tambourines, there's a well-thought-out plan of attack in each song conveyed. Some take down tempos to bask in the fruitful sentiments delivered, while others use the opportunity to put a pep in your step and have you bouncing from wall to wall. Meshing the golden era of music in a time of modern soundscapes is no easy feat, with the influences of today being vastly overpowering. Then you hear the joy captured in the recording of "Maybe No, Maybe Yes" - the second song to grace us as we carry ourselves throughout "Great Times." BreakTime manages to do this quickly and gives us songs that sound like they could be played at school dances as jocks wrap their sweethearts in their letterman jackets to seal the deal. A myriad of loving themes is dispersed through 'Great Times.' Following through with poise yet taking the tempo down a notch, "Good to You" is fueled with adorned emotion and whisks us away in those loving feelings you get by leaving it all on the table when professing your love to that special someone. While a song like "All That I Need" touches on a similar narrative, the energy disbursed through the sanguine instrumentation leaves us feeling struck with different emotions. Ones of hopefulness that send us on a mission to find our special one. Better yet, could the apple of BreakTime's eye be named "Tammie?" Well, she may be with the buoyant ballad falling seventh on the tracklist. Taking us to the final record of 'Great Times,' BreakTime has us savouring every sweet moment endured with "Catch A Ride, 425." As tightly-knit percussion and an intriguing harmonica solo take the helm before sending us off, BreakTime leaves us off better than they found us. With the same energetic swing that they won us over, we're immersed in the lively dynamism conveyed throughout this single. Wrapping up the essence of the album in a way that resembles BreakTime perfectly - 'Great Times' must be named that because it's what you'll experience when soaking up every melody through the collection of songs. Welcome to BuzzMusic, BreakTime, and congratulations on the release of “Great Times;” with all the eras, what made you gravitate to the 1960s? Sean: Except for music I would hear on my morning rides to school from WCBSFM 101.1, The Beatles' and Beach Boys' respective catalogues dominated my formative years. I grew more appreciative of other eras and artists (such as Billy Joel, Elton John, Tom Petty & The Heartbreakers, and Queen from the 1970s) as I matured through my teenage years; however, my melodic and harmonic instincts emerged from the 1960s oeuvre. Thus, BreakTime gravitates to the 1960s under acting on instinct (of which I have written in this style since 2018). What is your creative process like, and where do you get most of your inspiration? Sean: My process is flexible and dynamic. I occasionally receive inspiration from reading or hearing a lyrical word or phrase. Oftentimes, I conjure up a melodic idea and hum it to myself. In either situation, I must remember the word, phrase, or melodic idea to be considered quality. It's only ever to be filler-at-best if it's forgettable. Once I have a basis from the memorable snippet, I elaborate and build around it according to what best allows it to develop freely. If it's melody-first, I then write chords around the melody (it's important not to write the melody around the chords as they are supposed to be a vehicle for the melody) and scrawl lyrics together to help me remember the whole tune. In the case of lyrics-first writing, place the "scrawl lyrics" step from the melody-first process at the beginning instead of the end. I commonly bring complete songs to the studio for arrangement and recording. Thommy: I'm a progression-first writer. The progression then reveals the melody to me. Lyrics are last, as I sometimes have trouble with them. With the structure in place, I create my solos based on mixing and matching scales and finding ways to rephrase the melody into a unique, memorable, and expressive musical thought. It's magical when it happens! Doug: I don't subscribe to "formula" songwriting. Like Sean, I regularly get inspired from reading or hearing lyricism daily. My process leans heavily to the lyrical side as I endeavour to communicate abstract meaning. Progressions that are not overdone are a must as well. Only 12 pitches and many combinations sound pleasant together; however, I like to work for my creativity. Peter: Drums come first. I assign themes to sections, and these themes inform my chord progressions. Like Doug, I attempt to sound unorthodox yet pleasant in my songwriting and pull from various genres. I'm a jazz enthusiast, so I prioritize jazz-oriented choices and integrate other genres like Latin, hip-hop, and reggae. Who came up with the name “BreakTime,” and what does it mean to you? Sean: "BreakTime" comes from a conversation my uncle and his friend engaged in at a local bar called The Starting Point. They ruminated over band names, and my uncle's friend arrived at "BreakTime," remarking: "You know...Everyone needs a good BreakTime." My uncle thinks it's a stupid name. He's wrong, though! It held the original "Everyone needs a good BreakTime" meaning until we collectively continued to write in a vintage style. Our catalogue is growing fast, creating a substantive meaning for "BreakTime" as a "modern vintage sonic celebration." The songs are new and youthful, yet, they are created from classic techniques unreasonably abandoned in today's popular music. Since our songs are typically "happy," "sunny," and "warm," like the summer, we've adopted the slogan "BreakTime's a Great Time!" What are your top 3 picks for cars from the 1960s? Sean: Like the Beatlemaniac I am, I would have to submit the 1968 "Lotus White" Volkswagen Beetle 1500 model into the top 3. Note: You can find it on the Abbey Road album cover behind George Harrison. Thommy: I'll take the Beatle spin and raise you a Monkee-inspired pick! That would be the 1966 Pontiac GTO Monkeemobile. You must admit The Monkees exuded "cool" driving around in that car on their show. Doug: Let's go with the 1963 Chevrolet Corvette Sting Ray. What a retro look! Peter: I don't have one, but I didn't want FOMO on answering the question... If you had to choose another era to pull inspiration from, what era would it be? Sean: That's a tough question! We enjoy the jam band and prog output from the 1970s, so the 1970s would be another era we would be curious to pull inspiration from. Instagram Facebook

Canadian singer-songwriter, multi-instrumentalist, and producer KAIS (Kais Khoury) is a rising star in the indie music scene. His latest release, the three-track EP 'What If I,' is a mesmerizing blend of indie-psych, soul-infused blues, rock, and folk. KAIS’ musical journey has been marked by success. In 2014, he took part in the Mayor of London Big Busk and in 2016, he received an honorary mention in the International Songwriting Competition. He was also a Canadian Best Out of Province nominee at the 13th Annual Toronto Independent Music Awards and a Lyrics Finalist in the 2017 USA Songwriting Competition. In 2020, KAIS joined the London Indie sync licensing roster, North Note and was interviewed by BBC Radio London host Robert Elms for his 2018 single, Take Me Home. Track 3 of the EP, the titular “What If I,” is a powerful exploration of the human condition and a captivating journey from everyday to an ethereal sonic landscape. It begins with a gentle piano melody, inviting the listener in before breaking into a vibrant mix of echoing spoken philosophy and pulsing trip-hop beats. Throughout the song, KAIS’ hauntingly keys and soul-snatching melodies float in the air, providing a reflective backdrop to the thought-provoking spoken words. Combining these elements creates a transcendental sonic experience with lyrics that confront the complexities of life in a late-stage capitalist world. “What If I” is a real reminder that our stories are all worth telling and that anything is possible with hard work. "What If I" is an impressive offering from the enigmatic artist. Its nuanced instrumentation and thoughtful lyrics paint a vivid portrait of life in the modern world, capturing the struggles and joys of being human. Check out "What If I," on all streaming platforms. Welcome to BuzzMusic KAIS, and congrats on your latest release, "What If I." What inspired you to write this memorizing track? "What If I" is an instrumental track with a spoken vocal I scripted over the stretch of a few months. It speaks of revival, the rebirth of a personal phoenix. Spoken from the dark abyss of mortal defeat, the man considers whether to let his soul disintegrate to vapour or summon an unforeseen strength to claw out of his pit and bring about his soul’s resuscitation. Structurally, it encompasses a slow build-up of the instrumentals, which culminates in dynamism. How does your music reflect your personal experiences? I always do my best to write from a personal place. I combine the accumulated experience of mastering the instruments I play with the poetry syphoned out of my own life. What do you hope listeners take away from your music? At the end of the day, I want people to relate to my music somehow. Although original music is almost always a sonic canvas of subjective experience, I still want to be able to touch the hearts of others in the realm of the metaphysical. I want someone on the other end of the globe listening to my tunes during a walkout in nature, during a shower, during their solo study time, to feel spoken to… understood, and, if at all, revived and rejuvenated. How has your music evolved over the years? I’d say my music has found much more grounding over the years, in that I understand WHERE my inspiration comes from, WHAT I’m generally inspired by, and HOW my sound becomes signature amongst it all. My creative capability has grown profoundly with time, and I’d say that that has been the result of a relentless curiosity for music that speaks to me, constant motivated practice (in the various forms it comes within in the realm of music), and always experimenting around it all to strive to channel something ‘unexplored, yet oddly familiar’. I guess it also has been a long process of learning to acknowledge that only 10% of the work you ever make is ‘Amazing.’ Still working on that one. What are your hopes and dreams for the future of your music? My Hopes and Dreams are to be drawn into touring the globe. To play in beautiful venues. To dive in with a full heart into the music I’ve created ahead of a transfixed audience and to feel electrified by their screams. To wake up the next day feeling warm and fuzzy, knowing that I have left people feeling the same through the power of channelled spirit, the music that my inner fire has birthed into the physical. Instagram Facebook

Trizzy Trey, the rising star from Toronto, has been creating waves in the music industry with his scintillating raps and energetic beats. The 29-year-old rapper has been honing his craft since he was young and has grown into a force to be reckoned with. His love for music is palpable in every performance, and his influences range from hip-hop, and reggae, to R&B. Recently, Trizzy Trey released a new song called "Lick the Rapper," which has been causing a stir in the rap community with its infectious dialogue that is sure to stick in your head to the point you’ll probably find yourself rapping along to this rappers song cuz its a rap along and the…(it is already working). The track is a quintessential representation of Trey’s bold lyrical experimentation, which is kin to the likes of legendary based rapper Lil B but with a modern hyper-trap twist that is sure to turn heads. Trizzy Trey has already released two mixtapes and is working on the third one, Tr3y the truth the Third round. The rapper has collaborated with some of the most renowned DJs in the industry, including Dj pop dukes, Dj bad the problem, and Dj Trap A Holics, which is a testament to his credibility and talent. On your marks, get set and go! is the name of the game with "Lick the Rapper" as we are greeted with the smooth calm before the storm via a catchy piano melody riff that ominously builds anticipation for what’s to come then Before you can blink a hefty 808 hits you right in your chest as a flurry of lyrical combo’s make sure that you’ll never forget them. Trizzy gives us what can only be described as new wave based, a sound that purists of the genre are sure to mosh to when "Lick the Rapper" is performed live. The video for "Lick the Rapper" is equally based, featuring Trizzy Trey spitting hot fire in a neon room full of classic records with a flurry of cuts and transitions that perfectly match the speed of "Lick the Rapper." Trizzy Trey's music blends what you know and the unknown, making it unique and exciting. His hard work and dedication to his craft are evident in his music, and his passion for rapping is evident through his drive to push the boundary. It is written Trizzy Trey is a rapper to watch out for, and "Lick the Rapper" is proof of his bold style and based mentality. With his upcoming mixtape, Tr3y the truth the Third round, we can expect even more dynamic and impressive tracks from the Toronto native. Welcome to BuzzMusic Trizzy Trey, and congratulations on your latest release, "Lick the Rapper," which we couldn't help but rap along with. You took a unique lyrical direction with this track; what was your inspiration going into the song, and how did you develop the flow? Thank you for having me BuzzMusic. Thank you for rapping along to my song Lick The Rapper. I hope y’all enjoyed the song at Buzz Music! Thanks for the unique lyrical direction. I try to do my own thing with my own sense of style with my music. Going into this song, my inspiration was for rappers to like my song & rap along & for me to gain fans for the song so that the song could get a lot of attention, views & likes so that I could possibly go viral. The flow developed from listening to Lil Wayne because he has a song called lollipop & on the lollipop song, there were verses where lil Wayne said He's so sweet, make her wanna lick the wrapper," So I let her lick the rapper & from there on I used to lick the rapper in the hook in my song & I made it a hot song called lick the rapper with a bit of my own unique lyrical creativity & that’s how I came up with the flow. With a song as infectious as "Lick the Rapper," would you ever consider creating a dance for it? If so, how would you describe the move? Thanks, infectious is a great word. I hope the song & music video spread around town & go viral & I would not consider coming up with a dance for lick the rapper. If "Lick the Rapper" was a theme park ride, what kind of ride would it be, and what would the requirements be to get a ticket? If lick the rapper were a ride at a theme park, it would be like a statue of me with the song lick the rapper playing for fans to stand in line & lick the rapper (me) to the lick the rapper song & the requirements to get a ticket would be to stream the song on all streaming platforms & then you get a ticket to lick the rapper to the rapper song. You've mentioned that Jay-Z, Lil Wayne, Drake, and other rappers have influenced your music. Who would it be if you could choose any rapper to feature on the "Lick the Rapper" remix? Yes, jay z, Lil Wayne, Drake & other rappers have influenced my music today to make me a better rapper with more flavour than others. Although I’d choose a hand full of rappers that favour today. The rapper I’d choose for a remix would be drake because he is the top Canadian rapper out of Toronto & is cool with Lil Wayne; that started the lick the wrapper wave I got going on right now. With such a distinct style, what direction see yourself taking your sound? And what can we expect to hear for future projects? With a distinct style, the direction I see myself taking my sound is all the way to the top. & for future projects, what y’all can expect here is more of my very unique lyrical style of rap hip hop. Instagram Facebook

Vanessa Lio's newest single, "All in Vain," is a hauntingly beautiful ballad that speaks to the heart of anyone who has ever experienced the pain of a one-sided relationship. From the first few notes, the listener is drawn in by Lio's soulful voice and the raw emotion that she pours into every line. Born to play music, Vanessa Lio has been singing and performing professionally since 2012. However, her love for music began very young, as she always sang around the house and with her family. As a teenager, she started writing poetry and lyrics and discovered that she had a passion for singing. Her lyrics are honest and thought-provoking, often tackling tragedy and death, love and heartbreak, unhealthy and toxic relationships, and mental health. In "All in Vain," Lio's lyrics are particularly poignant as she sings about the pain of watching someone destroy a relationship she has worked so hard to build. She asks, "How do you expect me to sit here and watch you burn down this place?" Her voice is filled with frustration and heartache as she pleads with her partner to see the good she has done, saying, "When the reason you refuse to believe in me is cuz you don't see what I put down?" The song's chorus is powerful and catchy, with Lio belting, "All in, all in vain, decisions, all in vain, these feelings all in vain, this whole thing is all in vain,” an actual top-of-the-mountain moment in the song. The repetition of these lines creates a sense of hopelessness and despair as if Lio is resigned to the fact that she can do nothing to save this relationship. Lio's voice is filled with a sense of urgency throughout the song as if she is desperately trying to reach her partner before it is too late. She sings as the pain in her voice is crushing, as if she is on the verge of tears. The music accompanying Lio's vocals is also a driving force, with a deep mysterious bass that lingers in the background, guiding you to a massive chorus that seemingly explodes out of nowhere! The production, done by Atom of Cuginihub in Vaughan, Ontario, Canada, is excellent, perfectly balanced with every note and nuance. The overall effect is melancholy, with the music and lyrics working together to create a hauntingly beautiful ballad. "All in Vain" is a powerful and emotional song that showcases Vanessa Lio's talent as a singer and songwriter. It is a song that speaks to the heart of anyone who has ever experienced the pain of a one-sided relationship and is sure to resonate with listeners worldwide. With more music and performances planned for the rest of 2023, it is clear that Vanessa Lio is a rising star in the music industry and one to watch in the years to come. Welcome to BuzzMusic, Vanessa Lio. Congratulations on letting your soul out on "All in Vain," a powerful and emotional song. What inspired you to write such a raw and heartfelt ballad? Thank you so much for the kind words and warm welcome. Writing is a very therapeutic experience for me. Whenever I experience emotions that are too overwhelming to keep inside, I have to write about them and sing about them. This song was specifically written after experiencing several relationships, some romantic and some friends, where I was giving too much and putting much more effort into it than I was receiving. You realize that at the end of the day, you must ensure that you are taking care of yourself, your mental well-being and your overall health. How did you come to work with Atom of Cuginihub on the production of "All in Vain?" I met Atom a couple of years ago when he produced my previous single, "The Way I Feel." We had such a genuine connection, and it was a pleasure getting to know him and I quickly realized that we had similar outlooks and values. When I came up with the idea for "All in Vain," I messaged him a couple of days later, knowing I needed to bring this song to life. I went to the studio and showed him the chords I had in mind, along with the lyrics and melody. We like to discuss emotion and the story trying to be conveyed. He finds a chord progression and vibe we like, and it all comes together. I remember getting into the vocal booth and just letting it all out. We were so excited about the demo we came up with that day. The lyrics in "All in Vain" are very personal and reflective. Do you find sharing such intimate experiences through your music challenging, or is it a cathartic process for you? I find it challenging to share intimate experiences outside of my music. For various reasons, it takes a lot for me to get close to someone. It is an entirely cathartic and emotional experience for me to write songs and sing them. I often say that music is the only thing that truly understands me entirely. "All in Vain" is a departure from some of your previous work. How do you feel your sound has evolved over the years, and what inspired this shift in style? This shift in style has opened up a whole side of me that I always knew was inside of me but didn't know how to grab it. Working with Atom is absolutely the puzzle piece that allowed for that growth and shift. I have also been blessed to work with amazing musicians over the last year. Particularly my friend Dan, who I have played gigs with many times before. He has brought a very stylistically beautiful talent with his guitar playing, and I feel entirely lucky to have that accompaniment. This is just the beginning of what's to come from your music career in 2023. Can you give us hints or teasers about what your fans can expect from you in the coming months? I have a music video for "All in Vain" that is being released soon, I will be performing a lot, and there are definitely more songs coming out. Let's say I am very excited about what is in store for 2023 and ready to share it with the world. Instagram Facebook

JUNK, a rap battle champion from Vancouver, recently released his newest single, "Two Sides," featuring Caskey of Cash Money fame. As a seasoned and accomplished artist, JUNK has a rich history of success within the rap industry, having won numerous competitions and toured with some of the biggest names in the business. At just 14 years old, JUNK was already making waves in the hip-hop scene, hosting weekly Hip-Hop nights and taking home top prizes in local rap competitions. His success continued to grow, culminating in his win of the MTV-hosted "End Of The Weak" national freestyle competition in Toronto, Canada, in 2011. This led him to represent Canada in Paris, where he took 3rd place worldwide. In addition to his solo work, JUNK co-created the Vancouver cult rap duo Northwest Division with rapper Hungry, releasing several albums that garnered significant attention and led to opening gigs for some of rap's biggest names. JUNK later signed with underground rap legend Snak The Ripper's label Stealth Bomb Records, releasing his first solo album, "I AM NO ONE," in 2016. This album charted in the top 40 Canadian iTunes rap charts and was followed up by the successful "Stupid & Ugly" release in 2017, which has since garnered over 10 million streams across all platforms. In 2019, JUNK and fellow SBR signee Young Stitch collaborated on the album "LIONS EAT GOATS," which went number one for a week on the Canadian iTunes rap charts, bumping out none other than Eminem for the top spot. JUNK was also nominated for a WCMA Breakout Artist of the Year award and a Best Breakout Artist award at the OWL awards. Most recently, in 2022, JUNK released his album "Wake Me Up When It's Over", which even bumped Kendrick Lamar's highly anticipated new album out of second place on the Canadian Hip Hop charts for 48 hours. JUNK is in his prime and showing no signs of slowing down. With "Two Sides," JUNK has once again demonstrated his lyrical prowess and ability to create captivating beats. The track features the talents of Caskey, adding depth and dimension to the song that is both unexpected and refreshing. The track has a haunting quality, with ethereal melodies and an insistent beat that pulses throughout, creating an almost hypnotic effect. Lyrically, JUNK is in top form, showcasing his skill at crafting intricate and thoughtful verses that explore the complexities of human nature. The theme of duality is prominent throughout, with JUNK reflecting on the two sides of life, perspectives and everything else that shares the rule of yin and yang, the dichotomy of light and darkness within us all. It's a poignant, thought-provoking, relatable, and deeply personal exploration. Overall, "Two Sides" is an impressive offering from JUNK, demonstrating again why he is such a force to be reckoned with in the rap world. With its haunting melodies and introspective lyrics, the track is a testament to JUNK's unique voice and undeniable talent. It's a must-listen for fans of the genre and a strong indication that JUNK will only continue to rise in the ranks of rap's elite. Welcome to BuzzMusic JUNK. Big up on yet another banger with “TWO SIDES” Can you tell us about the creative process behind "Two Sides"? How did you develop the haunting melody and introspective lyrics that captivate the track? To be honest, I just pulled up to the Oxford Ink studios in Jacksonville, FLA, with several beat packs from my usual team of in-house producers from Vancouver. I already had a hunch of what beat we would use. Lo and behold, when I showed it to him, he agreed immediately. We both wrote our verses on the spot briefly after I already had the melody and the concept in my head. The "two sides" concept was something I was feeling at the time. People talk about others too often and make others see them in a negative light or to the narrative desired. I felt like Caskey would fit the whole duality of life concept very well with how profound his work can be. I admit to writing the hook the night before in a garage in palm coast on my homie's washing machine while his kid was sleeping inside because I was too loud. What was it like working with Caskey on "Two Sides?" How did his unique style and perspective influence the final product? He was the most humble soul to work with, period. He’s one of the best in the game, IMO. Criminally underrated. He came into the studio and got down to business immediately. Down to earth for real, though. I feel like we have similar styles, so doing this song together really seemed effortless. We are both on a slightly more spiritual hood tip as of late. Hah. "Two Sides" explores the idea of duality and the life that exists from all angles. How does this theme connect with your experiences and journey as an artist? I went through a significant personal transformation in the last 3 years. Got clean from drugs and alcohol, went through a divorce, and went into a deep depression but ultimately prevailed. During all this, I lost friends and business connections due to my poor choices and behaviour spawned from my darkness. However, that being said, I heard the rumblings of others on how I may have done them wrong. When you’re going through changes and leave people behind, they tend to talk down on you if they feel jaded about your progress. Essentially I felt like people talk, but it’s up to the listener to decipher the fact that there are two sides to every story. Hear what people say but make the final judgement call yourselves regarding someone’s character. You have achieved many successes, from winning rap battles to topping the Canadian charts with your albums. How does "Two Sides" fit into the larger story of your artistry and evolution as a musician? This one is essential because I honestly got to have one of my favourite artists of all time on a song and even more so in a video together. But beyond me being a fan, this was a calculated move to organically get American eyes and ears on me to break into the most significant rap market in the world. And holding my own with one of the elites in this just added another notch in the belt of my own personal evolution—small steps to the top. "Two Sides" is just one of many impressive tracks on your latest album, "Wake Me Up When It's Over." How does this album differ from your previous releases, and what do you hope listeners take away from it? Two Sides isn’t on any album yet. However, it will be on my next album that comes out later this year. The Album you’re mentioning though is different from all because it’s my first time being sober making music. I hope the listeners take away that it’s bigger than just rap and hip-hop. It’s an art, and to me, art and poetry trump every individual genre. Instagram Facebook

Combining his heartfelt emotions with an enticing presence on the mic, Rellyski shares a glimpse of his authentic self in "Fumble That" as he teams up with Florida production wizard 5K 808MAFIA. Through poignant and enriched instrumentation charged by tantalizing percussion hits and an evocative ambience courtesy of the samples used, we get to cash in on the creative and intentional essence of 5K 808MAFIA's skill set. As he lays out this unique soundscape for Rellyski to bring his energy upon, we grasp onto vulnerability through the wistful emotions and medley of poetic lyrics. With impeccably processed vocals, his delivery is assertive, as you can hear that he means every word conveyed. Taking on a melodic style of rapping while touring us through vulnerable lyrical motifs and swift cadences, it's easy to get immersed in the narrative as 5K 808MAFIA, and Rellyski fuses their passion and vulnerability. "Fumble That" expels a tale of regret and heartache that comes with missing out on an opportunity with someone who strives for success. As we hear Rellyski taking control of the beat, his wording reflects him steering the ship of his happiness. There's not only a brilliant display of emotion submerged in the depths of this genuine anthem. We get to feast on the magnetic energy the two artists bring forth as they showcase their styling and come together to immerse listeners in a refreshing bop that promotes silver linings and your well-being. That's what makes a true hit in today's day and age of music, and we're all for this collaboration made in heaven. Listen to "Fumble That" on all streaming platforms today. Welcome to BuzzMusic, 5K808MAFIA, and congratulations on the brilliant collaboration! Both yours and Rellyski's sounds mesh so well together. How did this working relationship come to be? Thank you! Last year, in 2022, we linked for the first time after I heard about him in the studio. Since then, we have been making some crazy music. Let's dive into the creative process! With a song as powerful as "Fumble That," what did the creative execution entail? What was the vibe like when bringing this song to life? We did this song on our first-night meeting each other. I made the beat a while back and thought he’d be perfect. He did the song in like 15 minutes, and I knew while I was driving home listening to it that this song was special. Regarding the moods you cast out as a producer, what makes "Fumble That" so unique and true to you? I feel it could relate to a lot of people. No matter what journey in life, there’s always someone who doesn’t want you to succeed and wants to outshine them and when you do, they try to come back around. With inspiration coming from various places, what musical and non-musical motivators do you tune into? I get inspiration from many people and things around me. I’d say Metro Boomin is one, and my team is another big inspiration. What's next for you? Right now, I’m just focusing on producing quality music and content. Instagram