Search this site

The West London singer-songwriter and pop/r&b recording artist Alichè examines a troubled relationship in her latest conceptual 6-track EP, 'Good While It Lasted.' Alichè is known for writing self-confessional songs surrounding life, love, and breakups that just about anyone can relate to. The blossoming pop/r&b artist recently released two lead singles off her latest EP, which saw support from Liquid Magazine, Atwood, Wonderland, and more while garnering over 20k streams on Spotify. Now releasing her honest and story-like EP, 'Good While It Lasted,' the venture begins with the introductory track and lead single, "By Surprise." The song opens with a hazy and reverbed electric guitar melody that later sinks into a plucky bassline and the warmest pop drums. As Alichè makes her soothing and soulful vocal appearance, she begins to examine the passionate experience of falling in love with someone and their refreshing ways. We adore the disco feel of this track paired with the modern pop drums and Alichè's heartfelt lyrics of falling headfirst into a new shot at love. Dropping into the next track, "Lover," this track kicks off with the utmost riveting, sexual, and desirous instrumentals along with Alichè's angelic vocal harmonies that bask in the thrilling emotions of new love. As the song slows down into this soulful and passionate mid-tempo groove, Alichè continues her captivating performance while riding the beat with nothing but rhythm. Her lyrics perfectly portray new love's excitement and stimulation; Alichè wears her heart on her sleeve while grooving her way to the shimmery hook. We have yet to experience the rest of the project, but this track is definitely our number one so far. Moving onto the EP's halfway point, "Daily Doubts," we can already tell that this is the point of the EP (and the relationship Alichè's singing about) where love begins to fall through the cracks. The song opens with a shimmering background pad and the warmest synths while a mid-tempo and groovy r&b drum arrangement melts our speakers with incredible passion and emotion. Listening to Alichè's lyrics, she sings of loving someone one day and struggling for a reply the next, resulting in the many invasive daily doubts that haunt her mind. This song feels like it's straight out of the 00s, where emotional r&b ruled our days. Hitting play on track number four, "Brings Me Peace," a lighthearted and uplifting instrumental groove, kicks off in the brightest and most radiant way. As Alichè begins to serenade us with her soulful and mesmerizing vocals, she references her first track while explaining how she caught her boo "By Surprise" when she started to question if he's as committed as she is. There are countless similarities and nostalgia-evoking aspects to TLC, from the well-rounded r&b instrumentation to Alichè's lush, meaningful, and chilling harmonies; this track is truly one for the mind, body, and soul. Slowing it down with the next track, "What It's Like (feat. Fonzie)," the song gently opens with a reverbed electric guitar melody that sets the song's emotional and saddened tone. Alichè makes her angelic vocal appearance once again, but this time, she brings it down a notch to portray the trials and tribulations of lost love. The song's lush fusion between modern r&b and organic jazzy undertones perfectly enhances Alichè's vulnerable and relatable message. Before we know it, rapper Fonzie begins to spit his calming bars over top of the dense sonics while offering this dynamic back and forth between the two compelling performances at hand. Reaching the album's outro and title track, "Good While It Lasted," the song opens with Alichè's chilling soprano vocals that serenade us alongside a cinematic and haunting string section. This song is the perfect culmination of such a conceptual EP; Alichè and her ghostly sonics reflect on the toxic relationship she put herself through while reminding herself that it was good while it lasted. This song is wildly powerful, although it's not loud and energetic, its soft and somber sonics alongside a heartbeat-like kick drum and Alichè's spoken word outro leaves us in awe of the entire venture we just experienced. If Alichè doesn't become a household name sooner than later, we'll throw a fit. But, seriously, don't miss out on her gripping, well-thought-out, and emotional EP, 'Good While It Lasted,' available on all digital streaming platforms. Welcome to BuzzMuisc, Alichè. We're thoroughly impressed with the relatable story you've told with your latest 6-track EP, 'Good While It Lasted.' When did you begin tracking your thoughts and emotions to create this project? Thank you so much. I can’t lie it’s been a while in the making. The first song I wrote was the second to last song ‘What It’s Like’ which features a wonderful rapper called Fonzie. I wrote that while I was overseas in 2019 escaping from a life and habits that were taunting me back home. Then the concept and the rest of the music came together throughout lockdown whilst I was figuring out how to open out to someone romantically for the first time as if the pandemic wasn’t already an emotional rollercoaster in itself. Did you work with any producers to help bring your vision to life for 'Good While It Lasted?' What was it like dissecting your past relationship to find the vibe for each song? So the whole project is produced by incredible talent and a good friend called Mcknasty. He’s one of the most incredible creatives I’ve ever witnessed work in my life. The man is a genius. On the writing side, the majority of it was written around a situation I was in at the time. So as this story was unfolding in my own life I was able to channel the raw and fresh emotions into the music. I'm not the best at telling the people I care about how I feel, which must be annoying for them all when I write songs about it instead and hide my feelings. I think I’d be pissed off if someone was doing that to me haha! What was the most challenging part about creating your EP, 'Good While It Lasted?' Was it difficult for you to break down your relationship and discover where it went wrong? I’m quite good at analyzing and unpacking what’s going on with or around me. However, it doesn’t mean I’m the best at knowing how to deal with it. I’m good at admitting and picking out the problem but then you've lost me. I think the hardest part of this project was tapping into my vulnerable side and addressing love in general. Before 2019 I struggled a lot with accepting the love of others and within myself so this was a big step for me. However, now I feel like I’ve unlocked a door I don’t think I can ever shut. The emotionally deep loving Cancer in me has finally broken free. When creating your EP, 'Good While It Lasted,' did you have any artistic influences in mind? Did anything or anyone help shape the project? I had a huge range of inspiration. There is always music or sounds playing around me triggering off new ideas and thought processes. From starting my day with singing bowl sound healing & mantra songs to blasting old Prince albums while I get around London. There was a lot of the old mixed with the new, lots of Lucky Daye, Stevie Wonder, Sade, Snoh Aalegra, Koffee Brown, Lauryn Hill, Cleo Sol. All a lot of soul-based music and all incredibly raw and honest in their unraveling of each story. What do you hope the listener takes away after experiencing your EP, 'Good While It Lasted?' I would love people to be able to resonate with the story and the music, even if it’s just 1 person. Not just the lyrics too but the actual music and melodies. Being moved by the harmonics and sounds is so special, then paired with words you can relate to, I know personally it can really connect me to my emotions and elevate how I’m feeling or it can be a complete release that I didn’t know I needed. A lot of the time we’re all facing similar things just in our own ways. I write from my heart, I write to heal myself but also others. What's next for you? I’m working with some beautiful artists and musicians at the moment, so releasing a lot more music that is for sure! I’m always dreaming of taking my music outside the UK. So hopefully I’ll be off sometime soon. The world is a big place filled with wonderful people and sounds so I can’t wait to explore more.

The elusive and mysterious German singer-songwriter, electronic producer, and recording artist Edwin Rosen is on track to release his latest EP, 'mitleerenhänden,' while giving us a taste of the project with its lead single, the title track. Rosen creates music purely out of personal catharsis and enjoyment. He's inspired by names like Joy Divison, Boy Harsher, and Molchat Doma, which have transformed his sound into what he calls "Neueneue Deutsche Welle," which loosely translates to "New-new German Wave." This sound offers a reimagining of new wave/post-punk music that was birthed in Germany in the 80s. Soon to be releasing his latest EP, 'mitleerenhänden,' which translates to 'empty-handed,' the project is about coming to terms with things not going your way or how you expected them to go. Regarding the lead single and title track, "mitleerenhänden," Edwin Rosen expands on feeling not good enough, resulting in loneliness and having nothing left to give. Diving into the single, "mitleerenhänden," the song opens with a distant and haunting synth alongside sparkling keyboard melodies that rain down from above. Then, as the airy drums begin to tap through our speakers, Edwin Rosen jumps into the track and offers a deeply emotional vocal delivery while singing of feeling lost and out of place. Although we're not familiar with the German language, we can easily pick up on the emotion and tenderness that this single holds with help from Rosen's emotional delivery and the song's chilling electronic tones. As he makes his way to the song's end, Rosen leaves us excited to travel down the heartfelt path of his forthcoming EP. Lose yourself in the haunting sounds of Edwin Rosen's latest single, "mitleerenhänden," and prepare yourself for his forthcoming EP, soon to be released on all digital streaming platforms. Instagram

Arriving in the pop sky during the autumn of 2020, Fuhr has blessed us with seven singles through the record company Moonride Records. Resembling the sounds of a young Björn Skifs, or Chris Cornell, his most vital sign besides accurate melodies is his granite, strong voice. With his music leaning towards the light-hearted and imaginative, there is also room for seriousness and heartache. Throughout his recently released EP 'Goodbye,' we get to experience a more self-revealing Fuhr than anything listeners have been exposed to before. As we fixate ourselves upon the EP's introductory and title track "Goodbye," the rustic essence that kicks off the project has you immediately hanging onto the inspirational words he performs. The grippingly raw nature of the acoustic guitar riffs starts us off with poise and ease before taking us into an upbeat anthem that has us drowning in the complexity embedded into the production quality. Then, making a statement with the smoldering timbres crooned, "Goodbye" dips into unrequited love and the emotional storm it has created. Giving us an honest blend of sentimental tenors that amalgamate with infectious grooves, you're launched into the myriad of emotions that come flooding in with such a bold, opening masterpiece. A healthy dose of Pop, Rock, and Americana is what makes the sonic universe of Fuhr go round, and we're thrilled to be embarking on this journey to freedom with him. Deeming the EP 'Goodbye' as a five-step program to moving on, we suggest that you tap in with Fuhr and take in the therapeutic essence of this healing process to its full extent. Welcome to BuzzMusic, Fuhr. We love how you kicked off your EP with a copious amount of energy. What inspired you to place the title track first and make "Goodbye" reflective of liberation? Thanks, good question! - it probably would have been a clearer storyline if 'Goodbye' had been placed as the last track. But for me, 'Goodbye' is more of an attempt to say goodbye rather than succeeding to move on. A contract with myself to get rid of all hopes. Perhaps, it isn't until you've said that out loud that you can start the process. And perhaps you need an energetic and unapologetic vibe to dare to do that. Stating that this EP has been your five-step program to move on, what has each of these steps entailed on your end? How long in the making has it been from creation to release? Moving on can be easier said than done. In 'Words' and 'Stars', I allow myself to dream away again. I probably needed that, and it made me understand that I wasn't able to control my emotions. That insight was, however, a relief in a way. There's a Swedish expression called "balla ur" which can be translated into "losing it." The last track 'Epilog' aims to express that vibe. The realization that I was a mess, oddly as it may seem, gave me a liberating sensation. The melodies and some arrangements are old, but the lyrics are new. I rewrote most of it this summer. What would you want it to be if your audience could take away any particular themes or messages from this single or EP? I had a conversation with a friend about John Lennon. When John met Yoko Ono, the Beatles were suddenly not that fun anymore. We concluded that he must have redirected his love for the Beatles and the music to Yoko. A take-home message is that you can use music as a substitute, but when you meet the real deal, no music in the world can compete. -The EP might come in handy if you're doing the first thing. But hey! I do pop music. The EP is five times three minutes of emotions. I want the listeners to rock, sing out their heartaches, feel free, and not be prisoners to their negative emotions. What have you learned about yourself the most throughout this healing journey? To space out! Realizing you never really have control. What's next for you? I'm working on the next part, 'Hello.' If everything goes as planned, it will be released in March 2022. Not to forget, I will enjoy playing the EP live. I've gotten myself a band, and we're aiming to play as often as possible. Expect some live versions of the songs to come up on Spotify in December! Instagram

The East Coast-hailing recording artist and singer-songwriter Drew Haley pays tribute to women and mothers everywhere with her latest heartfelt single, "A Good Woman." Drew Haley is never one to shy away from raw and honest songwriting; instead, her audience has gotten the opportunity to connect with her through genuine storytelling and emotional lyricism. Writing about her experiences with heartbreak, motherhood, and friendships, Drew Haley is ready to make a lasting impact on anyone who graces her sweet tunes. Recently releasing her compelling and soothing single, "A Good Woman," listeners can hear Drew Haley tell the many stories a mother has to go through. Throughout the song's entirety, Drew Haley's soft vocals and accompanying folk-inspired instrumentals bring us the utmost reverence and admiration for the women in our lives who make the world go round. Hitting play on the single, "A Good Woman," we're met with a blissful folk/country instrumental that takes off like a sonic breath of fresh air. As Drew Haley makes her way in, she and her soothing acoustic guitar begin to tell the tale of the many bellies fed and hands held from mothers across the world. She later expands on how mothers give up their entire lives to love and care for their children, how a "A Good Woman" would. "Nothing compares to the heart of a mother," Drew Haley passionately sings while expressing her appreciation for not only her mother but the entire motherly role. This song is nothing but chilling; everything from Drew Haley's lush background harmonies to her downtempo instrumentals truly makes for a refreshing listening experience. Show some love to the women in your life with help from Drew Haley's latest single, "A Good Woman," now available on all digital streaming platforms. Welcome to BuzzMusic, Drew Haley. We're very appreciative of such a heartfelt and respectful song like "A Good Woman." What inspired you to write a song about the motherly role? Well, as a mother myself, I realize so much more now than I did growing up all that my mom did for my brother and me. She sacrificed so much and loved us so well that it's how I know how to love my kids so well. She set a really high bar, and she continues till this day to put us first in such a selfless, incredible way. Whats always amazed me is that her mothering never stopped once we turned 18 and became young adults. If anything, it was after that age that we needed her guidance and support even more. There's nothing she wouldn't do for us. From helping my brother and I move to different cities countless times, literally bailing us out of jail and financial situations, helping raise our kids, and dropping anything to rush to our side in an emergency.. this woman deserves to be called a saint, after all, she's done so the least I can do is write her a song. How did you want to make listeners feel and think when experiencing the softness and genuine emotion within "A Good Woman? I hope it reminds them of someone in their life that showed them true, unconditional love, whoever that was. Did you collaborate with any musicians to help create the instrumentals for "A Good Woman?" What was this creative process like? I wrote the song myself on guitar, and my producer David Spencer played on it as well as Scotty Murray. I'm so grateful to get to work with such talented musicians. I usually write a song like this when I have very strong feelings. I was just really in awe of my mother and thinking of the long, long list of thank-yous I owed her and how I could never repay her if I tried. It was very emotional. Songs like that typically have a way of just falling onto the page Was it easy for you to write about acknowledging what mothers go through during your songwriting process for "A Good Woman?" It was easy. I understand it so much better because I'm also a mother. I know how hard it must have been on her and how good it was at times, the ups and downs of motherhood that she endured. It's a testament to pure unconditional love, and in my opinion, nobody does it better than a mother. I must add that my dad is one of my favorite human beings on the planet, and when he first heard the song, he joked, "When are you gonna write a song about me"? We have a very fun-loving relationship, and he instilled in me a good sense of humor at a young age, so I'm grateful for that as much as anything. I was always a daddy's girl growing up and thought he hung the moon, but it took me becoming a mother myself to understand her role and example in my life and appreciate it the way I do. What can listeners anticipate to hear next from you? Hang on because my next single gets dark… It's a song I wrote to a vision that I had that came out kind of haunting. The music video will capture the visual aspect of it in a way I've never done before. It'll be very different from anything else I've ever released. I can tell you that. I can't wait! I'm hoping it will be ready by the end of January or February. I want also to add that I'm so grateful and appreciate your support and interest in my music! God bless! Instagram Facebook

Ben Harold & The Rising is an Americana, Roots-Rock band hailing from Milwaukee, WI. Creating a unique yet familiar approach to their genre, Ben Harold & The Rising's signature sound could fit in any variety of eras yet remains modern and exclusive to the band. As we focus on their latest 10-track album titled, 'These Days,' we hear that they explore the complexities of being human in extraordinary times. Kicking off the album with "Just a Ghost," Ben Harold & The Rising aims to deliver an immersive experience that has us embracing the emotion they pour into their art. Piloting through an innovative storyline with creativity flowing, the album's introductory single brings an amplified sense of ease as you cohere with the storytelling techniques the genre of Americana tends to bring to the grander scheme of sonic ventures. "Just a Ghost" portrays the tale of a woman who has set aside her dreams and aspirations so that her four kids might live the life she never had. Sustaining guitar riffs, timely percussion, and a memorable bassline amalgamate to convey an intimate foundation for the reverberated timbres to lay upon and further cast out the perfect introduction to the album. Taking us into the next single, "I Am Weak," the transition perfectly meshes together as bright keys become a showstopper in this masterpiece. Picking up the pace and propelling a smoldering vocal performance sweeps the soundwaves, drawing towards the liberation instilled in this particular single. With a deep quintessence that's laced into the repetition of the chorus, the strength within the words 'I am weak' gives us a sense of hope in this interconnected fashion. "Bad Luck" plays into a darker soundscape with textured guitar riffs layering in a multidimensional manner. Bringing forth a raw grit in the overall performance of this track, we get to spiral into transcending instrumentation that delicately trickles through the speakers. Adopting the trademarks of a perfect musical foundation, there's a therapeutic nature to this track as it embodies realism in the realm of classic rock/Americana. As we slow down the tempo and tour the melancholic "Walk Away," we can't help but fixate on the way the percussion simmers in this universe of heartfelt croons. 'When the smoke clears, you can see who started the fire' happened to be the lyrical motif that pulls us deep into its grasp. The brilliant use of timing and space in "Walk Away" gives us time to let the words sink in and the emotion we feel take over. Making this a seamless transition of grooves reiterated, we all need that reminder that it's okay to feel what we do. "Needle" takes us to the halfway point of 'These Days,' and acts as the psychedelic hit we need to embrace. Warping our veracity as the rhythmic grooves chug away, there's a unique, head-spinning spectrum of rock that has us hypnotized by the lyrical content produced. Being a standout moment for how the instrumentation coincides with every element heard in the background progressions, we admire the infectious pull that "Needle" has over us. Gracing us with the tantalizing sounds of "Lucy," the protruding synth chords performed to give us enough melodic sustenance to embrace the realism depicted. Another impeccable demonstration of the storytelling elements that Ben Harold & The Rising bring to their creativity, we're fully invested in the wistful words that etch themselves into our brain. Minimalism is a theme in this record as the importance lies within the lyrics powerfully sung. If feeling your emotions were to come from any song in particular on this album, you would find it on "Lucy." Buoyant with the energy felt, we get back into the complexity of Ben Harold & The Rising as we take in all that is "On The Run." Swaying us into luscious guitar riffs that are met with tightly knit drum patterns, there's a sense of optimism that comes from how this album unfolds. What we love the most is that at any given point, you can pick up on each instrument that rounds out the top-tier mix quality of 'These Days.' As a result, each sound has its time to shine and to amalgamate with one another. Taking us right into the melancholy resonance of "Melody in Silence," we need to credit how the irrefutable timbres exclusively nuzzle themselves into the beat, furthermore, into our ears. Feeling the soul intended to harmoniously seek out emotions and thought, we get transported to this place of vivid imagination as we interpret the imagery of our own to match the narratives professed. "Melody in Silence" may not be the definition of mute, but it certainly brings a sense of stillness to our life. Creating a myriad of layers in the blatantly surfaced sounds of "What's Done Is Done," there's a freedom that comes from this composition as a whole. Leaving us to turn the volume up and bask in lyrical motifs such as 'the brokenness is flowing like a summer dress,' we get to tap into our colorful imagination as Ben Harold & The Rising convey a magnificent performance that is more than memorable in our books. Leading us into the final track of 'These Days,' with poise and sophistication, Ben Harold & The Rising sure know how to form a tracklist. Shuffling our way to the album's final piece titled "Steady as She Goes," we get to end on an intimate note of authenticity. Taking in all that was projected in the other nine tracks before the concluding tenth, we admire the sway of the relaxed grooves steering us into the prolific recap of 'These Days.' Introducing us to the angelic croons of a female vocalist, this addition leaves us with the perfect bit of closure to fill our hearts, minds, and souls. One thing remains vastly apparent throughout the entirety of 'These Days': Ben Harold & The Rising have a sound that calls out to your attention. Welcome to BuzzMusic, Ben Harold & The Rising. Congratulations on the release of this flourishing project. You all sound so wonderful together, and we can truly pick up on the energy that takes you into a newfound dimension. Could you please introduce listeners to the band and how each member brings the vision to life? About two years ago, when this band was first coming together under the name, "BenHarold" it became very clear from the start that the full band needed to be acknowledged because it was a true collaboration of musical talent, sensibilities, and input. While I (Ben) am the lead singer/songwriter, each member shapes the song's style and arrangement. Every song on "These Days" carries the personal mark of each member of this band and many were completely changed or re-recorded because of everyone's influence and ideas. The Rising is: Ben Harold: Vocals, Guitars. Carl Crumbliss: Bass. Dan Kolesari: Keyboards. Joe Howard: Drums, Background Vocals. Ken Zabler: Guitars, Background Vocals. In terms of themes, sounds, and heart, what do listeners have in store when tuning into ‘These Days’? Listeners, we hope, are going to hear themselves in these songs. They are a collection of stories all written during a time of major shifts in our lives--both individually and as humans. We just tried to give those themes the proper and most fitting vessel to carry them. What was your reasoning for placing “Just a Ghost” as the introductory single on this album and “Steady as She Goes” and the record’s closer? What statement do you want these songs to make on the themes addressed and you as a band? Just A Ghost means a lot to me personally and was the first song written for this project. It's a song that we think a lot of people can relate to and quickly feel like they understand what it means to live during These Days. Steady As She Goes came to me during quarantine as an answer to the inner upheaval I was feeling as an artist. It was the message I needed to remind me that no matter what you do, you can't stop life from pressing forward. Steady As She Goes, we will be together at the corner seeing smiling faces and tapping toes to music, together. Placing those songs as book ends just felt right and was really a no-brainer for telling the full narrative. How much of ‘These Days’ is based on your personal experiences? How important is it for you to take this personal aspect into your creations? I think it's all directly or indirectly a personal experience to me. These songs either came out of my own life or out of the stories of those around me. If you listen long enough to people you can't help but be moved. I think it's supremely important to write from a place that is personal because then it's genuine. It has to mean something to you in order for you to embody it in your performance. Those are the stories people relate to best. How long did it take for ‘These Days’ to be created? Could you please shine a light on what the creative process entailed and who else helped to bring this vision to life? The plan was to begin recording These Days at our own studio in early March 2019. Yep. We had scheduled everything out months in advance when the global pandemic shut the world down about a week before we were going to hit record. Over the next several months we did the little things we could do when we could do them safely. Eventually, with masking and vaccines, we were able to get together again to work on the project as a team. The benefit was it gave us more time and many of the songs developed into better versions of themselves. Everyone in the group really dove into each song and as a result, we found ourselves as a band through the recording and production process. Everything you hear on These Days is a product of a band who cared equally about each song on the album. You can hear parts that were written by every member of the group throughout--the only kind of band I'd ever want to be a part of. The album was mastered by Justin Perkins at Mystery Room Mastering. Instagram

Held to a high standard, and known to deliver on that, Cris Ponce, affectionately and professionally known T.N.L.C reigns supreme from the simple city of Tomball. Finding vast inspiration from American Hip-Hop artists such as Logic, Kendrick Lamar, and Mac Miller to name a few, Cris Ponce shares his knowledge with his audience while being fully absorbed by his musical roots. Looking to be the next life changer on his everlasting journey, he taps into his inner self to obtain a genuine mindset for his flow and rhymes. Releasing the highly anticipated album, “SHOES OF A BEGINNER, MIDEST OF A WINNER,” T.N.L.C focuses on his lyrical dexterity as he explores 20-tracks that are sure to captivate any listener. Portraying his imaginative side all while letting us into his world, T.N.L.C makes sure that we get to take in the full scope of his artistry through the vessel that is this collection of songs. An ambient world opens our minds to the versatility he has hidden under his sleeve as “A TEMPTING NEW YEARS” immediately expands on our mindset as we embrace the lo-fi hip-hop grooves present. Accompanying the spoken word tribute that T.N.L.C disperses to us before the familiar countdown is heard, he takes us right into the next track presented on “SHOES OF A BEGINNER, MIDEST OF A WINNER.” Carrying out the fireworks and theatrical appeal of his grand entrance throughout the entire album, the atmospheric “SAVE ME A SPOT” has us tapping into a more simplistic musical foundation that evolves with jazz-like components before the rhythmic grooves kick in. Similar to what we hear towards the end of his album on “AIN’T NO LOSS,” T.N.L.C’s vocalization divulges the hunger that lives with him and the dedication he continues to carry forth. Buttery with his rhyme schemes, the emcee that lives within T.N.L.C depicts numerous truths we’re exposed to through the duration of “SHOES OF A BEGINNER, MIDEST OF A WINNER.” Tracks like “RIGHT NOW” and “KILL IT!,” have us playing into an effervescent universe that greets us with poise and anticipation. There’s vivacious energy hailing from the high octane performance as we bop along to the drum patterns in an infectious way. However on “RIGHT NOW” we hear the combination of T.N.L.C’s forward techniques as a rapper, which adds a unique texture to the more mainstream approach that is heard with a female vocalist belting out emotions front and center. All while “KILL IT!,” still holds onto the underground appeal that places it in its own category. Hearing how Lo-fi collaborates with old-school Hip-hop numerous times throughout this album, records like “AFFIRMATIVE,” “W.L.I.A.S,” “20XX,” and “WHO DO I TRUST” have us admiring the storytelling skillset that T.N.L.C has us discovering with our full attention in the mix. Embodying the nostalgic fuel that Hip-hop heads effortlessly convey, T.N.L.C keeps the roots of Hip-hop alive, all while staying relevant in the new wave. We have to give credit where it’s due, and it’s hats off to the production quality bringing us mesmerizing samples used in the compositions upon us. “HOORAY,” is a prime example of how drastically the use of samples can steer a song into a vision of its own. With the continuous production transitions heard on this track, we ultimately come to an overwhelmed T.N.L.C as he brings us the raw grit that we need from his emerging self. Going from this record right into the soothing vibrations of “SPAZZIN’,” we’re immersed in the rollercoaster of buoyancy that is portrayed in this tracklist. Emitting a lounge-like realm that has us equally satisfied as it does intrigue, there’s a vigor that wraps us in flourishing certainty. When we come across songs like “OVERTHINKING IDK…,” and “EVERY AMEN COUNTS,” the potent belief system of T.N.L.C takes a stance on racial beliefs and his faith as a whole as we get to sway between the presence he makes known. “MEETING THE GREATEST” sweeps us into a spectrum of R&B as the reverberated essence of T.N.L.C’s slick cadences approach the tracks sample in an innovative manner. Hearing a cry for better days ahead, the blossoming evolution of T.N.L.C takes us through this album in a manner that is swift and transparent. Vulnerability is the name of the game when it comes to the words that he pens. There’s no denying what lies beneath the surface as T.N.L.C ensures that it’s brought to the table every time. Intermissions tend to be key when digesting a project that holds such substance. “HEAR ME OUT (INTERLUDE),” still aims to bring us the artistic talents of T.N.L.C’s vocalization, but tours us down a road that is more pacifying, along with “SUMMER WIND (SCENE)” being the perfect interlude as we enjoy a skit that provokes thought and greases us up for what’s to come on the remaining songs we’re eager to take in. Like any great album, we hear the lengths an artist will go to in order to make their listeners feel as if they truly know the individual behind the art. Keeping us on our toes as we embrace this theme, lush guitar riffs and a new flavor of psychedelic rock meets Hip-hop unveils soothing ballads titled “WE IN IT TO WIN IT,” and “MORE THAN JUST EARTH.” As T.N.L.C embodies a conscious headspace we adore his transitions between forwarding lyrics that grace the composition in a more in-depth look at how he holds onto his emotions while thinking with his head. As we come towards the end of the project and get graced by the title track “SHOES OF A BEGINNER, MINDSET OF A WINNER,” all that is T.N.L.C unravels in a more coherent fashion. Taking this opportunity to boldly take us into what gives him the mindset of a winner, we hear just how his perseverance, faith, and leaps into this role have, and will, take him towards what he’s destined for. Completing this inevitability with a daring, synth Pop twist with “THE LAST MESSAGE FROM EARTH,” T.N.L.C takes us for one last spin, towards the end of this project, in a similar way we came into it. In a display of spoken word, a message of truth, and where he wants to be in life, he understands what he has to do to get where he needs to be and is eager to bring it to his audience while being creative. Ending on an electronic note that completely spirals the entire masterpiece into an intriguing suggestion of food for thought, we leave this piece feeling completed. The thought that went into this album has not gone unnoticed. We are completely blown away by your versatility and attention to detail! What inspired such an eclectic sound to this full-length album? So yeah, the diversity for this album was really what I wanted to show everyone for my debut. I want to show that I can get on a beat and make a song and either a catchy and vibey song or a more severe storytelling track. This LP is easily one of the best albums, and I'm saying it. It's the most underrated and album of the year. It beats anyone when it comes to story feel. The sound might not be radio good, but I am a one-person team as well. I feel proud of what I could do for myself. What's the message behind "SHOES OF A BEGINNER, MINDSET OF A WINNER" as a whole? What struck up the inspiration for the album title? It's a perfect and hidden message that not many might notice, but it's about me being at my weakest on September 1st, and I slowly was growing my inspiration to music when I was at the lowest point of my life. It was over a relationship, and it's something not to get sad about. I came up with the title as I was starting my music career, which explains the shoes of a Beginner part. A beginner always has rookie mistakes. That explains the mixes I have for some songs. I'm one year in making music, and I slowly became stronger and better at my craft. Months and months of work were put into this project, and I have other versions of most of the final songs in this debut. The Mindset of a winner was me making this album as diverse as possible, giving different vibes, and slowly mastering the flow and my delivery for vocals. It has been shown that my growth has been demonstrated in this project. How would you describe your headspace from writing the album to where it's presently at now? Have any significant changes occurred in the way you view yourself or the life you live? I can take around one to a few hours when writing a song, sometimes days and even months. I can tell you that the easiest and most open song that I have on this project was reported around 30 minutes or less. I cried with sadness because I wasn't in the right place when I was dealing with personal problems in my life. But I can tell you that I really can make anything catchy. I'm the king of that. I don't feel cocky. I am just confident. Life right now is better than ever. Underrated, but we going to make it! Out of all 20 songs heard in the collection, do you have one that resonates with you more than others? Why? I have way too many songs that I feel a spark of enjoyment. The one that speaks to me the most would either save me a spot, right now, hooray, we in it to win it, hear me out, overthinking IDK, every amen counts, or who do I trust. There are many, but If I had to choose, I would prefer to overthink Idk. I fell in love with it. This is one of those songs I felt the happiest making but yet overthought about a lot. It was easy to write about. I just needed to find the right delivery. Easily one of my favorites and best IMO. What was it like piecing together all of the creative details we get to explore? How long did the creation process of "SHOES OF A BEGINNER, MINDSET OF A WINNER" take you? This album roughly took nearly one year to make. Mid-December 2020 was the beginning of the idea. Each song belongs here. None are skipped IMO, and they all have a story to tell. I had a lot of many other songs, but I made sure to make this as mainstream as possible. I can tell you that this is just the beginning as I'm efficiently improving the second. Instagram Artist Website

Stirring our souls by way of Vancouver, Canada, singer-songwriter and r&b/soul recording artist Alexandra Beck releases her passionate and gripping single, "Mixed Signals." Alexandra Beck is a fun-loving and stage-devoted performer who never fails to capture an audience's undivided attention. The Vancouver-based recording artist has performed on various big stages across North America, and for much of 2021, she's been hard at work in the studio creating her debut album. Recently releasing her fiery and passionate release, "Mixed Signals," Alexandra Beck said that she's more than grateful to have worked alongside such a talented and dedicated producer and songwriter like the Grammy-nominated Roy Hamilton III. Alexandra Beck also mentioned that the new release perfectly represents where she's headed as an artist. So, without further ado, let's dive into the latest release. Hitting play on the single, "Mixed Signals," the track kicks off with Alexandra Beck's powerful and profound vocals alongside a warm and robust piano melody that sets the song's bouncy, rhythmic, and soulful tone. As she begins to sing of a past lover giving her mixed signals in terms of where they're headed and where they stand, Alexandra Beck reminds herself that all he really wanted was her body, a sadly relatable tale. This song somehow reminds us of Amy Winehouse; there's something about Alexandra Beck's gripping vocal stylings paired with her brass and piano instrumentals that give us all the attitude, sass, ad power we could asf for. As we continue moving and grooving through the song's heavy atmosphere, we make our way to the outro while Alexandra Beck closes the song on a note of reflection and contemplation. Clarify those "Mixed Signals" with Alexandra Beck's latest soulful single, now available on all digital streaming platforms. Welcome to BuzzMusic, Alexandra Beck. We want to start by saying how moved we were after listening to your latest single, "Mixed Signals." What inspired you to write such an emotional and honest song like this? I honestly was so desperately hurt and angry after I fell for a guy who I thought was so perfect. He ended up being so good and sneaky at deceiving me into believing he wanted to love and a life with me but couldn't commit when things started to get more serious. I feel like us Millennial, and Gen Z women have to put up with a lot more b$llsh%t dating men these days than women have historically ever experienced. I just wanted to reflect on conversations many of us women have together and place the topic out in the atmosphere in a song. We, women, are sick of sickly smart f*%k boys. Like can't they just be upfront if you want casual sex or a relationship? These guys don't need to trick young women into having casual sex - honestly, say what you want so fewer feelings are hurt! The worst part is our generation of women is particularly smart, independent, and confident! We deserve so much better! Controversial, I know - but it needs to be said. What was it like working alongside such an experienced and devoted producer/songwriter like Roy Hamilton III for "Mixed Signals? How did he help execute the vision you had in mind? Roy's main role in Mix Signals was mixing & mastering a beat from an anonymous beat maker for the song. Roy is just amazing at balancing all the levels so none of the layers outshine the others. He really has a gift for mixing- and really helped me execute the dark vibe & sound I wanted for this song. I worked on this song virtually with Roy(he lives in Toronto, I work out of a studio in Vancouver), but in the past, I have recorded vocals in the booth with Roy. He's so crazy good at creating a vocal comp that I don't even need to go and say "hey I liked that take better." It's like he read my mind about which takes were my fave. Most importantly, Roy is an incredible person who really believes in my vision and my music- he makes me feel so comfortable to do what I want, and he lets me be creative/my own boss! He is one of the most humble people I have ever met in my life. Considering Roy's achievements and accolades, he could be talking himself up for hours - but he's not in it for that - he just loves the music. Roy's role in the project significantly helped my mental health when I was hurting a lot with personal baggage at the beginning of this project. He reassured me he would help me get focused, centered, and finish my music. How long did it take you to finalize your lyrical content for "Mixed Signals?" Was it easy for you to write about your experience with troubled love? I wrote the chorus very quickly in one night when I just had a feeling. The lead vocal melody and the lyrics came to me at the same time- which is rare! I usually hum out my melodies, journal a bit about a feeling, and then add lyrics based on the journal entry. I finalized the whole song's lyrics within a couple of days after that first chorus. The strongest songs I always feel are the fastest to write because they inspire me the most. I found it easy to write about because my lyrics are honestly exactly what I felt- I didn't feel the need to search for any cryptic meanings, or symbolism, etc. How does "Mixed Signals" represent where you're headed as an artist? Should we expect sassy, soulful, and powerful r&b tracks like this in the future? Oh wow, what a lot of kind words to hear from you guys! This song is probably the most soulful of all the songs I have ever written. That being said, all the songs I'm currently working on are in similar production and R&B sound vein for sure! My sassiness reflected in this song honestly best reflects my personality and bubbliness in real life. Also, power is where I find pride as a vocalist. As women, we are told to be quiet, more feminine in our speech, and more controlled. So for me singing with power makes me feel so empowered as a woman. What's next for you? Mixed Signals is the first single from my debut album that I'm working hard on finishing right now! So stay tuned for full-length work from me ASAP! I want to move to LA to pursue music when my career is at a level where I can get an artist visa to live in the United States! It's a huge & very difficult goal of mine that I know I will achieve one day in the near future. Instagram Facebook

The Austin-based singer-songwriter and genre-bending recording artist, The Psychos Of Soul, releases his sultry and explosive debut single, "Like You Used To." The multi-instrumentalist prides himself on his versatile sound that merges genres like grunge, blues, rock, and pop, inspired by acts like Nirvana, Royal Blood, Soundgarden, The Black Keys, Post Malone, and more. The Psychos Of Soul is not just an organized sound but a sacred outlet to harnessing true inner expression. Recently releasing his heavy and gripping single, "Like You Used To," The Psychos Of Soul drenches us in a powerful and bluesy sonic atmosphere with hints of grunge, hip-hop, and pop. The song's lyrical content expands on a rather intense theme, as The Psychos Of Soul reminds us that love might be tender, but it can easily be tainted with jealousy, resentment, and bitter impulses. Diving into "Like You Used To," the track takes off with a growling bass-like synth, airy mid-tempo drum breaks, and The Psychos Of Soul's haunting and sensual vocal stylings. As the grungy and crunchy electric guitar begins to pierce our speakers, The Psychos Of Soul make his way over to the hook while summoning all the lust, passion, and stimulation we can ask for. As he blasts off into a heated and fiery sonic space, The Psychos Of Soul continues to drench us in the aches and pains of a tumultuous relationship, where love is often associated with pain. We can't get enough of the sexual and riveting atmosphere that The Psychos Of Soul offers within this delicious hit, especially as he blasts his way to the outro alongside the wailing guitars and crashing drum breaks. Catch The Psychos Of Soul's sweltering and steamy debut single, "Like You Used To," on all digital streaming platforms. Welcome to BuzzMusic, The Psychos of Soul. Congratulations on releasing your powerful and steamy debut single, "Like You Used To." What inspired you to create this sultry and exciting single based on tumultuous love? This song is an untraditional "love song," it was inspired by a passionate relationship that eroded quickly and intensely. I had been experiencing the same situation with relationships flaming out and the lingering feelings of not being good enough, whatever, and had written them off, as just not meant to be. Then I met this girl, who was everything I was looking for inwardly, character-wise, etc., and physically. Things were unique, exciting, etc., for a long time, and just as I thought things could work out, little by little, things started to erode. Like there was this subtle, subversive change in the energy between us that we both picked up on, and I felt that we both wanted to avoid but, in the process, ended up creating. Like our own fear of losing each other started to fuel this jealousy and distrust that made the situation neither of us wanted. This song captures that moment when you know something is amiss, and you feel your partner slipping away from you, but there's nothing you can do to change it, like the more you want to keep things together, the more intensely they fall apart. I think this song portrays the mental toll that can take on someone, conflicting emotions, especially as a man, or just trying to tough it out, keep your head up, not show weakness, etc. When you feel intense pain but have these lingering feelings that you can't shake, you are too proud or weak to admit that you are contributing to the situation and don't want to lose at the game of love. It was like our attraction and love for each other ended up fueling our jealousy and hatred for each other. It's just a song that digs at the nature of love, the gamesmanship of love, and shines a light on the dark things most love songs avoid, like envy, bitterness, and revenge. The song's main riff is a unique way of playing a traditional blues riff, which inspired the lamenting vocal style. Why did you choose to release "Like You Used To" as your big debut single? How does this song properly introduce us to who you are and the music you create? The debut album that is in the works thematically really details my struggles and growth spiritually over the last couple of years. The experiences that inspired this song deeply affected me and were a catalyst for a lot of personal development and growth. So from a storytelling perspective, this song sets the stage for everything to come. I enjoy creating things that are real, you know, visceral, songs that are too cliche, bug me, and don't resonate with me, so from that perspective, I think this song introduces my musical and storytelling style. The songs I write are low-end heavy, rhythmically charged, and the choruses are cathartic and explosive, so this is a pleasant taste teaser of everything that will follow. Did you collaborate with any musicians or producers when formulating "Like You Used To?" Who helped bring your vision to life? I wrote and recorded every instrument of this song myself (the drums, which I created using an app). I worked with Brent Kolatalo(producer/mixer) and Max Lorenzen(mix engineer/mastering engineer) on the production side of things. Brent really took my rough draft and gave it some structure, as well as some ambiance to help create the mood, cleaned things up, and sort of laid the foundation for everything sonically. After working with him, I upgraded my recording equipment and re-recorded large chunks of the song, then Max took over and was able to refine the song exactly how I had envisioned it. I loved working with him; he is incredibly patient, diligent, and he could see what I was seeing and create it! He's a straight harry-potter style wizard, and I would recommend him to anyone looking for an engineer, especially in indie rock/pop or experimental genres! How did you want to make the listener feel after experiencing "Like You Used To?" What thoughts or feelings did you enjoy the song evoking? I hope this song resonates with people who are looking for love and struggling in relationships. I wanted to evoke a feeling of trying to tough things out. In contrast, being hampered by this intense feeling of weakness and pain and walking the listener through all of the conflicting emotions and thoughts associated with having feelings for someone in a relationship that you know isn't going to work out. What's next for you? I wrote this song entirely by myself before I had a band, so I'm focused now on just creating the best live set possible, with a mix of originals and covers. I'm also continuing to write and refine the songs that I have for the upcoming album to continue to grow my discography and audience! Instagram Facebook

As he heavily leans into the wave of a new and refreshing sound, Sydney-based indie-pop artist Jeffrey Chan is following his latest success with a retro-influenced synth-pop sound and giving it a modern twist. Navigating through his inimitably crafted hues with ease, many have deemed him talented enough to have a breakthrough artist of the year potential. With his most recent single, “You Only Want Me When I’m Gone,” taking a nod to the nostalgic 80s era with its reminiscent qualities deeply etched into the musical foundation, we’re heavily sedated by the lush, jaunty guitar riffs flooding our speakers. Jeffrey Chan has a distinct vocalization style with the powerful rush that drips from his mesmerizing croons as soon as he graces the track. Feeling a vibrating resonance from the bellows protruding, we hear how “You Only Want Me When I’m Gone” sways into the narrative of knowing your worth in a relationship, and putting your needs first as you make decisions based on your best interest. Including the difficult choice of having to cut ties and part ways from someone that you invested so much time in, Jeffrey Chan highlights the bittersweet journey that will have you reminiscing on moments that reflect your personal experiences. As we take in the meaningful record and explore the toned back verses, we have to admit that we’re filled with a burst of energy as the chorus kicks into high gear. There’s something so beautiful about the way that “You Only Want Me When I’m Gone” transports itself into our minds. Holding onto all trademarks of a break-up song, finding your strength and inner worth makes self-love a prominent theme across the board of Jeffrey Chan’s masterpiece. Grasp onto the intoxicating melodies of Jeffrey Chan with “You Only Want Me When I’m Gone” on all streaming platforms. Congratulations on the release of "You Only Want Me When I'm Gone." We love how you took a break-up song and infused it with new beginnings and self-worth. With many people struggling with that inner strength, do you find that you're finally in a good spot where you make choices based on self-love? I like to think that I always put myself first, especially when it comes to love and relationships, as selfish as that may sound. I think the great thing about relationships is that it always teaches you something new, whether it be about yourself or about the person you're with. With this new song, I wanted to explore how you realize having to put your feelings first but that you shouldn't be grieving about the loss of the relationship but celebrating the love you had and all that you've learned. Could you please share a glimpse into what the creative process looked like when bringing this song to life? The title of this song was just a phrase that came up in everyday conversation with some friends when I was telling them a story. Many of my pieces come about this way, starting as phrases that I find slipping into my life daily. This phrase, in particular, stuck with me, and from there, it grew into this song that draws a lot from the '80s and 90's soft rock and new wave vibes. This one came naturally to me, especially the lyrics. Usually, as I'm writing my lyrics, I usually find that I can visualize what the video will look like, so it's a creative process that works in tandem - and this one in particular just had such 80s MTV vibes. To it, which is how the video turned out! Knowing that this is a new route for your signature sound, what inspired you to tour through nostalgia and play into the genre of synth-pop? I think I've always had a huge interest in music from the '80s and 90's - it's probably some of my most-listened-to music. At the heart of it, I am a massive sucker for classic pop gems, and I love a good ballad, so I think this is where this track stems from. I believe with all my music, I aim to have something in there that is undeniably catchy, and I guess you could say all of my music falls into the 'pop' category. Still, I've experimented with different genres here and there. I've found myself in the synth-pop side of things more with these past few releases, and I think it works well with my songwriting and vocal style! From writing this song to releasing it, how do you feel you have grown as a person and artist? In the past year and a bit, I've switched things up and released four singles (this being the fourth) and let each one have its moment in the spotlight. I'm used to writing and releasing whole bodies of work, so this is a nice change of pace for me in that I can constantly evolve and shift my sound ever so slightly by what I'm inspired by the most. The past year has been my most successful to date, and as a result, I have grown a tonne as an artist and as a person in my professional and personal life! Instagram Facebook

Pouring her heart and soul into the artistry she divulges to her listeners, Pop artist Demi Michelle speaks from a place of truth on her new album “Dear Diary.” Known for bringing forth a distinctive listening experience while exuding an alluring persona that we adore, Demi Michelle slips into moments of heartfelt expression and vulnerable tenors as the 11-tracks heard on this project are meant to reflect the personal experiences she’s endured throughout her life this far. Working with engineer extraordinaire Robert McCutcheon in the studio to bring a more hands-on touch of her creativity to the table, Demi Michelle also credits her friend and guitarist, Luke Wood, for bringing the vision of “Dear Diary” to life in a robust fashion. Fueling our lives with depth, warmth, and a kind heart showcasing her journey to the fan base she cherishes, Demi Michelle embodies courage and fearlessness as she conveys her tales through the creation of the 11-tracks so graciously offered up. Read our full-length interview with Demi Michelle, here. Instagram Facebook