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The NYC-based Billboard Award-winning singer-songwriter and rock musician Jeff Tuohy releases a stimulating and gritty jazz-infused single entitled "The Devil's in New Orleans." Known as a daring and multifaceted performer, Jeff Tuohy has impressively toured across 41 states. Also landing on over 120 radio stations with his debut album, 'Breaking Down the Silence,' Jeff Tuohy is currently gearing up to release his forthcoming album 'Hudson Delta.' Now releasing his forthcoming album's lead single, "The Devil's in New Orleans," Jeff Tuohy fuses various genres into this magnetic single, offering sounds like jazz, country, and alt-rock. Through his raspy and versatile vocals, Jeff Tuohy keeps us engaged with each broad-ranging aspect of this heavy-hitting single. Diving into "The Devil's in New Orleans," the track opens with a savory downtempo introduction through heavy drum breaks, a thumping bassline, melodic piano, and a sassy brass section. As Jeff Tuohy begins singing with his low and mysterious vocals, he delves into themes that expand on the heroes that live amongst us and the devil who resides in New Orleans. We honestly can't get enough of this single's irresistible and dark tones, as Jeff Tuohy goes from crooning to belting and back into his soothing whisper. The highlight of this track has to be the deftly created and catchy hook where Jeff Tuohy and his surrounding instrumentals seep through our speakers like an ever-flowing river. We're more than impressed with this song's lyrical and instrumental dexterity, as Jeff Tuohy transports us back to back to the haunting alleyways of the Big Easy. Tap your feet to Jeff Tuohy's alluring single, "The Devil's in New Orleans," now available on all streaming platforms. Welcome to BuzzMusic, JeffTuohy. We're stomping our feet to the heavy beat and feel of your dynamic single, "The Devil's in New Orleans." What inspired the creation of this mysterious and haunting single? The song came to me while drinking in Highland Brass Company- a bar once owned and conceptualized by my friends, Dimitri and Corey. They were hosting a Holiday Miracle, pop-up. Talk about juxtaposition… What sort of message or concept did you aim to deliver through your lyricism within "The Devil's in New Orleans?" The lyrics are a commentary on the history of religious turmoil and how pop culture became part of our society’s theology. There are places and outlets where ‘God and the Devil’ seem to pull you in opposite directions. Sometimes people further their devilish intentions in the name of God. New Orleans has those conflicting vibes- beauty and culture versus temptation and gluttony. I love it. Did you collaborate with any musicians or producers when creating the exhilarating instrumentals within "The Devil's in New Orleans?" My philosophy is: hire the right people, give them a guideline, and let them experiment. Otherwise, you’re not fully utilizing their unique talents. “The Devil’s In New Orleans” has improvisational components. Dan Asher’s bass and Randy Schrager’s drumming created a deep groove. Randy then went back and overdubbed cymbal screeches and percussion to create the voodoo-inspired sounds. Pat Firth’s piano chords are intentionally angular and dissonant. Dave Archer’s organ is meant to sound like you’re on a bad trip. Harnessing the chaotic, avant-garde ending was instinctual since Nick Biello arranged a section of killer, New York jazz players. Brian Forbes’s role in co-production and mixing is crucial to this recording. It could’ve sounded like a wall of shit without his skills behind the board. How does "The Devil's in New Orleans" correlate and fit into your forthcoming album, 'Hudson Delta?' 'Hudson Delta' is a road trip through the last 12 years of my life. I’ve toured the country, visited places from New Orleans to Hill Country, and held residencies at Irish pubs in Manhattan. The experiences, cultures, and people influenced these sounds and stories. “The Devil’s In New Orleans” is one of those snapshots. A record executive warned the song doesn’t sound radio-friendly. I don’t care about that; particularly while creating. I care about authenticity, and I think that’s reflected on the album sonically and lyrically. Instagram Facebook

Soaring in from New York City, the accomplished actor, musician, dancer, singer-songwriter, and pop/rock artist Bobby Páraknight releases a lively song of the summer entitled "Bathe in Sunshine." Well-versed in various musical genres, Bobby Páraknight mainly creates music influenced by sounds like jazz, pop, folk, rock, and classical. Having collaborated with different musicians, Bobby Páraknight found his own unique sound while paying live shows around NYC's most famous venues. Now releasing his sweet summer single, "Bathe in Sunshine," listeners are able to sit back and relax with help from Bobby Páraknight's uplifting and bright performance. "Me and my team selected Bathe In Sunshine out of the catalog of songs I've written to kick off the summer; it felt just right, being a very bright and upbeat number," states Páraknight. Delving into the single, "Bathe in Sunshine," the tune opens with an upbeat and fun-loving instrumental arrangement, blessing our speakers with groovy electric guitars, a swinging piano, and bright drum breaks. As Bobby Páraknight makes his way in, he begins letting listeners into a picturesque atmosphere through his passionate lyricism that pays tribute to the peaking summer season. We adore the charismatic and youthful vibe of Bobby Páraknight's performance, as he paints several images into our minds that get us craving the sweetness of our savory summer. With brightly layered vocals accompanied by a soulful array of groovy instrumentation, Bobby Páraknight makes his way to the outro with incredible heart, passion, and life. "Bathe in Sunshine" with Bobby Páraknight's latest single, now available to stream all summer long on all digital streaming platforms. Welcome to BuzzMusic, Bobby Páraknight. We truly appreciate the uplifting summer feel of your latest single, "Bathe in Sunshine." What inspired you to write this fun-loving single? Hello! I wrote it on my piano, New Years' Eve 21. I was playing out some Waltz-y chord progressions and the initial chorus came about. I stashed it away, only to later complete it when we selected it for the release and enter production with my producer. I wrote, intentionally, playful and surrealistic lyrics over it for e.g “I screamed across the universe, Saint Lady Marry Poppins lullaby, I got a letter saying Bobby, they’re prophesied to Bathe In Sunshine”, it could also refer to the limited perceptions and tiny repetitive joys of human life - but, I’m not writing anything on stone and limiting observation hahaha! So I played all the Guitar and Piano parts, asked my friend to play bass on it, and orchestrated a jazz-inspired drum track, out came "Bathe In Sunshine, the first of the summer 2021 releases to come! When choosing songs to release from your catalog, were there any other prominent contenders? What drew you to "Bathe in Sunshine" to release first? I and my team selected "Bathe In Sunshine" out of the catalog of songs I’ve written to specifically kick off the summer, It felt just right, being a very fruity, bright, and upbeat number. There’s an abundance of songs that truly represent my artistic musicality, from Pop to my roots in classic & progressive rock amongst major influences in jazz and electric sounds. Perhaps as a Singer-Songwriter first, some of the best written lyrical pieces, brewing up behind the curtains, which I can’t wait to share are yet to come, songs that are some of the first I wrote to the ones being written now. Here on, I’m glad to truly take the audience into my world. Did you work alongside any session musicians, producers, or engineers when formulating the sweet summer sonics for "Bathe in Sunshine?" I entered production with my producer and engineer closely produced all the elements alongside, live at the studio. I played all the Guitar and Piano parts myself and asked my friend Christian Mckenzie aka thakillerclam to play bass. There was a point, under the sway of an azure summer sky, I was about to call on a saxophonist friend for a solo part lol, but chose a different direction. next time! Do you usually create such relaxing and easy-going tunes, similar to "Bathe in Sunshine?" Or is this single more of a tribute to the forthcoming summer season? There is no limit or barrier for me as a song-maker and I like to create pieces that are truly special and distinctive works of Art in their own right. It’s Art, undone, ripped apart from its molding, and rebirthed. they can be rather heavy, avant-garde, a visceral artistic spectacle, or a simple entertaining piece. I don’t usually create such easy-going tunes but every now and then, a lullaby? I absolutely love to! And this one was especially a tribute to the beginning of summer 2021. In the upcoming releases, people will finally truly get to see and absorb my sound which will be universal but very unique in a lot of ways, songs I’ve written about the complexities of life, the grandeur of reality, or rather a cat and mouse folk tale. What's next for you? I will be truly coming forth as an Artist and entertainer and exploring and showcasing my writing, singing, and also dancing persona, inspired by Gene Kelly to MJ to Fred Astaire or Baryshnikov! It’s about to be a very special and fun ride, so, come together! Instagram

Zuma Quintero is a music producer and DJ based out of Dallas, Texas. Inspired by EDM, Trap, and dark Techno, he also dabbles in the roots of his Hip-hop upbringing. His most recent single, “Trap Angeles,” gives us a view into Zuma Quintero’s rollercoaster ride of emotion through the events of last year. Introducing us to the enigmatic undertones of this atmospheric realm, the foreboding ambiance tiptoes into an eclectic scale of textured distortion in the underworld of futuristic hues. There is a specific complexity that is laced into this purely instrumental composition. Incorporating Trap-style drums, with an Electronic, Dubstep foundation, “Trap Angeles,” truly resonates with us as a song that has its own sonic destination in the way it unfolds. What catches our attention the most has to be the unraveling of the ominous tenors that surface through the various avenues of their own lifespan. “Trap Angeles,” is a song that will heighten listeners' senses as they each take away their own individualistic meaning from the layers sprawled across this record. With a well-balanced offering of elements that are dispersed through the musical crevasses, we hone in on the eccentric mindset that encourages Zuma Quintero to create. Now finding his footing with the sound he wishes to master, we can expect to see Zuma Quintero collaborating with Grammy-winning producers in order to put out music that is up to par with his exceedingly high standards. Hello Zuma Quintero and welcome back to BuzzMusic. With the release of “Trap Angeles,” we love how we get to hear the dark and memorable sounds that immerse us in a sense of mystery. Could you please share a deeper glimpse into the concept that brought this song to life? I was pretty inspired by a lot of EDM trap vibes and spent a lot of time going to LA at night and taking photos since it was really empty due to covid, this is probably the heaviest track on this EP. I had this idea of creating something a bit uneasy and a mind trick as well as focus on the production even more unlike my last project. The Trap is a dangerous place and the type of music has a darker feel…and just like LA at night. I wanted to have both words something along those lines so that’s how the title came about. How does a song like “Trap Angeles” compare to other songs that you’ve created? How long did it take for you to create this soundscape? Honestly, all my stuff has something tied in with hip-hop but I think this one really stands out for the production quality since I’ve been collaborating with Grammy-winning producers on other projects, and having my homie GMBEATZ behind all the mixing and mastering it really helped shaped my sounds because I have a lot of knowledge and everything just fell into place. I do have to say this project is way different from the new music I’ve been working on already. This was a fun experience, experimenting with different sounds and crossing different genres. With every artist having a different creative process, where do you usually seek inspiration in both a musical and non-musical realm? Honestly, I make beats for artists or I’m writing in sessions so I always get to change it up instead of just working on music for myself. I have also been involved with starting my own clothing line and tequila brand so I’m pretty busy and everything I’m inspired by shows it's way back to me in a weird way. What is the message that you hope to send to your listeners with the release of “Trap Angeles?" Honestly, my message is really just to embrace the unknown and when stuff seems like it’s going to shit it’s usually a sign that a bigger blessing is about to show up. On this EP I have a track called Trust Issues and it’s really about asking for the strength to win the battles instead of asking for stuff to be easy and being scared to fail. Instagram

Black Note Graffiti is back with eye-catching visuals for their ultra-catchy, and hard-driving, melodic single, “Knights.” Black Note Graffiti is composed of Gabrielle Bryant (vocals/keys), Kris Keller (guitar/vocals), Kurt Keller (drums), Ricardo Ortiz (vocals/guitar), and Adam Nine (bass). Giving listeners a taste of their latest EP, ‘Volume lll Rise,’ the Ann Arbor, Michigan rock band displays their passion and drive to bring their strong message to the masses. Collaborating on the intensified production with super-producer Chuck Alkazian, “Knights,” delivers us heavy-hitting energy that we personally think is hard to replicate. The filmic component comes to us through a blend of cyanotype exposure and black and white footage, where the reflections that are illustrated show the band performing from a place of deep passion. As we delve into the liveliness that is exposed through a high octane performance, we listen carefully to the narrative that is being reiterated to us. The raw and boisterous vocal delivery, courtesy of Gabrielle Bryant, shines a light on a narrative that addresses the need for change in a systematically oppressive society through empathy and progressive change. As the cinema conveyed in the visuals gives each member their respective time to shine, we appreciate the finer details that take place in the editing as we are showered with an array of edgy effects that transition between each scene. Pairing this with the bolstered quintessence of “Knights,” we sit here perceiving the fury that runs through the veins of Black Note Graffiti, as we embrace this messaging with an open mind, and the drive to change what we can in our reach. Welcome to BuzzMusic Black Note Graffiti, and huge congratulations on the release of your music video and single for, “Knights.” With such a deep message navigating the vision of this song, was there a particular moment or story that shaped the narrative? Ortiz: Growing up in an affluent area without being affluent meant hearing many unrequested opinions of what was “right” based on their narrow worldview. Although this never ceased to invoke my ire, I couldn’t help but see a parallel when trying to convince a friend to leave an abusive relationship/report this to the police. I realized that I couldn’t dictate what was “right” but instead should be listening to determine the best course of action. Too often we are talking when we should be listening, which is the thesis of this song. Could you please share a glimpse into what the creative process looked like when bringing this song to life? How did everyone contribute to the final product? Ortiz: There is always this magic moment when one takes a song idea from out the bedroom and into the practice space. As each person learns their individual part, then reinterprets it into their style, it never loses the impact of hearing it come together for the first time. For me, as the song was originally written for my vocals, it was the moment that Gabby put her smooth spin on the vocals, taking it outside of my realm of limited thought, and infused such transcendental power. Her vocals matched and complicated the sonic punch I weaved throughout the guitars. What was it like filming the music video for “Knights?" Could you take us into how the visuals came together? Keller: The video for "Knights" was shot in one long day with three cameras at Pearl Sound Studio in Canton, MI. Our vocalist Gabrielle Bryant produced and edited the entire video. She just took it and ran with the theme Ricardo intended for the track. Kurt our drummer does all the artwork and website for the band so he had a few ideas as well. But overall Gabrielle just tackled it and it was hell ya THAT'S IT! We are lucky to have so many talented people in this band. Very cool... What was your favorite part about the process for your dynamic EP, ‘Volume III Rise?' Keller: Ricardo nailed this pretty close for me on the answer to your second question. When you have an idea for a song and then you have the other four members of the band add their talent and ideas onto that song, it becomes magic. That original song would never be the same if there were different members participating in the writing. So the original track comes to life and becomes a part of you. My absolute favorite part of making an album is going into the studio and recording it. It is very hard work. Very long days and can be very stressful, emotional, and rewarding. But in the end, you have actual intellectual property that could be heard by someone 100 years from now! I love that. Instagram Facebook

The emerging pop artist and singer-songwriter Olivier releases his stunningly emotional debut single and accompanying music video entitled "War." Not only holding a passion for music, Olivier is well versed in the entertainment industry by way of modeling with IMG models in NY and LA, while also being featured on Times Square billboards, New York Men's Fashion Week, and many more. Also a mélange of various cultures, Olivier takes influence from his American, German, and Haitian descent. Now releasing his heartbreaking and moving debut single and music video, "War," listeners and viewers are able to get a solid and captivating glimpse of Olivier's sweet sound. When asked about the single itself, Olivier mentioned, "'War' is about fighting a war within yourself, acknowledging the uncertainty that comes with internal struggles, and reaching out to others to get help while fighting your inner demons." Taking a look at Olivier's music video for "War," the venture begins with Olivier slowly releasing his inner demons in a rage room and smashing various items to pieces. While he continues singing his emotional lyricism alongside the tender piano melodies, we later see scenes of Olivier basking in the cold winter days and letting us into his vulnerable and fragile state of mind. The video transitions again with scenes of Olivier serenading us by the piano and reminding us to reach out to loved ones when in the middle of our inner "War." We adore the limitless and relatable emotion placed into this video, as it genuinely offers needed elements to our independent music scene. Introduce yourself to Olivier's debut music video, "War," available to watch on YouTube. Find the single "War" on all digital streaming platforms. Welcome to BuzzMusic, Olivier, and congratulations on releasing your debut single, "War." Why did you want to make your debut with such an emotional and moving piece? Why did you choose this song to introduce yourself to new listeners? Thank you for letting me express myself BuzzMusic as I find expression to be one of the highest forms of nutrition. Coming into the music scene as a pop artist, it is, and will forever be super important for me to make music that reflects not only my reality but also the reality of millions of others. My song “War” encaptures this fully with lyrics that came from the deepest parts of my heart. By setting the precedent as something so raw and truthful, I’m certain I will always have a real and legitimate relationship with my fans, as I know many others can relate to topics I sing of. Oftentimes, people, have trouble opening up to others about their feelings, and instead of spilling their whole heart out, they’d rather ease into it. I’m not that kind of person. For me, it’s far more comfortable to be as transparent as possible from the jump so that there are no secrets to my emotions and quite honestly, I think this may be the healthier way of doing it. Coming out with such a moving piece as the introduction to my viewers enables them to feel the real me loud and clear, which is what I am all about. What inspired you to write a single surrounding inner turmoil with "War?" Was it challenging to be so vulnerable when writing this single? “War” was inspired by a vast feeling of loneliness and hopelessness. A large part of it was due to the fact that I had stopped being friends with a few people I was close to for years, and for the first time in my life, I truly had no one to turn to— so I turned to myself. This resulted in me essentially waging war against my own inner demons which is what sparked the idea to write this song as an outlet. Knowing that anybody could hear this song once released was something I had to act blind to in order to put the song out. I didn’t want everybody to know me as a super sad person because I definitely have my good share of happy moments, but in thinking of this concept, I realized that there is beauty in people’s own perspectives of me and the song. You can never please everybody and I’m ok with that because a variety of opinions means people are thinking on their own which I can appreciate. Regarding your music video for "War," did you have any help behind the scene when shooting and editing the video? Or did you fly solo on this process? In regards to the music video for “War”, I did not have any major help behind-the-scenes shooting or editing the video. It was just me sitting alone in my room brainstorming ideas for the music video when I remembered seeing someone on Instagram in a rage room which is what inspired me. After coming up with the ideas for the scenes, I hit up my friend and videographer Darren, who instantly saw my vision and promised to bring it to life. It just so happened that our shoot day was the day after a blizzard so NYC was covered in snow as you can see in parts of the video which gave it that cold feel it was meant to have. What inspired the scenes within your music video, "War," of you releasing your anger in a rage room? Was this meant to represent the chaos in one's mind? Since the song is about fighting a battle within ones’ self, I wanted the video to visualize what that looked like. Being destructive is a clear sign of unstableness and in smashing glasses and printers to pieces, I was able to demonstrate the chaos of what was going on in my mind. Loneliness comes with a load of helplessness which is a feeling that evokes the fight or flight response. The feeling of not being able to control your life is something that will really either make or break you and in this video I let the objects take the hit instead of inflicting it on mental. The fact that there are many lines that can be drawn between the song and video is something I intentionally did to invoke personal perceptions which will, in turn, form an emotional attachment to the piece. It’s almost like when you look at a painting and form your own relationship and perception of it which will forever be unique to you. What's next? Next, is a song about an unstable relationship that is destined for failure. Just as loneliness drains you of your energy, being in a hopeless relationship can do the same. It hurts, even more, when you both want it to work out but it’s just too obvious that the puzzle pieces don’t match. This upcoming song is essentially a last effort to glue a relationship but at the same time acknowledging the hurt of your partner which makes it feel useless to even try. The song will also be accompanied by a music video that will have a million parallels to the lyrics. I don’t quite have a name for it yet, but it will be my most intimate song yet since it’s based on a relationship I had that ended in flames. It will speak of the beginning of the end of a relationship. Instagram Twitter

Lamont Caldwell, the multi-instrumentalist and frontman of rock band MACH22, has graced his audience with a refreshing solo project and single titled, “Wide Open Love.” Hailing from Camden, New Jersey, where he began his musical journey by playing the saxophone and attending The University of the Arts, he then made the move to NYC, transferring to Manhattan School of Music, where he learned vocals, guitar, bass, drums, and piano. Touring with artists such as Dave Matthews Band, Kirk Franklin, Bilal, Jay-Z, and The Legendary Roots Crew of The Tonight Show starring Jimmy Fallon, he is now venturing out with his solo project where he deems this to be his best work to date. As we seize the amplified moments of the high-impact single “Wide Open Love,” we’re fully absorbed in the intensified soundscape as the musical elements make a statement to write home about. The title of the track says it all; “Wide Open Love,” dips into a narrative of sex. Driving his smoldering timbres through your speakers in a way that hones in on the sensual moments, with no restrictions, Lamont Caldwell has us turning up the volume and immersing ourselves in this gritty soundscape. There’s something about the musical layout that has us falling deep into the sustaining guitar riffs and colossal drum hits. Taking us through the verses that are delivered with a more cognizant scope of intricacy, we reach the chorus where Lamont Caldwell leaves it all on the table and places his fiery passion into each word he sheds. It’s truly remarkable how much of a statement is made while Lamont Caldwell hones in on a flair that embodies Classic Rock components, in the realm of Indie meets Alternative sounds. It comes as no surprise that the production was tackled by production architect Chuck Alkazian from Pearl Sound Studios, where this dynamic duo truly elevated everything that is “Wide Open Love.” Hello Lamont Caldwell, and welcome to BuzzMusic. We love that you’ve debuted your solo project and single “Wide Open Love.” The energy that comes from this sends us to an all-time high of amplification. What was it like working with Chuck Alkazian in order to bring this vision to life? Chuck knew exactly what I was going for and also what the song needed from a production aspect. We clicked instantly about music and how to make this song work. It was magic! Was there a particular moment or story that really brought the concept of this song to life? Sex!! Haha! No one story makes my lyrics though. It’s usually a few stories combined to paint the picture like a collage but the main idea is the center of the story. I literally was horny one night trying to go to sleep but I couldn’t get the guitar riff and lyrics out of my head. Song was finished the next day. How has your creative process varied from working in a team setting with MACH22, to working individually on your craft? It was all internal. There were moments when I felt like I was creating with MACH22 but it was all me. I could write and put ideas down at any time at my studio, whether 9 am or 3 am which to me is the only advantage to writing alone. With you deeming this some of your best work yet, how have you found your previous experience to help shape you for this very moment? It is so valuable to have had great players to feed off of in a band. I love playing in a band setting and the bar is set pretty high when you have achieved what MACH22 has. It makes you work harder to make your personal music count to those fans as well as new fans. Instagram Facebook

Grizzy Wynter is a Jamaican-Canadian Hip-hop/Rap artist, actor, and podcaster with two fully released projects to his name. Now exploring his artistry with his third full-length studio album, 'Illuminate,' we hear just how this body of work speaks into finding the shine through the darkness, and Grizzy Wynter's personal journey to sparkle as bright as he was intended to. Kicking off his twelve-track album with the introductory single, “Benjamin Freestyle,” we immediately hear the familiar, and well-established P. Diddy sample from ‘It’s All About The Benjamins,’ which has us eagerly anticipating the lyrical bars that follow. The energy that surges from this freestyle instills a deep understanding of who Grizzy Wynter is as an artist and individual. Swaying through heavy-hitting rhyme schemes, a melodic approach to the layered hook, and the distorted message at the end speaking from a place of negative thoughts, Grizzy Wynter's addresses the beat with a hunger in his tone and makes it known that he’s the best to ever do it. Known for being the lead single off of 'Illuminate,' we have the effervescent and boisterous sounds of “Paperchase.” Enlisting the lyrical talents of RCN Koco, we see why this is the lead single from this body of work. “Paperchase,” embodies all trademarks of a signature hit. The animated energy that stems from the amplified percussion patterns sends us into a frenzy of lyrical finesse displayed by Grizzy Wynter, and the mesmerizing croons that RCN Koco portrays. With lyrics such as ‘Never sleeping on da moolah,’ resonating with us; it’s apparent that these artists are all about getting their bag right and living for the rush of the hustle. Coming to the third track on the album, Grizzy Wynter’s provides listeners with a more intimate ambiance as the tempo gets slowed down and we truly tap into the words vulnerable rapped on “Fantastic Lies.” Opening the song up with background harmonies courtesy of songstress V!ce, we fixate on how this harmonious touch transports us to reverberated vessels of atmospheric conveyance before Grizzy Wynter gets his hands on the microphone. The textured distortion that seeps from his vocal performance allows us to hone in on words such as, ‘She knew her body gave her power and she didn't wanna be weak,‘ further painting an exposed soundscape that is riddled with emotion. Offering up a brilliant feel of contrast, we pick up the tempo on “Loco.” Taking the high octane essence of a Grizzy Wynter performance to a whole new dimension, we instantaneously begin to bop our heads and get lost in the vigorous rush of the instrumentation. Truly fitting into the “Loco,” theme, Grizzy Wynter goes all out with a unique vocal approach that immerses us in the full impact of his robust ways. The way that the chorus is transmitted has us wanting to chant every word right back at him and has us wondering what the vibes would be like at a live performance, where we envision the crowd going absolutely insane for this song. As the piano forward instrumentation kicks into the speakers, and the enticing hi-hats set the tempo for “Same No More,” this is the versatile moment that we’ve been waiting for. Grizzy Wynter exudes an authentically charged conveyance of his melodic timbres, as he delves into a medley of thought-provoking lyrics. Consistently igniting the sentimental flame within all of us, we reach into our hearts and grasp onto the warm invitation that is extended to us in “Same No More.” We admire this side of Grizzy Wynter, as the refreshing instance proves that he is well-rounded in his craft. Taking us to the quick-paced, yet well-thought-out interlude that features Negative Thoughts, we hear the familiar voice that made itself known in “Benjamin Freestyle.” With this voice acting as the voice in Grizzy Wynter’s head spewing up words of how he should be grateful, and depending on the negative thoughts, we are amazed at just how far Grizzy Wynter will go in order to portray his vision to his fan base. Hitting us with a beautifully crafted piece that enlists the talents of Buni Kor, “Reset,” gracefully eases us into a presentation of striking croons that sit in the realm of pacifying tenors. Lyrical motifs such as ‘don’t give up, keep your head up,’ firmly resonate with us in a world that continues to try and get you down. Fixating upon a narrative that is eagerly addressed by Grizzy Wynter, we hear him recite carefully crafted words that instill a sense of hope, and salutary hues as he assures listeners that it’s okay to Reset. “PTSD,” comes in eighth on the tracklist and we feel like this is an opportunity for Grizzy Wynter to dip into cognizant lyrics, all while maintaining the juxtaposed aggression that comes through the words he raps. As he fuses together his skill set on a track that emphasizes the gritty essence of his nature, we hear just how raw Grizzy Wynter is with his craft. He ensures that he always remains genuine in the moves he makes, and just because he is versatile in the ways he creates, it doesn’t mean his integrity will ever waver. Next up we have the mind-altering instrumentation of “Invested,” submerging our speakers in an overflow of vibrancy. There’s an eclectic spirit that comes to the foreground as Grizzy Wynter peaks with his vivacious rhyme schemes and intensified performance skills. Creating a seamless blend of energy as the emphasis on certain words is backed by vocal doubling, this song is perfectly placed in succession with what it offers his audience in terms of the passion we feel, and the message brought forth with words like, ‘Invested in me. Shook the branches, I collect all the leaves.’ As we reach the tenth song heard, the beat of “Weird Flex” is a stand-out moment for us on the album of “Illuminate.” There’s a sense of mystery that’s weaved into the confidence that rocks between a world so custom to Grizzy Wynter, yet inimitable in the way it showcases itself on this project. Collaborating with CXCX Chu Chu in order to boost the artistic vision that much further, her dynamic with Grizzy Wynter should be made note of. The two artists present a panache that complements one another while they drive in the fast lane of their respected avenue. We always love a female emcee, and we’re happy to hear CXCX Chu Chu and Grizzy Wynter come together in an all-out banger. “P.F.M.E (Prayer for my Enemies)” is the second last song featured on 'Illuminate.' With the atmospheric liveliness playing upon dark instrumentation that strengthens the foundation Grizzy Wynter raps upon, we admire the twist in the storyline of this album as we feast upon lyrical motifs such as, ‘Hands out like they come in peace. Plotting on how to take my life from me.‘ As Grizzy Wynter remains blatant with his truth, we value the spectrum of emotions that he weaves throughout “Illuminate,” as the chronicle of this particular tale touches on the relevancy that comes when haters want to infiltrate your energy. The final song titled, “Pink Clouds,” leaves us on an optimistic note of gratitude as the first words sung by collaborator Baedu are ‘I don’t need a lot to make me happy.’ Through the sonic journey that we just embarked on, it becomes obvious that Grizzy Wynter only wants to share his honest truth with the world. Vulnerably stepping out of his comfort zone to show his audience all sides of himself, it’s only fitting that “Pink Clouds,” completes this album with a buoyant tenacity that leaves us on a high note. Fetching our heads from the pink clouds, we appreciate each moment on 'Illuminate,' which makes this piece the definition of an expedition. Proving to us that not even the sky can hold Grizzy Wynter's rise to the top, he exceeds expectations with this body of work. Hello Grizzy Wynter and welcome to BuzzMusic. The whole album of 'Illuminate,' offers something unique to everyone listening. What was the inspiration behind the concept that you instilled into this project? The whole idea about the album came about from major life changes I was making for myself, leaving a self-destructive lifestyle to willing myself to love myself again, being obsessed with money and material to bring gratitude and humble with how I approach Life. With an extensive amount of songs and collaborators featured on this album, how long did it take you to write and release 'Illuminate?' I started back in 2017 coming up with tracks before I even had an album planned out but I'd say in 2019 I really started to focus up and really try to build the project the way I wanted. Out of the twelve songs heard, do you happen to have a favorite track that resonates with you the most? My favorite tracks are "PTSD," "pink clouds," and "same no more." "PTSD" I got back in my metaphor bag and really pushed my writing skills again, "pink clouds" to me is the perfect way to end an album with hope and high positive energy, and "same no more" cause I really worked on my vocals, I usually hate singing on a whole track but really challenged myself and I'm happy I did. We think the concept of having Negative Thoughts as a listed feature on specific songs was absolutely genius! What brought you the inspiration to approach these songs with that mentality? negative thoughts was a skit me and my homie Shoyan Wright used to do every morning for our morning motivation on Instagram, where I would say something positive on camera and he's off-camera yelling in the background how my advice was stupid and I always thought that was a hilarious and honest concept, we all have negative thoughts and we as humans are always trying to ignore them, but I thought if we admit them and deal with them, then they aren't as overwhelming anymore. How have you found yourself growing as an artist from your debut album, to 'Illuminate?' 100% when I dropped my first project I was still in a life where I was constantly feeding into those negative thoughts and it showed in the music, more aggressive, darker, there was really no joy. Now with 'Illuminate,' I wanted to show a condescending version of that journey from darkness to light, and I think I've accomplished that. Instagram Twitter

Previously coming at us with the messaging laced into ‘THIS IS MY STATEMENT,’ the multifaceted Terry Jones returns with his latest single, “Silent Like Chaplin.” Immediately intriguing us with the dark undertones that lie within this single, “Silent Like Chaplin,” opens eyes to the raw and uncensored moments that are brought to the surface in regards to battling racism, Willie Lynchism, and police brutality. Containing a sample from the notable Richard Pryor in order to extend the vision in the initial moments of the song’s arrival, Terry Jones celebrates Juneteenth as he brings these issues to your speakers. There is a hefty connotation that is left for us to feast on as we dig deeper into the transitioning slow to quick-paced verses before us. Over a Trap inspired beat that weighs in supreme with a bolstered bassline and pulsating drum arrangements, the intensification of “Silent Like Chaplin,” is elevated to a newfound dimension where you not only get lost in the music but truly hone in on what Terry Jones has to say. Lyrical motifs such as the heavily driven chorus, ‘They want me silent like Chaplin, they don’t like outspoken Black men,’ has us fixated on the greater purpose that is at hand when creating an artistic composition that leads with a meaningful touchdown. Terry Jones is known for the way that he weaves together messaging in the creations he portrays. Navigating us to a thesis that abruptly resonates with our souls, Terry Jones acts as a voice for all P.O.C waiting to be heard. A warm welcome back to BuzzMusic, Terry Jones! With such a brilliant and authentic concept that comes into play for the celebration of Juneteenth, how long did it take you to write, record, and release “Silent Like Chaplin?" Thank you! This song is important to me, it didn’t take long for the writing. The concept was in my head and I just needed the beat to match the exact tone and intensity. We did two different sessions; I recorded the song and sat with the first verse and went back to record and add to it. I wanted this to be a powerful song and not a poorly executed concept. This song has been ready to release since late April. I knew coming off the last single we would need to really prove my abilities since I am a comedian going into a serious genre. This song came from the heart and soul. Gene Ashley and Roscoe approved and agreed this was the track that and message needed. What was it like working with production architect Mayce, and mix engineer extraordinaire Roscoe Wiki? How were they able to help you take this vision to the next level? Both are genius, I. Love working with them! I came to Mayce with a concept and he created exactly what I needed fast. The kid moves so fast and he’s also an amazing rapper; he gave feedback and I went back and fixed some things on the track. Mayce and Roscoe are my go-to producers. Roscoe was able to add the sound effects and sound needed; he also was able to mix up something nice to show off my flow at the ending of the song. I am working with an amazing team and they’re helping me grow more and more.. You’re known for the messaging that you place into your music. Where do you find yourself the most creative when bringing life to these pieces? I find myself most creative being myself. A lot of artists sound the same and that’s ok because it’s still good music. I enjoy trusting the universe to guide my art, and this is why it works out for me. I am more of a conduit of art than an ego-driven person; this makes art flow better. How have you found yourself growing as an artist from last year to now? I find myself just trusting in the path God wants me to be on. I am learning that it’s ok to be confident and that I am actually good at rapping. The actual songs will get better; learning how to write a song is the key for the next two years. Rapping is not the hard part; the hard part is making a good overall song. I am enjoying the growth and I know others will too. What can listeners anticipate to hear next from you? I want to have an EP done for November or December. I am excited to create more and more music; I have certain artists I want to work with, and I am excited for what the future holds on all my crafts. Acting and Comedy can help me with the creative visions of the music. I can’t wait for everyone to embrace my sounds and visions. Instagram

Hailing from Bogotá, Colombia, Beto Vargas is a singer, songwriter, and producer who combines the best aspects of American Rock n Roll, Latin, and roots, from his childhood as inspiration for his contagious songs. After already releasing two fire singles, Beto Vargas is teasing his fans with anticipation as he plans to release a few more singles from his forthcoming album. The highly anticipated album is expected to be released by the end of 2021 or early 2022; just in time for Beto Vargas to be able to take the stage again and share his music face to face. Using the idea of in-person performances to motivate his recent work, Beto Vargas hopes to be celebrating life and music with his fans again soon. In a recent interview with BuzzMusic, Beto Vargas describes the inspiration behind the themes of his impending album. The Colombian artist states, “if I can leave the world with one thing to take back from this album, it would be to not be afraid to be exactly who you are and to fight for anything and everything you desire in life. I tried for so long to become someone I thought people wanted me to be that I realized it was completely slowing me down and stopping me from achieving everything I desire in life. Be authentic, be bold, take risks, and above all enjoy it! I’m still writing the second half of the album but the recurring theme is not hiding your emotions and fighting for what you want. So hopefully this album can help motivate others to do the same. And possibly celebrate it all on a stage real soon!” Discover the full interview with Beto Vargas, here. Facebook Artist Website

Emerging Hip-hop artist SoloT Chase The Bag is known for the emotion he transfers into his music. Connecting to his fan base through themes of pain, anger, and frustration, He is looking to share his story with the world. Returning with fresh, new visuals to accompany his most recent single, “Mean Mug,” SoloT Chase The Bag delves into a series of conscious rhymes which are backed by the intricately filmed music video. Taking a slow tempo track, and turning it into lyrical gold, we have SoloT Chase The Bag offering his listeners a deeper look into the life that he lives as both an individual and artist. Taking this vulnerable approach to the musicality in “Mean Mug,” we truly get to take in the impact of the images that flash between scenes of this masterpiece. The filmic component takes us on a tour through a tented area where less fortunate people reside amongst others that share the same lack of privilege, as we follow SoloT Chase The Bag handing out money to these individuals in need, we pick up on the giving essence that comes to him as second nature. Proceeding to show us how he lives, his crew, and a whole lot of money, the cinematic approach to “Mean Mug,” is a direct representation of how SoloT Chase The Bag can get his audience to relate with him on a firsthand basis, by tugging on our heartstrings and encouraging us to grasp onto this vulnerable sector of his artistry. Doing so, one creative concept at a time, we admire the originality that SoloT Chase The Bag continues to provide us with. Hello SoloT Chase the Bag, welcome to BuzzMusic. The visuals for “Mean Mug,” most definitely made us tap into our inner emotions. Job extremely well done! Do you find it difficult to allow yourself to get vulnerable when you create music? I don’t get vulnerable when creating music. In your own words, what does “Mean Mug” mean to you as the creator? What are you hoping that your audience takes away from it? "Mean Mug" means to me that, I don’t like the old me, so I’m changing to a better person while not letting no one get into my head while trying to make changes to my community. I’m hoping the audience understands that I’ve had difficult situations, like having to spend money when I didn’t even have it or knowing if I would get it back. What was the experience of filming “Mean Mug” like for you? With an array of scenes throughout the video, how long did it take for you to film? The experience was just different. I went to the homeless and we asked if we could shoot there and we would pay them to be in there because my pops said if I’m spending money like in my song why not give to the less fortunate people, that was a good idea. It took us about 2hrs to make this film. If your audience could know anything about you that they may not already, what would you want it to be? I’m a laid-back guy who wants to learn more about the music industry. I watch a lot of interviews to see what others have done since being in the rap game. Also, I love making music, it wasn’t my passion at first, but 2 years ago it chose me, so I’ve pursued it ever since. I also want to let the audience know if you become a fan of my music, just know, this is only the beginning. Instagram