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Tndo G Chicago rapper ensures that he brings the energy and talent with his most recent single, “Backdoor.” Enlisting the talents of Memphis producer extraordinaire Sleepy, there is a poetic essence to the instrumentation as the melodic canvas brings you to a cognizant state of mind. Through a vocal delivery that instills urgency in the overall soundscape emanated, we hear Tndo G exude a vulnerable display of lyrics that come from reflections through a place of hurt after losing his brother. Honing in on the infectious instrumentation that immerses your speakers in driving bass components, the soothing samples compliment the well-rounded production quality in allowing the emphasis to thrive wherever Tndo G steers the concept. Executing a series of punchy rhyme schemes that glide through slick cadences, the artistic flow that Tndo G embodies allows us to learn more about the survival instincts he carries as an individual. Through verses that leave us with thought-provoking tendencies, we feel intrigued by the way that Tndo G allows himself to open up in such a way that has him connecting to his audience on an emotional level. Reminding those to take back their power and stand up for what’s right, “Backdoor,” paints a theatrical realm that has us compelled by Tndo G’s back story. Welcome to BuzzMusic, Tndo G! Congratulations on the release of “Backdoor.” With such vulnerable subject matter displayed, do you find that it is a smoother writing process when you’re so in tune with your emotions? I believe it is a smoother writing processing being in tune with your emotions and that correspond with going in the studio having energy, using that emotion. Could you please share a glimpse of what the recording process looked like when bringing this piece to life? Are there any memorable moments that have helped shape you as an artist? Well the day before recording this song a long time friend called me and gave me the details of my friend’s passing from months earlier, so while in the studio with SleepyDaproducer the next day I was a bit angry and upset and just translated that into what I wrote the night before. A memorable moment that helped shaped me as a artist was when a song I did a feature on called “milli” with my brother neroo #4 got a lot of attention , the song has over 7,000 streams and was being played in like 4 different states , that was big for me and made me realize like ok people hear us , see us moving , making me wanting to go harder because I literally finish the verse in the booth and was disappointed in it at first but it was one of the hottest songs in our Ep thanks to neroo. How do you hope that “Backdoor” impacts your audience? My only hope for backdoor is to impact the thought of “backdooring” sombody like karma a B**** and I want to emphasize the story of 22 so his name will forever live on. What type of growth have you found in yourself from creating “Backdoor” to now that it’s released? I’ve seen a lot of growth in my self , while this song was created late last year 2020, I actually got arrested which pushed back the release date and gave me a lot of time to contemplate my life and decisions I want to make for my self and others around me. What's next for you? 2021 hasn’t been to loud for me literally, I’m 9 months clean and I feel like I do my best writing while High so I just been focusing on releasing material I already have recorded , I have yet to drop a debut album but it’s in the process, “10DAWG” is on the way , I also got a tape coming out featuring Neroo#4 called “splash brothers." Instagram

12.13 is the newest music project from queer, multi-instrumentalist, James Eugene. Centering around Alternative Rock, Funk, Motown, Glam Rock, vintage Post-Punk, Cyberpunk, and Jazz, the flourishing sound is still considered to be in the making. The name 12.13 refers to the numerological cycles of transformation and rebirth in nature, history, mysticism, and culture. James Eugene ensures that 12.13 strives to be an expansive, orchestral evolution of his previous lo-fi work on U N N A. Tapping into the latest single from 12.13 we have the slow-paced but everlasting progressions in, “I Can’t Read/Always Crashing in the Same Car.” The ominous sounds sustain through a chamber of reverberation as the atmospheric elements slowly introduce you to a soundscape of foreboding tenors. Major piano chords, warm horn notes, distorted audio clips, and elusively flowing synths allow you to embrace all that will come into play as the rhythmic tempo of the percussion comes heeding in. As we grasp onto the luxurious vocal performance that James Eugene emits from this composition, we hear passion poured into the intricately flowing lyrical motifs. We’re fond of the constant advancement that “I Can’t Read/Always Crashing in the Same Car,” embodies as the time signatures transition, and we drastically sway through the intensity of the musical foundation pulsating before us. There is such an eclectic array of instruments that beat down the soundwaves in a fashion that has us wanting to know more about the essence of the story unfolding. Through abstract hues of ambiguous trademarks, the mystery weaved into this piece will forever be up to the listener to interpret the way they see fit. All it takes is 12.13 to encapsulate ingenious ideas, and newfound levels have been chartered. Welcome to BuzzMusic, James Eugene. We love the energy provided to us under the moniker 12.13. Where did your inspiration spark the creation of this song? Thanks so much for having me! This track is made up of two of my favorite David Bowie songs. Since I was young and discovering myself in terms of creativity, sexuality, and what it is to be a musician/performer I’ve looked up to him as a mentor of sorts. To me, Bowie’s music can be summed up in a lyric emphatically stated in Rock 'n' Roll Suicide: “you’re not alone!” This project was a tribute in that sense. I’ve done various covers in the past and generally prefer to re-imagine them from a different perspective than the original. At some point I thought “wouldn’t it be great if there was a smoky jazz version of Always Crashing in the Same Car, what would that sound like?” and I just took that idea and ran with it. Another great passion of mine is film and film scores. A lot of my music has a narrative side to it and this one is no exception. To elevate the concept I had the idea to attach another Bowie tune, "I Can't Read" from much later in his career and meld those two different Bowie eras and create a larger arc to the story. In your own words, what does “I Can’t Read/Always Crashing in the Same Car,” mean to you as the artist? What are you hoping that your audience takes away from this track? I’ve always identified with the personal struggle presented in both of these songs, they may even be two sides of the same coin. Persevering through turmoil is unfortunately something we all have to do and usually in the confines of our own skin. But knowing and recognizing that people struggle, that even Bowie was a person with doubts and challenges just as I, that can be uplifting in and of itself. It may seem dark but these depictions of inner struggle show the beauty of it, the need for them in the process for change, for growth. That's what I aimed to convey in my retelling. Could you please take us into the creative process behind this song? It was definitely a long journey full of experimentation and constant learning. In my head, I heard this track as a backdrop to a cyberpunk movie with a jazz bar scene. For the dark opening, I incorporated processed vocal layers, street sounds, and ghostly atmosphere to make them dirtier and dystopian. I'm constantly consumed by sci-fi films and cyberpunk art but also soundtracks from various movies played a big part. My previous project U N N A (available on Soundcloud) was much more minimal and the idea was to stretch my skills. I wanted to contrast the outside sense of a broken world with the interior of an intimate jazz club, to take the listener on a journey as if they were following a character through the bleak city. The transition is intentionally jarring and once we're in the jazz club the song starts with the few elements you might see in a small jazz band and slowly builds on more instruments. Both the orchestration and jazz elements were ambitious for me so I focused on making them as cinematic as possible. I rearranged the chords to the original song to suit the jazzy tone but I also wanted to emphasize the pathos of Bowie's original. As far as guitar solos in Bowie songs, Always Crashing in the Same Car is highly regarded so I wanted to honor that by arranging it note for note. That's where the orchestration ultimately peaks and where the emotion really swells. I tried the solo with a few different instruments before settling on the sax to bring it to life, backed by those lush vintage strings. There's something very warm and sweet about Motown string arrangements and I wanted to emulate that as support layers during the solo. The tone really shifts and that's where a moment of clarity breaks through the dystopian clouds. Then we descend back into the darkness of a vicious cycle to finish. Honestly, every song is a lesson and this was my biggest undertaking thus far. It allowed me to gain a lot of confidence in areas I hadn't delved into before. How was your mindset when recording “I Can’t Read/Always Crashing in the Same Car,” compared to your current mindset? I recorded this cover and another original single, Creep the Plunge of All that Rises, as my debut release for 12.13 (streaming everywhere and available on Bandcamp). These two songs serve as an introduction to the aesthetic of 12.13. I definitely wanted to show a range in the work but also express my passions and inspiration. It may seem counterintuitive but even though 'doubt' is a big theme in the song I wasn't very riddled with doubt during the process. Or rather, I had a clear vision and even if I didn't know how to technically accomplish the ultimate goal I knew the feeling I wanted to achieve and how it should sound, which were great motivators. With the newer music, I'm a bit less concerned about if it really speaks the scope of my abilities and just letting each new song live on its own tangent. Also, the recording process was so long for the Bowie tribute track that I was just so relieved to finally be done with it. Finishing it was an accomplishment in itself but it's also getting a lot of great reaction from listeners and fans of Bowie's music, so that's very rewarding. What's next for you? Ha, glad you asked! So I'm currently finishing one more single that's on the louder, 90s alternative spectrum entitled 'Matrimony'. That should be coming out mid-summer. I've also started working on a 5 song EP that's very explorative of all the above themes - got some real rockers too. I'm really happy to be back in the studio experimenting with new sounds. This has been such a great year for new releases and I'm inspired by all the artists who've been working on albums the past year. Time to turn it up. Instagram

Hailing from small-town Oklahoma, Gwyn Love’s sound is anything but small. With her smooth variety of electro-pop, which is bold yet sultry, including a whisper of contemporary R&B, Gwyn Love caught the attention of 604 Records, becoming their first U.S signing. Born into a conservative family with eight siblings, Gwyn Love was introduced to music at a young age; picking up the cello at just 5-years-old and writing her first song at 11. Over the past decade, her sound has continued to evolve to become uniquely her own as she blends what the artist describes as a punk mentality with an electronic-pop vibe. Her latest sonic and visualizer release for the single, “Sh*t I Like,” follows the launch of her debut EP, ‘At First Blush.’ Introducing us to a reverberated soundscape that elusively flows through entrancing elements, the infectious grooves emanating from this record immediately pull you into the grander scheme of all the things that spark joy in the emerging artist’s life. Gwyn Love carries a unique tone to her smoldering timbres that have you intrigued by her boisterous persona. The pulsating instrumentation coincides with her inimitable croons that propel the nature of this composition into the realm of a mainstream club banger, while still embodying the exclusive feel of an artist on the come up. Producer extraordinaire, La+ch, ultimately gives “Sh*t I Like,” that indulgent vivacity that has you finding yourself unable to sit still as you take it in. We personally couldn’t think of a better musical structure to match the positive essence of Gwyn Love’s lyrical motifs as she consecutively lists off the things she enjoys. Written when she was at her Airbnb in Vancouver, Canada, the idea naturally came to her as she began to think of things she could do to relax as the overwhelming stress of being somewhere outside of her home recording music had her feeling troubled and feeling the pressure of artistry. Through a brilliant sonic voyage, and the undeniable appeal of her craft, Gwyn Love proves exactly why she continues to garner the attention that she is. Welcome to BuzzMusic, GwynLove, congratulations on the release of “Sh*t I Like.” We think the whole concept and execution of this track really hits home. How did you know that listing the things you’d want to indulge in for relaxation, would make a hit song? To be honest, I just wrote this song for fun! I figured it might put my mind at ease to just write a fun song about the shit I like and not stress about the lyrics too much. After I wrote the first verse and chorus I realized that it was actually pretty dope and I wanted to bring it into the studio the next day. What was it like working with La+ch in order to bring this vision to life? Was this the first time that you two have worked together? I had worked with La+ch before this, we recorded an EP together. I felt like he would really understand the way I wanted this song to sound so I hit him up and he absolutely slayed it. How did that trip to Vancouver end up turning out? Did you find that channeling the optimism changed your perspective towards where you were, and what you were there to do? For sure, I recorded this song the next day in the studio and listened to it every day on my walk to the studio to get me in the right headspace and it totally worked. I was more stoked about this song than any other song I had written during those two weeks. What are some words of wisdom that you’d like to offer up to any creatives who may be feeling overwhelmed, or the pressure to do it all? It is so important to give yourself days to relax and to really experience and enjoy life. You don’t have to be writing and creating all the time. If it starts to feel like a chore, that’s when you know it is time to give yourself space to just experience life. It can really change your perspective and help your writing. Instagram

Originally from Brooklyn, New York, Yung Rogue began her career as an artist in Virginia Beach, VA where she is currently located. An R&B/Pop artist, Young Rogue produces, engineers, and writes her own music, all while being a multi-instrumentalist that can tack on seven instruments to her repertoire. Yung Rogue names Ne-Yo, XXXTENTACION, Angel Haze, Chris Brown, Whitney Houston, Kevin Gates, Evanescence, and H.E.R. as some of the biggest influences in her style of music. Yung Rogue is also credited as a composer in the upcoming independent film My King Looks Like Me, composing the film’s main theme; Her. Hard at work in bringing her second EP to light, Yung Rogue is here with the release of her latest single, “Voodoo (Wee Oh).” Submerging her audience in a vibrant offering of lyrics that sits over an eclectic Hip-hop inspired instrumentation, the buoyancy in this track walks the tightrope of dark and bright elements. With the resonant croons of Yung Rogue leaving an unforgettable impact on your mind, you can’t help but be pulled into her web of intricately crafted lyrics. Lacing her sultry lyrics with witty quips and overflowing emotion, the charisma that is injected into “Voodoo (Wee Oh),” has us bopping to the beat while being fully immersed in the futuristic soundscape. Utilizing a seamless balance of timing between jam-packed verses and the chorus which places emphasis on the unconventional effervescence of the instrumental, Yung Rogue displays her charm in a way that has you knowing it’s her gracing the track the moment her unmatched tone touches down. “Voodoo (Wee Oh),” packs a punch as it oozes through the speakers in a fluent motion. As we’re inclined to put this single on loop, we’re thrilled that Yung Rogue has given us a taste of what we can expect from her upcoming EP. Welcome to BuzzMusic, Yung Rogue! Congratulations on the release of “Voodoo (Wee Oh).” What inspired the meaning behind the lyrics on such a unique-sounding piece of music? Thank You for having me! I’m definitely excited to talk about this release. The lyrics are my thought process and where I currently am in life. After going through a heartbreak, I started to focus on mindfulness and healing, and even though I’m not where I want to be with self-love, I’m not where I used to be, and I’m at peace with the progress. Voodoo is a reflection of how far I’ve come, and how I’m able to see things clearer and appreciate the growth. I feel like it’s important for people to know that the process…is okay. Did your vision come to life the way you intended it to? Who did you work with in order to bring the true essence of this song to the public? The vision definitely came through how I intended, I wanted to share a piece of myself with my audience as well as having something they can vibe and relate to. I actually do everything myself, produce, write, engineer mix, and master all of it. I came up with a thought, let my manager hear it and she was feelin’ it so I finished it the only way I know how to, being myself. We are so thrilled about your EP coming out later this year! What do listeners have in store when it comes to the body of work? Thank You, I’m excited to be able to share this, after my first EP, mainly being about heartbreak, I feel like it’s important to highlight the process of me getting to where I’m at now. I think it’s crucial that we all take the time to go through the process of healing, sometimes we just want to jump to the good part, the happy part but you can’t really appreciate the rainbow if you don’t go through the storm, ya know? What is your mission statement as an artist? How does that transfer over into “Voodoo (Wee Oh)?" As an Artist, My core value is definitely sharing my experiences, in a way people can relate to. I remember when I was going through something and I couldn’t quite voice what I was feeling, and finding that one song that explained everything made me feel less “wow am I the only one feeling like this” and more “damn, someone understands me”. And I wanna be able to do that for people the way other artists have done it for me. With Voodoo (Wee Oh), it’s exactly that, the process I went through of being broken and finding peace with the way things are now through meditation and mindfulness, it’s kinda magical overcoming that and manifesting the things I want, that’s Voodoo! Instagram Facebook

Hailing from San Diego, the alt-rock and hip-hop/r&b artist Logan Seagull release a dreamy ode to the past with his somber single, "Hangover." Spending his time living life with concerts, nights out, and bonfires, Logan Seagull only recently indulged into his music career, although he's been writing his entire life. Through influences like RHCP, Sublime, Mac Miller, and Frank Ocean, Logan Seagull is excited to offer his honest and genuine stylings to anyone in need. Now releasing his sweet-sounding and reflective single, "Hangover," Logan Seagull soaks our speakers in his passionate stylings accompanied by down-tempo percussion and a soulful acoustic guitar. "I hope when people hear it, they think about someone they loved. Or they just crack open a drink and enjoy the song—either way," states Seagull. Listening to "Hangover," the song begins with Logan Seagull's soft acoustic guitar picking accompanied by his soothing and breathy vocal stylings. As he begins touching on mornings when we wake up on the wrong side of the bed, Logan Seagull starts sinking deeper into reflection, where he reminisces people and love that continue to roam in his past. While a light hi-hat makes its appearance alongside a grunge-like bassline and a down-tempo kick, Logan Seagull continues to serenade us with his airy vocal stylings and mesmerizing background harmonies that sweep us off our feet and push us deeper into introspection. Don't miss out on the refreshing experience that is Logan Seagull's latest heartfelt and reflective single, "Hangover," now available on all digital streaming platforms. Welcome to BuzzMusic, Logan Seagull. We are head over heels for the emotion and heart you've placed into your recent single, "Hangover." Was this single inspired by real events and the experience one encounters when hungover? Unfortunately, every line of the song is written from experience. Being broke and having my card decline on a coffee date, being drunk and thinking I see my ex at the club. It all is very real which made it more fun to write. The song is about trying to distract yourself with drinks and girls, but it’s also just a playful jab at myself for how poorly I handle hangovers. We noticed that your single, "Hangover," features artist Brent Barstow. Was he featured within the song's instrumentals? Brent is my producer and close friend. I just came to the guy with a simple guitar riff and my lyrics and he really made the song come to life. He has the right style and taste for my music when it comes to producing because he is an artist too. He will be producing my whole album, “Deep Yellow” and will even be featured singing one song himself. Why did you choose to keep the instrumentals for "Hangover" so lush and smooth? What inspired the song's calming tone and feel? A lot of my musical influence comes from Mac Miller’s last two albums. I love how he transitioned into clean instrumentals and kept the pace calm while dipping in and out of seriousness. In this song I feel like I tried to have a similar feel, being lighthearted and keeping the vibe relaxed while also telling a story. Rest In Peace Mac. What can you tell us about your forthcoming album, 'Deep Yellow,' this June? What sort of romantic and heartfelt pieces are you cooking up this time around? This will be my first album and collection of work. Just like a hangover, each song was written from experience and has the “summer sadness“ kind of feel. There’s a lot of variety on the album and I’m excited for people to hear it. I hope someone can connect to the lyrics and maybe move to the music when they hear it. What's next for you? I hope to play a few shows this year up the coast of California with a few artists that I’m friends with. I want to play some acoustic sets from Deep Yellow. Small venues and good music are all I am going for, and whatever comes from that is a bonus. At the end of the day, I’m just happy to express myself and if someone connects with the art then it only makes it better. Instagram Twitter

Akshay Raj Dua is a New Delhi-based independent artist, singer-songwriter, and multi-instrumentalist. He developed his passion for music at the age of 10 years old when he began learning guitar at the Parikrama School of Music, from the well-known Mr. Sonam Sherpa. With musical influences such as Charlie Puth and Ed Sheeran, he tries to incorporate their writing styles into his own work. With music being a therapeutic outlet for Akshay Raj Dua, he finds that his emotional and never-ending attachment to it brings forth feelings of vulnerability and relatability with his audience. Upon listening to his melodic and transcending debut single, “I Like That,” we get pulled towards the melismatic soundscape in all of its glory. Delving into the insightful framework that dips into the narrative of being in a toxic relationship, you begin to pick up on mind-altering cues along the way. As you continue to listen to the way this song progresses, the lyrical motifs reflect that Akshay Raj Dua actually enjoys the negative aspects of this romantic relationship. We admire the unique twist that doesn’t lean against the cliché as we immerse ourselves in not only the storyline but the brilliant essence of Akshay Raj Dua’s striking timbres. He eases listeners into this composition as his words wrap around you like a blanket of warmth, gently making their way into your mind. Accompanying the harmonious croons of Akshay Raj Dua, we have the producer and co-writer Aaryan Bhagat, who joins in on the salutary virtuoso with his backing vocals adding dimension to what we grasp. “I Like That,” falls into the realm of dark Pop/contemporary R&B with the intensified drum patterns and elusive synths and pads creating the atmospheric realm we are welcomed into. Now known for the way he reiterates a story, we are closely watching Akshay Raj Dua and what he has in store for us next. Hello Akshay, welcome to BuzzMusic, and congratulations on the release of your debut single, “I Like That.” You truly put your best foot forward in making your arrival to the music industry! Is the inspiration behind this song based on a true story? Thank you so much. Well yes, the song was inspired by a true story. I wouldn’t take names that’ll put me in a spot, haha, but the series of incidents that lead to this story occurred a year and a half ago when I was in my college. I didn't think I'd write a song about this then, but when I thought about my debut single, this story from the past just seemed perfect to write it on. Plus it isn't a cliché relationship song, it's about how I love the toxic and the negative side of the relationship and how it pulls me back even after all that I have gone through. What was it like working with Aaryan Bhagat in order to portray this vision the way you saw it destined? How did this collaboration come to be? Working with Aaryan was a lot of things, motivational, inspirational, fun, and super easy. Coincidentally, Aaryan and I share the same type of liking in music and therefore like similar portrayals of that in our work and as soon as we met and discussed the story, it was only a matter of time that we put together the first draft of the song. Working with him is just like telepathy I guess, I think of something that I want in the song and he understands what it is instantly and that’s what makes it so much fun. For molding the song to my vision, as soon as I told him the story, he quickly understood what space I was looking for, for the song. After that, it was just a couple of hours of brainstorming and we had it. Working with him was the best experience of my life. As for the collaboration, Aaryan and I have been friends for the past 5-6 years now and we connected again over the music about a year ago. He was the one who taught me the basics of production, how to make my own music, and helped me grow from zero to where I am right now. Then later on when I wanted to make original music, I decided that if I want to work alongside anyone for my debut single, it would only be Aaryan. At what point in your life did you know that you wanted to embark on a solo career as a musician? Was there a specific turning point where everything aligned? Well, it is quite a funny story actually if I talk about my solo career as a musician. It starts with how I lost my touch with music 2 years back and then the lockdown due to Covid-19 happened. I was back home with everything I needed, my guitar and my piano. That was when I started delving deep into music again just like before and rediscovered the love I had for music. As for a specific turning point where everything aligned was when I produced my first project for a cover song that I was trying to do, I was adamant about doing everything myself in that project and it took me three weeks to record, produce and mix, but I think that was when I realized that this is it, this is where I start growing and this is what I want to do. What are you hoping that your audience takes away from the message and emotion in “I Like That?" What we (Aaryan Bhagat and I) were hoping to achieve with "I like that" was that we wanted to give the audience a story they hadn't really heard before. Songs to me are all about the stories and everyone loves to relate with these stories but we wanted to give the listeners a dive into a toxic relationship and how it can be very difficult and sometimes feel impossible to get out of. Even though the lyrics nudge the audience to believe that I like the toxic relation. It's the denial and self-doubt that don't let one get out of these toxic relationships. Either one can accept this and break out of it or one can be in denial or actually accept the "denial" and be in it. What can we expect to see next from you? You can expect some more songs coming to the streaming platforms soon. Like every young adult these days, I listen to music 24/7. I have a lot of artists that I look up to and a lot of songs that I wish I had written. There is this amalgamation of many artists and genres in my mind right now. I am working on my debut EP alongside Aaryan Bhagat (producer) to deliver some more stories about my life and I hope the audience can relate to them. An EP is something I've dreamed of and now it's finally going to happen and I can't wait to share it with everyone. Instagram

Based in New York City, talented emerging Hip-hop artist and rapper Lil Stance reigns as a rapper, songwriter, and entertainer. The multi-faceted 27-year-old artist has devoted most of his creative energy to developing his craft as a musical artist. The path he took to get to where he is today was not always brilliant. Luckily for his skills in rap, dance, and entertainment, he has more than matched his skills in the industry. He draws inspiration from a wide variety of genres and artists, such as Jadakiss, Chris Brown, Usher, Lil Wayne, Fabolous, and Jay-Z. As his career progresses in a focused manner, he continues to engage in large companies, meet peers, and accumulate profitable information to enhance his career. Delving into the simmering essence of his most recent single, Lil Stance introduces “Moving Blind,” to his fan base. Exuding distinctive energy that sends a wave of unique flair through your speakers, the tonal distinction that is encompassed by Lil Stance is rather unforgettable. He conveys a sultry performance as the ease dripping from his vocals dip into a laidback realm of soothing vibes. The doubling effect on his melodic raps allows listeners to truly grasp the bigger picture of “Moving Blind,” as Lil Stance transmits mind-altering verses, and a hook sure to be imprinted into your mind. Combining his skill set with HULKSICKO!, the harmonious timbres that sweep in have us enjoying the artistic contrast that lies before us. These artists bring out the best in one another as they each showcase their virtuoso talents on a newfound level. “Moving Blind,” was intended to set the energy for Lil Stance as he hit the ground running in the industry. Proving that his vision will be delivered as he continues to rise in a forward fashion, we’ll gladly indulge in the cutting-edge traits that he delivers through his persona and the music he puts forth. Welcome to BuzzMusic, Lil Stance, and congratulations on the release of “Moving Blind.” We love this collaboration between yourself and HULKSICKO, what was it like working with one another in order to achieve the vision of this track? We were both focused on the same project, putting in a lot of time and energy. Our goal was to get the attention of everyone who listened to this kind of music. We wanted “Moving Blind” to come out of the door rocking hard. Everything from our pace and words to how we used our voice reflected how much we wanted to engage listeners and excite them to hear it. Where did you draw inspiration for the meaning of “Moving Blind?" In your own words, what does this song mean to you? I wanted to create a banger for clubs and parties, something that when you instantly hear you start to move your shoulders and feet. This song means a lot to me because I wrote about how I feel, and I express it appropriately to send a meaningful message to the fans. Do you happen to have a favorite creative environment where you get to let loose and create your best work? Could you tell us more about this setting? No, I do not have a preferred creative environment, I can work in any environment. As an artist, I think you should always be ready to work in any environment at almost any time. As an advocate for it being okay, to not be okay, what are some things that you ensure you present in your brand and craft for your audience to know this? Realize that there is nothing wrong with not being well. No one has all the answers, so set your own perceptions of the world by standards. Focus on your responsibilities and be yourself because you are living for yourself. What's next for you? The next step for me is to take all the seats I am entitled to and do what I love such as music, dancing, and other projects that I have in mind. Instagram Facebook

Throughout the majority of his life, From, Tom saw himself as simply a drummer from Columbus, Ohio, despite his extensive history of writing poetry and original songs. He enrolled in Berklee College of Music where he further cultivated his writing skills and finishing first in the school’s poetry contest. After packing his life between the four wheels of a Honda Civic, From, Tom headed West to pursue his passion for music in the City of Angels. The Los Angeles-based artist currently releases his original tracks under the musical persona From, Tom, a name of which he derived from his personal archive of poetry and letters throughout the years. Drawing inspiration from his impactful life experiences, the songwriter uses his lyricism to reveal his authentic self and create a lasting bond with the listener. Tom McGeoch is a reminder to fans that unlimited potential lies beyond the present moment, as long as you’re willing to believe it and work for it. Instagram Twitter

With the ultimate goal of revealing their authentic self through their music, L.A. ZONIN encourages fans to be unapologetic about their feeling - good or bad. The Guatemala-born, gender-fluid artist was raised in L.A. and now resides in Vancouver where they are bringing flavors of 80’s electro-synth Pop back into the Pop scene. Their own stage name ‘ZONIN’ represents their state of mind during their creative process, leaving no surprise that the world falls away and allows for moments of intense concentration when L.A. ZONIN sits down to write their intriguing lyrics and melodies. Providing the opportunity to diversify the musical characteristics of each new release, L.A. ZONIN does not shy away from collaboration with other exceptional artists. Throughout the process of releasing their most recent release “Slow Rush,” producer Fantom contributed a rich foundational beat called “Speedway.” After L.A. ZONIN showcased their charismatic personality through thought-provoking lyricism, Ashi Shonen supplied chilling melodies by layering energetic synths and solidifying the collaborative masterpiece. With a teamwork-oriented attitude, L.A. ZONIN. Twitter Facebook

Welcome to BuzzMusic, Sierra Miles. We're excited to chat with you about your recent brand and music shift. What inspired you to transition from pop to rock and change your name from CC Miles to Sierra Miles? CC Miles was my childhood nickname. I started releasing music under CC Miles at a young age and I had a lot of time to experiment with who I wanted to be as an artist. As I grew up I started gravitating towards listening to more and more rock music. When I started writing songs inspired by rock music, everything changed. I feel like I found a sound that feels right. It’s so different from my previous releases that I don’t feel like the name CC Miles belongs to it. I even felt like a different person when I was writing the album. So I decided to go by my birth name Sierra. How do you think your audience will react to your musical transition? Do you feel that they're prepared and excited to see you broaden your horizons and take on a new brand/sound? I think they are definitely looking forward to it. I teased a few new songs and they helped to successfully fund a Kickstarter campaign for the album. I was so surprised and grateful that they were encouraging me to take on this new direction. I think they can see that this shift is very important to me and they can feel that passion shines through the material they have heard already. Could you elaborate on some past successes you've had when under the name CC Miles? Did you solely create pop music, or were you still exploring different sounds/approaches? I had been releasing music under CC Miles since I was 13. I experimented with different genres like pop country, singer/songwriter, and electronic pop. It was all a great experience and I learned so much from taking on those genres at a young age. The music I always gravitated towards was rock, especially 90’s alternative rock, but I continued with a pop sound because I thought that was what people wanted to hear. Eventually, I tried writing some rock songs and they just began to pour out. They are some of my favorite songs I have ever written and I felt everything from my vocals to my songwriting to my stage presence come alive when I transitioned to rock music. It felt so much more like me. We've heard that you're currently working on a new project. Do you have any musical or artistic influences that have inspired the project's sound and concept? I was listening to a lot of 90’s rock and classic rock when I was writing this album. Some of my influences are Guns N Roses, Queen, Pink Floyd, Fleetwood Mac, Aerosmith, Oasis, The Cranberries, blink-182, Third Eye Blind, Matchbox 20, and Alanis Morissette. My music definitely has a nostalgic vibe to it because of these influences. Could you drop any hints as to what listeners should expect from your forthcoming singles? Will they all be featured on your upcoming album? “Funeral For My Morals” is the first single and it’s definitely the one that shows the transition in a dramatic way. It’s a song about self-sabotage and pushing everybody who loves you away because you believe you don’t deserve them. This is the song that inspired the rest of the album. Over the summer I have two more singles coming out, “Don’t Mess Me Up” is a bonus summer single and “Whore” is another release to promote the album. Artist Website Instagram