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Multi-instrumentalist, songwriter and producer Liv’s Bandana currently resides in Birmingham and Norwich, UK. Through his dreamy space escapades, Liv’s Bandana is interested in understanding individuals as a product of the culture and society they inhabit by exploring themes such as mental health, insecurity, and spirituality. Confronting this openly and honestly, he feels that this is the only way we can transcend our current condition and achieve real change. Being his first solo project, after being involved with a couple of bands and doing various bits of session work Liv’s Bandana is all about bright, sparkly synths and confessional, frank lyricism – embracing silly pop music while committing himself to self-reflection and spiritual growth. Rhythmic percussion with layers of airy synths forms the ethereal soundscape of Liv’s Bandana’s latest single “A New Path.” Embodying a nostalgic essence to the modern-day reflections shed, the elements that fuse together transport you to a starry-eyed realm of the unknown. Liv’s Bandana’s subtlety in the vocals takes on the nature of auto-tune as the texture that flows from the intriguing tenors conveyed have you gravitating towards the allure solidified in the framework. Capturing the true spirit of dream-pop in the enigmatic bliss that weaves itself throughout this track, the intimate sonic exploration contained in “A New Path,” truly paints the final destination. The transparency beaming from the opulence of each brightly executed chord has us falling into the indelible melodies at hand. Notably progressing with various sounds that spic up the composition, you can hear the influences pulled from the reminiscent eras in order to portray this innovative twist on a lane Liv’s Bandana call his own. “A New Path,” allows a sense of comfort and hopefulness to come over you as you ruminate the upheavals that life can throw your way and redirect that energy into a better tomorrow. Liv’s Bandana is that retro fueled light that kindles the flame in each and every one of us. Hello Liv's Bandana, welcome to BuzzMusic, and congratulations on the release of “A New Path,” the fourth song featured on your EP ‘Train Music’. What draws in your love for this song in particular? Thanks! I think it hits quite an interesting angle, somewhere between really emotional and really indifferent. It’s essentially a deconstruction of the modern breakup song, so there’s a shitty R&B beat, autotuned vocals, and it dwells in the heartache to a sort of ridiculous degree. But I’d be lying if I said it wasn’t deeply personal, too. The lyrics are horrendously bleak, and that’s primarily because I was feeling fucking awful when I wrote it! But I know how it’s coming across. This is the dualism that I’ve explored with this song – on the one hand, this sense of complete impersonality, of this experience, has happened to absolutely everyone, and on the other, this feeling that you’re the only one who this experience has ever happened to. I think A New Path captures this contradiction pretty nicely. What does “A New Path” mean to you as the artist and creator of this masterpiece? I called it A New Path because of the fundamental shift in perspective that occurred in me during the breakup. As long as I was in the relationship, everything was filtered through this ‘me and my partner’ lens, and my individual identity was completely consumed by it. I also realized the function that the relationship had been performing in my life – a 24/7 source of validation that meant I never had to worry about whether or not I was attractive, funny, kind, interesting, or whatever. So as soon as the relationship was over, all of these insecurities came rushing back. I’d learned that the way I was living was unsustainable, so the idea of embarking on a new path, a new direction, a new way of orienting my life, really resonated with me. The song documents this sort of realization, the admission that I needed to re-evaluate things. And confronting that was painful. Could you please take us into the overall concept of the EP ‘Train Music?' Is there a method of madness to the order of the tracklist? Of course. The EP itself is tied together very loosely by themes of mental health, identity, ego, spirituality, and self-reflection… it’s more of a feeling than a common narrative or conceptual framework. I’m always gonna associate it with the immediate aftermath of the breakup, my frenzied attempts to recover from it, and the gradual learning that it is only through accepting what has happened that this recovery will occur. I’m not there yet on the EP, by any stretch. But I think that’s OK. The title occurred to me because of the incredible feeling of detachment I get on long train journeys. Suddenly I’m just another stranger, and my problems aren’t nearly as big as I thought they were. I could be absolutely anybody, and so could anybody else. Having access to this feeling brought me a great sense of comfort at a time when I felt perennially on edge. Now that it’s out, it’s been quite a while since the breakup, and I’m moving on from this period of my life. It had to happen the way it did for me to feel more accepting of it now. When I listen to these songs, I feel quite peaceful and self-forgiving. In terms of the sequencing, I knew I wanted to open with November and close with A New Path from the moment I wrote them. November is basically a silly pop song, all jangly bells, and sparkly synths, so it felt like a nice way to introduce the project. A New Path has this really dramatic outro, so it felt like an interesting, ambiguous way to draw things to a close. I put The Ballad of Beckenham Hill second and Sisyphean Dreams third for pacing reasons, mostly. Do you find that the music you currently have released is a representation of where you’re headed in your artistic career? I think different aspects of my current sound will stick around longer than others. I like the way that my writing explores personal experiences and relates them to the culture that produces (and is produced by) them. I like all the embellishments and quirks in my arrangements, too. These range from incremental textural changes to tiny rhythmic things that you probably only notice on relistening. The drums on The Ballad of Beckenham Hill are a good example – there are loads of small details that draw you in. I’m always trying to find new ways to make my compositions more engaging. In terms of the overall sound, I think I’m in the right ballpark, but ask me in a week and I’ll say something completely different! I know I wanna venture into a more groove-based sound, low-key dance music that sort of floats around without knocking you over. I like the way I’m currently incorporating jazz and soul into my sound, but I definitely want to go further. I’m also getting more into sampling, which is loads of fun. If I’m honest, I don’t think I could commit myself to one particular route because the music I’m listening to is changing all the time, and because my influences are all over the place. The two tracks I’ve been working on most recently are this rubbery, woozy slow jam, and this deep house thing that samples some music from a Japanese surrealist film. I also know that my core approaches to songwriting are essentially the same as they have been for the last 5 or 6 years, but that my approaches to production have changed completely in a matter of months. So really, I’ve got no idea how it’ll all play out. Instagram Facebook

BFX has been an advocate for music and creativity since a young age. With the firm belief that each individual shouldn’t be limited to one sound or one form of an expressive outlet, he taps into the experimental elements of his music as he incorporates various genres and influences that shape the creativity he delivers to his audience. As an Afghan artist, he hopes to show his community members the talent and dedication that has been instilled within himself as he inspires others to release their music or content. Collaborating with producer and vocal artist, Amirdapoet who hails from the DMV area of Washington, BFX pairs his conscious goals with the mindset of Amirdapoet which works to strengthen one another as they boost those through utilizing their voice. Honing in on their latest co-creation, “Find Me,” the Afghan-American artists provide an almost ethereal ambiance in the vivacious hues they cast out. A compelling grip is placed upon you like the sonic elements of this single seeps into your speakers and fiercely pulls you into its embrace. Each reverberated tone flashes a glimpse of the intricate chambers that were explored to bring us to where we stand in harmony with BFX and Amirdapoet. By keeping the haunting timbres textured with distortion and thriving in the back of the composition until they fully peak at 1:59, the timing executed has us shook to our core. There is a mystery that weaves itself throughout this composition as the bass-heavy arrangement fluently plays on tight-knit drum patterns and electric synths. “Find Me,” emits an enthralling light that illuminates the creative path that both BFX and Amirdapoet choose to guide us through. Navigating the musical ship and expressing themselves in a way that evokes an optimistic essence of a better tomorrow, we can’t shy away from the talent laced within the dynamism of these two emerging artists. Welcome to BuzzMusic, BFX, and Amirdapoet. Your latest single “Find Me,” creates such a bold universe for us to explore. Could you please share the inspiration for how this concept came to life? Upon creating “Find Me”, our intention was to make a track that entices the listener to explore their curiosity, but it’s also something you can enjoy lightheartedly and drive to. Your chemistry is amazing. How did you two come together in order to create this piece and what was it like working with one another? This was my first time that we worked with each other, and it could not have gone any smoother. Amir had played one of his previous songs (LONELY) for BFX, and his immediate reaction was for both of us to create a song together, as he felt I would complement his style well. BFX had a song already prepared, after collaborating and inputting our styles into the song, it turned into something totally different from what it started as. Both of our personalities are calm and collective, so working on this instrumental and style of the song was natural especially with the change of direction from the original idea that we had for the song. In your own words, what does “Find Me” mean to the two of you as the creators? What are you hoping your listeners take away from it? This track can be enjoyed at a party or just on a drive. We wanted to give the listeners something that they could dance to, but also something that could perhaps invoke thinking or remembrance of someone in their life. The beauty of this song, and of music in general, is that the listener can decide what the song means to them, and it varies person-to-person. What happens to be the highlight of each of your careers thus far? For Amirdapoet, he has released two previous singles, but this song happens to be the highlight of his career so far because it has received the most positive feedback. For BFX, the highlight of his career would be taking a more interactive approach to the song, by having small listening parties and engaging with his listeners more to gain insights and feedback. The goal is to spark conversations around the song Find Me and create interactions through networking via social media. What's next for you? BFX and Amirdapoet will have some new music coming out soon, so stay tuned for that. The next style of singles will definitely be a lot different from Find Me, just to show some versatility with our approach to music. However, based on the feedback from the song, we will definitely drop another collaboration that will give the people what they enjoy. BFX Instagram Amirdapoet Instagram

Lively, dynamic, and infected by a ferocious no-nonsense attitude, LG (Team Genius) pushes her listeners to get up and get moving. Sometimes all we need is an excellent punch to the gut, and she doesn't hold back. LG (Team Genius) grew up in Philadelphia and was brought up under the musical tutelage of her own parents. Her mother, in particular, had a significant impact on defining her music career, writing raps that LG would perform in front of her family and at talent shows as young as four years old. Fast forward to the high octane pulsation of her latest upbeat single and music video, "Put the Work In," LG (Team Genius) thrives in the fast-paced environment that her punchy rhyme schemes breakthrough. As she delves into the lyricism exuded in her ferocious verses, witty quips come pouring through the vibrant offerings of the cinematic components emitted. Showcasing a series of compelling visuals that put the emphasis on the opening scene taking place in the sunny outdoors, LG (Team Genius) joins a group of gym-goers in an outside setting where she can be seen coaching them as she fiercely performs. The mix between the vibrant colors dripping from everyone's seamless outfit choices and her signature orange hairstyle allows this composition to stand out that much more. Most literally putting in that work, the entire music video is a play on words as it directly ties back to the title of the song with various workout settings being brought to life as we also see LG (Team Genius) schooling the youth of today in a manner that finesses her talents in an effortless way. "I heard you're looking for results, you're gonna have to put the work in," is the lyrical motif that grabs our attention as the quick cut scenes illuminated by the intensity of the musicality, and the force of each actor's contribution provides an accelerating fusion that increases in amplified energy as the song progresses. Knowing the amount of work she has put in to get where she is now, the rhythmic essence that trickles from her icy cadences has LG (Team Genius) showcasing her boisterous persona in a realm of welcoming bluntness. "Put the Work In" is impeccably buttery, saturated with her techniques as a wordsmith, and hones in on the imagination that LG (Team Genius) exudes as a creative. Instagram Facebook

Given her name by Grammy producer, Poet Name Life of The Black Eyed Peas, Novul comes from a small town of 495 people in Saskatchewan, Canada. Being no newcomer to the music and entertainment industry, she has spent two years in the studio articulating her voice and sounds. With her colorful and energetic album, ‘Lullabies,’ Novul set the tone for her audience to personally relate to her, and view her from a different lens. Taking poetic love songs to a newfound dimension, Novul is now known for her self-expression. Kicking off 2021 by polishing off a previous sonic gem, Novul gives listeners a second serving to indulge in with the remix of “Runaway Baby.” Enlisting the prevailing sounds of Cam Meekins’ vocals, we’re struck with vulnerability from various standpoints as we tear into another side of the story. The dynamism between these two artists allows for this collaboration to ricochet through various cognizant avenues in our headspace as we dissect the pain that we hear from two different outlooks. Accompanying the euphonious tenors of Novul, Cam Meekins lays down a verse that is honest and lyrically satisfying as he attacks the tantalizing beat with an emcee approach. Matching the energetic delivery, Novul is not only a talented songstress but she has a knack for being dominant with her verses as she approaches the second verse in the “Runaway Baby” remix by rapping. With the thesis of “Runaway Baby,” honing in on the authenticity that trickles from heartbreak while establishing her name, Novul’s soul pours into a refreshing light of profound honesty. The sultry tones radiated in Novul’s sweet timbres are undeniable. You find yourself falling right into the poignant offering that she conveys to her audience from a place of good intention. Welcome to BuzzMusic, Novul, and congratulations on the release of “Runaway Bay (feat. Cam Meekins).” We love the fact that you brought more life to this song by revisiting it with a remix! What inspired you to approach this song with a different twist? Thank you so much! Very excited to collaborate with you! After releasing “Runaway Baby” the first time and sharing my side of the story, I really wanted to add in the male’s perspective on the relationship because the song’s about the rollercoaster of ups and downs of a toxic relationship and there are two sides to every story, so I wanted to bring on a male rapper to give his thoughts and tell the full story. The dynamic between yourself and Cam Meekins works remarkably! How did the collaboration come to be? What was it like working with one another? Collabing with Cam was awesome! I knew that I wanted a male feature on the track and I was a big fan of Cam’s single “Better Days” and just knew that with his songwriting skills, melodies, and his tone he would be the perfect addition to “Runaway Baby”. I just hit him up and he came back loving the song, which is what I loved the most about this collaboration because it showed that he genuinely wanted to be on the track. Some people do pay features just for the money and they don’t bring the same passion and excitement to the table, but knowing that Cam respected and loved the song as much as it did mean a lot to me and it was a perfect fit! What does this song mean to you as an artist? What are you hoping that your fan base takes away from the messaging exposed? “Runaway Baby” came from a poem I wrote about my ex. It was quite a rollercoaster of an up and down relationship dealing with someone fighting addictions. I wrote this poem from what it’s like being with someone struggling and basically always being there for them. I wanted to express this song in a more poetic way on the verses with my melodies and songwriting. The hook “runaway baby” came about because sometimes he would leave and disappear trying to get his fixes, and so turn into becoming my runaway baby. I would open my shows with this poem and my band would play soft melodies in the background, and people were coming up to me and saying “I loved that poem, it really resonated with me and what I’m going through” and I was like wow I really need to make this into a full song and that’s where it all started. All of my tracks are very fun, empowering, upbeat songs and I hadn’t shown my more vulnerable side yet, so I wanted to be really truthful to my fans about what I’ve been through because I wasn’t open or shared a lot of my struggles when I was in this relationship. I wanted to connect with my fans through music by showing them what I’ve gone through, maybe even some similar situations that fans have experienced. We’re all human and we go through ups and downs, but, no matter what, we will always have music and art that we can turn to. Congrats on going viral on TikTok. Do you find that TikTok plays into the direction you’re currently taking your music now? I love TikTok! It’s a great platform for artists, especially with it being organic - it really shows you that your fans actually love your music and want to honor you through their own creativity. I don’t write my music geared towards TikTok, but I feel like my vibe, energy, personality, and music is already so fun and playful as TikTok, so I think it just works in both ways for the platform and sticking to my own musical roots. What's next for you? I have been working on new music that I am very excited to share! I have an upcoming single called “Chips N Dip” that I can’t wait to show the world along with a few others including “All My Man’s Exs” and “Mood About You” to name a few. I’ve been taking my time to prepare each one properly for their releases and am excited for what’s to come! Instagram

Toronto’s electro-infused R&B songstress Geneva commands attention from listeners with not just the earnestness of her lyrics or the candid nature of her sexuality, but by effusing knowledge of the self by unapologetically embracing who she is. Her intrinsic, powerful performing talent has remained strong in each endeavor throughout her life. Geneva boasts years of unrestricted experience as she expands her growing list of capabilities and accomplishments. As a songwriter and performer, Geneva’s electrifying output has only grown more ambitious with each release. Flipping the page to the latest installment in her ever-growing music catalog, “Smoke & Mirrors” is the ambient single that hones in on a reflective framework induced by moody elements. Geneva’s alluring vocalization pulls you into the enticing essence of her sultry timbres. Exuding an extensive range where she effortlessly hits each note in an eloquent manner, we’re fully absorbed in the unapologetic persona that she portrays through vibrant instrumentation produced by Toronto’s superlative SLWJMZ. Each musical component seeps into your speakers as the array of synths, drum patterns, and pads illuminate a mysterious atmosphere that thrives in complexity for Geneva to share an intimate narrative with listeners. The thesis of the intoxicating melodies radiated from “Smoke and Mirrors” reflects proverbial snakes slithering in the grass. Inspired by shady individuals and skewed situations that deteriorate the illusion of trust, we hear the intricately crafted lyrics scripted by Geneva play into the facades that have rivals masquerading as friends. Undoubtedly being the bright light in the burgeoning Canadian music scene, Geneva is innovative with the dark soundscapes she brings to life. Fixating ourselves on the rich harmonies that overflow into the final chorus, Geneva’s high octane panache fits the scheme of the fully-loaded arsenal she can call “Smoke and Mirrors.” Congratulations on the release of “Smoke & Mirrors.” We love the theme of the song and the soundscape that directly ties into the elements you portray. Could you please take us into the moment or story that inspired you to write a song of this caliber? Aw, thank you so much! I'm so glad to hear you love the song -- it's obviously a really personal one, so knowing other people are relating to it is just the best feeling. I first started writing "Smoke & Mirrors" in January 2020, so it took a little time to materialize; it's really cold and dark around that time of year where I live (Toronto), so it's kind of this introspective time, even pre-COVID. I used that more somber, self-reflective energy to fuel the mood of the song. In terms of what inspired the song, there is definitely a specific scenario, or scenarios, I referenced to channel the emotions I'm conveying in the song. I am someone who loves really hard and goes hard for people around me, but that energy isn't always reciprocated, and it can be disappointing when it's not. There's that expression you can't always expect from other people and it's kinda true like we automatically do that and then disappoint ourselves when people don't behave how we would in that same situation. At the time I wrote "Smoke & Mirrors," I was witnessing behavior that was just really not jiving with me and I had to walk away, like despite wanting to keep things "cool" you just have to keep things real sometimes and tell people what's up if they're disrespecting you or knowingly crossing your boundaries. I think this is a good litmus test for who you should be keeping around you though; like for me, I need people around me who I can keep it 100 with, if it's not that, it's then I'm good to part ways with it. Life's too precious to keep lukewarm ass people around you. What inspired you to make “Smoke & Mirrors,” the first single release of yours in 2021? How does this song shape what we have in store from you? "Smoke & Mirrors" is an interesting release because it's a standalone single not attached to a full album...but it has enough panache to pull its own weight. I have a full-length album in the works at the moment, but I knew I had to give people a taste of what I'm up to lately, I've really focused on quality over quantity the past few years. The new music is really fresh, really modern sounding, but at the same time it's steeped in all the music that's inspired me, all the 70s and 80s funk and soul vibes, electro, house -- I call my music "futuristic throwback," and I feel like it's going to really be exemplified in this upcoming body of work. I've been working on refining my craft as a songwriter, so really zeroing in on how to make, like, underground pop hits if that makes any sense LOL. "Smoke & Mirrors" serves as a good appetizer to what I have coming up on the menu. Heartfelt, honest songwriting, catchy lyrics, head-nodding bops! There is a Circle Research remix of "Smoke & Mirrors" coming early summer that I'm really excited to share with you too, it's somehow completely opposite of the original in the best way possible. I don't even know how it's the same vocal, it's crazy. How was your experience working closely with producer SLWJMZ in order to give this song its compelling desired sound? SLWJMZ is so talented! Not only is he a producer, but he's also amazing on keys, so he brings that musicality and creativity to his production. The biggest thing you can ask for in a producer is for them to just read your vibe without a ton of verbal communication and for them to inherently understand the sound you're going for as an artist. When we first started working on "Smoke & Mirrors," we just vibed out in the studio on that dark January moodiness. I am a big fan of Three 6 Mafia, 90s gangsta rap...I had an N.W.A. cassette in high school that I fell in love with. But anyway, that rumbling bassline and the drums on the track kinda emulated that harder influence. I think the vocals are a nice contrast to that heavier sound. The team I worked with for this song are all top-notch pro's so they are a huge reason it sounds as good as it does. I'd be remiss not to mention my vocal engineer Yuri Koller and mixing engineer Jay Dufour, both of whom's work on this song is just astounding. These guys are both legends in their own right. And Greg Mindorff the mastering engineer has been my dude for years, he's amazing. Let’s talk about the music video for a moment. What can listeners expect when they flip on the screen and prepare to take in the visual component? What was it like on set filming the cinematic showcase? Honestly, I hope they take a moment to really take in the video and its artistry -- so much time and energy went into creating this! I think it's really unique and original and I'm really proud of the whole team who worked on it. Director Jerisse de Juan had the vision for creating this really stripped-down, minimalist aesthetic for the video -- very sensual, voyeuristic, and intimate. I think we achieved that mood and I think it matches the song really well. I have been working with Jerisse for years, she also directed my last two videos, so I feel like as a team we just keep getting stronger and stronger. Shooter + Editor Robie Nepomuceno has also been with us on this ride and has also been integral in terms of continuing to evolve artistically in terms of the output. In terms of the set, looks can be deceiving! We managed to pull off this shoot with a small team, in a small-ish space, for what would be considered a small-ish budget as far as music videos go. We were able to achieve this level of quality by sheer creativity, tenacity, and dedication to the vision! And lots and lots of talent and time, of course ;) The vibe on set that day was dope, I hand-picked everyone who was there that day, and I think everyone was gunning to get the best-finished product possible which is exactly the energy you want when it comes to creating. I'm really excited to hear what your readers think of the video! Instagram Facebook

Hyper pop and Digicore artist 818 SUKI has released the final installment of his musical puzzle before we head into PLANET SUKI. "Detox" captures our attention as a single and music video that thrives in an eccentric universe of charisma as we navigate through each vibrant scene in the elevation of creativity. Unfiltered is a cutting-edge electronic atmosphere. We witness an advanced take as we indulge in an organized chaos that is fierce with marking its territory. 818 SUKI carries buoyant elements into the ethereal bed of melodic shades that further entice us in the exploration of a new-found dimension. The cinematic appeal swings you into high gear as you place the pieces of this abstract enigma together in an ominous rage. Special effects balance out the neon-driven quick cut scenes that have us submerged in hazy imagery of lucid imaginations. It's rare to find an artist deeply connected to the individuality that they express as both the sonic and visual portion of this masterpiece coincide in a conceptualized theme. The setting shifts through an impactful collection of stewing inventiveness that has your head bopping to the music as you're out of your seat feeling the musicality of "Detox," more than you hear the fusion of the concepts. 818 SUKI is known to deliver his talents on a silver platter, and with creations like this locking down his musical catalog, there is no doubt that PLANET SUKI will take us for a spin. With such a defined sound, we’re curious as to the experimental process you endured to come to the resonance that you’re known for. Could you please take us into how you discovered your enticing sound? I'm always trying to find new music, and with that, lots of different sounds come thru my ear every day, heavily influencing the music I'm making at the moment. From Aphex Twin to food house, from 100 gecs to Gigi D'Agostino, the sounds which influence the creation of mine are wildly different, but coherent to each other. With “DETOX,” being the final puzzle piece before PLANET SUKI, what does this song mean to you as an artist? What was it like working with ARTIS JEFE to achieve the desired sound heard in this single? DETOX is the track that showers off all the heavy and emotional energy accumulated. It prepares the listener for the end of PLANET SUKI: "civil war. ARTIS JEFE is a long-time collaborator and friend, and as CXNDOM's lyrical artist, his input is always an upgrade to the song. Particularly, around the time we were making this track, I was getting him familiar with the Digicore/Glitchcore/Hyperpop scene, and the influence shows! What are you hoping listeners take away from the ingenious atmosphere raised in “Detox?" I hope—within the track's atmosphere—that they find a place to let their emotions go out and be expressed freely. In what capacity do you balance out creating for yourself versus for your desired audience? I only make music I like. And when thinking about my audience, I like to remind myself one thing: if it sounds crazy to me, it's gonna sound crazy to someone else as well. #BUZZMUSIC

The brotherly alternative-pop duo Klashing Black serves justice and the need for equality within their latest powerful and conceptual music video for their single, "Hold Us Down." After their launch in 2017, twin brothers Kane and Kyle Benner have been more than busy carving their distinct path down the street of alternative-pop music. Through their unique blend of edgy guitars, rich soundscapes, and sibling harmonies, Klashing Black is ready to touch on more essential and significant societal factors within their poignant releases. Now releasing their heavily conceptual and empowering music video for their single, "Hold Us Down," viewers can catch Klashing Black offer an exhilarating and unique performance while accompanied by diverse actors to portray the need for global equality and acceptance. Hitting play on the music video for "Hold Us Down," the journey opens with shots of Kane and Kyle Benner smashing their drums, keyboards, and electric guitar. While Klashing Black begins singing their chorus-like harmonies, they bring us into themes of acceptance and not being held down by the hand of oppression and blatant abuse. While the video continues with scenes of Klashing Black's powerful performance, we later see scenes of various actors from different nationalities and demographics. We highly appreciate the inclusive approach within this music video, as each actor stands firm in their unique ground while allowing viewers to accept their unapologetic selves, just as it should be. We must also note Klashing Black's unique sonic arrangements within this piece, as they touch on various instrumental approaches to emphasize the video's inclusive feel. Join the fight against discrimination and prejudices with Klashing Black's needed music video "Hold Us Down," now available on YouTube. We must thank you for using your platform to touch on needed topics of inclusivity and equality, especially within your latest music video, "Hold Us Down." What initially inspired you to create this empowering music video? The chorus in Hold Us Down was always meant to be sort of a rallying moment for people. It’s supposed to be universal as well, and applicable to anyone who’s ever been told that they can’t be themselves. So when we approached a video, we collaborated with our videographer to make sure all walks of life were represented. Did you work with any directors, producers, or videographers when creating the music video for "Hold Us Down" How did they help get the video to where it needed to be? Yes! We worked with the incredible John Fleischmann Media this time around. Along with helping us find extras to tell the story, he took the reigns during the shoot, working with the sound stage staff to get the lighting just right, and worked with us getting all of the shots on the list, along with bouncing ideas off each other. It was a really fun, amazing process. What did you want your audience to take away and learn from the inclusive and empowering music video for "Hold Us Down?" I think the biggest takeaway would be to not let anyone keep you from being who you are. Life can get monotonous, especially when people look down on creativity, and the video is supposed to be a visual representation that no one can take who you are away from you. Does your duo usually create music that serves a greater purpose? Or is "Hold Us Down" your first time around touching on important and essential topics like discrimination and equality? While in our past music we have dealt with deep topics before the subject matter was more centered on our past and was a bit broader. With Hold Us Down, it was the first time it felt like it is “right now”, and it feels like it’s literally made for anyone. What can fans anticipate to hear next from you? With Hold Us Down, we worked on a few other tracks that go really well together in regards to scope and story. We love conceptual art and music, so we’re trying to do something really cool with that. Sooner rather than later, the story will continue! Instagram Facebook

Hailing from Akron, Ohio, the genre-blending artist and singer-songwriter Davey Squires sets sail on a unique venture with the release of his 5-track EP, 'Sessions.' Known for his hard-hitting piano rhythms and merging the sounds of jazz, rock, pop, and blues, Davey Squires is now ready to release his flavorful EP, 'Sessions.' Due to the pandemic, Squires took a trip back to the Akron Recording Company to record live sessions of the project on YouTube, which are now available on all digital streaming platforms. Expanding on his latest EP, 'Sessions,' the project begins with the intro track, "It's Never." The tune starts on an upbeat and lively note through Davey Squires' exhilarating synth melodies, John Kline's thumping drum breaks, Alex Tortorella's exciting guitar strokes, and Ian McCartt's ever so groovy bass licks. Listening to Davey Squires' lyricism, he brings us into an empowering storyline of seeking life's positive aspects and leaving the negatives far in the past. We must also note that within Davey Squires' live YouTube performances, he leaves us feeling all the more refreshed through the bright smile on his face and innate passion for getting back on stage and swooning an audience once again. Moving onto the project's second track, "Blue Spruce," the piece opens with a harmonious jazz arrangement through Tim Shilling's light percussion patterns, Cletus Stimpy's smooth-sailing tenor saxophone melodies, and Davey Squires' passionate piano playing. As Squires starts to belt his ballad-like lyricism, he tells a delicate story of devoting his passion to someone who makes his heart smile time and time again. We're more than pleased with this heartfelt ballad, as Davey Squires and his accompanying instrumentals sweeten our speakers in his unique tones and limitless desire. As we move towards the outro, Davey Squires holds our hand the entire way through while wearing his heart on his sparkling sleeve. Reaching the project's halfway point with "Doin' The Dance," the song opens with a dreamy blues-like tone through John Kline's smooth drum patterns, Alex Tortorella's hazy electric guitar, and Ian McCartt's plucky bassline. Once Davey Squires beings vocalizing his many emotions through his unique stylings, he later lets us into a playful atmosphere that gets us up and grooving. We adore the blues/jazz appeal of this midway track, as it later expands into an upbeat rock tune while adding unique flairs to the project perfectly. Not to mention Davey Squires' electrifying keyboard/synth melodies, he closes the song off with incredible energy and vibrance. Landing on the project's fourth track, "Reservoir," the tune opens with Justin Curry's dazzling violin melodies and Davey Squires' cinematic piano playing. We adore the addition of this delicate piece, as it makes for a breath of fresh air through each calming instrumental and Davey Squires' powerful vocal stylings. Elaborating on his lyricism, Squires tells a reminiscent story of a young girl struck with the memories of a past lover and their times together at the reservoir. What makes this track all the more compelling is Davey Squires' passionate and emotional delivery, as he describes this delicate story with the utmost heart and soul. As we dive into the last track of the project, "The Western Mile," this upbeat tune opens with the energy and power of rock through John Kline's intense drum patterns, Ian McCartt's intriguing bass licks, Alex Tortorella's smooth rhythm guitar melodies, and Davey Squires' soulful piano playing. While Davey Squires begins belting his powerful vocals to hold onto, he brings us into an inner monologue type of story where he seeks redemption by traveling back to his roots and reminding himself why he began this venture in the first place. Truly a rejuvenating track, we can't get enough of Davey Squires and his accompanying band mates' soulful and passionate sounds. All in all, we're always enamored by the versatile sounds of Davey Squires, and we're more than happy with the dynamic outcome of his recent EP, 'Sessions.' Now available on all digital streaming platforms. We want to start by congratulating you on the release of your dynamic and powerful EP, 'Sessions.' When did you begin creating songs and ideas for the EP? The idea for Sessions came out of not being able to play live shows during the pandemic. Livestreams were fine at first, but after a while, I wanted something I could come back and listen to again and again with great production and instrumentation. I decided that doing a live recorded EP of songs I have previously released would be a perfect idea. Was there a specific theme or concept that ran throughout the entirety of your EP 'Sessions?' Or did each track bring a different story to the table? There wasn’t necessarily a theme for the EP, but the songs featured were perfect for jamming out and taking some of those solo sections longer in the live setting we had. What was it like recording your EP 'Sessions' alongside the various musicians for your live studio recording at Akron Recording Company? After so much time away from doing any sort of live collaboration, it was such an invigorating time recording with those guys! Each of them brought their own musical ideas and experiences into the studio during those sessions and after two or three takes of each song, we got it down and did our thing. That was the special thing for me about recording these songs live. It got us together for something musical during this time of separation. Is there a track within your EP 'Sessions' that you're most drawn to, and why? In particular, I really love how “Doin’ The Dance” turned out. The way we extended the solo section from the original studio version (on my first LP Fiction) of the song turned out great. That is guitarist, Alex Tortorella and myself trading solos on the track. During your live recording session at Akron Recording Company, we adore the power and passion you perform with. What do you miss most about performing live, and should we anticipate more live recording sessions like this in the future? The number one aspect of performing live I miss most would have to be the performer to audience relationship. I never thought I would miss the sound of an audience clapping, but alas I DO! These live sessions have been a great project to work on during this time and I really hope to do more in the future with other released songs of mine. Doing these tracks has given me the chance to look back on my own work and reorchestrate some of my own songs in a live band setting which, for me has been both entertaining and exciting! Instagram Facebook

Electrifying, hypnotizing, and audacious are just a few words used to describe the Los Angeles-based Neo Alternative Rock artist Élishia Sharie. Drawing upon iconic influences such as AC/DC and Nirvana, Élishia Sharie effortlessly synthesizes elements of 80’s Classic Rock with 90’s Grunge to create an aggressive, cross-generational sound that she contrasts with an unapologetically soulful vocal, reminiscent of Janis Joplin and Tina Turner. Accompanying the undeniable timbres that hail from the sultry essence of Élishia Sharie, her most recent single, “New Strange,” dabbles in foreboding tones in an enticing setting. The heavy spirits locked into instrumentation that sways with the amplified rock notions of a hard-hitting buoyancy spring into effect as we grasp the tantalizing guitar chords and beguiling percussion elements packing the vibrancy of the musicality. Élishia Sharie’s enigmatic vocal performance is draped in tones of rasp chalked full of melancholy as she paints a vivid narrative that fluently sways listeners to the beat of her own drum. Empowering her audience with words shadowing a fresh start and new age of strange, the amalgamation of musical components triumphantly lures us into the chorus where she wreaks havoc on this masterpiece fighting for change in the lyrical thesis emanated. Never one to fall into normalcy, it’s only fitting that Élishia Sharie’s compositions follow suit in the energetic execution of her authenticity shaped by self-expression and individuality. Catering to her fan base in a way that draws them toward the grippingly raw emotions heard in her distinct raspy tones, this powerhouse rises from the ashes and sets her sights on connecting with listeners far and wide on her way to the top. Congratulations on the release of “New Strange.” We love the eloquent stylings that you pair with heavy-hitting energy. What moment or story inspired the victorious sound behind “New Strange?" Hello, and thank you! I am super excited to be finally sharing "New Strange" with the world. 2020 and all its crazy inspired the victorious sound behind this release. I know, I know, a lot of people don't see the victory in a year that was filled with so much loss and uncertainty, but if you're reading this, you are victorious. If I'm being honest, I started feeling some "pandemic burnout" by September of last year and had to disappear for a while to spend some time attending to my mental health. I had started to feel negative about a lot of things, but the reality of it was, I was waking up EVERY SINGLE DAY. Despite how I felt, it was the "dawning of a new day," inside this "New Strange" we were all forced to encounter, so I had to start focusing on that—focusing on the victory and the blessing of still being here. How does “New Strange” fit into or stand out from your previous releases heard in your music catalog? "New Strange" both fits into and stands out from my previous releases. "New Strange" dives deeper into my storyline of "The Phoenix Rises"—a story about a woman who has persevered through many obstacles, and in the end, becomes powerful and victorious! That woman is me. In the same breath, this song is a standout from my catalog, because this is the first release where I feature my entire band and their amazing musicianship (shout out to Kev, José, and Berto)! I think this song also shows a more vulnerable side of me that not many people get to hear or experience personally or musically. Could you please share a glimpse of the creative and recording process that you embarked on in order to bring life to this song? Were there any stand-out moments that made the release even more rewarding? Sure! Unlike my previous releases, I wrote the lyrics and melody to this song, first, before the music was added. I typically work the other way around—letting the music inspire the lyrics I write. Once I completed the lyrics, I brought them to a rehearsal and sang them to my band, who then instantly started jamming and playing what you hear in the recording. When it came time to record the song, we did everything remotely and socially distanced. Each musician recorded and emailed their recordings to myself and my producer/husband, and he did the final production on the song. Honestly, RELEASING this song is the standout moment that made this release even more rewarding. It is always an accomplishment when I feel comfortable enough to share something that came from my weird mind. What is the main message that you send out to your fan base through your artistry? "FIGHT!" Fight for your dreams. Fight for your life. Just keep fighting. This message has been the foundation of what I do as an artist. "FIGHT!" was my very first global release after I suffered more than a decade of vocal loss. I had to overcome a lot to be where I am now—to be in a position to do the very thing that I love the most, music. We all have our battles, so I am always encouraging my fan base to keep fighting despite obstacles or opposition. I have never known perseverance to disappoint. Your true destiny and victory await you, but you can't give up before you reach them. Keep fighting. What can fans anticipate to hear next from you? Muhahahaha (that's my evil laugh)! I'm so happy you asked this question! I already have another song queued up! I just finished putting the final touches on some lyrics that I will be bringing to my band at our next rehearsal. I already know this next release is going to have more of a Heavy Metal influence and I can't wait to share it! Instagram Artist Website

From Melbourne to Brazil, the genre-bending artist and singer-songwriter Ana Clara Hayley gives a nod to the late 80s with her punchy pop-rock single, "Troubled Cells." While her artistic career launched at the mere age of eight through dancing jazz/ballet and singing in national competitions, it wasn't until the age of nineteen where Ana Clara Hayley felt compelled to move to London. After moving to Brazil and feeling captivated by the country, Hayley felt inspired to hone in and concentrate on her solo career. Now releasing her Empire Records-esque single, "Troubled Cells," Ana Clara Hayley pushes an incredibly dense instrumental atmosphere through her swinging and upbeat pop-rock melodies while leaving us inspired to take on new adventures and journeys. Not to mention Hayley's bright and radiant vocal delivery, she's truly carving a unique artistic path for herself to sprint through. Expanding on the single, "Troubled Cells," the track opens with short electric guitar bursts, a textured bassline, and upbeat drum arrangements. While Ana Clara Hayley begins vocalizing her need to flee from certain emotionally draining situations, she quickly swoons listeners with her mesmerizing melisma and natural vibrato. As the instrumentals continue pounding through our speakers with life and vitality, Ana Clara Hayley joins them at the hook to offer the utmost exhilarating aspects to keep us locked into the dynamic ride. We adore this song's ode to country-rock through Ana Clara Hayley's vocal delivery and the twangy instrumentals, as it makes for a highly memorable and unique listening experience. Refresh yourself with the dynamic stylings of Ana Clara Hayley and her uplifting single, "Troubled Cells," and keep an eye out for her debut album 'Songbird Vol. 1,' slated to release later this year. We appreciate the passion and heart you've delivered within your recent single, "Troubled Cells." What inspired the lyrical message behind this single? The lyrics were inspired by a brush with câncer I had a few years ago, which led to me having surgery to remove a significant portion of my left breast. The lyrics go through the process which was actually a lot scarier than the removal itself. I am so fortunate that after a long period of trying to get a solid diagnosis as to whether the lump was malignant or beginning, it turned out to be, indeed, beginning. However, it was a long time getting there. There were so many waiting rooms doctors, exams, waiting and waiting each time for a conclusive diagnosis. The songs draws on those feelings, trying to read the faces of medical professionals as they read/conducted exams, calling clinic after clinic to try and get the soonest appointment, not realizing the value of good health until I faced having it taken away That said, I actually wrote the song some years later when I was invited to participate in a benefit show to raise awareness and funds for breast câncer prosthetics that would be donated to women who had gone through a full mastectomy without the income to fund a replacement surgery. It was an absolutely beautiful experience to be part of something so close to home. We were rehearsing for the benefit and it just spilled out, about 1 week ahead of the show. I was slightly hesitant to play it because it’s highly emotive to me and, because it was so new we had barely rehearsed it let alone tested it on a live audience! But it worked out very well, both the song and the show. What inspired you to create such dense country/pop-rock instrumentals for "Troubled Cells?" What led you down this unique and dynamic instrumental path? I don’t really know how to answer this question. I write with my musicians, Almir Casiano who is a drummer but rehearsals are done with a Cajon, the Peruvian drum, and Bruno Amorim, who plays bass and guitar. The song felt like it needed grit so we took the gentle acoustic instruments and changed them out for some deeper tones on their traditional counterparts. I felt there was a really late 80s-early 90s almost Empire Records type feel to the song and wanted to get some long open strumming and a very present sound to the bass, without it sounding like the opening to Law and Order... I’d not thought of there being a country feel present but I hadn’t thought that of my first single, Brixton either, and that was a common comment, so that’s nice to hear again! I worked with a great producer here in Brasília who was really able to get the energy up and take what is in essence a sad song and make it feel victorious, which I really liked. I think it is the swing in the drumming that Almir created that opened a pathway to that energy. Does "Troubled Cells" share any lyrical or instrumental similarities to your previous two singles? Or does each single bring something different to the table? Both songs are storytellers and there are definitely instrumentational similarities in both Brixton and Troubled Cells however, the lyrics and melody are each of their own standings. Each single is about my life, they are moments I lived, as per many of my songs. It’s my aim that each song brings its own profile and characteristics to the ear. Should we expect to hear "Troubled Cells" on your forthcoming debut album 'Songbird Vol. 1?' Or are you planning to exercise a different path with the album? Troubled Cells will actually appear on the álbum SEVEN, which will follow Songbird Vol.1. SEVEN, will also include Brixton, my first single, and will consist of an instrumental continuity, so perhaps there will be an underlying country feel to the álbum? Let’s see. It has been very challenging to take forward the SEVEN albums during the pandemic so it will be so lovely to finally release it; that said, it still has a while to go. I’m not sure it will be out before December 2021. Songbird Vol.1 is a collection of songs that I wrote predominately during the pandemic with a couple of songs that I wrote in 2013 too. It is a mix bag of styles but there are a few key instruments that give the collection a connecting sonority, such as the Rhodes piano for example. The Rhodes has managed to act as a bridge between the breadth of style within the tiny 7 song album where there are a little bit of many sounds from country guitars to full gospel piano chords. It’s currently being produced in Melbourne, Australia and I am very excited to listen to it. All things going well, the album is due out mid-2021. Instagram Facebook