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Independent artist Rylei Nathaniel has created an open collaborative group called The Brotherhood Camaraderie Brigade with the sole mission of generating music that opens your mind and your soul. This artist is looking to spread some emotion-filled, higher-level music and take his artistry to the next level. This unique concept leaves room for artists to add personal and creative touches to the music, each piece a new wave of consciousness. “Daijoubu Dayo!” is the latest release from The Brotherhood Camaraderie Brigade, an entirely instrumental track with lots of layers to unravel. “Daijoubu Dayo!” at its base has simple progressions and eccentric guitar, but there are many elements of musical effects and sounds on top of this. From unpredictable percussion to funky synth melodies, The Brotherhood Camaraderie Brigade makes their statement with this song, unlike many out there today. There is always something new to pay attention to, and “Daijoubu Dayo!” has no shortage of new feelings and ideas. “Daijoubu Dayo!” is a pure projection of creativity and higher thinking, something to check out if you are interested in a completely ethereal experience. The Brotherhood Camaraderie Brigade welcomes all to join their journey of musical awareness and raising vibrations, keen to continue on their journey of exploration. What is the translation of Daijoubu Dayo!? Why did you feel that this phrase encompassed the feeling of the song “Daijoubu Dayo!” and what it represents? Daijoubu Dayo! is Japanese for "No worries! It's okay!". The song's atmosphere at times encompasses the feeling of uncertainty and doubt, however, at the end of the day, all the uncertainty will pass, feelings of doubt will dissipate and things will eventually be okay and fun in the long haul. It's all about the journey of becoming your best self. Where do your ideas typically stem from? Does having a larger team give more room for creativity? My ideas come from my personal life experiences as someone that's in a unique position in life. I'm an autistic trans (FtM) person who's mission is to raise vibrations in this plane of existence with music. Having a larger team does create more room for creativity since there's more than one mind involved. I created The Brotherhood Camaraderie Brigade to aid my mission of raising vibrations and also create a refuge for expression in a world that doesn't acknowledge and aren't so understanding towards "different" people or anomalies. What does the behind the scenes look like for The Brotherhood? How many artists typically collaborate on one song? My ideas come from my personal life experiences as someone that's in a unique position in life. I'm an autistic trans (FtM) person who's mission is to raise vibrations in this plane of existence with music. Having a larger team does create more room for creativity since there's more than one mind involved. I created The Brotherhood Camaraderie Brigade to aid my mission of raising vibrations and also create a refuge for expression in a world that doesn't acknowledge and aren't so understanding towards "different" people or anomalies. What is next for The Brotherhood Camaraderie Project? Where do you see your music going in the future? The Brotherhood Camaraderie Brigade is an open collaborative group for the most part. There are a few of us that are the main contributors. Some of us are in the same city and we're able to meet up and exchange ideas. Most of the time we send each other our samples online or by text and one or more of us mix them together and converse what needs to be added, removed, or edited. The Brotherhood Camaraderie Brigade main goal is to raise vibrations in this plane of existence with music and provide refuge and outlet for creative artistic expression in a world full of apathy and misunderstanding. What's next for you? I was born and raised female, and I'm currently living as a man for a few years now. Speaking about my personal experiences living as a man has been bittersweet because many people don't acknowledge the unique position that many trans people are in, having personal experience as living both female and male. We're all individuals and certainly don't act or think in the same ways. I soon realized that the society I live in doesn't have much empathy towards the male gender than they do with the female gender. I'm musically inclined and I figured since music has tremendous potential and power, I will use it as a platform to be heard, taken seriously, and change the way my society views and treats males. The Brotherhood Camaraderie Brigade accepts anyone willing to acknowledge the pain and suffering that men and boys go through in modern society. Us bros have each other's backs through the mystical frequencies of music. Instagram Facebook #BUZZMUSIC

The story of Beyond the Badlands starts with Cuda Smith, the founder and guitarist/songwriter. Cuda Smith is a combat vet stationed in Germany, but that hasn’t stopped him from making music with some talented musicians and producer Rudiger. Beyond the Badlands uses Rock, Southern Rock, and a little bit of Blues to drive their creative process centered around the military and riding motorcycles, another passion of Cuda’s. Their latest single, “Soldier,” is a dark, gritty song about the haunting memories that come with being a soldier. It is easy to get lost in the classic rock guitar that slams onto the first verse and the loud, piercing vocals. They even add eerie helicopter noises before the song really takes flight, a sound that lives in the minds of soldiers. “Soldier” delves into all the dismal topics that sometimes are not talked about, like wanting to protect your family from the things you have seen and done. Woven in through the unforgettable melodies are the stories of loss and grief and the wonderings of if you will ever be the same again. It is truly amazing to see what Beyond the Badlands has been able to put together from opposite sides of the world, and we hope they continue to make their music and inspire people. It is inspiring how personal and touching the lyrics for “Soldier” are, and I’m sure it helps others in your position know they aren’t alone. Do you ever find it difficult to write about such personal topics? So it depends. Writing songs like this for me is the easy part, especially one with so much emotion. It's actually a mechanism that allows me to release some of that emotion. It's way harder for me to share it publicly. For many Combat Vets, these things are close hold. In fact, I originally wasn't going to release Soldier, but my wife convinced me to. I'm glad I did now- I've had so many people reach out and in some circles, it's almost become an anthem; a common element that people can personally relate to. And for some, it's the story they're unable to tell themselves What keeps you grounded and inspired to make music while you are stationed in Germany? How do you get through the bad days? Music is my inspiration and I love being here in Germany. When I'm not playing music, I love to ride motorcycles and there's so much to see here. As for the bad days, we all have them (combat vet or not). Everyone has experienced tragedy, heartbreak, or the daily stress that life throws at us and we all deal with it differently. For me, a nice long motorcycle ride with some "wind therapy" is a great way to clear my mind. Who are some of your greatest musical inspirations? The world has so many musical inspirations, there's no way to have an all-inclusive list. I love the vibe of Shinedown, Stereoside, Black Stone Cherry, and Wayland (an up and coming band out of Michigan). But as a guitarist, I'd be remiss if I didn't include a few in the very short list of 6-string warriors I admire. Guys like Joe Bonamassa, Warren Haynes,  Stevie Ray, Dave Murry & Adrien Smith, and of course the late great EVH. My musical influences cross so many genres, from Chris Stapleton and the late Charlie Daniels to Skynyrd, Thin Lizzy, AC/DC, and Hagar. They've all played part in how my style has evolved over the years. I've had curators approach me and suggested we be more "modern" or "fresh", or maybe if we did some "rap" or be a little less "American Rock".  At the end of the day, you have to be true to who we are and embrace it! Is it difficult to coordinate making music from across the world? Do you hope to get to perform all together with your bandmates once you arrive back in the US? It's not been difficult at all. In fact, just the opposite. I believe it's easier when we don't get in each other's way. You know, music has its own language and each of the guys complements the story with how the song moves them. It's almost like producing an open jam. With every song, I'm completely blown away when I get to listen to the creativity of their parts when it's broken down. The artistry of each track is brilliant and I'm so excited these guys are part of the project. You know, everyone brings something to the table, whether it's Bart's B-3 organ parts, or Harley's bass and Go-Go's drums laying the foundation, but none of it would be possible without Rudiger. Not only is he the voice fronting the band, but he's also a skilled producer who puts it all together. We've spent a lot of time on the phone going over ideas and I can't imagine working with anyone else. As far as the future of the band once I return to the states, the sky's the limit! We all have other projects we're part of, and that's the beauty and the passion that music brings to our lives. Beyond the Badlands will continue to evolve, we'll keep releasing new music, and as we build a virtual following that I believe will set the stage for us all on its own. One thing for sure, we're not going anywhere and I look forward to being on stage with these guys. What has been keeping you inspired in 2020? Yeah, I believe 2020 has been a cultural shock for everyone on the planet! Whether here in Europe or the Middle East, I have family in the states, friends in Asia, and Australia. The events of 2020 haven't left a stone untouched around the world and it's just crazy how it's affected everyone's lives! But I also believe we have a lot to be thankful for. It's easy to get caught up in the moment and people sometimes let emotions drive them, while social media spreads it like wildfire and everyone feeds off it. I guess for me, I like to keep things in perspective (the good and the bad). For instance, a close friend of mine lost his father a few weeks ago, but the same week they were blessed with a healthy grandson. Sometimes life has a way of knocking our teeth out, but it also has a way of smiling at you. That's what inspires me musically. There's always a story to tell, an emotion to express, or rhythm to move to. As artists, we feed off the moment. Instagram Facebook #BUZZMUSIC

Multi-talented singer/songwriter and instrumentalist Luke Crimiel delivers a sincere and passionate single with his latest record, “Telephone.” Born into a musical family in Lafayette, Louisiana, it seemed predestined that Luke Crimiel would end up a musician himself. His passion emerged at a young age, playing drums in his godfather’s church band at the young age of four. At eighteen, Luke Crimiel committed himself entirely to his musical dreams and took the plunge with a move to Los Angeles. In this time, he has put his focus on continuing to develop his songwriting and live performance skills to master his craft. Luke Crimiel’s musical influences include many of the greats, such as Michael Jackson, Stevie Wonder, and Frank Sinatra – but the sound he is continuing to develop is distinctly his own, grounded in the pop genre but with clear elements of R&B and soul music. “Telephone” commences with the forgiving yet uplifting strums of an acoustic guitar that then greets the melodious sounds of Luke Crimiel’s vocals. In this dreamy setting that maintains a somber and delicate mood, Luke Crimiel hits us with an earnest record that initiates the tugging of our heartstrings. When the chorus is introduced, deep and soothing elements in the musical components kick us into a higher gear for the mellow elements showcased. The outro of the song hits us with something more versatile on the creative spectrum. A voicemail recording with the panning of the composition displays the artistic capability through “Telephone.” It allows us to reminisce on lyrics such as, “The only love I wanna know, the kind that hurts when you’re not home,” for a moment after the song has concluded. We are so excited to hear what Luke Crimiel has prepared for us next. He has us going through the likes of his music and picking out all of our favorite tunes for our playlists. Congratulations on the release of “Telephone.” What struck your initial inspiration to get this record in the works? Thank you! I always try to write from the heart. I always try to write from a stance or position that feels real to me. So I think this record and the inspiration behind it was definitely about the growth and evolution of me and my relationships. How was your creative process different when creating this record, versus your other creations? The process was definitely very different from a lot of my creations, because of how fast it was put together. I wrote this song in 2 hours, so that was a time where sometimes a song just flows right out of you. Who would your dream collaboration be with and why? I would love to work with Pharrell. I think he has done some great work over the years and love his sound. I feel like we would blend great. I would love to get in the studio with him someday. We would love to know, what is your favorite lyric from the song and why? “The only love I wanna know, the kind that hurts when your not home” is one of my favorite lines I've ever written because that is exactly how I felt at that moment. Sometimes writing can come from many places, whether from past stories or experiences. So the process of me putting how I felt right on the paper at that exact moment is something that will resonate with me forever. What can fans anticipate to hear next from you, Luke? I just announced my debut album, “11th Street” that is coming out in November. I’m so excited to finally show them these songs that all have a place in my heart and mean a lot to me. With the title being named after the street I grew up on, these songs all have a story of my journey that I connect with, and hope they connect with them as well! Instagram Facebook #BUZZMUSIC

Icelandic rock band KUL is here to display their innate sense of banter, as well as the driving energy behind the essence of their collective song releases. Forming in 2018, KUL consists of members Heidar Örn Kristjansson on lead vocals and guitar, Helgi Runar Gunnarsson on lead guitar and backing vocals, Halfdan Arnason on bass and backing vocals, and Skúli Gíslason on drums. Collectively, the band encompasses their individuality and explores the creativity that comes as a result of collaboration. KUL has released their elemental rock single, "Party at the White House," and it's driving a wedge between alternative-rock. The band encapsulates the raw sound you can expect an early 2000s rock single to possess, with that gritty yet energetic rhythm, combined with some contemporary flairs of today's alt/rock scene. "Party at the White House" brings two pivotal ambiances together: the raging rock extravaganza we all have a soft spot in our heart for, and also a more chilled-out serenity (faint, but still ever so present). Not to mention the satire involved within the track itself is what creates a comical listening atmosphere, as the band stays true to their political roots, all while having a blast at, well, blasting the current circumstances. All in all, "Party at the White House" offered an array of versatile energies, as well as perspectives, and ultimately kept us drawn in with its addicting rhythm. What kind of vision went into "Party at the White House" and would you say that every band member resonated with the vision of the song? We wanted as a band to give people a glimpse into our opinions on the POTUS and what has been going on in The White House in an upbeat song. That resonated with all of us. How do you feel that "Party at the White House" compares to other single releases from the band? PTWH is our only semi-political song and has a more dance vibe to it than any of our other songs. Our other songs are maybe a little bit more “indie guitar rock” but we let loose on this one and we are very happy with the outcome. Mark Needham (The Killers, Imagine Dragons) also did an amazing job with the mix of the song. Were there any moments within the writing and recording process of "Party at the White House" which you felt challenged the band artistically? We were all pretty much on the same page during the making of the song. We had been playing the song live for some time before going into the studio and when we pressed ”record” the song took over and kind of produced itself. What're the next steps that KUL is looking to take within the music scene, especially regarding the release of future new music? We’re always writing new music. The situation at the moment is kind of strange. Like other musicians, we have no idea when we can tour again but we will be releasing songs regularly. We’ll just have to see. This year has been extremely difficult for the music industry. What has been your biggest source of inspiration while creating new music, this year? You could say the source is everything that has been going on in the world for the past year or so. It has given us more time to write and spend time together and that helps with the creative process. You could say being able to come together to create music is keeping us sane through all of this. Instagram Facebook #BUZZMUSIC

Marcelo Quinonez is the Los Angeles based composer, songwriter, and father who takes his twenty years of experience amidst everything sound and sonics and shapes multifarious instrumental excitements into vast aural landscapes that evoke deep-felt emotions. His latest sensory specula utilize that same stratagem, swan-diving into the pool of introspection that populates "Hearts In Motion," like a man committing to his most creative intuitions. It's a hounding alt-rock song dissecting the concept of the mind vs. the heart, the human capacity to commit the crucial choices we make, and the realities of those life-changing decisions. Marcelo Quinonez tries to distinguish if the heart has any authority over his purposes on this planet with a rambunctious spread of vocal synth effects, melodic organs, southern-tinged guitars. He dichotomizes the mind and heart in, slowly digesting how the two navigate the inner-directed roads of life, gathering together an amalgamation of alternative-rock soaring riffs and forward-pressing vocals for a wall-of-sound dive into anthemic choruses and elegist-like verses that never deviate too far off course. Marcelo Quinonez buzzes over the understanding that the heart will take you where it wants, "you can't stop a heart set in motion, feelings fall and crash, waves of emotion," and that you might as well let it happen: "we might as well enjoy the path our hearts wants to take." The multi backgrounded composer holds onto that feeling of lighter-swaying, stadium-conquering rock music with a crooning vibrato-centered voice and an array of harmonies that tickle the edges of his jam-pack mix that arrives festooned with hot-blooded authenticity. There's no avoiding the articulate force behind Marcelo Quinonez's instrumental orchestrations, and how they recreate infectious vibes while still granting the inner-looking disposition of his lyrics shine brilliant and candid. What sorts of emotions were the most powerful in steering you towards the narratives you push forward over 'Hearts In Motion'? With Hearts In Motion, I was mainly motivated by the feelings of doubt making life decisions and how feeling grateful and appreciating what I have and the decisions I've made in the past is a powerful tool and can really change the perception of events that have happened in my life. For me, this song was about accepting what my heart wanted and diving into those things with both feet. I feel like this approach has helped deal with anxiety and fear around what is happening currently as well. Trying my hardest to appreciate moments for what they are, good or bad, and trying to just fully experience them when they happen. How did you first conceptualize 'Hearts In Motion' from a production standpoint? Was it a melody with MIDI notes, a riff on a guitar, and few lyrics that sparked the creative process? Conceptually it started with the Words Hearts In Motion and a guitar,  which is how I sketch out most of my songs. It's different than when I am writing commissioned music for visual media which usually starts with MIDI notes. With songs, I really start with a phrase and a melody and then I sketch in some chord progressions with my guitar and work it out as a song before recording. Again this is very different from my workflow for composing scores. How did you make sure your lyrics, and the profound anecdote behind 'Hearts In Motion,' didn't get lost within your heavy bolstering instrumentals? Wow, great question! The demo of this song had a ton of strings and piano arrangements, but after laying down the final vocals I felt like it needed something different. Especially with the amazing drum tracks that drummer Eric Hastings gave me I felt like it needed something a little different in the bridge and verse sections. Luckily I know a great organ player (and comedy writer for Jimmy Kimmel) named Bryan Cook down in L.A. and he did me a favor of laying down a ton of awesome organ parts which I whittled down to what you hear in the final arrangement. The main motivation was I wanted the choruses to be like waves of sound crashing around the main themes of the song. I feel like it worked pretty well and the choruses wash over you like "waves of emotion".  It took a lot of stripping away parts to finally find the right balance. If you could say a few words that would prefix the emotional experience behind 'Hearts In Motion,' what would you say, and why? I would say the words that best describe how to interpret the song is... Despite everything, follow your heart. I say this because if anyone is like me, I let my brain get in the way a lot of times especially when I am trying to make a decision on where to focus my energy. This year has been extremely difficult for the music industry. What has been your biggest source of inspiration while creating new music, this year? I have been extremely lucky during all this because I have been working on some animated TV shows that didn't really stop working when this whole pandemic thing happened.  I have been writing a ton of music for these shows over the past 6 months. Because of that and the fact that my wife has been home more often, I have been spending more time than usual writing music in the studio. This extra time I have been using to just write and finish a lot of projects that I had put on the back burner before being quarantined. It has allowed me a lot of time to sit in the studio and write. It has also allowed me even more time to spend with my son who is constantly inspiring me to look at the world with fresh eyes. That time I have had to spend with him has really given me a new perspective on the world and the things I choose to focus on. Instagram Website #BUZZMUSIC

The Bangalore-based Musician and Singer/Songwriter Popcorn Kid releases a groovy single for the soul with "Discotown (feat. Noxigen & Katherine Hb)." Popcorn Kid (Nikhil Narayan) has been running hot for two solid years in the music industry; he's continually being recognized by new eager fans and increasing his monthly listeners on Spotify day by day. With his latest release, "Discotown (feat. Noxigen & Katherine Hb)," Popcorn Kid delivers this fiery and nostalgic atmosphere through driving synths, gripping basslines, and airy drum fills. Noxigen and Katherine Hb's vocals bring a lively back and forth while pushing the track with boundless energy. "Discotown (feat. Noxigen & Katherine Hb)" opens straight out of the 80s with funky electric guitar swings, tightly-wound drum patterns, and Popcorn Kid's energetic keys. Once Noxigen and Katherine Hb begin singing to each other back and forth, the atmosphere heightens into this exhilarating space where dancing becomes inevitable. What keeps our toes tapping is Popcorn Kid's wicked instrumentation within this track; everything from the whopping synth to Noxigen's surreal electric guitar delivery puts this track on the map as one of the more stimulating pieces we've heard this year. Perfectly encapsulating his city's groovy nightlife and overall atmosphere, we can't get enough of the song's naturally engaging instrumentation that pulls us in closer. Popcorn Kid has outdone himself with his lively hit single "Discotown (feat. Noxigen & Katherine Hb)," while Noxigen and Katherine Hb provide refreshing vocals and surreal electric guitar all to push the song's inviting and intoxicating atmosphere. What a groove you've released with your lively single, "Discotown (feat. Noxigen & Katherine Hb)." Could you tell us about the song's inspiration, was it derived from Bangalore's nightlife and energy? Thank you, I’m glad that you felt the groove I was trying to portray. The inspiration for this song is my exposure to a lot of vintage classics such as ABBA, Earth Fire Wind, Michael Jackson,etc., to name a few. My vision for ‘Discotown’ is for it to be a symbol and a musical landmark for Bangalore's nightlife and music scene. We've heard that your single "Discotown (feat. Noxigen & Katherine Hb)" was originally the intro track for your album "Paradise." What made you want to re-work the track and add Katherine Hb's vocals for a new release? Usually, music lovers tend to listen to songs with vocals/lyrics since they are able to resonate with the words on a personal level. Hence, I felt Discotown, being an instrumental would be a great song to have vocals, since it musically represents a golden era of music. Adding to the existing aura of the song, Katherine’s vocals was icing on top. When re-working "Discotown (feat. Noxigen & Katherine Hb)," did you keep the instrumentation the same, or did you add any sonic additions to spice up the renewed release? I was content with the instrumentation of the song. So I retained most of the instruments to sustain the original vibe of the song. The mix and master however is a bit different. Living in India, we've noticed that you have many international fans and monthly listeners. How do you manage to keep your city's listeners entertained, as well as international listeners? The kind of music I make is not yet popular in my country. So I intend to spread this genre to my local communities through my music alongside making it catchy enough for my international listeners to vibe to. This year has been extremely difficult for the music industry. What has been your biggest source of inspiration while creating new music, this year? I can totally relate to the hardships that the people are facing during these wretched times. This motivates and inspires me to make new music which helps overcome any negative feelings and becomes a sweet escape. IT would be awesome if it can achieve the same for others as well.

Singer/songwriter Dia Morgan has always been somewhat of a rebel, but her love for music has never wavered. She went from getting into trouble at her high school for playing music in the halls to moving to Los Angeles and working alongside songwriting coach Judy Stakee, but through all of her tough times, her determination was always there to see her through. Dia Morgan recently released her single “Red Flags,” a spirited pop song about recognizing your worth. The enthusiastic synth beats and breezy melody bring the song to life, and Dia’s vocals add a spellbinding ingredient into the mix. In “Red Flags,” Dia is reminiscing about an unhealthy relationship and all the red flags she sees now that were not so obvious at the moment. In the second verse, she sings, “All the rules were yours to bend,” delving into the feelings of being taken advantage of. The chorus is catchy and fun, one you’ll remember and find yourself humming the rest of the day. Dia makes use of expressive vocal effects and harmonies to complement the bright and spunky song. Underneath the production, “Red Flags” at the core is a message to know what you deserve. Dia Morgan encourages all of her audience to embrace who they are and celebrate their unique beauty. Instagram Website #BUZZMUSIC

The Colorado-based Alternative band Holdfast releases the first ear-pleasing single off their upcoming album with "Walls." Consisting of brothers Tommy and Mikey, and their cousin Charlie Maddocks, Holdfast. continues to garner Colorado's attention through their exhilarating sound and equally stimulating live performances, which the boys deeply reminisce. Through their lead single "Walls" to their upcoming album "Stay and Fight," arriving in January 2021, Holdfast. channels the utmost strength within this single and allows listeners to feel every inch of each emotion exuding from this Alternative hi-fi tune. With a sound similar to Bad Suns, Muse, and The 1975, we can't stop replaying this dynamic piece. "Walls" opens with distorted electric guitar and layered rhythm guitar delivering thrilling melodies that shoot us into the stars. The lead vocalist begins telling a deep story of playing along with someone's unpredictable ways, the surrounding instrumentation lessons to merely deliver a gripping drum kick and faint keys. Once the hook makes its entrance, we're vastly impressed and swooned by Holdfast.'s stimulating and thrilling instrumentation. The up-tempo drums and layered electric guitar offer a heated atmosphere alongside superbly layered vocals that push an incredibly unique sonic approach that we can't get enough of. To sum it up, Holdfast.'s single is a classic. From each sweltering melody to the instrumental keyboards and electric guitars, not to mention the lead singer's raw vocals, "Walls" captures the listener's attention from beginning to end. We're sincerely impressed with your textured and dynamic single, "Walls." Could you take us through the song's lyrical concept surrounding a troubled relationship? What message did you want listeners to take away? My cousins and I recorded "Walls" along with the rest of the album back in June of 2019. During that time, the three of us were still living in the same cul-de-sac in Windsor, CO, where we would jam in my parents' basement. Mike, our bassist, always wanted to have a bass-heavy song to riff on during live shows; in the weeks leading up to our recording session at The Blasting Room, we came up with the Walls riff, and I wrote the lyrics in the shower the next day. It all sort of came together in a couple of days. While one person might view Walls as a song about a troubled relationship, we wanted the song to have a greater scope than just that. Chris Beeble, our friend and producer at The Blasting Room, really helps us make sure our songs can apply to all types of people and experiences. I hope that people can resonate with the song's message of "putting up walls," meaning sometimes you have to put up boundaries in order to protect yourself or other people. Speaking on the blistering instrumentals within "Walls," did you capture these fluctuating instrumentals to represent our inner emotions that frequently change? I totally see what you mean by changing emotions. With writing songs, we only have 4 or 5 minutes tops to tell a story. One thing we learned from working with Chris Beeble is that every second in a song counts, and we have to tell our story in a clear direction. While there are lyrical moments that stand out in Walls as "hopeful," its overall message is "an acceptance of moving on." With the instrumentals, we didn't really discuss what it should mean. Tommy, our drummer, played this crazy, primal beat when we first played through it - and that was just it, we built everything around the riff and the drumbeat. What was your creative process like when building your fiery and stimulating instrumentals for "Walls"? What foundation did you begin with, and how did you build the rest of the sonics on top of that? Our favorite bands are British rock bands or European in general. So, I guess we took a lot of inspiration from that sound and culture. We love bands like Catfish and The Bottlemen, The Hunna, Circa Waves, Muse, U2, just to name a few. We always watch videos of old Glastonbury performances and still dream of the day we can play festivals like that. Seeing the crowd reactions to these bands’ hit songs inspired us to write something that’d be fun to play live. Walls is one of those moments in our show that is definitely a highlight for all three of us. Regarding your upcoming debut album "Stay and Fight" to be released on January 8th, 2021, why did you choose "Walls" to lead the way of the album's singles? How does "Walls" tie in with the overall project? We chose Walls to launch our debut album because it’s the first track on the tracklist. It’s the introduction into the story being told on “Stay and Fight.” We can’t wait to see our fans’ reactions once the whole thing is out. It’s an album that is best listened to from top to bottom. What has been keeping you inspired in 2020? During the era of COVID, we’ve been very fortunate to have things to do as a band. We’re happy to live in an area (Northern Colorado) where live music is loved and supported. Since COVID happened, we’ve still managed to have a variety of shows, from drive-in concerts to house shows put on by local radio. It’s inspiring to see how everyone in the music industry continues to adapt in 2020. We’ve had the privilege of collaborating with so many creative people that have helped us get to this one moment. A particular moment of inspiration for us was being on set for the Walls music video for the first time. Seeing a full film crew working on dozens of different things at the same time was really humbling. Ryan Frazee directed the music video and really brought the whole visual idea/story to life. He’s worked with so many great artists, and we’re so excited to finally be able to work with him. It reminded us that this band can continue to grow if we collaborate with people outside just the three of us, and let all of our voices be heard through Holdfast. Instagram Website #BUZZMUSIC

Just when you thought Big Room had left the building, SATNIK shows up with a stimulating and energetic single titled, "Sphinx." The masked DJ's are bound to captivate through their sound residing in Bass, Big Room, Electro, Future, Slap, and Deep. With music resembling that of Dimitri Vegas & Like Mike, W&W, and a 2015 Steve Aoki, SATNIK has shown us that Big Room is a sound that never dies; instead, gets reworked to fit modern-day production trends. With their latest hit, "Sphinx," SATNIK gives us a blast from the past while tweaking the Big Room-inspired production to capture the ears of modern-day listeners. With an intoxicating drop that fires us up for more heated tracks, we can't seem to shake the song's hi-fi synth melodies that continuously replay in our minds. "Sphinx" opens with immense energy from the jump, perfectly channeling those sweltering festivals flooded with ravers from front to back. The up-tempo beat and use of synths highly resemble Hardwell's style that strikes the listener with dynamic sonics, inevitably melting faces. With background synths pulsating at an incredibly quick pace, we can't seem to escape the blistering production that SATNIK has incorporated into this blazing single. Reaching the beats drop, this scorching and hi-fi siren acts as the focal point and exudes incredible rhythm for listeners to bounce around the beat. From melodic synths and unique drum patterns to blistering sirens and incredible energy, SATNIK's latest hit "Sphinx" serves all the vibes we need to capture a festival from the comfort of our homes. We can't get enough of the energy radiating off of your single, "Sphinx." What made you take this venture into Big Room for the single? Big Room was our favorite genre all along, but throughout our solo career, we were forced to leave Big Room behind. Eventually, we both became sick and tired of the life we were living and so we got together to become who we are today and we are super thrilled with the chart positions we managed to get into with ‘Sphinx’. In just 2 days, we’re number 1 on Deezer Top 100 in Portugal, number 3 on iTunes top 200 in Portugal, and number 8 on Beatport Top 100 for Big Room. We still can’t believe all these great achievements and we’re so excited for the next releases we have ready to come out. Speaking on the wild production within "Sphinx," did you have any artistic influences that might have impacted the song's style and approach? ‘Sphinx’ sent us on a ride! At some point, this track was meant to go into the rubbish folder, but luckily a great producer and friend of ours heard the track and said it sounded great and that he wanted to play the track at his gigs. At that moment we got the motivation we needed to take the track to where it is today and now, we’re never looking back! Seeing as your single "Sphinx" resides within the subgenre of Big Room, which subgenre would you say you're most comfortable with and passionate about? We love everything electronic, but our true passion lies between Big Room and Bass House. Both of us come from a “Big Room background” so it’s fair to say we’re most comfortable with Big Room. Nowadays we get to hear 80’s and 90’s top hits get revamped and turned into Slap House tracks and Deep House tracks. People are running out of ideas; most things have already been done and they’re forced to reinvent new EDM subgenres and give new names to something that already existed 10 or 15 years ago. Music is like fashion, it comes and goes, but then it ends up coming back again. This is what is happening with Big Room – many say “Big Room is dead”, it’s not dead, it’s just taking a rest! (laughs) We've heard that you've ghostwritten for multiple DJ's and Producers who champion the Electronic industry. Could you enlighten us on these experiences and how they helped your own sound flourish? That was a hell of an experience! (laughs) As you may know, we’re not allowed to mention names, but we definitely met some really great people in the industry and also not so great people, but we ended up meeting each other and that’s when our lives changed. Everything about ghostwriting was cool, but seeing songs we produced go viral and not being able to take any credit for it kind of hurt deep down, nevertheless, the overall experience was absolutely amazing and because of that experience, we now know a lot more than we did before. It helped us grow as independent artists and made us see the business as to how it really is and not how it’s presented. What has been keeping you inspired in 2020? What a crazy year it has been! So far, for us, October has been the best month yet, now let’s see what the rest of the year has to offer for us. Either way, we have festivals, tours, and many surprises for 2021 so keep updated on our website and social media as we’ll post all upcoming events there! Thank you so much Buzz Music for taking us in for this interview and for your amazing support! #BUZZMUSIC

Long Island-based DJ and Producer Saint Scheriff releases a thrilling Future House single titled, "Smile On My Face." Always having a passion for various music genres, Saint Scheriff's vision is solely to positively impact the world through his bright and uplifting music. Saint Scheriff's latest single, "Smile On My Face," offers listeners a slice of modern Electronic music and a sincere message that can resonate with any listener. With warm and melodic female vocals topping Saint Scheriff's lively Future House production, the track brings us out of our bedrooms and onto the dancefloor. "Smile On My Face" vibrantly opens with a powerful house beat accompanied by incredibly melodic background vocal chops. As the female's vocals begin to shine through and sing a story of realizing someone's vanity, the supporting production offers gripping sub-bass that sends the track into the future with tightly-wound sonics and ridiculous rhythm. As the production swiftly builds while we anticipate the beat drop, Saint Scheriff delivers tremendous drum patterns and lively synth progressions for listeners to get lost in. The quickly-paced beat gets us right out of our seats and pushes us through an exceptionally bright atmosphere with the meticulous and intricate production. Giving us the ultimate festival vibes, which we miss dearly, Saint Scheriff's exhilarating single "Smile On My Face" brings nothing but positivity and rhythm in a matter of minutes. We're heavily getting down with the future grooves on your recent single, "Smile On My Face." Could you tell us about your creative process for the single, and what led you to the track's creation? “Smile On My Face” was actually a production I wanted to keep rather simple compared to some of my other tracks. The creation of this track was all inspired by a vocal sample I found online. When I found the track, it was a much more downtempo, tropical track. The first thing I used on the production was the chords of that bass pad. When the drum processing was complete, I knew the track was easy to arrange. I believe the drums really carry the track throughout. The most difficult thing to come to terms with was the bass for the drop. Jendex Records was responsible for the mixing and final mastering for this one. Whose bright vocals were featured on "Smile On My Face"? Did you find these vocals as a sample, or did you have someone record a verse or two for the track? Could you also touch on the vocal production/arrangement within the single? I wish I knew who created the vocals because they are quite powerful and I connected with them right away. I found these vocals from a company called King Beats. In my career, I typically don’t purchase vocal samples, but this one really stood out to me. The vocals were produced really well to begin with so it was really about developing the track around them. My favorite part would be the vocal chops and those were already present in the demo I heard. It was an easy purchase as I fell in love with the vocals. Why did you want to fuel your single "Smile On My Face" with bright Future House production? Is this your go-to sound, or do you usually switch up your approach within the umbrella that is Electronic music? I think “Smile On My Face” is the beginning of more future house productions from me. I do have a certain way that I work in my productions and this really opened my eyes to the possibilities of going with this genre. Personally, I’ve always enjoyed the genre, and honestly, this is a first for me! With these vocals, it just screamed Future House track! We've heard that your love for multiple genres has led you to create your own radio show called "The Scheriff's In Town." Could you tell us more about the show and why you wanted to create it? “The Scheriff’s In Town” was an idea I came up with to portray my DJing skills and the music that I really support in the industry. Recently, I’ve been live streaming on YouTube with this radio show. Being a DJ before a producer, I wanted something that I could show clubs the type of DJ I am so that I can begin scheduling a tour. Right now, I’m mostly focused in the studio on getting more music out there! Hopefully, clubs open up real soon! What has been keeping you inspired in 2020? The thing that has kept me most inspired in 2020 is the people I’ve surrounded myself with. As we all know, it’s been a very difficult year for all, but with the support of my friends and family, I’ve really been focused on music production. I’ve just moved from New York to Florida so the change is certainly new to me. I have many tracks that are completed that I’m so excited to share and quite a few projects that are currently in the works! I’ve been working on the sound I want and I’ve really connected with it! Instagram #BUZZMUSIC