Sean Quincy is a 23 year old solo artist from London, UK now located in LA. Moulding his sound and image from living in the streets of London, he has taken a villain-esque attitude towards his subject matter; pushing self-empowerment and rebellion creating his own blend of Alternative guitar riffs, accompanied by RnB and Pop melodies. It's a rebellious song for the teens, as is the whole EP 'Adorable Sinners’. It’s a fun album, whether it’s played in a car or on stage - you can feel the energy it’s like a mix of styles conjured into a new school way. Checking out the song “Hollywood Undead”. Whoa! This track caught me by surprise. There’s this funky pop rock and roll feel and I love it! It is different and something that takes you on a stroll through his view of "Hollywood Undead". I really love the production of this track with the mixing and mastering of the various tones. Wonderful vocals by Quincy as well. I can hear the RnB and Pop reference in his vocals and lyricism. And because he is versatile in that sound, it gives this song such a range and a beautiful range at that. Definitely a dope top 50’s track with so much surprise throughout its entire 2 minutes and 45 seconds. Remember to check out "Hollywood Undead" on Spotify, and scroll down to get to know Sean a little better! Hey! Would you mind introducing yourself? Sean Quincy. I’m a '95 baby. Born on an island in the Mediterranean called Malta but moved to London around five years ago. I dabble in music, fashion, branding, directing and anything creative which comes my way.. the Sean Quincy material is an unfiltered autobiographical timeline. Your social presence is really solid! Can you tell us why you chose the black and white esthetic opposed to color? Well.. being a Gemini I needed something which was two sided and minimal which cuts out all the bullshit. There’s a battle between good and bad going on and I play with these shades accordingly. Bringing in Hollywood Undead, what is the backstory to this song? On my new EP ‘Adorable Sinners’ I go from vigilante to villain super quick. Hollywood Undead was giving a taste of both sides. In context it’s about a typical girl in LA but the underlying message is super rebellious. What made you pick up and relocate to LA? Life’s a bit crazy at the moment I’m bouncing between Malta, London & LA depending on what I’m working on. Im fortunate to have met some amazing people along the way and nurtured each relationship. Also I can’t stay in one place for too long. LA was always a dream, now Ive been flying here more and more frequently. I’m sure I'll settle down. Can you let us know what you have coming up in the music world? I just released an EP called ‘Adorable Sinners’ on Valentines Day - its hot as fuck check it out! Connect with Sean through his Instagram. #BuzzMusic

Is that a washboard I hear? Do I see bluegrass blowing in the breeze? Mumford and Sons fans take note, because with vocals as sweet as milk and morning air that’s brisk, NYC-based roots-country act The Good Morning Nags are making an impressive foray into Americana music and beyond with “Birmingham.” It’s easy-on-the-year empowerment music. You’re headed where you want to go, hell be damned. The group traces its own history to the University of Evansville in Indiana. It was there in the Midwest where Britt Reagan (guitar), Tim Hassler (fiddle), Titus Tompkins (drums/percussion), and Ben Quinn (mandolin) started to hammer out the formula that would become The Good Morning Nags via scoring theater productions and working on four-part harmony. After reconnecting in New York they added banjo player Mark Spitznagel (Rusty Guns) to the mix. The group recorded a self-titled EP then added bass player Pete O’Neill (Mama Juke, CC & The Boys). They hit Three Crown Studio to record Hard Hope, which includes the song “Birmingham.” You can’t help but wonder how their sounds work together so seamlessly. The instruments feel bright, but there is a rounded, warm quality to them, also. The content of the track is something bands, and wanderers everywhere, can get behind: “Best we best we be getting on the road.” I can’t help but soak up the excitement for heading to this place somewhere in the good ole’ USA. I’m sure it’s a place where you can swing your partner round-and-round. But if this song is anything to go by, I’d guess it’s a place that has evolved towards a more modern-sounding vibe, too. We’ve got crisp organic hand claps, factories of rust, and the aforementioned “Birmingham or bust” ethos. Unlike some of their other songs, like “No Damn Good” with its Cotton-Eyed-Joe twang and prominent fiddle, “Birmingham” is more within the indie-pop territory. I’d even venture to say folks who appreciate the Decemberists and the Rural Alberta Advantage may find some positive strains to enjoy here. Give a listen to "Birmingham," and get to know the band through their interview below! Connect with The Good Morning Nags through their website and socials: Facebook Instagram Twitter #BuzzMusic What is it you find so alluring about Americana imagery? In Americana imagery, and I think still in America itself, there’s always a since of hope, that our best days are yet to come. And maybe it’s a bit contradictory since the music itself has relatively stayed the same over time, but it’s often been the voice of descent and change through the years, and it’s evolved as America has evolved. It’s a celebration of people and community. It’s Walt Whitman saying love yourself and love the people around you. We fight and get drunk and lose things and lose people and change and in the end we’re better for it and we move forward. Even in its most benign forms, I don’t believe the cultural recidivism we’re experiencing today is in any way the spirit of this country or of Americana music. We thrive on celebrating humanity and urging it forward. It sounds like you are heavily rooted in the tradition of roots music before you? Is that so? Absolutely! It’s how we got started, playing bluegrass and folk music—or at least that’s what we called it. There’s such rich storytelling in American roots music. You look at traditional folk tunes, some that go back hundreds of years, and it really makes you think about the human experience and who these people were—and then how it relates to us. Like some of the other guys, I grew up in Georgia, and would hear a lot of old time music and old hymns. And now I can play it and think about it in a newer context. Of course I didn’t really like it then—I wanted rock n roll. But I think everyday we’re finding ways to remember our past while looking forward. What are some of the country and indie/alternative groups that you draw influences from? We’ve each got some country heroes that have shaped the way we write music and work together. Personally I learned how to play the fiddle by listening to Old Crow Medicine Show and repeating what I heard. We play a lot of music by The Band and The Grateful Dead, and we often dip into your classics like Hank and Cash. Each of us would give you a list of artists that are completely different from the others. Ben used to play in a metal band. Titus was a gospel drummer. Britt grew up on his dad’s country icons. Off the top of my head I’m thinking of Dave Rawlings, Hurray for the Riff Raff, Kings of Leon, Sufjan Stevens. It’s kind of a cool thing about us—everyone brings such different points of view and influences, and that really guides our song writing process. Why would you say your music is so firmly pointed towards the positive? After years of busking in the subway and struggling to get by, it feels good to think positively. The world can be a real jerk sometimes. We get enough of that everyday, so we’d usually rather play music that keeps our hearts pumping and looking forward to what’s next. That’s how we got where we are today. We’ll take a win when we can get it!

Originally starting his creative endeavors in Tacoma, Washing, Jordan Mosley started off solely as a rapper, but later found that he was heavily inspired by classic jazz music which was hard for him to admit at the time.Jordan would perform at multiple shows across Seattle such as Columbia City Theatre and Nectar Lounge. As an artist, Jordan was in constant pursuit to implement a jazz influence in his music. Gaining momentum in the hip hop community, Jordan would then land a spot on an artists’ notable mixtape. Though having internal conflicts between rap and singing, Jordan stuck to singing. Jazz is certainly an influence in Jordan’s music but not the genre entirely. His smooth and silky vocals create an ambient sound along with the somewhat orchestral instrumental. "Protector" is a beautiful song showing the relationship between father and child and the role they have as their protector. The chorus is catchy yet soft and has a beautiful transition to the bridge where it comes to a climax where Jordan feels like he cannot protect his daughter the way he wants to as she is growing up quickly. A wholesome and heartfelt song is what Jordan brings to the table in the music industry wonderfully put together in song and visuals. Give "Protector" a listen to, and add the track to your Spotify playlist. Link with Jordan on his social media, and check out some interview questions with the artist below! Facebook Instagram Twitter #BuzzMusic Can you tell us a bit about yourself? I am a singer-songwriter who originates from Tacoma, WA. Music is something that has always been a part of my life. My mother is a Jazz vocalist, her father was a Jazz bassist and both my two older brothers are music makers. The oldest being a composer and the second being a singer/songwriter. The music I make I call Strongman Music: Songs for Strong Lovers. Why did you choose to focus primarily on singing vs rapping? As much as I love rapping and loved it even more-so back then, singing just seemed to come more naturally to me and honestly made me feel so awesome when I did it. When I do it. It elates me in ways rapping didnʼt. I feel like Iʼm in my true element. Once I finally admitted that to myself, then that was that. I just completely love melody. How long did it take you to write “Protector”? Can you tell us a bit about the creation process of it? At the time when this song came about, I was a brand new dad and my heart was feeling heavy. But not in a sad kind of way but more of a “feeling deeply” kind of way. Sometimes overwhelmingly so. My perspective changed to a more protective frame of mind and all the happenings of the world just reenforced that way of thinking more and more. Since writing the song, Iʼve had three more kids, so with more kids and increasingly crazy things in this world that frame of mind has only increased as well. Sadly, there is a growing idea that relationships are second to aspirations: Get a career first- then get your person...or donʼt. I think a big part of that concept has come from absentee fathers and the degradation of family in todayʼs culture. Itʼs a very ME generation. But I think itʼs a reactive attitude to that degradation of family. The video for the song not only shows the power of a strong and present father, but the true power of family. Real projection of love protects. It protects the loved, it protects the lover, and it protects the developments of that love. At all cost. Always. Do the lyrics come first to you or the melody when writing songs? For the most part, I donʼt write songs sitting down at a desk with a pad and pen working out chords, lyrics, and melody. Mostly, I have melodies that live in my head or lyrics that knock around in my head while I carry out other parts of life. I mean, life is what evokes me to write most the time anyway. Has moving to LA given you a different perspective/sound on music? If yes, how? LA is a funny place and much different from where I grew up. I love it though. Itʼs a place of creativity thatʼs for sure. Seeing the quality of what people put out here regarding the sonic aspect of it has made me step it up a few notches. With my sound and perspective on music, Iʼve always had it in my mind since I was young, but I think Iʼm just now being able to successfully transfer that from inside my head to actual music. Iʼve always heard it in my head but it was always hard to bring it to fruition in arrangement. I donʼt think my geographic location would have deterred me from trying to accomplish that. What can we expect from you going through 2019? Iʼm completing an 8 song EP which will include my latest release, “Protector” that Iʼll be releasing late spring. And from there doing shows. Music is made to affect. So when show time starts, please do come out and feel the affection.

Originally from Florence, Alabama, singer-songwriter Bailey White has a knack for authentic sound and soulful style. Her influences come her southern upbringing as well as inspiration from stripped acoustic sounds. Acoustic artists such as Gavin DeGraw and Mare Broussard have also inspired her acoustic and raw sound. Bailey’s debut EP “What To Say” includes the track, “Without A Memory” which is a soft acoustic song aided by guitars and a pulsating rhythm. Her EP was produced by Grammy Award Winner Jimmy Nutt and well-renowned songwriter James LeBlanc. Bailey’s vocals are nice and warm with a cooling melody. Gentle piano counter melodies are heard with the continuation of the guitars. This genre of music is not so much country as it is bluegrass. Bailey White brings a charming take on music with heartfelt lyrics and a homey sound. Like the rest of her album, Bailey keeps the authentic sound going. Each section of the song comes cohesively together providing a sense of longing and nostalgia of someone or something, begging the question of what is without a memory. Listen to Bailey White once, and you will in awe of her beautifully arranged and composed music. Add Bailey's "Without A Memory" to your Spotify playlist, and get introduced to the artist through our interview below! Hey Bailey! Can you tell us a bit about yourself! I am a singer-songwriter based in the historic music town of Muscle Shoals where Aretha Franklin, The Rolling Stones, and many others have recorded. It used to be a previous recording capital of the world, and is what originally got me into music. I come from a family of athletes, my brother plays college football, mom is a personal trainer, and my dad used to play pro football. But, musicians have always said it was something in the air here that inspired the music and I believe that. I definitely caught the music bug. What prompted you to pursue music professionally as a career? I originally started pursing a career professionally in music at 17 as an artist manager. I was missing many days my senior year of high school because I began managing an act I discovered on YouTube and help land him a deal with a local publishing company. After that, I realized that I had the knowledge and experience to pursue my own career in music and began doing just that. I worked on demos in Nashville for a while while attending Belmont University but ultimately felt drawn back to Muscle Shoals to create my record. I wanted to capture the feeling that everyone loved about the music that came from the area but in a fresh way. What was the thought/concept behind your EP, “What To Say”? That’s what led to the concept behind my EP - I discovered all the music I listened to on YouTube because it was a big platform starting out when I was younger and my parents never listened to much music, and I discovered the world of early 2000s live acoustic music. Gavin DeGraw, Marc Broussard, Jason Mraz, Eric Hutchinson, John Mayer, Maroon 5 - all of these guys when playing live really made me feel like I found a “home away from home” with their sound. I felt like it all captured the soul and authenticity I loved so much from Muscle Shoals, and I then wanted to make an EP that was a blend of the early 2000s “new” and the “old” of The Shoals. "Without A Memory" is a great tune. We loved it a lot. Can you tell us a bit about the creation process of this single? This really came together on the track you mentioned “Without A Memory.” I’m so glad you love it! When creating this song, it was one that I wrote by myself and I felt like really showed a personal side of myself that can be a flaw or a strength. I always see the best in people and situations, and that song was kind of me taking a moment and accepting that while it may not always be the best approach when it comes to my heart, I cherish all the memories I make. At that time I didn’t care if I had my heart was broken, I just wanted to be able to look back and be able to smile about a story. When we were recording that song though that’s the moment that truly made my sound come to life. I will never forget when James LeBlanc, my producer and well-renowned songwriter, added his background vocals to the track. Most all of the guys I work with here are much older than I am since the town has an old soul. When we all listened back that was the moment we really felt the mix of old and new had made something special. Which lyric line connects the most with you from the song? The lyric that really connects with me the most would be “Now that I’ve tasted this feeling you could give to me - I can’t carry on without a memory.” When I wrote that, I really was talking about that moment when you realize something has made your heart race a little faster and you have to see what might come from it, no matter if it’s right or wrong. What can we expect to see from you through 2019? I have so many exciting things coming! We just finished recording the acoustic version of my EP “What to Say.” As I mentioned earlier, acoustic will always be something near and dear to my heart, and it has been something I’ve been very excited to do. The songs take on a whole new life when they are acoustic, and really capture an intimacy that I am excited to share. It will be releasing this Spring. Check out Bailey White through her Website and Instagram. #BuzzMusic

Jasper’s Riddle released their record “Grown”, the melancholic and sentimental melody by the acoustic guitar and the comforting smooth-sailing voice by Jasper will mesmerize you to the fullest extent. This is a song we can lie down and listen to whenever we want an escape from my day to day emotions, except I’m not escaping my emotions, rather focusing in on them and letting the sounds of the music vent for me. our favorite moment in this entire song is whenever Jasper sings “Hold me, Hold me close” in his high-pitched falsetto note. The soft resonance he produces showcases the vulnerability and sensitivity in the entire song. Honestly, this record makes us want to become overly emotional and let out a few tears. Which is great because in a world where men is told crying makes them look weak, and women are portrayed as “Emotional” whenever they release a cry, we need moments to ourselves to just become vulnerable. It’s okay to channel in our emotions and release the built up feelings that’s just going to clog our happiness and become congested. “Grown” is the most fitting song for that moment and we can most definitely add this to our playlist. Listen to "Grown" here, and connect with Jasper's Riddle using the links below! Connect with Jasper's Riddle: Instagram Facebook Soundcloud

Katie Ferrara is a Burbank-based street performer and songwriter with a tender approach to life that bursts forth from her guitar and vocal chords in a way that’s both charming and reassuring. She’s already started capturing audiences around the globe with her purity of spirit and her belief that people everywhere are worthy of acceptance — and deserve a soundtrack. No wonder she rose from an unknown busker to participating in the 2015 “Feeling the Street” competition in New Zealand. She's also an author who has written about her experience meeting people through music. Recently, Ferrara recorded a video for her song “No Bad Days” in the Hollywood Hills. It is a thing of beauty. She strums the ukulele with nonchalance that isn’t forgetful or crass. You’re reminded that we all have one life to live, and so you better make the most of it. Her voice is clear as a bell, thankfully without the high-end whine too many emergent singer-songwriters have decided to cloak themselves in these days. Ferrara celebrates the euphoria of starting over every day. It’s a constant theme that shows up in her latest release “Weightless.” She knows that straight-forward and honest is a force unto its own. The song forces the listener to contemplate just how far they've come. It’s the kind of music I’d want on in the background if I was wandering through Burbank Town Center, during an evening of light shopping with a friend. “Weightless” is as joyous as the wide open sky and as hopeful as the dawn. It’s almost country without the twang. You’re not gonna push any boundaries with this one, but that’s not what it’s about. It's a personal affirmation. Don't forget to listen to "Weightless" here. Connect with Katie on social media: Facebook Instagram Twitter Youtube #BuzzMusic Check out Katie Ferrara's interview below where she gives us a glimpse of her songwriting process and some wisdom for other songwriters! Hi Katie, care to introduce yourself? My name is Katie Ferrara and I am singer/songwriter from Los Angeles. I sing for a living, play acoustic guitar andsome piano. I’ve been playing music for about 10 years now and this year I will be putting out my first full lengthrecord. This month I am releasing a song of that record called “Weightless” How do you find the crowds in the Los Angeles area differ from elsewhere? The LA music scene is very interesting. I find that the audience of many of the shows that I go to and play are madeup of other hungry songwriters and musicians who want to play the same showcase or venue. It’s kind of rare to see a “true fan” at a show-by this I mean someone who isn’t a musician themselves and has a normal 9-5 job. Not to say that other musicians are not fans of their counterparts-it’s just weird that the majority of audiences at local shows in LA are other artists, and producers. LA is all about finding your artist community or creating one around something that’s music related. I’ve seen a lot of artists start their own songwriting showcases, open mics, or pop up house concerts to bring people together. I’ve toured outside of LA to different cities on the west coast and abroad in Europe. It’s a completely differentexperience. Because people in smaller towns don’t have as many options for live entertainment, they appreciate when artists come and play. They buy your merch, CDs, and follow you online simply because they enjoyed your show whether it’s a small winery, coffee shop or even a big festival with curated acts. Can you please describe what your songwriting process is like? Is it the same every time or do you like to come at creation from different angles? I usually start my songs with melodies I come up by singing to myself. Sometimes I may start with a chord progression I come up with on the guitar or piano. I record these melodies into my phone and then I write lyrics to them. Sometimes I come up with the lyrics before the melody but most of the time I work with the music first. If I ever get stuck I like to co-write with people or go to a jam session. What was it like to participate in the “Feeling the Street” competition? This was a competition I entered a while ago in 2015. I think I’ve grown so much since then. When I entered, my voice was not as strong as it is now. really had to work hard to keep up with the other musicians. I will say that I’ve never won anything in my life and when I was selected to be a part of the band It was very special. I felt like I got a real taste of touring and working with other people on a project that was greater than myself. New Zealand is a beautiful country and I hope to go back one day. When you do feel the most “Weightless”? I feel weightless when I am in love or when I can break out of my shell. I also get this feeling when I’m traveling or in a situation when I can just be myself. I also feel weightless I hear a song that resonates with me. What do you recommend to people who maybe are stuck in some sort of rut in their life and want to feel the way you so clearly do in this song? I would tell those people to change their environment because the people and living situations you immerse yourself in shape your personality. Get rid of things you don’t need in your house, delete old phone numbers, repaint your walls. Maybe try dying your hair or getting a haircut. Take up a hobby like photography, cooking drawing, or running and find new people to practice those things with. Most importantly, travel--whether it’s just a local day trip to the beach or if it’s to another country for a week!

Chad Michael released his record “The Aura” and I was taken back by the impressive professionalism and skill in his flow. If you want to know who Chad Michael is, he’s an independent and hip-hop artist born and raised in Tucson, Arizona. Chad Michael is self-taught. He steadily developed not only his craft but his knowledge of the music profession as well, indulging himself in mastering all areas of production while writing and delivering his own original music. “The Aura” begins with a melodic introduction, a RnB and hip-hop vocal serenade that openly creates the vibe of the song. Chad begins to lyrically spit and his sound and flow reminded me a lot like the likes of popular artist “Drake”. He transitions in tempo like a storytelling climax, increasing the speed of his laid-back rap energy and  The effortless flow, and his own interesting individuality was something appealing for us to see and we can assert you and him that we will be hearing more from him. He has the whole star package from the image to the sound and to the vibes he produces through his gravitating instrumental beat and impeccable delivery. Bless your Spotify playlist by adding "The Aura" to it here. Keep up to date with Chad through his website and social media: Instagram Twitter #BuzzMusic Get to know Chad Michael a little better through our exclusive interview with him below! Hey Chad, can you introduce yourself to our readers? What's up? I'm a hip-hop/R&B recording artist originally from Tucson, Arizona, and I've been in LA for almost five years now. I write every line of my music, so its always personal and real on my end. I also do a lot more than just the writing and recording - I'm a self-taught guitarist, audio engineer, graphic designer, and video editor, and I'm finally diving into music production. I learned pretty quickly out here that relying on other people for too much was going to keep me from creating the vision I've always had for myself, so I've been learning the ins and outs of this industry for a while now. That doesn't mean I haven't found amazing people along the way though, and having those friends to share and create with makes this path so much more fulfilling in the end. What inspired you to begin creating music? Having a voice, an outlet to speak on different topics and express myself, has always driven me, even before I started making hip-hop music. I have a degree in English and Psychology from Western New Mexico University, so writing and reading have always been a huge part of my life and a passion of mine. I guess somewhere along the line I started believing that music was the best way to let all of that expression out. Music has always been a branch of poetry to me - listening to artists like Tupac, Nas, Outkast, Lupe Fiasco (to name a few) - really showed me how beautiful and raw hip-hop can be, and I still believe at its core that's what hip-hop is: poetry with a beat. I believe in my art and my ability to reach people through music in a positive, helpful way - that's the bottom line. Have you ever faced moments where you wanted to quit during during the learning process of studio production? I wouldn't say that I've ever felt like quitting - I think when you know that what you're doing is what you're meant to do, there's a commitment that intensely hard to break. Like I said, I believe in myself even more now than when I started. I've made so much happen, and seen so much growth in myself, that stopping now would be a failure to see this through to my full potential. But there have certainly been times where its been hard to see the light at the end of the tunnel. So much research and ground work that nobody sees, months of waiting and preparing, releases that never gained any traction, songs that weren't good enough to release. That's the life of an independent artist starting from zero. Everything is earned. But that also means that every small success, every new fan, every performance at a new venue, they're all special and mean so much to me. I remind myself a lot: the journey is the beautiful part of this. Its what is going to make all the successes that much sweeter down the line. How important is versatility to you? Its the most important thing to me. I've been blessed with multiple abilities, so fine-tuning them and perfecting my craft is what gets me excited about music still. Starting a project from scratch and knowing that I can literally do or try anything I want to with my voice and my mind is empowering. I don't have to stay inside the lines of what something "should be", or how things have been done in the past. I don't have to rely on an engineer to mix my songs based on how they were taught, or a label to tell me when and what to record. I don't answer to anyone when it comes to my art, and I feel that freedom when I'm creating. When you can use the entire spectrum to create is when things get fun (and weird), and its crucial to me that everything I do is a new extension of myself as an artist and musician. What is “The Aura “ about? What inspired you to write "The Aura"? This song is about temptation. Its about this big, gorgeous, insane city and all of the lights and shadows that it offers, the opportunities to either fly or fade into oblivion. There are very few cities on this earth with the energy of Los Angeles. I felt it when I first got here, this electricity and buzz that exists when everyone is following their dream and chasing the best version of themselves. But that energy can quickly turn dark when you realize how many other people are here to feed on your dreams and trap you into doing things that were never part of the plan. Drugs, women, money - I've witnessed and personally dealt with all kinds of vices designed to pull us away from our purpose. This song is about fighting through those obstacles, keeping focus on why we chose this life in the first place, and always recognizing that its ultimately up to us what we decide to pour our own energy into. I ask myself at the end: "Can you find your way home?", and it's still a question I'm fighting to answer. But through all the smoke and lights and temptations of this city and this industry, I'm getting closer to where I want to be, and in the end that's all I can ever really ask of myself. Do you personally prefer singing or rapping? I've been singing since I was two. My grandmother, a lifelong musician who had enrolled in college with a full music scholarship at 16, told me by the age of 6 that I had perfect pitch. I had no idea what that meant at the time, but I vividly remember the conversation - it gave me the confidence that I could sing and that (most of the time) people liked listening. People never really told me to shut up when I sang along in the car or anywhere else, and R&B quickly became my favorite genre of music. Classic artists and groups - Marvin Gaye, MJ, The Temptations - became my go-to soundtracks for any situation or mood. I grew up singing my soul out. Rapping has become only in the last six to seven years an art that I've started to really practice. I love it. Being able to use as many words as I see fit to get my point across, with really no hard structures or rules to the flow, has opened up the possibilities of music to me. Being able to do them both is the best feeling. Rapping while I sing (I call it melodic rapping) is a challenge and an art in itself that I'm still learning to take full advantage of, something that really has only come to the forefront of hip-hop in the last decade or so. At the end of the day though, I can't say that anything touches my soul like a good R&B record. Singing will always be the first level of music I fell in love with, so it will always be extra special to me. Catch a glimpse of Chad's "The Aura" below!

Yashae, an urban pop songwriter who is marrying her love for hip-hop and soul to create music that is both refreshing, relatable and reflective of her Caribbean nature. Her single “Love Oasis” was a beautiful and riveting song to me. I really was able to intune myself into her lyrics and I was able to connect with the music on a more personable level. “Baby I'm trying, I'm trying so hard to understand” the hook sings. What I interpreted from this record is that the main character being Yashae is fed up with the dishonest lies and games she’s receiving from a man she knows is capable of better. She gives in all effort and tries to not just throw in the towel because she not only has faith in him but faith in them both. It’s a song many people will be able to vibe out with because sometimes all we need is a song to vent for us and allow our emotions to roam freely while they rap or sing authentic lyrics that happens in our day to day lives. Yashae delivers that with her sultry and raspy vocal resonance and melodic RnB trap beat. Click here to add "Love Oasis" to your Spotify playlist. Connect with Yashae on Instagram and Twitter. #BuzzMusic

Yvonne Sangudi is taking the music industry by storm with her appealing stage presence, attractive image, and hit making sound. After taking a four year hiatus, she returned to bless everybody with her release of “MistaRomeo” her second hit single, described as sultry, fusion of upbeat pop reggae-ton that stood her apart from all the upcoming pop divas! The single entered BuzzMusic’s Top 50 Hits In Los Angeles at #42 in November 2018 and peaked at #1 on December 15, 2018.  She was coined as the “Next Songtress” by the Huffington Post. Yvonne Sangudi is a Tanzanian American world-class singer. She got an early start in show business at the age of nine, recording, writing and performing music. For over nineteen years she learned the ins and outs of what it takes to succeed in the entertainment industry, by working behind-the-scenes at top television broadcasting networks and music record labels. It wasn't until she founded Éclat Media Enterprises, inc. in Los Angeles, CA, that she took control of her career, and the spotlight. Yvonne has summoned us into the powerful new realm of her music. A sound described as an uplifting mix of elegant pop fused with world-beat-inspired production, Yvonne's music does not sound like anyone else's. Her powerful 5-octave range and personal, metaphorical writing style has differentiated her from other pop singers. Yvonne Sangudi is a rising icon who is destined to make her own signature mark on the industry and has been proving herself constantly with her fire music and growing popularity. The recognition she is starting to receive more and more is just an example of how Yvonne knows how to appeal to an audience and pop out in the overcrowded music industry. It is clear that this rising star is perfectly positioned to become a cultural and global music ambassador, linking together world-beat and Pop music for all to hear and if you aren’t a fan now? You are sure to become a fan in the future! Don't miss out on her new single, give "MistaRomeo" a listen to here. Connect with Yvonne through social media: Facebook Instagram Twitter #BuzzMusic

Josh Rosenblum is a southern California based singer/songwriter and multi-instrumentalist who originates from Modesto California. He performs solo alongside with his band. Josh has been touring all over California for 10 ½ years and has 7 independent album releases (5 studio albums and 2 live albums). He released his latest single titled “Better Man” and his ability to emote with his lyrics and serenade his listeners with his delicate and lightly depressive vocal resonance was captivating to see. He didn’t do too much although he’s capable of those big vocal belts and ear piercing vocal power. He shows his skills through riveting melodies and a more subtle, yet dramatically increasing emotional conviction, which was enough to propel the single forward. “Better Man” begins with the beautiful strings from the acoustic guitar before Josh’s strikingly beautiful vocal chords transitions in with poetic lyricism about a girl who he sees deserves better than what she’s receiving right now. “I’m gonna help you understand that I can be a better man” is what Josh sings in the hook. The lyrics are relatable to those who feel like they’re either being under-appreciated by a significant other in their life or isn’t fully appreciating someone they know deserves to be appreciated more. The relatable lyrics, chilling voice, and beautiful instrumental is the production of a hit ballad such as “Better Man” Make sure to add "Better Man" to your Spotify playlist here. Check out the band's website, or connect with them through their social media: Facebook Instagram Twitter #BuzzMusic Get to know Josh through our interview questions below. Hi Josh, can you introduce yourself to our readers? Hi! My name is Josh Rosenblum. I'm a Southern California based singer-songwriter/multi-instrumentalist originally from Modesto, California. I came from a family of heavily jazz influenced musicians, where literally everyone plays an instrument (you can imagine how loud it was growing up in my house). My mother is the only one who doesn't play, although she would say she plays the radio. I took music classes through public schooling, played in marching and jazz band in high school (which is where I met my current band) and made it my life's goal to surround myself in all things music. I've been touring around the state for 11 years now and it's been a really fun ride so far! Knowing that you perform solo as well as with your band at times, do you find any different challenges between performing individually and with a collective? They both have their pros and cons. Playing solo, I have the freedom of changing arrangements of songs on a whim without having to cue anybody which allows me to have some wiggle room when performing. The only thing that is sacrificed in a solo set is the big sound of the band and the opportunities to express myself further by taking more extensive solos. With the band, it's more of a creative playground where we get to bounce ideas off of each other and feed off of the natural collective energy of the groove in the moment. “Better Man” is a beautiful song. Were you able to relate to it? When I was writing "Better Man", I tapped into an area of personal experience in my life, that I'm sure everyone has gone through, where you see someone struggling in an emotionally abusive relationship and you wish you could have the chance to prove to them what real love is, and it doesn't necessarily have to be romantic. I hope people listening to this song who are in this scenario are inspired to do what they can to find a way out, and discover what real love means to them. What other talents and hobbies besides music do you have? Music, in its various incarnations, is my job and hobby, but when I'm not self producing an album, I'm self producing my next amateur masterpiece in the kitchen! Lately I've been playing with Mexican flavors and can make you a mean shrimp burrito that my wife and pets can attest to. Other than cooking, I'm also an avid retro gamer and enjoy everything from Blaster Master to the original Halo franchise. I recently had a show in Reno and spent half the day in the casino's arcade before the gig. I also keep a small list of stand up bits that I hope to perform one day. Honestly, I think some of them are pretty good, but most of them should probably never see the light of day... Out of all of your releases on your recent album, which is your favorite and why? Well, it's hard to choose just one because I treat every song like a child. Releasing an album is currently the closest feeling to watching your children move out to college that I can get. That being said, I guess the motivational nature of the title track "Move Yourself" is currently my favorite for the sheer driving positivity of the song. Any upcoming exciting tour dates we should know about? I'll be performing an acoustic set at the Pig 'n Whistle in Hollywood on March 9th at 9:00pm. You can also catch my set at the historic Java Joe's (now called The Backdrop) in San Diego on March 28th from 8:00pm-10:00pm. We still tour the whole state and you can find more show dates on joshrosenblumband.com