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Can we go back to the start and just take our time? Every once in a while, some stories stand out as emblematic of resilience, talent, and unwavering dedication. For artist Max Cinnamon, his journey from a young busker to a Eurovision and songwriting sensation truly shows that incredible things are possible when you genuinely love what you do. A skilled and sought-after talent with over 16 million Spotify streams and counting, this talented and multi-faceted creative force continues to add to his burgeoning legacy with every release. Born in Britain before subsequently moving to and finding his musical footing in the picturesque landscapes of France, Max’s early years were marked by a profound and natural connection to instruments. The instruments he would play ranged from violin to guitar, piano, and drums, but although Max had a knack for his instruments, his storytelling ability truly helped him shine. Writing autobiographical songs partly to cope with health issues at the time, Max’s deep love of music would become a guiding light for the artist. “Classical Ending” is a vibrant, lively pop offering that feels perfect for ushering in the warming months and summer. Dynamic keys and snares help create a high-energy atmosphere, and as Max Cinnamon’s pitch-perfect vocals deliver lines like “Chasing highs, chasing lows / dim the lights the door is closed” and the titular refrain “She’s like a Classical Ending,” you can’t help but feel your head is in the clouds. Max’s musical talents continue to shine bright as ever, and there’s no sign he’s stopping anytime soon. With over 16 million Spotify streams and a diverse repertoire that spans genres and continents, Max Cinnamon is a global musical sensation. His artistry knows no bounds, and he continues to captivate audiences worldwide. Welcome to Buzz, Max! We're head over heels for your recent powerful single, "City On Fire." What inspired you to create this wildly catchy, anthemic new track? Was there a certain message or concept you wanted to get across to listeners with your lyrics in "City On Fire"? What did you want them to take away? I wrote City on Fire with Jonathan Bluth and producer Vincent Ott in Los Angeles, which inspired me to add several different interpretations to the song. It could represent the city being highly energetic, fun, and exciting, or the way I see it when we wrote the song, it is more about how world leaders can so easily manipulate the urban population to cause chaos and division, easily imposing new mandates to gain complete control over their lives. However, I didn’t want to make this too obvious in the lyrics. I still wanted the listeners to have a song they can simply jam to, whether that be alone in their bedroom, in the shower (where our inner rock star comes out), at the gym, or on an epic road trip with friends. I wrote something that I’d want to add to my own playlist. Something that makes me feel good as a music fan. It’s easy to forget that. Ask yourself, would you add your own song to your playlist? That’s when I started becoming more proud of my work. I started to enjoy the process that much more, and it was exciting to delve into unknown territory, a style of music I hadn’t really done much of in the past. How would you describe the sound and style of "City On Fire" in terms of genres? Do you usually create songs of this nature, or was this a new experience for you? I see my music sitting in the Pop/Rock world. When I’m on stage, I’m automatically drawn to the rawness of a band, the energy and grit you can get out of a rock performance while still keeping those hypnotic, catchy pop hooks. A healthy mix of Imagine Dragons and Harry Styles. Being in LA opened me up to this world. Collaborating daily with new artists, writers, and producers makes it much easier to identify what sits right with you as an artist. I had time to figure that out and ensure I was ready and confident with my sound. Many people say you must find your lane and stick to it, but I disagree. I can’t wait to show people the different sounds I’ve been experimenting with. No, the 4th song won’t be identical to the first, and yes, the next EP/Album might be completely different. But it’ll always be me, my honest take on songwriting, and the emotion will always remain. City On Fire was the perfect “here we go” moment. Big and anthemic. But I can’t wait to take people on a journey - I have so much I want to say. Did you work alongside any artists or producers when crafting the powerful instrumentals and production for "City On Fire?" What were those collaborations like? I met both Jonathan Bluth and Vincent Ott in LA. Jonathan has a way of creating such a safe space in sessions. It’s always such a lovely time—always filled with laughter. We always speak the truth, which can often be the best therapy session. You learn so much about yourself and others just in six hours of sitting down and writing a song. Working with Vincent was so easy—he’s such a great producer and musician. He easily turned my vision into something epic! What was the highlight of creating "City On Fire?" What part of the process did you enjoy the most? The highlight of creating this song is that it has to be a mix of all the above. The fact that it’s become my first release makes it more unique and special. If only every session would go as smoothly as this one did! Instagram Facebook

“I am what you want me to be.” Having crept onto the scene with the release of their acclaimed 2019 debut “Darkness Visible,” Sym Fera remains one of the most intriguing and exciting up-and-comers in the industry today. The Los Angeles-based duo have cultivated an air of mystique around their music and identities, captivating their audiences with a signature sound described as “atmospheric electronic rock music.” As they drop standout release after release, their spotlight grows brighter and brighter, even if their identities remain concealed. Otherworldly, ethereal, magnificent; there are many words you can use to describe Sym Fera’s music. Like the stars glimmering in the night sky, they shine on, remaining true to their artistic visions at all times while dazzling with their intricate and immersive soundscapes. With their release 11/8 even being featured on the Golden Globe-winning hit show Ozark, it’s clear that their amazing talent has been recognized, even outside of the music industry itself. The sky is the limit, and we can’t wait to see how far this talented duo can go. Sombre yet beautiful, “11/8” is a release that sees the instrumental and vocal performance intertwine perfectly, resulting in an engrossing offering that feels greater than the sum of its impressive parts. Although the original “11/8” release was more than enough, Sym Fera’s returned with 3 reimaginations of their most iconic release. Although the Orchestral version, Acoustic Version, and The Peters remix (electronic version) each offer something different, Sym Fera’s vocals remain the center of attention, with the intense sense of longing emanating from lyrics like “Penny for your thoughts / and a pound for your flesh / Say, have I lost my way?” cutting particularly deep. Sym Fera’s standout release, “11/8,” sees the dynamic up-and-comers immerse you in vast, hauntingly beautiful soundscapes, and the remixes hit just as hard. When ready, tap in and stream the new remixes of Sym Fera’s iconic “11/8” release on all major streaming platforms. Instagram

Coming in hot from the New York City underground is the fiery and versatile stylings of The Infamous HER, hypnotizing listeners with a groovy new single and music video, "Make You Mine." Praised for their glamour, inventiveness, and attitude, The Infamous HER is led by charismatic frontwoman Monique Staffile, who never fails to put a spell on listeners, be it with her captivating presence, good humor, or natural fearlessness. Together, The Infamous HER has traveled the realms of glam rock, new wave, punk, metal, and contemporary pop, continuously leaving listeners guessing their next move. In their newest release, The Infamous HER brings fans a hot psychedelic rock song with a music video directed by David Dutton that takes us straight back to the 80s. "Make You Mine" is a supremely playful, enchanting, and flirty tune that's bound to make you swing your hips to the beat. On another note, it's pretty appropriate that The Infamous HER is naming their upcoming album Hula Hoop. Diving deeper into "Make You Mine," the track kicks off with a heavy and groovy psych-rock instrumental alongside Monique's subtle do's and da's that set the dreamy and alluring tone. As she begins painting sensual scenes of mentally chasing after someone 'til it makes her weak, The Infamous HER backs her up with bouncy background vocals and vibrant psych-rock instrumentals that keep us hooked. Honorable mention to the song's music video, which Dutton has put together perfectly. Everything from the faded footage, furniture, and clothing screams the 80s, maybe even 70s, but one thing's for sure: Monique Staffile is indeed the star, and she's got her eyes set on someone like a hawk. The Infamous HER is quickly making their way to the mainstream, and tracks like "Make You Mine" are a prime example. Watch the video on YouTube and find the song on all digital streaming platforms. Welcome to Buzz, The Infamous HER! We love the flirtatious and groovy feel of your recent release, "Make You Mine." What inspired your group to create this spicy new single? The band and I all hunkered down in our house/recording studio and wrote this ditty. I must have been feeling sexy that day, and the boys were spicy so we just started jamming on it and got it. What made your group want to lean into the sultry sounds of psychedelic rock for "Make You Mine?" Why did that sound fit the vibe best? When we were writing the song, we had fun, played writing, and jammed. We didn't have a second verse written when I sang the demo, so I thought, how bout I just sing the first verse in French, and we use it for the second verse? Mind you, I don't speak a word of French! We kept it and never changed the second verse. What was your experience shooting the "Make You Mine" music video alongside director David Dutton? What was that collaborative process like? We worked with David Dutton 10 years ago and knew we had to bring him back on board for this video. He also directed the next singles coming out. He's great. We work amazingly well together, always thinking of crazy ideas and pushing each other to take the video one step further. He came up with using his 360-degree camera for the whole video, and I loved that! What was the highlight of creating "Make You Mine"? Whether it was the songwriting process or the music video, what moments did you enjoy most? I loved it all! The band and I had a week-long sleepover party at my house and we wrote the whole record, writing together while living together is just a dream. Jamming, writing, drinking, eating, what else could you want?! Then, when we shot the video with David Dutton, he also stayed at my house. So now, another sleepover with the band AND the director. It was just awesome! Could you drop some hints regarding your upcoming album, Hula Hoop? How does "Make You Mine" set the tone for what's to come? Hula Hoop is my favorite album I've done. It's full of vintage flare, rock n roll, attitude, and good vibes. It's cheeky, sincere, and sexy, hopefully making the listener want to turn it up and put it on repeat. Instagram Facebook

Rising star and versatile recording artist Alik Bulan is back and better than ever, this time with a single that's already made waves worldwide titled "Chanella." Having moved to Los Angeles in 2016, Alik Bulan (born Ishimwe Manoa) has spent the last three years finding his spot in the music industry. With this goal of integrating Rwandese and English languages and cultures into his music, he's been reaching audiences across the globe. His 2023 single, "I'm Sorry," is no exception, and the same can be said about his latest release. "Chanella," also released with an accompanying music video directed by Mike Anderson, is undeniably a hit. With over 94K views on YouTube and 29K streams on Spotify, it's easy to understand just why this song resonates with so many listeners worldwide. Diving deeper into "Chanella," the track opens with dreamy, radio-ready Afrobeat production and Alik Bulan's velvety vocals that transition seamlessly from English to Rwandese. There's no doubt that this song will be bumping in clubs soon enough. Its beat is irresistible, and Alik Bulan's rhythmic and sweet melodies make it effortless to listen to. Its music video is spicy, passionate, and everything we'd expect for such a feel-good song. Alik Bulan cozies up to the stunning presence of Miss "Chanella," alongside the occasional appearance of background dancers for a warm party feel. The video is perfectly executed, and the track has everything it needs to make it onto your daily playlist. Hear it for yourself. Alik Bulan's latest single, "Chanella," is available on all digital streaming platforms, and the music video is on YouTube. Welcome back to Buzz, Alik Bulan! We love the vibrant and rhythmic feel of your latest hit, "Chanella." What inspired you to write this upbeat and passionate song? Thank you so much for having me back again. A lot has happened since our last interview, so I’m really excited to share it with you all…. I am happy to hear that you guys are vibing and enjoying listening to “CHANELLA.” The song was produced, mixed, and mastered by a Rwandan producer named YEWËEH. Vex Prince and I, Alik Bulan, co-wrote and performed it. Okay, so Chanella is about LUST (not LOVE). The song talks about being so desperate to get Chanella attention to the point I am spending every dime till she drained my cash, but in the end, IT WAS ALL WORTH IT What was your experience working with director Mike Anderson and the rest of the crew when shooting the "Chanella" music video? What was that collaboration like? I would say that Chanella was definitely my first PRODUCTION MUSIC VIDEO.. before that, I just SHOT music videos. I would contact a videographer, give them ideas, put outfits together, and SHOOT A VIDEO FOR MY MUSIC. But with Chanella, it was next-level production. Fun fact: Chanella was shot in the same setup studio as Rema/Selena Gomez shot "CalmDown" music videos…. With Chanella, we had weeks of preparation, conference calls, emails, and texts. A call sheet with over 15 production crew from directors, producers, stylists, make-up, choreographers, and dancers. So you have this whole room booked for me, full of talented people for me, working on My music video… for me, that was a signal of a big shift and change in my music career and a reassurance that with this record label and management, I am in good hand and to keep doing what I’m doing… What was your favorite part about creating the track "Chanella?" What moment or experience, maybe a collaboration, did you enjoy the most? I think for me, being in the studio the whole process from beginning to the end of the “Chanella” making process was my favorite part….But the behind-the-scenes music video shoot for “CHANELLA” definitely was the moment I enjoyed the most. IT WAS JUST NEXT Level for me in my music career… I think for me being in a studio recording sessions and producing the Song is one of my happy spaces. I make sure that im connecting to what im saying, allow myself to be in the moment, and most importantly, make sure that im enjoying making music… but yeah, the shooting of “Chanella” music video was definitely the biggest highlight for me. Also, I finally collaborated with Vex Prince and worked with YewëeH on another song again. That was another fun part. On a personal note, what's your journey as an artist been like since establishing as Alik Bulan? How has that shift influenced your music? On a personal note, For me, the journey started bumpy because I had all these expectations that once I made good afrobeat music, my friends and family would go the extra mile to support me and Push me out more.. but once I learned to be there for myself, I always learned to be my number one fan and always to Expect myself give myself what I want from others so bad since I got signed to Kauris Music and adopted my stage name as ALIK BULAN. It’s been like a big change and a noticeable shift in my music career. "The change of name is a sign of a new beginning and a new phase in my music journey. When people listen to my music, I want them to hear the authentic sound of Africa, especially East Africa, because that's the sound of home to me." February 15th was the release party for Chanella and my first-ever live performance in Hollywood, USA. Seeing people filling up the club and seeing my friends among the crowd singing, dancing, and vibing along to “CHANELLA” made me so happy. Right now, I finally figure out what kind of music I want to make, and my first album is almost done. I have a couple of Shows I’m opening this summer. I am also planning to go back to Rwanda after the shows, maybe this summer. To make more music. I will shoot some music videos and do a couple of live TV and radio interviews. Simply put, RWANDA, for me, is my music creative space, and going back to Africa will allow me to create the sound and the music I want to share with the world Why do you think "Chanella" has been so successful and managed to reach audiences worldwide? What about the song do you think resonates with so many people? I mean Chanella was just released a month ago, so for now, im still celebrating and and vibing to the song. In just 30 days, Chanella has had over 101,000 views on YouTube and over 45,000 streams on Spotify. It’s being played on more than 40 radios and 60 TVs all across Africa in countries like Rwanda, Burundi, Uganda, Cote d'Ivoire (Ivory Coast), Nigeria, and Senegal… as well as in countries like the USA, the UK, and France. So that, for me, means we are definitely growing, expanding, and reaching audiences globally. Instagram Facebook

When one door closes, others open. Forged in the chaos that was the COVID-19 pandemic, up-and-coming talents Underground Fuzz are a music project that isn’t afraid to experiment and mix genres. Having explored alternative rock, metal, grunge, shoegaze, and more, I can say there are very few musical avenues this talented band isn’t willing to go down! As Underground Fuzz continues to defy genres and expand an impressive catalog, fans of rock and alternative will want to keep these guys on their radar; we know we will. With the release of their most recent album, ‘Karma Decibel,’ spearheading a foray into their heaviest sound yet, Underground Fuzz continues to evolve and adapt, even now. This versatility and willingness to experiment has been one of the primary reasons they’ve kept their fans engaged; every release simply feels fresh. In tandem with constant innovation and a genuine love for what they do, the passion that underlines every Underground Fuzz release has captivated the hearts of audiences the world over, and there’s no sign that this talented band is slowing down anytime soon. As the first track of their newly released ‘Karma Decibel,’ “Crimson Moon” feels both like a herald for the other great songs to come and a standout release in its own right. The vocal performance feels like a little blend of shoegaze and rock, speaking out to you as if you’re in a dream and gently easing you into a hazy soundscape. Although lyrics like “I guess we’ve had to lose it all / And take some time away” might convey heartbreak, lyrics like “You’re not what I am use to / I guess you’re different” indicate that maybe, just maybe, the next dream will be different. Underground Fuzz’s latest release, “Crimson Moon,” shows how we sometimes lose it all to find something better for ourselves. Whenever you’re ready, tap in and stream Underground Fuzz’s latest release, “Crimson Moon,” on all major streaming platforms. Check out their awesome ‘Karma Decibel’ album, also out now. Welcome to BUZZ, Underground Fuzz! We loved “Crimson Moon,” and we wanted to ask! What inspired you to choose this song for the opening slot on your new album 'Karma Decibel?' "Crimson Moon" seemed to be a good transition showing Underground Fuzz's new direction from the previous album, "Venus," which had softer songs and "twangy" clean guitars. "Karma Decibel has a heavier sound, distorted guitars, and an adventuring more into alternative rock, even metal, which was a style that influenced the early musical journey of learning guitar and discovering exciting and fun music! What was your favorite part of seeing your vision for “Crimson Moon” come to life, and what part of the creative process is your favorite in general? At one point during the recording process, something was missing and it felt like it needed more time, so I just stepped away for a bit and let the brain refresh. It helped to gain perspectives on things and life and not to let yourself absorb by your art. As much as I enjoy the songwriting process, sometimes it can feel draining and take some energy out of you. You need breaks in between and not let yourself burn out. I like writing, jamming on guitar, sometimes repeating ideas to enter a trance, and sometimes new ideas spark like magic; it's awesome! I would definitely recommend having a healthy lifestyle, eating good food, sleeping, and listening to your body. It absolutely gets the creative juices flowing! What inspired you first to start making music, and what inspires you to continue? I just feel inspired some days and compelled to create something... it just comes out! I think it might be how I react to life and wanna make fun of stuff and enjoy it while I'm here. Sometimes, I wouldn't write a song for weeks, but I feel fine. I just don't see the point of forcing something if it doesn't feel inspiring and fun to pursue. If an idea makes me excited and happy or makes me feel something, I just go for it and go with my gut and instincts. Life inspires me. If you allow your imagination to try new things, there are plenty of things to write about. If your fans could take one thing away from your music, what would you like it to be? Go with your gut. Don't be scared to take new directions or even what people might say or think. An opinion is not a fact. Don't be discouraged if some people don't enjoy what you're into. If it makes you happy, you should embrace it and live your life fully. If you do things for the right reasons and get joy out of it by staying true to yourself, you'll be more happy and surround yourself with the right people, with love and passion. What’s next for Underground Fuzz? Do you have anything you’d like to say to your fans? At the moment, some new ideas are flowing around, and so are some new musicians! I would love to make some shows in the near future with new songs written in collaboration with the new members! It's exciting because I can finally collaborate with other creative people, share new ideas on the spot, and jam them to see how they feel. I have always enjoyed being in a band, and this might be the start of a new adventure. New music/album, perhaps? If you live near the area of Montreal, Canada, you might see us there! Instagram

From Charlotte, NC, indie pop artist and gifted singer-songwriter Ashlyn Uribe releases her most vulnerable work yet, a 5-track EP titled String of Pearls. It's destined to resonate with any listener. Created in collaboration with producer and boyfriend Michael Finster, this EP deviates from Uribe's comfort zone, blending lullaby-like acoustics with powerful ballads. Using her trauma and healing as leverage, she's embarking on a journey of forgiveness and acceptance with string of pearls and hopes that listeners will join her for the ride. I'm unsure if it's the day, the mood, or Ashlyn Uribe's delicate vocals and serene acoustic guitar playing that nearly brought me to tears, but it doesn't take long for the intro track, "Sylvia," to settle in. It's a stunning introductory track that sees Ashlyn Uribe pealing back personal layers to reveal the trials and tribulations with loved ones, memories, and dreams of her mother and recalling her wisdom to channel it in the present day. The emotional experience continues with track number two, "Peter Rabbit," where Ashlyn Uribe opens the song with tender piano melodies and deeply nostalgic lyrics. As she recalls being obsessed with Peter Rabbit and the many home videos, Vibe realizes that although she might be riddled with nostalgia, those childhood moments formed her into the woman she is today, a 27-year-old who's finally starting to accept that change is okay. Landing on the EP's third track and "idlewild interlude," we hear what sounds like a home video being pushed into a VCR, where a subtle hint of children's laughter meets the speakers. As the train horn sounds and the synth melodies cascade, this Lana Del Rey-esque interlude blesses us with all the sonic introspection we could ask for. Moving onto track number four, "Heat Lightning," Ashlyn Uribe continues the emotional theme with a slice of her internal stressors. She feels like she's taking one step forward and four steps backward, building a home only to tear it down. While feeling distant from herself and who she once was, Uribe realizes that now, she's only able to see with help from heat lightning. It's a tribute to the turbulent nature of life's struggles and how easily we can fall to pieces. Reaching the EP's title and outro track, "string of pearls," Ashlyn Uribe greets us with a tender piano ballad while expressing her knack for romanticizing things that shouldn't be romantic. But, she makes a profound realization that what may look like the end of the world always seems to turn into a "string of pearls," something she can own, be proud of, and wear on her sleeve. It's a crucial reminder to anyone struggling that these open wounds will someday turn into battle scars. If Ashlyn Uribe has made anything clear, she knows how to write songs that bring listeners to tears. Her debut EP, string of pearls, is a prime example. Experience it yourself and find Ashlyn Uribe's newest release on all digital streaming platforms. Welcome to Buzz, Ashlyn! Your debut EP, string of pearls, provides an emotional experience. What moments or experiences inspired you to create this cathartic project? I'm so glad you used the word cathartic because that is exactly what creating this project was for me. string of pearls was born out of my unignorable desire to revisit my childhood, unpack those bags, sort of out in the open, and heal in a way that only making music can do for me. For so long, especially before therapy, I could never understand why I have this aching nostalgia for the earliest parts of my childhood, and I now know it's because they were the safest. They were my truest, rawest, most hopeful & unfiltered years, and then tragedy bred trauma, and I was diluted. The idea was that this EP would not be one note, that it would be nuanced and even juxtaposing emotionally in some ways because that's what it feels like to have childhood trauma, at least in my experience. There are almost too many to name, but some of the moments that inspired these songs ranged from sweet springtime memories with my family at age 5 to nighttime in the early 2000s, listening to the crickets and train whistles and talking to my sister from my bedroom across the hall. All was intended to paint a picture and tell a story, my story, and where it's landed me today. What was your experience working alongside producer and boyfriend Micheal Finster when creating string of pearls? How did he help bring your vision to life? Oh god, it was a dream. And I don't say that lightly. Michael Finster, who, fun fact, is now my fianceé, is the most brilliantly creative yet analytical mind I know. We met and connected through songwriting when I began working on my first single with him in 2019. Since day one, he has always read my mind. We communicate so thoroughly and honestly, and he has, pretty much singlehandedly, helped me break down my fear of coming up with lyrics and ideas on the spot in front of someone. The way my visions and concepts so easily latch onto his integrative and detailed production is just...lightning in a bottle to me. It's beautiful. He has been there for every story, every emotional breakdown and unraveling of me, up to and including the late nights we spent creating this body of work. Couldn't be more in awe of him and of us. What do you hope listeners feel when hearing your debut EP, string of pearls? What do you want them to experience and take away? As I'm so grateful you noted, I want my listeners to feel this project's catharsis both sonically and lyrically. It is not a smooth ride revisiting any sort of heartache or trauma, let alone childhood ones on the cusp of your most formative years; it's hairy and takes a lot of unlearning & detangling, but it is necessary, I believe. And that's where that juxtaposition comes in because many of these topics aren't usually gentle by nature...but I wanted a lot of the music to be. It is an isolating thing to discover that the things and people you've trusted the most and that once brought you comfort are the ones to sometimes screw you up in the heaviest ways. At the crux of it all, I just wanted to give others the space to share their stories, no matter how dark or confusing, with others through my vulnerability. One of the biggest themes in this EP is forgiveness for yourself. So, I also wanted to show listeners that simply sharing your story and your truth can lead you to a newer, sounder peace of mind. How is string of pearls different from your previous releases? What made you want to experiment with lullaby-like acoustics and powerful ballads? string of pearls is absolutely different than my previous releases; I joked at my release show that "I'm still a pop b*tch, so don't worry," lol. But this being my 29th year, Saturn return, and second year of sobriety, I was in a much more spiritual, reflective place and could almost only pump out ballads! I am proud of myself for allowing myself the space and range to experiment with a genre and sound I have always wanted to work within, but for a moment, I thought I just couldn't. I think the sound alone on this EP is so scenic and vivid that it was necessary as a vehicle for the stories and imagery. Which song from string of pearls means the most to you and why? What makes that song so special to you? Cliché answer: I know, but this is such a tough question. While I can't truly name a 'favorite', I can say that "string of pearls" is probably the most special because it was the buzzer beater. We finished and mastered that song a week before release day; it is also Michael's favorite track! I almost didn't think my concept and songwriting for it was strong enough to make it onto the tracklist, but it ended up being the name of the whole thing and the most gorgeous sigh of relief to conclude the EP. I describe it as feeling like you're standing on the edge of a boardwalk or maybe a big rock on a shore and feeling the waves break against it and land as mist on your face. No joke, that was the vibe. The song is about not being defined by the things that have happened to you and how, again, forgiveness is for you first. I love the powerful yet gentle resolution it brings after the heavy storm of emotions that precedes it. I could not have imagined a more fitting final track. Instagram

JBRRMUSIC's latest single, "Feeling of XTC," is a euphoric journey that immerses listeners in a sonic realm filled with brilliant harmonies and electrifying drops. The track, a testament to JBRRMUSIC's forward-thinking electronic sound, is an enthralling jolt of energy that transcends music, bringing about sheer euphoria and ecstasy. From the moment you click play, the song captivates you with its earworm hooks and dynamic production, creating an otherworldly atmosphere that resonates with high vibrations. JBRRMUSIC's vocals, much like the voice of an angel, guide the listener through a melodic masterpiece that runs through the veins, leaving a radiant mark on the soul. Built around the powerful theme of love, "Feeling of XTC" explores the immense influence and addictive nature of this universal emotion. The engrossing vocals and lush lyrics contribute to the track's overall appeal, evoking the spirit and energy of love. JBRRMUSIC skillfully weaves together elements that mirror the intensity of the emotion itself, providing a serotonin-infused sonic experience reminiscent of the feeling of love. JBRRMUSIC shares, "As soon as I found the vocals, I was instantly hooked. I wanted to create a track that pushed the message about how strong the feeling of love can be." The result is a musical creation that feels like a journey to the heights of love-induced euphoria. Amid winter, "Feeling of XTC" injects a summery warmth, making it a perfect escape into the boundless joy and excitement associated with love. With its energetic and fun production, coupled with the soaring and exciting soundscape, "Feeling of XTC" stands as a vibrant anthem that amplifies the potency of love through the enchanting medium of EDM. Welcome to BuzzMusic, JBRRMUSIC! Thanks for drawing us into your creative world with your latest record. What inspired the creation of "Feeling of XTC," and how did the concept for the song come about? Without diving too much into my personal life, the concept of the track was created due to personal relationship issues. As soon as I heard of the verse vocals, I instantly connected with them and wanted to create a powerful dance track with its emotional power. I felt like the lyrics said everything I wanted to say to my Fiancé. Can you please share a glimpse into your creative process, particularly how you approached the production to capture the essence of love and euphoria? I approached the production with the mindset that the vocals needed to be the main focus of the song to let the emotion punch through. I focused on the reverb and delay of the vocals and background vocals in the buildup to create a true sense of euphoria. How do you balance creating an uplifting atmosphere while maintaining a connection to the lyrics' deeper emotions? Using song structure and real instruments and atmosphere sounds such as vinyl noise, notes were held in the upper part of the frequency spectrum. Which artists or genres influence your work, and how do you incorporate those influences into your own unique style? I listen to all genres of dance music, but I'm very inspired by Martin Garrix and David Guetta. I tried to incorporate their arrangement and the use of the main melody in the track to keep it driving. What's next for you? To keep on making music I love. Instagram

Emerging from the storied streets of Chicago, JL the KidD stands as an increasingly formidable presence in the music scene. JL the KidD has consistently defied artistic norms since his explosive debut with the “Monetize the Madness” EP in 2019. From the captivating artistic depths of “Enough” in 2020 to the introspective journey of “Hollow” in 2023, JL the KidD's continuous sonic and artistic evolution reflects a boundless creative vision that will continue to serve him well. JL the KidD approaches his beats with the kind of raw intensity that seeps through any musical medium till it’s almost palpable. As he crafts his eclectic blend of R&B, JL the KidD delves into the complexities of relationships with every verse, exposing the darker aspects of love and desire. His raw, unfiltered lyrics cut deep, leaving listeners grappling with the weight of emotional turmoil and introspection. At a time when the music industry seems tougher to break into than ever, JL the KidD has shown he has the skills to succeed. “USED TO” showcases his signature hard-hitting, tongue-twisting cadences, seamlessly blended into a smoother and calmer piece reminiscent of his earlier, toxic masculinity-fueled R&B tracks. Yet, this time, the toxicity in “USED TO” is palpable and harsh, with the delivery more aligned with rap, demanding your attention like a scorned ex. JL the KidD's vocals are recorded with a distinctive feel almost reminiscent of some earlier JPEGMAFIA releases, but he’s undoubtedly made this sound his. The result is a compelling track that should feel right at home on your rap rotation, and we think you’ll enjoy listening to this. On “USED TO,” JL the KidD proves himself more than just a talented vocalist—he's a storyteller, a provocateur, and an artist unafraid to explore the depths of human emotion, even the ugly ones. Welcome to Buzz, JL the KidD! We loved “USED TO," and you’ve been keeping your momentum up since “MOE LIFE!” We had to ask what the creative process for this release was like. When writing the lyrics, I really tried to blend my aggressive cadence with a smoother topic, that being a toxic relationship with an unbalanced power dynamic. When tweaking the beat, I really tried to make the kicks stand out, but I think I could’ve done better. What helps and motivates you to stay consistent with your music in an industry that demands consistency? Consistency itself is one of my worst character flaws. It’s something I tangle with constantly, and I can only hope and pray to find the right motivation to stay consistent. What’s been the most challenging obstacle you’ve had to overcome on your musical journey, and how did you overcome it? The most difficult challenge has been the quality of sound. So often, artists go to a local studio and leave with a track they could’ve created in their closet. I decided to start making an at-home studio and learning audio production myself, and this song was my first step in these waters. What quality do you think is most important for a musician to have? I believe the most important quality for a musician to have is an ever-learning mind. Stagnation is poison to someone who wants to be one of the best in their craft. What’s next for JL the KidD? Can we expect to hear more new music? Is there anything you’d like to say to your fans? I recently stated that “ THE HEARTBREAK KID “ would be released on June 21st; however, after consideration, I think postponing that project release is best. I still plan to release something that day, so stay tuned! Instagram

The New Jersey native joins forces with Big$odope and Endo for this crazy release. Fresh from the heart of the Garden State, FirstNameDane emerged onto the scene and quickly established himself as a case study of how passion, diligence, and perseverance pay off. Proudly embracing the title of “Late Bloomer” in a world that often celebrates early success, FirstNameDane continues to redefine success and the paths we take to get there, standing as a testament to the beauty of finding one’s path at any stage in life. As New Jersey’s “Late Bloomer” continues to ascend, we’ll be here, watching every step of the way. With punchy, dynamic production that demands your attention and equally standout lyrical performances, FirstNameDane’s music always leaves a big impression on his listeners. Underneath the booming 808’s and anthemic synthesizers lies a profound self-awareness, leading to a noticeable increase in artistic depth not often found among his peers. With every release, FirstNameDane continues his enthralling journey of artistic growth, keeping his favorite themes of restoration and activation close at heart the entire way. In contrast to its title, FirstNameDane’s latest release, “Haha,” is nothing to joke about. Featuring Big$odope and Endo, the “Haha” utilizes atmospheric synths and snares to create a vast and rich soundscape similar to “Birds in the Trap Sing McKnight” era Travis Scott. All three artists feel in perfect sync, switching back and forth between their adlibs and verses quickly, making it feel like they’ve been making music together forever. Fans of hip-hop-tinged with ambient vibes are going to love this release. FirstNameDane’s “Haha” sees the talented Jersey MC join forces with Big$odope and Endo to create an instantly timeless release. Whenever you’re ready, tap in and stream FirstNameDane’s latest release, “Haha,” which is available now on all major streaming platforms. Welcome to Buzz, FirstNameDane! We loved “Haha.” The chemistry you and your fellow artists showed was so impressive! We had to ask: Is this your first time collaborating with Big$odope and Endo, or have you all worked together before? First and foremost, thank you so much for taking the time to listen. HAHA is a few years in the making, and it's always gratifying for an artist to know someone is listening. This isn't the first rodeo for Endo and me or Big$oDope. Both artists are South Jersey natives like me, and I've known both outside of music for over 15 years. Endo. and I, aside from collaborating on several singles like "Doobies in the Dark" and all-time summer vibe "Surf Pt. 2", completed a collaborative EP alongside artist Sonny Sword and producer Ty Key, titled "DAYTRIP". Big$oDope and I have collaborated on singles such as the Bay area-inspired "Ball it or Not," and I've even produced beats for him in recent years. What’s the story behind the creation of “Haha?" HAHA is a funny story, no pun intended. I remember hearing a Drake song in a bar and how excited this girl was even though it was slow and ambient, the complete opposite of a party song. I felt like Michael Jordan in The Last Dance documentary, where he says, "And I took that personally." After that, I challenged myself to make something similar but knew I couldn't copy and paste Drake. I needed to offer something fresh and be myself. When crafting the beat, I wanted to offer two sides of heartbreak, and the beat changes midway to reflect those feelings. I initially wrote Endo.'s part for myself but one day in the studio I had him perform it and it just felt right. If I remember correctly, Big$oDope sent his verse back quicker than Sha'carri Richardson in the 100m race. It was one of the more seamless processes I've had making a song. Can you take us through your usual creative process for releases? Typically, I'll make a beat and send it to my longtime collaborator, producer Ty Key. He'll either add a little salt to it like Salt Bae or really spruce it up and add all the sauce. Then it's a tennis match, ideas bouncing back and forth until we have something solid to build around. We want what's best for the song, so egos never get in the way. What do you want your listeners to feel when they hear your music? When listeners hear FirstNameDane, I want them to say, "Oh shit, this is fucking amazing!" The more vulgar, the better; that's how you know it's good. My music is reflective of me as a person, so I hope they feel like they're getting a unique experience when listening to me. When the song ends, I hope listeners feel like they can expect quality, creativity, surprises, and high-pitched background vocals just because they listen to FirstNameDane.+ What’s next for FirstNameDane? Can we expect to hear more new music soon? Is there anything you want to say to your fans? FirstNameDane has an EP on the way! The "GOOD TIME" EP is slated for later this year and will be paired with a mini-documentary and a mini-podcast dedicated to discussing each song. I've been a pretty reclusive artist in the past, but I'm really excited to share these things and present fans with a front-row ticket to The Dane Show. Instagram Twitter

We're right behind you in your fight for justice, highlighted in your recent single, "Wall Street." What inspired your group to write a Sign of the Times' to Wall Street? The whole thing really started with the Occupy Wall Street movement, and that was a hot topic for a while, but it fizzled out and lost momentum. More recently, however, there was the hype around the GameStop and Meme Stocks. It is a Robin Hood-esque story about retail investors taking money from Financial Institutions who made a bet they never thought would blow up in their faces. This, in turn, has put a lot of feverish attention on these hedge funds, market makers, and financial institutions. People began to realize that these tools and institutions have become very good at pooling money. But in a way that only benefits the 1% and exists very much to the detriment of 99% of the general public. And that's definitely the inspiration. That's where the idea of the song came from. How do we find equality in an inherently asymmetrical system designed to promote inequality? Who handled the powerful songwriting behind "Wall Street?" What was that process like? From start to finish, it was between the three main contributors in the band (Darren, Logan, and Lex). There were a lot of collaborative writing sessions where everyone got to have a fair share of the melody, harmony, and lyrics. It was a total team effort that we’re so proud of. Also, everyone’s voice gets to be heard on the recording, which is a 1st for us. Lex gets to do the bridge, Logun gets to the verses, and Darren gets to do the choruses. It took a long time to get all the parts together, and there's been a lot of tweaking and fine-tuning. But we think the work shows and got what we wanted across. It's been an 18-month hiatus since we've released something, and we couldn’t be happier to be shaking that now. Was your group influenced by any sound or artist when creating "Wall Street?" What external forces helped bring this song to life? Inflation, for sure. Looking around our communities, in particular, see the growing divide between rich and poor, the haves and the have-nots. That was a big inspiration for it, no doubt. Times are tough. Groceries have never been more expensive, and the amount of food available in restaurants has never been smaller. Cars are tremendously expensive, and tipping culture is out of control. It's all part of it. This is an angry song. People are angry, and external forces are everything we are in and around because everything's getting harder. People are busy, tired, and distracted, and they can't just win a war of attrition against government and billionaires (one and the same, really) with unlimited resources. We were inspired by the meme stock saga that we spoke about earlier, and among the many other issues we’re trying to lend our voice to, we really want equality and freedom in the financial markets. Maybe three years later, it didn't necessarily happen as we all thought it would. But, you know, it's certainly worth the effort. But we’d rather fight for something than drift aimlessly in a sea of noise. As for sonic influences, Rage Against the Machine is for sure. That was the biggest influence because we wanted to emulate their raw emotional output. RHCP, too, we wanted to capture that kind of energy and that kind of chaos. We wanted to get that feeling of pushing back. And there's an intensity that someone like (Zack) De La Rocha is gifted at giving. And not to say we copied him, but we definitely tried to capture that kind of energy in this song. Buju Banton and even Damian Marley devised different versions at different times. The heart of Reggae music has always been about protest. Bob (Marley) has always been the most famous and apparent reggae ambassador. But behind the quick, upbeat-sounding songs, it does get pretty intense. So we drew from him and tried to capture the essence of what he was saying. In this particular case, more of what you're saying than how it sounds. But this is our version of that. How did you create the sound and vibe for "Wall Street ?" How did you want the song to feel? That ties back into the earlier points we were making. About anger, chaos, and wanting things to sound the way the climate feels now…tense. There seems to be a lot more violent crime on the rise. There seems to be a lot more ferocity in how people act, and we wanted to do our best to distill that into an audio format. This is among the angriest we've ever sounded; the crafting took forever. Quite honestly, there are layers upon layers of just squeal pinch harmonics here, or power chords there, or an organ bubble. We really sat and tried our best to craft something between the space of reggae and rock. You'll hear very distinct rock elements, and you'll hear very distinct reggae elements. But this is not necessarily either. It's both. It's a song that shines live. And I'm sure any artist will tell you that capturing the energy of a live performance is not easy. And we did our best in the studio to convey that essence to the listener. Admittedly, it has to be heard live because that's how we wrote it initially. The actual execution of the song came about from playing shows and feeding off the energy from the audience. There's a really important collaboration between us and the crowd that cannot be really replicated in a studio. And that's super important for a song like this, where the spirit of camaraderie and protest has to be shared. It's definitely a communal experience. But it did take time to put it all together. After getting the song structure and all that boring stuff, we threw a lot at it. We put in a lot of parts that we ended up taking away, and we went from everything and the kitchen sink to filling this thing out to “What are the three or four elements that we need here to get this idea across?” And how do we cut all the fat off this and give the leanest, most efficient song that we can? What do you hope listeners take away when hearing your new single, "Wall Street?" What was your goal in that respect? If anything, we'd want them to be as upset as we are. I'm sure everybody's paying attention to current events the best they can, but in the hustle and bustle of your average day, many things get swept under the rug or lost. We want people to feel as mad as we do. We want people to be as angry as we are at everything that's happening and everything that's not happening. Change is never easy; it's never gonna happen just by existing. Nothing will change unless you want to change it and actively do something about it. And that's definitely the energy. That's the idea that we want to get across to people. That change is worth the effort. It's easy to be passive, but we’ll continue to lose everything if we're not conscientious. For instance, If we don't vote, someone who does vote (no matter who they necessarily vote for) is going to have their voice heard. And if you just sit there and let it pass you by, you’ve also become the problem. It’s cliche, but freedom isn't free. And, you know, a functioning democracy requires an educated and enlivened voting bloc, and we think that's worth fighting for. We hope people get that when they listen to this song, and they see that whether or not they feel like it’s possible, they can do something about what they see, and hopefully, they will. Read our full article here. Instagram Facebook