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Collin Thomas, the dynamic force behind Rich Boy Junkie, began his melodic journey right from his college bedroom in Bloomington, Indiana. This genesis was defined by an electronic aura, with his debut LP "Shut Up, Already!" and subsequent EP "Neoteny and the Grand Gesture," both released in 2017, showcasing his nascent production flair. Amid classes and examinations, Thomas, armed with his laptop and ad hoc live band, enlivened the campus with his spirited performances. The tides shifted when Thomas resettled in Chicago, his birthplace. Within the familiar walls of his parent's home, he birthed his second album, "Illinois, You're Killing Me." Departing from his earlier electronic venture, this album embraced a potent blend of emo and folk influences, its composition echoing with raw live instrumentation. However, the allure of the west coast proved irresistible and in 2019, Thomas, now an LA resident, worked on "The Happy Face," a sonic nod to the electronic roots of Rich Boy Junkie. 2020 and 2021 marked crucial milestones for Rich Boy Junkie as the music theory evolved and the line-up expanded. The band’s transition to a full-bodied, live sound was marked by the "Senior Portrait" EP and "Have Fun in the Sky." The latter album is particularly noteworthy as it introduced the talented Jazz Gaudet on drums and marked the inaugural RBJ release to feature players apart from Thomas. It was also the first to boast a physical release, thanks to the support of an engaged fanbase. As Nick Kinney, Brian Berger, and Sam Prevost joined the band, the line-up swelled to a robust five-piece ensemble, further enriching the band’s sonic palette. The band's latest offering, “Downtown,” released in April 2023, is a collaborative piece and a reverential nod to LA's psychedelic, folk, and desert rock legacy. The sonic nostalgia that permeates this single is an homage to the diverse American songbook, echoing the rich heritage of early country artists and the Grateful Dead. It's the kind of song that sends you on a journey to a '60s love fest, enticing you with the sweet waft of guitar melodies and a voice so pleasant that you feel floating on a cloud of harmony. "Downtown" wraps you in the warm embrace of a classic rock ballad, enveloping you with the strength and confidence of Thomas's vocals. It's as if every note he hits pulses with raw power and conviction. The background vocals caress your ears, harmonious and smooth, while the guitar weaves a tapestry of nostalgia. And when the direct, splashy drum beats kick in, it's like a punchy burst of energy that elevates the entire song. The lyrics of "Downtown" are akin to a heartfelt letter that traces an intimate journey. It weaves a tale of changing cities and weather, of a rush hour on 8th Street, and recollections of the White Plains. It probes, questions, and muses on the dynamics of an urban space with a refrain that begs the question, "Did downtown let you go?" This piece isn't just a song; it's a sentiment, a memory, and an experience that lingers long after the last note has faded. "Downtown" is an auditory joyride, a ballad spun from the threads of emotion and experience, shaped by the eclectic influences of a band that has traveled the rocky road from electronic to emo to classic rock. The ever-evolving sound of Rich Boy Junkie is a testament to the band's adaptive resilience. Welcome to BuzzMusic Rich Boy Junkie! Kudos to capturing nostalgia on "Downtown," which reflects a rose-tinted essence reminiscent of the classic rock era. Can you share more about how this particular song encapsulates your influences and what inspired you to infuse this retrospective vibe in "Downtown?" Thank you so much! It was written as an homage to the type of music I grew up listening to, mostly through my parents. They were big country heads, but I was also constantly hearing bands like The Allman Brothers, the Eagles, and Bob Seger. That classic sound of 70's rock in America was "lame" to me when I was younger, mostly because teenagers like to be contrarians about what their parents like. I've gravitated more and more to that music as I've gotten older. Then during the heat of the pandemic, I watched the Scorsese documentaries about The Grateful Dead and Bob Dylan's Rolling Thunder Revue tour. After that, I dove heavily into Dylan and The Dead, and a renewed love for all those other bands came with it. "Downtown" was one of the first things I wrote during that phase, and it came from my wanting to write a song that had that same quality. The lyrics of "Downtown" seem to weave a narrative that includes elements of travel and movement, with themes of home and identity juxtaposed with the city's energy. Could you delve into what influenced the songwriting process for "Downtown" and the story you aimed to tell? "Home" has always been an incredibly influential concept to me. I write many songs about where I live and where I have lived because the places where you spend your life greatly impact your perspectives. I love where I grew up and have been very fortunate to gain so much from every city I've been able to call my home. With "Downtown," I wanted to step away from that thematically and think about the places I could have gone but chose not to. Drawing more from that 70's rock stuff, particularly with The Dead, you get a lot of travelling songs about the journey of being on the road. I visited one of my best friends in New York, and I used to hate New York. But she showed me this amazing side of the city that I had never experienced as a tourist, and it made me start to love it. So I started playing this "alternate universe" game in my head, toying with the idea of a version of me that moved to New York five years ago instead of California. The song became that internal monologue, in a sense, of "LA Collin" talking to "New York Collin" and trying to analyze if those paths will ever cross. "Downtown" features a distinct guitar melody and direct, splashy drum beats harmonizing with the vocals. Can you walk us through your creative process in composing the musical arrangement for "Downtown?" How did you balance the various instrumental elements to create this cohesive sound? The guitar riff came first, which is definitely abnormal for me. It was one of those parts that I would play on guitar over and over again, and it actually became something I would play to check my tuning. It lived separately from the progression of "Downtown" for a long time. I was working through it with RBJ bassist (and my then-roommate) Nick Kinney in our living room when I put them together for the first time, and it was two completely separate thoughts that fit like a glove. The rest of the song really is a testament to not only Nick but also guitarists Brian Berger and Sam Prévost and drummer Jazz Gaudet. We did the basic tracking the day we learned the song, and it was just an amazingly productive session. Everyone stepped in and knew the assignment, probably because the song was rooted in such a familiar sound. So much of it was just instinct, and the glue for me was that I lucked into having access to a 12-string electric Rickenbacker on the day. Being able to channel that chiming, Byrds-esque sound for the lead parts made it feel genuine. I added in the piano and organ afterwards (because all great songs from that era have killer key parts), and Jazz built this amazing Beach Boys-style harmony to fill it all out. Everything came together so naturally, and feeling that consistent throughline when we made it was really special. "Downtown" is a classic festival anthem, invoking images of everyone being in love at a '60s gathering. Considering the social and cultural shifts since that time, what message do you want to convey to the modern audience through the metaphor of "Downtown?" First off, that's super kind of you to say. Putting this song into that kind of context is meaningful to me because that intention does sit beneath the surface of this song. My outlook on life can be very fatalistic at times. I think everyone has their path, and every part of your journey is a square on your checkerboard. I feel like things happen for a reason, and when I face conflict, I try to remind myself that it all comes out in the wash. Our world is complicated, challenging, and fickle. Our country and human culture both work the same way - they're cyclical, and people have created amazing things and terrible situations with shocking variability. "Downtown" as a whole, to really simplify the message, is about accepting both sides of that coin. It is about taking opportunities and risks as they present if the time and place feels right, but also knowing when to sit in comfort with what you have at that moment. That might be a super vague "nothing" answer, but the song's thesis comes from me doing and seeing everything I can experience without beating myself up if it fails. I brought it up before but chose to move to California five years ago. If I had opted to instead move to New York, stay in Chicago, or some unspoken "Option D," I would be a wildly different person. So if this song has one pointed message for the audience, it's that I think you owe yourself some leeway and patience while accepting that your journey is your own unique experience. Revel in that because it's why you are unique to every other person. All of your triumphs and screw-ups combine to make you who you are, and you should wear all of that in big, bold letters. As we look forward to your future releases, how do you envision "Downtown" shaping your forthcoming creative direction? Will we see more homages to the past or a new fusion of influences that could redefine the sound of Rich Boy Junkie? I really think this song came together in such an easy and satisfying way that I am really hoping it's a sign of things to come instead of a flash in the pan. This was the closest thing I've felt, creatively, to capturing lightning in a bottle in a long time. I really love how it turned out, and the response has been super positive. That all in mind, the direction for this song informed quite a few tracks rattling around right now. One song, "River Call," is one of my favorite things I've ever written. So I'm not done with this angle just yet. I'm not working nearly as fast as I did when I was 19, but I think that's a good thing. 2022 was the first year since the band started that we didn't release anything, and I think that's made me a little more intentional about the process. "Downtown" was written with a collection of songs in mind, so my hope is that those other ones get packaged up and sent off into the digital ether soon enough. At the same time, I've been writing a lot of songs that go back to Rich Boy Junkie's roots of synths and drum machines that will feel almost antithetical to what "Downtown" is. It's always a bit of a toss-up for me, but what I can say is that working on this song stoked that fire again. More than anything, I'm excited to be back on this journey. Instagram TikTok

In a world where self-discovery and artistic growth often go hand in hand, Brooklyn Doran has cemented herself as a beacon of authenticity, evolution, and creative genius. A proudly queer singer-songwriter from Northwestern Ontario, Doran is, above all else, true to herself and has captivated listeners' hearts everywhere. Whether she can convincingly tell stories and convey an emotion or her unique brand of wit and humor that she infuses into her lyrics, she's likely to capture the imagination of listeners for the foreseeable future. Initially a fixture in Toronto's folk scene, Brooklyn Doran's significant talent should be no surprise. Having also toured internationally with Canadian punk band Cancer Bats, Doran has proven her ability on the live stage. Now gearing up to release her highly anticipated album "Fixer Upper" on June 1st, Brooklyn has set herself on a firm upper trajectory. "Fixer Upper" will chronicle the journey of Brooklyn's artistry and utilize Doran's signature lyrical style to examine themes of personal growth. "Wasted My Twenties," one of Doran's latest singles that will also be featured on "Fixer Upper," is an excellent snapshot of the good things to come. Over instrumentals that incorporate indie, alternative rock, and pop influences, Doran's resolute and powerful vocals steal the show, stirring hearts as she drops lyrics like "You used to have me on your knees" and "I guess I'll never get to show you now" with the kind of emotional energy that makes you shiver. If "Wasted My Twenties" is anything to go by, "Fixer Upper" will be a must-listen. With a refreshing blend of storytelling and song, humor, and haunting melodies, Brooklyn Doran's artistic future seems as bright as ever. Whenever you're ready, tap in and stream "Wasted My Twenties," available now on all major streaming platforms. Also, watch for her highly anticipated album "Fixer Upper," out on June 1st. Welcome to BuzzMusic, Brooklyn Doran! We loved “Wasted My Twenties," which felt relatable, and your lyrics were so honest! Could you take us through your creative process for this song? I wrote this song during the pandemic with my great friend, and former housemate, J3M (Jemuel Roberts), over a few glasses of wine while we were quarantined. One night we were in the backyard working on finishing the song when my roomie, Rachel Romu, came home and offered up some really interesting production ideas. We thought we needed to get into the studio with this. Initially, I think we were trying to write about this dread that creeps up on you as your 30th birthday approaches. It's such a milestone birthday, and once it has passed, it doesn't feel as monumental as it felt leading up to it. It is one of those times when you think back over the last decade of your life and try to measure it - (in daylight, sunsets, midnights, or cups of coffee? lol). Have you achieved all that you wanted to during that span of time? Did you find love? Did you have success at work? It was an especially wild feeling amidst a global pandemic and not even knowing what the future would look like for us as musicians. What made you want to get into music seriously? Was there any particular incident that sparked it? Seriously, I think it was my dad. He was always a music lover, and I was an obnoxious little kid who wouldn't stop singing and performing for her family. In grade 6, St John's Music did a pop-up store in my elementary school library, and I begged my mom to let me rent a saxophone from them - and from then on, I was the tiny Lisa Simpson of my small town school district. What do you want to achieve as a musician? Do you have any favorite musical memories that come to mind? I recently talked to a friend about this- about how every time I achieve a certain goal or milestone in music, I immediately focus on the next rung of my career ladder instead of celebrating and sitting in that win. I want to work on calling myself out more about that shit and starting to enjoy the lovely that comes with having music be such a large part of my life. One of my favorite recent memories was being able to perform for a huge crowd at The Danforth Music Hall with Cancer Bats. They have a song out on their most recent record that I sang, and I always appreciate them bringing me out on the road to sing on those large stages with them! Plus, seeing people crowd surf, headbang, and circle pit while you're onstage is such a trip! Something I've yet to experience in the folk music realm. LMAO. Your album “Fixer Upper” releases soon! What was your favorite part about seeing the fabrication for your album come to life, and are there any particular songs you’re particularly excited to share with fans? Honestly, Fixer Upper has been such a long time coming. We intended to release a shorter version of this record in 2020, right as the pandemic hit, but instead, we took those three years to sit with the songs, write more, and shape the album into what it is today. I think "Michigan State" will be a fun song for folks to experience. It was one of those songs from the record that we had the opportunity to take another look at and play with in terms of sound. It's a great marriage between the dreamy tunes I have been working with and the newer grunge sound we are playing today. Also, when I say "we," I mean myself and my collaborator and producer, Dan Hosh, who has been with me since step one of this journey. What’s next for Brooklyn Doran? Do you have anything you want to say to your fans? Hell yeah! I'm pumped to have some epic shows lined up for this summer. I'm doing an east coast tour with one of my favorite humans, Rory Taillon, a powerhouse songwriter and vocalist. I'm also performing on July 8th at The Budweiser stage with Cancer Bats, and this year I'm performing on one of the main stages at Pride! Plenty of opportunities to meet up and have a great time! Artist Website Facebook

In a world and musical environment yearning for authentic musical storytelling, singer-songwriter Evanthia emerges as a breath of fresh air with her highly anticipated debut single, “The Deep End.” Co-written alongside renowned country songwriters Wyatt Durette and Tyler Filmore, this country-pop piece is poised to leave a powerful first impression on first-time listeners. It is a must-listen for any fans of the country-pop genre. Slated for release on May 25, Evanthia’s “The Deep End” showcases candid songwriting that captures the delicate balance between vulnerability and resilience. Her vivid imagery and honest lyricism make it feel like Evanthia is giving us a glimpse into her soul. Although she may be new to the industry, it doesn’t feel like it, as Evanthia sings and writes with a transparency that is rare in the industry and illustrates her maturity as an artist. Over a sublime instrumental performance which blends traditional country sounds such as banjos and steel string guitars, Evanthia’s crystal clear vocals are nonetheless the clear focus and strength of the track. Utilizing her dynamic range and vocal control to the max, Evanthia delivers lyrics like “Before we dive in the deep end, I need to know you'll save us” with a sincerity that cuts through and feels like it connects with you on a deeper level. Although it may be early into her career, “The Deep End” feels like the beginning of a remarkable career. As she navigates the delicate landscape of music and love, Evanthia is poised to become a force in the music world quickly. Don’t miss Evanthia’s enticing debut single, “The Deep End,” on all streaming platforms now. Welcome to BuzzMusic, Evanthia! We loved “The Deep End," what an amazing song for a debut single! We have to ask, what was the inspiration behind this song? Were you drawing from personal experience? Thank you so much for having me! The Deep End is a raw love song. We get into a relationship, and as things develop, we aren't sure or wonder if the other person shares the same connection. It's super vulnerable and also shows the struggles of real-life relationship feelings. For me, it's about knowing whether or not the other person is catching the same feelings. Do they love me? Do they feel we are moving forward? That's the great thing about music. It can tell a story one way to one person and another to the next. What made you decide to pursue music professionally? I have always had a passion for music. I started taking voice lessons when I was 12. Looking back to even when I was very young, I have always loved to sing and perform. Music is a way to connect to people on a different level. In 2018, is when I started focusing on my guitar skills. Together, the two helped me work toward becoming the artist I wanted to become. What do you want to achieve with your music, and what’s been your favourite musical memory thus far? For me, it's about connecting to my listeners. I want to be able to show them my authentic self. To show them I am real and go through the same things they do. So far, my favourite performances have been at The Bluebird in Nashville, TN. This is an iconic venue. All the greats have played there. Just knowing that adds so much drive to my dreams. How would you describe your music to people who haven’t heard it before? This is a great question. I think music is universal and can be heard by everyone differently. We all have a story. I want my music to be received as honest and vulnerable. I also love the process of being a storyteller, and this is the creative side that drives me. What’s next for Evanthia? Do you have any more new music coming soon? Well, I would love to share all of my secrets. My listeners are going to be so excited. Stay tuned. Instagram Facebook

Edzi’u is a Tahltan and Tlingit artist based on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations in modern-day Vancouver, BC. Their music is deep-rooted in paying homage to elders' stories, visions and words whilst highlighting the personal and communal experiences of past and present generations. Their latest release, “Warrior Song'' shines a light on the effects of colonialism, land occupation and unjust policies, all conveyed through a mesmerizing and heartfelt melody. “Warrior Song” begins with a powerful opening line, “Everything is out there if you want to know," followed by Edzi’u’s echoes, “We can fight them if we want to.” This introduction outlines a profound societal issue: the truth has been concealed for far too long. The reality of consequences stemming from events such as colonialism and colonial legislation will not go unnoticed by those who’ve been affected by it for hundreds of years. Throughout the verse, they share the harrowing experiences of their ancestors, whose hair was cut, whose rights were stripped away, and who were still forced to kneel. They made this song a prayer and a beacon of hope for those who fear their voices won’t be heard. Edzi’u’s voice is powerful and rich, which complements the hypnotic and enchanting rhythm of “Warrior Song''. As the song progresses, their alluring airy vocals loom over the steady beat, which evokes a profound sense of inspiration, power and strength. It’s no wonder their work has received features on CBC Radio Reclaimed, Talking Stick Festival and Tkaronto’s Film Festival. Through the power song, Edzi’u unapologetically shares their vision for the future by inspiring all those who listen to join them in the fight for justice. Welcome to Buzz Edzi’u, and a heartfelt congratulations on your empowering new single, "Warrior Song." What inspired you to start making music? When I was a kid, I was always a dreamer, I spent most of my childhood in my own world, and though I was pretty extroverted, I was often alone. When I was six, my mom moved in with her boyfriend into a trailer up the hill with big bay windows and a piano. I would play the keys on the piano and try to play out songs I knew, and I was always singing to myself and singing the songs playing in our house with my mom. My mom was a trophy-winning Karaoke country singer; most of my early memories are of her singing Reba McEntire, so there was always music in my daily life. On my Tahltan and Tlingit side, I come from a strong history of song creators and storytellers. My first stages were singing to my mom and her friends on our living room coffee table and singing country and rock to my aunts and uncles inside old cars and trucks while driving to my traditional territories. My family on both sides has inspired me to sing and make songs. I think I’m here in this life to create music and sounds; it’s cultural and personal. The melody and beat of “Warrior Song” is unparalleled and truly captivating. How would you describe your style of music? A loaded question and hard to answer! Honestly, I’ve never felt comfortable in any genre of music, perhaps because I’m such a mix of experiences and influences. I love 80’s drums soaked in reverb, thick vocals and a variety of individually treated background vocals, synth-like rattle sounds and long decaying epic synths. I think I am unconsciously rebuilding the sounds of my grandmothers’ traditional singing and drumming with the sounds of my mom’s soaring country vocals and my aunts and uncles' 80’s pop/rock influences with my love of RnB music, then jamming that all into my classical music training with an electronic sound palate. I love music and sound and can find something I like in any genre. If I had to name it, I’d say my style is like electronic alternative pop sound art. What’s the process of making a song like for you? Do you begin with a concept first or dive straight into production? I use audio clips in most of my music, either an environmental sound recording or clips drawn from interviews I conducted with family and friends about different topics. Sometimes I start with a concept, as I did with this album, but sometimes I let the spirit of the song reveal itself to me as I explore the audio I’m building off of. I listen to the timbre of the audio clip I’m using, the presence, and the emotion of it, and from there, I build a sound world, little riffs, and pieces of various melodies. Gradually the song begins to take shape. Sometimes I continue to follow the thread I’m pulling from, and sometimes I scrap everything but one riff or audio clip and start again. Most songs I come back to repeatedly and evolve and change each time. Potlatch is the theme of this album that Warrior Song is off of, and the album itself is called “Potlatch in the Box.” On its face, the potlatch is a ceremonial feast practiced by Indigenous peoples along the Northwest Coast, different per each nation. But in reality, the potlatch is the backbone of our lives, society, law, culture, and how to be in relationships with each other and the land. I wanted to use that framework to create work that discusses colonialism's impacts on our communities and our resistance and wholeness despite living in a capitalistic colonial world. Can you share the significance of “Warrior Song” when reflecting on your personal experiences? I wrote and rewrote Warrior Song down to the last-minute recording in the studio. It’s the song I’ve spent the most time on in my entire life of songwriting, and I think that’s because it can mean different things to different people. Warrior song is about getting up every day and fighting for sovereignty, whether that be fighting inside your own heart to dismantle internalized colonial narratives, fighting for land and water on the front lines, or fighting to exist in a capitalist world to support your family. I have existed in all those spaces, as many Indigenous people and communities do. Warrior song is a prayer and a promise to continue on another moment, minute, or day to fight for self-determination however the listener needs. In “Warrior Song,” you address the fight against enduring injustices such as colonialism and colonial legislation, amongst many other wrongdoings. In what ways would you like to see people take action to create change? I want to see a structural societal change that recreates a world of equity for all people and all living things. I believe that starts with recognizing, honouring, and upholding Indigenous knowledge and ways of being. I want a complete revolution. The action begins in the mind and heart, and if people don’t let go of individualism and place profit above people, then no one will win. Individually I would like to see people redistribute their personal wealth and educate themselves in anti-racism. There’s a lot I would like to see done to create change in the world. There are a plethora of Indigenous and Black folks who make it their life's mission to do so and educate others, as well as enact the values they speak to - I would suggest that people reading this find those people, respectfully learn from them, and pay them for their time and knowledge. Facebook Twitter

Rome Logan, the musical maestro born in Peoria, Illinois, has quickly become a supernova in the R&B universe. This triple-threat singer, songwriter, and producer are lighting up the scene, with Atlanta, Georgia, serving as his launchpad. With each rhythmic beat and soulful lyric, Rome masterfully crafts an auditory experience that is nothing short of transformative. Prepare for a sonic journey with Rome's latest sensation, "100 Degrees." This tune cleverly merges R&B and rap, creating a tantalizing cocktail of smooth, sensual beats that echo the nostalgic charm of '90s R&B. If Usher's melodious tunes and the iconic rhythm of that era had a lovechild, it would undoubtedly be "100 Degrees." The chorus, as smooth as silk, whispers, "Girl, you different when you're getting it from me, girl your fam and your friends don't disagree," setting the stage for a performance that exudes confidence and charisma. As you delve deeper into the song, Rome's lyrical genius truly shines. His words dance around the melody, vividly depicting a G ’d-up love story. He's not just any guy; he's "that guy," ready to change a girl's life with his charisma and charm, all wrapped up in a rhythmic bow of enchanting beats. "100 Degrees" is not just a song; it's an experience that grips you from the first note and doesn't let go. It's like a novel you can't put down, a show you can't stop bingeing. Each listens unveils a new layer, a fresh perspective, making you fall in love with the track again. Ultimately, Rome Logan's "100 Degrees" is a love letter to R&B and rap, masterfully penned and beautifully delivered. The song is a testament to Rome's growth as an artist and his unyielding passion for music. So, mark your calendars for May 19th, 2023, because the "100 Degrees" heatwave is set to sweep the nation. Prepare to be swept off your feet! Kick back with this one today, available on all platforms. Welcome to BuzzMusic RomeLogan! Big cheers on your latest drop with "100 Degrees," which paints a vivid picture of a timeless classic kinda romance. Can you share any real-life experiences or inspirations that fueled the lyrics of this song? Thanks, it's a pleasure to be here. Around the time leading up to the 100 Degrees session, I kept hearing all these songs about dysfunctional relationships & wasn't seeing a lot of balance. Hence, it felt like the perfect time to share a slightly different perspective. The fusion of R&B and rap in "100 Degrees" creates a unique sound, evoking a sense of nostalgia for '90s R&B. How did you navigate blending these genres to create this distinct vibe? For starters, 90s R&B was my whole childhood, so that helps. When we were in the studio, the production started out very r&b, I had keys, electric guitar, bass guitar and everything, but at a certain point, I was like, "Hold up, I wanna pop my sh*t on this one." It needed that bounce & attitude you can only get from trap drums. 808s & electric bass at the same time are slick and crazy, but it works. The chorus in "100 Degrees," "Girl, you different when you're getting it from me, girl your fam and your friends don't disagree," is the catchy intro. Can you talk about your process for creating such raw and bold lyrics? I freestyled a lot of it. It's easy for me to speak my mind & how I feel when I go off the top. Also, I'm not into being super flashy right now, so when I come with this cocky type of energy, it's gotta be about something deeper than money & sex. I'm low-key representing people who feel it's a flex to add lasting value to someone's life. "100 Degrees" present’s you as THEE guy who can change a girl's life in a second. How does this persona reflect, or differ from, your own personality and experiences in relationships? It's me. Personal development is a big part of my lifestyle. Meditation, journaling, & cold showers are all part of my daily routine, plus I'm always picking up these random life hacks, so it's almost impossible to hang around me & not learn something useful. You tend to pick up habits from your significant other. It's human nature, & I've adopted a few healthy ones that changed my life. With the forthcoming release of "100 Degrees" and the positive buzz it's sure to create, what are your aspirations for the future of your music career? Can we expect more songs with a similar vibe, or do you plan to explore new territories in your sound? Honestly, both. I've got so many songs sitting in the vault it's almost impossible to choose. Some live in the same world as 100 Degrees & some are in a different universe. It's wild. In a perfect world, fans could make these decisions right after the songs are recorded. We're working to open the vault to my closest supporters on future releases. I think that will be a lot of fun. Instagram Artist Website

Fortunate Losers has once again proved there's more to their city than just metal on their newest track, "Divine." The Sudbury-born hard rock band hits hard with their newest release, "Divine," featuring fiery vocals ready to capture the hearts of all listeners. Preaching the resilience of the human spirit, the band frontman Devon Cox coupled with Brad Griffin on guitar, brings a razor-sharp soundscape tailed perfectly for you. "Divine" has thundering and mighty riffs and production and pairs the hard rock with lyrical depth. Fortunate Losers shape the chorus and verses with the will to overcome the darkness and emerge victorious, "Divine" is surely the anthem to spin in times of distress. The record's raw energy and ghostly vocals are melodic and introspective, leaving all listeners craving an encore. We've sat down for an interview with Fortunate Losers discussing "Divine" and asked about the experiences that fueled this record. "We would like to think that the emotion in the vocal comes from a long history of closed doors, no replies, and an overall disinterest that helps this track scream out emotionally." Fortunate Losers mentions that "Divine" derived from the band calling out to a higher power to lend a helping hand regarding the trials and challenges faced on the 'come-up.' They mentioned the hope they'd like their listeners to receive when taking this track in and never to lose the will or drive it takes mentally to achieve their wildest of dreams. Check out the complete article and interview with the well-versed Fortunate Losers and their latest release, "Divine," here. Instagram Facebook

The Washington D.C born artist, Miss Kaniyah, is a shining beacon of self-assuredness in the music industry. Juggling multiple roles as a rapper, singer, songwriter, and producer, she encapsulates a fiery charisma that is as commanding as it is enchanting. Her latest single, "I Look Good," is less of a song and more of a statement, a fierce anthem inspiring listeners to embrace their spice and self-worth, reflecting her audacious persona. Miss Kaniyah is a musical tour de force, as clear in her vocal delivery and lyrical prowess. Her rap is precisely articulated, each syllable delivered with a punch that can't help but command attention. Her music, characterized by its assertive tonality, is an exhilarating mix of compelling beats and candy-coated synthesizers that hit hard and fast, leaving listeners craving more. "I Look Good" embodies Miss Kaniyah's unique brand of energy. With a hybrid beat that blends house music with a vibrant pop/rap tempo, it offers a snappy and dance rhythm. The chorus, with its repetitive proclamation of "I look good bitch," stands as a powerful self-affirmation, further amplified by the deep bass and fresh-cutting drumline. The beat, while not aggressively upfront, subtly bolsters the message of the song, displaying a confidence that is as effortless as it is striking. The song's approachable energy is another of its many strengths inviting everyone to its infectious beat and deadass lyrics, making it a fitting vibe for the pre-before-the-girls night turn-up or a vogue party. "I Look Good" is a demand for self-confidence, an anthem that calls to everyone who believes in the transformative power of the sauce and self-worth. In "I Look Good," Miss Kaniyah does not just demand your attention…she commands it. She invites her listeners to join her in her celebration of self-confidence, daring them to step up and embrace their own worth. This song shows her unwavering self-assuredness and an open invitation for everyone to tap into their own power. Can you resist the call? Well, with a talent as formidable and a confidence as infectious as Miss Kaniyah's, it's a challenge that's hard to ignore. Vogue to this one today is available on all platforms. Welcome to BuzzMusic Miss Kaniyah! Big up on your latest drop with "I Look Good," a strong vibe that champions being unapologetically you. Can you share a specific instance from your life that inspired the creation of this song and the message it conveys? The levels that I want to reach because of my music are so astronomical that I believe that most days, I have to show up with this confidence, with this optimistic aura that this song conveys, to obtain it. The "I Look Good" video is visually striking, with stunning outfits, vibrant colours, and engaging scene cuts. How integral was your involvement in the concept development and execution of these impressive visuals? I directed and created the “I LOOK GOOD” visual. I was very hands-on the entire time. In "I Look Good," you successfully blend house music, pop/rap tempo, and voguing elements. What inspired you to bring these distinct elements together, and how did you find the balance between them? “I LOOK GOOD” has a few messages, but my favourite one is that it doesn’t matter where you come from, your sexual preference, size, height, or ethnic background- we all look good from the inside out, and together we are better. This is what inspired this song! The repetitive proclamation "I look good bitch" in the song's chorus is an audacious self-affirmation. Can you discuss how this mantra has influenced your own perspective on self-worth and how you hope it will influence your listeners? Confidence is imperative! Confidence is a need and not a want. Confidence looks different for everyone, but I want my listeners to find that place and use that to conquer their life. As we take in the empowering message and stunning visuals of "I Look Good," we're eager to see what's on the horizon for you. Could you give us a glimpse into your future plans - are there specific themes or concepts you're excited to explore in your upcoming work? BALLROOM CULTURE! Instagram Facebook

Rarely does one come across an artist with a voice as powerful as their lyrics, but pop singer-songwriter Cardamone effortlessly demonstrates musical prowess in her new single “Killer.” Born in Melbourne, Australia, Cardamone has travelled worldwide as a professional dancer performing with big names such as Justin Bieber and Flo Rida before pursuing her true passion in music. After exercising intensive vocal training and learning the ins and outs of creating hit songs, she’s developed a unique sound that captivates listeners within seconds. “Killer” opens up with a hauntingly beautiful piano melody which evokes a feeling of wonder, curiosity and unease, immediately drawing the audience in for the ride. This introduction sets the stage for Cardamone’s alluring vocals, which flawlessly intertwine with the melody. The listeners are transported into the first verse, where the plot unfolds, revealing the hidden intentions she holds within the relationship. With every phrase, the melody swells into an ever-expansive harmony, accentuated by the crescendo of a string ensemble. The pairing of the chilling piano and comforting violins draws a balance between the fragility and innocence of a new relationship to the raw and unstable nature of one that is damaged. As the song progresses into the bridge, Cardamone displays her wide vocal range, easily hitting a B3 soprano note. Her voice is phonetic gold; it’s bold, sultry and soulful. Every note she hits evokes emotion and displays her expertise regarding her refined vocal register and expression. The chorus climaxes when Cardamone unveils the unfortunate reality that everything she loves inevitably ends. Though the message is disheartening, her mesmerizing delivery renders the revelation bittersweet, a juxtaposition that the most skilled lyricists can only execute. The song closes with an eerie symphony that seems to echo in the listener’s ears, leaving them stuck in a trance until they can snap out of it to hit replay. This song is a must-listen. “Killer” is available now on all platforms. Welcome to Buzz Cardamone! Your lyricism truly shines on “Killer” Can you share your inspiration for creating such a dynamic and powerful track? Thank you! It was based on a relationship where I would try to dress and style my current boyfriend like my ex because I wasn’t over him. That storyline and a James Bond soundtrack vibe were the intentions. Your voice is mesmerizing on “Killer,” whether you’re singing in a soft sultry tone or belting higher notes during the chorus. How have you developed your vocal range and technique throughout the years? That’s very kind. I work very hard on singing with dynamics, so I’m glad it shined through. I like to think of myself as a very emotional singer, so I sing based on what I’m feeling, whether happy, angry, or sexy. How would you describe your style of music, and were there any influences that helped you find your sound? I would describe my music as combining pop, soul and rock. Amy Winehouse was a big influence growing up. Her honesty and tragedy inspired me to be real. “Killer” beautifully demonstrates your vocal and lyrical abilities. As you continue to grow as an artist, where do you envision yourself musically in the future? Do you have any upcoming projects you’re looking forward to sharing? I have an EP coming out this year, accompanied by many shows. I am looking forward to sharing more music with y’all. If you could collaborate with any artist, dead or alive, who would you want to collaborate with and why? Michael Jackson. He was the King of pop. I would learn a lot from him, and we could also put on a show full of dance. Instagram Facebook

Picture this – A seamless fusion of dark and dream pop infused with ethereal haunting vocals, all set in a sombre atmosphere. This describes up-and-coming artist Izira Burley, who has established herself as a formidable talent in the music scene. With a devoted following on TikTok, where her videos have amassed over 2 million views, and an impressive feat of creating an original jingle for the brand Almond Breeze, Izira is making a name for herself as the future of dark pop. Her latest single, “I Only Have The World,” demonstrates her exceptional musical production and songwriting skills, which will captivate listeners worldwide. The song begins as the listener is enveloped in a shroud of airy echoes, creating a sombre, atmospheric ambiance. Gradually, Izira’s ethereal voice emerges. The setting is cold, dark, and uncertain, yet there is an irresistible allure, drawing you further down the mysterious path that lies ahead. Additional vocal layers intertwine with the music, building a rich complexity leading to a chorus adorned with strings. Like waves crashing against a shore, the listener embarks on a journey that alternates between darkness and light, a trance-like state you’d never dream to snap out of. Her lyrics remain dark, exploring chaos, deprivation, and hopelessness. Through her hauntingly beautiful vocals, she delivers the words “unreplaceable, irresponsible, unpredictable, irreversible”, which reflect the nature of destruction. Rather than searching for certainty and offering unwarranted hope, Izira resides in the unknown, setting her apart from other artists. She accepts reality for what it is by embracing the complexities of the human experience. As the next verse approaches, a distorted guitar soars in and out of focus as the song crescendos to its peak. With the entrance of the drums, listeners are transported into a lo-fi fantasy – magical, mystical and otherworldly. Every instrument is wonderfully curated to play together in perfect harmony, resulting in a dynamic yet mellow sound that is truly unique to Izira Burley. Such a song can only be described as a truly mesmerizing listening experience. “I Only Have The World” is available now. Welcome to BuzzMusic Izira. Your latest single, “I Only Have The World,” was mesmerizing, to say the least. Were there any influences that helped shape the style of music you created? Thank you so much; I appreciate that! There are a few artists that helped me discover my music style and the music I knew I wanted to make. Artists such as Muse, Billie Eilish, Evanescence, and King Mala are a few artists that have very similar sounds to the music I love to make. I'm inspired by Alternative and Dark Pop music. Walk us through your songwriting process. When I start a new song, the melody usually comes first. After establishing a general idea of the melody, I start the lyrics. I do a lot of things by randomly thinking of some lyrics and writing them down later whenever I feel inspired to keep adding to them. And that's usually how a lot of my songwriting process starts. Sometimes I start a song with just lyrics and create the melody later. But I feel like songwriting comes easily to me when it's a song I'm really in tune with and not a song I'm forcing myself to write and finish. What do you hope listeners take away or feel when experiencing your music? I hope listeners can feel my emotions when I wrote the song. I want them to be able to connect with my music and let the song speak to them. However, it does. I want them to have an emotional experience whenever they hear a song of mine, and they might even discover a new part of themselves after the song is over. What can your fans expect from you moving forward? Do you have any exciting projects in the works? I am starting to work on new music! I have some songs that I'm excited about and have been planning on for a few months! I'm also hoping that I get to start having a music video in the works soon. If you were an animal, what would you be? If I were an animal, I think I would be a dolphin. I love dolphins, they are my favourite animal, and I love the water. I always enjoy swimming, so as a dolphin, I would always be in the water! Lol. Instagram Twitter

Welcome to BuzzMusic Basil Panagop, and congrats on your latest single release, "Six AM." The single has a dreamy and ethereal quality. Can you share the inspiration behind the choice of instruments for this song and how they helped shape the overall sound? The song itself is about isolation and being in this state of insomnia. So coming from a more morbid context, a church organ immediately came to mind for some reason. It’s the first thing you hear in the song, and it almost sets the undertone of the whole song from the get-go. From there, it was about creating these dreamy textures that would almost visualize the state of insomnia, where you’re not quite awake or asleep; you’re just floating in limbo. The floaty elements also allow the percussion and bass to have more of a cutting impact when used, creating this sort of tension. I don’t know when I’m sitting down and creating the song; the music becomes the scenery that the lyrics live in; they give the words life. What was the inspiration behind the lyrics? The lyrics themselves describe a moment in time when I think I was very within myself in terms of an inner dialogue. Luckily Insomnia isn’t something I’m dealing with at the moment. Still, the song describes that inner dialogue you have with yourself as you try to find yourself at peace with yourself in a hard time, pulling yourself up from a state of self-imposed isolation. With the single taken from your upcoming debut album of the same name, "Six AM," how does this track fit into the overall narrative or theme, and can fans expect a similar sound throughout the project? Throughout the album, 3 main themes run through and interconnect. One is that the album runs in a 24-hour sequence, starting at 6 AM and ending at 6 AM. This can be heard as we run through the album's track listing. The album starts in a dream-like state, or waking up. Then as it moves along, it goes through the day (the first 3 songs), and at the midway point of evening/night, finally ending with the sun coming up. Each song's feel and subject matter will constantly change to reflect the time of day it signifies. With your unique blend of genres, engaging lyricism, and growing success, where do you see your career heading in the next few years? Are there any specific goals or milestones you'd like to achieve as an artist? First of all, thank you, that’s quite a compliment; I appreciate you. As for where I see myself taking everything in the next few years, I think it's about scaling everything up. Whether it be with the clothing, I’m making with my clothing line IVTPVIT or with the music. The goal is to scale it up. For example, with clothing, we want to do pop-up shops around Europe. Then for the music, obviously playing more shows, festivals, more in-detail music videos, etc., from A-Z, and all that is always at the forefront. But for me as well, it’s about doing it correctly and scaling up the production of what you’re doing without losing any of the quality that got you there. If anything upping the quality. Playing shows in front of larger audiences and rewarding them by creating an absolute spectacle with the live experience. I’m quite excited; it’s just about constantly pushing yourself out of your comfort zone, which creates growth. If you could collab with anyone now, who would it be? Outside of usual collaborators who I consider family (s/o J.P. Rose, Feux, Julian Schmidt, and Humble Film Productions). From a music perspective, I would love to work with Slowthai, FKA Twigs, Rick Rubin, Rosalia and Frank, amongst many others, just because I think our general styles could create a fantastic end product and because Rick is Goated. From a fashion perspective, I’d love to do designs for Adidas. I’ve always been Adidas growing up playing football and all that. So it’s a bucket list item. Especially sambas; I've been skating in sambas since youth. Plus, I need a new pair. Some dirtbag stole mine from the locker room in the gym about 3 days ago. Instagram Facebook